#Naoki Hattori

[footballmanageraddict]

Pentagon Pursuit | Part 12 | Niigata's All-Time Record Goalscorer

Sometimes in life, Robaato Rasamu mused, you can achieve too much, too quickly. Rasamu was in a pensive mood as he reflected on his Albirex Niigata side’s huge overachievement in the 2027 J1 League campaign. Indeed, their 3rd place finish led by a bunch of exciting young Japanese players had sparked interest from big teams across Saudi Arabia and Japan. However, the flip side to that was that…

[coimbrabertone]

The Golden Age of Japanese Talent in Western Motorsports

So, the heavy rumor at this point in F1 is that Sergio Perez's position at Red Bull has become untenable. An expensive release clause and a lack of a clear alternative has protected Perez for awhile now, but a truly dismal end to the 2024 season has meant Red Bull is willing to pay the price to get rid of him.

Not unlike McLaren with Daniel Ricciardo in 2022.

So, who is getting the nod to Red Bull?

Liam Lawson, it seems. This has pissed off a lot of fans, who feel that Yuki Tsunoda has performed well enough and has spent enough time at Alpha Tauri/VCARB to earn a chance at Red Bull.

Red Bull feels otherwise, and it seems to be because Yuki Tsunoda is at RB as a favor to engine supplier Honda, and Red Bull does not see Tsunoda continuing with them once they switch to Ford.

This got me thinking about Japanese drivers in motorsports, western motorsports in particular. I know that sounds just a bit orientalist and I apologize for that, but a variety of cultural, linguistic, and geographic factors have created a lot of barriers for Japanese drivers to come over here.

Japanese talent instead seems to focus on domestic competitions: Super Formula, Super GT, the Suzuka 8 Hour, etc, etc.

Meanwhile, Japanese talent in the west is most often associated with a Japanese manufacturer. This is what I want to talk about today.

An early prominent example of this is Satoru Nakajima, who Honda tried to put in a Williams in 1986. Frank Williams refused, reasoning that Nelson Piquet and Nigel Mansell was a much stronger lineup. Thus, Honda went to their other customer team in Lotus, and Nakajima was put into the car in 1987, partnering Ayrton Senna.

Ayrton won two races and finished third in the standings.

Satoru...did not. His best result was a fourth place.

Nevertheless, Satoru continued with Lotus in 1988, now alongside Nelson Piquet. Now, nobody was touching McLaren that year and Lotus slipped to fourth in the constructors' championship, but Nakajima was actually closer to Piquet than he was to Senna. Granted, he only scored one point, but in terms of pace and performance, he was a lot closer.

Satoru Nakajima - nor Aguri Suzuki, who also appeared in F1 around this time - didn't accomplish much, but they did pave the way for the 1990s, which would turn out to be a golden age for Japanese drivers in western motorsports.

On the Formula One side of things, we had Nakajima, Suzuki, Naoki Hattori, Ukyo Katayama, Toshio Suzuki (no relation), Hideki Noda, Taki Inoue, Shinji Nakano, and Toranosuke Takagi all made appearances.

A number of these guys, most prominently Shinji Nakano and Tora Takagi, would also make appearances in CART, where Honda and Toyota were engine suppliers.

The racing series where Japanese talent shined brightest, however, was Grand Prix Motorcycle Racing, now known as MotoGP. Here, Honda, Yamaha, and Suzuki made sure that Japanese manufacturers were well represented, and the 1997 season is probably the best example of that.

Australian Mick Doohan was dominant, yes, but behind him...the Japanese were all over the series. Teammate Tadayuki Okada won the Indonesian Grand Prix and finished second in the championship, whilst Takuma Aoki on a Repsol Honda entered NSR500V - a cheaper V2 variant of the V4 NSR500, meant for customer teams - finished fifth with three podiums.

Takuma's brother, Nobuatsu Aoki was third on another V4 Honda, taking four podiums and managing to just barely finish ahead of Repsol's Alex Crivillé, who was hampered by a midseason injury.

It wasn't limited to just Honda either, as Yamaha had the famous Norifumi Abe, who won three races himself - the 1996 Japanese GP at Suzuki, the 1999 Rio de Janeiro GP at Jacarepaguá, and then the 2000 Japanese GP, also at Suzuka - but was more known for wild and aggressive performances.

Norifumi was so famous at this point that a young Valentino Rossi used Rossifumi as his first nickname.

Before there was the Doctor, there was Rossifumi.

So yeah, in 1997, there were four Japanese riders in the top ten of the championship, and while none of them could quite match Mick Doohan, neither could anyone else back then.

So, what happened to all this?

That's the difficult question really. My first thought was that maybe it was the switch from 500cc bikes to the 990cc bikes of the MotoGP era. Perhaps the increased cost and professionalization of the grid reduced the number of Japanese riders.

The problem is that it doesn't quite hold true. Daijiro Kato in 2002 was shaping up to be the best Japanese prospect perhaps ever, before his career was cut short by a tragic death at the 2003 Japanese Grand Prix.

Did that death kill the Japanese stomach for motorcycle racing? I mean, maybe, but it sure didn't in the moment.

Abe was still around, as were Tohru Ukawa and Noriyuki Haga, while Shinya Nakano spent the mid-2000s dragging his Kawasaki into contention whenever he could, and Makoto Tamada won at Rio and Motegi in 2004 on the Camel Honda, giving us the first multi-win season for a Japanese rider.

It more just seemed to fade out over the course of the 2000s.

By the 2010s, Japanese participation in MotoGP was reduced to one satellite Honda rider and then maybe a wildcard ride or two from the Yamaha or Suzuki test teams at Motegi.

By the 2020s, that rider was Taka Nakagami, but for 2025, that seems to be changing.

The Idemitsu LCR Honda - the Honda reserved for Asian talent - will go to Thai rider Somkiat Chantra. Surprisingly though, this does not mean the end to a Japanese rider on the grid, as Ai Ogura has been signed by Trackhouse to ride an Aprilia.

A Japanese rider on an American team running an Italian bike.

This is a big deal, because it marks the first time in twenty years that a Japanese rider was picked entirely on merit, having denied a chance to go to LCR Honda to stay in Moto2 and prove himself.

And prove himself he did, because Ai Ogura won three races and the Moto2 championship in 2024. These wins were at Catalunya, Assen, and Misano too, so these are classic European venues.

He's not just a Suzuka/Motegi specialist, he might just be the real deal.

P.S:

So yeah, I've been reading up on 90s and 2000s two-stroke era Grand Prix Motorcycle Racing and I noticed how prominent and successful Japanese riders were, so I wanted to write about it. I wasn't sure where exactly I'd go with the blogpost from there, but I actually like how this one went, let me know what you think!

P.P.S:

Oh, and Offtopic Offseason...I liked writing that blogpost a lot and I think I'll do some more of those. I was thinking about alternating weekly between an Offtopic Offseason post and a regular motorsports post, but I think I'm just gonna leave it open to whichever I decide to do on a given Monday. This week I had something motorsport-y to talk about, next week I might, or I might not, we'll see.

I'm going to label and number all of the Offtopic Offseason posts, so you'll know exactly what it is once you see it post. I hope that's alright with all you guys.

[f1pictures]

Naoki Hattori  Coloni - Ford 1991

[morning-after-nightmare]

evil villain men are assigned the yee yee ass haircut and a built in love for turtlenecks

[plankos]

the guy

[brokensoulmates2000]

20th Century Boys and understanding Fukubei

TW: spoilers of 20th century boys.

Btw, my native language is not English so beware any mistakes :)

I like Naoki Urasawa's work. A lot. And I like noticing parallels. A lot too. So it's interesting to see how many of the ideas he used in 20th Century Boys pop up in Monster. The most important one probably being the identity problems his antagonists face.

You see, Johan and Fukubei share more than style. They are both men that barely understand themselves. Johan is a monster with no name and Fukubei is a man with no face. Their poor identity stems from the context they come from: one faced the aftermath of war and was the result of scientific experimentation, the other one lived through an era of hype for future progress that could never live up to its expectations. Now, in this... meta? Rambling? I'm not gonna do a deep dive on Johan cause there are far better essays analyzing him. I'm just pointing one of the many similarities between 20th Century Boys and Monster cause it's fun and I need an introduction before I dwell unto my subject: Fukubei.

On one of the first times he's introduced, he's showing his back to us while answering a question from his follower. Right there, he says he's Collins. We'll see this point being repeated over and over with him finally discussing it in far more detail the night he's killed in the science room. He's Collins because he was so close to the moon but never got the change to walk on its surface. He was overlooked and forgotten. No one ever paid attention to him.

It's clear what Fukubei wants: attention and recognition. The first person who notices him and spreads his story about the expo is Kenji and without him knowing, he gives Fukubei the thrill he was looking for: the feeling of being alive.

That's how Kenji became an important part of Fukubei's journey. He wants to be like Kenji and he wants his attention. I won't go into detail about their relationship cause I want to dedicate it its own post, but this is enough info for now.

To be honest I’m a bit inclined to believe Fukubei wanted friendship, but instead absorbed others. This all thanks to his poor grasp on his identity: he doesn't know where he ends and others start.

Also, let's note that Fukubei doesn't identify with either his name or Hattori. When he meets Sadakiyo, who is confused what to call him, Fukubei replies he should only call him friend.

And in that point the term "Friend" encapsulates Fukubei's emptiness. His lack of connection to his identity that it would only get worse as time went on.

This manga is full of motifs. One of the most important being the teru-teru bozu which captures the complex relationship between Fukubei's sense of self and his lies. The teru-teru bozu is introduced as a symbol of deception and tricks. Later we see many panels of Fukubei identifying with it.

Also -and this is me using the opportunity to share all of the screenshots I took of this manga- let's see when the narrative parallels him to the teru-teru bozu.

Just like Fukubei says when Sadakiyo asks why not draw a face on the teru-teru bozu: it's scarier without one.

There's a pretty big emphasis on how lies impact Fukubei's identity. They are there to compensate for his lack of identity. He believes his own lies and he later identifies with them so much being called a liar offends him. Again, let's see his reaction when Donkey calls on his bluff, and when he says to Manjome what he wants.

And...

Now, Fukubei refuses to acknowledge that the world is out of his control. Let's look at his death scene. How surprised he is of his own mortality. Another example is in chapter 172, one from his pov when he says "My dream is not a dream. It is not a dream, because it really will happen.” Look at the refusal to face the world.

Before I deep dive into a question I have about Fukubei, I would like to talk about the meaning of lighting a candle in the science room just to pay attention to Urasawa's amazing use of symbols. When Donkey steps into the classroom, he reveals Fukubei's miracle to be a trick. When Yamane waits for Fukubei in the classroom to kill him, he reveals him as a liar. Both Yamane and Donkey are men of science, lightning a candle in the middle of the darkness to dissipate the illusions and bring back reality.

Also, they both killed Fukubei in a way. Donkey by ruining Fukubei's miracle and Yamane straight up killing him.

In the science room Fukubei "died" and Friend was born. Friend is this persona, this literal mask people with shaky identities use to hide behind it. After Donkey ruined Fukubei's act in front of his group, Fukubei takes refugee in Friend. Friend is on top of the chain. He is the leader of the cult, the world president, the one who foresees the future. And by merging with him, Fukubei validates his own existence through the validation of his tricks as this persona.

And this mergence was doomed to happen. To hammer the importance of lies for Fukubei's identity before becoming Friend, let's see this panel of Yamane in the science room.

I know many people are intrigued about Fukubei's Friend, but I like Fukubei's backstory more. Especially when we start talking about The Hanging Hill, and a question that pops up while reading that part. Why can't Fukubei see the real ghost?

There are many ways to interpret the scene. The most logical being that maybe this part is there to remind us of Fukubei's inability to see the truth. But was this inability predetermined? Did he develop it? Does this mean that because he can't see the truth, his path was doomed to only see lies? How much agency would he wield in that case? From this reading, some readers might infer that Fukubei is probably mentally unwell. Personally, I'm not a fan of diagnosing characters with something. Maybe because if the story doesn't explicitly say what the character has (in that case, I can judge or seek others to judge how accurate the representation is), the writers code their characters with an agglomeration of characteristics from different mental disorders. Honestly, I won't dip my toes in these waters. Just a thought that occured while reading.

By the way, what Kenji, Occho and Sadakiyo saw in that room was a noppera-bo: a faceless ghost.

In case I forget this in my next essay about Katsumata, it's interesting how just like him, Fukubei had to die before Friend was born. Kinda highlights the unspoken importance of personas in this manga and its influence on the world.

Finally, this leads me to the heart of this post and the next ones: 20th century boys take refugee in Friend. Behind his mask, these men hide their fickle identities and their disillusionment of the future by trying to turn it into what they desire it to be. One of the most important themes in the manga are the acceptance of reality and the process from childhood to adulthood. Will you hide from reality and force the world to bend to your desires? Or will you accept the world as it is and take responsibility for your actions?

One last thing: I love how Urasawa tears down the image of Friend and shows how pathetic and sad the lives of those men behind the mask were. And all of this without justifying their actions. Urasawa doesn't let Friend's lies captivate the reader. He shows the ugly truth behind it. Many times in media, we mistify evil. Maybe because it is in its very nature to be mistified or maybe its in ours to mistify it. Either way, we understand what caused the birth of this persona and maybe for all us, 21st century people, this is the best advice we can receive from someone from the past century.

[coralsunspear]

My dear Kenji.

[anna-luria]

and stealing your identity

[how-to-be-an-idiot-101]

New thing i’m gonna be doing

so i will be doing some updates and head cannons with my ocs since i’m being more active on this app. All of my ocs are for MHA and i have a total of 100 ocs. here is the list of them:

Akari honoka- 

Arata nakamura- 

Himari machiko- 

Hana hinata- 

Hideaki sadeo- 

Itsuki tomoharu- 

Kira emiko- 

Kiyomi kokoa- 

Kobayashi rora- 

Lilly flores- 

Minoru naoko- 

Mistura misturu- 

Nobu noburo- 

Rekkusu tsuchida- 

Rufu naoki- 

Ringo shig- 

Sakiko sayo- 

Sousuke kaharu- 

Waku miyabi- 

Yuki yutaka- 

Amestsuchi hamakawa- 

Chiyo hoshi- 

Hitomi mei-

Haruto tsubasa- 

Izumi kazuno- 

Kana koemi- 

Kyoji okimoto- 

Maeno abe- 

Makiko souta- 

Midori maui- 

Michio norio- 

Mitsuzuka kazetani- 

Miyu toshiaki- 

Ryuu norio- 

Shigochiyo kumanosuke- 

Takehide yaginuma- 

Tama shuji- 

Toya tsuneo- 

Tobei katsuragi-

Tsuramatsu yoshiteru- 

Akabashi genbu- 

Akamatsu eiji- 

Akimoto miki- 

Bashira hachi- 

Chikakazu adachi- 

Genjiro haruki- 

Harumi ayame- 

Jenpei kaichi- 

Karin kiyo- 

Kota tetsuya- 

Manami ren- 

Minato ichika- 

Nao miki- 

Riku honoka- 

Rui shichi- 

Sakura akiya- 

Sumiko yoroizaka- 

Wakana murayama- 

Yochi ayame- 

Yukio kazuno- 

Hachiro seito- 

Hattori kaito- 

Kioshi suzuki- 

Kimko hairi- 

Kouki asahi- 

Masato kikuchi- 

Mas lmai- 

Saburo miki- 

Suguru osako- 

Hotoke zenaku- 

Azami kazumi- 

Danuja haruka- 

Masumi kura- 

Kenji seiji-

Ryuichi saturu- 

Sakiko toki- 

Satou takahashi- 

Takara sora- 

Tsuki seiki- 

Yoahino shun- 

Akumu chi- 

Kazuna kaeke- 

Minori nobuyuki- 

 Osamu rokuro- 

Raiden sora- 

Rin fuyu- 

Tor yumi- 

Torao yasha- 

Yami kuro- 

Yoru akuma- 

Hideo honoka- 

Yutaka miki- 

Hotaru ayame- 

Ito mori- 

Keiko emiko- 

Keita shitara- 

Sato kobayashi- 

Saki ayame- 

Shimizu matsumoto- 

Yuina honoka- 

so these are all of my characters name’s some of them are still in the processes of being devolved, but feel free to request a headcannon. p.s. ill update you guys of the characters development.

[weebuibu]

All about anime in India

Indians are actually not new to anime; many people may not have realized but they’ve been watching it since their childhood. The famous anime Dragon ball-z, Naruto, Bayblade, Pokemon and even Doraemon and Ninja Hattori are actually Japanese animated series.

The misconception that Japanese anime is just “Cartoon” and is meant for kids is extremely wrong. I agree that anime’s like Doraemon or Ninja Hattori is targeted for children but Japanese anime industry is more than that. 

It’s a huge industry! name any genre, and you’ll find a lot of anime series under that. Nowadays, because of the OTT platforms streaming anime’s, the audience in India is more familiar and are watching, and appreciating them. 

This industry has created several masterpieces that has actually been adapted by many foreign movies. For example, the movie Inception directed by Christopher Nolan is actually inspired by Paprika a 2006 film directed by legendary Satoshi Kon, the movie Ghost in the Shell directed by Rupert Sanders is remake of an anime movie with the same name. These movies were extremely good, I recommend watching it. 

I got into watching anime because of my friend who insisted me to watch Death Note. For my little brain, it was a really intense anime with much psychological study and amazing characters. I never knew that animated things could be such intense, in India we have cartoons like Chota Bheem, Mighty Raju, Motu Patlu etc. I was lucky enough to grow up in the age where the most popular cartoons (which were anime series, but back then I didn’t know) were Bayblade, Pokemon, Digimon etc. These anime’s were more focused on children under the age of 15. But a series like death note which is targeted for 13 and above, completely blew me away. I was getting introduced to a whole another genre. Ever since then, I have explored a lot more anime’s. While some were disappointing, others and majority of them were just masterpieces. Like “Ghost in the Shell” a steel body with the brain of a human, it explores what it really means to be an individual. Another example, one which is my favorite “Monster” written by Naoki Urasawa, is like a psychological character study involving many characters, and all of them are important! as the story progress we see, and empathize with them. Like Johan Liebert, one of the main characters with very less screen time, yet the most important character. He’s a product of psychological experiments done to him when he was a child by the govt to turn small children into perfect soldiers, or Dr Tenma the one who believes in equality of every life yet, wants to eliminate Johan. Another interesting character called Detective Lunge, who’s addicted to his job, and avoids his family because of that. And Eva Heinemann who was initially Dr Tenma’s fiancé but later breaks up with him and blames all her failures on him, she becomes alcoholic, develops hatred towards Tenma yet helps him in several instances, even though we know the bad side of all these people but it’s made in such a way that we are compelled to empathize with them, all of them are very well studied. That’s not it, the story has several sub-plots, all of them are like a philosophical study. It explores the evil and good, human rights, free will, hatred, loneliness and many more. All this is told in a unique way. Another anime called “Paranoia Agent” focusing on Mass Hysteria with such an odd storytelling, every episode new and has different protagonist, its chaotic to watch and of course, is a brain twister. These all anime series are amazing and absolutely worth a watch. We can see the effort put in by the creators and the music composers as well. 

Now, you may want to ask if anime’s are so good, then how come its banned in so many countries? Well, there’s always good and a bad side. Sure, there are a lot average and garbage anime as well. But anime’s which are good, should not be overlooked! But we should also address the bad side of it. There’s a lot of anime series with mature content in it, the real reason they get banned anime is because of the sexualization of female characters which resembles as an under 18. These anime series are not mainstream but there is a fair amount anime which features characters who has child-like characteristics and is been sexualized. 

This type anime comes under their own genre. But it still falls under an offense. Some countries have been trying to control that as well, by banning only problematic anime’s or all anime series. Some people came up with the argument that since, they’re not real characters it should not matter, if they consume that type of content that does not necessarily mean that they are pedophiles. Personally, I’m not convinced with this argument. But everyone has an opinion. 

Obviously, this problem should be handled and all anime shouldn’t be banned since these types of anime does not represent all anime. There are a lot of gem out there that everyone should watch or at least attempt to watch or even if it’s not a gem anime is just generally creative and fun to watch 

[footballmanageraddict]

Pentagon Pursuit | Part 11 | Seven-Way Title Fight

#FM24 #PentagonPursuit Part 11: Seven-Way Title Fight. #J1League newcomers #AlbirexNiigata find themselves involved in a title fight with Japan's big boys. But can they secure continental qualification for the first time? Read here:

Albirex Niigata were off to an absolute flyer in Robaato Rasamu’s first season of top-flight football. They found themselves 2nd in J1 League after 18 games but, with injuries and a heavy schedule stacking up, it would be a major challenge to maintain that form. They were mid-way through a tough schedule of eight matches in 27 days through May, which continued against several teams in the top…

[otome-is-my-life]

Routes

Here I’ll compile a list of all the routes I’ve played along with which game they came from. I’m definitely missing a lot but only because it’s been so long since I played them and cannot remember which routes I have and haven’t played. Enjoy ig

Current Routes:

Vincent (IkeVamp)

Masamune (SLBP)

Motonari (IkeSen)

Completed Routes:

Ikémen Sengoku:

Nobunaga Oda

Ieyasu Tokugawa

Masamune Date

Mitsuhide Aketchi

Yukimura Sanada

Sasuke Sarutobi

Mitsunari Ishida

Hideyoshi Toyotomi 

Shingen Takeda

Kennyo

Kenshin Uesugi

Samurai Love Ballad: PARTY:

Yukimura Sanada

Ieyasu Tokugawa

Mitsunari Ishida

Kenshin Uesugi

Nobunaga Oda

Mitsuhide Akechi

Hideyoshi Toyotomi

Kageie Kakizaki

Shigezane Date

Ikemen Vampire:

Leonardo da Vinci

Napoleon Bonaparte

Wolfgang Amadeus Mozart

Isaac Newton

Jean d’Arc

Cinderella Phenomenon:

Karma

Rumple

Rod

OZMAFIA:

Axel Pure Love (vs. Caramia)

Scarlet

The Amazing Shinsengumi: Heroes In Love:

Soji Okita

Hajime Saito

Shinpachi Nagakura

Wizardess Heart+:

Elias Goldstein

Klaus Goldstein (+Sequel)

Randy March

Joel Crawford

Glenn Qing

Leslie Roseblade

Zeus Brundle

Klaus II

Hiro Tachibana

Modern Cinderella: (Discontinued)

Zack Wright

Rudolf Oak

Robert Moore

Lost Alice: (Hiatus)

Luke Estheim

Kyle Knock

Joker Braze

Sidd Rex

Chronus Carlyle

Spinner of Tales

Blood in Roses: (Hiatus)

Alfred

Daniel

Rogan

Finn

Ioannis

Destiny Ninja: (Complete)

Goyo

Enya

Mizuki

Benkei

Hattori

Hyunga

Yoshitsune

Hyosuke

Sohma

Destiny Ninja 2: (Discontinued)

Kaito

Kikyo

Shiroya

Hattori

Ran

Love Tangle: (Hiatus)

Ryan Gray

Cody Gray

Miguel Hernandez

Nolan Zarek

Naoki Hozumi

Carlo Mazza

Timo Salminien

Princess To Be: (Discontinued)

Ryo Kiryu

Souta Shinohara

Cafe ma Cherie: (Discontinued)

Alex Rhondhurd

Luca Lindburg

Love Ice Rink: (Discontinued)

Hayato Misumi

Kisara Izumi

[leenaevilin]

[Update]『イナズマイレブン アレスの天秤』THE STAGE～疾風迅雷～ (inazuma eleven ares no tenbin the stage ~shippuujinrai~)

the show will be running from May 1st, 2020 to May 31st, 2020 (Tokyo) @ Mixalive TOKYO Theater Mixa

Cast:

Sugiyama Mahiro as Inamori Atsuo (稲森明日人) Hatakeyama Shion as Kozoumaru Sasuke (小僧丸サスケ) Sukegawa Magura as Gouji Tetsunosuke (剛陣鉄之助) Kawamura Reo as Michinari Tatsumi (道成達巳) Nakahara Hiroki as Mansaku Yuuichirou (万作雄一郎) Kobayashi Reo as Kirina Hiura (氷浦貴利名) Genma Tesshin as Hattori Hanta (服部半太) Katou Masato as Chou Kinun (趙 金雲)

Inaba Takumi as Haizaki Ryouhei (灰崎凌兵) Yusa Wataru as Kidou Yuuto (鬼道有人) Nakata Ryouta as Mizukamiya Seiryuu (水神矢成龍)

Komatsu Yuu as Nosaka Yuuma (野坂悠馬) Niimi Naoki as Nishikage Seiya (西蔭政也)

Nanbu Kaito as Gouenji Shuuya (豪炎寺修也)

homepage natalie 2.5news enterstage

[leenaevilin-birthday-calendar]

[September] J-Actors Birthday Calendar

♪ September 1st

◎ Akatsuka Atsunori 赤塚篤紀 1975

◎ Daigo Koutarou 醍醐虎汰朗 2000

◎ Miyazaki Shouta 宮崎翔太 1989

♪ September 2nd

◎ Katou Keisuke 加藤慶祐 1988

◎ Kitamura Kento 北村健人 1993

♪ September 3rd

◎ Ikeoka Ryousuke 池岡亮介 1993

◎ Kobayashi Ryou 小林涼 1990

◎ Miyashita Yuuya 宮下雄也 1985

◎ Miyazaki Shuuto 宮崎秋人 1990

♪ September 4th

◎

♪ September 5th

◎ Ueda Keisuke 植田圭輔 1989

◎ Wada Masanari 和田雅成 1991

♪ September 6th

◎ Fujita Rei 藤田玲 1988

◎ Ichikawa Tomohiro 市川知宏 1991

◎ Konishi Seiya 小西成弥 1994

♪ September 7th

◎ Yamazaki Kento 山崎賢人 1994

♪ September 8th

◎ Tsukayama Hisanao 津嘉山寿穂 1994

◎ Yaguchi Sora 矢口空 1985

♪ September 9th

◎ Katou Mao 加藤真央 1987

◎ Marukawa Takayuki 丸川敬之 1983

◎ Satou Yuusaku 佐藤友咲 1990

◎ Shinzato Kouta 新里宏太 1995

◎ Takemura Hitoshi 竹村仁志 1987

◎ Yokota Ryuugi 横田龍儀 1994

♪ September 10th

◎ Kamiyama Ryuuji 上山竜治 1986

◎ Maniwa Ryousuke 馬庭良介 1986

◎ Matsuda Shouta 松田翔太 1985

♪ September 11th

◎ Ino Hiroki 猪野広樹 1992

◎ Isomura Hayato 磯村勇斗 1992

◎ Masao 真佐夫 1986

♪ September 12th

◎ Lansbury Arthur ランズベリー・アーサー

◎ Masuda Yuuki 増田裕生 1979

◎ Sasa Tsubasa 笹翼 1995

◎ Tabuchi Rui 田淵累生 1995

♪ September 13th

◎ Hattori Muo 服部武雄 1989

◎ Kuge Kyouhei 久下恭平 1991

◎ Matsuda Ryou 松田凌 1991

◎ Seto Yuusuke 瀬戸祐介 1985

◎ Wagou Shinichi 和合真一 1986

◎ Watanabe Kazuki 渡辺和貴 1985

♪ September 14th

◎ Akisawa Kentarou 秋沢健太朗

◎ Ishigami Ryuuya 石上龍成 1996

◎ Ishizaka Isamu 石坂勇 1962

◎ Kitano Satsuki 北乃颯希 1995

◎ Narimiya Hiroki 成宮寛貴 1982

◎ Sunahara Kensuke 砂原健佑 1990

◎ Toman とまん 1993

♪ September 15th

◎ Kihara Rui 木原瑠生 1998

◎ Maeda Tsuyoshi 前田剛史 1990

♪ September 16th

◎ Maeda Taishou 前田大翔 1995

◎ Yokohama Ryuusei 横浜流星 1996

♪ September 17th

◎ Aoyama Souta 青山草太 1979

◎ Fukuyama Seiji 福山聖二 1990

♪ September 18th

◎ Sorihashi Souichirou 反橋宗一郎 1987

◎ Tachibana Ryou 橘りょう 1991

◎ Washimi Ryou 鷲見亮 1979

◎ Yamada Yuuki 山田裕貴 1990

◎ Yamamoto Yuuhei 山本侑平 1987

♪ September 19th

◎ Suzuki Masaya 鈴木雅也

♪ September 20th

◎

♪ September 21st

◎ Katou Shou 加藤将 1992

◎ Takasaki Shouta 高崎翔太 1988

◎ Tomida Daiki 富田大樹 1987

◎ Udagawa Tsukasa 宇田川宰 1994

♪ September 22nd

◎ Takenaka Ryouhei 竹中凌平 1993

♪ September 23rd

◎ Kimura Ryou 木村了 1988

◎ Matsukawa Takanori 松��貴則 1991

◎ Takagi Kyoushirou 高樹京士郎 1986

◎ Yoshizawa Tsubasa 吉澤翼 1994

♪ September 24th

◎ Adachi Hideaki 足立英昭 1993

◎ Imata Taira 井俣太良 1975

◎ Yanagisawa Takahiko 柳澤貴彦 1987

♪ September 25th

◎

♪ September 26th

◎ Tanaka Naoki 田中尚輝 1995

♪ September 27th

◎ Masuda Tomoya 増田朋弥 1996

♪ September 28th

◎ Arisawa Shoutarou 有澤樟太郎 1995

◎ Hagio Keishi 萩尾圭志 1994

♪ September 29th

◎ Kunogi Takashi 久野木貴士 1986

♪ September 30th

◎ Nishijima Takahiro 西島隆弘 1986

[plankos]

This is the truth

[kinkshame-this-asexual]

Ayu x Naoki

9 - I REALLY like this ship and it should be/is canon!

cute library dates ahoy

(actually a mix of 7&9 but ill just put 9)