#Namie Amuro - Come

[bulecelup]

Resolve

[nakamorijuan]

安室奈美恵 - カム Namie Amuro - Come Inu Yasha - 7th Ending Theme

[dogstarblues]

inuyasha really had bangers on that soundtrack

[muzdiir]

the intro song for the whole cake island arc is a banger & i was wondering like why???? its namie amuro. u kno, of inuyasha fame.

"oh but what about eps 493-516??? that's also namie amuro"

u see. 95% of the time i skip the intro bc 90% of the time the intro is bad. & im impatient.

[lilly-chou-chou]

Evolution of Gyaru

Hello everyone the long awaited post is here!! Sorry for the delay I has gone back to my he country to celebrate Lunar New Year.

As we all know Gyaru was and still is one of the most important fashion movement in the history because it's roots of opposing the "good girl" and "submissive" societal views of women that Japan had imposed into them.

During 90's with Namie Amuro being the first idol ever to popularize the Gyaru culture created a huge wave of community in all over Japan which eventually created many subcultures under it, over the years gyarus blossomed for 2 decades heavily but around early-mid 2010's the culture slowly died because people were now really trying to shun them out of the society, gyarus was losing it's popularity and old gyarus were getting to age of finding jobs or trying to get married yet the culture is still alive. There have been multiple support and love coming from international fans too.

Egg magazine, which is holy grail for us gyarus followers is still up and running to this day <3

Today i'll show you just a little glimpse of modern gyaru. Hopefully this will help new followers too.

Gyaru of the past:-

So let's start with how gyarus are usually seen, pictures below are gyarus from their peak eras so definitely from 90's to 2000's. They are all different subcultures but they all have one thing in common the eye makeup, gyarus were and are still known for their beautiful luscious eye makeup. They are what you call

They were our guide, our mothers and everything! Gyaru has always been the most supportive community to ever exist, over here women were allowed to cuss, they were allowed to be brash, they were allowed to have male friends without the judgement of two goody shoes with insecurities, they were allowed to wear clothes that liberated them doesn't matter short or modest.

People often forget that gyaru exists more than manba, agejo and kogal, few of the modest and lesser knows subcultures are amekaji and roma gyaru, although amekaji is is blue eyed perfect grass is greener on the other side take of American inspired fashion. Either way it is one of the most fun subculture to exist.

We as gyaru followers ow everything to these past mother figures, without them and without brands like alba rosa, D.I.A and MA*RS we and egg Magazine teaching us what? How? And why? We would never thrive in this era. We owe it to them all even after decades and decades the magazines, scans and tutorials on YouTube by the OG gyarus have done it all <3

Modern Gyaru:-

The pictures below are the present models of Egg magazine. The last OG gyaru issue was stopped in 2014 which was Egg last physical print of magazine but in 2018 Egg came back as online magazine.

A lot has changed in gyaru world. Long gone are the days of owning specific clothing brand or even wearing clothes that resemble even the least of typical gyaru fashion. The only key point which hasn't changed is eye makeup because that is utmost necessary thing for a gyal to have.

Over the years of almost dying to again alive fashion culture the meaning of gyaru has changed a lot, from dressing like the OG gyarus we have now evolved to the whole "gal is mind" mindset, now in this era dressing up as gyal doesn't mean that much because you can still have pointy acrylic nails, iconic eye makeup, wear casual clothes and still be a gyaru.

These days even the gyaru slangs have changed so much like instead of poyo, atonsu, pachikoku now we use yarirafi, kyun-desu, daijuobu-so?, tobu-zo and so on.

Although there are egg models that still somewhat follow OG gyaru fashion like @ / mahiroisme (left) and @ / kae. 06256 (right) on IG.

Conclusion:-

By this post I just wanted to show that as time passes it is inevitable that everything changes and fashion changing is a no brainer. What is hate is companies capitalizing and making their own rules for lure in newbies gyals who would do anything to "fit in" and ring the nostalgia bell for old gyarus and all I have to say is that no, you don't have to spend 100-500$ on eBay trying to find the OG gyaru brands because you can definitely wear your own casual clothes and still be a gyaru because if egg magazine who raised whole generation of x gen, millennials and Gen Z of gyarus then who are we to judge them?

Although if you still wish to dress up like OG then I definitely recommend finding clothes that match the subculture that you want to follow for example I follow agejo, Tsuyome and kogal so I shop in Amazon, local stores, Instagram stores, I order clothes fr abroad the most helpful and fast way to do that finding a vendor and my vendors are all from Instagram. Hope this helps.

I will meet you all in my next post bye gyals <3

[run2yujin]

...🌊🐚🥥🫧

[necromii]

✧✦ Inuyasha Graphics.

For Day 03 of @firstgf's event. An Edit Based on a Childhood Interest.

Text is lyrics from Come by Namie Amuro "気づいて あなたは この世界で ただひとりだけの 大切な人" / "I realized that you were the only precious person in this world".

[whereistheforestx]

Come ♡

[sushishawty]

🖤🩶🤍୭ ˚.⁺⊹ .ᐟ

[sneek-m]

"Paradise Train" by Namie Amuro with Super Monkey's [single, 1994]

The news of the next asadora in the fall to star a teen gyaru girl was a delightful pop twist especially when the asadora at time of the announcement had been delving into increasingly heavy matters concerning law and politics in the post-war period. And it only took the first week of the show for Omusubi to feature some unforgettable Heisei memorabilia. When main character Yui Yoneda (Kanna Hashimoto) stepped into the dormant room of big sister Ayumi (Riisa Naka) for the first time, I couldn’t take my eyes off of the huge promo poster of Namie Amuro’s “Body Feels EXIT” single that hangs on the wall.

Omusubi wrapped up week 5, where the show spent its 5 episodes mostly going over the back story of the Yoneda family and their experience from the Great Hanshin Earthquake of 1995, and being a big fan of ‘90s J-pop, I couldn’t stop thinking about a particular scene: mourning the death of her best friend Maki from the disaster, teen Ayumi stares silently out the window while listening to her Namie Amuro singles on a CD player, the music leaking from her earbuds.

A flashback before had Maki give Ayumi the very disc of “PARADISE TRAIN” that she had in her CD player. Ayumi wasn’t familiar with the pop singer’s name when her best friend showed her the single, and as inconceivable it might seem to a J-pop fanatic like me for Amuro to be seen as a nobody, it’s really no fault to her. Still then on the come-up with her group SUPER MONKEY’S, the idol would have at least another year of grinding until she would be recognized as a star. The future icon seems to have had enough buzz in 1994, though, for a preteen girl like Maki to be hip to her music. “She’s going to be big,” Maki would tell her friend, but she wouldn’t be able to see it for herself.

As Ayumi continued to be shut in her room, her Namie Amuro collection has slowly grown and more fashion magazines start to pile up. Then before her first day of high school, she comes down the stairs with loose socks, make-up done and her hair dyed blonde. Her father is appalled and furious, ready to yank her to dye her hair back to natural black. But as he as a parent might see her straying completely away from the correct path, you imagine this is where she’d end up even if things supposedly had gone right. If the Earthquake had never happened, if she still had her best friend, she’d still likely be under the influence of the music, fashion and culture introduced to her partly through her best friend's favorite artist Namie Amuro. If anything, this is her holding on to what she once had, engaging in the things she would have with her late friend as if she never left.

Much of Omusubi so far has been spent dealing with the perception of gyarus in the public eye. The impression of them during the late 90s, when Ayumi first steps into gyaru-dom, persists in the show’s present day of 2004 when high-school freshman Yui befriends a crew of gyarus of her age, who are together keeping alive the circle once led by Ayumi. Like Ayumi’s father toward his own older daughter, nearly everyone in the community writes them off as street kids who are up to no good, but as the asadora takes time to tell, the gyarus got their own reasons for being who they are and sticking together the way they do. Some are neglected by their family, some struggle to get by. And some are led into this by the memory of their loved one.

[strawberrystepmom]

[appears]

20th Anniversary

Namie Amuro: Style (2003.12.10)

There are at least four distinct eras in Namie Amuro's career: 1) her initial debut with the idol-ish super eurobeat/dance group SUPER MONKEY'S (which spawned the group MAX) from 1992 to 1995, 2) her major debut as a solo artist with Avex Trax in 1995, kicked off by the single "Body Feels EXIT," through to the height of her popularity as a leading figure in the J-pop industry alongside producer Tetsuya Komuro until her abrupt hiatus in 1997, 3) the awkward, not-very-well-received comeback and transition to post-TK R&B, which saw the lowest sales numbers of her career, and lasted roughly until the release of Queen of Hip-Pop in 2005, and 4) her meteoric rebound, transition back to dance-pop, and the cementing of her status as a legend, until the abrupt announcement of her retirement in 2017. There are a lot of mini-moments within these eras, and many parts overlap so that it's not exactly seamless, but that's the gist of it.

While Namie's comeback was one of the rarest in music history, the factors that led to the initial nadir are just as interesting and numerous. For one, she had squandered the goodwill of the public by engaging in activity that was frowned upon in Japan at the time: she hooked up with a backup dancer, got pregnant, got married, got tattoos, and got divorced, all within the space of a couple of years. On top of it, Namie's success was tied to that of her producer, the mega-popular and prolific Tetsuya Komuro, who was basically running a personal empire in the 1990s. While Namie's popularity and success was never due solely to the music he was writing for her, it was an enormous contributing factor to her sales numbers. TK's brand of pop was the defining style of the 90s, with no one better able to pry open wallets in what was the CD format's most lucrative era. But just as quickly and completely as he ruled hearts and charts, his music fell out of style, also as a result of several factors (mostly the rise of singer-songwriters and R&B/hip-hop in the mainstream, and personal issues involving everything from tax evasion, to drug rumors and a wild romantic life). Namie teaming up with him again for her immediate comeback never stood a chance against so much drama. So major changes were made when Namie ditched the Komuro baggage, taking the plunge with new support -- Dallas Austin, m-flo, ZEEBRA, even Teddy Riley -- into the world of R&B and hip-hop.

This brave step didn't immediately produce amazing results: if anything, Namie's early forays proved lackluster and indecisive on albums like GENIUS 2000. It wasn't until 2003's STYLE that she finally and fully committed to the change. Gone were the days of chasing the chance and dreaming that she was dreaming, Namie was now putting up her dukes, wishing on the same star, and shining more. The songs on the album were all heavily influenced by contemporary Western trends of the time, especially Black hip-hop, fashion, and culture. The early 00s was still the era of P. Diddy, Jennifer Lopez, Nelly, Busta Rhymes and Missy Elliott, and in some ways, STYLE samples sounds from all of these artists in different ways, with the inclusion of a few softer songs, such as "Four Seasons," "As Good As," and "Come," which were deliberately added for variety. But for the most part, the album is built on beats, bars, and rhymes. This was still a fairly new thing to see in the Japanese mainstream, and certainly by an Avex Trax artist -- for comparison, Ayumi Hamasaki had just released her rock opus I am..., while RAINBOW merely dipped a toe into R&B on a song like "Real me," Ai Otsuka was less than a year out from releasing LOVE PUNCH, Hikaru Utada was actually going softer and more art-pop with Deep River, and both BoA and Kumi Koda had just debuted in Japan with LISTEN TO MY HEART and affection respectively, which stayed squarely on the softer R&B/pop side of the fence. Only Crystal Kay, HEARTSDALES, and maybe DOUBLE were a step ahead of Namie, but I would argue that STYLE and Namie's involvement in projects like SUITE CHIC really let the sound transition into the broader and bigger Oricon mainstream, prompting a rash of copycat records.

Even so, STYLE did poorly. It still hit #1 in its first week, but it stands as Namie's least popular record with the fewest sales numbers to this day. It does, however, have something of a cult following by fans who now look back at the early 00s with nostalgia. Personally, I didn't like this album when I first heard it -- its lack of pop and dance music, which I was used to hearing from Namie, coupled with what seemed like a desperate bid for relevancy in a genre that I wasn't particularly interested in at the time, turned me off from spending much time with it. Nowadays, I dislike this album less -- there are songs on here that I actually really like. My only real caveat is that the album is split too abruptly at the halfway point between the bangers and the non-hip-hop tracks. In hindsight, STYLE is clearly Namie still getting comfortable in this milieu, and it's especially obvious next to albums like Queen of Hip-Pop and PLAY that were more successful at capturing something both influenced by hip-hop and unique to what only Namie could bring.

This CD album comes in a standard jewel case with an OBI and a booklet that features additional photos and lyrics. First press editions featured two exclusive bonus tracks: a remix of "SO CRAZY," and an alternate version of "Wishing on the Same Star." For me, this album is more interesting for what lead to it, what it lead to, and what it said about the state of Namie Amuro and J-pop at the time. It's not great, but it's not nearly as bad as I remember it being. Avex Trax, of course, would politely disagree, largely ignoring it on the career-summarizing compilation album Finally (only "SO CRAZY" represents). After something as tentative and a bit try-hard as this, the world was not ready for what was coming down the pipe with Queen of Hip-Pop, making that era all the more wild and magical.

Catalog Number: AVCD-17372

[kinipoyo]

welcome !

hiii ! i'm niki (she/her)

this is my online diary :) i will reblog and post random things about my day and life in general, things i like and many more. i may not be as active as i'd like to be because of college </3 i'll still try my best though !

some facts about me

i'm polish but living in the uk

my favourite music artists currently are amuro namie, perfume, and tommy february6

i like fashion, music, sanrio and the colour pink

i'm always looking for new interests/hobbies to get into so go ahead and give recs !

i enjoy talking to people so if anyone wants to chat, come and talk with me ‎♡‧₊˚₍ᵔ.˛.ᵔ₎₊˚⊹♡

my other socials

tiktok, instagram & pinterest : kinipoyo

that's pretty much it about me :)

have a nice day,

logging off - niki ♡

[raymencranpin17]

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[raymenpin61]

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[zambogirlpiano]

InuYasha ED 7 - "Come My Way" - Piano Tutorial [BEGINNER]

🍥This is a #synthesia #tutorial of “Come My Way” from #inuyasha

📻Source ▶Anime: InuYasha

🎼Credits ▶Artist/Band: Namie Amuro

🎹Sheet music ▶Patreon: patreon.com/ZamboGirlPiano

I accept song request in Patreon

Subscribe and like if you want to see more of my Tutorials. Leave a comment to help the channel ~ Bye