#NOTHING MAKES ANY SENSE??????

[literallygwenandjinx]

Y’all I just got done watching cobra part season 6 part 1 episode 5 last night and WHAT THE FUCK WAS THAT????

[marciaillust]

almost blown out bsky / twt / ig

[a-scary-lack-of-common-sense]

Me when I really want to draw fanart for a fandom because it looks so cool, but I haven't the slightest idea about any deeper lore than surface level plot and symbolism

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[trashyshrew]

[thedreadvampy]

Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.

"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."

translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"

It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!

very this

[s0fter-sin]

kneeling is a broad term for what ghost does with price

surrendering is slightly more accurate but even that doesn’t hope to touch the sheer desperation in the way he clutches at him; his body bowed low at his feet, his legs latched around one of his, hugging it so tightly to his chest his arms shake as he digs his face into his thigh

it’s only here that he can finally give in to the screaming; to the distant voice he strangles into silence every day of his life. the one who begs him to make himself as small as possible; do everything he can to hide from the ever encroaching demons growling and salivating at his heels

it’s only here, in the dark of price’s barracks, hidden by a bed at his back and a wall to his front, that he finally lets himself stop running; only between solid combat boots and worn fatigues does he let himself tremble and admit to the choking fear

he’d break open price’s chest if he could; crawl past his gushing viscera and curl up under his ribs, hidden in the warm dark

ghost clawed his way out of the grave with broken nails and gritted teeth but he wouldn’t mind being buried again if it meant being cradled in the safety of price’s insides. his warm blood and soft lungs would blanket him, mask the stench of his rotten flesh until he could even convince himself that, maybe, he too was still alive

he shifts, unnerved by his own longing, and price runs his hand over the crown of his mask the same way he’d card it through his hair until he settles once more

he grounds him over the long hours it takes for his white-knuckled grip to relax into a loose hold; for his face to stop grinding into the meat of his thigh and simply rest in his lap, his bracketing legs the only thing holding his lax body up as he floats, untethered by fear

[coldbycrossfade]

MAN THAT REALLY COLORS THIS RESPONSE IN THIS CONVERSATION SO DIFFERENTLY FOR ME

[korralone]

Caitlyn and Vi are truly one of my favorite sapphic romance stories I’ve ever had to the privilege to watch on screen. I’m constantly 🤪 when I think about the amount of story time that was dedicated to them, and the type of story that was told, as that’s not usually what we get with gay romances.

I keep seeing a lot of people dissatisfied/angry/etc with how their story went and it kinda bums me out so I just wanted to use this post to get my thoughts and feelings out (obviously everyone has their own valid opinions and won’t agree with me)

Cait and Vi not being uwu “healthy” 24/7 and their inherent messiness is WHY I find them so compelling. From the moment they met there were already huge factors against them, both indirectly of their control (class struggle, power imbalance) and directly (personality clashes, communication styles). But they somehow grew to love each other anyway.

Caitlyn not saying “I’m sorry” out loud at any point to Vi by the end of the show, I honestly loved it. Because Caitlyn instead apologized with her actions, and Caitlyn’s actions always seem to speak louder than her words. Her letting go of the vengeance that consumed her for so long for Vi’s sake (which ultimately led to her allowing Vi to break Jinx out) was more meaningful to me than if they had some long blow out argument (and Vi recognizing this immediately and jumping Caitlyn’s bones then and there was just *chefs kiss* to me)

They’ll never be perfect. They’ll always have to work at their relationship. It won’t be pretty, sometimes even unfair. They’ll fight and clash and not always agree, but there’s always this persistent feeling of LOVE anyway, and they’ve decided they’ll put in the work to make their relationship last despite it all. And I think it’s beautiful.

[baejax-the-great]

If I were a writer at a big game company working on a sequel to a beloved series and the higher ups kept telling me to make the game shittier and kept sending my work back to me to be dumbed down even further somehow, and then once most of the writing was done they laid me and my coworkers off illegally without severance, I'd probably gleefully watch as people trashed the shitty game that shipped.

[sundogsandrainbows]

"Whoever wrote this shit fucking hates Origins or has never played it and no fukkin clue what the hell the Grey Wardens even are. But it is really no coincidence, the Grey Wardens have been treated like shit in every single game (x)"

Couldn't have said it better.

But also wooah, I thought I have seen all of New Bioware's disdain for all that came before them™ by now, but this here, going complete scorched earth, is yet another level of spite for the old games and the people who worked on them (and left/were fired without severance pay since then) that even I would have not expected. Way to spit in the faces of longtime fans, "bioware" Good job!!! 🤢🤢🤢

Fuck this game, srlsy.

[sanasanakun]

People try too hard to make Curly an active participant in Jimmy's abuse. Isn't the whole point that he's passive in everything Jimmy does? Abuse occurs because he actively doesn't do anything? Not to call someone out or be mean, but I saw a post saying Anya's ID being in Curly's locker at the beginning shows that he intended to prevent Anya from filing an HR report and I disagree. I get where that interpretation is coming from, but I think it's a little uncharitable. I don't like being too kind to Curly because he's like...a morally mid dude at best lol But if we're going by the HR report interpretation, I would say it's more likely he requested Anya's ID in order to file an HR report on her behalf. After all, the only way to contact Pony (that we see) is in the cockpit, he's the Captain, and Pony Express sucks bad so I wouldn't put it past them to only allow the Captain to use the communication device thing. As we see before, Curly is the only one able to use tools around the ship that you would think other employees could use (ex. Swansea should be able to use the axe if he's the repair guy. Idk why they'd need an ax but that falls under manual labor which Swansea is designated for as the mechanic/fixer dude. But it has to go through Curly). I never got the vibe that Curly moved to actively protect Jimmy. He just lets things happen without say a word; Jimmy walks all over him, and by extension, the whole crew. I get why people would think that because he gives the whole "Hey Jimmy, we can get through this together, bud" spiel right before the crash. This part interests me a lot because there's so many ways to interpret Curly's intentions there. My interpretation is that Curly is on autopilot mode. The responses seem so stilted in comparison to Jimmy's. Like it's the kind of thing Curly's said before again and again and again when Jimmy's gotten in trouble. However, as others previously pointed out, I don't think Curly ever dealt with Jimmy doing something this irredeemable. He doesn't know how to respond, so he just goes for the default "You've gotten through tough situations before. Work through it one step at a time." Like the response is lame af lol I think he was in shock; he was scared (and just so I can say it one more time: he's super lame).

Anyway, this is way longer than I intended and I've said things a billion people have already stated. But uhhh tldr the whole point of Curly's character is he's passive; he never acts. He just watches. Making him an active participant in the abuse by taking actions to cover for Jimmy (like preventing Anya from filing an HR report) defeats the purpose of his character. He's a bystander.

[telephonedear]

i see your “naomi is an illusion” theory and raise you: what if tanizaki is the illusion?

[m4rs-ex3]

things that stella has apparently

a crystal that does NOT look exactly like the moon opal she took in 4x07, but it still could be

two shells that she took from the tidepools

three scrolls and a book, presumably the ones that she took from the bookery, although the only one we saw her take was the sealed one, so....

a big ass nail??

finnegrin's keys, which makes sense but i never realized that she just kept them lol

callum's key, which is even funnier that she just kept it

and then TWO (potentially three [behind the tail]) scumport tokens, which..... terrifies me. i'm praying to GOD that stella just stole those and that rayla didn't go through even more shit for them

[sluckythewizard]

PART OF A BIGGER DOODLE PAGE. WHEN ITS DONE ILL TUCK THE LINK INTO THIS LITTLE X RIGHT HERE ----> [X] I REALLY REALLY LOVE THE TOM N JERRY DYNAMIC W EMIZEL N VEX. IMAGINE BEING SO SO HAUNTED BY A LITTLE GUY THATS JUST SSSSOO FUCKING ANNOYING.

[nordickies]

I've been thinking about the Nordics' view on their immortality. How would they feel about it based on their character and experiences?

Björn (Sweden) seems to be the most keen to live like humans. He wants a domestic life, living quietly somewhere in the countryside, willing to guide and raise younger nations, and focusing on his crafts. He just wants to live in peace. Maybe he'd be willing to give up his immortality status if that was possible; if it meant he could live the kind of life he wanted to without constant outside intervention (from people and other immortals). Perhaps he feels little joy from his status, i.e. representing people or taking the responsibility of such duties. It's a task that he can never fulfill; managing to please everybody. He could have also felt alienated from others throughout his life, never really fitting into any period. So would he feel a deep connection with people to begin with? Perhaps he just wants to live on his own accord, somewhat self-sufficiently, not owning anything to anybody.

Meanwhile, I think Magnus (Denmark) would have a more positive experience with his immortality. He loves his friends and family, always looking out for them. Maybe being surrounded by other immortals makes him feel less alone in his world. After all, could humans ever relate to his life and experiences, since they can't even comprehend what he has gone through? So it'd make sense why he'd seek family and companionship from other immortals. And it'd make sense for him to be terrified of death and losing someone important to him - so I don't think he'd wish to be a mortal. In a way, he enjoys his immortality status. He probably loves his people and feels a sense of pride in representing them.

Sigurd (Norway) however, has had horrible experiences with other immortals, so I think he'd pursue some form of meaning and comfort from his job; representing something he values. He wants to focus on things that are important to him, finally fulfilling his own needs and not being restricted by others. And his position or job would definitely strengthen his sense of self and purpose in life. While he feels limited by his responsibilities at times, he also feels seen. He's finally important and valued. Perhaps he's neutral on his immortality, recognizing the positives and negatives at the same time.

Perhaps for Timo (Finland), the question is complicated. He's an alien not only among people but among his peers as well. Does he really fit into either world? Perhaps his thoughts about immortality are tied to his role and place throughout his life; who he actually is and what he actually wants. He's torn by the whole question, not being able to make his peace with it.

And finally, Eiríkur (Iceland) is rather different from everyone because he has always been so isolated. Thus he has always been alone with these big questions. Who is he and what he's supposed to do? Why he specifically is different than the rest? I think he could have a different impression of immortality because no one has ever told him what it's supposed to be like - he has come to these answers based on his own experiences. Perhaps he's closer to people than most other immortals. Instead of his peers being there, the presence of humans was the only constant in his life. He learned to accept that they'd pass on at some point, but there'd always be new people to take their place. He has accepted death as part of their existence and therefore he doesn't run away from it. It has undoubtedly given him a twisted sense of humor but also healthy optimism and hope about things figuring themselves out.