#NORMAL HUMAN PERSON THAT'S ALL DAI'S JOB HERE!!!!
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bloggerspam · 2 days ago
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Steph's new year resolution is to spend actual time with Val.
First step: Val's phone number.
Asking Jason will be a bust. He's Val's boss, a good one, so Steph won't even bother asking when she knows he won't divulge employee information like that.
That leaves asking Val herself, or passing a note along with Jason.
She trusts Jason, she does. He's leagues better than if Steph were to ask Dick, or even Tim.
She'd rather get made fun of, in that loving way Jason does, than be smothered and inundated with questions and screams the way Dick and Tim do.
But Jason is a good boss, and Steph's grown up with too many Bats to know what the normal boundary is between employee and employer.
So, obviously, she stalks Jason at work in her free time to see if Val works any of those shifts to ask her herself.
She hits money on the third day.
"Val!" Steph saunters over with a wide smile. "I haven't seen you since Riddler took you away."
"Hey, Steph." Val looks so cute when she's flustered, "Yeah, sorry about that."
Val's working on a car, in that delicious coverall grease monkey look, doing a simple oil change. Steph perches herself delicately on the side, so as to not be in the way.
"I'm just glad you're okay," Steph pouts, "It's dangerous to go towards the Rogues, you know."
"Oh, well…" Val laughs nervously, smudging more grease when she rubs at the back of her neck "Y'know, Amity Parkers are just built different I guess."
"I have no doubt that you…handled yourself just fine," Steph placates, leaning forward a bit to run a finger down Val's well muscled biceps, "but I would feel so much better if you played by Gotham rules…"
Val does that nervous little laugh again, breathy, and gods does Steph want to ruin her.
"I can try," Val bites her lip, "But with friends like Danny…"
Steph giggles. "He's a trouble magnet huh?"
"You have no idea." Val smiles helplessly, and they get caught like that for a long moment.
Val's eyes skip back and forth between hers, even flicking to Steph's lips for a scant second, making Steph's heart skip a million beats.
But then Val coughs, breaking eye contact to reach under the hood to do…something. Steph's too busy mourning the death of a moment to really figure it out.
But Steph is nothing if not persistent.
"So, hey, speaking of friends…" Steph clears her throat, "You go to Gotham U, right?"
"Yeah," Val confirms, flicking a glance over at her as she shuts the car hood, "Early education major."
Steph pauses. Because what are the chances? "No way."
Val hunches her shoulders up, "I know, doesn't really suit me but—"
"No!" Steph frantically interrupts, "That's not what I meant, it's just, I'm a human development major!"
Val stares at her, uncomprehending, which is fair. Steph smiles helplessly as she explains, "I want to be an special education teacher, for teens with learning disabilities."
Val blinks. "…How have we not seen each other on campus?"
"I have a night job, so I take a lot of my classes online." Steph explains, "The ones I do have to go in person for are late afternoon classes, usually Wednesdays."
"Ah." Val nods in understanding, "I take mostly morning classes, and afternoon shifts here at the shop."
"Like ships in the night," Steph smiles ruefully, "Or bikes in the afternoon, I guess."
Val laughs, voice a yummy timbre that brings a little shiver down her spine. There's a rasp to her, and her accent makes everything sound so much nicer.
"That means this will work out." Steph gets them back on track, feeling all sorts of nervous.
"What will?" Val wipes her hands on a rag, tossing it over her shoulder as she leans on the car next to her.
"I wanted to see if you wanted to study together some time," Steph bats her eyelashes, "With my schedule being the way it is, it's kind of hard for me to make friends…"
"S-sure, yeah, sounds great." Val stutters, patting her pockets for her phone, only to realize she's in her coveralls. "Ah…"
"Just dictate it to me, and I'll text you so you'll have mine." Steph giggles, pulling out her phone and creating the new contact as Val gives her the info.
"And hey, maybe we could spar some too," Steph eyes Val's biceps, remembering the little brawl she and Danny had and licking her lips, "It's one of my new years resolutions to keep fit."
"I'm not an easy opponent y'know." Val smirks, looking Steph up and down and sparking shivers with her gaze.
"Trust me," Steph mutters as she sends of a winky face text, "I know."
(Val, without Steph's knowledge, doesn't realize it's flirting flirting.
She just thinks it's Steph's personality, being flirty with the winky face.
Sam bangs her head on her desk when Val texts her so.)
===
Danny is visiting on Valentines Day, in protest to the holiday itself.
Danny's always kind of hated holidays in general, now that Val thinks about it.
Tucker says it's leftover trauma from the school bullying, Sam says it's because his parents are assholes about them. Val just thinks Danny hates capitalism.
It could be all of the above, honestly.
The point is, it's Valentine's Day and Danny has just texted her that he's on his way to Gotham to hang out with her, and Val's not sure if this means Jay's done something wrong or not.
Val has been talking to her friends on almost a daily basis, but Danny's been tight-lipped about his friendship with Jay.
After Christmas Break, after the phone number exchange, Team "Get that D in Danny" thought it was a done deal.
Jay was a straight forward kind of guy, and Danny's never been shy about flirting.
Surely, something should have happened, right?
But Val wasn't really present when Danny and Sam were sort of dating, and Val was in the relationship with Danny, so she doesn't actually know how Danny is when he's dating someone.
She's been taking her cues from Tucker, who says that Danny isn't really the "my girlfriend/boyfriend" type. Danny's always referred to Sam and Val, in their respective relationships, by their names.
But then again, everyone in Amity Park knew each other, and ghosts hardly ever care about such mortal statuses. (Ignoring Johnny and Kitty, whose whole shtick is their relationship. That's a whole different can of worms.)
The point is, Val is suffering. Team "Get that D in Danny" is suffering.
And she needs to know if she has to beat up her boss for Danny or not.
Jay's been Fort Knox about the whole thing too, and it's getting irritating.
"Danny's coming to pick me up." Val finally says at the end of her shift, glaring up at her boss. "What did you do?"
Jay, wide eyed and covered in grease, drops the washer fluid in his hands on his (thankfully) steel-toed boot.
"Danny's what—" Jay lunges for his jacket, draped over his workstation, frantically pulling up his phone and— "I gotta go."
She then watches her boss, resident Crime Lord, Billionaire baby Jason Peters Todd-Wayne, book it to the back rooms.
What the fuck?
Ten minutes later, Jay comes back out, freshly showered and in clean, fitted clothes. He's even got a red rose from…somewhere.
Val reiterates: What the fuck?
"Danny hates red roses." Val says, confusion laced through her entire fucking being. They look too much like blood blossoms for any of the Amity Parkers to have any sort of affection for the flower. "He doesn't like red flowers in general."
Jay immediately tosses it into a nearby oil catch tray, looking like he might even set it on fire, if he could just find a match…
"Okay, seriously," Val puts her hands on her hips, "What the fuck is going on? Was that an apology rose?"
"What?" Jay whips his head towards her, "No!"
"Gods," Val throws her hands up in exasperation, "Are y'all dating or what? Danny's been weirdly adamant y'all are just hangin' out but I see you in here, moonin' and what not."
Her accent is getting worse in her agitation and she really hates it, which turns into a vicious cycle.
"We're not dating." Jay finally admits, sitting heavily down on one of the stools by his workstation. "But I am wooing him."
There's a long beat of silence.
"Pardon?" Val's voice is flat, disbelieving. "You're what?"
"Wooing." Jason juts his chin out, "We've done a couple of face time hang outs, streamed movies together and stuff. But it just never seemed the right time to ask him for a visit, or for me to go visit him."
"What's that got to do with anything?" Val tries to soften her voice. Red Hood, resident crime lord and bad ass, is a romantic. Huh.
"I wanted to ask him in person." Jay mumbles, "Important stuff's for in person conversations."
"In this day and age?" Val asks unthinkingly. "I doubt Danny would care."
They both know he'd probably say yes.
"Yeah, but Danny's been…he's been looking into schools to transfer to," Jay looks down at his hands, "Didn't want to influence the choices."
Danny had come out to this parents about Phantom just last month. It was a development everyone was not only extremely thankful for, but still getting used to.
The Fentons, as expected, were fully supportive. They turned a dime, burned their research metaphorically and literally to 'start over from an unbigoted perspective.'
Jazz has been thoroughly enjoying the family therapy sessions.
Schedules were created, to lessen Danny's load, and better safety locks were made to mitigate the necessity of those patrols in the first place.
Overall, Danny's been sleeping more, less stressed, and happy as a clam, if a little embarrassed by his parent's smothering love and support.
Val had thought that maybe Jay was a big part of that too, romantically speaking. Clearly, she was only half right.
"Danny loves Gotham." Val starts, carefully picking her words. Because it's true, he loves it more than she does. "He likes how weird and crazy it is, and Gotham U's engineering program is one of the best in the nation."
It would have to be, with how often things need to be reconstructed around here.
"The pizza's great too," Danny's voice suddenly cuts in from behind her, "Not to mention the company."
Val twirls around, hearing the clatter of Jay jumping up suddenly and banging his hip on his worktable with a pained hiss.
"How long have you be standing there?" Jay squeaks as he rubs his hip, face burning.
"Not long, since Val said I love Gotham. Which I do." Danny tilts his head with a confused smile. "Why? Gossiping about me?"
"We were talking about your choices in transfer." Val quickly covers, as much fun as it would be to just call both of them out, Val's not that mean. "Didn't want to accidentally influence the choice or anythin', y'know."
"Last time I checked you were looking into Star City, right?" Jay quickly adds, shooting Val a grateful look.
"Yep." Danny grins, popping the 'p' obnoxiously, "They've got a pretty comprehensive scholarship, but it's about the same as Gotham's, and honestly, Gotham's in my top two choices—"
"Gotham's a top choice?" Jay cuts in, confused but sounding a little…hopeful, "Nobody ever…I mean, even I know Gotham's crazy…"
"Gotham's a lot like Amity Park," Danny shrugs, before looking away with alarmingly red ears, "Just bigger, more goth. Plus, y'know, you and Val are here…not to mention the rogues here are way more fun than Amity's ghostly menagerie…"
"Are you sure you don't mean the vigilantes?" Val smirks, sensing an opportunity. "Or maybe a certain vigilante?"
"Mmm…nope." Danny feigns thinking hard about it. "I definitely meant the rogues."
"Uh huh…" Val drags out, "Nothing at all to do with your third place hall pass pick."
"Hall pass pick?" Hook, line, and sinker. Jay tilts his head. "What's that?"
"It's a list of celebrities monogamous couples will allow their significant other to sleep with and not count as cheating." Val innocently explains, gleefully watching Danny squirm. "It was mostly a joke, but me and Danny had one when we were dating."
"And heroes and vigilantes are basically celebrities," Jay follows the line of thought, before his eyes get a little gleam to them, "Which Bat does Danny have a celeb crush on?"
"No-one!" Danny hastily answers. Val wonders what Jay would do to his siblings if Danny did have a celeb crush on them.
"Red Hood." Val smiles with all her fucking pearly whites. "Danny likes bad boys."
Danny makes a noise like a tea kettle. "Don't judge me!!!"
To Val, Jay looks like he doesn't know whether to be flattered, or concerned.
To Danny, he must look thoroughly confused.
"Listen," Danny tries to explain himself, "Have you seen those thigh holsters???"
Jay chokes. Val laughs her fucking ass off.
(The three of them get pizza afterward.
Val missed her opportunity to leave them to it, and has to sit there and watch Jason stare at Danny making porno noises at how good the pizza is.
She texts Steph about how much she hates Valentine's Day because of it.
Until, of course, Steph joins in and she hates it a little less.)
===
Easter break, and Steph is bored out of her god damn mind.
She texts Cass first, then Babs, but one's in dance practice and the other's working a shift at the library.
Naturally, she texts Val next, sending over a selfie of her pouting and sad, with an appropriately dramatic lovelorn caption.
She gets back a picture of Sam, Tucker, and Danny fighting each other on a couch, controllers in hand with a glow reflecting against their faces in a dark, but massive looking room.
"Back home in the trenches," Steph reads aloud, sighing and lovesick.
They've been texting back and forth for the past month now, and honestly? Steph considers them dating.
The problem is, even when Steph says "it's a date!" Val just…doesn't seem to get it.
Steph would call it a straight girl move, if she didn't know 100% that Val at least thinks Steph's sexy af.
Or, at least, really wants to kiss her, if the way the other girl stares at Steph's lips is anything to go by.
And Val stares a lot.
But she always pulls back with a nervous laugh, as if Steph is the one rejecting her.
It's very frustrating, but Steph has learned that Val doesn't actually have a lot of experience with girls, so she might just be…shy.
But! At least they've been on study dates, and sparring dates, and one time they even got froyo!
Steph's been trying really hard to be patient.
It's not really working.
There's another ding! It's Cass, telling her to come over to Wayne Manor. The Batkids are having a sudden movie marathon.
She has a lot of fun with her family, watching terrible horror movies and throwing popcorn at all the stupid people doing stupid things. She sends Val a selfie of her cuddling up with Cass and Damian, of Dick and Jason dumping buckets of popcorn on each other, of Tim and Duke taking god damn notes.
It's even more fun when Val sends pictures back. Of Sam sitting on Tucker and Danny laughing so hard he's fallen off the sofa. There's a selfie of Val and Sam painting the boy's nails in bright neon green color, and a selfie of the group in matching ghost themed pajamas, what looks like Wallace and Gromit playing on the big screen behind them. A picture where Danny and Tucker are snoring, cuddling each other very intimately, with Sam in the background doing a little peace sign.
Steph's buried under Tim's legs and Dick's arms now, hardly able to send a selfie of her face with the way it's covered in limbs, but she manages it.
Val sends one back, in a darkened room where Sam is watching some movie next to the sleeping boys. Val's sleepy smile and half lidded gaze warms her up from the inside.
It's a great night, all in all.
She dreams of soft kisses, warm cuddles, and B grade horror movie kiss scenes with a smile on her face, she's sure of it.
(Steph wakes up to someone rudely tearing off the blanket she was sharing with Cass and loudly announcing it's breakfast.
She throws a pillow at Damian for it, who scoffs and dodges her 'paltry attempt.' Her head hurts from all the sugar she consumed last night, and there's an ache in her back from sleeping on the floor.
Val sent her a good morning text and rumpled selfie that features a soft smile, and Tucker two steps away from spilling pancakes all over Val.
Steph eats breakfast with such a wide smile, Duke asks if she won the lottery or something.)
===
It's looking to be a very hot summer in Gotham, if April is anything to go by.
Isn't April supposed to be full of showers? They had an abrupt chill last week due to Mr. Freeze, but since then it's been hot and Val is suffering.
But Danny has come 'round to visit, and it gives her the energy she needs to get through the day so she can hang out with them over the weekend. Danny's always run cold, and Val's never been shy of siphoning off that chill in the summertime.
Val didn't have a shift today, so Danny picked her up from school and they've decided that pancakes and waffles are in order.
It's 2pm on a Thursday, but that hardly even matters.
What matters is that Danny is wrong and waffles are clearly more superior than pancakes.
"You can throw pancakes like a frisbee, what are you even saying," Danny rolls his eyes as they cut through an alley to get the Denny's, "Waffles are way too crunchy."
"I want to look inside your head and see what delusion is playing 24/7," Val shoots back, "Why would a food need to be used as a frisbee to be superior, first of all, and second of all, the texture is not crunchy."
"The inside of my head is just like any other human," Danny scoffs, "It's been tested and everything. Plus, if you can't use your food item as a frisbee in order to quell the sausage rebellion, is it even worth having as food?"
Val squints her friend for a moment, even going so far as to pause her walking. Danny, after another moment, stops with her but does not meet her eyes.
She smacks the back of his head.
"Ow! What the fuck Val! Just because I'm right!"
"No joking about tests." Val growls, waiting until Danny shows the appropriate amount of regret, before swiftly getting back on topic, "Besides. Waffles are sturdier, and the shape can still be used as a frisbee against sausage rebellions."
Danny takes a breath for the admonishment, centering himself from bad memories. He thinks on her latter statement, nodding reluctantly. "Textures still shit though."
Val groans, continuing their way through the alley, "The texture is so that syrup has places to be, syrup on pancakes just slides off—"
"Hands up!" Just in front of them, a man is brandishing a knife in one hand, with the other reaching palm up, "Give me your wallets and nobody gets hurt."
Val internally scoffs, making eye contact with a gleeful Danny. He's been involved in more Rogue incidents than Val has, and he doesn't even live here.
"Aw, c'mon man," Danny simpers, hands in his pockets and shoulders scrunching up, "Can't you see we're just poor college students just trying to get to Denny's?"
"And you and your girl can go along your merry way," The mugger rasps, "after you give me your wallets. You can take the date home."
Val and Danny simultaneously make an uck sound.
"Been there," Danny grins, ruefully.
"Done that." Val rolls her eyes.
"Got the scars and everything to prove it!" Danny chirps, showing his lichtenberg scars even though they're irrelevant.
Val smacks him upside the head again, but Danny doesn't even flinch. Stupid halfa-biology.
"Just give me the money!" The mugger loses his patience, pulling out a gun. Ugh.
"And why don't you give me a break," A modulated voice says from above, before something large drops down and breaks the mugger's arm.
"Hah! Break, that's a good one." Danny laughs.
Red Hood freezes, before groaning with that modulated voice. "Nobody tell Nightwing. I'd never live it down."
Val bites her lip, wondering if Nightwing is Dick Grayson, the asshole cop who arrested her and Danny a couple months ago. Dude was not subtle in the interrogation of his sibling's new friends, and kept riffing with Danny using puns.
Val hates the guy on that principle alone, so it won't be hard.
"Lips are sealed, Bo—ahem—ig guy." Val really has to figure out the best time to let her boss know that she knows.
"Thanks for saving us, Red Hood, sir." Danny smiles at Hood, shy-like. "I didn't think we'd see you again after…"
"That thing with Riddler?" Even through the modulator is apparent Hood is smiling. "I thought you were finding trouble on purpose, but maybe trouble just likes to find you?"
Val's gotta hand it to him, Jay's a good actor. But as someone who knows who he is? It's clear that Hood is relishing the attention. Finding out your crime lord persona is a top choice must have outweighed the confusion of a crime lord persona being a top choice.
"Either way, it's no problem. Punks shouldn't be muggin' in my territory anyway." Hood peacocks his way into a casual leaning pose, and it's funny as all hell.
"Oh!" Danny looks around, "I didn't realize we were already in Crime Alley?"
"The one Denny's in Gotham is in Crime Alley," Val sighs, "I told you this."
"I thought we established that I don't listen to you." Danny retorts, "That's why we broke up."
"We broke up because of your clear preference for dick, Danny." Val drawls.
Hood chokes.
"This is bullying," Danny jokes, ears bright red from Val no doubt embarrassing him in front of his favorite vigilante, "And you have no leg to stand on, with the way you were drooling after Kate Winslet."
"Most of your hall pass picks were men," Val reminds him, and because she's nothing if not an opportunist, "Speaking of which—-what's it like to be texting one of them almost every day?"
"I don't know what you're talking about." Danny sniffs, trying to pull Val through the alley, "Why do you keep bringing up my hall pass picks anyway?"
"Everyday?" Hood's voice, even modulated, sounds jealous. He's probably wondering if Danny's been texting the other top two choices above him.
"Yeah, everyday." Val confirms, much to Danny's dismay.
"Val!" Danny hisses as Hood leans a little closer. "Shut up."
Danny's probably thinking she might embarrass him by mentioning that Red Hood is Danny's third place pick. If only he knew.
"My boss is his fourth place pick." Val grins, as Danny slumps in relief. If only he knew!
She watches intently as Hood freezes, hand going to a pocket that isn't there, almost like he wants to immediately text someone. He seems to settle for a slow drawl, "S'that so. Small world. You work for a vigilante I know or something?"
Damn good actor, but not subtle enough for someone whose looking. He's definitely warring with a bunch of different emotions, and even through the helmet she can tell.
He wants to know why his civilian identity is fourth, when his crime lord persona is third.
"O-KAY!" Danny yells, pulling her more forcefully, "That's enough of oversharing with a crime lord who doesn't know us and clearly has other things to do. Thank you again Mr. Hood, big fan, love your work, the 8 heads was inspired really—"
Val cackles all the way through the alley, watching as Hood grapples away in a daze.
When they sit down at Denny's, Danny gets a text from Jay that makes him mumble into his menu.
"Why does he want to know my top two hall pass picks? I'm not even in a relationship!"
Val tosses a jam packet at his head.
(Steph texts her afterward, asking about Val's Hall Pass picks.
Val texts her no comment.
Somehow, Jay finds out, which leads to Danny finding out.
Danny texts Steph that Kate Winslet, Amanda Seyfried, and Black Canary were her top 3.
When Steph texts All Blondes, huh? Val lunges at Danny right there in the Denny's.
They get kicked out, and are summarily banned from the establishment.)
===
Gotham is muggy in May.
Steph hates how sticky it makes her skin feel, how lethargic her body gets, and most of all, she hates how her she stupidly made her Spoiler uniform have a lower face mask.
She's definitely going to get pimples, and it's going to suck.
The bright side is that she's best friends with not just one, but two Wayne kids.
This means that she can enjoy the Wayne Manor indoor pool with the other Batkids for most of the summer day until patrol time.
It's good to have connections.
She's relaxing with Babs and Tim on the lounge chairs, and whilst normally she would join in on the watergun fight the other batboys and Cass have going on, she's just too tired.
It's been a long first week of summer, especially with that Mad Hatter case she and Cass broke two days ago.
Mad Hatter cases always gave her the heebie jeebies, considering her own blonde hair and blue eyes.
So: chilling at the pool. Val comes back next week, with a bonus Danny in tow to start the process of finding an apartment for both of them to share, and Steph's not the only one excited about it.
Jason's been over the god damn moon.
Her phone buzzes with two incoming texts, but before Steph can even reach over to grab it, a loud thump! startles all vigilantes to whip up towards the sound.
Jason has tripped over a lounge chair, ass over kettle, groaning.
Amidst the laughter, Steph gets another buzz, so she checks her phone. It's two discord messages from Val.
valerino: Phantoms dog has invaded sams pool valerino: D's really excited about it 🙄
The last text is a photo of Danny, shirtless, getting absolutely slobbered on by a glowing green dog. Holy shit. Wait a second.
stephieeee: uhm???? green dog????? stephieeee: did u send this pic to Jason too? valerino: Yeah, long story short, hes a ghost dog. Hes cool though. And what? No, why? stephieeee: cuz he just ate shit tripping on a lounge chair stephieeee: right after u sent that pic valerino: Lol danny sent a selfie i think. We're taking a break from a water fight tucker started to play with cujo stephieeee: lolllllll stephieeee: that tracks stephieeee: we had a water gun fight too stephieeee: but i sat out with the girlies stephieeee: the heat is just stephieeee: Too Much valerino: Lol danny just showed me the pic he sent. Its a thirst trap, and he didnt even know valerino sent an image
The picture of of a shirtless Danny, with abs, holding up a see through, green dog. His arm muscles glisten in the lighting as he smiles a beaming smile, teeth white and gleaming, with his face smooshed up against the dog's stretchy, pudgy little face. It's adorable and all kind of rippling muscle-y. Boy is lean, mean, and looking good in his NASA swimming trunks, even to Steph.
stephieeee: OMGGGGG stephieeee: hes actually RIPPED??? stephieeee: also i love cujo so much? he's adorable???? valerino: Hes stronger than he looks, remember? lol and yeah, cujos a real sweetheart
Steph honks out a laugh so loud it echoes even amidst the clamour of Jason being chased around for his phone. Babs hums an intrigued note, but Steph simply smiles at her and flaps a hand at where Dick has Jason in a headlock, whilst Damian grabs the phone and attempts to hack into it.
Steph decides to take a picture of the rowdy group, Jason with his really red face, Duke and Harper jeering at the photo with Dick. Damian had gotten bored once he saw it was just a picture from his so-called 'paramour.'
stephieeee: the fam is never letting him live this down stephieeee: plssssss stephieeee: Jason is so down bad its embarrraasssssiinnngggg
Satisfied, Steph decides to get up and grab some of the iced tea Alfred left for them earlier. She's taking a much deserved sip to soothe her throat when she her phone buzzes twice more.
valerino has sent an image valerino: Danny is embarrassed as all hell, his face is SO red!
It's a selfie of Val laughing with her whole body, sort of cut off as Danny scrambles to get a shirt on. He's alarmingly red, looking like he's tripped in his haste to get the Red Hood themed shirt on, but Steph can't focus on that.
She focuses on Val, wet in a bikini top and daisy dukes.
Steph chokes on her tea and falls into the pool, cup and phone and all.
At least, Steph thinks as she recovers from her almost death-by-bikini-pic fall, my phone is bat certified and waterproof.
She takes another quick look at the photo, before she dunks herself in once more, just to cool her flaming cheeks down.
Tim'll fish her out, if only to see what happened.
Until then, the water feels great.
(Val and Danny get a series of photos after, from an unknown number that claims to be Jay's brother Tim.
One of Jay and Steph red faced and commiserating with each other. They're clearly talking about something, hands gesturing at what looks like Jay's phone.
One of Steph in a simple purple bikini emerging from the pool glorious and slicking back her hair out of her face, eyes half open, looking sultry as she catches sight of the camera.
One of a shirtless Jay getting shot by multiple streams of water, one arm up and laughing and smiling, handsome and joyous.
One of Jason, toppled over a lounge chair with his hands covering his clearly red face.
One of Steph with only her eyes above the water, cheeks and neck so red you can still see them even submerged.
Val and Danny practically faint. Sam and Tucker have to write their thank you texts for them.)
===
"I might be dying." Val groans from where she's sprawled on the floor of the new apartment she and Danny are sharing for their duration of Sophomore year.
It's a nice place, for the Narrows. Big living room, two bedrooms, a nice bathroom that heats up in only a couple minutes. The kitchen isn't anything fancy, just a stove top and a microwave, but Val and Danny don't have the capability of cooking up fancy stuff anyway.
Val's stuff was packed up easy, not hard to do when a college dorm room doesn't really allow for a lot of stuff in the first place. Though she did have Tucker bring up Huntress stuff, as well as some of the packed up clothes she didn't get to bring up the first time she moved now that's she's got the room.
Danny doesn't have that many belongings, per say, He's minimalist, in that way.
But he has a lot of stuff for his workshop. Since they don't' have a third bedroom, most the living room's going to be dedicated to it. There's a big rolling table with drawers under it for storage that can be pushed to the side so Val can practice her katas, and an industrial tarp they can throw over it to use it as a dinner table if need be.
Danny, like his parents, likes to spread out whenever he's working on something.
Unlike his parents, however, he's paranoid about contamination, and always puts everything back in its place when he's done.
He's been burned too many times to not be.
Plus, Val can use his stuff to do maintenance on her hoverboard.
They like to be efficient and practical about things.
The point is, she, Danny, Tucker and Sam have spent most of the day lugging up heavy cardboard boxes and furniture that is heavy and sometimes metal.
"I said I might be dying!" Val reiterates into the silence of the now cardboard filled room.
"We heard you to the first time." Sam drawls as she walks into the living room with a cup of water from the kitchen. "I don't even know why you're whining."
"Yeah, Danny did most of the heavy lifting," Tucker chimes in as he trails in behind Sam with a box of pizza. She hands it over to Val as she sits up from her sweaty sprawl.
Val rolls her eyes, because that is inherently untrue. "It's June, it's hot, and most of us did heavy labor."
"No, no. Tucker's got a point," Danny cuts in, lugging the last box of what looks like a bunch of a tools. "I did, in fact, bring up all the furniture, and the bulk of the community stuff."
He sets it down with the rest of his workshop stuff, dusting his hands and adopting a stupid pose where he flexes his arm muscles. Val gulps down her water in disgust.
"And Val and I brought up all the clothes and bedroom stuff," Sam scoffs, "Tuck got a couple boxes of all that electronic crap."
"And none of us have halfa strength to make it easy." Val points a finger threateningly at Danny, who puts his hands up in surrender. "Hard. Labor."
They sit in a circle around the pizza and shoot the shit—making the same old banter that never gets old, making grandiose travel plans that may or may not ever leave the group chat.
About how Sam's set to intern at the Daily Planet, finally about to work with her hero Lois Lane. How she hates how shiny and modern Metropolis is. How Wes has this crazy theory that dorky, clumsy, always going to the bathroom Clark Kent is Superman. How Sam believes him 100%, but won't ever tell him because she thinks it's funny.
How Tuck has this suspicion that the Flash is affiliated with Star Labs, somehow. That the tech in there seems out of this world almost, inter-dimensional in the way ecto-tech can be, but on a different frequency. How his dorm-mate is definitely some kind of meta, maybe even a time traveler, with the way he keeps using words like crash and mode in weird ways. But he's a great roommate, so Tuck minds his business.
And then, of course, the conversation ends up to their love lives.
Sam's got this enby in one of her journalism classes that keeps talking circles around her and Sam's this close to hate fucking them about it.
Tuck's been flirting it up with the girls, per usual, but there's a girl whose been trying real hard to pick up what he's putting down, and he's not actually sure if he wants that.
That conversation goes on a tangent about asexuality and aromanticism, but it'll have to be tabled until after Tucker has time to really…research the idea.
"I'm telling you, Val," Tuck changes the subject, "Steph is definitely into you."
"All the spars? Study dates?" Danny adds in, "Hasn't she been taking you on those ice cream dates too?"
"First of all, it's froyo," Val corrects haughtily, "Second of all that's all friend stuff. I did all that stuff with you guys, and I'll be doing them with you once the new semester starts."
"Third of all," Sam continues, "You have no leg to stand on, Mr. can't play doomed tonight guys," Her impression of Danny is nasally, and horribly wrong, but it's too funny to not laugh at, "I'm gonna watch a movie with Jason on discord!"
"That's—that's different." Danny sputters.
"Dude sends you food on a weekly basis because you said you forget to eat sometimes," Tucker says reluctantly, "And sends you letters."
"Letters???" Sam says indignantly, "You didn't tell me about any letters!"
"Since when has he been sending you letters??" Val asks, grabbing Danny's collar and shaking him when he mumbles and doesn't answer them clearly.
"Since January!" Danny finally yells, grabbing her hands and pulling them off, "They're just, they're not—they're nice! He's being nice. I told him I missed getting letters, and…"
Tucker, Sam and Val all groan in unison.
"He's been wooing you for half a year and you didn't even notice??" Val shrieks, into the ceiling. The ceiling is unsympathetic, but Sam and Tucker are.
"You've basically been dating Steph for half a year and you didn't notice!" Danny's voice is high pitched, his ears are red, and he's screeching with his hands on his face as he falls back and rolls all over the ground.
"You're both useless." Sam intones, "This could be solved by texting them."
"I can't just text her." Val says hotly, at the same time Danny says "Important conversations are not for texts!"
"Gods, you're perfect for him," Val mumbles under her breath, remembering Jay's very same fucking words all those months ago.
"Relationships are all about open communication, y'all." Tucker says in a wise tone.
They all stare at him. He makes a face, shrugging. "Fair enough. Carry on being useless."
"You really think he likes me?" Danny says, in a small voice through his fingers. He's not looking at any of them, and is curled up on the floor. "You think he's been…wooing me?"
"Danny…." Sam shakes her head, reaching over to pat him on the shoulder. "The man has been trying his damnedest to make this whole thing romantic for you, hasn't he?"
"You've been having virtual breakfasts together, haven't you?" Tucker softly adds in, scooching over to pat Danny on the head.
Val rolls herself over to Danny's other side, the three of them surrounding him and patting him in some way. He reaches over, snags on Val's shirt sleeve.
"I'll text him," Danny's voice trembles, "But only if you text Steph."
Val opens her mouth to argue, but shuts it at Danny's pleading eyes. She sighs.
Tucker hands Danny his phone, and they draft about a million texts before they collectively settle. Movie and a dinner, just the two of them. Easy.
"Here goes nothing…" Danny takes a deep breath, before pressing send. He laughs nervously, before straight up chucking his phone at Sam, who catches it.
"I'm going to obsessively check my phone until he answers so let's work on your text instea—" A buzz interrupts him, all four heads swinging towards the phone in Sam's hand.
Her eyes widen, mouth gaping. Danny rolls over, leans to see—
"…Oh." Danny's face crumples. "I guess…I guess that's a no, then."
"Danny…" Tucker reaches for him, but Danny shakes his head and stands up.
"I gotta…I gotta get my room set up. Thanks for all the help guys, I—" He cuts himself off, voice going small and hurt, "I guess he got tired of waiting?"
He bites his lip. Val doesn't know what to say. None of them do.
He goes to his room, and Val never sends that text to Steph.
(Red Hood gets a text message from Danny asking Jason if he'd like to catch a movie together.
There's a follow up text where Danny asks if maybe Jason would like to get dinner afterward too, just the two of them.
Red Hood is in the middle of Nanda Parbat, stealing his stupid brother's no longer missing spleen back from the creep who tried to clone him.
Red Hood has bloody gloves, and has three ninja assassins stalking him.
Red Hood texts back a "can't." but nothing to follow up, not without getting a knife to the neck.
He manages to get back home, toss the spleen back at his brother, and fall into a dead sleep 18 hours later.
When Jason wakes up another 10 hours after that, it's to an abundance of messages from his friends and family. Only one is important.
dannywithawhy: ok.
Jason falls out of bed.)
Mechanic!Val AU, but make it gay and sapphic.
ya'll can thank the HH discord for this one. Specifically the menace known as @clockwayswrites (and @impyssadobsessions for the art that inspired the damn thing)
Dead on Main and with some future Val/Steph >)
also @belfry-ghost did a doodle for this AU and everyone should go love on his art. Val's so unf.
===
Val’s pretty sure her new boss Jay is actually a crime lord.
She’s pretty sure he’s The Crime Lord, actually. She’s like, 98% sure she works for Red Hood now, and she’s low key mad about it. She squints at the man now, with his white streak and almost imperceptible green sheen to his eyes. 
The problem is that Val did perceive it. Because she used to date a guy whose baby blue eyes changed ever so slightly in the same way. Thinking about Danny makes her even madder.
To be clear, she’s not mad about Red Hood himself. 
She’s just mad that, of all the mechanic shops in all of Crime Alley, she just had to work for her ex-boyfriend’s third place Hall Pass pick. It also makes her miss her friends way more, and Val is hardly what one would call a well-adjusted woman, so she’s mad about it.
She huffs as she lifts the hood of the second car she’s working on today. Being a mechanic wasn’t really on the docket for Val’s life goals, nor was being in Gotham, but she got a full ticket ride on Wayne Foundation scholarships, and honestly? 
Gotham is Amity Park Lite: Gargoyles and Furries Edition. 
Between a full ride to Gotham U and being stuck at Elmerton Community College? The choice was easy. 
So here she is, working for the resident Crime Lord in his civvies. 
Jay pays good, teaches her what she needs to know, and bonus: he sometimes helps with her English Literature class. He’s flexible on hours, and she’s even got rudimentary insurance. 
All in All?  It could be worse—she could still be working for Vlad, after all. 
It's the little things.
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dnangelic · 7 months ago
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skills .
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swim / scubadive / read and write / do calligraphy / ride a bike / ride a unicycle / ride a motorcycle / drive / draw / sing / play an instrument / maintain a rhythm/ converse in a language / converse in more than one language / converse in more than four languages / do basic maths / do algebra / understand structural formulas / read a floorplan / assemble ikea / build a working piece of furniture / build a house / sew a button / customise clothes / make clothes / bind a book / use a vacuum / clean windows without leaving streaks / boil water / make pasta / remove the pit of an avocado / cut bell peppers / cook / bake / basic first aid / cpr / close a bullet wound / fire a gun / load a gun / shuffle a deck of cards / shuffle a deck of cards one-handed / play or read tarot / use matches / use a lighter / make a fire without either / code / start a computer / hack / steal a car without keys / pick a lock / kick down a door / throw a punch / put an opponent smaller than them into a chokehold / put an opponent larger than them into a chokehold / intentionally break a bone / make a cast / chop down a tree / put up a tent / make a knot / create a shelter without tools or bought materials / make a cocktail / cut a line of cocaine / change a diaper / recite a nursery rhyme from memory / recite an important religious code from memory / recite the table of elements from memory / recite all pokemon in the pokemon song from memory / recite a 10-digit code 24 hours later after only reading hearing it once / tell a person's zodiac sign / tell a person's age / play football / play basketball / play another ball sport / iceskate / use an audio recording device / use a camera / tattoo / do a piercing
tagged by: @goldspun  tysm!!!
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pardonmydelays · 7 months ago
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i am living a real nightmare
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archaeren · 5 months ago
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How I learned to write smarter, not harder
(aka, how to write when you're hella ADHD lol)
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
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jnece-maharlika · 6 months ago
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Danny accidentally becomes the Ghost king, The president and the BIGGEST threat to Bruce's social status.
Pt 1 Danny becomes the Ghost king
"Fenton's were never allowed to have a "normal" life, we are either extremely successful or extremely unsuccessful, there is no in between. Maybe a spirit cursed us back in the days, but who knows, but one things for sure, all Fenton's will definitely make the news."
-Grandma Fenton from whatever generation
Danny's starting to believe that now. He used to think that it wasn't true, but now? He used to wish to have a normal life, be a good normal son with good grades an be an astronaut one day.
But like they said, a Fenton is either EXTREMELY SUCCESSFUL OR EXTREMELY UNSUCCESSFUL.
He was EXTREMELY UNSUCCESSFUL in that.
Instead of a normal life he turned a half ghost teen superhero. But oh well, the Fenton's were also known for their ability to go with the flow
But how in the world did the flow get him here???
In Danny's defense, he wasn't really expecting this. The only thing in his mind at the moment was keeping his town and his people safe from pariah. He just wanted to get rid of the rotten fruitloop. He was EXTREMELY SUCCESSFUL, so successful in fact that he ended up becoming Ghost king.
The fudge????
But okay, sure, he didn't wanna become king but if he also didn't want to give up the crown for others to take, what if an evil person becomes king and attacks amity again?? Fine, he'll be king, he'll figure it out. Just go with the flow.
Surprisingly, not only did he get the crown, he also got THE MONEY. as in literal gold and silver bars, coins and jewelry. Appearantly, one the kings a long long time ago, before at least two generations before pariah had an obsession with MONEY. So the king made a Permanent Royal Degree (a law that cannot be changed by any future kings) that when someone dies and becomes a ghost, 20% of the MONEY that they've acquired in their entire life. (The money turns into an equivalent of ghost currency in the realms but is still physically in the living. Kind of like how the soul is in the realms but the body is the earth. Also, the only reason money exists in the realms is for convenience and a sense of normalcy, it doesn't really have that much value unless the ghosts brings it to the living) would belong to the ghost king.
Basically, it's ghost taxes that only have to be paid once for the entire afterlife. (Or is it more of an entrance fee???)
But anyways, hes got the MONEY.
He's rich now and he thinks, "I have so much money it's disgusting"
So first things first, getting rid of some of it.
By this point, his parents know he's phantom and have changed their opinions on ghosts, instead of attacking they are now looking at ghost like they're equals and try and help them as an apology for hurting them.
They are also looking for a new project to spend time on. A new purpose
So Danny thought, why not give them the money then? Danny proposed to his mom a project to make things that can benefit both ghosts and humans.
Next thing he knows is that he's appearantly funding, building and making:
A ghost job agency
A human job agency
Ghost proof buildings (ghost can't pass through walls, it won't hurt them, just keep em out.)
Ghost proof clothes (overshadowing proof!)
A practical fashion line for ghost and humans (Bullet proof, blast proof etch. Borderline vigilante clothes that look like a civilians day to day outfit)
Homes for ghost and humans
A ghost obsession help center where they can ask humans to help with their obsession.
A school for both ghost and humans.
Liminal 101 because apparently because of the whole, pariah dark and, living in the ghosts kings haunt situation, everyone is liminal now
An entire line of technology that can be used by both ghosts and humans.
A fight arena where ghost and humans can fight for fun.
And so many other things , he can't remember
HIS NAME IS EVERYWHERE . His parents didn't even bother hiding the fact that their son somehow has enough money to fund these projects, everyone knows him now.
He ends up basically owning most of amity park.
And here he thought he wouldn't be the kind of king that expands their territory.
He was extremely UNSUCCESSFUL in that.
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thebestsetter · 3 months ago
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Thinking about Bachira Meguru assuming he's unlovable.
Being called a monster for their whole childhood really makes a mark on a person's life and self-esteem. But for Bachira, it was unavoidable.
At first, he tried to ignore the mean comments and pretend he didn't hear them. Maybe that would make the loneliness go away. Maybe it would make the problems disappear.
"He's a freak!"
"Eww, don't get too close to Bachira! You'll get lice!!"
"He's stinky"
He heard the whispers. He just used to pretend he didn't. For both his and the children's sake. So he could pretend he was normal. At least for a while.
And, sometimes, even parents, grown-ass adults, called him weird. Shouldn't they set an example for their kids? They tell them: "Don't judge other people! You never know what they're going through!", but are always the first to talk shit about someone, even if said someone is a little kid.
"Poor kid. It's probably the parents' fault."
"He says he sees a 'monster'! He's probably schizophrenic."
"My son is afraid of him. Specially when he's playing soccer. He said he's very scary"
He tried to ignore them. He really did. He tried to smile through it all and treat people the same way he always had nevertheless: with respect. Because crying would make his problems real. He didn't want them to be real. And he was doing a good job at it! But one faithful day, he snapped. The final nail in the coffin.
"When I grow up, I want to be a football player, just like Zico!" 11 year old Bachira said, showing the whole class a drawing of him, Zico and his monster playing soccer together. His smile was as bright and blinding as ever, specially because he was talking about his passion: soccer. He loved it so much. It helped him escape the harsh reality for a while.
The class went silent. They used to think Bachira was weird, to put it slightly, but this? It just made him even more weird! They all knew that he could never be a football player. He was an outcast. A freak. He was a monster. And monsters couldn't live with humans. Nobody wanted a monster on their team.
And so, instead of clapping like they did with the other kids' drawings, the class started to laugh. It started out quiet, but later it turned into a full, loud laugh. All of them. And Bachira always dreamed of making everyone there laugh, but not like this. They weren't laughing with him or because of him, they were laughing at him.
"Uh? What's happening, miss?" He asked the teacher, confused and on the verge of crying. He couldn't cry here. Not in front of them, please. That would be another thing for them to laugh at.
He swears on his life that he heard the teacher laugh a little, before the adult crouched down to match his size, grabbed his drawing and put it on his desk, while the other kids' drawings were being stuck to the board with tape. And then, he heard one of the worst sentences he ever heard in his life. One that he knew would definitely keep him awake at night:
"Meguru, being a football player is too hard for you. Why don't you settle for something more real and reachable? Like a doctor or a lawyer?"
He didn't understand. Some kids here wanted to be astronauts, others wanted to be models. Hell, one wanted to be a dinosaur babysitter. And their drawings were hanging on the wall, like they were going to be achieved. Bachira felt like no one believed in him. Like he was being put aside.
He then realized the problem wasn't what he wanted to do. It was him. Anyone could be a football player, but he couldn't. Because he was a monster. He was different from others.
And so, the tears began to fall. One by one, first from his left away and then from his right eye. His vision began to blurry. Left eye, right eye. Left, right, left right. Kids laughing, teacher laughing. His drawing on the desk. Left, right. Left right. He couldn't even see his own hands anymore from how blurred his vision was. He looked to his side. Left, right. The door. His escape. He needed to leave.
So, without second thought, Bachira ran towards the door. He couldn't care less for the teacher calling his name. He wouldn't come looking for him anyway. Nobody would. Nobody cared enough to do it.
He sat behind a tree, protected by it's shadow. He continued to cry. Hard. He put his hands in his eyes to try and stop the tears from falling, but he couldn't. He needed to let it all out. He just wished he had someone by his side during his breakdown. He really wanted a shoulder to rely on.
"Hey"
Maybe he was, indeed, schizophrenic. Because, the moment he looked up, he saw a girl he swore was too pretty to be real. The sunset made her have an angelic glow, and the wind made her hair flow just the right way. Her face was like a greek statuate, and he swore he could hear a soothing symphony playing in the background when he met her eyes: they were the most beautiful color he had ever seen, and he could imagine himself being lost and found in them. She was just too pretty. Too pretty to be here for him. And so, he managed to stop crying for a while and said, between sniffs:
"Did you lose a bet?"
The way your face contorted was almost comic.
"What?"
"Did someone pay you to come here? Where are the cameras? And how much was it?"
"I didn't lose any bet" you said, frowning. "I came here to check on you because I wanted to. I don't get why everyone laughed at you. Your dream is not stupid. Nobody's dream is."
"Even Richard's? He said he wants to be a dinossaur nanny" he said before he even thought about it. He then widened his eyes, because what if you were Richard's friend? What if you hated him now because he said something bad about your friend? What if he already screwed everything up? What if...
"Okay, you win. That one's actually stupid." You laughed. He made you laugh. This time, someone was laughing because of him. He felt like he was capable of everything at that moment. Your laugh was a sweet, infecting, honey-like melody. It made him wanna laugh too. He didn't realize it, but he had already stopped crying, and was now just staring at you with big, blown and unwavering eyes. His mouth slightly parted, like he was studying you and comitting everything about you to memory. Almost as if you were indeed an ilusion, and would disappear the second he blinked. He couldn't believe you were real. You were real, and you were talking to him.
After a while, you stopped laughing and finally noticed his intense staring. Suddenly bashful, your cheeks turned a bright red.
"I-I just want you to know that you shouldn't be ashamed of your dream. I think- no, I'm sure you can achieve it. You just have to work hard for it. I-I've seen you playing sometimes, and it's honestly amazing how focused you are. Bachira, I want to be your friend. That's it, if you'll let me-"
He hugged you. Hard. If it was any other time, he would have been afraid of scaring you off with the sudden hug, but he couldn't care less right now. He needed this. He needed a friend. You were just what he needed. You were perfect.
He started to cry again. This time, the first tear came out of his right eye. Right, left. His vision was getting blurred from how hard he was smiling. Right, left. Right, left. Your arms hugging him back. Right, left. The sound of the school bell, signalizing the end of the school day. People would see you and him hugging and you would probably be called weird by them for being next to him, but you still didn't break the hug. Right, left.
He didn't want to escape like he did during the class incident. No. He wanted this moment to last forever. He wanted time to stop, to be in your arms for eternity. He didn't want to pull away. He finally made a friend. You were his first friend.
Bachira Meguru used to think he was unlovable, but you proved him wrong. You proved he could, in fact, be loved. He wasn't a monster. He wasn't a freak. He was Bachira Meguru. Your best friend. And he wore that title with pride. Later on, he had the honour to be called your boyfriend, and he was even prouder of that one.
He used to think he would never find happiness. That's why, the moment the ref blew the whistle signalizing the end of Japan U-20 against Blue Lock eleven match and securing Blue Lock's victory, he couldn't think of anything else besides his girl. He ran across the field to you. Because you were like a magnet. He couldn't be apart from you, or else it felt like the whole earth would explode. He was yours and you were his. You both were meant to be.
"You did it! I love you, Meguru!"
He laughed. A pretty, genuine laugh followed by a couple of tears, beginning from his right eye, of course. His mother was recording behind you both, the blue lock team was smirking and whistling at the sight of you two and the television was streaming the moment for the whole world to see. But neither of you cared about the extra eyes. You were the only ones on the world. You always made him feel like that, and he hopes he makes you feel that way, too.
"I love you so much. Thank you."
Thank you for being with me. Thank you for being there. Thank you for not leaving me. Thank you for accepting the title of being my girlfriend proudly. Thank you for being you. Thank you for everything. Thank you.
He then lifted you and spun you in the air, smiling hard. He brought your lips closer and then kissed you. A kiss full of emotion and love. So much love: raw and pure.
You proved he wasn't just lovable. He was also capable of loving. And there's nothing prettier than loving someone.
Bachira Meguru was lovable, and you made sure to show him that. You loved him, and he would do everything to keep it that way forever.
~A/N: there's a "saying" that says that if you're crying and the first tear is from the left eye, you're crying from sadness. If the first tear comes out of the right eye, they're happy tears!!
Masterlist
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batmanisagatewaydrug · 6 months ago
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Do you have a list of good sex ed books to read?
BOY DO I
please bear in mind that some of these books are a little old (10+ years) by research standards now, and that even the newer ones are all flawed in some way. the thing about research on human beings, and especially research on something as nebulous and huge as sex, is that people are Always going to miss something or fail to account for every possible experience, and that's just something that we have to accept in good faith. I think all of these books have something interesting to say, but that doesn't mean any of them are the only book you'll ever need.
related to that: it's been A While since I've read some of these so sorry if anything in them has aged poorly (I don't THINK SO but like, I was not as discerning a reader when I was 19) but I am still including them as books that have been important to my personal journey as a sex educator.
additionally, a caveat that very few of these books are, like, instructional sex ed books in the sense of like "here's how the penis works, here's where the clit is, etc." those books exist and they're great but they're also not very interesting to me; my studies on sex are much more in the social aspect (shout out to my sociology degree) and the way people learn to think about sex and societal factors that shape those trends. these books reflect that. I would genuinely love to have the time to check out some 101 books to see how they fare, but alas - sex ed is not my day job and I don't have the time to dedicate to that, so it happens slowly when it happens at all. I've been meaning to read Dr. Gunter's Vagina Bible since it came out in 2019, for fucks sake.
and finally an acknowledgement that this is a fairly white list, which has as much to do with biases with academia and publishing as my own unchecked biases especially early in my academic career and the limitations of my university library.
ANYWAY here's some books about sex that have been influential/informative to me in one way or another:
The Trouble With Normal: Sex, Politics, and the Ethics of Queer Life (Michael Warner, 1999)
Virginity Lost: An Intimate Portrait of First Sexual Experiences (Laura M. Carpenter, 2005)
Virgin: The Untouched History (Hanne Blank, 2007)
Sex Goes to School: Girls and Sex Education Before the 1960s (Susan K. Freeman, 2008)
Bonk: The Curious Coupling of Science and Sex (Mary Roach, 2008)
Transgender History: The Roots of Today's Revolution (Revised Edition) (Susan Stryker, 2008)
The Purity Myth: How America's Obsession with Virginity is Hurting Young Women (Jessica Valenti, 2009)
Not Under My Roof: Parents, Teens, and the Culture of Sex (Amy T. Schalet, 2011)
Straight: The Surprisingly Short History of Heterosexuality (Hanne Blank, 2012)
Rewriting the Rules: An Integrative Guide to Love, Sex and Relationships (Meg-John Barker, 2013)
The Sex Myth: The Gap Between Our Fantasies and Realities (Rachel Hills, 2015)
Come as You Are: The Surprising New Science That Will Tranform Your Sex Life (Emily Nagoski, 2015)
Not Gay: Sex Between Straight White Men (Jane Ward, 2015)
Too Hot to Handle: A Global History of Sex Education (Jonathan Zimmerman, 2015)
American Hookup: The New Culture of Sex on Campus (Lisa Wade, 2017)
Histories of the Transgender Child (Jules Gill-Peterson, 2018)
Revolting Prostitutes: The Fight for Sex Workers' Rights (Juno Mac and Molly Smith, 2018)
Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex (Angela Chen, 2020)
Pleasure in the News: African American Readership and Sexuality in the Black Press (Kim Gallon, 2020)
A Curious History of Sex (Kate Lister, 2020)
Boys & Sex: Young Men on Hookups, Love, Porn, Consent, and Navigating the New Masculinity (Peggy Orenstein, 2020)
Black Women, Black Love: America's War on Africa American Marriage (Dianne M. Stewart, 2020)
The Tragedy of Heterosexuality (Jane Ward, 2020)
Hurts So Good: The Science and Pleasure of Pain on Purpose (Leigh Cowart, 2021)
Strange Bedfellows: Adventures in the Science, History, and Surprising Secrets of STDs (Ina Park, 2021)
The Right to Sex: Feminist in the Twenty-First Century (Amia Srinivasan, 2021)
Love Your Asian Body: AIDS Activism in Los Angeles (Eric C. Wat, 2021)
Superfreaks: Kink, Pleasure, and the Pursuit of Happiness (Arielle Greenberg, 2023)
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flippinpancakes64 · 3 months ago
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Hello! I love your stuff and I wanted to request their response to:
Reader: Let me take care of you.
Them: It's rotten work...
Reader: Not to me...not if it's you.
Keep writing! You're amazing! (And I need something to read while I stay up)
Taking care of the Cullens
Ok ngl this ask has me giggling and kicking my feet
Jasper let me take care of you 😡😭❤️
Uhm and remember in my request rules thing where I said I don’t do narratives… i might be a big fat liar cause that’s what I did here… don’t come for me
And thank you so much for the kind words! Thank you for requesting and I hope you enjoy!
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Edward:
We all know he has a bit of a complex when it comes to his worth and his humanity
He tends to get in his own head a lot
Especially when it comes to you and your relationship
He doesn’t really get jealous in the normal sense
He just sort of gets sad when he sees you with other people
It’s one day after school and Edward seems to be avoiding you. You’re sitting at the table with Emmett, Alice, Esme, and Jasper playing a card game.
Only Edward is nowhere to be found.
The game finishes, Alice winning and Emmett immediately going into ranting mode about how it’s rigged. You excuse yourself to go check on him.
You find him upstairs in the piano room, plunking away on the keys mindlessly. If he wasn’t a vampire and you didn’t know better, you would say he didn’t even notice you enter the room.
You stood behind him for a while, watching as his fingers danced over the ivory keys.
“It sounds beautiful” you say.
He doesn’t respond.
“Edward, what’s the matter? You’ve hardly spoken to me all day.”
“Do you ever wish I was human?”
The question catches you off guard.
“To wish for you to be human would be to change you, and I happen to love you just the way you are.”
He huffs, his fingers halting.
“But don’t you wish I was warm? Don’t you wish I could eat the foods you like, actually sleep next to you at night, grow old with you?”
You sit down next to him at the stool and take his hands in your own.
“What were you like when you were human?”
The change of subject seems to catch him off guard, his face twists slightly as he thinks. He pauses for a beat before answering.
“I was a bit of a troublemaker. My mom always said I was giving her grey hairs way too early. I didn’t do any of my schoolwork, I just wanted to go and be free.”
“Hm, sounds like the you that could sleep, eat, and grow old was a bit of a wild card. Not really my type. You know I prefer the sophisticated, musical type.”
He laughs at that, hanging his head down to press a kiss to your joined hands.
“So what you’re saying is you like the version of me without a soul better,” he says bitterly. You frown at that.
“No, I’m saying I like the you that I have now. I love you, Edward. I would never trade you for anyone else in the world whether they have a pulse or not.”
He’s quiet for a moment.
“You know this is how it will always be, right? I’ll always be here, trying some new way to push you away from me. To make you realize that you deserve better.”
“And I’ll always be here to take care of you and make sure you know that my mind will never change.”
“Taking care of me for the rest of your life… talk about the worst job you could get.”
“Only it won’t be a job. Not for me. Not when it’s for you.”
He looks at you then, finally. His big, black eyes staring into yours.
You’ve wished it before, but in this moment you wish you were the one who could read his mind instead of the other way around.
“You’re so stupid,” he smiles, and leans in for a kiss.
Maybe one day he’ll fully believe you.
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Alice:
Alice has a tendency to shut down whenever there’s too much going on
Too many people are on the cusp of making decisions that could change their lives
It seems that every person she meets on the street has a vision attached
She can’t take it anymore
You find her curled up in a ball in her room, the TV playing a program you don’t think she’s watching.
Around her are scattered sketchbook pages, each one hastily ripped from the pad and thrown to the floor.
On these pages are drawings of buildings, people, animals, and tragedies. You catch the face of a woman who’s screaming as a bullet heads straight for her face. In another is an open room with a small grenade in the center.
No wonder she’s been so upset.
None of the pages show joy, every single one a warning of a disaster that’s just waiting to happen.
In front of her, there’s a stack of drawings that she’s flipping through. On one of them you catch what looks like your face, only it’s contorted in a scream. In another you see Jasper, but you can’t make out what’s around him.
“Alice,” you call out, and her head whips up. Maybe she hadn’t heard you like you thought she did. “What’s wrong?”
She looks at you like a deer in headlights for a moment, before her eyes glance back down to the papers in front of her.
“There’s nothing wrong. Not yet, at least.”
Her tone is grave. You can hear the desperation for an answer, or at least a break.
You sigh, and move to sit next to her. You reach to take the stack of papers from her, meeting no resistance. If she wanted to keep them from you, she could. But she knew now that fighting you was always going to be useless.
“Alice, I know you can’t control the fact that you see these visions. But you can control how much you obsess over them. This isn’t healthy.”
“I don’t need to be healthy. I can’t die or get sick.”
You sigh again. “That’s not what I mean and you know it. You can’t keep withering away in here obsessing over what might happen.”
“But-“
“No buts.” You say, throwing the stack of papers to the side. “How long ago did you have these visions?”
She thinks for a moment.
“Yesterday, I think.”
“Alright. Have they happened yet?”
“Well, no…”
“From what you saw, are they still a possibility now?”
“…they are… a very low possibility…”
You could see her reluctantly piecing together your words, clearly not wanting to admit her mistake out loud.
“Look, Alice, you know that I’m always touched by you looking out for me, but in moments like this I need to look out for you too.”
She looks into your eyes, then hangs her head again.
“But that’s not how it’s supposed to be. My gift, I should be the one taking care of you-“
“No. There is no ‘supposed to’ anything. Humans aren’t ‘supposed to’ be with vampires and yet here we are. So please just come with me and watch a movie or cuddle or something?”
She looks at you again, then. Staring into your eyes, then glancing around her room, at all of the papers, then back to you. She smiles slightly and floats up to her feet.
“Fine. But I’m picking the movie.”
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Jasper:
This is a man who needs some serious love and reassurance
He’s always on edge around you, even if he plays it off like he isn’t
He’s just always so scared of hurting you or doing something wrong
And a lot of the time that manifests as him isolating himself to try and get you to leave him
It was gonna be one of those nights again.
A night that you would spend alone in the bed you were supposed to be sharing with the love of your life, Jasper.
But no. On a night like this, he’s out in the woods, far, far away. Stewing in his feelings and brooding.
You don’t even remember anything happening this time. Sometimes something can set him off; a jab from someone at school, a hug he gave you that ended up being WAY too tight, anything really. Anything that reminds him of how he’s not supposed to be with you.
But right about now, you’re sick of it.
The Cullens have taken to being quieter at night since you’ve started sleeping over a lot more, but you know they’re all here- all except for the one you want.
So it being 2 am won’t bother any of the other residents of the house. You roll out of bed and march your way over to the door, throwing it open (politely) and stomping down the steps.
Emmett is the first one you see, and you decide he’ll be perfect for the job anyway.
“What’s got you going, firecracker?” He asks.
“I need you to go find Jasper and bring him to me. Now. I need to talk to him,” you couldn’t help the anger and frustration that seeped into your voice. Lack of sleep will do that to you.
Emmett stood up straight and gave a stupid salute, “One loner coming right up, boss.”
And with that he was out of the door, and you trudged back upstairs to wait for your boyfriend.
You were laying in the bed, still trying desperately to go to sleep when you heard a light knock on the door. Your eyes flicked open to see Jasper standing in the doorway, looking completely out of place and uncomfortable.
All of your anger left instantly, all you saw was the sweet man who was far too worried for his own good.
You sighed and scooted over, patting the spot next to you.
“Come here, Jasper.”
A look of what could only be described as fear flashed across his face before he shook his head and muttered a small, “i can’t.”
You sighed again and stood up, making your way over to him. When you reached him, you stretched your arms out to take his face in your hands, his eyes wouldn’t meet yours.
“Look, Jas, I don’t know what you’re thinking, but I have a pretty damn good idea. You’re not gonna hurt me.”
“You don’t know that,” he says, looking into your eyes, something about the black made him look more human, more scared. “Vampires are already dangerous, but I’m the worst of the worst. You’ve found yourself a faulty cannon amongst rifles, darling.”
You frowned at his analogy, squeezing his perfect face in your hands.
“You are NOT faulty, you hear me? You are perfect. Perfect for me, at least.”
“The perfect man for you wouldn’t be tearing himself up inside trying not to kill you.”
“And a lesser man would have already done it.” He was shocked at that, stunned into silence. He hung his head slightly, not meeting your eyes once more.
“And what if I do hurt you one day? Would you ever forgive me? Could I ever forgive myself?”
“I don’t think you will. But if you do, Carlisle will put me back together and I’ll jump right back into your arms.”
His eyes bore into your soul as he stared at you like you were crazy.
“Why the hell would you do that? Come running right back to me?”
“To make sure you don’t hate yourself for too long. Now come on, I’m tired and I can’t sleep without my personal AC unit.”
He looked at you with disbelief. You knew he didn’t believe you, you don’t know if he ever will.
But that’s okay. You’ll keep him right here, and pull him back to you every time he runs away.
Eventually, he’ll understand that you love him.
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Rosalie:
The topic of kids has always been a very touchy one for Rosalie
It’s all she’s ever wanted, and all that she still wants
Most days, the pain is not too much of an issue
But some days, it just gets to be too much
You and Rosalie were walking down the street, hand in hand as you strolled by the different shops and food stands.
The city was busy today, many young couples out and about, shopping, talking, kissing far too passionately to be in public, the usual.
“Rose, do you mind if we sit down for a bit? These shoes Alice chose for me look really nice, but they are so uncomfortable.”
She giggled, but nodded and led you both to a bench. You sat down with a heavy sigh, finally getting off of your feet after what felt like forever (even though it was only about an hour).
Across the way in the little park you’ve both found yourself in, a young couple is sitting on a bench.
The woman has long, flowing, blonde hair that frames her face in loose curls. She’s wearing a gorgeous floral-patterned dress, and on her left hand is quite possibly the biggest, gaudiest ring you have ever seen.
To her right, a man sits, one who bears a striking resemblance to you, regardless of gender.
And in the middle, a little baby. A perfect mix of the two, her hair and his eyes, her nose and his jawline, all swaddled in a cute little onesie.
You’re about to turn to Rosalie to point out the cute baby (she always loves to look and maybe go touch it if the parents allow her to) when you see that she’s already looking.
Her face is grave, like she’s looking at her own headstone. Her face is twisted in grief, and she looks on the verge of tears.
It takes you a second to connect the dots, but once you do, your heart clenches for her.
That woman looks like her, reminds Rosalie of herself. And the man looks like you. And that baby is what she wants, all she’s ever wanted. What she can’t have.
Babies are always hard for her, but this struck a deep chord.
“Rose… do you wanna go home?” You ask softly, not wanting to come off as pushy.
“…”
“Come on, let’s go,” you grab her arm to pull her up, she goes with you, but keeps her head craned back to the young couple the whole time.
Once you’re far away, she breaks down. You’ve never seen a vampire cry, and that’s probably because they can’t. But if they could, Rosalie would be sobbing.
You know it’s bad because she doesn’t even care that she falls to the floor in this dirty, nasty alleyway. Normal Rosalie would rather die 100 times over than get her clothes dirty, especially here.
You sit down next to her, letting her dry heave and gasp into your shoulder, her wails breaking your heart.
You’re helpless here. Cause what can you really do? You can’t give her a kid, she can’t give you one either. You can’t go back in time and stop her from being killed. And you can’t go back and steal that baby from that couple (even though you kind of really want to).
So you just hold her.
You run her hair, pat her back, kiss her head, and whisper into her ear. How much you love her, how she’s perfect, how it’s okay, how you don’t think less of her.
Once she’s calmed down and her breathing has slowed, she looks up at you.
“I’m so sorry. You shouldn’t be seeing this side of me.”
“What? I want to be here for you, Rose. I know I can’t fix this for you, but at least I can-“
“Fix it? Darling, don’t worry about fixing me. I’m already completely broken, there’s nothing to fix.”
With that you just take a moment to look at her. Her face screams that she is broken. In her soul, at least. Her and Edward are a lot more similar than they like to think.
“Rosalie. You are not broken. There is nothing wrong with you.”
She scoffs at that. “I’m not human. I’d say that’s pretty wrong. Not to mention the fact that I can’t even look at a couple with a baby and not want to violently kill someone.”
“And that’s okay.”
She scoffs again.
“No, really, Rose. I mean it. I’m never ever going to think less of you for something like this. You went through something I can never even imagine and now you’re left to pick up the pieces. Just let me help you.”
She looks at you, her eyes staring into yours. The grief that she’s feeling is evident. But deep in her eyes, you see a touch of something else. Trust, maybe.
“You know, you’re gonna be picking up pieces for the rest of your life.”
“That’s okay, I don’t mind. Not if it’s you.”
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Emmett:
He likes to pretend to be all big and bad all of the time
But in reality, he's still a person
He just has a hard time remembering that sometimes
You don't know where he got all of that energy from.
I mean, realistically, you know that he can never get tired.
But really, even for a vampire this was unnatural.
Some nobody in school had challenged him to an arm wrestle. Of course, he can never resist. He grabbed the guy's hand and prepared to pummel him, only to flinch and have his hand thrown down against the wood of the desk.
The guy had one of those fake shock things in his hand, and as soon as Emmett clamped down it vibrated like crazy.
To say he was pissed would be an understatement.
And now he was taking all of that anger out on the trees around the Cullen house.
"That-" punch "fucking-" punch "ASSHOLE!" punch punch punch
It had been days. And you were honestly getting worried. He hadn't hunted in those days, much less came inside the house. You're surprised the park ranger hasn't come knocking yet.
You heard a hollowed cracking sound and looked to see Emmett standing triumphantly as a rather large oak tree fell to the ground, followed by a guttural roar from the man.
"Emmett," you called, barely above a whisper. But you know he heard you. "Come over here please."
He looks at you with a slightly guilty look, the anger from before fading away as he hangs his head and trudges over to you. He stops just a few feet in front of you, lamely kicking the rocks beneath his toes as he avoids your eyes.
“What’s wrong?”
“It’s that stupid fucking guy-“
“No,” you stop him, putting your hand up to silence him. “What’s actually wrong? Don’t tell me you’re seriously this pissed about losing an arm wrestling match with some nobody.”
He just stood there in silence for a second. You took this chance to stand up and grab his face in your hands, instantly he leaned in, perching his head on your palms.
“I just… need to be strong. That’s what I am, I need to be strong,” he whispered, his voice coming out shy and meek.
You just smiled at him sadly and rubbed his cheek.
“I can be strong too you know. So every once in a while you can let me take care of you instead.”
He laughed at that.
“You, strong? As if. I could fold you in half!”
You punched him lightly in the arm.
“You jerk! I’m trying to be sentimental!”
He laughed again and grabbed your hands, bringing them back up to their previous spot cradling his face.
“Ok ok, serious sentimental time.”
You just laughed and kissed him.
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Esme:
She has a bad habit of overreacting
Just a dash of anxiety
So when something-anything happens to you, she freaks out
This is bad.
Like really, really bad.
You were supposed to be driving to go see Esme at the Cullen house, but of course your piece-of-shit car decided that now would be a perfect time to break down.
Too far away from home to walk back, too far away from the Cullens to walk there, and the nearest anything was also too far.
Not to mention the snow covering the ground didn’t really entice you to get out of your still-warm car.
So you tried calling someone to come get you.
Only, of course there’s no service out here because why would there be.
Just your luck.
You weigh your options, and decide that walking is just gonna have to do.
You didn’t pack a winter coat because you didn’t think you’d be outside for this long, but you had a blanket stored in your backseat and it was better than nothing.
So off you trekked through the freezing cold winter storm to the Cullen house.
Inside, Esme was (in)patiently waiting.
Your favorite meal was waiting for you, already plated and getting colder by the second on the dining room table.
You said you were on your way 30 minutes ago. It takes about 30 minutes to get from your house to their house.
So where were you?
Her ears perked at the sound of a slowly beating heart coming from down the driveway.
It didn’t sound like one of the foxes or deer that roam around this time of year. No, it sounded a bit bigger, a bit more human.
She was out the door in a flash. Before anyone had the chance to ask what she was doing she was by your side.
“Oh my god, honey, why are you out here?!”
“An angel…” and then you collapsed.
Cue Esme absolutely freaking the fuck out.
She has you in front of a lit fireplace, a heating blanket rested over your shoulders and a warm towel on your head.
She’s pacing back and forth in front of you. She wants to hold you so bad, to kiss you, cuddle you, protect you. But she can’t. She’ll just make the shivers wracking your body even worse.
“Es…” you croak, your eyes blinking open finally.
“Oh my god! Are you okay? How are you feeling? Why were you out there? Where’s your car? Why didn’t you call me?”
“Shhhh,” you whisper, bringing your finger up to shush her. “Just come here.”
You open up your blanket in an invitation to her.
“Are you out of your mind? I can’t cuddle with you right now, I’ll freeze you!”
“Please, you deserve to be taken care of too.”
She crumbles at that, you can see the resolve leaving her face. And then she figures that you won’t get too cold with the heated blanket and everything.
She cuddles up next to you, wrapping her arms around your waist and ducking her head into your neck.
“I’m so sorry, I should have been there. And least of all I shouldn’t be such a mess right now.”
“It’s okay to be a mess, I’ll always be here to hold you.”
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Carlisle:
No one really talks about the stress of being a pretend father for a bunch of eternal teenagers
Really, it’s a blessing that he doesn’t need sleep and isn’t affected by long hours
But despite that, he still gets so worn out
Today had been a long day for Carlisle.
It was student-teacher conference day. And while that’s not usually an issue since he always tells the kids to behave, Emmett decided it was necessary to punch a kid last week.
To be honest, Carlisle didn’t really care if the kid was a bully or not, all he viewed it as was something more drawing attention to them.
On top of that, the cattiness between Edward and Rosalie seemed to be especially bad today.
They were at each other’s throats for the better part of the day, and nothing would get them to separate.
At work, at least a dozen new patients showed up. A factory that was close by had a gas leak, very minor. None of the people were harmed at all, but many still insisted on going to the clinic.
Carlisle’s not one to discourage people from getting checked out, but he is one to tell people to go home when they’re fine, which everyone was.
But these people kept insisting something was wrong. A boy with a broken arm had to wait for three hours for a room to open up because the factory workers refused to leave.
By the time he got home, he was exhausted, you could tell. His eyes were heavy, as were his footsteps. His hair was disheveled, he had clearly been running his fingers through it all day from the stress.
He looked like a mess. But even then, he greeted you with a smile and a kiss on the cheek.
He always takes such good care of you, whether you’re sick or not, he’s always there with whatever you want.
Now it’s your turn.
“Carlisle, are you busy?” You ask, peeking into his home office. Even after the super long day, he’s a man of habit.
“Not particularly,” he turns to look at you, setting his pen down, “why?”
“Follow me.”
You lead him to the bathroom, where a nice, warm back is drawn. Complete with lilac scented bath oil and two candles lit on the sink.
“The bath looks beautiful, darling. I’m sure the lavender will be great for your skin.”
“Oh, it’s not for me,” you quip. All he does is raise an eyebrow. “It’s for you. I know you’ve had a long day, so go relax and meet me in the bedroom when you’re done.”
You don’t give him a chance to argue before you leave, shutting the door tightly behind you.
He emerges about 30 minutes later, still toweling his hair off.
“Ok now come on over here,” you pat the bed next to you, motioning him to sit there. Again, all he does is quirk and eyebrow but he obliges.
You take the remote to the TV in yours and Carlisle’s room, turning on his favorite movie. A classic one from the silent film era.
“But this… I haven’t seen this movie in years… how did you get it?”
“That’s the beauty of streaming platforms.”
You both sit in silence for a while, Carlisle seemingly happy to just watch his favorite movie after so long. Eventually, he turns to look at you with an inquisitive expression.
“So, what’s all this for?”
“What, am I not allowed to take care of you from time to time?”
He laughs slightly at that.
“A human taking care of a vampire, how twisted.”
You grab his face between your hands at that, drawing him close and looking deep into his yellow eyes.
“It’s not if I want to do it, and I would move the Earth for you.”
“Hopeless romantic,” and with that he kisses you.
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Vampire! Bella:
She tends to… shut down
We all know how she was when she couldn’t be with Edward
That translates over
It really wasn’t supposed to be that big of a deal.
Your Spanish class was going to be taking a two week trip to Spain.
Only, Bella wasn’t in Spanish. This time around, she chose to take French. Which was all fine and good, until it meant that she couldn’t go with you.
Cue two weeks of endless calls and texts.
On the phone with you , she sounds fine. But from your calls with Alice, she’s not doing too hot.
She hasn’t been hunting since you’ve been gone, she’s completely stopped going to class, and she also hasn’t talked to anyone in the house.
It’s the last night of your trip, you’re in your hotel room, the girl you’re sharing with is sound asleep in the other bed, but you know one girl who’s never asleep.
You call Bella’s number, and she answers instantly, like she’s been waiting all day for you to call. In all honesty, she probably has.
“Hey, what are you up to?” You can hear the attempt to be nonchalant in her voice, but her eagerness gives her away.
“Oh nothing, I just got off the phone with Alice… wanna tell me why you didn’t leave our room today? Or yesterday? Or the day before?”
You can hear her pause on the line, like she’s trying to come up with a convincing lie, but eventually she sighs.
“I just… I’ve just been missing you a lot, is all. I want you here next to me, I feel incomplete without you.”
Yowch. Right through the heart.
You decide then to help in some way, you don’t know how immediately, but you have to do something.
So you start to hum.
Whenever you have a bad day, Bella hums the song her mom used to sing to her. You always ask her to, and even though she says she isn’t a great singer, she indulges you anyway.
Sometimes it’s the only thing that can stop you from a panic attack or calm you enough to go back to sleep after a nightmare.
You hear her gasp slightly before y he sound of sheets rustling, presumably her laying her head down.
You go through the whole song twice over, Bella never telling you to stop or joining you.
After your voice fades out and the line stays dead for a moment, you swear you can hear Bella overthinking.
“You know, you didn’t have to do that. I’m an apex predator. I shouldn’t be so upset whenever you leave for a little bit.”
You laugh lightly at that, and you can hear her scoff across the line.
“I don’t mind. Especially when it’s you. Bella, I love you and I would do anything for you.”
“Even if I’m a beautiful monster who was designed to kill you?”
“Even if you did kill me, I would hope that my blood nourishes you for months on end.”
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fairyhaos · 4 months ago
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how seventeen act with their writer s/o
requested by anon ^^
masterlist
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seungcheol
he is begging. he is on his knees BEGGING you to pls let him buy you a new laptop because the one you use is literally on its last legs and makes ominous sputtering n whirring sounds like a dying cat stuck in a vent every time you start it up. you don't let him tho bc “no cheol the memories :(((“ cuz you've had it for years but he is nearing the end of his tether and who knows. in a few days ur laptop may mysteriously disappear forever and you'll be forced to let him buy a new one
jeonghan
he's like the pet cat you don't own who likes to slink into the room and make inquisitive noises as he watches you work. drapes himself over your shoulders and makes distressed huffs when you try to dislodge him. he's never usually noticeably clingy, but when you try to write, the clinginess always springs out and you can't go five minutes without jeonghan poking his head into the room to check up on you and see what you're up to
joshua
your biggest fan. buys every single novel you write, puts on his glasses, and reads them very seriously in one go on the very evening it's released with the lamp on beside him. he looks so serious every time, but he'll always peer at you over his glasses and then give you a big grin, telling you how much he loves it. gets you to sign a copy for him and brags to everyone he knows that he has your signed novels with special messages just for him that no one else can have
junhui
he's your personal general knowledge bank. when you're searching up obscure things and slowly losing hope on finding an answer, just ask junhui and he'll either a) know the answer or b) knows someone who knows someone else who knows someone else else who knows the answer. don't ask him how to spell words tho bc he's like. hopelessly bad. blinks at you going “what's an [insert word]” before you give up and google it yourself
hoshi
alwaysssss wants to know what you're working on right now. gets all whiny when you get possessive of your work and refuse to show him before it's finished bc come on, it's surely perfect already, why are you trying to hide it from him?? loves helping you do, like, the non writing stuff. writing out plot? nooo. building fantasy maps, figuring out political systems, getting lost on a tangent on figuring out the price of beans in the 1800s? hell yeah sign him up!!! 
wonwoo
knows all the grammar rules in the world. you can ask him stuff like “hey wonwoo can i put a comma here or no” and he'll amble over to peer over your shoulder and tell you whether you can or cannot, in fact, put a comma there. helps you curate all your writing playlists for the different moods you have. gently reminds you to get back to writing whenever you end up scrolling on instagram for too long
woozi
you're even more of a workaholic than he is when in the zone, so he gets to realise how unhealthy it is to be sat in front of a computer for hours straight with no break. you get to act as each other's “let's act like a normal human being now” reminders, depending on which of you is going through a work fixation. you guys both go on runs together in the mornings even though it kills you bc at least it gets both of yo brains kickstarted to spend a day being all creative in ur respective fields
minghao
you value his opinion above anyone else's. above your beta reader's, above your agent's, even above your editor's bc those are more like advice, not opinions. but knowing that minghao likes your work, and knowing which parts in particular he really likes, is so important to you because ultimately, you want the person you love to also love the things that you create. 
mingyu
brings up the fact that you're a writer in every conversation he has with anyone ever. “oh my god look, this menu has writing on it. speaking of writing, my s/o writes actual books as a job!!!!”. your agent made him sign a contract similar to an NDA bc he just keeps yapping about your books even when they haven't been released yet. loves the noises you make whilst you're writing. thinks it's the cutest thing ever when you make overjoyed “AHA!!” sounds when you finally realise what the plot is doing
dokyeom
more than willing to be your rubber duck and let you talk at him until u figure out your own plot holes. he could be in his room scrolling on his phone but the minute you call for him, he's leaping up and bounding over to you and pulling up a chair in an instant, more than willing to let you bounce ideas off him. sits there doing nothing but looking all pretty as you talk at him and work out the tangle you've gotten yourself into. beams and gives you a big kiss when you manage to figure it all out. 
seungkwan
he buys you a biiiig wheely whiteboard and a bunch of coloured board pens to help you plot your novels. when you get stuck, he comes over and stares at the board with his hands on his hips, very gravely considering your dilemma and what would be the best way to get you out of it. you two talk about plot holes like it's the most serious thing in the world and he just nods like a proud father once you both find a solution
vernon
at this point he's like. a professional tea and coffee and biscuits supplier due to the amount of snack runs he does for you. has walked in on you lying face down on the floor during a meltdown one too many times to bat an eye anymore. also great at helping you block out actions during scenes like. he's the perfect doll. lets you maneuver him into the weirdest positions in the world with zero complaints. he just loves helping you however he can, really. 
chan
reads through your drafts whilst you're in the middle of writing, accidentally gets hooked and is begging you every day to finish the novel bc he really wants to know what happens next. he's the best at spotting inconsistencies and plot holes in ur writing so before you even send it off to your beta reader, he gets to have his hands on the manuscript to check for any changes needed. also bc he needs to read the ending asap otherwise he'll probably combust. 
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reactions tags: @weird-bookworm @minhui896 @slytherinshua @haowrld @belladaises @newgirlygirl @moonlitskiiies @mirxzii @wonranghaeee @yonabutnotyuna @crackedpumpkin @wqnwoos @kthstrawberryshortcake-main @kawennote09 @a-wandering-stay @icyminghao @valenhui @sweet-like-caramel @odxrilove @kyeomyun @chansburgah @pepperonijem @jeonride @kellesvt @kikohao @astrozuya @eightlightstar @onlyyjeonghan @aaniag @starshuas @all-american-fangirl @f1uffyjun @sea-moon-star @nonononranghaee @isabellah29 @mcu-incorrect @hrts4hanniehae @suraandsugar @pan-de-seungcheol @dokyeomkyeom @melodicrabbit @bananabubble
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ask-spiderpool · 6 months ago
Note
Hey mod, are you okay? It’s been a while since you posted (no judgement!) and I just wanted to see if something was wrong. Love you and I hope you stay strong🫶🏼
Bless you anon! I appreciate you checking in! I don't post a lot of personal updates here, but I have been going through the wringer lately... hough.
Lately I've been battling with anxiety, you know, same as everyone. It's kind of made things that I used to enjoy kind of stressful for me. Everything becomes stressful for me. Even not having things to stress about makes me stressed. I'm at my most Peter Parkeriest, in the worst sort of a way.
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I thought it was a brain thing – that it was all in my head. I have a new, stressful job, and a stressful living situation, and some family issues I'm dealing with. It'll pass. So I kind of tried to power through, until my body shut down on me last year. And as it turns out, when I got checked out by the doc, it's not just a brain thing. I have a tumor (her name is Lamar, and she's benign, buuut...) she's producing 5x the normal amount of stress hormone in my body. The doctors think it's insane. I think it's hilarious. I feel like it's some kind of joke.
I've been battling this ridiculous chronic stress for years, thinking it was all in my head, but actually, biologically, I'm an overflowing reservoir of stress, and it's something that can be measured in my bloodstream. And it's been going on for years!
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So, lately I've been devoting a lot of time to forcing myself to relax. Doctors orders. I can't get stressed about things. Every day I have to effectively diffuse a bomb. And the bomb is me. I'm so pumped up with involuntary stress, and I have to devote my time to keeping it at a manageable level. And so there are a lot of backflips I have to do to keep myself human right now, and not turn into a bomb.
See... posting to the blog doesn't exactly calm me down. It makes me anxious, most of the time. So I've been telling myself it's okay. Only post when you feel good. You have enough things to worry about, and the blog can't be one another thing to worry about. It can only be for fun. If it doesn't feel like fun, don't do it.
I need to do a million little calming activities to function. The blog used to calm me. But it doesn't, anymore. I still love it, and I still have so many scripts I'm excited to do, but... I just have to be patient with myself, right now. I can't bug my head over something that can wait. It can wait. Right now isn't the time. My health is the most important thing. I can't get that back, if I lose it.
Right now I'm about keeping my head above water. Keeping calm. Doing meditative things, that aren't necessarily productive... (trust me, I am SO upset about not being productive. I miss it a lot) but they force me to take it slow and force me to not worry. I'm learning the banjo (she calms me), and I spend a lot more time in nature, having staring contests with ducks and pigeons, and befriending beetles and bugs.
I'm a very positive person, and I know I'll make it through, and I love myself for all the effort I'm making to keep myself from breaking. Because I know if I didn't force myself to calm down, I could snap like an elastic band. I – I don't want to break, like I did last year. I need to be good to myself. And relaxing is an effort. It takes a lot for me. And certain calming routines work for a little while, and then stop working, and I need to make the effort all over again to find something new. It's kind of insane how much time I need to calm back down again. I remember, once upon a time, it being baseline.
Luckily there's a surgical solution, so hopefully I'll be normal again soon, and there won't be any more bees buzzing in my brain!
I hope you'll all be patient with me! And hopefully I'll make it out alive and stronger than ever, soon.
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golden-cherry · 1 year ago
Text
deal - cl16 (20/?)
Pairing: Charles Leclerc x Reader
Series Summary: Your whole life has gone to shit. Your boyfriend broke up with you, you just lost your job and the Monegasque, who suddenly stands in your doorway, claims that it’s his apartment.
Chapter Summary: There's one person that you don't want to see standing in front of your door in the middle of the night.
Warnings: angst (like, a lot), super many swear words, asshole!Charles, a teeny tiny bit of fluff, Raphael
Word Count: 3.7k
series masterlist
previous part
A/N: couldn't let you wait another week after that cliffhanger. thank you to everyone who's been with me from the start. couldn't have done it without you. here's to 20 chapters and so much more to come.
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It only takes a few seconds for your eyes to adjust to the light and you recognize who is standing in front of your apartment door. The hair, the eyes, the mouth, and as soon as you recognize the face of the person who hurt you, you push against the door with all your strength to slam it shut. 
But Raphael is quicker and shoves his foot in between. "I just want to talk."
You briefly consider kicking his shoe and kicking him out of the door frame. Something that would certainly hurt a lot barefoot. But you can't take a step back to slip into your shoes either, because Raphael would see that as an invitation. So you stand there rooted to the spot, your fingers clasped around the door handle and your shoulder leaning against the door so that at least some counterbalance keeps him from entering the apartment.
"Please, Y/N."
"What about my previous behavior makes it seem like I'm in any way interested in having a conversation with you?" you hiss hostilely in a hushed voice. After all, the neighbors don't need to hear what's going on in the hallway in the middle of the night.
He raises his hands placatingly. "I know you want to sort this out between us as much as I do."
"I want you to leave me the hell alone." You lean against the door a little more so there's more pressure on the sides of his foot, forcing him to pull it out sooner or later.
"This can't really be what you want. Please, Y/N." He tilts his head. "We both know how much you miss me. And how much you need me."
You have to stifle your laughter, even though there's nothing at all funny about this situation. "I'm not the person who keeps calling my ex and suddenly turns up at the door in the middle of the night."
"I just want to explain myself. And that everything is like it used to be."
"Then you shouldn't have been fucking other women." Your tone is icy. "Why can't you just leave me alone and get out of my life?"
Raphael crosses his arms in front of his chest as if he's offended that you're seriously asking him that. "Because I love you. So let me in, please."
You narrow your eyes. "Not a chance."
His gaze, which looked halfway human a moment ago, hardens. "Is he here? Is he listening to us right now?"
You raise an eyebrow. "Who?"
"Don't play dumber than you are. I'm talking about your fucking roommate I spoke to on the phone the other day." He puts a palm against the door and you feel his weight pressing against you. "Is he here?"
By now you're bracing yourself against the door with all your weight. Your heart is hammering in your chest. Raphael is not someone who would hurt anyone else. But his cold stare and the pressure against the door make you think otherwise. Must make you think something else to protect yourself. If he manages to walk through that door - thank God Charles is in Italy.
"This is none of your business," you try to say as normally as possible. 
"If some random guy is fucking my girlfriend, then it is definitely my business."
"I'm not your girlfriend, remember? You cheated on me and dumped me." You take a deep breath to get rid of the tremor in your voice. "So just leave me alone. I don't want anything more to do with you."
Raphael laughs. "I didn't cheat on you." When you raise an eyebrow, he rolls his eyes. "My God, so I slept with a few women, so what? I had needs. And you didn't want to." 
You're on the verge of crushing his foot. "Are you actually listening to yourself? Do you hear the complete bullshit you're talking?" 
"Don't be like that. I bet you've been sleeping with your roommate to get one over on me, too." He leans a little in your direction. "Why don't you explain to me why you slept with him but not with me, your boyfriend?" When you don't answer him, but just look at him venomously, a disgusting grin spreads across his face. "I'm telling you: because you're a little bitch." He takes his hand off the door and instantly your body relaxes a little. But the calm doesn't last long. "Did you hear that?" Raphael suddenly yells through the hallway, waking up all the neighbors within a 200-meter radius. "She's a little bitch. Come and get her. She really gets it on with everyone."
You open the door a little, but only to stand fully in the doorway. "Are you crazy? Be quiet, you'll wake up the whole of Monaco!"
His head jerks in your direction. "Why? Don't you want your roommate to know who you really are?"
If Raphael hadn't been shouting like that, you would certainly have heard the loud footsteps coming up the stairs. But all you see is a shadow and then you see familiar green eyes looking into yours. Charles is standing on the top step of the stairs, his eyes fixed on you, but before you can say anything, ask him why he's not in Italy, his gaze flits to Raphael and even from a distance you can see that Charles' body is tensing. 
Raphael follows your eyes and takes a step back when he sees your roommate standing in front of him. Charles could have been anyone - a neighbor complaining about the noise, a delivery man dropping off food - but from the way the Monegasque is glaring at your ex, there's no doubt. "Your roommate is Charles Leclerc?" Raphael runs his fingers nervously through his hair before taking a step in Charles' direction and holding out his hand. "Wow, it's an honor to meet you! I'm a big fan!"
Charles Leclerc? Honor? Big fan?
Charles looks down at the outstretched hand as if it were a venomous snake before he pushes past the man without answering and positions himself in front of you. You see his tense back muscles dance beneath his sweater as he turns to Raphael. "You should go."
"I think you've got this whole thing wrong," your ex tries to wriggle out of the situation. "Y/N is my girlfriend and we-"
"Ex-girlfriend," the brunette interjects without batting an eyelid.
Raphael scratches the back of his neck nervously. "Eh, we're just trying to sort that out. Would you please give us a moment so we can work this out?"
Charles doesn't even need to turn around to know that's the last thing you want. "No. I'm sure there's nothing to sort out. I'm not going to ask you to leave again."
Your ex snorts and raises his hands placatingly. "I don't want to argue with you. Like I said, I'm a huge fan and I watch every race. But the matter only involves Y/N and me, which is why I'm asking you to step aside so we can work this out." 
"And I said no." His tone is cool and calm, almost threatening, and his gaze is so piercing it sends a cold shiver down your spine.
Raphael rolls his eyes. "And I thought you were a cool guy. That's how you come across on TV, anyway." He takes a step towards you both and Charles pushes himself completely in front of you so that you can no longer see Raphael. "Your little girlfriend there is a slut, did you know that? A stupid little whore who-"
"Do you actually like your job? You still work in accounting at this one company, don't you? With the emphasis on 'still'," Charles asks calmly. As your ex takes a step back, Charles takes a step forward. "So if you want to keep it, I suggest you leave Y/N alone once and for all. You won't show up here, you won't call her again, you won't even think about her. And if you even think of telling anyone about this, I'll make sure you can't find a job anywhere. Do you understand me?" When your ex doesn't answer, Charles takes another step, causing Raphael to flinch and almost fall down the stairs. "Did you hear me?"
"Clearly and distinctly."
"Good." You can hear Charles' friendly smile. "Have a good evening, then." He looks after Raphael, who quickly scurries down the stairs, and only turns to you as the front door slams shut. 
But instead of asking you if everything is all right, he storms past you into the apartment without a word. You quickly close the door behind you, follow him on foot and find him in the bedroom, where he pulls a large sports bag out of the chest of drawers, which he carelessly throws onto the rumpled bed. He starts to clear out the closet.
"Charles?" you ask hesitantly, but remain standing in the doorway. "What are you doing?" When he doesn't answer, but pulls his cell phone out of his pocket and taps on it briefly before pocketing it again, you enter the room. "Charles? Say something, please."
"What do you want to hear from me?" he asks coldly, grabbing some clothes from the closet. Only when you take a closer look do you realize that these are your clothes that didn't fit in your small suitcase. 
"I don't know," you answer helplessly. "What are you doing here?"
He doesn't even look at you. "What does it look like I'm doing? I'm packing your things." He stuffs one of your shirts into the small side pocket. "So we can finally move out of here."
Confused, you look at him and sit on the edge of the bed. Far enough away from him. "What do you mean?"
"Do you really think you're going to stay here one more day after your crazy ex turned up? You were going to move out anyway, so we might as well get this over with."
You had told him that you were leaving this apartment, but you never expected him to throw you out of the apartment himself. Especially not today, when he wasn't supposed to be in Monaco, but in Italy. "Are you kicking me out?"
Charles zippers up the bag before placing it next to the suitcase and pulling the next bag out of the dresser and fills it with clothes. "Didn't you listen to me? We're moving out. I'm not leaving you alone in this apartment for another moment."
Charles's change of mood almost gives you whiplash. Yesterday he threw the nastiest words at you, made you cry and hurt you so much that you were seriously considering leaving the country. And now he's standing there packing your things into sports bags because he what? Doesn't want your ex to come back here to harass you again?
Puzzled, you sit on the bed while Charles goes through the apartment and collects all the personal belongings he can find. 
Why is he here when he's supposed to be in Italy? Why is he packing your things so that you can move out of this apartment if he doesn't care about you? And the biggest question is - how does Raphael know Charles? What races was he talking about? Why does he know him from TV?
Who is Charles Leclerc?
"Here, get changed," he snaps you out of your thoughts and throws you a pair of sweatpants and the white sweater he was wearing in the bookstore. "It's freezing outside and I don't want you to freeze to death." He grabs the bags and disappears out of the bedroom to give you some privacy. 
You quickly change, pull his sweater over your head and as you breathe in his scent, you could cry. The fact that Charles is here, defending you after he treated you so badly, confuses you so much that you don't know which way is up and which way is down. After yesterday, you hate him, you want to hate him, but Lando's words haunt your mind and apparently there's some truth to them, because otherwise Charles wouldn't have driven all the way to Monaco in the middle of the night. 
But why is he here? Why did he leave his meetings so much earlier? Did he feel guilty? Did Lando talk to him? Why is he back here with you after just one day?
He doesn't even look at you when you leave the bedroom in his clothes. He just grabs the bags and your suitcase and you're about to ask him if you should carry something too, but he's already disappeared out of the front door and into the dark hallway. You quickly grab the last of your belongings and follow him down the stairs, but instead of heading for the underground parking garage, he leaves the house and heads towards the street. 
"Where are you going?" you ask, out of breath, when you finally catch up with him. Without a word, he stops in front of a black car with a red and white stripe across it. It looks expensive, much more expensive than your old Renault, which is only confirmed by the horse on the hood and rims. "Whose car is this?"
"Get in," he says curtly as he unlocks the luxury ride and starts to put the bags away. When you don't move, he turns to you. "I won't say it again. Get in the damn car, Y/N."
"Why?" you ask, confused and also a little desperate. "Why would I get in the car with you? Give me one good reason."
Annoyed, he runs his hand through his hair so that it stands on end. "Either you get in the car now or I'll make you. It's your decision."
You cross your arms in front of your chest. By now you're annoyed by his behavior. "You can't force me."
"You bet I can." He takes a step closer so that you can feel his warm breath on your face. "Get in the fucking car."
There's a twinkle in his green eyes that stops you from challenging him. Silently, you get in on the passenger side of the car and plop down on the leather seat as Charles circles the hood. A few minutes later, as you're driving along Monaco's streets, the silence between you is unbearable. 
"Where are we going?" you ask, but get no answer. The Monegasque drives the car over the asphalt with an angry look on his face, even driving too fast, but he doesn't seem to care. "At least you can tell me where you're taking me. You owe me that after you dragged me out of the apartment."
"We're going to my other place."
You raise an eyebrow in confusion. "The one Annika lives in?"
Charles takes a turn without using his blinker. "Yes."
"And how do you picture that?" You turn in his direction. "You want me to share the apartment with your ex? Are you completely insane?"
He exhales loudly. "She won't be there when we get there."
"We? What do you mean 'we'?"
"I have to stay somewhere. Now that we both can't stay in the second apartment anymore."
Your voice sounds a little shrill as you answer him. "I wasn't planning on moving out of one apartment so I could move into another with you. Drive me to a hotel or somewhere else, but I don't want to live with you."
After all, he was the reason you wanted to move out of the apartment in the first place. He treated you badly, let you down - why should you spend another night with him? Especially since he still seems angry with you?
As the car comes to a halt, he looks over at you. "I don't care what you want right now. You're staying here tonight where I know you're okay and that asshole can't get too close to you. Tomorrow you can throw every insult you can think of at me, but right now you do what I tell you. Do you understand me?"
His authoritative and commanding tone leaves no room for discussion, so you just nod silently and get out of the car. You are in an underground parking garage, similar to the other one, but there are other cars here. Expensive cars, like the Ferrari you drove here in. 
Are these all his cars? Where did Charles get the money for a Ferrari? What-
"Come on. I won't wait forever." His voice brings you back to reality and like a toddler you follow him out of the garage, into the elevator and finally into the apartment, which is surprisingly empty. You don't have a moment's peace to look around as Charles has already unlocked a room and put your things inside.
"The guest room is unused." He takes a deep breath and exhales. "I know it's not the best solution for everything here, but I can't change it now. If you want to move out tomorrow, then do so. But please do me a favor and stay here tonight." His expression is softer and his voice is a little warmer than it was a few minutes ago, but that doesn't make you forget how the evening went.
"I'll be gone in the morning," you reply stubbornly, but you can feel your heart beating fast. Charles just nods and leaves you in the hallway so that you can enter your room undisturbed and keep to yourself. 
After closing the door behind you, you take off your warm clothes and fall onto the bed in your underwear without turning on the light. It is unused, the comforter is spread out on the mattress and the pillows feel as plush as if they had just been fluffed up. But as soon as your head touches the soft fabric and you breathe in, you are completely enveloped in Charles' scent. And you can't stop the tears streaming down your face as your body finally comes to rest.
The fact that Raphael suddenly turned up on your doorstep in the middle of the night has already thrown you off course. You never expected him to have the nerve to show up at your place - a pretty stupid thought when you remember that he had already tried to find you there recently. But actually seeing him, listening to his garbage, really ruined the evening that Lando had actually saved so far. 
And then came Charles, your knight in shining armour, who stood up for you so heroically and defended you, even though he had broken your heart just one day before. 
His behavior is completely at odds with what he's doing.
He drags you out of the apartment so that Raphael can no longer find you there, but forces you to go with him to this apartment, even though he knows that you don't want to have anything more to do with him. 
He packs your things, wants you to spend the night with him so he can be sure you're safe, but is so cold and dismissive to you that you might think Charles has multiple personalities. 
And then there's the fact that Raphael seems to know him. Even his full name. And he didn't pronounce it the way you do with people you just haven't seen for a long time but happen to meet on the street. His intonation was different, as if the name Charles Leclerc carried weight, as if he was something special, as if you had to know him. But who the hell is Charles Leclerc?
Is he the man who took you in when you didn't know where to go? The one in whom you found a friend you never really wanted to miss? The one you fell in love with without even wanting to?
Or is he the man who hurt you, rejected you, only to stand up for you in a domineering and possessive way? The one who took your heart and trampled on it, only to do everything he could to keep you safe a day later?
Who is Charles Leclerc?
Your shoulders shake and your breath comes in painful gasps as you wrap your arms around your middle and press your face into the pillow. Your throat feels constricted, your blood is pounding in your ears and your heart is beating so fast it feels like it wants to jump out of your chest. And this headache. They make you blind and deaf, which is why you don't notice the door to your room quietly opening and then falling back into the lock. 
Only when you feel the mattress lower behind you do you realize that Charles is with you. You want to turn to him, scream at him and send him packing, but you don't get the chance. Your tears stifle every sound and your body is shaking so badly that you can do nothing but lie there.
You don't question it when you feel Charles' chest against your back. "I'm here," he whispers softly as he wraps his arm around you and hugs you tightly. His other hand finds its way into your hair, which he strokes gently as his touch warms you. "It's all right, mon amour. I'm here," he repeats, tangling his bare legs with yours to pull you even closer to him. Not a piece of paper, not even a hair fits between you. 
Charles' skin is soft and smooth against yours, you feel the tiny hairs of his forearm against yours as he reaches out to grab your hand and finally intertwines your fingers. It feels like they were made for this. As if you were made for him. 
You want to turn around, to look at him, but his iron grip around your middle won't allow it, so you just press yourself against him, as close as you can, to be enveloped by him. By his smell, his warmth. Him. 
"Charles," you sigh into the darkness and feel the tip of his nose against your neck. 
"I'm here, mon amour." He presses a feather-light kiss to your bare shoulder. "I'm here as long as you'll let me."
next part
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quantum1mmortality · 27 days ago
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HIII HELLOOO HIII YOUR WRITING IS SO AMAZING AAAHHH KISS EMOJI??!?!?! ❤️❤️❤️❤️❤️
About requests!!! What's about some reverse comfort or even reverse comfort for Curly when reader or he is very stressed for some reason??? Maybe one of them had a nightmare, or had awful day at job???
ANYWAYS HOPE YOU'RE HAVING A GOOD DAY THANK YOU FOR YOUR WORK MWAH ❤️❤️❤️
Hello again chat, lovely seeing you here
I'm slightly confused on what this ask is... Asking. So I'm just gonna do hcs on how curly would want to be comforted/how he expresses his feelings, and how he would comfort reader(YOU!!! 🫵)
Forgive me if this is not what you wanted anon
Not proofread
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Curly comes off as a very confident and optimistic person. But, he, like everyone else, is human. So certain things are bound to get to him.
I feel as though he'd be the type of man to try to hide these emotions from you. He doesn't want you seeing him like that, he doesn't want you to think he's weak.
So I think the way he'd show he's upset or stressed is by being quiet. Not by ignoring you, but in a way that you can definitely tell whats going on.
When he's in this state, the only thing you can really do to try and help him is to be near him. Your presence comforts him, so cuddling him on the couch helps quicken the process.
Eventually, he'll start talking to you. Saying why he's feeling the way he is and exactly how he feels. You can't hear it in his voice, but small tears would run down his cheeks while talking.
Again, there's not much you can really do to help him when he's in this state. All you can really do is listen.
Once he's done crying and telling you all about his current problems, he's fine again. Like, back to normal. Like how does he recover that quickly??? But hey, if it helps him, that's all that matters.
Now, on the flip side, Curly is the KING of comforting people(specifically you though).
Coming home crying after a long, stressful day at work? He's got you covered, he just needs to know what you're in the mood for.
Want something to eat? He'll make you your comfort food that you mentioned once 5 years ago and he somehow still remembers it.
Not in the mood to eat? Alright, he'll just put your favorite movie on and you guys can watch it together.
And of course, if you need to talk about it, he'll always listen to whatever you have to say.
Another thing he does when you're stressed out is just, give you a bath; but in a cool husband way. He'll run a warm bath, maybe add in some flower petals and your favorite essential oils, and just pick you up and plop you in there.
He'll even stay at the side of the tub in case you need anything. Most of the time it's just silence, but in a therapeutic way.
And if he were to join you in that bath as per your request there would be NO tomfoolery!!! Curly would save that for another time, preferably when you're not emotionally distressed.
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A/N; I need to write for this man so bad like I actually feel like I'm going insane curly pls one chance I swear I'll treat you so good plsplspslspslsllsllslslspsllspspsls
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flanaganfilm · 1 year ago
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Do you have any “don’t meet your heroes” stories from working in Hollywood?
Absolutely. Hollywood really is a place like no other. If you grow up loving cinema, certain people can take on mythic status in your imagination. Actors, filmmakers; they are larger than life. They become idols in the truest sense - an image that is actually worshipped. But Hollywood is actually full of very weird human beings who have been lucky enough to make their living in a world of make-believe. A huge percentage of the people who work in this industry are strange birds, unsuited for working anywhere else.
Some of our biggest stars wouldn't last ten minutes working a real job; some of our most exalted filmmakers collapse inward if they're in a crowded room. They can have unusual talents, or beauty, or unique perspectives and abilities that have propelled them to various levels of success, or even stardom, but they're just normal, neurotic people.
And success, fame, and money can really twist people. It can be like radiation. They can go full Gollum from it.
But most people who work in Hollywood are not stars at all. The vast majority of people who work here are not rich, not famous. Most are hardworking craftsmen and craftswomen who are fighting every day to make a living, scraping by the best they can in an industry that is brutal, impersonal, and impenetrable. But every single person in this business - whether they are superstars or not - are just ordinary people. They're insecure, anxious, and prone to all of the failings we mortals are prone to. Some of them are awesome; some of them are assholes. But most of the people here (even the superstars) quietly feel like they don't belong, or that they don't deserve it, or that their sheer ordinariness will be discovered any minute. In fact, it's the people who seem to feel the opposite - those rare people who feel that they DO belong here, and deserve the lifestyle this industry can afford, who are inevitably the least likable ones I've met.
As I've been lucky enough to keep working in this business, I've met a lot of the people who I idolized along the way. Filmmakers and actors who I admire so much, whose work has shaped the trajectory of my life without them knowing it. I've been starstruck every time, and I am still am - I stammer, I freeze, and I kick myself for what I say, or don't say, or how I said it. I'm not good at it. I have acute social anxiety, and when you throw me at someone I admire, I turn into a blubbering idiot. They say "don't meet your heroes" because you may (likely will) be disappointed by just how ordinary they truly are. Or worse, they may even turn out to be people you wouldn't want to interact with in normal circumstances - your heroes might be people you wouldn't want to invite to coffee. The persona you have admired is a product in itself, something you bought, something you have taken home and displayed proudly in your imagination... but the human being behind that persona is full of all the ordinary failings. That can be really hard to reconcile. So yeah, a long-winded way of saying that I've had the experience of meeting people I admired a great deal only to be disappointed, or worse. I've got some nightmare stories in there where the actual person violently shattered the idol I'd built in my imagination. I won't share those stories, there's little point in that, but instead I'll talk about the rare exceptions - the few heroes I've met who were every bit as awesome as I'd hoped they'd be. They may say "never meet your heroes," but they haven't met Mark Hamill. I worked with Mark on The Fall of the House of Usher, and he is one of my favorite people. Kind, generous, humble, and so, so funny. I was nervous and excited to meet Mark for the obvious reasons, because of the hero he was in my imagination - but I got to meet Mark the actor, the father, the husband, the humanitarian, and the friend. Guillermo Del Toro - one of my biggest heroes, his work has meant so much to me. And I was terrified to meet him. But he is one of the most joyful, honest, sweet-natured people I've met in the business, and his love for movies is infectious. For me, the man himself exceeded the myth.
I've been lucky to meet other exceptions to this rule, heroes of mine who exceeded my expectations - Ewan McGregor, Mick Garris, Brian Henson, Heather Langenkamp, Henry Thomas - and yeah, I've had the other experience too. But I try to focus on the exceptions. It can be unhealthy to idolize people - unhealthy for you, and unhealthy for them. But it's truly awesome when someone is even more amazing than you imagined.
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pyro-les · 21 days ago
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One purpose - Rio Vidal X angel of love reader
1.8k words - warnings: none
Based on a request by @baysha1822
Taglist: @thecavalrywife @hannah-0730 @believe-in-magic13 @jenniferjareauwife @wandasreallover @thesharkwhalewhoohooooo @acutenobody
Rio and Y/N had been close friends since childhood, both growing up in the same village. They both had relatively normal childhoods, growing up in a time where few people even knew about magic and those who did weren't exactly offering to teach it to anyone. But Rio had always wanted to learn and so Y/N said she would too, if Rio wnated to learn then she would help her. Rio never told Y/N the real reason she wanted to learn magic,instead padsing it off as a curiosity, just something fun to learn. But in the inside she thought that if she could maybe, just maybe she would be able to protect Y/N if it ever came to it. Rio's family had all died of a viral illness when she was barely into her tween years and she had been the only one not to catch it. Surely it was her fault that they died if she had of caught it instead maybe one of them could live, but they didn't and she vowed she would help the only person she had left.
Y/N had always been against the common rules, the idea that women didn't get a say in who they had to marry, it was much more a business proposition then a vow of love. She had always said how she wouldn't marry whoever her parents told her to, that instead she would marry the person she actually loved. However it wasn't until they were older that Rio had realised who she had been talking about all those years. It wasn't until she had looked her in the eyes and asked Rio to run away with her the day her parents told her she was to marry that Rio knew for sure Y/N felt the same way about her as she did Y/N.
For months they traveled searching for a way to find out more about magic, finding quite little until they discovered some old scrolls, teaching them small spells and the history of magic. It spoke of cosmic beings and how as time went on more and more people were chosen for these divine roles that became more necessary as the population of humans grew and grew. It spoke of people who made great sacrifices and were in reward given an important job and an immortal life. They were both fascinated by these beings, wondering how many there were and what each job entailed.
They continued to learn, their knowledge growing exponentially aswell as their love for each other. As it drew on to be almost a year after they had first escaped and the missing posters of them spread and spread they started to grow more fearful they would be found, that their new life of freedom and love would be over far too soon. What made it all the worse was that they had started seeing wanted posters too, not just asking for them to return home as they missed them but ones that spoke of anger and violence.
Their fears had turned out true as one day they ventured out to a market local to where they had been staying for awhile. They moved around every few months but this town had been safe so far, very few wanted posters and they had been careful to cover their faces as much as possible when in public aswell as removing any posters they spotted. It was unlikely they would be in any danger here, atleast that's what they had thought. But when a man had spotted them and tried to grab Rio they were proved wrong.
Y/N had retaliated by blasting some of her magic towards the man. It had freed Rio but now they had a whole new problem, everyone in town watched as the man stumbled back in pain, yelling witch to everyone in town. Y/N ran to Rio, helping her up as she had been harshly thrust to the ground by the man as he was attacked.
They both looked up to see countless angry faces closing in, people were fast to change their views on people the second they realised they were different from themselves. Rio looked to Y/N, wordlessly making a plan. They quickly grabbed each others hands and started to sprint as Rio sent out a burst of powers towards the angry citizens in an attempt to keep them back.
Y/N cursed the layout of the town, the market being in the centre made it difficult to escape to the forest. If they could make it there they would likely be able to escape the angry mob that was currently chasing them. As they turned another corner hand in hand their eyes simultaneously widened as they saw some gaurds approaching them on the other side of the street. How had they gotten there that fast? It had been only a matter of minutes since the man had recognised them and the small towns garrison had already been summoned. They turned back around but saw the villagers from before catching back up, the blast of powers not being enough to stop them, if anything it only fueled their anger. "What do we do?" Y/N turned to Rio, fear in her eyes.
She looked back at her lover with pity and a look of hopelessness, she didn't know what to do. They couldn't run anymore, she had saved her from her family but she couldn't save her now. "I don't know." Rio spoke defeated. "I don't know hun. I'm so sorry." She said again quieter with tears welling in her eyes.
"It's not your fault." Y/N said quietly, leaning her forehead against hers. The fact that they hadn't been caught already was outstanding, but she could hear the heavy footsteps as the towns small army rushed before them, she had to do something fast. "I love you." She spoke before turning towards the army, putting all of her energy into her powers bursting out all around her. It created a huge blast knocking down everyone who had been chasing them. Rio started to smile seeing that they now had a way to escape, her relief was quick lived though as she saw Y/N fall to her knees only moments later.
"What's wrong? Y/N what happend?" Rio shouted as she dropped to her knees herself to grab Y/N by her shoulders. She didn't understand what happened, she was fine a moment ago and no one had got close enough to hurt her before she struck them down.
When she looked at Y/N's face she saw how pale she had suddenly grown, all of the life and colour practically sucked out of her. Putting a hand to Y/N's chest she felt how subtle her breaths were, she knew she didn't have long left. It was all happening so quickly, only an hour ago they were living their best lives and now Rio didn't know if she could live on. Y/N had always been there for her. When she lost her parents Y/N was there to help her through the pain, when she had told her she wanted to learn magic Y/N was right there with her too, when everyone was against them they always had each other, so how could she manage without her?
She didn't think she could, if Y/N wasn't with her than there was no point in her fighting back, instead she just sat there cradling Y/N's body in her arms as she felt her heart beat slowly die out. The world grew darker around her as Rio still sat there with tears in her eyes clutching Y/N's lifeless body like her life depended on it. It took her awhile to actually notice the slow change of her surroundings, so caught up in her grief she barely looked up but when she finally did her eyes widened in shock. It had barely been midday when they had left and it was now it was almost pitch black, Rio knew this wasn't natural.
"Hello?" She called out unsure, a raspiness evident in her voice from her crying.
Suddenly she felt a hand on her shoulder, Rio snapped her head back trying to work out who it was, gasping when she saw. There Y/N stood with a soft smile on her face. Her lifeless body still laid limp in Rios arms but here she was standing next to Rio. "How?" She whispered, looking up to her lover.
Before Y/N even had a chance to try answer a voice echoed from all around them. "You've been chosen."
They both had similar looks of confusion on their faces, what was this and what did they mean?
"You have both shown immense acts of self sacrifice and devotion. You're individual journeys will reflect in your new roles. You will be tasked with a job of great importance and in return you will be granted immortal lives and indestructible bodies aswell as cosmic amounts of power, if you accept these roles of course."
They both looked at each other in surprise, they hadn't expected anything like this to come after death. They hadn't known what the afterlife would be like if there even was one but even in all the different believes and expectations they had heard from others there were never any stories of anything like this happening. But now they were faced with an ultimatum, to take on these roles or, well they didn't really know what would happen if they didn't. Head into the unknown and hope for the best, that's all they could guess.
"What are the roles, what would we have to do?" Y/N asked curiously, looking around as she still didn't know exactly where the voice was coming from.
"For you, Y/N you would be the embodiment of love. A guide to all forms of love and passion to mankind, you would inspire all people to fight for you love just as you did. Your whole life you have fought for love with every inch of your being, it being your drive for everything you did and even your reason for sacrifice. And for you Rio, you would guide souls to the next realm. Your resilience in life even when faced with other people's death and your ability to persevere to get what you want Is incomparable. You have shown that you know what it truly means to be alive and by proxy understand death, there is no better person to to help souls cross plains then you."
Rio and Y/N both listened quietly, they had no way to respond to this, they never knew their drives had meant that much,that anything in their life had this much influence in the grand scheme of things. But they would never refuse such an offer, not just to be able to stay together forever but to help people so much. Both witches jobs were incredibly different yet equally as important and interwoven. So with one last glance to each other they nodded and shared a smile, wordlessly agreeing to the terms and with a bright flash of light they felt the change as they stepped into this new era of their lives.
A/N: please let me know if you'd like this to be a mini series. Hope you enjoyed!
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gilverrwrites · 8 months ago
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first time requester here uhhh could you pretty please with cherries on top do tfw (and maybe gabe or Lucifer? up to you though!) reacting to reader being like, REALLY quiet in bed? Like they’re not holding back or anything, they just genuinely don’t make much noise?
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Rating: 18+
Please remember: As long as you're trying, you're doing better than you think.
Ko-Fi || Masterlist || Request Info
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Dean: Unless you specify that making noise is a boundary for you, he will see it as a challenge. He’ll find things, moves you like and hammer them over, and, over again to try and get some noise out of you. Or he’ll ask you lots of dirty questions during the deed. High praise, when you do make noise, like he’s trying to condition more noise. He just needs some kind of queue that he’s doing a good job, encouragement, like a dog being told he’s a good boy.
If you state it’s a limit, he’ll respect that, but he needs some other indicator, like red-light/green-light, or some form of physical touch meant to convey a job well done. 
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Sam: Won’t really bat an eyelid at it. He’s a very accepting person, and he likes you for you, noisy or not.
If you express to him that you’d like to be noisier in bed, he will happily assist. Asking how you’re doing; how does that feel? What about this? No, no, not until you show me how much you want it. Repeating things he’s learned will get a reaction out of you.
Otherwise, he’ll keep on ploughing as is.
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Castiel: If you’re normally a very vocal/noisy person in day-to-day life, he’d be concerned. He’ll worry that he’s done something wrong. When he confronts you and you tell him you’re good, you’re just quiet, he’ll feel so much relief, you’ll see the weight lift from his shoulders. Bless him, he gets stressed.
If you’re not normally a very vocal/noisy person, then he likely won’t notice. There are many, many humans, and they are all strange and unique, and this is just part of who you are.
He is quite chatty in bed however, he likes to express how he is feeling, how you make him feel, and he likes to check on you, so unless you’re happy to have little check ins/chit chats mid sex, you’ll need to express your boundaries.
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Gabriel: Very similar to Dean. Evoking noise from you is a game, and he’s determined to master it. Even if that means underhanded tactics. Laughter is just as good, there will be tickling. He will playfully withhold or deny you touches or kisses to make you beg ask for them. Oh, that one little touch made you moan a teeny tiny bit? WE’RE DOING THAT AGAIN!
If you state that it’s a boundary, that’s cool, cool, cool. He can make enough noise for the both of you, he’s a soft, chatty, moaning, mess of an angel in the throws anyway.
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Lucifer: Honestly, he probably won’t even notice at first. Like Gabe, he will make enough noise for the both of you. He loves the sound of his own voice, and he often gets lost in the feelings and his own emotions throughout. When he does eventually notice, he’d tease you about it. The ideal reaction is for you to get all shy and frustrated about it, but any provoked response is likely satisfying, he just likes to know he’s having an effect on you.
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Michael: Is also very quiet in bed, in fact, he prefers it. His mind is very busy (especially when Adam is in there) and he enjoys being able to turn it off. He just does what feels good. There is no need to perform, and the fact that you respond the same is very validating for him. He will not question, tease, or try to provoke an inauthentic response from you. He will accept you as you are.
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harmonictechnicality · 2 years ago
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model!steve and voice actor!eddie
part 2 here | ao3 link here
Eddie chose a career in voice acting to avoid shit like this.
Forced socializing. Schmoozing with hotshot directors who are used to everyone kissing their ass until their lips bleed. And Eddie doesn’t do that shit. 
… Okay yeah sure, Eddie kisses asses. But only in the literal, consensual kind of way. Usually after a few mediocre dinner dates, at least.
But this particular fuckhole of a director is insisting that Eddie attends the production shoot of the commercial that he’ll be narrating for. Which is weird - that’s not how this process typically goes. Eddie gets the script and records it in his studio. Easy peasy.
“I do things a little differently with my projects.” The director sneers into the phone’s speaker. Eddie silently gags at the oozing amounts of ego on this guy. “I want to immerse you into my vision.”
Ew. Eddie would rather immerse himself into a nap, but whatever. A job is a job.
“Understood.” Eddie agrees with minimal teeth-clenching. “I’ll be on set shortly.”
The phone clicks dead with nothing but a chuckle from the guy. No ‘goodbye,’ no ‘thank you.’ Rude… but that’s kind of an industry standard, so why did Eddie expect anything different?
He folds the script into his back pocket, throws on a shirt that screams ‘Los Angeles disaster gay,’ and makes his way to the studio lot.
Fucking yay. 
Upon arrival, the director immediately escorts Eddie into the green room. Rambles on about needing him to meet the lead model for this commercial.
“Isn’t he just posing with the product?” Eddie lets his snarkiness run loose with that question, knows it right away.
Luckily, the guy is too busy snapping at a crew member to notice. “You’ll be voicing his character’s inner narrations.”
“Right.”
“And I want your tone to be seamless with the energy that he’s giving in this shoot. Got it?”
“Loud and clear.” Mostly loud.
The director swings open the door and reveals maybe the most cosmically beautiful person that Eddie has ever seen.
“Eddie, this is Steve.” The director says. “Steve, this is Eddie.”
Models are beautiful people, that’s the goddamn gig. Makeup, no makeup. Photoshop, no photoshop. They just look better than the general population and society accepts that as a fact.
But Eddie is a grubby little voice actor that burrows himself up in his boxy apartment for days. Very little sunlight, very little human interaction, and a shit ton of takeout.
Long story short, he doesn’t get out much. So this? Seeing a biblically hot heartthrob in the flesh? With his own two eyes? It’s knocking him into deep space. Sending him into an astral projection without sticking a tablet on his tongue first.
“Nice to meet you, man.” Steve holds out his hand while someone brushes more powder onto his shiny, glowy skin. God, that’s the best damn skin Eddie has ever seen. Powder be damned, Steve doesn’t need it’s chalky finish.
Eddie shakes himself out of this spell, takes Steve’s hand like he’s somehow worthy of touching him. “Yeah, you too.”
Lame. So lame. On a scale of one to Star Wars prequels, his response is the CGI in Attack of the Clones. ‘Yeah, you too?’ Ugh, what a dumbass.
The director tells them to get acquainted and to be on set in ten minutes. Ten minutes. Eddie has to be convincingly normal for ten whole minutes. Pfft, that’s laughable, but he’ll give it a shot.
“That guy’s a total asshat.” Steve grumbles.
Oh. Eddie could smother him in kisses for saying that. Lick Steve clean of all that stupid powder and probably die of talc poisoning. Death By Licking a Model is one hell of a way to go.
“Yeah.” Find some new words, Munson. “Major asshat. But he happens to be paying my bills this month, so technically, he’s my favorite major asshat.”
“Oh, same.” Steve laughs. It’s fucking glorious too. Eddie kind of wishes he had brought his microphone so that he could capture such a wonderful sound with high quality recording software. Is that creepy? Maybe he should dial it back. 
... As if. This guy’s hair is sculpted with effortless perfection and his shoulder blades could slice through a French baguette. No way Eddie can dial it back or keep it together.
“So you’re doing the voice work on the commercial, right?” Steve asks.
‘Yup.” Eddie shoves both hands into his pockets. “Indeed I am.” 
Okay, that was borderline Yoda. Get a grip.
Steve seems unfazed though. “That’s cool. Can’t wait to hear what you come up with.”
“Thanks.” Eddie smiles warmly. Nerves mellowing out. “And I can’t wait to see you in action out there.”
“Hope I can give you some good inspiration.” And Steve winks, legit winks at Eddie. Does it like it’s normal too, like he winks at everybody. He probably winks at nuns just to see if he can get them to consider conversion.
Eddie is so hopeless. Fucking tragic at this point.
They walk into the studio and are greeted by a somber, archaic set design. There’s a massive throne in the middle that is draped with fur. 
It’s… tacky. That’s the nicest adjective Eddie has to describe it. Tacky bullshit.
“I thought this was for a cologne ad.” Eddie says, eyeing the snowy backdrop.
Steve nods. “It is.”
“So what’s with the secondhand Game of Thrones set?”
“Mr. Asshat thinks this is his cinematic debut.”
Eddie snorts. Loves that he already has inside jokes with this beautiful, beautiful creature. “Someone should tell Mr. Asshat that this is visual plagiarism.”
“Nah.” Steve runs his hand over the tacky fur piece. Smirks to himself as he speaks. “I say we let him suffer.”
Eddie’s legs wobble. “Damn, you’re hot.”
He sounds ridiculously uncool, so breathy and gone. But Steve shrugs in a non-pitying kind of way, so maybe Eddie's uncoolness is excused. Or expected.
While the camera and lighting crew finalize their positions, Steve takes off his robe, revealing his costume.
Torn, muddied pants. Ripped and clawed to shreds. A billowy white top that’s completely unbuttoned. Un-laced? Eddie’s not entirely sure about the mechanics - just knows that Steve’s chest is out, that’s all he can focus on.
There’s a dented crown that the stylist places next to the throne, right at Steve’s feet. It’s shimmery yet tarnished, catches the light in a kaleidoscope effect.
The product is called The Fallen King, so deductive reasoning tells Eddie that Steve is meant to be the physical embodiment of this scent. He recalls something in the script about his title being slandered by promiscuity and forbidden love. Apparently they’ve bottled up that smell into a cologne. 
Do people really want to smell like a dethroned monarch? That’s a thing? Huh.
Just to make the sexual torture even more unbearable, Eddie gets to spectate alongside Mr. Asshat himself. Which also means that Eddie almost has a center view of Steve’s performance.
Cause that’s exactly what he’s giving. A performance. A full display production of his body, his face. His whole godlike essence. 
It’s unfair how fucked Eddie is from watching Steve pose. He can hold the oddest positions without budging a single tendon. So still. Durable. Strong.
Every last thought in Eddie’s head is impure from that observation. He wants to wrap his fingers around Steve’s muscles until he finally moves, twitches. Eddie wants to watch as Steve’s pretty lips part, falling open with sighs. See how long it takes for those sighs to turn into moans.
Steve slumps back into the throne, legs spread obscenely far apart. His gaze droops low and dark, practically eye-fucking the camera. It’s crazy how jealous Eddie is of that stupid inanimate object. The things he would do to get eye-fucked by that golden sex god up there…
His internal porno gets interrupted by a new pose. A wicked one. Steve is on his knees now, looking up into the camera lens. He sinks into the dreamiest expression. Looks dazed, all spaced-out and helpless. Eddie kneads at the growing heat in his pants with the heel of his palm. Hopes it’s not fucking obvious that he’s so horned up right now.
The director clears his throat and yells over the camera’s constant shuttering. “Can you tilt your head back, Steve?”
And Steve does. So obedient, so exceptional at his job. His head rolls back on his neck, shoulders sagging with the shift of weight.
Eddie is chewing the inside of his cheek, nearly ready to take the horny loss and go jack off in his car. Steve is in the most ideal position now, totally vulnerable. Eddie could fuck him so good like that, let Steve melt into his touch. He’d treat him like treasure, spoil him with dick and praise. Eddie would catch him if his legs give out. Would lick Steve’s kiss-bitten lips until the swelling goes down.
God, Eddie is so sick in the head for conjuring up x-rated scenes like this. In public, surrounded by strangers. Literally on the clock. He seriously needs to get his head checked for having such a whorish imagination.
The shoot ends shortly after that last pose, the one that rocked Eddie’s world. He closes his eyes for a minute, takes a few deep breaths. Tries to inhale some goddamn decency.
“How was it?” Steve heads his way, snaking his arms back into the bathrobe.
Eddie blinks hard. “It was… you were…” And the words stop. Nothing else comes out, his throat is strangled and bare.
Steve gives a soft laugh, nudges Eddie’s arm with his elbow. “Guess you do better when there’s a script in front of you, huh?”
Oh. So he’s pretty and darkly playful? This is too good, too delicious.
Eddie wets his bottom lip, recovers quickly. “I do better when there’s not an earthbound angel in my presence.”
“Wow.” Steve raises both eyebrows. “That’s quite the compliment.”
“Oh come on - you must get compliments all the time.”
“Not like that one though.”
“No?”
Steve takes a step into Eddie’s space. “Definitely not.”
They just stare after that - mostly because it’s Eddie’s turn to speak but words are so secondary when there’s this much beauty to behold. Gazing becomes his top priority.
And before the conversation can lead to an exchange of last names or phone numbers, Steve is rushed off by his agent. Maybe his publicist. Maybe his mom, Eddie has no fucking clue. Just someone taking away his shiny new toy. He sort of feels like reenacting that scene in Cast Away when the volleyball drifts into the ocean. Be dramatic as all hell about this ending.
Eddie doesn’t actually jack off in his car, although he really wants to. No, he decides to use all of his adrenaline and pent-up hormones for the voice recording. It gives his vocals this strained, chesty sound. Sinful and corrupt. Cracking with emotion in certain spots, spiking the volume in all the right ways.
It might be too much, a little bit too suggestive for a lousy cologne advertisement.
But as he listens back, Eddie can’t help but picture Steve. Imagining snapshots of him from every angle, especially the unspeakable ones. The recording barely sounds like a script anymore. It almost sounds like Eddie whispering the lines directly into Steve’s ear. A dirty secret between them.
This is it, he thinks. Sends the audio file to his sound mixer without a second read-through, without a retake. This might be the best voiceover Eddie Munson has ever done.
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