#Mr Kida

[i-am-pinkie]

😳🤩🥰

Day 1: Mountain The young Firebeard dwarf is visiting Bree for the first time.

Prompt list:

[wisteria-lodge]

SORTING DISNEY LADIES (1999-2004)

Part 1 - Disney Ladies 1937-1985

Part 2 - Disney Ladies 1988-1993

Part 3 - Disney Ladies 1995-1998

I’m going in chronological order, and doing both A Squad and B Squad, because I’m interested in tracking how the ideal “disney girl” has changed in the last (almost) 90 years. Right now I’m only looking at the human-shaped heroines of Disney animated theatrical releases. A more detailed break-down of the system I’m using is right here, but the basics are these: 

PRIMARY (ie MOTIVE) 

BADGER ~ Loyal to the group.

SNAKE ~ Loyal to yourself and your Important People.

LION ~ Subconscious Idealist. Ideals are linked to feelings and instincts. 

BIRD ~ Conscious Idealist. Ideals are linked to built systems and external facts. 

SECONDARY (ie METHOD) 

BADGER ~ Connect with the group. Make allies, work steadily and well. Be whatever the situation calls for. If you find a locked door, knock.

SNAKE ~ Connect with the environment. Notice things. Tell people what they want to hear. If you find a locked door, get in through the window.

BIRD ~ Collect skills, tools, knowledge, personas, useful friends. If you find a locked door, track down the key or learn to pick the lock.

LION ~ Be honest, be direct, speak your truth. Either the obstacle is going down or you are. If you find a locked door, kick it in.

JANE PORTER (1999)

(& Tarzan, Kerchack)

Disney’s Tarzan is a ridiculously Snake primary movie. Like,  just to make this really, really clear, the first thing we see - the absolute cold open, is - 

Burning ship! Storm! Fire! Tarzan’s parents get into a lifeboat! He looks at her. She looks at him. Phil Collins --

PUT YOUR FAITH IN WHAT YOU MOST BELEEEIVE IN!!!!!!

We get it. You can lose literally everything, but if you’ve still got your Person, you’re going to be OK. 

And this movie’s ethos is definitely Snake, not Loyalist. Badger primaries do not get a flattering edit. The antagonist for the first half is Tarzan’s adoptive father Kerchack, who is deeply protective of his band of gorillas (all girls, by the way. He's the only guy. Which is how gorillas work, and the film doesn’t exactly bring attention to it, but still. Interesting detail.) He’s a loud Badger primary: the only thing that matters is keeping his family out of danger, and from his perspective Tarzan is a problem from day one. He is too obviously an outsider, not a true member of the community, and Kerchack makes it clear that Tarzan is not his son. “You can’t learn to be one of us," he says.

The antagonist for the second half of the film (it’s a weirdly structured film) is the Jaguar/Clayton. They are 100% the same entity. Clayton shows up immediately after the Jaguar dies, and shows up wearing the exact same color palette. There is a recurring misunderstanding where Tarzan refers to the sound of a gunshot as “Clayton.” This is not supposed to be a person, this is violence personified.

Clayton is also our visual representation of The British Empire/Colonialism, with his spats and his khakis and little pencil mustache, and Brian Blessed doing his voice. He is there to grab the resources (gorillas) and take them back to England. So… that means we’ve got some more Toxic Badger going on here too.

In this film, the Badger primary idea of “community” is framed as stifling, artificial, at odds with nature. Clayton, Jane, and Jane’s father show up in the jungle dressed all wrong, and while the sympathetic Porters gradually shed layers, Clayton’s character design never changes. He does not learn to adapt to the jungle, he is only England™

There’s also the recurring joke of Jane’s “Proper Victorian Lady” persona. It’s very useful for getting Clayton specifically to do things for her… but she also brings it out in moments where it seems false and not terribly appropriate. Like when she’s talking to monkeys, or to Tarzan. The second she realizes that Tarzan can speak English she snaps into “Proper Victorian Lady” instead of following up on the attraction that’s clearly there. She’s holding him at arm's length, and why??? The moment where he comes out dressed in European clothing is bittersweet, like Tarzan is hiding or losing part of himself. “Society” is at odds with instinct/freedom/love, and in terms of Primary, that’s the major conflict between Tarzan and Jane.

JANE. Tarzan, you can't imagine what's in store for you. You're going to see the world. Everyone's going to want to meet you. Kings, scientists and famous writers. (...)  TARZAN. And I'll be with Jane.

Jane is talking like a Badger (you’ll be part of the community.) Tarzan is talking like a Snake (I’ll be with you.) And Jane DOES feel like a Badger through most of the movie. She talks a good game. But right at the end - when it really comes down to it - that’s not the call she makes. 

JANE. I belong in England, with you and people and — PROFESSOR PORTER. But you love him. Go on.

At which point Jane joyfully jumps off the boat and swims to shore, implying that her Badger primary was a model, and she was always a Snake primary underneath. 

Jane Porter might model Double Badger extremely well, but she’s actually a double Snake like Megara. She’ll go all Proper Victorian Lady to flatter Clayton, but she’ll also manipulate the baby monkey (“Oh I can’t believe you fell for that one”) before commenting on how its performance isn’t quite up to her standards (“Don’t give me those crocodile tears.”) She’s also something of a Single-Player Environment snake. When she gets comfortable, she starts learning how to use the things in her environment. She’s delighted when she learns she can use her parasol as a weapon. Jane also seems to pick up that Tarzan is a Bird secondary, and interacts with him accordingly. She puts together an entire slideshow of buildings and customs and art from the mainland, and he is riveted.

(Tarzan is definitely a Bird secondary: he's an inventor, he makes weapons, he loves teaching himself things. He’s much more tactical than Kerchak, who uses his lion secondary to literally charge into fights. Phil Collins tells us all we need to know about Tarzan with the lyrics: “I want to know / Can you show me?” Perfect Snake Bird anthem.)

When we see Jane at the very end of the film she’s entirely improvisational and fluid, surfing the vines with Tarzan, the two of them so in sync and moving together so beautifully. It’s a gorgeous bit of animation. I definitely get a sense of the joy she feels at being so unconstrained and evenly matched, which is  another thing that makes me say Snake secondary.

KIDADIKASH  “KIDA” NEDAKAH (2001)

(& Milo, King Kashekim)

Atlantis is so close to being a good movie. All it needs is a slightly longer runtime, and like… two less characters. (Mole and Cookie. Don’t need them.) Kida gets less screen time compared than some of the the other ladies on this list, but she has enough presence and a cool enough design that she easily earns heroine status. It also helps that she’s basically the plot.

Kida wants to restore the traditions and knowledge her people have lost, and that motivates pretty much everything she does. She finds the history and culture of her ancestors deeply important, comforting and grounding in a very Badger primary sort of way, and laments that “We were once a great people. Now we live in ruins. The kings of our past would weep if they could see how far we have fallen.” She is very much not Jane, who needs to shake off “civilization” in order to live her best life. 

The problem though, is that Kida falls into a very Badger primary trap. When she’s asked to give up everything to protect the group - including her well-being and identity - she does it without a second thought. She gets turned/turns herself into a magic crystal in order to power her civilization while it’s under threat, and I cannot think of a better metaphor of what it means to be an Invisible Badger, who is only the group with no identity outside it.

The ‘Heart of Atlantis’ crystal that “thrives on the collective emotions of all who came before us [and] in return, provides power, longevity, protection” is just a good metaphor for a ‘Badger Primary’ in general. Also, the way that the Atlantean King tries to weaponize it, ultimately destroying his civilization, is a good metaphor for the way a Badger primary can Explode, becoming authoritarian and harmful to the same people it is trying to protect.

Clearly the film itself is not a fan of this decision, as our protagonist Milo loves Kida and does everything he can to un-crystal her. I think it’s implied that his love is one of the main things tethering her to humanity? Still, I would say that this film, unlike Tarzan, has a pretty Badger ethos. King Kashekim is our tragic misguided Snake primary, willing to let his whole civilization crumble so long as he gets to keep his daughter, and our villains seem to be mostly Hedonist Snake treasure hunters, willing to destroy a culture so long as they get paid. The film is definitely critical of certain types of Badger primaries, but ends on a note of collectivism. Milo has finally found a community that values him, and he stays behind to help Kida, now the Atlantean Queen, rebuild her civilization. She’s still a Badger, just one with better boundaries. 

She’s also a Lion secondary. Kida moves in straight lines, speaks her mind, and doesn’t care if you have a problem with that. She does the thing where she’s so honest and blunt it’s almost rude. I suspect that her father is also a Lion secondary - we know that he was reckless and militaristic when he was young, and he seems positive that if Kida even knew about the Heart of Atlantis, she would make the Lion secondary call and dive headfirst into it. Sadly, in the main timeline of the movie the King’s secondary is extremely burned, and he’s basically incapable of any kind of action. 

Milo has an idealistic Lion primary that is a bit Burnt at the start of the film. When we meet him, he’s spent years being told that everything he believes is a joke, and he’s finally starting to doubt himself, scraping by just using his Bird secondary. Like a lot of Burnt Lions, Milo latches onto someone (Kida) for their confidence and their purpose. Luckily, once he unBurns there's a Paragon Lion under there that matches up very well with her Badger.

LILO PELEKAI (2002)

Lilo is an interesting one to sort, because she’s little - and also kinda going through it. Her parents died in a (fairly recent) car crash, and even though they’re not *on screen* and honestly mentioned very little… their absence is felt. Lilo's unofficial family motto is “Ohana means family, family means nobody gets left behind.” But objectively, Lilo’s parents did her behind, and she spends the entire film trying to reconcile that.

Lilo is very young, dealing with a tragedy, and I also think the interpretation that she’s on the autism spectrum makes a lot of sense. We see her having meltdowns, struggling to transition from one activity/location to another, she clearly wants to make these connections with kids her own age, but it’s just… not working. All of that could absolutely point to a five (six?) year old on the spectrum. So the question becomes - okay, so is Lilo acting this way because that’s her personality, or is she acting this way because of the autism/trauma? That's a question I get a lot, and my answer is… I don’t think the traits this system is interested in are created out of nowhere. But, circumstances can absolutely make them louder or softer. 

Like, Lilo has a number of very strict rules that tip over into magical thinking. She can only eat peanut butter sandwiches because she has to feed part of her sandwich to her fish, and she can’t feed her fish tuna (dead fish) because that’s “an abomination.” It’s very important that she keeps her fish happy because her fish controls the weather. And THAT’S important… because her parents died in a rainstorm. All of this is 100% a coping mechanism: Lilo is trying to create rules in a chaotic world to feel safer. She’s after a sense of control. This also ties into her fascination with 'goodness' versus 'badness:' she’ll say things like “I’ll be good I promise,” worry about being an “abomination,” make charts of Stitch's "badness level" and also voodoo dolls because “my friends need to be punished.”  It’s something she's focused on, and I think it’s because she is aware that… she’s kind of a problem.  

Her older sister Nani loves her… but Nani also loses her patience (she’s 21, 22 at most) and Lilo is aware that she stresses out her sister and makes her life more difficult. But, she has trouble changing her behavior because she's, you know, a traumatized autistic six-year-old. Which is really important when it comes to understanding Lilo’s relationship with Stitch. On one level, she identifies the way he leaves all this destruction in his wake. He makes her look better by comparison, and I think she also sees a path towards redemption in teaching Stitch to be “good” (ie - useful and less weird.) When she tells him “You wreck everything you touch, why not try to make something” - I think she’s projecting, and really talking about herself. If Lilo is teaching Stitch to be good, then she has a purpose, and a way to affect the world. We know that feeling powerless is a big thing for Lilo. 

So, if I’m putting her in the SHC system, she is definitely an External primary. None of this is about being true to your heart or even being true to another person, this is trying to figure out the rules of the world and putting together a workable system to live with. This focus on morality and punishment is also something I see a lot with young External primaries. While this trait might have been exaggerated by the events of Lilo's life, I do think it’s something that was just in her the whole time. 

At first I thought she was a Badger, because of the way Lilo focuses on the importance of family. Also, her first instinct after she thinks Stitch has betrayed her is to outgroup him: “You’re one of them - get out of here.” But “Ohana means family” seems like it was something her parents said a lot, and ‘Stitch isn’t one of us,’ is something she’s heard from Nani (absolutely a Badger primary.) I think a big reason Lilo values hula dancing is because hula dancing is important to Nani.

So now I’m leaning towards Lilo being a young Bird, trying to cobble together a system for understanding the world under non-ideal circumstances. She’s very comfortable believing fantastical things, and is cool with accepting that Stitch is a weird kind of dog. Like Atlantis, Lilo and Stitch is lightly critical of that Badger ethos: the group is wonderful, yes - but the group will not always be there. The conclusion Lilo (and the film) comes to is ‘Ohana means family, family means never getting left behind… but sometimes people leave. Either because they want to, or because they have to. What you have to do is remember them. You make them part of yourself. As Lilo puts it, "I’ll remember you, though. I remember everyone that leaves." I think this is such a lovely way of understanding Bird primaries, which unfortunately have a reputation for being cold and detached.

In terms of secondary, I think Lilo is probably a Lion. She’s very direct, very honest, terrible at lying, and unintentionally trails destruction. Nani tries to give her a kind of script to follow when the social worker comes over - but even in the moment she seems to know it’s kind of a lost cause. However, Lilo is also really young and the narrative doesn’t give her the opportunity to solve many problems. So I would not be surprised if Lilo's secondary looks different when she gets older. She is fascinated by Stitch, and Stitch is a shapeshifter-mimic. He’s kind of a cartoon version of a Snake secondary. Maybe that's a clue that Lilo's best self is a Snake Secondary too, but she hasn’t built a bridge to that part yet. Eh, I could see it either way. Definitely an Improvisational secondary though.

NANI PELEKAI (2002)

Nani is a very Burnt Badger primary. There’s this recurring thing with her and her love interest David, where they’re kinda dating, or were dating… either way, Nani can’t quite bring herself to let him into her life. Even though she likes him, he likes her, and he even gets along with Lilo. She spends a lot of the film looking like she’s 100% focused on her little sister in a Snake primary way… but Burnt Badgers look like miserable, stressed-out Snakes, and that is absolutely Nani. She clearly used to have a big community - at one point she even tries to leverage it for a job. But I think she responded to the death of her parents by closing up, refusing to let anyone new close to her. She might lose them too, and that would hurt too much. 

This film is also really good at putting Nani in situations that would be really rough on a Badger primary specifically. Nani clearly feels deeply connected to her Hawaiian culture - she’s an accomplished hula dancer, she loves surfing, and in the most heartbreaking scene of the movie she sings “Aloha Oe” to Lilo, when she thinks child protective services are going to take her away in the morning. This is famously a song written by deposed Hawaiian Queen Liliʻuokalani, after she was forced to leave her people. These are all things that Nani pulls on to give her strength. However… she is also working as an honestly quite objectified waitress/hula dancer in a theme park-ified version of Hawaii catering to tourists. She’s clearly not happy there, and it's an important moment when she leaves. 

Even when she’s in really serious trouble, Nani can’t bring herself to tell anyone what’s going on, to get help or even just emotional support - and that's the Burnt Badger talking. When she is absolutely at her wit’s end and has no idea what to do, she grabs David and she grabs Lilo and they all go surfing. It’s that Badger primary need for community, even if there’s no way that community is going to help.

Nani is probably a Bird secondary. She practices when she's nervous and has a lot of skills - but is much more overwhelmed during the wacky finale than Lilo, and definitely needs a second to get it together and figure out the situation. She conceptualizes ‘dealing with Lilo’ as a skill that she has learned and gotten better at: she’ll build little ‘traps’ to catch her younger sister, and can translate things into “Lilo.” I think she may have constructed a bit of an Actor Bird model for dealing with Lilo (and another for dealing with her boss.) Lilo will use bits of her system to argue with Nani, and clearly expects this strategy to work.  

LILO. Ohana means family. Family means no one gets left behind, or forgotten.  NANI. I hate when you use ‘ohana’ against me.

CAPTAIN AMELIA SMOLLET (2002)

If Nani and Kida share a deep connection their cultural history, Captain Amelia and Kida share this incredibly direct, blunt, borderline rude Lion secondary. Only Amelia's is is less 'cultural misunderstanding' and more just... British.

Captain Amelia absolutely rubs Jim Hawkins and Doctor Doppler the wrong way (an occupational hazard of being a very loud Lion secondary.) But she also comes off as extremely trustworthy, which you get from the You-Move secondaries (Lion and Badger.) Amelia is a version of Robert Louis Stevenson’s Alexander Smollett (just also a cat girl, and in space) and this bit from Treasure Island suits Treasure Planet equally well: “Contrary to all my notions, I believe you have managed to get two honest men on board with you, that man [Captain Smollet] and John Silver.” 

Of course, Captain Amelia wins over Jim and Doppler once they understand that she wants her crew to be equally direct right back at her. She wants all the information, as quickly as possible, so she can make the best decisions. Her eyes light up when Doppler tells her she’s wrong about how supernovas work... because she’s able to use the new knowledge to create a daredevil way to escape the situation. Near the end of the film, Jim comes up with a crazy solution that involves a piece of alien tech. He knows how the tech works, doesn’t have time to explain it. But because they’ve had enough practice being honest with each other, Amelia just does what he says - no questions asked.

This is also why she gets so offended when John Silver tries to flatter her… and Silver’s good at flattering. He charms his crew, he charms Jim. But Amelia tells him to “keep that kind of flim-flammery for your space court floozies” because of course the two captains on opposite sides of the mutiny should be foils. Silver makes Jim feel important and special. Captain Amelia tells him point-blank when he’s being an idiot and gives him no special treatment. The nuanced position this film takes is that Jim… kinda needs both. 

In this movie about treasure hunting, Captain Amelia is the only character who doesn’t seem to care about the “Loot of a Thousand Worlds" at all. She is here to do her job, and is deeply skeptical about treasure hunting in general. Her speech at her First Mate’s funeral makes her priorities very clear: “Mr. Arrow was a fine spacer. Finer than most of us can ever hope to be. But he knew the risks, as do we all. Resume your posts. We carry on.” Her highest praise is that Arrow did his job well... and part of doing your job well is making peace with the fact that you might not make it out alive. She takes her job, her title, and her ship extremely seriously. 

So, Amelia is definitely an Idealist primary, and her Cause seems to revolve around being the best Captain possible and… going on adventures. This is also the case with Doppler, who she ends up with at the end. He frames his treasure hunting trip in very Badger primary language when he’s talking to Jim’s very Badger Primary mom… but in reality he just wants to go on an adventure. 

I could honestly see either Lion or Bird primary for Amelia. But, the fact that she’s ex-military and still in good enough standing to write Jim a recommendation letter makes me lean Bird. (I think a Double Lion Amelia would have burned more bridges.) Also, the rules and organizational system she lives by seem to exist outside of her in a very Commodore Norrington sort of way. It’s not something she feels internally, and this is comforting. Honestly, Amelia gives off very Commodore Norrington energy in general, and he’s a pretty loud Bird primary. 

HELEN "ELASTIGIRL" PARR (2004)

( & Bob/Mr. Incredible, Edna Mode)

Helen’s superpower is ‘flexibility,’ so of course she’s going to be an Improvisational secondary. I'm going with Lion instead of Snake because - like Captain Amelia and Kida - Helen is very comfortable being incredibly direct. She actively sets up confrontations, waits in the dark for Bob after he stays out late with Frozone, then actually gets in a plane to confront him when she thinks he’s having an affair.

Bob Parr is also a Lion secondary, and unlike Helen (who is able to turn down the volume during Dash's parent-teacher conference) he has trouble even softening what he says, phrasing something in a way that’s palatable to the person he’s talking to. That trait gets him in trouble with Buddy/Syndrome, then his boss at the insurance company, and there’s also the implication that the government keeps relocating them because Bob keeps blowing their cover. (This is 100% the case in a cut scene set at a neighborhood barbecue, where Bob appears to cut off a finger and instead breaks the knife.) 

I also think the fact that Helen and Bob are both Lion secondaries is a big part of what makes their relationship functional. Lion secondaries seem to really value the opportunity to have arguments and fights… while also knowing the interaction is fundamentally safe, and isn’t going to spill over into the other parts of their life. When Bob gets back late, he and Helen fight in a way that honestly just seems like their way of blowing off steam. They’re both able to turn it off completely when the kids walk into the room. 

Helen also calls herself out for “overreacting” and has to force herself to take a moment to think when she first figures out that Bob is lying, a very Lion secondary moment. She gives Violet the insanely Lion secondary advice that “When the time comes, you’ll know what to do. It’s in your blood.” Edna Mode is also a cartoonishly loud Lion secondary, and I'll bet that shared secondary is a big part of the reason she adores the Parrs. Also, Helen loves her motorcycles, which at least in fiction is a very Lion-secondary coded mode of transportation.

Helen’s flexibility extends to her primary as well. When we first meet Elastigirl in the “documentary” prologue, she’s completely happy doing the superhero thing while Mr. Incredible is already thinking about settling down. But, in the main timeline of the movie, Helen seems perfectly happy doing the suburbia thing and raising the kids. Then in the sequel, after the Deavors convince her that she can do the most good by being a poster child for non-threatening Supers, she has a fantastic time doing that instead. The fact that she’s able to change her worldview so easily without having a big emotional crisis about it (the way that Bob does) makes me think she’s probably a Bird primary. That difference in primaries seems to be where most of the friction in their relationship comes from. 

Helen actually tells us her philosophy in the sequel: “If laws are unjust there are laws to change them, otherwise it’s chaos” and “World is what it is, we have to adapt.” It’s a bit Badger flavored - work within the system, adapt to the system - but the way she lays it out is Bird. And then she gets a little tipsy and starts debating philosophy with the villain for fun. Which is a very Bird primary activity.

VIOLET PARR (2004)

(& Dash)

Violet feels very at odds with both her family and her world… and since she’s a Badger primary, that’s especially rough. She wants to fit into a community, but there is no community for her. She’s the only member of the family who actively does not want her powers: “We act normal, Mom! I want to be normal (...) What do you know about normal? What does anyone in this family know about normal?” We also get the line, “Mom and Dad’s lives might be in danger, or worse - their marriage.” Which is definitely a joke about Violet’s slightly cartoonish Badger primary priorities. 

It makes absolute sense that she’s so hung up on the idea of popular dreamboat Tony, at the center of so much community, since that's exactly what she wants. And because she herself is very not normal, she tries to hide - both with her superpower and with her hair. Violet is the first computer animated character who wears their hair long and loose, and the animators put in the effort because it’s so tied in with her character. As she gets more and more in tune with her family over the course of the film, the way Violet wears her hair changes. Her mom tucks it behind her ear, her dad comments that he likes this new way she’s wearing it better. She eventually pushes it back with a headband because she’s not hiding from them anymore. Violet is happy and effective being a part of the superhero team that is her family. It’s interesting that her powers (invisiblity, creating force-fields around herself) are fantastic support/team-attack powers, but not that useful on their own.

However, one more source of friction between Violet and the rest of the family is that she’s the only non-Lion secondary. Her little brother Dash is a Lion. (He’s probably a Double Lion like his father, they’ve both even got a little of that Glory Hound Lion primary thing.) But Violet’s powers keep her out of sight, she is the opposite of confrontational. It took me a second to recognize her as a Snake secondary, because most fictional Snakes are much more comfortable around people…  but Violet is also in a less-than-ideal situation. Still, she is observant, good at picking up on what’s going on around her, and uses those things to solve problems. It’s her idea to track down Syndrome using the coordinates he’s put in the rocket, and in the sequel she’s the one who figures out how to use Jack Jack like a gun, and successfully turns the out-of-control ship around.

Violet is sneaky, using her abilities to spy on her parents and stow away on her mom's trip. She doesn’t like using her snake secondary at other people - she’s very self-contained - but she is more than happy to direct it out at the world. Violet is also perceptive when it comes to people, and will often just come right out and say things like “Are we going to talk about it… the elephant in the room” or “I think Dad has made some excellent progress today, but I think it’s time we wind down now.” Which can look a little like Lion... but in this case, it's definitely Neutral Snake.

Tl;dr

Jane ~  Snake / Snake, models Badger / Badger

Tarzan ~ Snake / Bird

Kerchack ~ Badger / Lion 

Kida ~ Badger / Lion 

King Kashekim ~ Snake / Burnt Lion 

Milo ~ Burnt Lion / Bird

Lilo ~ Bird / Lion (possibly Bird / Snake) 

Nani ~ Burnt Badger / Bird

Captain Amelia ~ Bird / Lion 

Helen/Elastigirl ~ Bird / Lion

Violet ~ Badger / Snake

Dash ~ Lion / Lion 

Bob/Mr. Incredible ~ Lion / Lion

Edna Mode ~ Bird / Lion 

(art credit to Cursed Concepts for the beautiful pins I have used to illustrate this series. They're actually having a charity sale right now (December 27th-31th) to benefit Make A Wish, so head on over if you like their style and want to maybe snag a deep cut like Jane, Giselle, or Eilonwy.)

[thetinyadventurer]

It’s the 4th of July and my brain went to Atlantis…Again.

I imagined Vinny making homemade fireworks and causing absolute chaos! Cookie would be having a blast on the BBQ, cooking up a shit-ton of baked beans. Mole would probably be diving headfirst into the giant bowl of potato salad. Milo would probably be reading a ton of the books in the shade of an apple tree. For some bizarre reason I can imagine Audrey, Helga and Kida joining a baseball game and getting VERY competitive. Mrs. Packard would be chatting it up with her lady friends. Meanwhile Rourke is taking the day off to work on his tan at the edge of a lake or something. Only to have his day off be interrupted by the other’s shenanigans (like a stray baseball or a . Oh, and Mr.Whitmore would probably be trying the high dive (and scarring the eyes of local children with his old gentlemanly physique).

Basically, one big chaotic multi-national family. 🥰

[lotusquil]

Very messy but...for the first time, some Atlantis sketches!

Maybe I need to check out some fanfiction because I've never read any for Atlantis...but while sketching out Helga and Audrey, got struck with the idea that they may have developed a respectful relationship where they sparred a lot. Helga taking Audrey under her wing as the spunky younger girl soloing out onto major exhibitions.

[mrssantinni]

It's canon, just trust me

[milesasinmorales]

We as a society should start acknowledging the similarities and parallels between Thrór and Thorin past just the good sickness. It’s really interesting to look into! Kind of tragic actually

[scleroticstatue]

Feminine Plots

Okay, I've been thinking A Lot about basic plot types and how classically feminine stories fit into neither the traditional (masculine) archetypes nor the traditional plots. After a lot of studying the major plot beats, I think all female-led stories* fall into one of seven plots. I'm using Disney movies to demonstrate this because just about everyone has seen them, but I think you could apply these to just about any feminine-based story.*

So, without further ado:

The Hard Work Plot: The heroine of this story is a hard worker and is tested by the plot to prove her kindness and generosity. If she passes the test, she wins and is rewarded for it. This is the basic plot of Snow White, Cinderella, and Tiana/Princess and the Frog.**

The Beast Taming Plot: The heroine of this story is put in a situation where she meets a monster, learns to understand it (usually through a heightened state of empathy), and then tames it to become socially acceptable for the norms of society, often ending the story by using the tamed monster to defeat a more villainous character who has been accepted by society. This is the plot of Belle/Beauty and the Beast, Moana, Jane/Tarzan, and Lilo/Lilo & Stitch.

The Transformstion Plot: The heroine meets an outsider who is threatening her home/family/people, who are stagnating or stifling. She spends time getting to know the person and their culture, and then uses her friendship to transform her own culture into one of flourishing modernity. This is the plot of Ariel/The Little Mermaid, Pocahontas, and Jasmine/Aladdin.

The Restoration Plot: The heroine is in a kingdom/household of dwindling power. Her quest is to restore the damaged relationships and undo the evil that caused the kingdom to dwindle. There's a very high chance that the heroine doesn't actually do the restoration herself, rather she makes other characters realize they have responsibilities and duties they haven't fulfilled, who then fix the problem instead of the actual female lead. This is Aurora/Sleeping Beauty, Elsa/Frozen, Mirabel/Encanto, and Nala/The Lion King.

The Balancing Plot: The heroine is proven to be unfit for feminine life and goes on a journey to prove she is capable of fitting in with the guys, only to realize that what she needs to restore peace and joy to her home/kingdom is the very feminity that she rejected. This is Mulan and Merida/Brave.

The Maturing Plot: The heroine is a naive individual who is exposed to the big bad world. Her idealism transforms the big bad world to be softer, but she also realizes there are bad things out there and that are/will take advantage of her if she lets it. In the end, she usually has to fight the bad guy/embrace her duties and responsibilities to save her home. This is Alice/in Wonderland, Wendy/Peter Pan, Giselle/Enchanted, and Rapunzel/Tangled.

The Sacrifice Plot: The heroine has a group that she is some sort of caretaker for (a princess, a lover, a support class). She does something, usually accidentally, that causes her friends to end up in danger, and she has to sacrifice herself to make up for those wrongs and save her people, usually ending up coming back to life because the other leads are so inspired and love her so much they make sure to save her. This is Tinkerbell/Peter Pan, Meg/Hercules, Esmeralda/Hunchback of Notre Dame, Kida/Atlantis, Anna/Frozen.***

EDIT: After workshopping this, I've decided I was missing one which seems almost exclusive to mothers and wives:

The Witnessing: The heroine must prepare another to become a Sacrifice/go to war/fight without her interference, and she has to let go and let them take on the trials of the world. Her plot arc succeeds when the people she's equipped successfully encounter the world without her guidance. This is Mrs. Potts/Beauty, Grandma Tala and Sina (the mom)/Moana, and Grandma Fa/Mulan. It's rare, so there's not a lot of these are protagonists, but it is a legitimate feminine archetype.

Star explanations under the cut.

*I'm being very specific here and talking about stories that are associated with the feminine, not stories that are traditionally associated with males who have then taken on female leads. And, while you can look at these as entire plots, these are also applicable as character arcs. The Lion King, told from Simba's perspective is the classic Call to Adventure. However, from Nala's perspective, she is the Restorer who, after watching her kingdom fall to ruin, has to go find the proper authority, mend his relationship with his father, and then return him to the kingdom to fulfill his responsibilities. While some more modern stories have female leads that don't fit these categories, I would argue they're not trying to appeal to women, but to a general audience and just happen to have a female protagonist, who could easily be swapped out for a male protagonist without changing anything of the story (and that, imo, makes for a very bad story indeed).

**There is a secondary dimension in these stories, which is the staticness or dynamicness of the characters. The classical Hero's Journey features a dynamic protagonist, who is expected to change throughout the run of a story. However, in most female-led media, the lead character is already virtuous and good. She is a static character that is then tested to see if she will fold under pressure. Snow White and Princess and the Frog both feature Hard Work narratives; however, Snow White is a static character who has to prove through a series of trials that she's good hearted and the world won't turn her cynical, while Tiana is a dynamic character who has to grow from cynicism to accept love as a virtue. While it is more traditional of older stories like Grimms' Fairy Tales, the Arthurian mythos, or Classic-era novels, static protagonists have almost entirely died out in favor of the Hero's Journey dynamicness. However, it remains a staple in Feminine Stories, even in modern stories: Moana, Anna/Tangled, Lilo/Lilo & Stitch.

***The Sacrifice Plot is a little odd, because there's usually another plot on top of it; Anna has a (slight) Maturing Plot, Meg has a Balancing Plot, Kida has a Restoration Plot. However, in the end, it's not a philosophical shift that defines their character, but their willingness to sacrifice for those they love. Yes, Anna was duped by Hans and has to accept he's not the good guy. However, she still falls in love with a man she just met (just a different one) and her narrative is instead trying to fix the problem she made when she upset her sister and her climax is when she essentially dies for Elsa, who then saves her with their sisterly love.

[asmrrpaddict]

In voice alone, because… well, you’ll understand. Throughout most of today’s Lasko’s HBS video, I couldn’t place why the voice sounded so familiar (other than being Erik of course) then it finally hit me!!!

LASKO IS MR. MILO JAMES THATCH!!!! I kept picturing a nerdy lanky type guy with glasses. Something about the voice tonight other than the actual words because Milo (Disney Milo) is a PG rating guy while the audio was… not.

As I’m writing this it kind of cracks me up thinking about more, somewhat grasping at straws, connections.

Kida: Milo’s love interest, associated with the color blue and her home was taken by waves = Dear being Lasko’s love interest and a water elemental.

Rourke: bad guy who pretended to be a good man just wanting to help Milo and who sacrificed Helga to save himself = Kody who pretended to be Freelancer’s friend until he betrayed their trust and sacrificed who knows how many to save himself during the Inversion.

Go with me now on this one.

Helga: woman who “seduced” Milo into going to Mr. Whitmore’s then teased him later when they met again and all around made Milo nervous = Gavin. They had their first… encounter then Gavin proceeds to tease him every chance he gets.

Vinny: a man who likes explosions and can get a bit away sometimes, but ultimately just wants to settle down comfortably = Damian a fire elemental who can get carried away with multiple things, but who just wants a nice life with Hux and helping human borns.

Audrey: a capable woman in her own right who doesn’t take crap and worked hard to get to where she is, but she isn’t always taken seriously as a young woman = Freelancer someone who has struggled being human born and has had to work hard to prove they are equal to those born with powers and does their own thing no matter what anyone says.

Mole: dirt lover who loves to dig holes = Huxley an earth elemental who loves to dig holes. That is the only way I’m comparing our boy Hux to the creepy troll.

The King of Atlantis: grumpy old man who wants people out of his way = Jett from the Department wanting to be left alone by (Redacted) Milo and Lasko.

Bonus points:

Helga and Cookie’s conversation about the food groups = Gavin vs Hux and Freelancer’s Thanksgiving dinner.

Because I loved his character so much I’m really need a way to include him that I’m reaching for a connection:

Dr Sweet: doctor who loves what he does and is loved by all = Sam a healer who loves it and is loved by all but Quinn and Alexis, but no one cares what they think. 😆

I hope Erik got some inspiration from this amazingly underrated film!!!

[novanillacake]

Ending my post drought with depravity, as one does. Please have Mr. Kida's Farin (ft my girl Estelriel)

@mrkida-art thank you for ✨️him✨️

[hannahhook7744]

Descendants Background Characters Names (Redone) Part 1;

Judy the guidance counselor.

Nessie, daughter of Marlon (Ariel's cousin).

Elle Athanasiou of Tirulia, Eric and Ariel's adoptive daughter.

Christopher 'Topher' Thompson, great nephew of Smee.

Hershel Fenner, son of Harvey Fenner.

Tsunami, niece of Ariel.

Cascade daughter of Ariel's friend, Coral.

Beryl, daughter of Attina.

Harmony, youngest daughter of Ariel.

Jamilah, daughter of Jasmine and Aladdin ( @cleverqueencommander 's oc).

Hilda Bjorgman, daughter of Kristoff Bjorgman and Anna.

Jacoba/Coba, daughter of Bernadette.

Nora Nattura, daughter of Honerymaren and Elsa.

Catharina/Cato Bones, daughter of Katrina and Brom Bones.

Addy Colyar, is the daughter of Buford (from Princess and the Frog).

Demurra Foxworth, daughter of Nibs and Jenny Foxworth.

Sappy the tall Dwarf, Coach Jenkins's husband.

Coach Reese Jenkins.

Girls in the back:

Chi Fu's daughter, Min.

Roger and Anita's daughter, Amy.

Chien-po and Su's daughter, Chao.

Girls in the front:

Jehan Frollo's daughter, Jeanette Frollo.

Prince Lars Westergaard and Charlotte La Bouf's daughter, Princess Carolina Westergaard la Bouf of the Southern Isles.

Ling and Ting-Ting's daughter, Tyra.

First girl is Naveen and Tiana's daughter, Nina. Twin of Tyrone. @cleverqueenchild 's oc.

Girl behind Chad is Chi-fu's daughter, Min.

Girl behind Doug is Prince Lars Westergaard and Charlotte La Bouf's daughter, Princess Aloisia Westergaard la Bouf of the Southern Isles.

Guy behind Doug is Prince Lars Westergaard and Charlotte La Bouf's son, Prince Brendan Westergaard La Bouf of the Southern Isles.

Guy next to Doug is Naveen and Tiana's son, Tyrone. Twin of Nina.

Girl behind Audrey is Ling and Ting-Ting's daughter, Lian.

Demurra Foxworth is the daughter of Nibs (From Peter Pan) and Jenny Foxworth (Oliver & Company).

Princess Aloisia Westergaard-La Bouf is the daughter of Lars Westergaard (Prince Hans' brother) and Charlotte La Bouf (from Princess and the Frog).

*Chow is the daughter of the Matchmaker (from Mulan).

Becca Colyar is the daughter of Buford (from Princess and the Frog).

Princess Reyna Olympian-Westergaard is the daughter of Alana Olympian (Ariel's sister) and Maximilian Westergaard (Hans' brother).

Princess Shi is the daughter of Prince Jeeki.

(I only named the ones who faces you can kind of see).

Sheldon is the son of Mole.

Ronan is the son of Maudie (Brave).

Zoey Marquez-Madrigal is the daughter of Isabella Madrigal and Bubo Marquez.

Inaya is the daughter of Prince Achmed.

Mary-Grace is the daughter of Vladimir.

Mary-Ellen is the daughter of Phil.

Macarla is the daughter of Megara and Hercules.

Ronnie is the son of Phlegmenkoff.

Kaiyah is the daughter of Raya.

Kaida is the daughter of Raya.

Cesar is the son of Malina and Kuzco.

Spencer is the son of Mole.

Sawyer is the son of Mole.

Shen is the son of Mole.

Tanya is the daughter of Colette Tatou and Alfredo Linguini Gusteau.

Braxton is the son of Joshua Sweets.

Robbie is the son of Audrey Ramirez.

Gabe is the son of Vinny.

Fatima is the daughter of Kida and Milo.

Agatha is the daughter of Vidia.

Zara is the daughter of Maui.

Topher Thompson is the Great Nephew of Smee.

Cassius 'Cash' Clayton, son of William Clayton.

Shan Deja, daughter of Shan Yu.

Gemma LeGume, daughter of Gaston LeGume and the Enchantress.

Raymonda Snoops, daughter of Madame Medusa and Mr. Melvin Snoops (who is under Harriet's care).

Kathleen 'Cat' Bimbette, daughter of Claudette Bimbette.

Top Row:

Claire Bimbette, daughter of Claudette Bimbette.

Domonic Salt, son of Damien Salt.

2nd Row:

Everton 'Evie/Ev' Montgomery, son of Susan Montgomery (A Corrupt Mayor). Not to be confused with Wilson 'Will' Clayton, son of William Clayton, who looks and dresses similar.

Chantelle and Imani; they are the children of petty criminals.

3rd Row:

Hassan, bio son of Mozenrath and Sadira, and adopted brother of Reza.

Axel Huntsman, son of the huntsman.

Lamar, son of one of the Jolly Roger's Crew.

Last Row:

Alya and Omar, adopted children of Mozenrath and Sadira, and adopted siblings of Reza.

Top Row:

Henry McLeach, son of Percival McLeach.

Edith Olympian, daughter of Eris.

Mako, son of Sharky.

Middle Row:

Nova, orphan girl under Harriet's care.

Lin, Su, and Fen; daughters of the Huns.

Sean, son of the Sheriff of Nottingham.

Anais, orphan under Harriet's care.

Last Row:

Wolfrick Wolfe, son of Big Bad Wolf and enemy of Harriet Hook.

Jia, orphaned daughter of one of the Huns.

Top Row:

Raven Bog, daughter of Chernabog and enemy of Harriet Hook.

Na’vi, orphan boy under Harriet's care.

Middle Row:

Kingsley King, son of the Horned king and enemy of Harriet Hook.

Queenie Bog, daughter of Chernabog and enemy of Harriet Hook.

Last Row:

Holiday 'Holly' Sinclair, daughter of Helga Sinclair.

Donnie Salt, son of Damien Salt.

Rory Ratcliffe, son of Governor Ratcliffe.

Top Row:

'Mark' and 'Misha' Mullins, twin sons of Mullins from Hook’s crew and member of Uma’s crew.

Steward Starkey, son of Mr. Starkey from Hook's crew.

Middle Row:

Annalise, orphan girl who is Rachel's bestie.

Rachel Ratcliffe, daughter of Governor Ratcliffe.

Last Row:

Brigitta, Annalisa’s sister.

Alvar, son of Vor.

Raina, daughter of Prisma.

Aj Slade, daughter of Amos Slade.

Wilson 'Will' Clayton, son of William Clayton.

Magnus, son of King Magnifico.

------------------------------------------------------------

More will be added later as I come up with them, as will ages.

Feel free to suggest ages for any of the characters or potential parents.

Thanks for the help @casinotrio1965 .

[toweroftickles]

Who are your favorite underrated ticklees? like characters you think should have more tickling art/fics about them?

Oh, now you’ve done it. You’ve unleashed a tangent. 😂 Buckle up, kids; this word-and-picture vomit is gonna take a while. All 30 slots gettin' used up on this one.

UNDERRATED LEES

Let’s start with Avatar. When the second movie came out I went through a bit of a phase…half the characters in it could go here. The whole Sully clan. The Na’vi are perfectly sculpted ‘lee material - their long bellies, the ribs, the feet - and NOBODY TAKES ADVANTAGE OF IT.

(Literally just think of all the tickle torture they get up to)

Moving on to anime, Studio Ghibli is packed with characters who deserve more tickle attention. My favorites have gotta be Ursula from Kiki’s Delivery Service (I really wanna see content with her, Kiki & Tombo together), Lisa from Ponyo, Fio Piccolo from Porco Rosso, and Young Kiriko from The Boy and the Heron.

(I could watch that gif of Ursula wiggling her toes for the rest of my life)

I'm also a fan of this girl Pipirika from Magi: Adventures of Sinbad. Not sure why. I don't even watch the show.

Then there’s Suki from the other Avatar. Less-popular character in a popular fandom. Crowded out by the rest of the Gaang.

Victoria and Mr. Mistoffelees from Cats 2019. SHUT UP I DON’T CARE WHAT YOU THINK 😖

VICTORIA IS SO PRETTY AND SWEET AND PURE AND THE WAY THEY NUZZLE EACH OTHER AND THIS WHOLE MOVIE IS TICKLE-CODED

I'M NOT A FURRY

Vi and Caitlyn from Arcane/League of Legends. That show (and this pairing) is massively popular online, they are insanely hot together, so WHY is no one making tk content except me? HMMM? These bitches are ticklish as hell and they deserve this.

It’s. Not. FAIR. I am so thirsty for CaitVi content in the leadup to Season 2 the inside of my mouth looks like the Atreides family is going to set up a base camp and harvest exotic spice from the back of my uvula.

Art3mis from Ready Player One. Book Twitter has seemingly made it their life’s mission to demonize Ernest Cline and anyone who loves the novel/movie, so fan content is already a little thin on the ground as it is. But she needs to be put in a tickle machine, stat.

Ben & Gwen Tennyson. OG series; none of that reboot horsehockey. They fight and antagonize each other so much I’m genuinely surprised there was never a tickle torture moment in the show.

From the Nintendo side of things, Imma go with two underappreciated gothic sorceress baddies (Veran from Zelda: Oracle of Ages and Medusa from Kid Icarus Uprising). I'm also very fond of the various "hot ninja lady" iterations of Impa, particularly her orange-and-black ensemble from Skyward Sword.

And both Wii Fit Trainers.

Red Savarin from the obscure Tail Concerto DS game Solatorobo: Red the Hunter. Never played it; he just looks insanely ticklish to me. You know, some characters you can just tell.

Still not a furry.

Let's see now, Disney/western animation...Kida, obviously. Robin Hood & Maid Marian, especially the latter. (I love her giggle so much.) Mowgli is more childhood wish-fulfillment on my part: that insane Jungle Book tickle scene messed me up, and each time my prepubescent self rewound the VHS tape, I played a game with my mind. I kept desperately believing/wishing that this time, it would be different: Baloo would get Mowgli back, or their tickle war would resume later. No such luck. It's about him & Baloo specifically.

The 2004 iteration of Batgirl is my favorite one. Plus she's got a great laugh. XD

The Spider-Verse movies continue to be a Tumblr phenomenon, and yet I have not found a SINGLE solitary tickle post about Rio Morales. Can you imagine how adorable she would be as a lee? ❤️ ((Ticklish moms + older women in general warrant more appreciation.))

I also made this here list a while back. This community can tend to neglect characters who are canonically ticklish, perhaps because the question has been answered already.

********************

WHEW. Got all that outta my system. XD If any of you are still alive and still reading this, anybody on this list that you agree deserves more tickling fanart/fics? Any thoughts on underrated lees of your own?

[heroineimages]

She's delightful!

I realized I had not uploaded this on tumblr yet. On Twitter I have sometimes “borrowed faces” from my followers (aka used their face for a design, with permission ofc). This is a design I made back in January of @Vikinwo on twitter (Would include a link but I know tumblr hates that) and it’s one of my favourite dwarf designs I have made so far I think 

[spider-gem]

if you feel like hearing some silly goofy mobius-mr tesseract thoughts, I have a hc that post-finale mobius might- after a long long time of looking for a way to reach loki- go a bit bonkers with grief (particularly the denial/anger/bargaining stages of grief), he gets a bit morally dubious. over time he steals as many tesseracts as possible, hiding them away in a secret tva office. eventually, surrounded by thousands of stolen tesseracts and out of ideas of how to use them, he has a “WWLD/what would loki do? probably suggest we take a coffee break” moment and puts a bunch tesseracts into the office coffee grinder, making a piping hot cuppa jOH NO. except there’d be a little anticlimactic fake-out after he drinks it (maybe pairs it with some pie) where nothing immediately happens because infinity stones aren’t active inside the tva. but the moment he exits the tva…….

On a more realistic thread, I can imagine mobius somehow absorbing/becoming the space stone à la Princess Kida in Atlantis, and the stone ‘asking’ “where do you want to go?” and mobius ‘telling’ it “outside of space and time, I know a guy” or something. And prying open a tear in time and space to reach Loki.

The idea of missing a friend so deeply and wanting more than anything for them to be ok because you believe they deserve to be with you, helping them to be ok because it’s NOT FAIR -to the point of obsession and corruption, maybe even loss of self… ouch… but if he succeeded, “Time and Space” are always paired together after all (lmao “mobius, king of space”)

Anon, I love your mind! Mobius initially using the Tesseract’s power to find his (boy)friend, but slowly being corrupted by its power… Loki being the King of Time and Mobius being the King of Space… Oh, the possibilities…

The first idea is hilarious (Mobius, sipping the triple shot Tesseract espresso: hmm I probably should’ve done this outside of the TVA…) but I love the second concept! Mobius merging and becoming one with the Tesseract raises many questions of how it would affect him. Does the Tesseract have a mind of its own? Does it influence Mobius’ thoughts? My best guess would be: yes, absolutely.

This raises another question: if/when Mobius reaches Loki, how will Loki react to his friend’s new power? Loki has been lured by the Tesseract before, he’s been where Mobius is now. Will he be shocked seeing what it has done to his friend? Or has he been suffering this whole time, watching the timelines helplessly as the Tesseract has been corrupting his friend’s mind? And ultimately, can Mobius gain control of this new power, or will it control him?

I have to get this idea to Marvel…

In the meantime, I would love to know if there are any fics with this concept! If not, I’ll have to get writing, I suppose…

[thetinyadventurer]

Just the idea of the Atlantis crew celebrating new years together. I know that Vinny would make a very nice boom with the fireworks.

[lxmitlxss]

ˏˋ°•*⁀➷ Mobile Friendly Muse List

as of 08/29/24

Canon Characters

Pandora Hearts:

Xerxes Break

Gilbert Nightray

Vincent Nightray

Elliot Nightray

Levi Baskerville

Vanitas no Carte:

Noé Archiviste

Vanitas

D. Grey Man:

Allen Walker

Lavi Bookman

Marian Cross

Tikki Mikk

The Ancient Magus Bride:

Elias Answorth

Ruth

The Millionaire Detective: BALANCE UNLIMITED:

Haru Kato

Moriarty the Patriot:

William James Moriarty

Sherlock Holmes

Angels of Death:

Zack

Trigun/Trigun STAMPEDE:

Vash the Stampede ( both versions )

Nicholas D. Wolfwood ( both )

Millions Knives

Meryl Stryfe

One Piece:

Sanji Vinsmoke

Zoro Roronoa

Trafalgar Law

My Hero Academia:

Izuku Midoriya

Shoto Todoroki

Denki Kaminari

Shouta Aizawa

Keigo Takami (Hawks)

Dabi

Jujutsu Kaisen

Yuji Itadori

Megumi Fushiguro

Nobara Kugisaki

Satoru Gojo

Suguru Geto

Yeah I haven't finished this one so BE KIIIIIIND

K Project

Yashiro Isana

Saruhiko Fushimi

Reisi Munakata

Izumo Kusanagi

Durarara!:

Izaya Orihara

Shizuo Heiwajima

Shinra Kishitani

Masaomi Kida

Bungou Stray Dogs

Osamu Dazai

Doppo Kunikida

Chuuya Nakahara

Atsushi Nakajima

Sigma

Jouno Saigiku

Tetchou Suehiro

Honkai Star Rail

Trailblazer

Dan Heng

Welt Yang

Aventurine

Veritas Ratio

Kafka

Boothill

Gallagher

Serval Landau

Sampo Koski

Seele

Huohuo

Genshin Impact

Tartaglia

Kaveh

Albedo

Baizhu

Bennett

Xingqiu

Heizou

Venti

Detroit Become Human

Gavin Reed/GV900

PROMARE

Lio Fotia

Lucia Fex

Bluelock

Rensuke Kunigami

Wataru Kuon

Reo Mikage

Hyouma Chigiri

Danganronpa

Byakuya Togami

Junko Enoshima

Leon Kuwata

Yugioh

Yugi Mutou

Yami Yugi

Joey Wheeler / Katsuya Jonouchi

Seto Kaiba

Ryou Bakura

Yami Bakura / Bakura

Duke Devlin / Ryuji Otogi

Jaden Yuki / Judai Yuki

Syrus Truesdale / Sho Marufuji

Yusei Fudo

Crow Hogan

Leo / Lua

Marvel

Tony Stark

Loki

Hawkeye

Bucky Barnes

Clint Barton

Moon Knight ( Marc & Steven )

Steve Rogers

Thor

Phil Coulson

Bruce Banner

Peter Quill

Rocket Racoon

Steven Strange

Eddie Brock ( mix comic/Sony )

Full Metal Alchemist

Edward Elric

Alphonse Elric

Winry Rockbell

Van Hohenheim

Maes Hughes

Alex Louis Armstrong

King Bradley

Lust

Greed

Envy

Final Fantasy

Cloud Strife

Reno

Squall Leonhart

Vivi Ornitier

Tidus

Yuna

Rikku

Paine

Vaan

Balthier

Prompto Argentum

Ignis Scientia

Servamp

Lawless

Shadowhunters

Magnus Bane

Supernatural

Castiel

Doctor Who

Tenth

Jack Harkness ( req only, might end up discord only )

BBC Sherlock

John Watson

Black Butler

Sebastian Michaelis

Ciel Phantomhive

Alois Trancy

Finnian

Mey-rin

Ronald Knox

Mashle: Magic and Muscles

Mash Burnedead

Dot Barrett

Ghost Hunt

Kazuya " Naru " Shibuya

Hazbin Hotel

Sir Pentious

Magi

Judar

Yunan

Sinbad

Jafar

Aladdin

Mythical Detective Loki Ragnorok

Loki

Dragon Age

Male Mage Hawke

Fenris

Persona

Joker/Ren Amamiya

Sojiro Sakura

Munehisa Iwai

Yu Narukami

Makoto Yuki

Tatsuya Suou ( req, discord prefered )

Princess Tutu

Ahiru/Duck

Fakir

Mr. Cat

Droccelmeyr

Pike & Lillie

Pretear

Himeno Awayuki

Hayate

Sasame

Kei

Go

Mannen

Hajime

Shin

Petite Princess Yucie

Arrow/Arc

Gaga

Cube

Soul Eater

Soul Evans

Death the Kid

Dr. Stein

OCs can be found over on @beyondlxmits

[mhslovers2002]

Ampoo (アンプー, Anpū)

Voiced by: Chiyako Shibahara (Japanese)

Borocca (ボロッカ, Borokka)

Voiced by: Junji Majima (Japanese)

Chaps (チャップス, Chappusu)

Voiced by: Hisayo Mochizuki (Japanese)

Docky (ドッキー, Dokkī)

Voiced by: Takeshi Kusao (Japanese)

Enton (エントン, Enton)

Voiced by: Tarusuke Shingaki (Japanese)

Fonton (フォントン, Fonton)

Voiced by: N/A

Genie (ジーニー, Jīnī)

Voiced by: Ryuuzou Ishino (Japanese)

Hikky (ヒッキー, Hikkī)

Voiced by: Hiromi Ohtsuda (Japanese)

Inky (インキー, Inkī)

Voiced by: Tomoe Hanba (Japanese)

Juno (ジュノ, Juno)

Voiced by: Ayumi Kida (Japanese)

Kabo (カボ, Kabo)

Voiced by: Tomoko Kawakami (Japanese)

Liddy (リディー, Ridī)

Voiced by: Tomoko Kawakami (Japanese)

Magnero (マグネロ, Magunero)

Voiced by: Setsuji Satoh (Japanese)

Noisy (ノイジー, Noijī)

Voiced by: Tomoe Hanba (Japanese)

Onpoo (オンプー, Onpū)

Voiced by: Sakiko Tamagawa (Japanese)

Piranin (ピラニン, Piranin)

Voiced by: Eriko Nakayama (Japanese)

Quicky (クイッキー, Kuikkī)

Voiced by: Takeshi Kusao (Japanese)

Rosso (ロッソ, Rosso)

Voiced by: Eriko Nakayama (Japanese)

Spimon (スピモン, Supimon)

Voiced by: Etsuko Kozakura (Japanese)

Tubee (チュービー, Chūbī)

Voiced by: Chiyako Shibahara (Japanese)

Usop (ウソップ, Usoppu)

Voiced by: Kōsuke Okano (Japanese)

Vincent (ビンセント, Binsento)

Voiced by: Kōsuke Okano (Japanese)

Watt (ワット, Watto)

Voiced by: Sakiko Tamagawa (Japanese)

Mr. X (ミスター X, Misutā X)

Voiced by: Ayumi Kida (Japanese)

Yumyum (ヤムヤム, Yamuyamu)

Voiced by: Ryusei Nakao (Japanese)

Zobie (ゾビー, Zobī)

Voiced by: Yūsuke Numata (Japanese)

?

Voiced by: N/A

Mr. Salaman (サラマン先生, Saraman-sensei)

Voiced by: Sukekiyo Kameyama (Japanese)

Mr. Tigerl (ティゲール先生, Tigēru-sensei)

Voiced by: Kenji Nomura (Japanese)

Ms. Peginand (ペギナンド先生, Peginando-sensei)

Voiced by: Hiroko Oohashi (Japanese)

Principal (校長先生, Kōchō sensei)

Voiced by: Tomomichi Nishimura (Japanese)

Eddy the Skeleton Dragon (ドラゴンの骨エディ, Doragon no hone edi)

Voiced by: Kenji Nomura (Japanese)

Johnny Crow (ジョニークロウ, Jonīkurou)

Voiced by: Kōsuke Okano (Japanese)

Lure the Fisherman (ルーア, Rūa)

Voiced by: Yūichi Nagashima (Japanese)

Book Deposit (返却機, Henkyaku-ki)

Voiced by: Kenji Nomura (Japanese)

Mr. Showtime (ミスターショータイム, Misutā shōtaimu)

Voiced by: Kenji Nomura (Japanese)

Old Owl Sage (フクロウじいさん, Fukurō jīsan)

Voiced by: Hiroshi Iwasaki (Japanese)

Screwsnail (ネジマキツムリ, Nejimakitsumuri)

Voiced by: N/A

Fountain of Sorrow (悲しみの泉, Kanashimi no izumi)

Voiced by: Yutaka Aoyama (Japanese)

Vending Machines

Voiced by: Cho, Sukekiyo Kameyama

Yurumaki (ユルマキ草, Yurumaki kusa)

Voiced by: N/A

Spy Fly/Leader Fly (リーダーバエ, Rīdābae)

Voiced by: Yūsuke Numata (Japanese)

Keshi (ケッシー, Kesshī)

Voiced by: Kōsuke Okano (Japanese)