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florrickandassociates · 3 years ago

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TGF Thoughts: 5x03-- And the court had a clerk...

Hello again! It’s nice to have this show back. This episode was a bit less of a standout than the previous two, but I’m still happy with the overall direction for this season. More under the cut (or here, because tumblr sucks).

When Robert King tweeted the episode title, I asked him if all the titles this season were adding up to one long sentence/story, hoping he’d confirm it and give a little more information. He did! He said it’s “in the Farmer in the Dell mode” and while I think I get what he’s saying, I’m very curious to see how it plays out. Haven’t been able to track down 5x04′s title yet, but the promo is out. (As of this morning! It’s interesting they’re not putting them after the episode this year; I kind of like it.)

Kurt’s job is up in the air given the new administration. I think this scene exists mostly just to remind us where Kurt works and the stakes.

What month is this supposed to be in? The transition seems recent but no one is wearing masks.

Kurt spots a poster asking for help ID’ing people at the Capitol on January 6th. He thinks he recognizes someone...

And now we’re in case of the week land. This case is about a small business owner whose business went under after someone created fake news articles accusing him of pedophilia.

I think the whole point of this (kind of long) scene is to show that this case is a pretty small deal. Low stakes, inexperienced opposing lawyer. (Not even sure why Liz would be arguing this in court, but whatever.)

Tbh I thought this was going to wind up in 9 ¾ court.

Now that we have junior level characters, we get scenes showing that there are, in fact, people at RBL who are mid-level. Liz asks an associate to work on something, he asks another associate to work on it, she delegates to other associates, and they delegate to Marissa and Carmen. This work seems terrible.

It’s so funny to me how this is probably more realistic than most of the lawyering on the show and yet it only shows up selectively. We only see the hierarchy here to make it clear that Marissa and Carmen are at the bottom.

David Lee interrupts and asks for Carmen. He’s very rude to her. Interestingly, she’s hesitant to leave her grunt work and follow David, even though she must know he outranks the associate who gave her the grunt work.

“Why am I supposed to know you?” David asks her as they walk through the halls. “I don’t know if you are,” Carmen responds. “Why does Benjamin Dafoe know you?” he asks. She doesn’t know who he is.

“Who are you?” Dafoe asks when Carmen enters. She states her name, again. “Why are you important?” he asks. “I don’t think that I am,” Carmen responds.

Then Dafoe says his top client, and it’s a name that the characters all know. I’m glad this scene is free of any “he’s the white OJ” expository lines (that’s from Sweeney’s introduction) -- it’s clear from the reactions and the discussion of police and rape that the top client is a bad guy, probably a rapist. The rapist wants Carmen to represent him.

Putting 2 and 2 together, Carmen asks if the rapist knows Rivi. He’s not, but he’s at the same prison. As soon as Carmen says she’s representing Rivi, David Lee switches gears, understanding the situation and trying to sign the new business. He’s so shameless!

Marissa sorts ALL the papers. There are a LOT of papers. I’m swamped. Look at all this paper.

She catches the associate who assigned her the task leaving for the night just as she finishes up, and cheerfully notes she’s finished the task. Then the associate mentions this was only half of the bills. Marissa does not like that. Since her goal in wanting to be a lawyer is mostly just to give her something exciting to do and earn respect... this hierarchy thing is not going so well.

Marissa decides that after her rough day, she’s going to stop by Wackner’s court. He’s in the middle of a case about Emily in Paris fanfiction and he’s very happy to see Marissa.

Wackner’s night court has a program—it notes the sponsor is Copy Co-op (I thought it was Copy Coop?) and the paper products were also provided by them. And “there will be regular intermissions at the discretion of Judge Wackner.” It’s very theatrical.

Wackner takes a recess and calls Marissa to his “chambers.” He asks for her thoughts on the case. “All they want is attention and to feel like they’ve won,” Marissa notes. Wackner’s on the same wave length and compares it to the Scarecrow’s diploma at the end of The Wizard of Oz. So, he makes copyright certificates and some minor modifications to each of the fanfic books. They say “I respect you and I love you” and that’s that.

Wackner catches Marissa before she leaves and asks her to be his law clerk—part time or full time, 10% of all the legal filings and unlimited use of copy machines. She is hesitant because she “doesn’t even know what this is.”

Wackner says his court is “the future.” Marissa turns him down; notes she wants to pass the bar. “You know why all these people are here? ‘Cause the courts and the lawyers and the appeals have made justice... unattainable. Out of reach. To anyone who doesn’t have a shitload of money to wait it out. That’s why Exxon beats out Mr. Nobody. Read Kafka’s Before the Law.”

I just read it, and you should too! It literally is a page, but tl;dr, there’s a man who wants to get to the law and instead he spends his whole life trying to win over the first of many gatekeepers on the path to the law. He never gets through the gate.

“Justice is only just if it’s available to everyone,” Wackner says. Marissa thinks about that.

As I said last week, it’s smart that Wackner makes so much sense. Hearing him say all this, knowing that it’s true... it makes it very easy to get on board with the thought experiment. Of course there would be huge repercussions to this kind of system, but it makes so much sense it’s compelling TV!

Kurt’s showering when Diane gets home, which gives her time to stumble across the WANTED poster and notice that Kurt has drawn facial hair onto one of the pictures. “Who is this?” she asks him. “No one,” he says. “Well, you drew in a beard and a moustache on him,” Diane notes. Kurt says he was doodling, but Diane calls him out as he is the “exact opposite of a doodler.” Kurt says he thought it was someone he knew, but he’s not sure. Diane pushes him to tell the feds. Kurt reiterates he’s not sure, but it’s someone he went shooting with. “Oh my God, then it’s him,” Diane jumps to (not incorrect) conclusions. Kurt says he didn’t talk that way; he’s a veteran. “Kurt! That’s the profile!” Diane argues. Kurt isn’t convinced and he doesn’t want to be responsible for naming names. He notes he’ll be threatened with indictment for not naming names and then only lawyers will end up benefitting. Diane is not convinced.

I think this is an interesting conflict for Kurt and Diane. I understand why Kurt is hesitant to speak out before he’s sure. And I understand and agree with Diane that it’s important to identify the attackers and prevent anything like that from happening again.

I don’t mean to blame Kurt, exactly, but I feel like all of what happens next could’ve played out differently if Kurt had been just a little clearer with Diane about why he was hesitant to ID the man. Like, the threat of indictment for not naming names sounds like some typical anti-government rambling. Saying you specifically are afraid that this will turn back on you and you need to weigh your options and come up with a plan first would put Diane in a very different mode, in which they’d work together to craft the best strategy. Because this man would’ve been ID’d by someone, sooner or later, and Kurt would’ve needed to be prepared.

Diane stares at the wanted poster at work and asks Jay to find his identity. He’s on the FBI TEN MOST WANTED? Ten!? Ok!

Diane shares the extra information she has—the gun range and that he’s a veteran—and Jay gets to work.

Turns out there’s no money in the case that Liz, a name partner, is working on and Marissa just spent all those hours sorting bills for. I could’ve told you there was no money in that case lol.

Jay IDs the guy very fast. He’s faster than the feds because they didn’t know where he shot. The range had his license on file, and Jay got ahold of it.

“Well, we don’t pay you enough,” Diane says. “Oh, I know that,” Jay laughs.

Diane says she’s going to think about calling the feds—it's definitely the same guy.

Marissa notes someone high profile (David Cord, who I presume is a thinly veiled stand-in for David Koch given the name, his role in the plot, and the fact that he is “David Cord of the Cord Brothers”) in the lobby giving a fake name and goes to tell Liz.

David Cord is performing magic tricks for the receptionists (they don’t recognize him) when Liz and Marissa show up. “I knew your father. I hated your father,” Cord says. “Yes, well, he hated you too,” Liz says. He says he gave a fake name to see what the reception would be like since he’s kinda infamous.

Liz introduces Marissa as one of the law clinic lawyers. Marissa knows what to say in this situation. Specifically, she knows that it is the exact right moment to name drop her father.

“Democrats as far as the eye can see,” Cord notes. At that, Liz asks Marissa to get Julius involved.

More good expository work! (No, editor feature of Word, I do NOT want that to say “Better expository work,” that would change my meaning, go away and please stop grading my recap??? I don’t know how I brought this up but it’s telling me my score is 72%, so a C, and it’s driving me crazy. Oh, now I’m a 71%. It had me at like, 50%, because I had written “Wackner” and “Wackner” is not a word. No shit.)

Anyway, back to the exposition. I like that we don’t get a line like, “Liz! David Cord, the Republican super donor, is here!” We just get to see Liz’s reaction, Cord’s hate of Liz’s father, and the line about democrats. Then it becomes clearer who Cord is.

Just noticed Liz is wearing an Apple Watch.

Liz stands for her meeting with Cord, likely to maintain power. Cord says January 6th changed everything to him and now he’s all about unity and loving America.

Cord has something to say about Liz’s case, the one that’s not making any money, and he seems to know quite a lot about it. That spooks Liz.

Then Cord offers her $12 million to continue the case for another six months (all of these months, seemingly, will play out in the couple of days the rest of this episode takes, but, whatever). He just wants them to go after the social media company that distributed the fake news... and Section 230.

Don’t know what that is? Now you do, because there is a Good Fight short! These work so much better when they’re actually needed (explaining concepts, etc.) than when they’re trying to force one into every episode (remember that Downton Abbey one? What... was that?)

I was talking to @mimeparadox about this short and he pointed out that this short has a VERY clear POV on an issue that actually doesn’t seem to be all that straightforward. If you’re like me and only had a vague sense of what Section 230 was prior to this episode, this short is telling you what to think of it—it isn’t just explaining what it is.

I do tend to agree with the show’s POV on most things, but this is an issue I’d like to read more on. I love how Section 230 was something I hadn’t really read up on prior to this episode and now that it’s been on TGF I realize it’s something that actually, yes, I would’ve been interested in knowing about earlier. Is this because things that are on TGF are interesting to me because they’re on TGF or is it because TGF generally only discusses things that would be interesting to me? Probs a little bit of both.

Diane asks Jay how to make an anonymous phone call and he hands her a burner phone. She calls the FBI with the rioter’s name. She doesn’t leave her name and then she dumps the phone.

Credits! Did you catch there’s a Jordan Boatman in the credits? She plays one of the associates who passes down the grunt work to Marissa, and she’s Michael Boatman’s daughter in real life! She’s also been in one other episode, in season 3.

I never get tired of these credits!

The RL partners (and some associates who are on the case? I think these are the same ones who delegated the work to Marissa?) debate whether or not they should take Cord’s money. Madeline notes that he’s funded a lot of Republican campaigns; Julius notes that both Republicans and Democrats agree that Section 230 is flawed and this is an opportunity for unity.

Diane notes that the right doesn’t want to stop conspiracy theories from spreading, so is this really that bipartisan? “It would help if the boomers would stop falling for those conspiracy theories and sharing it with their friends,” an associate (I believe this is Michael Boatman’s daughter again) notes. That quiets the room and the partners all glare at her. Yeah, that was a kind of stupid thing to say. First of all, it’s just not appropriate to say to the partners, and it’s also, like, missing the point? If it’s easy for conspiracy theories to spread among boomers, maybe just expecting each member of that generation to suddenly have a millennial’s understanding of the internet is the wrong strategy? Maybe there’s some structural issue here? That maybe, just maybe, this case is actually about?

The associate also points out that the internet is currently a place where people can speak out about sexual harassment-- “they repeal section 230, and there would be no #MeToo.”

One of the partners says he doesn’t believe that—if they regulate section 230, then newspapers can actually be competitive and there’s still free speech online.

“We’re not going back to reading newspapers, grandpa,” some associate says. What the actual fuck, dude? Who talks like that to their boss?! It’s so condescending. He’s also wrong! “Newspapers” are not just physical things... reporting by major publications still matters and will continue to matter. Like, is he suggesting that in the future all news will just be random people tweeting things they think are true with no fact checking or curation? Sure, journalism is struggling right now—but I don’t think that’s because there’s a lack of desire for well-reported news.

I am glad the partners call him out on saying “grandpa” and honestly I’m shocked he isn’t asked to leave the discussion after that rude remark. Unless this young looking dude is a partner too? But I don’t think he is.

Julius notes that if they’re going to pursue this case, they need money like Cord’s. At that, Liz starts to leave the meeting. “We haven’t decided if we’re taking this Cord money yet,” Madeline protests. “Of course we are,” Liz says and leaves.

Now that’s more like it! I’m not sure if this is necessarily the best way to handle this, but she’s a) correct, they were always going to take the money because it is $12 million and an issue of interest and b) using her authority. Should Liz be making decisions totally on her own? Maybe not. Does Liz making this decision and then leaving (with everyone accepting that she’s correct) cut through a lot of bullshit and establish Liz as the one in charge? Yup.

Diane says, “Ooh-kay” with a little bit of an eyeroll after Liz exits, but she’s still laying low. I think in a different season Diane might’ve tried to push back.

Is it me or does Baranski get a lot of material this episode we haven’t seen before? Lots of really good reaction shots/tones in this episode I don’t really think we’ve seen from Diane before. I’m impressed there’s still new stuff after 12 years.

At some point maybe I will actually write the essay I’ve been wanting to write for ages about how TGF is still so relevant despite being in a universe that should be showing its age by now. I wish I could find the first time that I called TGW a period piece set in the present day (I know it would’ve been during season five) because I think that’s the key to TGW/TGF’s enduring success. The shows always feel timely because they try to capture the present moment (which is, of course, always changing) and don’t get stuck in any one moment in time. Further, the fact that the writers are always so tuned in to events and skilled at quickly reacting to what happens in the world makes them VERY good in a pinch, which is (I think) why they’re able to make the most of unexpected situations (Josh leaving TGW, the pandemic).

Liz and Julius bring a suit against ChumHum to attack 230. Judge Friend is initially skeptical of their argument that 230 is unconstitutional; then she’s intrigued. I am too. This argument about the press is a very interesting one. I obviously have a lot of reading to do on 230, but my take after this episode is pretty much that social media platforms have to be held responsible in some way, but I don’t think it’s feasible or desirable for them to be responsible for every single one of billions of posts. I think there has to be some way to regulate social media giants that would allow everyday people to share things and speak out but would prevent the curated (even by an algorithm) spread of fake news and make social media giants accountable when there are very public bad actors using their platforms. What that regulation would be I have no idea. I just refuse to believe that our options are to give the social media sites full immunity or to regulate the internet so strongly that no one is able to speak freely because all the platforms are worried about lawsuits.

Over at the VA, people are being fired. When Kurt gets into his office, Madeline Starkey (wait, are there two characters named Madeline in this episode?) is waiting for him. She’s still very quirky and scary.

Starkey says the guy that Diane reported is now saying Kurt trained him on using assault rifles and buying ammunition in bulk. Kurt notes these were topics covered in a group setting, which Starkey knew—and what she’s really after is the names of the others in the group. (She may already know them, since she knows there were five of them.)

Kurt refuses to name names and just stares at her.

Case stuff happens! (I liked the last two episodes a lot but it’s much faster for me to just write, “case stuff happens” for some of the scenes.)

Hey, surprise Aaron Tveit! (Not really a surprise; he is in the credits. But still yay!)

I don’t really know why Liz and Julius are talking about newspapers specifically and not all types of fact-based journalism/press? I feel like their argument is most convincing when it’s about actual newspapers (especially local ones) but still would apply to cable news...

Marissa’s still hard at work sorting papers when the associate comes back in and informs her she can stop; they’ve changed strategies and everything she’s done is now irrelevant. She also says “I forgot to tell you” at the start of that thought, meaning that she neglected to tell Marissa this important information earlier and wasted her time. Marissa is not pleased and so she goes to Wackner’s court, where Wackner now has a deli ticket machine and is wearing super-sized novelty sunglasses. Why not!

He sees Marissa and calls a five-minute recess. In “chambers,” Marissa tells him she’d like to work for him part-time but keep her RL job.

Wackner needs her help processing more copyright certificates. He’s priced them competitively at $20 and found that a lot of writers want these certificates, even though they have no legal value. (Neither do actual copyrights, Wackner notes. And he notes that if anyone plagiarizes, they can sue in HIS court.)

“Marissa, I’m building something here. I want you to join me. I want your advice on cases. I want to bounce legal theories off you,” he says. “What are your legal theories?” she asks. “I don’t know. That’s why I need to bounce them,” he says.

Marissa gives him from noon to 2 and 5-7, which seems awfully ambitious for someone working at a law firm!

“That’s how revolutions are made. Back rooms of copy shops,” he says, accepting her offer.

Kurt is sulking in the dark when Diane arrives home. He lets her know about Starkey’s visit and she immediately goes into lawyer mode. Notably, this scene does not spend much time on how Starkey found out the rioter’s name. Curious if they’re saving that for later or if Diane and Kurt both know what Diane must have done or if Kurt think’s it’s a coincidence.

Kurt SET UP A TOUR OF THE CAPITOL for one of the veterans in his shooting group, and that tour was ON JANUARY 6TH! I really do wish he’d told Diane that upfront.

Maybe the long pause where Kurt refuses to tell Diane which congressperson arranged the tour even after she promises she won’t say is him letting on that he knows that Diane ID’d the guy? Or maybe it’s just Kurt.

I do not like the dead birds in Starkey’s office, mostly because I do not like thinking about dead birds.

Starkey compares Diane and Kurt to the Conways.

And now more case stuff happens.

Julius gets to question a witness for the first time in two years! He’s a little shaky at first but then he does a fantastic job! Yay Julius!

When Diane arrives at the office, reception is filled with around a hundred teddy bears. “What?” she asks. “Build-a-Bears. They were sent to Marissa,” the receptionist explains. “Okay... why?” Diane asks the logical next question. The receptionist does not know.

“This one’s a Marissa bear,” she says, showing Diane a bear wearing boots and a wig. It does not look much like Marissa and it says “Hug me.”

Diane looks confused and furious at the same time. Her look here is, like, a milder version of the death stare she gives Alicia in Outside the Bubble when she learns about Alicia and Cary’s plan to leave.

“Why don’t we, meaning you, take all these stuffed animals and put them in the conference room,” Diane instructs the receptionist. She is NOT! HAPPY! The receptionist seemed to be having fun with the bears, but clearly the right answer was to have done something with them and... not to have put them over every surface in reception. Eeek.

Carmen’s new client, the rapist, arrives at the firm before anyone can hide the bears. “This may not be the firm for you,” his advisor/lawyer (I’m not totally sure what this dude’s job is) warns.

Madeline notices the rapist and glares at the receptionist. “I know. I’m putting them in the conference room,” the receptionist says, thinking Madeline is upset about the bears. She is not upset about the bears.

Diane finds Marissa, who’s working with Carmen again. She asks Carmen to give them a moment.

“Why are there hundreds of teddy bears in our reception?” Diane asks. Marissa is confused. Diane shows her the Marissa bear. Marissa looks horrified and amused. “That doesn’t even look like me,” Marissa notes, completely missing how pissed off Diane is. I don’t think we have seen Diane be this direct/no-nonsense in ages.

“That would seem to be beside the point. What is going on, Marissa?” Diane demands. Marissa suspects this is based on some advice she offered to a client who was buying a Build-a-Bear franchise and thinks this is a thank you gift. “What client? You’re not a lawyer! Why do you have clients?” Diane says exasperatedly.

Marissa gives her a look, and Diane immediately understands that she’s been back to Wackner’s court. “Oh my God, this is about that Copy Coop court?”

“Marissa, no. By participating in that simulacrum of a courtroom, you exposed this firm to malpractice, sanctions, and God knows what,” Diane says. If that were really true, she wouldn’t have sat there and argued. I mean, I don’t know the legality of this all, but I feel like it’s a bigger optics issue than legal issue if Diane and other lawyers are willing to even consider participating?

“If you wish to continue your employment at this firm, you will never do anything like that again. Do you understand?” Diane says. She will not hear any arguments.

I love that Marissa is the thing that keeps Wackner coming back. It’s a good plot for her, but structurally, it also allows the show to keep Wackner around without many contrivances. Wackner sees that Marissa would understand what he’s up to, she sees that he shares some of her frustrations with the law, and they both want to work together again. It’s not like suddenly everyone’s talking about Wackner’s court and all the cases somehow end up there or anything.

The receptionist, who is having a truly terrible day, comes into announce that Kurt and Starkey have arrived. “Don’t put them in the conference room!” Diane commands, knowing that the teddy bears will be there. It’s too late, though, because the receptionist (who previously seemed to be fine at her job if bad at recognizing public figures and understanding that partners might not find teddy bears amusing) has already put them in the conference room. I feel bad for her, and don’t think the other things were her fault, but I feel like she could’ve seen this one coming...

I find the teddy bears HILARIOUS, mostly because the reactions to them are so funny. It’s kind of the same gag as the balloons for Lucca in season two, but I don’t really care, because I’m getting to see Diane Lockhart treat hundreds of Build-a-Bears like they are a real work problem.

Starkey jokes about the bears; Kurt is silent.

The rioter from the poster is now accusing Kurt of coming up with the STRATEGY for January 6th, which Kurt and Diane both dismiss as bullshit.

I could do without Starkey’s musical cues.

I can’t tell if Kurt is in trouble here or if she’s just pressing him to name names. Why wouldn’t she just have rioter guy name names if he’s so eager to blame Kurt? I guess maybe if the others were actually there, he might be less likely to name the names of his actual co-conspirators? Or, Starkey might already know the names (surely the shooting range has logs) and be using this to raise the stakes.

No one (except maybe the partner named Daniel) is happy about the rapist in reception. “Since when are we representing people like Wolfe-Coleman?” Julius asks. Didn’t these people help both Sweeney (though I think Sweeney was in some weird police brutality case and they didn’t actually want to represent him) and Bishop? And Rivi? But they draw the line here? Sure.

Ah, there we go, an expository line-- “he’s the next Jeffrey Epstein”. Almost made it the whole episode without one of these. I’ll forgive it since it’s so late in the episode lol.

“Did you approve this, Liz?!” Madeline demands. Liz did not. Daniel wonders if that means Diane approved it. Liz doesn’t think so and calls Diane (who happens to be walking past) in.

“I know, the teddy bears. I’m working on it,” Diane says when she opens the door. I think the teddy bears are a bigger issue to Diane than to anyone else.

Diane didn’t approve representing Mr. Rapey either. She’s uncomfortable that a meeting was happening without her; Madeline notes that she is standing there specifically because they wanted to involve her.

David Lee pops up out of nowhere with the answer: one of the new associates (not Marissa, “the real one”) pulled in Mr. Rapey. Are there only two associates now even though orientation was for a big group?

Firth is gone, btw. David Lee is the new Mr. Firth. I have no idea why David would want to be STR Laurie’s guy for managing RL but... sure, whatever? David Lee is an effective antagonist, especially in small doses, and this allows the writers to keep him around and continue the STR Laurie plot without a key guest star. If STR Laurie is still a thing, and it seems like it is going to be a thing for a while, then having David Lee take on this role makes sense for plot. Otherwise they’re going to have to shoehorn him in to every plot somehow. At least now he has a reason to be around.

Liz and Diane take a walk to chat. Diane is worried about having David as their boss. Liz says she has a worse worry—David Lee knew exactly when to come downstairs with information, suggesting he know what they were talking about. “Would he do something like that?” Liz asks when Diane wonders if there’s a bug. “Oh, yeah,” Diane replies. Hah, yeah. He absolutely would.

They decide to have Jay search for bugs and Liz is frustrated with how much time they have to spend on things other than lawyering. Yup.

“What is going on with all the teddy bears in the conference room?” Liz asks as they head back to the office. “It’s a long story,” Diane sighs. I also love that the teddy bears link the various pieces of the episode together—it feels like all of these threads are happening simultaneously because of that constant.

I don’t get RL’s approach to clients. Bishop and Rivi are ok, Wolfe-Colman is not (except that actually he is fine). Cord is okay too. Do they draw the line anywhere? I know Liz was right when she said that OF COURSE they were taking the money, but is there really nothing that differentiates that situation from this one? I feel like there should be.

Marissa goes back to see Wackner. Since someone refuses to say “I respect and I love you,” Wackner reverses his ruling. This is part of the “Bad Loser Law of last Wednesday,” so the rules of Wackner’s court are clearly a work in progress.

Marissa explains she can’t be the law clerk because of Diane. She tries to connect him with a real lawyer, still not understanding exactly what Wackner’s after. “You know just enough not to crush what I’m doing here,” Wackner explains. “A real lawyer will look for reasons why not. I need someone to look for reasons why.”

Case stuff happens. I cannot read Cord’s handwriting. Liz and Julius lose the case because Judge Friend says what’s happening isn’t fair, but it is constitutional. (So here we have, at least in the show’s POV, a good and attentive judge who can’t make decisions that make sense because she’s bound by a document written before anyone had ever dreamed of the internet.)

Cord is waiting for Liz in her office. He’s prepared to bankroll an appeal. Did they blow thorough that $12 million already? Impressive; it’s been like a day.

Cord says they are definitely the firm he wants. Interesting.

Now Liz wants a meeting with Carmen, so it’s Marissa who leaves the room. This scene seems like it was meant to be a different day?

Liz wants to talk about Mr. Rapey. Carmen is, yet again, chill about the case. “Carmen, is there anyone that you would not represent?” Liz asks. Funny, Liz, I could ask you the same. Being hesitant about it is not changing the fact that you’re representing bad people. Carmen’s just cutting the bullshit.

“I don’t understand. Is there someone you don’t want me to represent?” I love how Carmen’s incredibly polite responses always seem very pointed. There is absolutely nothing wrong with Carmen’s reply, and yet it puts Liz in a place where she can’t dance around what she’s trying to say.

“I’m just trying to get a sense of who you are,” Liz explains.

Then Liz decides she’s going to help on the Craig Wolfe-Colman (Mr. Rapey) case, and they will keep talking about her career path. Liz, this does not seem like the right solution! You're worried about your associate representing bad people so you’re like, I know, what if I ALSO represented bad people? If your goal is to convince Carmen not to take clients like this, you’re kinda shooting yourself in the foot!

“Are you worried about me?” Carmen says, again turning things on Liz. “I don’t know what I am about you,” Liz replies. Me either. Well, I know I'm intrigued, but beyond that, no clue!

All the bears have ended up in Diane’s office, where Wackner is waiting. He jokes about how his court is always seen as informal, yet this real fancy law office is covered in Build-a-Bears. Then he says he wants to hire RL—he's willing to pay. He wants consultation from Marissa (“consultation on legal issues”) and he’s prepared to spend a lot. And, if there’s one thing we know, it’s that they’re always going to take the money. So, they do.

I love that Wackner’s goal is to “perfect my little clubhouse of the law.” It’s a fun plot, and it also allows for the rules in his court to change (I’m sure we’re going to be treated to/subjected to a lot of whimsical gags around changing and ridiculous rules). It's also a good way to work through the thought experiment over the course of the season. It’s not like Wackner already has a system set up and it’s perfect—I'm sure we’re going to see his system run into issues and explore that more, too.

Wackner monologues a bit here about why he’s running fake court, and he lets us know he’s going to monologue. Basically he thinks people no longer want to help people and are only motivated by their own self interest. He notes that no one talks about the Peace Corps anymore and asks the last time Diane heard anyone say those words. I’m sure I’ve heard a reference more recently but my mind went RIGHT to season one Cary Agos saying “Peace Corps. Belize,” as some kind of smarmy pickup line. This is likely not where my mind was supposed to go.

Wackner wants “A new Peace Corps. For America.” Diane’s sympathetic to that and agrees to take him on as a client.

Wackner asks if he can take a bear. Diane instructs him to take two.

Aaaand Wackner and Cord end up on the elevator together. Wackner hands Cord a bear, the elevator doors close, and the episode ends. Since last episode ended with Marissa and Carmen in the elevator together, I’m hoping this will be how every episode this season ends. I think using the Kings’ favorite liminal space to transition between episodes is kind of fun, and it fits with the ellipses at the end of every episode title.

Speaking of... did you see today’s elevator-themed episode of Evil? It was written by the Kings. Those two have been obsessed with elevators for at least a decade.

#the good fight #tgfthoughts

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