#Movies Philippines
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katabay · 18 days ago
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PAGLUIB
way back in like. march?? I took a stab at writing some kind of kabitserye type of story but it was a mess: it kept veering off into murder mystery drama territory because I was reading a lot of murder mystery novels around then and it Wasn't Good because I hadn't tried writing mysteries, let alone murder mysteries, before lmao
I did write a handful of short mystery stories since then, so next year I might take a stab at this idea again now that I'm no longer jumping head first into a genre pool I don't know how to swim in :)
#now for the part where i have to fight off the impulse to write in some b movie horror elements because ive been thinking about#reanimator a lot lately. ehghghh. thank god for the editing process. to wrangle my thoughts into a linear state of creating#anyway i read an article. interview? on the popularity of infidelity dramas in the philippines and it was poetry to me#and i also enjoy the really intense social melodrama in lino brocka's films. specifically the appearance of morality to cover up/justify#ugly behavior. or like. man i'm tired. whatever was going on in murder by tsismis. that's the thing. someday i'll get more into it#and post excerpts from the actual analysis of the film that actually explains the dynamic im talking around here#komiks tag#original tag#also there's some. vague lingering thought about ikaw lamang in here. not in a way that matters#but in a 'the first episode that i saw was not the first episode of the drama itself and it made me go. oh everyone has rotten vibes'#which is not. well. if you saw ikaw lamang then you know the characters. this is not the takeaway from the show. HOWEVER#i did invent a whole different show in my head between that and when the next episode aired. so.#fake ikaw lamang. ikaw lamang if it wasn't even remotely like ikaw lamang. on the topic of ikaw lamang here's a cringe story for you#still following along. BEFORE i had watched the show. i saw a notebook with franco on it but i didn't recognize the character#i just saw jake in a suit and went oh! cool! i will now Buy This!#anyway i still have the notebook lmao
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haveyouseenthisseries-poll · 6 months ago
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Original title: Gaya sa Pelikula.
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appleflavoredkitkats · 1 year ago
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*twirls hair* so there's this priest from manila-centric philippine history
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clambuoyance · 2 years ago
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I think I stopped watching them after 2010, pretty sure the mermaid one where she lives in Malibu was the very last one I watched
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sessayyys-corner · 1 year ago
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GOMBURZA (2023) - MMFF REVIEW
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“Vivan Los Filipinos. Mabuhay ang mga Filipino.”
This film is the story of the three martyr priests. Three Filipinos who were part of the native community who were once under Spanish colonial rule and oppression. If you have been updated, or have been listening in your elementary Philippine history classes, it’s GOMBURZA, not MAJOHA. 
Despite it being produced by Jesuit Communications, the film was able to execute (No pun intended) a factual depiction on a turning point of Philippine history without overused emphasis of religion. It was able to capture how the Catholic faith was used as an instrument of oppression during the Spanish colonial period (This was especially ironic considering how return of the religious orders, including the Jesuits, were the reason for the silencing of the secularization movement). What also impressed me is that almost every single detail in the movie, even in the dialogue, came from actual events in history. It is evident that enough research was made to make this film as accurate as possible.
The film’s cinematography was able to capture life during the period whether it was amongst the Filipino liberals, the Spanish priests, the Governor-Generals, or even the three main characters in our story. With every other scenes of the film shifting from light to dark atmospheres, this symbolized the reality of Spanish colonization — warmth, acceptance, and friendship amongst fellow Filipinos; and ruthlessness, inhumanity, and oppression from the Spaniards (and even traitors). Adding emphasis to GomBurZa’s (2023) cinematography is its sound design. Just by feeling the cinema floor rumbling and the deeply-voiced voiceover in the film’s ending segment, this film can come to a point where it deserves its own IMAX screening.
Dante Rivero and Cedrick Juan showcase over-the-top stellar performances as Padre Mariano Gomez (played by Rivero) and Padre Jose Burgos (played by Juan). Both actors have embodied their roles, not only due to the fact that they, especially Juan, share a slight resemblance with the real life Mariano Gomez and Jose Burgos. It is also because that they were able to portray their emotions from having a friendly conversation, to later condemning their unfair arrest, trial, and death.
Pepe Diokno's time and effort in conducting research and including every important detail in the production is evident in the whole film itself, as it was not only ACTUALLY based on true events, but was able to evoke emotion and outrage, just like how the Filipinos of the 1870s did at the time.
With all of this said, GomBurZa (2023) is not only a history lesson, but also an immersion into the Spanish colonial rule and the lives of the three priests. Being a history nerd and a cinephile who has since learned the names of the three martyr priests as a little girl in elementary, I can definitely say that this was one of the only film experiences where I had witnessed the breaking of the fourth wall. The whole time I was in the cinema, it felt like I was part of their conversation, like I was a witness to their lives and execution.
What also added to this experience was that I watched the film on Rizal Day, and what better way to commemorate our national hero's contribution to Philippine independence than to learn about where it all started? Like what I always preached to my family:
Without GomBurZa, there will be no Jose Rizal. Without Jose Rizal, there would be no Andres Bonifacio. Without all of them, the Philippines and the Filipino would not exist.
GomBurZa (2023) is a cathartic experience that is definitely for the family. This film is a testament to the importance of appreciating and learning our history. Hopefully it serves as a reminder of our collective past, national identity, and the importance of our freedom.
[Metro Manila Film Festival 2023]
(my film review of "GomBurZa" is also available on letterboxd!)
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filmap · 9 months ago
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In My Mother's Skin Kenneth Dagatan. 2023
House Hacienda Santa Rosalia, Western Nautical Hwy, Manapla, Negros Occidental, Philippines See in map
See in imdb
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lostinmac · 11 months ago
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Cleaners (2019)
Dir. Glenn Barit
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pedroam-bang · 1 year ago
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The Bourne Legacy (2012)
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haveyouseenthishorrormovie · 2 months ago
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SUMMARY: During a return to his provincial home, a young man gets involved with a woman who is ultimately possessed by her sister's spirit, paving the way to revealing the painful truth about her unsolved disappearance.
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reuels · 1 year ago
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What If (2023) dir. Manny Palo
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schlock-luster-video · 2 months ago
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On October 28, 1998, Blade debuted in Belgium and the Philippines.
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transannabeth · 3 months ago
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not to be Dramatic but i need hollywood to stop having the characters who live in the woods away from society who are seen as having a simpler way of life dancing tinikling in like half a scene
it's only happened twice but it's pissing me off
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thewhizzyhead · 1 year ago
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listening to the mean girls musical movie soundtrack atm and for me it's an improvement on some ends and a downgrade on other ends LIKE some songs' instrumentals sound so much cleaner and less overwhelming which is GOOD for a musical movie adaptation but others aka world burn lose the oomph and the dramatics of the og musical counterpart which I understand on a directing aspect but is still quite saddening. that being said I actually quite like the soundtrack-
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povofjae · 5 months ago
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i'll pretend that we are more than friends.
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arconinternet · 5 months ago
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Salamamgkero aka Magic of the Universe (Video, 1986)
You can watch this Filipino fantasy-horror movie here.
You can read articles about it here and here.
@skinslip
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Platoon (1986, Oliver Stone)
24/03/2024
Platoon is a 1986 film, written and directed by Oliver Stone, which deals with his time in Vietnam as a volunteer during the war and is inspired by the real experiences the director had between 1967 and 1971 during his military service.
The film won 4 Oscars out of 8 nominations and Oliver Stone was also awarded the Silver Bear in Berlin as best director. In 1998 the American Film Institute placed it in eighty-third place in the ranking of the one hundred best American films of all time, while ten years later, in the updated list, it dropped to eighty-sixth place. In 2019, it was chosen for preservation in the National Film Registry of the United States Library of Congress.
The bloodiest episode, as in many other films dealing with the Vietnam War, is inspired by the most atrocious event of that conflict, known to history as the My Lai massacre, in which American soldiers committed atrocities including rape of very young girls, indiscriminate killings of innocent civilians, destruction of the homes and resources of the inhabitants, believed to be allies of the Viet Cong, despite there being no evidence. From this perspective, the figure of the platoon commander, Lieutenant Wolfe, both for his inability to control his men and for other characteristics, can be traced back to the main person responsible for My Lai, the then US Army Lieutenant William Calley, convicted to several years of military detention for that very affair.
Due to an error by Lieutenant Wolfe, who gives wrong coordinates via radio, the platoon is decimated by friendly artillery.
In the last war action of his volunteer service, Chris escapes a deadly ambush by the Viet Cong who almost completely annihilate the platoon and the subsequent American bombing with napalm.
Initially Hollywood snubs the script as many producers are of the opinion that what three is to say about the Vietnam War has already been reported in highly successful films such as Apocalypse Now and The Deer Hunter, however the strength of Stone's script still attracts some producers who see enormous potential in him. He was then assigned to write a screenplay for another film, Stone accepted and wrote Midnight Express in 1977, thanks to which he won the Oscar for best non-original screenplay (first statuette for Stone) a fact that made all of Hollywood understand the Stone's enormous potential; it was therefore not difficult for him to find the producer to begin work on Platoon.
The film was shot, following the great example of Apocalypse Now, director Francis Ford Coppola's masterpiece, on the island of Luzon, in the Philippines, starting in February 1986. The film's production was almost canceled due to the political upheavals in country, due to Ferdinand Marcos, dictator of the country. Upon arrival in the Philippines, the cast members underwent a two-week course of intensive training by Dale Dye (former Marine captain during the Vietnam War and interpreter of Captain Harris), during which they had to dig trenches and suffer forced marches and night "ambushes".
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