#Most Popular Hindi Books of 2019

[drsohinisastri]

The Magnificent 50th Anniversary of the Stardust Award

The magnificent 50th anniversary of the Stardust Award was celebrated on 28th of January, 2023 at Taj Santacruz, Mumbai. The grand event was organised by Stardust Film Magazine. Stardust is an Indian monthly Bollywood news and gossip magazine published in English and Hindi. The Stardust Awards was a revered award ceremony for Hindi movies, which was also sponsored by Stardust magazine. It was the golden jubilee celebration of the magazine and the bollywood celebrities arrived in style at the red carpet. Various Bollywood film stars attended the occasion.

 From veteran actor Rekha to new age actors like Kartik Aaryanwere present at that ceremony.  Famous astrologer, philanthropist & life Coach Dr. Sohini Sastri was invited as a Special Guest to that star-studded ceremony. She awarded actor Manoj Bajpayee as Iconic Performer of Indian Cinema. Others awardees were like Kabir Bedi, Kartik Aaryan, Rekha, Anil Kapoor, Anupam Kher,Shatrughan Sinha, Sonu Sood, Bhumi Pednekar, Udit Narayan, Boman Irani, Ashutosh Gaikwad, Jaaved Jaffrey, Vaani Kapoor, Harshvardhan Kapoor, Raveena Tandon, Shriya Saran and many more.

Dr. Sastri’s name doesn’t need any introduction. Currently she holds the record of “most searched astrologer in India''. She is an accomplished Astrologer, Philanthropist and Life Coach, renowned for her expertise in Vedic Astrology, Gemology, and Palmistry, Numerology, Vastu shastra and Colour Therapy. Over the last few decades, Dr. Sastri, Best Astrologer in India, has helped thousands of her followers with astrological predictions and cosmic energy. She is famous for her accurate prediction and effective remedy selection.

 She is also felicitated by the president of India Sri. Pranab Mukherjee. She is known as a highly knowledgeable astrologer. Dr. Sastri, Best Astrologer in Kolkata, firmly believes that our present life is directly influenced by our own actions in the past and the problems that are yet to come in our life can be avoided by putting positive effort in our present actions. She has a vast knowledge about the movement of stars & planets and its influence over people. She has also been felicitated by several universities and honoured with degrees like doctorate & D.Litt as well by National American University, USA for her exceptional journey and contribution to society. Her honest, polite & candid nature helps her to stand out from others. She is a KP Astrologer with 15+ years of experience in Vedic astrology, Palmistry, Numerology, Vastu-Shastra, and Colour therapy. As well, being a certified Gemologist, she can also guide people to recognise genuine gemstones & rudraksh. Dr. Sastri is popular as the first choice of Bollywood celebrities.

 She has been considered as an esteemed member of several communities. She is recognised as “the Best astrologer of India'' Over the years she has achieved a great height of astrology and was awarded with various honours like ‘Pride of Nation 2019’, ‘Indian Achievers Award, 2020’, ‘Femina Brand Award 2021’ and many more. She has been regarded as ‘Best astrologers in world’ by the Astrological Association of Great Britain & honourably listed in ‘World Book of Record UK, Switzerland, India for her contribution in astrology. Recently she has been regarded as the “Best astrologer in the world” by the Astrological Association of Great Britain. Dr. Sastri, Best Astrologer in World, is a regular columnist and a renowned writer of 3 popular books of Astrology named ‘A Complete Guide to Astrology’, ‘Handbook of Corporate and Professional Astrology’ and ‘Career Astrology Made Easy.’Being a woman entrepreneur, she always expresses the need of Woman empowerment and how it can help the society. Her contribution as a social reformer and activist is very much significant.

Dr. Sohini Sastri, Best Astrologer in Mumbai, is the most demanded choice of many awards and inauguration function as either chief guest or guest of honour for her auspicious presence and value-added deliverables to the awardee. She was previously present in Maharashtra Times organised 'Trend setter' at Mumbai, Indian Glory Awards 2021 in Goa, Global Spa Awards 2022, School Quiz Competition by Times of India 2022 and many more.

 On this glitzy night of Stardust Award 2023 Dr. Sastri was present at the commencement of the ceremony. She walked on the red carpet and also participated in the lighting of the lamp.

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A Motivational Story Of Rana Daggubati

Rana Daggubati is an Indian actor, producer, visual effects co-ordinator, and entrepreneur who is well-known for his work in Telugu, Hindi and Tamil languages. The star has established his career as one of the popular mainstream performers in Telegu Cinema. The entertainer is listed among the actors who achieved pan-Indian appeal by taking various roles in different languages.

Rana Daggubati has a very motivational story. He was brought into the world on 14 December 1984 in Chennai. , Tamil Nadu. He is a member of the Daggubati-Akkineni family. His father, D. Suresh Babu and paternal grandfather, D. Ramanaidu, are prominent producers in the Telugu film industry. Moreover, the uncle of the boy, Venkatesh and his cousin Naga Chaitanya are also actors in the film industry. He did his schooling at Chettinad Vidyashram in Chennai and Public School in Hyderabad. The student later studied at St. Mary's College, Hyderabad. In any case, the fellow experienced a corneal imperfection since birth, thus, a benefactor was found and relocated the left eye, but the right one remained blind. The motivational story of the youngster includes the journey of being a famous personality even after his disability.

 Rana Daggubati runs the  Ramanaidu Studios Daggubati, which is one of India's largest integrated production houses. The company offers production, distribution, exhibition, studio infrastructure for cinema, TV and digital platforms and manages the studio business. As a Visual Effects maker, he won the State Nandi Award for Best Special Effects in 2006 for the Telugu film Sainikudu. In 2006, he received the National Film Award for co-producing Bommalata. Before becoming an actor, the youngster owned a production company, Spirit Media, and has produced more than seventy commercially successful films, and his movies went on to win National Awards. For writing his name in Motivational stories of success, In 2010, Rana Daggubati stepped into the world of acting with his first feature film, Leader, which gave him the Filmfare Award for Best Male Debut of Telugu cinema. Later, the actor entered the Hindi film industry with the movie Dum Maaro Dum that garnered applause from audiences throughout the country. The rookie got the Zee Cine Award for best male presentation in the year 2011.

.The artist got a massive break in 2015 when Baahubali: The Beginning, which collected over Rs. 1000 crore worldwide. Rana Daggubati SIIMA Award for Best Actor in a Negative Role (Telugu) and Nandi Award for Best Villain for Baahubali: The Beginning(2015) and Baahubali 2: The Conclusion(2017).  

 The skilled actor played the foe, yet he had likewise contributed essentially to the VFX of the film. Subsequently, he became one of the famous entrepreneurs in India. The artist has also established himself as a television personality and has hosted several awards shows, such as the 2nd IIFA Utsavam, the 2nd South Indian International Movie Awards and many more. Moreover, he has hosted his own celebrity talk show, No.1 Yaari. For over five years, he learned about visual effects and then tied up with Anthill Ventures started  Anthill Studios, a technology company in 2018 which aims to bring world-class VFX to India.

 The studio supports and coaches troublesome new businesses in driving edge advancements like AI, Augmented Reality and Virtual Reality (AR/VR), Blockchain, Visual Effects (VFX), Cloud Rendering, Artificial Intelligence (AI), Machine Learning (ML), Internet of Things (IoT) and Big Data and Analytics.

 His firm also invests in startups that have the potential to create motivational stories in these fields.The businessman also entered into a partnership with Kwan entertainment and marketing solutions to start a division of Kwan in the South, which identifies itself as a celebrity management and Service  firm and manages computerized initiations and licensing.

 Moreover, it includes talent management casting, live performances and appearances, film packaging, production support- TV and Commercials, brand associations- endorsements, digital and film partnerships.

 Like many motivational stories Rana Daggubati made his own story motivational. He bought the stake of Amar Chitra Kath, which is one of the leading comic book company in India, and then future Group backed up the firm. Subsequently, the actor became the director of the establishment to begin a learning centre for educating students in art and design, life skills, Vedic science and ethics in Hyderabad in March 2019.

 On 21 May 2020, the entertainer got engaged to his girlfriend, Mikika Bajaj, who s the founder of Dew Drop designs. Later, the lovely couple got married at Ramanaidu Studios on 8 August 2020.

 Rana Daggubati not only inspires as a great actor but also motivates everyone to work hard even after the physical disability. He has proudly listed his name among the most successful businessmen in India. The entertainer has established himself as a businessman, actor, producer and TV representer. Moreover, the star has always stayed away from controversy and believed in entertaining people with various roles and stories.

[recentanimenews]

OPINION: The Life and Times of an Indian Otaku

  Makoto Shinkai's Weathering With You marked a historic first in my anime watching career. Contrary to popular belief, being the first anime to be released in Indian theaters is not the historic first in question (that honor goes to Shinchan: Bungle in the Jungle). Rather, Weathering With You would become the first film I'd ever watch on opening day — "first day first show" as we Indians call it. In the mad scramble to get tickets, I'd emerged a winner. Was it worth the struggle?

An emphatic yes. It was so good I went on to rewatch it twice.

    To fans in India: I’m so happy to tell that ‘Weathering With You’ (Tenki no ko) will release in India this October! We have licensed the Indian distribution rights to PVR Pictures and BookMyShow backed company Vkaao.

— 新海誠 (@shinkaimakoto) August 10, 2019

  The Indian theatrical release of Weathering With You in 2019 marked an important moment in the history of the Indian anime fandom. The story of how Shinkai noticed (and fulfilled) an online petition by Indian fans asking for its release here is already the stuff of legend. Because access to anime (especially in theaters) was so scarce in India, even in 2019, fans sought to have the film legally released in theaters. And thanks to Shinkai, it worked. To Indian anime fans, this represented the moment Japan — and the rest of the world — recognized our existence in the fandom. But Indian otakus didn't spring up overnight. Anime has had nearly three decades of history here. It just looks a little different than the rest of the world. The origins of anime in India go back to the '90s. Prior to the economic reforms of 1991, we had one — yes, only one — TV channel, the state-owned Doordarshan. The post-1991 wave of private TV channels brought with it a flood of international TV shows, among them anime like Robotech (which aired on the newly-created Star Plus). Ramayana: The Legend of Prince Rama, the anime adaptation of the Indian mythological epic of the same name, was released in 1992 and had a long and troubled production history, but the end product was a grand success, with its all-star Hindi cast and catchy songs turning it into a TV fixture for well over a decade. It even received a US release, with Bryan Cranston voicing the lead role. The remainder of the '90s would see various anime achieve varying degrees of success, from Nippon Animation's 1989 adaptation of The Jungle Book — which became a nationwide hit — airing in India starting in 1993, to late-night anime like You're Under Arrest and Gunsmith Cats. Despite this, there wasn't yet an actual fandom surrounding anime at the time. That would all change upon the turn of the century.

  Cartoon Network revolutionized the Indian anime market when the channel arrived in 2001. The launch of dedicated anime programming block Toonami brought with it two anime that would permanently shape the future of the fandom: Dragon Ball Z and Cardcaptor Sakura (albeit in its heavily-edited Cardcaptors form). While I never watched Dragon Ball Z (compared to all my friends at school), I did watch some Cardcaptors with my sister, which would actually be the very first anime I watched. My own viewing habits notwithstanding, DBZ was very much the anime of the moment. Schoolkids would frequently shout out famous lines from the iconic English dub. We'd even invented various hand games based on attacks and moves from DBZ. In 2003, another monumental shift would come as the childhood classic Pokémon hit the small screen, followed closely by Digimon, Yu-Gi-Oh!, and Beyblade. The merchandise associated with these franchises turned them into smash hits with a younger audience. All the cool kids had Pokemon cards and Beyblade tops. Battling with them at school was the stuff childhood was made of. To this day, these toys continue to sell well. Beyblade tournaments are still very much a thing. While many of my schoolmates were avid fans of DBZ, there were other trends in anime that could be observed, trends that had to do with language. From my experience, certain anime were only available dubbed in Hindi — a language spoken largely by the northern half of the country. Coming from a south Indian city with a significant north Indian population, I could observe a clear trend wherein Hindi-speaking north Indians grew up with these Hindi-dubbed anime, while people in the south (who spoke other languages) largely grew up with titles that were available in English (or Tamil, as fans of DBZ's Tamil dub can testify). Interestingly, these Hindi dubbed anime tended to be ones that were popular in Japan but not so much in the West — stuff like Doraemon, Shin-Chan, KochiKame, and Case Closed. This gave the north Indian anime scene a rather unique flavor. An even more interesting case is that of India's northeastern region (comprised of states like Nagaland, Manipur, and Meghalaya). Being culturally different from the rest of India, these states have had a history of consuming Korean and Japanese media, and they embraced anime and manga in a way the rest of the nation had not. Anime-related cosplay is huge in the northeast, with some of the best cosplay conventions in the nation taking place there and becoming a part of the local fashion scene. The general acceptance of otaku culture in the region continues to be high.

Eventually, anime would become a little more accessible to all. The launch of dedicated channel Animax in 2004 represented another watershed moment in the fandom. The shows Animax brought over were unlike anything we'd seen in the medium. Shows like Bleach, Fullmetal Alchemist: Brotherhood, Inuyasha, and K-On! redefined what anime meant for Indian audiences who had previously seen anime as a childhood interest and no different from other cartoons. As the channel slowly began to shift its focus to the older teen/young adult demographic, more mature anime like Cowboy Bebop, Hell Girl, Akira, and Welcome to the NHK challenged our conservative notions of what was acceptable to air on TV, especially considering these shows aired in daytime slots rather than late-night. This honeymoon period did not last. Animax was delisted by service providers in 2012. The years to come would be some of the most frustrating for us anime fans, as availability was at its most inconsistent and uncertain. While the channel attempted to make a comeback later on in 2016, it eventually disappeared for good in 2017. Despite all these problems, I look back on Animax fondly. Thanks to it, we became aware of the existence of the entity known as "anime." We began to actively seek out anime over other forms of animation. In short, it resulted in the formation of an actual fandom centered around anime. Anime fan clubs began to pop up in major cities like Mumbai, Delhi, Bangalore, and Kolkata. Widespread conventions outside of the northeast region came next. Anime Con India was started in 2010, followed closely by Delhi Comic-Con in 2011. Anime conventions in India are a curious thing. They are very unlike the sprawling, sophisticated conventions of the West. The funds simply aren't there for that sort of thing. I don't recall a single Indian anime convention that was attended by a voice actor, animator, or the like. So what are Indian cons about? In an interview with The Citizen, Anime Con India founder Nitesh Rohit talked about his reason for starting the con: "like any other belief and faith they all needed a temple to congregate (at)." This statement really resonates with me, and sums up what Indian cons are about. What they lack in scale and facilities, they make up for in intimacy and a feeling of togetherness. They are more or less small-scale events for anime fans to find other fans, to network with them, and basically feel less alone. Because feeling alone was part of the original Indian otaku experience. The early fandom was largely an urban phenomenon, as going to cons wasn't an option for everyone and the internet wasn't what it is today. So, you had these disconnected pockets of fans. People around you were unlikely to share your interest in anime and may have even judged you for it. The general consensus in India was (and still is) that animation is a medium for children. And remember, for a long time, anime accessibility varied by region. So, if you were lucky enough to find a kindred otaku, there was no guarantee they were into (or had even heard of) the same titles as you. This meant that we hadn't really had the ability to develop any sort of unique culture or traditions of our own. Things like going to cons, renting anime DVDs, memes and in-jokes — these things didn't exist for the vast majority of early fans who were school-going kids or college students of little means. A culture of our own wouldn't arise until much later — when that generation grew up.

  Of course, it wasn't just us who grew up — technology did, too. The internet became more ubiquitous. Social media and forums enabled us to network with each other regardless of location, in ways we'd never have imagined. To the scattered fandom of the early days, this has been nothing short of a blessing. The other big change ushered in by the internet was the era of streaming. Until then, most of our anime viewing took place on television and as previously stated, was not always very consistent. Accessibility improved greatly with the launch of Netflix in 2016. In today's India, Netflix is a household name, with a significant portion of young adults having access to a subscription. With a catalog of over 200 anime, Netflix has been responsible for pulling in many new fans. Plenty of people "come for the movies, stay for the anime." Series like My Hero Academia, Death Note, and One-Punch Man have become mainstream successes in this fashion, with a significant following even among non-anime fans. Another streaming service that is beginning to make inroads into the Indian market is Crunchyroll, with simulcasts like Boruto and originals like Tower of God, and the fact that it is free makes it accessible to anyone with an internet connection. Most Indian anime fans I know of have heard of Crunchyroll, and as more titles get licensed it is inevitable that its popularity will rise. And us otakus are doing plenty to help it do just that.

The success of Weathering With You is a shining example of the tight-knit nature of the Indian anime fandom. All it took was one person (an anime fan named Divishth Pancholi) to create a Change.org petition asking for its release in Indian theaters. The petition went viral, getting over 50,000 signatures and attracting the attention of Shinkai and the producers, resulting in its release here. Today, that event is seen as a smaller part of a greater Indian anime movement that is pushing for increased availability and acceptance of anime in India. Hashtags like #IndiaWantsAnime frequently make their presence felt on social media. This fandom isn't without its problems — it isn't the most inclusive when it comes to non-male fans, the "animation is for kids" specter hasn't been fully shaken off, and I'd love for anime BluRays/DVDs to be more widely available here. But I am grateful for the fandom's existence for getting me into anime in the first place. Without them, I'd have never been sitting in a movie theater on October 11, 2019, watching Weathering With You.

By: news+feed@crunchyroll.com

[dilbecharafullmoviedownloa-blog1]

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Dil Bechara 2020

IMDB Ratings: N/A

Directed: Mukesh Chhabra

Released Date: 24 July 2020 (India)

Genres: Drama, Romance

Languages: Hindi

Stars: Sushant Singh Rajput, Sanjana Sanghi, Saif Ali Khan

Movie Quality: 720p HDRip

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                             Heart beat in Dil Bechara 2020 with Saeed Azam, Manoj Bajpai, Anil Kapoor, Priyanka Chopra, Sushant Singh Rajput, Shruti Haasan and Manish Srivastava. It was written by Naushir Khatau and Kamlesh Pandey and composed by Indra Kumar with music by Anand Milind.

The current theme is

Dil Bechara

2020, the latest in the series of Hotstar Originals videos about Dil Chahara films and films. These videos were released to entertain their audience and today we present our comments on the long awaited “

Dil BeChara

” 2020 with

Sushant Singh Rajput

as the protagonist.

The remake of the Hollywood film “The Mistake in Our Stars” is a remake with a different cast, a new director and a completely different story.

The Dil Bechara film will be released in the US on October 1, 2020. In this film we will see the return of the original cast of “The Mistake in Our Stars” with a new director and a completely different cast. The film will be released on the same day as the upcoming film “Dil BeChara 2020,” which also opens in Turkey on November 2.

Now, however, it has been announced that the upcoming film “Dil Bechara 2020” will be released on Hotstar and Disney OTT platforms. The DilBeChara trailer will be released tomorrow, and it’s one of my favorite shots so far, because it bears many similarities to the original movie and also to “The Bug in Our Stars.”

Sushant Singh Rajput fans want to watch, and so they have already started the trend # DilBeCharaOnBigScreen.

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                             Dil Bechara, which has been in the making for over two years, marks the second attempt by director Mukesh Chhabra to cast Sushant Singh Rajput and his wife Rhea Kapoor. This would be the last film in which they starred together, and it marks the end of the previous Chhichhore, which was a great success for Sushingant.

The Fault in the Stars, based on the bestselling novel of the same name by John Green. The film was based on a Hollywood hit by John Lasseter, one of India’s most successful writers and actors.

Dil Bechara is joined by Mukesh Chhabra, who is known in the industry as a casting director. The film of the same name was adapted from the book, starring Ansel Elgort and Shailene Woodley.

If you’re wondering what’s next, here’s a list of new shows and movies you can add to your watchlist and keep up to date. New trailers and announcements are constantly being made while the whole world sits at home and hangs on to the new series of the shows.

Sushant Singh Rajput is seen on screen for the last time in Dil Bechara and he is back with a new role in the film in a big way.

The highly anticipated trailer was released to viewers on July 6, 2020 and is set to hit Disney screens on July 24, 2020. Although Sushant Singh left the world a month ago, the makers have announced that the second single of the film will be released today.

In keeping with the word, the romantic single “Taare Ginn” was released on the film’s official YouTube channel on July 6, 2020, just days before its theatrical release.

So, dear web series lovers, you don’t need a Disney Hotstar Specials video subscription to see this exclusive web series, which will hit theaters in India in 2020. The Hundred will be shown on the film’s official YouTube channel on July 6, 2020. You can also watch the Dil Bechara movie on Netflix, Hulu, Amazon Prime Video and other online streaming services.

The filmmakers of Dil Bechara have revealed the release date, the trailer has been released and the enthusiasm of the fans of the youngest actor has made it the most anticipated film of the year. Directed by Mukesh Chhabra of Fox Star Studios, it is set to be released on Disney Hotstar on July 24, 2020.

The untimely death of Sushant Singh Rajput has left his fans and the industry mourning the loss of this wonderful soul of an actor. Fans will break records to remember the late actor and we all mourn with him.

Directed by Mukesh Chhabra, it will be released on OTT platforms on July 24, 2020 and will feature Sushant Singh Rajput, Saif Ali Khan, Abhishek Bachchan, Manoj Bajpai, Anurag Kashyap and others. SUSHANT SPARKAR’S highly anticipated film, Dil Chahara 2020, will be one of the most popular films as there will be a lot of excitement and excitement for its theatrical release. Streaming is scheduled for July 24, 2020, and we will see SaifAli Khan in a new role as the film’s lead actor.

The trailer for the film was recently released and took the internet by storm, becoming the most-read movie trailer in recent days. The trailer by Dil Bechara shows a blossoming love story between two central characters, played by Sushant Singh Rajput and Sanjana Sanghi. Saif Ali Khan, Abhishek Bachchan, Manoj Bajpai, Anurag Kashyap and others recently spoke to a news outlet where he was asked to share his thoughts on the makers “decision not to see him in the trailer. Dil Chahara is not there, but the trailer for this film.

The helpless lady of the heart in the upcoming - of - age drama Dil Chahara 2020, the directorial debut of Mukesh Chhabra. Based on the novel of the same name by Kizie Aur Manny (translated), it is called "Kizies Aur Miguel” or “Manny” in translation and stars Abhishek Bachchan, Ali Fazlul Haque, Manoj Tiwari, Anurag Kashyap, Shruti Haasan and Manish Srivastava.

The film’s theatrical release has been postponed several times, but Sushant Singh Rajput’s fans have rallied to ensure the actor’s final film is released.

This Hindi film of the coming age is based on the story of Dil Chahara (translated “helpless heart”), a young girl in the middle of her life.

The film, directed by Mukesh Chhabra, was originally scheduled to hit Indian cinemas in May, but was postponed due to the coronavirus pandemic. The studio has decided to release Dil Bechara instead on streaming services, and it will soon appear on Disney Hotstar.

The film was due to hit theaters on May 8, but has been postponed indefinitely due to the coronavirus lockout. However, the actor’s fans have expressed a desire to see his final film in the cinema as a tribute to him. With the film already ready for release, Disney Hotstar will release it as soon as Rajput dies this week.

The film will be released in India on May 8, 2018 and the US on June 1, 2019, with a theatrical release in China on June 2, 2020.

The Bollywood film Student Year 2, distributed by Fox Star Studios, is set to hit theaters on May 10, 2019. Watch the trailer for the Dil Chahara 2020 Hindi film below, which will be released on Monday, July 6.

Directed by famed casting director Mukesh Chhabra, the film is based on the story of a terminally ill main character who explores the beautifully nuanced notion of death and its connection with humanity. The scene in the hospital Kizie - Sanjana can make Nikkhil Advani go down in history as one of the most memorable moments in the history of Bollywood films. Rajkumar Hirani, who is very close to Sanjay Dutt, delivers a superb performance as the terminally ill character in Dil Chahara.

The first season of Mirzapur was released in 2018 and fans have been waiting for it ever since. The second season of Dil Chahara, the third and final episode of the series, was released on October 2, 2018.

Kabir Khan is captain of the Indian men’s ice hockey team and lives a middle-class lifestyle with his widowed mother and wife. PK was the first major Indian film to hit US theaters after the 2014 release of Dil Chahara.

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                             The Indian army is planning a similar action after 59 Chinese apps were banned in the US in 2015 under the country’s anti-terror laws.

The blog has provided a detailed report on the Hindi film Dil Chahtaa 2020 and its plot. The sci-fi film is being shot with a massive budget of 500 million rupees and is set to hit theaters on July 24, 2020. Saif Ali Khan is starring alongside Amitabh Bachchan, Shah Rukh Khan, Anil Kapoor, Manoj Bajpai and Manish Tiwari.

The trailer for the film was recently released and took the internet by storm after becoming the most-read movie trailer in India. The Dil Bechara trailer showed a blossoming love story between the two central characters, played by Sushant Singh Rajput and Sanjana Sanghi. However, the makers did not show Saif Ali Khan in the trailer and he was removed from the internet after becoming one of the most popular movie trailers.

Dil Bechara with Sushant Singh Rajput and Sanjana Sanghi was released digitally on Disney Hotstar on July 24. Saif recently spoke to a news outlet where he was asked to share his thoughts on the fact that Dil BeChara does not feature any of his favorite actors from his past films.

The film is a tribute to Sushant, who died of a heart attack on June 14 after a long battle with cancer at the age of 52.

Dil Bechara Full movie download in HD 720p from Filmywap

                             Dil Bechara is based on the book “The Fault” by star John Green, which was made into a Hollywood film of the same name in 2014. It is based on his best-selling book “A Mistake in the Stars,” which was also adapted for the Hollywood film of the same name.

[harrisonstories]

In this photo Natalya Sazanova is on the far right, Sripad Maharaj is to the left of Ravi Shankar, and George Harrison is behind them (1974)

Tuitions in Vrindavan: When a Russian Indologist taught George Harrison Hindi (20 Sep. 2019)

by Ajay Kamalakaran

When she agreed to teach the legendary English singer Hindi in the 1970s, India scholar Natalya Sazanova had no idea who the Beatles were. Over four months of lessons, George Harrison preferred to keep his fame a secret

On an otherwise uneventful day in Vrindavan in 1974, Natalya Sazanova, a Russian Indologist with a deep interest in Hinduism, was introduced to a “charming young” Englishman by sitar maestro Pandit Ravi Shankar. Decades later, Sazanova, who was one of the best-known professors at the Lomonosov Moscow State University, would tell Russian newspaper Novie Izvestiya in an interview that the young man, who had a ponytail and was wearing a “checkered American jacket and Indian sarong” listened closely as Ravi Shankar and Sazanova spoke in Hindi.

The Russian was so proficient in Hindi that she had defended a thesis on the work of Hindi playwright Bharatendu Harischandra for her candidature of philological sciences degree (equivalent to a masters in philosophy) in 1962.

“George,” who did not understand what the conversation was about, asked the Russian Indologist to teach him Hindi.

“He had an absolute talent,” Sazanova said. While most of her students took about six years to master conversational Hindi, the Beatle managed to learn well in just four months of “irregular” classes. “George grasped the spoken language on the fly. He particularly learnt bhajans fast and sang them.”

Sazanova was also mesmerised with how George mastered the sitar so quickly. “I was so impressed that I asked him, ‘George, what do you do for a living.’ He was terribly embarrassed [by that time, he was world famous]. He said, ‘Actually, I’m a professional musician.’” She added that Ravi Shankar smiled when he heard this.

The teacher, completely ignorant of her student’s fame, asked him to keep a small concert, to which he agreed. “One of the concerts that George and Shankar arranged for several friends, including me, was on a moonlit night in a deserted spot on the banks of the Yamuna River,” Sazanova said. “It was simply amazing. The three of them played—Ravi Shankar, George and an Indian flautist—and I hadn’t heard anything like it before.”

Unfortunately, there were no recordings of the concerts. “Tape recorders were still rare at that time,” Sazanova said. “Today, I am very sorry that at that time I did not have any device. The only thing left are photo slides.”

Spiritual Path

At that time, Sazonova and Harrison were both pursuing their interest in Hinduism. The Russian’s spiritual guru Sripad Maharaj also had an influence on the Beatle. Harrison’s song It is He (Jai Shri Krishna) was based on a bhajan taught to him by Sripad Maharaj.

Sazanova recalled how spirituality and Hinduism always came up during their lessons. “We could not get around philosophy in conversations with him, but I was engaged in Hare Krishna bhakti,” she said. “As much as I could, I explained to George the connection of music with bhakti. I explained that since everything in the world was connected, words and music could not exist separately.”

Harrison, who was well versed with the Bhagavad Gita, chanted the Hare Krishna mantra, and regularly communicated with Srila Prabhupada, the founder of the International Society for Krishna Consciousness or ISKCON, as it’s popularly called. “More than once I attended their meetings and I can say that George always listened very carefully to what the guru told him.”

Harrison never spoke of his fame or international stature during those four months. Once their lessons were over, he wrote a small note in Sazanova’s diary. “I was extremely happy to meet you. You made a tremendous impression on me. God Bless You.”

International Music Sensation

Sazanova did not make too much about her lessons in Vrindavan and thought of them as nothing but one of many pleasant experiences in the country that she had dedicated her life to understanding.

Back in Moscow, she shared her photographs from her time in Vrindavan and then came the excitement. “Oh My God! This is Harrison,” a student screamed. The students then went on explain who the English musician learning Hindi was. They were impressed out of their wits when they heard that George Harrison actually dedicated a song to their teacher at one of his small private concerts by the Yamuna.

It’s a myth that the Beatles were officially banned in the Soviet Union. While anything associated with Western culture was looked upon with great suspicion, there was no Brezhnev-era government call for citizens to not listen to the British band. One of the major reasons that the music of the Beatles wasn’t easily available in the USSR in the mid-1960s was the hostility and envy of Soviet composers. Russian composer Nikita Bogoslovsky once referred to the band as the “dung beetles”.

However, John Lennon’s statement that the band was more popular than Jesus Christ was welcomed by the ideological newspaper Pravda. By the time Sazanova was back in Moscow from Vrindavan, her students would have most likely listened to a poor quality record that was sold by a company called Melodiya. The album cover didn’t have the name of the band but chose to call them a “Vocal Instrumental Ensemble.” Muscovites could also hear the Beatles music on Radio Luxembourg.

The message in Sazanova’s diary and her photographs became the talk of the university in 1975. On hearing that her student in India was a legend in the world of music, she started listening to the Beatles and Harrison’s individual songs. She also listened regularly to her student’s songs that were dedicated to Krishna.

Harrison did not forget his Hindi teacher after he went back to the West. He sent Sazanova a book about Krishna, where he had written the preface. The preface ends with words familiar to each and every fan of the Beatles: ‘Give peace a chance. All you need is love.’

An Illustrious Career in Indology

Sazanova continued her scholarship of Hindi and Sanskrit literature for the next three decades. In 1984, she obtained a PhD by defending a thesis on ‘The Creativity of Surdas and the North Indian Literary Tradition of the 16th to 19th centuries.’

She also cultivated a close friendship with Russian-Indian artist Svetoslav Roerich and his wife, actress Devika Rani. She was on the board of the Moscow Nicholas Roerich Society from its founding in 1980 till her death in 2006.

Sazanova remained a lifelong devotee of Krishna. She was grateful to Harrison for the role he played in popularising Hinduism in the West. In her interview to Novie Izvestiya, she said movements such as “Krishnaism” gave non-Indians the opportunity to access ancient spiritual systems. “Doesn’t George’s sincerity reflect in the (spiritual) songs he composed,” she asked.

In Sazanova’s Footsteps

Once the Soviet Union collapsed in 1992, there were no restrictions of any kind on cultural and musical imports. Along with the growth of popularity of their music, rumours resurfaced of the Beatles actually performing in secret in the Kremlin in the 1960s. Some fans still erroneously believe that the song Back to the USSR was inspired either by this “secret performance” or after another (falsely) rumoured visit of the Fabulous Four to Moscow on account of an emergency landing.

When the story of a Moscow State University professor teaching George Harrison Hindi once again began to do the rounds in the Russian capital in 2005, journalist Ekaterina Maksimova, then 18, decided to check if it was a hoax. “It was very difficult to believe the whole story, so my friend and I decided to try and get in touch with Dr Sazanova,” Maksimova says. “We went to the Moscow State University to find her. She was still a part of the faculty of the Institute of Asian and African Studies.”

On hearing that the girls wanted to know more about the Indologist’s experiences with George Harrison, she invited them home. The excited students went to Sazanova’s home on Russian Orthodox Christmas (January 7th) morning in 2006 and saw some photos and the diary. “Some sceptics have raised questions over the authenticity of the autograph, but I have no doubts,” Maksimova says. “George Harrison had a very unique signature; he used to write his name in a very characteristic manner.”

Over cake and tea, Maksimova and three friends spoke to Sazanova in detail about her interactions with Harrison. “We just sat there, pouring in the questions, still in disbelief that George Harrison’s teacher was sitting in front of us,” she says. “It was unreal. It doesn’t happen… We were so excited that it turned into an interrogation about George.”

Even after three decades, the Russian Indologist was in awe of the music legend’s humility, sincerity and manners. “I remember her telling us several times during the conversation that George was polite and modest,” Maksimova says. “She also told us that he took the lessons very seriously and spent a lot of time praying and reading and citing religious texts.”

Sazanova also spoke of her guru Sripad Maharaj, her passion for Hindi literature, Sanskrit and Hinduism, inspiring Maksimova to enroll at the Moscow State University’s Institute of Asian and African Studies. She studied Hindi, Sanskrit and Urdu and specialised in Chhayavad-era literature, but unfortunately could not study under Sazanova.

Although Sazanova was still a member of the faculty of the Moscow State University, she was too weak to travel daily to the campus in 2006. A handful of students would go for lessons to her apartment, which was in southwestern Moscow.

“When I called her home in June 2006, her son told me that she had passed away,” Maksimova says. “It was a terrible shock for me. I had always loved India, but I found out about the Institute of Asian and African studies only because of her… But more than that, the very idea of being a student of the same teacher who taught George Harrison, was thrilling. It would almost feel like being his classmate.”

Maksimova, who now works for a leading private television channel in Moscow, is a regular visitor to India and has often contemplated organising Beatles tours to Rishikesh and Vrindavan for Russians.

The transcripts of George Harrison’s interviews about Indian culture and Hinduism have been widely translated into Russian. Ardent fans of the music legend in the country take great pride in his Russian connection and the fact the he was in a way a bridge between Russia and India.

[blaze-art]

Splatoon 2 Shifty Station References

So you all (or at least most of you) have seen the names of the Shifty Station. This is in case you do not know the reference. Each of the Shifty Stations names are parodies and references to book titles,series,or franchises that had their start in literary works. 

Wayslide Cool 

Wayslide Cool is a parody of the Wayside School books by Louis Sachar,which were adapted into hour long television special,then a cartoon show that aired on Nickelodeon in the US and Teletoon in Canada from 2007 to 2008.

The Secret of S.P.L.A.T 

The Secret of S.P.L.A.T is a parody of The Secret of NIMH film that was an adaptation on the Rats of NIMH series (specifically Mrs.Frisby and the Rats of NIMH) and  by Robert C.O’Brien. The film was directed by Don Bluth and distrbuted by MGM (Metro-Goldwyn-Mayer Studios Inc).

Goosponge 

By far my favorite of the references. Goosponge is a parody of Goosebumps,a children’s horror fiction novellas by R.L Stine. The picture shows only just a few of the most popular and iconic books of the original series consisting of 62 books running from 1992 to 1997. The series was so popular it spawned spin off series, (2000,Give Yourself Goosebumps,Short Stories,etc),a Canadian produced live action TV series,loads of merchandise,and 2 movies.

Windmill House on the Pearlie 

Windmill House on the Pearlie is a parody of Little House on the Prairie,part of the Little House series by Laura Ingalls Wilder. It is the third novel in the Little House series,published in 1935. The book and the series have been adapted for stage and the screen several times. One of the successful being the Little House on The Prairie television series that ran from 1974 to 1983. It even got an anime (Laura,the Prairie Girl),different kinds of books (such as cookbooks),among other things. 

Fancy Spew 

Fancy Spew is a parody of Nancy Drew,the character and original series was created and published by Edward Stratemeyer. Nancy Drew was made as the female counterpart to the Hardy Boys. The books were ghostwritten by several authors,all published under the name “Carolyn Keene”. Nancy Drew became popular worldwide,featuring in five films,two TV shows,and a whole slew of computer games. 

Zone of Glass

Zone of Glass is a parody of Throne of Glass,a series of young adult (12-18) fantasy book series by Sarah J.Maas released in August 2012. Beginning with the novel of the same name. The series consisted of 7 other books,one being a collection of stories set prior to Throne of Glass. In September 2016,It was announced there would be a hulu series based off the series called Queen of Shadows,after the 4th book. 

Cannon Fire Pearl

Cannon Fire Pearl is a parody of The Campfire Girls series,a series of children’s books made by various authors. The book series ran from 1900 to 1936,there isn’t much information about it,sadly. 

The Bunker Games 

This one was the most obvious of the parodies,but I’m gonna talk about anyway. The Bunker Games is a parody of The Hunger Games trilogy by Suzanne Collins,the three books were published from 2008 to 2010 with an untitled prequel currently in the works in cited to release in 2020. The books were adapted into films distributed by Lionsgate. 

Grapplink Girl

Grapplink Girl is a parody of Gossip Girl,a series of novels written by Cecily Von Ziegesar,the series ran from 2002 to 2011. The series later got an teen drama television adaptation running from September 19th 2007 to December 17th 2012 with 6 seasons and 121 episodes. 

Zappy Longshocking 

Another rather obvious reference,Zappy Longshocking is a parody of the Pippi Longstocking (known as Pippi Langstrump in Sweden) series by Astrid Lindgren,the three books were published from 1945 to 1948 followed by three short stories,excerpts from the original books were made into picture books. Pippi Longstocking has been adapted into film and TV several times.

A Swiftly Tilting Balance

A Swiftly Tilting Balance is a parody of A Swiftly Tilting Planet by Madeleine L’Engle,first published in 1978. It was adapted into an audio CD version narrated by actress Jennifer Ehle in January 2012.

Sweet Valley Tentacles 

Sweet Valley Tentacles is a reference to the Sweet Valley High series attributed to Francine Pascal. The series ran from 1983 to 2003 consisting of 181 books,later on creating a spinoff series called Sweet Valley Kids. A TV series based on the books ran for 88 episodes between 1994 and 1997. In July 2017,a film adaptation of the novel began production.

 The Switches 

The Switches,though sounding like a bland name,is a parody of The Witches by Roald Dahl,published in 1983. The book was later adapted into a film in 1990 (the year Roald Dahl died),2008 it was adapted into a radio drama,and opera also in 2008,a stage musical in September 2017,and a new film adaptation is to be released in 2020. 

The Bouncy Twins

The Bouncy Twins is a parody of The Bobbsey Twins penned under the pseudonym,Laura Lee Hope. The first series of 72 books were published from 1904 to 1979,another series of 30 books were published from 1987 to 1992,the books went under several rewrites. 

Railway Chillin’ 

Railway Chillin’ is a parody of the Railway Children by Edith Nesbit,first it was serialized in 1905 then published as a book in 1906. It has been adapted into a BBC radio drama serialized into five episodes in 1940,BBC Television series,a film in 1970,and into another film in 1999. 

Gusher Towns 

Gusher Towns is a parody of Paper Towns by John Green,published on October 16th,2008. The book was later adapted into a film that released on July 24th, 2015. 

The Maze Dasher

The Maze Dasher is a parody of The Maze Runner by James Dashner,the series consisted of the original,two sequels,two prequels,and a companion book. The books were published from 2009 to 2016. The first 3 books were adapted into films,the film of the first book released on September 19th,2014,the film of the second book released September 18th,2015,and the film of the third book released January 26th,2018. 

Flooders in he Attic 

Flooders in the Attic is a parody of Flowers in the Attic by V.C Andrews and the first book in the Dollanganger series,said series was published between 1979 and 1986,with this book being published in November 1979. It was adapted into film twice,once in 1987 and the other on January 18th,2014. It was adapted into a stage play,releasing on October 2014 and playing its world premiere production in August 2015 at New Orleans,Louisiana.

The Splat in our Zones 

The Splat in our Zones is a parody of The Fault in Our Stars also by John Green,published on January 10th,,2012. The book was adapted into a film thar released on June 2014. There is even a scheduled Hindi adaptation said to be released November 2019. 

The Ink is Spreading 

The Ink is Spreading is a parody of The Dark is Rising series by Susan Cooper,specifically parodying the second book in the series,the series went from 1965 to 1977. The series got a film adaptation released on October 5th,2007 that unfortunately didn’t do well in the US and UK. 

Bridge to Tentaswitchia 

Bride to Tentaswitchia is a parody of Bridge to Terabithia by Katherine Paterson,published on October 21st,1977. The book was adapted to film twice,one a PBS TV movie in 1985 and the other a theatrical film released on February 16th 2007. It was adapted into a musical stage production,cataloged by the Library of Congress in 1993. 

The Chronicles of Rolonium 

The Chronicles of Rolonium is a parody of The Chronicles of Narnia series by C.S Lewis,the series was published from October 16th,1950 to September 4th,1956. The series has been adapted into film,stage,radio,and television,many times.

Furler in the Ashes 

Furler in the Ashes is a parody of An Ember in the Ashes by Sabaa Tahir,published on April 28th,2015 and part of a series. The second book,A Torch Against the Night was released August 30th,2016 and the third book A Reaper at the Gates was released June 12th,2018. 

MC.Princess Diaries 

MC.Princess Diaries is a parody of The Princess Diaries series by Meg Cabot,the first book being released October 2000,the latest book in the series being released in 2015 and a spin off series released in May of that same year. Two films were produced by Walt Disney Pictures,the first film,The Princess Diaries in 2001 and Princess Diaries 2: Royal Engagement in 2004. 

[srbachchan]

DAY 4019

SitRfchyd                       Mar 15,  2019                Fri 9:36 pm

Birthday - EF - Kalpana Kakade .. Saturday, March 16 .. greetings for the birthday and wishes for happiness ever ..

मज़हब नहीं सिखाता , आपस में बैर रखना  .. mazahab nahin sikhaata aapas mein bair rakhna .. Religion does not teach us to bear animosity among ourselves

"Sare Jahan se Accha" (Urdu:سارے جہاں سے اچھا; Sāre Jahāṉ se Acchā), formally known as "Tarānah-e-Hindi" (Urdu:ترانۂ ہندی; "Anthem of the People of Hindustan"), is an Urdu language patriotic song written for children by poet Muhammad Iqbal in the ghazal style of Urdu poetry. The poem was published in the weekly journal Ittehad on 16 August 1904. Publicly recited by Iqbal the following year at Government College, Lahore, British India (now in Pakistan) it quickly became an anthem of opposition to the British Raj. The song, an ode to Hindustan—the land comprising present-day Bangladesh, India and Pakistan, was later published in 1924 in the Urdu book Bang-i-Dara.

The song has remained popular, but only in India. An abridged version is sung and played frequently as a patriotic song and as a marching song of the Indian Armed Forces.

... returning back from work and facing the horror of the times of today and many days .. peace quiet and the solace of happiness robbed again from many .. there is the want to bring cheer and a smile .. but it gets laden with the weight of such immense depression ..

.. and normalcy shifts back a few steps , to attempt again .. not knowing what lies in store .. except the purity of prayer ..

Life shall be shorter for me than the many others that shall live a longer and full life .. may they be safe .. may they spend their times in the joys of togetherness, love and friendship .. and may they leave, as we hope we can, a world that can be the envy of those that have gone by ..

Time ends here again by the morrow, and travel shall replace the addresses above .. the destination of home and the schedules of work shall place themselves at varied levels, and efforts shall prevail to accomplish that which remains in some incompleteness .. 

Many of the Blog Ef that comment here and make it readable for me, say they are at times unable to make out the text of the writings and their meanings despite repeated attempts .. 

It is not an encumbrance .. for there can be an attempt to resolve this rather sticky issue .. 

May I ..?

This is .. 

DAY 4018 

StrRCiShba                        Mar 14,  2019                Thu 10:30 PM

Birthday - EF - Amita Fatima Zohra Daheur     ..  Friday, March 15 .. happy greetings for a happy day - a birthday dear Amita .. lots of happiness and love from us all here at the Ef Center .. !!

.. UPTO HERE it IS ALL CLEAR SURELY ..

Some thoughts drift through during the course of the day and before long they occupy every corner of the mind that thinks matters follows creates .. what ever .. and then suddenly .... it all collapses .. .. into an unforgivable tragedy .... and all that one had ever licensed itself to express, drives the thought winds out of that enclosed environ .. into sombre feel and remorse ..

I AM WISHING TO SAY THAT DURING THE DAY WHEN AT WORK I AM THINKING OF MY LINES FOR THE SHOT IN A SCENE BUT AM ALSO THINKING WHAT SHALL I BE WRITING ON THE BLOG .. AND MANY HAPPY AND INTERESTING IDEAS FORMULATE .. BUT BY THE TIME I SIT MYSELF DOWN IN FRONT OF THE LAPTOP, I COME TO KNOW OF THE HORORS AROUND THE WORLD AND ABOUT, AND IT DAMPENS THE PROCESS OF WHAT I SHOULD BE PUTTING OUT ..  

There is ever much that transpires around .. ever much that warrants expression .. a release , an outburst , an unending cry of anguish at most times ..BUT .... there is the evil of restraint .. the command of shut .. the devils of retrospect 

I AM SAYING AND MEANING HERE , THAT THERE IS SO MUCH THAT TRANSPIRES DURING THE DAY FOR ME .. A VIDEO TEAM FOLLOWS ME IN WHATEVER I DO .. WHEN I RETURN I VIEW IT AND WANT TO PUT IT ALL OUT FOR MY EF .. BUT WHEN I HEAR AND READ OF THE TRAGEDIES, I FEEL THE NEED TO RESTRAIN MY EXPRESSIONS .. TO CLOSE THOSE IDEAS THAT FORMED EARLIER IN THE DAY, AND THINK BACK ON WHAT TRANSPIRED , IN THE PRESENT AND ALSO IN THE PRESENT TO BE VIEWED IN RETROSPECT .. TO LOOK BACK AND SHARE THAT MOMENT TOO .. 

..Retrospection revives past deeds .. some in humoured good , some in not so .. the not so is the fear of expressive release at the times of the time .. and by then the times have long past .. at times even forgotten ..

SO .. I AM SAYING THAT WHEN YOU THINK BACK, IN RETROSPECT , THE EVENTS THE MOMENTS COULD BE HAPPY AND FILLED WITH JOY, AND SOME NOT .. THE FEAR OF THIS IS THE MEDIUM .. THE MEDIUM BEGINS TO JUDGE YOU BY WHAT YOU PUT OUT .. AND SOME OF WHAT YOU WANT TO PUT OUT HAS PASSED ITS TIME, AND FORGOTTEN ..

What then could ever be the condition or codes of expressive conduct towards that which now exists beyond decades .. what ..?.. 

SO .. HOW SHOULD ONE EXPRESS ONESELF .. WHAT SHOULD BE THE WAY OF PUTTING IT ALL ACROSS .. EVERYTHING THAT IS PUT OUT, AS I SAID MAY NOT BE PALATABLE TO THE ENTIRE EF .. SO DOES ONE USE CODES TO CONVEY , OR WHAT .. OR ..

hehe .. there never is an answer .. is there .. NEVER ..

THERE REALLY IS NEVER AN ANSWER TO THIS WHICH CAN BE UNIVERSALLY ACCEPTED .. AND IF I CLAIM TO BE UNIVERSAL, UNBIASED, OF NO CONTROVERSY .. WHICH IS HOW I WOULD LIKE IT TO BE - LIKE IT OR NOT - THERE IS NEVER A CORRECT ANSWER OR QUESTION ..

THIS PLATFORM IS NOT TO WEATHER THE STORMS OF THE VARIOUS MODES THAT WE ARE EXPOSED TO EACH DAY THROUGH REGULAR MEDIA OR CONVERSATIONS OR EXPRESSIONS OF OTHERS .. IT IS NOT A SPACE TO DEFY DEBATE .. I WISH IT TO BE A PLEASANT CONVERSATION BY THE FIRESIDE EACH EVENING .. WHEN I SEE AND HEAR ABUSE AND ANGER AND UNWANTED BICKERING, I AM SO SADDENED THAT IT BRINGS ME SLEEPLESS NIGHTS .. THIS PLATFORM WAS AND IS FORMED BY LOVE FOR LOVE .. WHEN IT BREAKS THAT BARRIER, IT BREAKS MY HEART AND MY SPIRIT .. YES MANY WRITE AND EXPRESS ANGUISH OR COMPLAIN .. BUT THIS IS NOT A COURT OF LAW .. NOR IS IT A DESTINATION TO BRING OUT PERSONAL CASTE CREED RELIGION ISSUES .. WE ARE A ONE SINGULAR FREE AND HAPPY FAMILY .. AND THAT IS HOW I WISH IT TO BE  .. IF YOU ARE NOT IN AGREEMENT .. YOU ARE FREE TO LEAVE .. 

I SHALL WRITE EVEN WHEN THERE IS NO ONE LISTENING, NO ONE READING , NO ONE COMMENTING .. 

I NEVER DID EVER INVITE ANY OF YOU HERE .. WHEN YOU CAME YOU CAME ON YOUR OWN .. I LOVED THAT AND STILL DO , AND SHALL EVER !

BUT IF YOU BRING COMPLAINT AND DISAGREEMENT AND DISRUPTION, I AM NOT INTERESTED AND NEVER WILL BE .. !!!!

AND TODAY I SHALL PUT OUT A COMMENT WRITTEN BY A WELL WISHER THAT WROTE IN TO MY DAUGHTER AFTER ORDERING THAT ICON 50 YRS T-SHIRT .. IT SHALL BE AT THE END OF THIS MISSIVE ..

I tug at my prosthetic left overs and bring in the wonder of this and that and many more .. but am at a distance in understanding .. .. do I need to ..yes perhaps I should .. and therein lies the dilemma .. what and who and which to bring into the uplight of the front .. to some it shall disturb to some cheer to some moan in agonising lament and to some the calm of silence ..calm of silence ..yes a silence to wring out the limitations of the output .. to witness its reverberations, not just on us but mostly on the other .. the other is ever present even when not .. and that is the state to worry .. worry for they pick and adjust to what they wish not what was in its meaning true, but that which stays in the meanings of them .... it be not a curse of modern communication .. it be the world of the times ..Progressive, pertinent, promising, persistent, painstaking, permissive, petulant, primed, prickly, painful .. and eventually referred to in the past tense  !I am honoured to be in the company of them that favour expression of every rhyme and reason ..

MUCH OF THIS HAS BEEN EXPLAINED RATHER DELIBERATELY AND EXACTLY IN THE PREVIOUS EXPLANATION .. 

I CARE FOR WHAT I EXPRESS .. I CARE FOR IT NOT TO HURT ANY .. I CARE FOR IT TO BRING ALL OF US CLOSER IN LOVE .. TO OVERCOME THE WRETCHED DEBATES ON LIFE AND LIVING AND INCIDENTS THAT ARE SO SO DISTURBING AND TERRIFYING AND SIMPLY UNACCEPTABLE .. 

WHAT WILL I GET IN GIVING AND EXPRESSING MY GRIEF .. WILL IT STOP .. WILL IT WILL IT TO NEVER HAPPEN AGAIN .. WILL IT ..??

IT SHALL ONLY BECOME MELODIOUS CONTENT FOR THEM THAT MAKE COMMERCE OUT OF IT .. ONCE THE COMMERCE HAS BEEN SUCKED TO ITS BEST BOTTOM LINE FINANCIAL REPORT, THEY SHALL MOVE ON TO THE NEXT TOPIC .. ANOTHER TOPIC THAT SHALL HAVE THE CAPACITY TO FORM ANOTHER MUCH NEEDED CONTENT FOR THEIR RESPECTIVE VEHICLES .. YOU MY EF ARE NOT VEHICLES, NOR CONTAINERS OF CONTENT .. YOU ARE MY LOVE AND MY NEAREST DEAR .. TO HOLD TO EMBRACE TO LAUGH AND TO SMILE IN UNISON .. YES IN UNISON ..

BECAUSE WHEN WE LAUGH AND EXPRESS IN UNISON , IT BRINGS THE GREATEST JOYS TO MY EXISTENCE .. 

WHEN YOU STOP IT .. THAT IS AND SHALL BE YOUR WISH .. I SHALL MISS YOU, REMEMBER YOUR PRESENCE OF THE BETTER TIMES AND MOVE ON .. THE BAD AND THE UGLY SHALL NEVER INVADE MY BEING .. 

THANK YOU ..

.. and now I wish to put out that which has been written by well wisher .. a moment which i agree upon .. its been titled The Icon .. a term I absolutely disagree with and hate .. but there it is :

“The ICON

Grandiose doesn’t define him With love and prayers He is fortified. One amongst us Is his place Sincere in his humility Is his grace Let him be... With his thoughts And his work Let him be... With whom he loves And those who care. A gifted man Knows where he stands He doesn't seek veneration He doesn't seek adulation Just like us, He seeks joy Just like us, He feels the strain. Fanfare doesn’t sway him Grandiose doesn’t define him With love and prayers He is fortified. One amongst us Is his place Sincere in his humility Is his grace Let him be... With his thoughts And his work Let him be... With whom he loves And those who care.”

Amitabh Bachchan

[richincolor]

We are so excited to have Nandini Bajpai on our blog today to talk about her latest book, A MATCH MADE IN MEHENDI:

Fifteen-year-old Simran “Simi” Sangha comes from a long line of Indian vichole-matchmakers-with a rich history for helping parents find good matches for their grown children. When Simi accidentally sets up her cousin and a soon-to-be lawyer, her family is thrilled that she has the “gift.”

But Simi is an artist, and she doesn’t want to have anything to do with relationships, helicopter parents, and family drama. That is, until she realizes this might be just the thing to improve her and her best friend Noah’s social status. Armed with her family’s ancient guide to finding love, Simi starts a matchmaking service-via an app, of course.

But when she helps connect a wallflower of a girl with the star of the boys’ soccer team, she turns the high school hierarchy topsy-turvy, soon making herself public enemy number one.

The synopsis for A MATCH MADE IN MEHENDI really grabbed my attention! Can you tell us more about the matchmaking Simi uses—and turns into an app—in the book?

Simi has watched her mother and aunt match people all her life and has definitely picked up on their methods. They judge compatibility by paying attention to shared values, priorities, and aesthetics instead of more superficial qualities. To quote from the Shagun Matchmaking Guide, the book passed down in Simi’s family, “Common sense can help judge the suitability of a match. Ask yourself: Do they agree on what’s right, what’s important, and . . .what’s funny?” Simi implements this by creating quizzes and memes for her peers to answer and rate in her dating app. The answers are run through an algorithm designed by her tech savvy brother and that’s how the app finds matches. It’s like automating the very hands-on approach of her foremothers with a lot of help from modern technology.

Simi sounds like a fun character. What did you enjoy most about writing her?

Simi was a fun character to write and it was interesting to try to understand her and be in her head. She did respect her family history but had to push back and test their methods in her own way. I liked her loyalty to her friends and family and how she tried to defend others instead of being a bystander. I also loved how she decided that she did not need permission from anyone to try and make an impact and leave her own mark in the world. It’s hard to make the choice to be your authentic self when it doesn’t fit other people’s idea of cool, and I enjoyed writing about her doing that.

Simi is an artist, and one of the art forms she uses is mehendi. What can you tell our readers about mehendi?

Mehendi, also known as henna, is a form of body decoration that is tightly linked to many ancient customs and traditions in South Asia and other regions where it is grown. The paste used for mehendi comes from the leaves of the mehendi plant…we had a mehendi hedge in a house I lived in growing up in India and I have great memories of mehendi at so many weddings and festivals. Simi is a talented artist and experiments with using mehendi in non-traditional ways for her art. She loves the organic feel of the mehendi dye and the link to her cultural heritage and is inspired to create with it. It also plays a role in finding her own match!

Besides Simi, who are the other major characters in the book? Please give us a brief introduction to them.

Well, there’s Simi’s best friend Noah. He and Simi have been friends since kindergarten and he nudges her to try the app at school to get people out of their perceived lanes and connect with each other. Both Simi and Noah would like to find and date the perfect boy. There’s Navdeep, Simi’s brother, the tech whiz behind the app. He doesn’t look like he’s paying attention, but he always has her back. And Aiden and Suraj…Simi’s crushes, not saying which one she’s with in the end. There are all the couples that Matched! app pairs up too. And there is Amanda, the girl who thinks she deserves all the things she wants, including the most popular boy in school.

Finally, there’s Simi’s extended family including her mom, aunt, and grandmother—the senior matchmakers in the family—and her twenty something cousins Geet and Preet who have absolutely no interest in the family matchmaking tradition.

If you could make an app that would go viral like Simi’s, what would the app be for?

I was asked that question before and my idea was to have an app that could take the list of books you love and tell you what book to read next, but my editor Nikki Garcia came up with a better idea–an app that could find your perfect match based on comparing both your book lists!

According to your website, A MATCH MADE IN MEHENDI is your first U.S. book, but you’ve published before in India. Have you noticed any interesting differences between the two industries?

There are so many differences! In India the young adult genre is very new and right now YA books kind of fall in the crack between children’s books and adult titles, though this is changing. The length of time it takes to go from a manuscript being acquired to being in print is much shorter there. There is no School and Library market for children’s books there yet and very few review journals. There are lots of regional languages apart the national language, Hindi, so the English language market is relatively small. Literary agents are rare too. I could go on…

What 2019 YA books by or about people of color or people from First/Native Nations are you looking forward to reading?

Right now the books at the top of my (very large!) 2019 TBR pile are The Downstairs Girl by Stacey Lee, Dear Haiti, Love Alaine by Maika Moulite, Patron Saints of Nothing by Randy Ribay, and Internment by Samira Ahmed. I’m also looking forward to The Light at the Bottom of the World by London Shah.

Is there anything else you’d like to tell us about A MATCH MADE IN MEHENDI?

I’d just like to say that A Match Made in Mehendi is a happy, feel-good read that celebrates desi culture and centers joy and I think it’s very important to have books about POC that do that!

Nandini Bajpai’s Bio:

I grew up in New Delhi, India, one of four sisters and many cousins in a family that liked to read. I lived and worked in India, Australia, and the US, before settling in the Boston area with my husband, kids, and a fluctuating number and variety of pets. Although I’ve been a bookseller, systems analyst, TEDx organizer, PTO Mom, animal foster and more, my first love is writing.

[filmmakersvision]

The Zoya Factor Review

September 26, 2019

by Inakshi Chandra-Mohanty

Adapting a book into a screenplay is an excruciating task. Especially, when a 450+ page novel has to be condensed into a two and a half hour film. The Zoya Factor maintains the essence of the original, written by popular novelist, Anuja Chauhan, with a reworked manifestation of the narrative. It achieves this by translating the most emphatic and comical scenes onto the screen. Without losing the main plot, it eliminates inconsequential subplots and characters. The film does complete justice to its source material. 

The story of a woman who becomes a lucky charm for the Indian cricket team, is a flimsy plot, not just in the film, but in the novel as well. Not much can be done to build upon this idea, which is why the author and screenwriter resort to building characters. The film survives on its intriguing characters and their clever interactions with each other. Some of the most ingenious dialogues have been written for this film. The way dialogue writer, Pradhuman Singh, has translated the hilarious English dialogues from the novel into hysterical Hindi versions for the film, is remarkable. But, without a proper understanding of the Hindi language, the wordplays and double meanings don’t have as strong of an impact. Subtitles dilute the meaning. The target audience for this film is a niche category. Though the film will still be entertaining, someone who isn’t fully invested in understanding the dialogues will miss out on a laughter riot. 

Breaking the fourth wall is rarely done with such finesse in Hindi cinema. We become Zoya Solanki. Her professional struggles, her non-existent social life, and her bicker-fests with her brother, become our professional struggles, our non-existent social lives, and our sibling rivalries. We don’t just get an insight into her thoughts, we live life through her eyes. But whenever she laments on her miserable “loser” life, that fantasy is shattered. It’s hard to digest Sonam Kapoor as a loser. Whenever she asks why the Indian cricket captain would care to date a loser like her, I am tempted to say, “Because you are amazing.” This is the one point on which the Zoya from the book and the Zoya from the film do not match. The character in the novel is described as a complete mess, and her insecurities regarding her relationship are justified. But in the film, it is the exact opposite. We are enamored by their chemistry from the very beginning.

The best thing about this film is that it is self-aware. At no point does the film attempt to make us feel as if it is anything more than fleeting time-pass entertainment. It doesn’t skim the surface nor does it delve any deeper. It remains in a very comfortable space. This is what elevates The Zoya Factor a notch higher in comparison to other films in the same camp, such as Aisha or I Hate Luv Storys. Both the latter films are meant for comic amusement, and they deliver on that part. Yet, they try to be more than what they are projected to be, leading to lags in the screenplay. 

The Zoya Factor is no special film. It doesn’t have an impactful concept like Article 15, nor does it have the backing of a powerful true story, like Mission Mangal or Uri. But, it does explore the benefits and consequences of placing faith in luck. In Indian society, superstition trumps hard work. No matter how much effort the Indian cricket team put into their game, Zoya would take away all the credit. The film attempts to uncover the fallacy of superstition and belief. But it doesn’t let this message bog down the screenplay. For the comedy, for the romance, and for the sizzling chemistry between the leads, this film is worth a watch.

[vinay74kumar]

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[sonita0526]

These 10 books were the most popular and popular in Hindi literature in the year 2019

These 10 books were the most popular and popular in Hindi literature in the year 2019

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नई दिल्ली:

बीते साल 2019 में हिंदी साहित्य में सभी विधाओं की किताबों का प्रकाशन और लोकार्पण हुआ. इनमें कहानी और कविता संग्रहों से लेकर उपन्यास और विमर्श तक की किताबें रही. इन्हीं किताबे में से हमने 10 बेहतरीन किताबों का चयन किया है. इन किताबों के चयन के आधार के बारे में लेखक और संपादक प्रभात रंजनने कहा, ‘इन पुस्तकों के चयन के आधारों में एक आधार लोकप्रियता रही. कुमार विश्वास का कविता…

[a-april-fool-4567-stuff-blog]

April Fools

There is no need to laugh or joke for a day or day, but the day in which the world has been specifically chosen for comic and joke, it is the first day of April that is known as the April Fools' Day or the Main Day. If you are looking for    april fools prank 2019-  then you have landed on right place.

Goes on this day people fool each other by making fun of each other, but the next day, the person who becomes stupid on this day,

There is no need to laugh or joke for a day or day, but the day in which the world has been specifically chosen for comic and joke, it is the first day of April that is known as the April Fools' Day or the Main Day. On this day people fool each other by making fun of each other, but on the next day, the person who becomes stupid on this day is not angry or angry, which is the day's biggest feature. But you know how this day started? Why is April Fool's Day called April 1? Why is it celebrated in Hindi on April Fool's day? What is Gnan? If we do not know why it is celebrated on April Fool's Day - Why is the full flower day celebrated in April History of Hindi on April Fool, however, there is no reason behind celebration on April Fool's Day, but about 2 stories are the most popular; Home-promotion StoriesWhat is celebrated in Hindi on April Fool's Day Why is it called? If we do not know then let's say April Chaucer's Canterbury Tales is supposed to get the first mention of Fules Day in the British author's book 1392. According to the book of the Kings of England, a story of Nun's Priest Tale, Richard II and Bohemia Anne Engagement queen, who was declared on March 32 of the people, could be true and became an idiot. Since then, March 32 "is celebrated as April 1st April.