#Moments BEfore Mass
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Admitting we need help
Asking for help is hard. Because it means admitting we need help.
Needing help is complicated. Because itâs really two things going on at the same moment.
Thereâs the actual thing that needs fixing. And then thereâs our connection to the thing that needs fixing.
Itâs the second one â our connection to the thing that needs fixing â that determines whether we ever ask for help.
If the thing that needs fixing is something that we donât have any real connection to, then asking for help is no problem.
Like asking someone to take out the trash for us. We donât have any connection to the trash. So asking for help is effortless.
But what if Iâm struggling physically? Maybe Iâm recovering from an accident or an illness. And Iâm worried about what asking for help taking out the trash means â both to me and to the person Iâm asking.
Does it mean that Iâm not getting better? I donât want to think about that.
If I ask for help, will they think I canât do it anymore? Will they think less of me because I need help?
Thatâs a very different connection to the thing that needs fixing. Loaded with fear, it makes asking for help a lot harder.
We want to avoid all of that. So we donât ask.
Which means we donât get the help we need.
And the thing that needs fixing? Never gets fixed.
Itâs a problem that seeps into every corner of our lives.
Itâs why todayâs Gospel â where the man with leprosy asks Jesus to heal him â is so important. Because it gets past all of the fears, to show us how God actually responds when we ask for help.
In the first century, leprosy was a disease with a lot of social and religious baggage. Leprosy didnât just happen.
Leprosy was a sign to others that you were unclean. You were physically, spiritually unclean âthatâs why got leprosy. Leprosy was Godâs judgment. On you.
But the man is desperate. Itâs killing him, slowly and painfully.
So he musters up the courage and humility to ask Jesus for help. And when he does?
None of his fears come true. Jesus doesnât reject him because heâs unclean. Jesus doesnât go off on him, about what he must have done to get leprosy.
Jesus sees the man â not as a disease, but as His child.
Jesus receives him gently and lovingly. And quietly fixes the thing that needs fixing.
As Jesus always does. Whenever one of His children, whenever you, have the courage and humility to ask for help.
Todayâs Readings
#Help#Asking for Help#Getting over ourselves#How God treats us#God#Jesus#Catholic#Christian#Church#Catholicism#Chrumblr#Moments Before Mass
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HELP I JUST REALIZED MOMENTSBEFOREMASS IS A PRIEST!!!!!!???????M
#I don't know why I thought it was a girl#and also#THAT'S WHY HIS POSTS ARE SO ON POINT#not that I don't think the laymen can do it too#moments before mass
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That gif of Daniel leaning away from DCâs kiss, coward! Kiss the old man like nature intended!
pls heâs come so far, the performance of being #Daniel Ricciardo distracts people from his shy roots, but my boy literally went from visibly fidgety, nervous and burrowing into his own collar
to this ->
and we've only climbed the gay ladder since then đŞ
#fun fact about the first gif i literally had nothing but a paddle; a prayer and memory to help me find it#and i found it on fucking PINTEREST after weeks of looking but its a W none the less#another moment that the HATE duo was privvy to before the masses#daniel ricciardo#f1#also at some point we'll have to talk about DC being so incredibly suspect#i know what you are old man
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Hey that one post you made in 2013 is almost at 10k notes
OH TRUST ME I AM WELL AWARE LMAO
My phone has been blowing up for this past week I swear kejfkebfbjdjdkfj
Way back 10 years ago when I said I'd do it, I was still in college and it had jumped to the 5 or 7k or so it was back then, I actually got started working on the damn thing because it looked like it was going to happen.
Then the notes dried up and I was like oh phew, I'm good, I'm fine, I won't have to.
BUT THEN.
This goddamn renaissance of notes has been orchestrated by @composeregg because I've just started playing Mass Effect for them and some other friends and of course my beloved Mako is right there, and I tell them about it.
And hey, what do you know, it turns out I actually do still have that canvas board I started painting it on?? It somehow survived college and like 5 moves.
So like, I guess if yall can do it, at least I won't have to start from scratch?
#the mako#mass effect#scrawlamander#if it does hit 10k im gonna try and have it done before I beat the game#cause there was one specific scene that prompted this#maybe my favorite moment in all of ME1#theyve tried to make this happen a few times before but its never stuck like this#they also hadn't queued it 200 times before so I'm sure that has something to do with it#also probably tumblr's algorithm changing and having a for you feed#kind of fascinating honestly#that post has gotten notes here and there through the decade but it was locked at 8k for years now
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dp fanfic ideas are getting to me again goddammit
#so like a typical giw facilities type thing with enclourses and all#but the ghosts keep escaping and so they commission the dr. fentons to make a weapon that calms ghosts#like an anathesia#BUT its the fentons so it doesnt work that way it actually just switches the fear of the ghost into what it wants. desires (NOT OBSESSION)#but what is the fear of the ghost in the moment? being stuck with the giw. so they calm down and let the giw take them and keep them#<- which makes it LOOK like its behaving as it should#so they use it more and more and the giw mass ghost kidnappings are becoming widespread- now successful#so set the scene. phantom teams up with some rouges and co to break some ghosties out#it works but the giw are hot on their trail and phantom-being a fenton-sacerfices himself for the team and is used as a distraction#(so the others get away)#BUT he doesnt fear being taken by them. fuckin hero complex kicking in and all#which means that when they use the gun. he isnt complict. at all#because whats his greatest fear? becoming a monster. and so. it flips. to what he wants.#and uhm. the giw arent there anymore#BUT as said before his obsession wasnt overidden so he cant hurt civilians and stuff#(his core rationalized the giw being a threat to peace and others safety so it uh. made an exception.)#but while he was taking them down he got shot again by the weapon. (a fruitless attempt really)#and uh. is being a monster is his (former) worst fear. pray tell what is the runner up to that?#people thinking hes a monster.#and yknow. he may not be able to harm innocents and good people#but he CAN pretend. really fucking well#and uh. yeah :) thats all i got and also some reactions by team phantom on it#<- some of the escapees and the rescuer ghosts saw the start of what happened to phantom while they ran#and considering the fact that they havent seen danny in a week? kinda concerning#(he swears he isnt avoiding them he just needs the time to set up he SWEARS-) meanwhile. hes lying to himself#someones priorities and mentalities switching doesnt necessarily change their morals or tolerances. just saying :)#yeah okay thats all i ACTUALLY got#really busy and will be busy and very tired rn so nothing may come of this#fanfictionfuckeries#<- starting a tag for this typa shit? more likely than ya think :)
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rebecca shepard / kaidan alenko - finding a moment of peace
#Mass Effect#Rebecca Shepard#Kaidan Alenko#ro: sexy spectres#cannot get over how he looks at her in this moment#he loves her so damn much#one last well needed moment of peace before the final battle#during this whole scene#I was sniffing back tears because I knew I was saying goodbye to this playthrough of the trilogy
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THE BEST OF SHENKO 1/?
The end of the world has a way of reminding you of all the things you forgot to say do. Mass Effect: Legendary Edition (2021)
#mira makes gifs â¨#kaidan alenko#sophie shepard#EDI#shenko#fshenko#mass effect#mass effect legendary edition#dailygaming#OTP: you're real enough for me#i learned i am physically incapable of creating less than like 20 gifs at a time#but shenko stonks are up right now!!#gifâing my favorite bisexuals gives me joy đĽš#even though ME2 is dry as shit for shenko content like itâs literally the sahara desert#like a whole ass 10 minutes max of cutscenes between shep and kaidan like come on#like 2 minutes in the prologue and like 8 minutes of cutscenes on horizon#and then an email and looking at the picture in your cabin before the suicide mission#i'm so sorry y'all ME2 shenko canon is absolute shit (besides kaidan being rightfully angry on horizon) which is why we â¨ignore it⨠đĽ°#but i rant about ME2 VS treatment too much so i will not write another essay about it in the tags#i will say the EDI line isn't the exact quote from the game but i think about it a lot tbf#same with the quote i borrowed from anderson too lmao (which is also a tiny bit paraphrased)#i just love EDI asking shep for relationship advice when you get to follow shep and kaidan's relationship/struggles across 3 games#and anderson's quote about all the things you forgot to do in relation kahlee to is just *chef's kiss* when you think about shenko#like whether it starts in ME1 or ME3 shenko has some really fantastic moments across the series#two characters with strong morals who realize that they're falling in love and literally start to become each other's strength??#their soft place to land?? their support when they need it?? shenko will always have my heart#also the shenko quotes you get are the most fire thing in the world#you're real enough for me?? you make me feel human?? i want to be your strength- your soft place to land?? shenko you will always be famous#I FORGOT IM GONNA FIGHT LIKE HELL FOR THE CHANCE TO HOLD YOU AGAIN TOO LIKE??#but iâll stop ranting now bc i do that wayyy to much in my tags lol. have a good day wherever you are! <3
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i am going to wind up on team #justiceforarmand but it's going to be so situational. justice for armand specifically during the period of time louis is all "oooh who needs labels." a very different kind of justice for armand on matters pertaining to claudia.
#usually i would be like 70 years???#that's just your husband. sit in your choices as u might say#obsessing over your first love isn't going to change anything about what you decided to do and who you decided to do it with#but in light of claudia i'm forced to be like hm. well if you just wanted to torment him by dangling yourself in front of him for decades#that would be valid. like you should probably do more and worse but the time for that was before he did the atrocities to your child#so. here we are!#press says iwtv#interview with the vampire#the thing is i love claudia in all mediums she's my girl#but this version is so vulnerable and actually desperate for louis to see her and choose her#whereas while that's not absent from book!claudia she is notably higher on both louis and lestat's list of priorities#and i think more of a player. not that show!claudia isn't shooting her shot but u would never catch book claudia joining the bad news cult#because she's that desperate to be loved#book!lestat genuinely wanted her to stop being mad at him for cursing her to exist in the way they do and go back to playing happy families#evil of my evil etc#louis is sick of their mutual misery but armand really had to fuck with his head to bring the madeline situation about#also i am faintly annoyed that we don't see her souring on the possibility of making friends within the coven more directly#like did she conclude they'd turned too inward to be friends the moment she got that dress?#anyway. regardless. does she not deserve love? and mass murder?
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Thinking on it and I'm so tired of apocalypse storylines. I just want games to stop sending me into hell scenarios that I know writers are gonna struggle to follow-up on later - so much so they have to nuke half their setting later on bc of it.
No more of this 'owoghgh the world is gonna end in two hours' stuff. Enough.
#bg3 does it too and look how mid act3 was. why can't we have smaller-scale but still powerful drama#even look at how mass effect 3 ended. this is what the apocalypse does to you. it creates andromeda#thinking of what joplin was gonna be and man...the intrigue...#i know it would've had end of the world stuff but it looked like so much cool lead-up was gonna happen#before the end of the world scenario took place#i think one of the reasons origins worked so well was because of all the worldbuilding it could do#and 2 is so fondly looked at because it's smaller-scale with it's story. it feels personal#inquisition had it's moments. The plot was rushed and corypheus sucked unfortunately
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do you have a favorite moment of casey and valeâs rivalry? or a top 5 favorite moments?
can't just give my favourite moment because my favourite moment is the obvious favourite moment - laguna 2008, which is a boring pick, but also going for anything else would be dishonest. the top two picks are the ones everyone knows about!! so we'll start with the normie ones and get a little less normie by the end. and obviously the inherent problem with this list is that by now I HAVE talked about everything on here before, probably at quite some length, but. this is a fun exercise anyway because it lets me condense the whole narrative to the highlight reel. let's go
1. LAGUNA SECA 2008 - race of all timeeeeeeeeee. is it not cool that you have an actual RACE that so fundamentally changes the relationship between its protagonists with virtually zero forewarning?? casey might hate the press games, might think valentino isn't friendly enough to him - but NONE of it ends up mattering as much as a single race where valentino caught him completely unawares. the talking was very much done on the track. casey thinks valentino makes enemies deliberately to motivate himself... but valentino literally isn't even doing that here. he's just doing this to win the title. this is him at his most cold-blooded... he knows exactly how dangerous casey is, he is painfully aware of how his usual tactics haven't cracked casey and he NEEDS to do something to change the momentum. this is him intimidating casey, wresting control of this rivalry away from casey - doing whatever he can to get into casey's head. taking risks he usually wouldn't be willing to take!! it works as this culmination of their rivalry thus far, this dramatic climax of a season where valentino had dedicated himself so thoroughly towards figuring out casey. and it hits so good because it's... premeditated ruthlessness, this shock on casey's side - everyone startled and off-balance except for valentino who has already made the choice that he is willing to do whatever it takes to beat casey. it makes the fight feels so much more viscerally thrilling... valentino's daring meeting casey's bubbling rage. valentino's cunning barely holding off casey's unmatched speed. it's testing, testing, testing casey how far he's willing to go - and it's so clear how badly they need to beat each other here. casey rising, rising, rising to the challenge - until he loses his temper and loses his chance for victory in the gravel. and then he needs to pick it up and ride home to an embarrassing second... has to endure valentino's post-race theatrics, perfectly judged to twist in the knife. casey's initial barely restrained anger giving way to the humiliation of having to apologise to valentino for his post-race comments a few weeks later... brutal. there's nothing better in a rivalry than when you can tell the tale of a relationship through the fabric of the sport itself - and this is a race that tells us plenty about the two riders and their dynamic, inexorably changing one of its protagonists. it's a turning point, it's a reckoning, it's emotionally devastating. how can you fail to be compelled
2. ambition outweighing talent - one of the rivalry's most infamous moments also acting as a thesis statement!! a fitting bit of theatre for this time period where their rivalry became confined to off-track wrangling - sure, it might have been a collision in a race... but nobody remembers motegi 2005 (definitely a worse error) for a reason, right. it's all about casey taking advantage of the moment. this schadenfreude and desire for delayed retribution that has been simmering with him... he so dearly wants to twist in the knife over valentino's failures at ducati and an opportunity falls into his lap. and he's furious - because it's another confrontation with valentino that plays so neatly into his larger grievances with the sport, the stewards prioritising valentino over him as he's left unable to continue and opts to sarcastically clap valentino on the following lap. there's valentino's perceived lack of respect in not removing his helmet, of course - which casey somehow manages to link back to europeans' insincerity, while valentino jokes he was worried casey might punch him. it's so very them, isn't it. and y'know, casey's always talking about learning from valentino, including in how valentino deals with the press... he's learned valentino's tricks and is prepared to suck up to the media and is so, so determined to get his revenge. this is his graduation moment, and it's one that repeatedly echoes laguna 2008. back then, valentino interrupts casey in his tv interview to get casey's ungracious response recorded for posterity - and now casey takes full advantage of the cameras valentino brought to immortalise his insults. first, casey inquires about valentino's shoulder - sometimes gets a little odd about his rivals' injuries, casey does - and then he delivers his pithy line... in some ways, casey really is one of valentino's best students, matching him in a war of words like none of valentino's other rivals ever really did. and the line itself directly echoes what he said after laguna 2008: "let his ambition to win take control over his technique" becomes "ambition outweighed your talent". there's something deeply satisfying about the thematic coherency of that rivalry, how this infamous moment sums up its central competitive tension. willpower versus ability, cunning versus technique, ambition versus talent. it's such a perfect bit of theatre that feels so very valentino - except it's casey who plays the valentino role, as he has a tendency to do in this rivalry... and he really did learn ever so well from valentino, which is of course also why he still publicly bangs on about a racing incident from 2011 so much. he RELISHES it to the fullest, using the comment to slander valentino's entire career in the autobiography, suggesting maybe valentino shouldn't have raced a title contender like that (it was round two lol), talking about it again and again and again to get his side of the rivalry out there. because he understands the symbolic weight of this moment, just as valentino once kissed the corkscrew. something so satisfying about a rivalry where the boundaries between the two become just a little blurred at times... something fun about a rivalry so challenging it forces its participants to change and adapt in response. and casey shows what a good student he is
3. riding like a god - catalunya 2007 my belovedddd..... ignore the rest of this paragraph and just go watch this race. to me this is THE valentino feud circuit. starts with the biaggi fistfight in 2001 and then valentino just will not stop having dramatic duels there with his major rivals. sete in 2004 and 2005, casey in 2007 and 2008, jorge in 2009, marc in 2016... and look, I don't think it's a coincidence that valentino wins quite so many duels against spaniards there of all places - BUT it also just feels right that the only one he ever loses is to casey. this is such an important moment in the big picture of the rivalry because it's not just a great valentino duel circuit - it's a strong yamaha circuit, a strong michelin circuit... casey is as dominant as he is that year partly because of a bike/tyre advantage, but there's no denying he beats valentino 100% on merit at that track. it's an exhilarating race, one that establishes just how dramatic a challenge casey poses - and it's one that valentino learns some lessons from. first off, he tests out that last corner overtake that will come ever so handy two years later against jorge on the final lap. and secondly, he learns that casey is not a rider who will simply buckle under the pressure valentino applies from behind. what happens at laguna 2008 is the consequence of that lesson. there, it is valentino who rides ferociously unaffected out front while casey snaps ineffectually at his heels from behind... again, it's how they're both forced to react to each other, how they step onto each other's turf and take on attributes from the other to adapt to the challenge. valentino gets beaten at his number one feud circuit, then decides to play frontrunner for a change a year later. it's the ability they have to surprise each other!! AND it's valentino's complimenting of casey after the race. "riding like a god"... what a thing for valentino to say about someone!! it's just so symbolically rich to have casey, who is essentially attempting to slay a god in this rivalry, be ushered into the pantheon like this. in a way, valentino truly loved this rivalry... casey is the perfect challenge, the perfect little puzzle, perfect mr perfect. fighting casey is uniquely thrilling for valentino. which makes it even better that casey doesn't feel like it was one of his better victories, contrarian to the last. and yes, he's enough of a perfectionist to find fault with a win like that... but casey's always taken more pleasure in beating his rivals than he cares to admit. I know he liked that
4. arm around the shoulder - brave to put a moment in my top five that really depends entirely on my own interpretation. but, well, I reckon I'm onto something here. this post gives the details - it's a moment where valentino puts his arm around casey on the donington 2008 podium, seemingly to quieten the boos of the crowd, and casey looks happy enough to reciprocate. valentino does generally treat fan unpleasantness as part of the game, joking after jerez 2005 that he'd lost 30-40% of his spanish fans and offering jorge qualified support in 2011 when jorge was being booed by italian fans while also essentially telling him to ignore them. it's just another way of applying pressure on rivals, right, and you might as well use every tool available. sometimes, he sidesteps responsibility entirely - as with casey in this instance, pointing to anglo hostilities and casey's repeated rudeness towards donington as causes for the brits' animosity. sometimes, he might even encourage the hostility, with suggestions from some quarters he sicced the british crowd first on dani in 2006 and then on casey in 2007. which makes it interesting when he goes the other way... like he did with jorge at misano 2009, just taking that little step to deescalate the tensions in the rivalry. like at donington 2008 with casey. the willingness to make the gesture is revealing... it shows you that valentino is looking for basically a neutral relationship with casey, the way he shies away from escalating things off-track in the years in which they're actually competing for titles. casey says he lost respect for valentino after laguna 2008 and also that he's faster than valentino and valentino can't handle it - and valentino accepts his apology with minimal fuss! he wants the relationship to remain cordial! no real desire for mess... he just wants to win the title. he won't mind if the brits make life rough for casey, but then he'll extend an arm to help keep things reasonably civil. and casey's reaction, man. casey is so all over the place with valentino,, like he's so jaded and so cynical and the persecution complex is never far from the surface - but then you also get moments like this, where casey looks earnestly pleased at the gesture. as previously discussed, casey has shown that he sometimes tries to explain away even valentino's small acts of civility towards him, as if valentino must have an ulterior motive for congratulating casey politely. which makes this moment even better, because it makes it extremely likely casey has put some serious thought into valentino's actions here (and presumably come to some rather ungenerous conclusions). and of course, there's one last thing that really makes this moment... it's only three races before laguna 2008. don't smile too brightly at him, casey
5. qatar 2007/le mans 2012 - it just wouldn't be right if I didn't try to cheat the requirements a little bit, but there is a reason to take these two moments together. here is my case:
the first and the last podium they share, and they just happen to produce these pleasingly similar photos. casey with his helmet off, valentino with his helmet on, and valentino's hand in the general proximity of casey's cheek. there's just being something fun and evocative about how valentino is quite literally hiding something of himself as he faces casey - which is actually a nice little motif that crops up a few times for these two, including of course at jerez 2011. in the post-race press conference at le mans, they are asked explicitly about that race at jerez - whether they'd been thinking back to the incident given the similar conditions that day (clip here). and they confirm that they'd both done so, with valentino saying it had made him cautious the first time he had a go at casey and casey saying he'd known valentino was thinking about it, which... isn't it fun that he knew that! and isn't it even more fun that casey knew valentino wouldn't hesitate when he tried to overtake again at the very end of the race! idk, it's a sweet little moment that showcases the history they've built up between each other, for better or for worse... fittingly, this was also the weekend where casey had announced his retirement. it makes for a good bookend to that rivalry - even at its foulest and most toxic, you sometimes still get these moments where they are able to joke with each other in-person, right before going back to insulting each other in the press. casey really HAS learnt a lot from valentino. been a long journey from the first photo, right, taken at casey's first victory at qatar 2007. as discussed here, casey pays close enough attention to how valentino congratulates him to remark on the interaction not once but twice in his autobiography, including to note how valentino had rubbed his cheek. and of course casey writes it off as valentino simply not thinking he was a threat, failing to take casey seriously and thus dismissing him. again, it's how the interpersonal warmth coexists with all the unpleasantness - how casey is willing to be friendly with valentino even at the height of the feud while simultaneously unpicking valentino's motives. how valentino can't reconcile valentino the character with valentino the person. the former he hates, the latter he has more complicated feelings towards. but it's that complexity, the uncertainty, the contradiction of it all, that really elevates the rivalry... and it's there from the first podium to the last. perfect
#slapping my fingers before including bonus moments#but my bonus moments would have been casey watching one of valentino's 2005 podiums with vale's crew chief jb#casey and vale's first duel in casey's second ever premier class race he started from pole + them grabbing hands post race#and casey and valentino's whole sachsenring 2010 situation. including ofc casey saying valentino had just lost a little muscle mass#//#brr brr#heretic tag#batsplat responds#SEE casey you GOT another cheek caress. five years later. does that count for nothing#maybe it doesn't count because valentino beat casey#3
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just thinking about that time a few years ago when i (kinda) fell out of the yokai watch fandom for a little while (ofc not completely because i can never leave) and when i came back (i think around 2 years ago) i was looking at my old stuff to try to get back into it and wondered why i was so enamoured with whisper. for context i had made an entire cult with like 7 people in it where we just obsessed over whisper and did stuff like spam images of him and just obsessively draw him and other stuff in that vein.
then i watched like one episode and it all came flooding back to me like that bloody scene at the beginning of yokai watch 2 where they regain their memories and i was once again reduced to the state we see me in today.
i have literally no idea why iâm confessing this
#yes i started the cult again lmao#except itâs on a discord server now#and only has like 3 members now but still#believe it or not my obsession partly came from looking at tumblr blogs of him before i even knew what tumblr was#also no iâm not even gonna tag this i donât need the masses knowing about my obsession with a fictional sperm cell looking ghostâs history#but anyway#text post#rambling#yapping slightly above the average amount#might delete later lmfao#nowadays i have more reasonable reasons for liking him as much as i do#like ofc heâs one if the most relatable fictional characters i have EVER seen. full stop.#and also heâs just really fkn cute and needs a hug#i just needed to get this off my chest cuz my friends are probably so sick of the constant yapping đ#hyperfixation moment
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Good Friday
The more you think about it, the worse it gets.
No part of the Passion Gospel, the Gospel for Good Friday, has any hope.
Even the tender moments â Jesus asking John to take care of his mother, Joseph and Nicodemus making sure that Jesus has a proper burial â theyâre just people dealing with the fallout from death.
You know what Joseph and Nicodemus are thinking about while theyâre wrapping Jesusâ body up for burial? How much this sucks.
And whether the Romans will stop at killing Jesus. Or will they, and other followers of Jesus, be next?
The more you think about it, the worse it gets.
You know what Joseph and Nicodemus arenât thinking about? How anything good can come from this.
Much less how God is already using all of it to do more good than either of them, or anyone on Good Friday, could ever imagine.
And yet, you and I know, thatâs exactly whatâs happening. Because you and I know something that Joseph and Nicodemus donât know. Not on that worst of Fridayâs.
They donât know that Sunday is coming.
But thatâs how it is, when youâre where they are. When you are right in the middle of the very worst.
When you and I are right in the middle of the very worst, there is nothing that human eyes can see to tell us that itâs ever going to get any better.
When thatâs where you are, the only open question is whether itâs going to get worse.
In the middle of everything that you are dealing with right now â whether itâs death or illness, divorce or the end of a friendship, job loss or financial problems â while youâre waiting to see whether youâve hit bottom or if itâs going to get worse. You get Joseph and Nicodemus. You are right there with them.
The more you think about what youâre dealing with, the worse it gets.
Thereâs nothing that our human eyes can see to tell us that anything good can come from what youâre going through.
And yet, you and I know, thatâs not true.
Because you and I know something. Something thatâs easy to lose sight of when youâre in the middle. Something thatâs hard to hold onto when youâre scared.
But it doesnât matter. Itâs okay if we lose sight of it. Because itâs still true. Even if weâre scared.Â
Today is Good Friday. And Good Friday shows us that none of it, not even the very worst, can hold down our God.
Because Sunday is coming.
Todayâs Readings
#Good Friday#How can anything good come from this?#The worst#Sunday is coming#Holy Week#God's Love#God#Jesus#Catholic#Christian#Church#Catholicism#Moments Before Mass
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the first time i bought & installed bloodlines i actually didn't understand the game like how how does anything work here in this fuckass game (i was a fool who skipped the tutorial). but the main theme was so good i put it in my vgm playlist anyway and listened to it for months without even knowing what the game was really about
#yeah i had my own dean takahashi cuphead review moment what about it.#all i remembered were from the quiz i got nosferatu. lacroix. and jack being voiced by bender that's it#vtm#chixtalks#checking back on my purchase history i ended up playing we âĽď¸ katamari more instead. then mass effect in january this year#i was kinda worried i won't get to play the game before bloodlines 2 came out bc that's just how my brain likes to work.....LMAO
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trying to catch a busy train from london euston feels like an sas who dares wins challenge
#this is a post for my british followers xx#the station was super busy and the moment the platform became available (under 10 minutes before it leaves)#it was as though every single person there started running in one huge mass to get to my train (which doesn't have the option to book seats)#i am now on said packed train and they just announced 'there are no working toilets on here. hope this is not an inconvenience :)' HELLO??#how are you making us pay so much for this?????#uk trains my worst enemy#talking
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STOP. I'm getting choked up
#[static]#wolf plays mass effect#idk if i want to play the final act tonight or tomorrow#some ppl says it can take 4 hours and i dont have 4 hours left in me lol#i think it might be 2-3 for me cuz im not playing on hard#anyways i might lay down and maybe come back to it later tonight or just wake up early and finish it before work (and be devastated)#the citadel dlc was SO GOOD i cant believe they released the game without it ... like ... the crew needs a good send off#before whatever happens in the final moments because damn
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Fat Man on a Beach (HTV, 1974)
"I'm going to read some more poems now. Erm. It may be that if you want to go and have a cup of tea, this would be a good time. I know that's what you masses are like. The mention of poetry and off you go."
#fat man on a beach#b.s. johnson#classic tv#documentary#htv#michael bakewell#aled vaughan#a frankly incredible and truly unique piece of television. according to Johnson's biographerâ the novelist Jonathan Coeâ this film was#described in tv listings at the time as a documentary about Porth Ceiriadâ a rather beautiful beach on the Llšn Peninsula in North Wales#it.. is not that. i can only imagine the baffled reactions of an idle audience tuning into HTV in 1974. trueâ this is entirely filmed at#Porth Ceiriadâ but any element of travelogue (or even really of documentary) is dispelled almost immediately: the first lines heard are#those of an unseen narrator who tells us we are about to watch a film about a fat man on a beach. 'Do you really want to watch that?' he#asks incredulously. it's a challengeâ the first of several from Johnsonâ who spends the next 40 minutes variously pottering about the sands#mugging to the cameraâ reciting poetry (his own and others; literary and dirty) and baring his soul. I've never seen anything quite like it#I'm not sure that much has been made that is quite like it tbh. Johnson was a fiercely originalâ brilliant mind; he was a novelist#a poetâ a critic and a filmmaker. he was alsoâ when this first aired on uk tvâ dead. a few weeks after completing filming on thisâ his#final workâ he sadly took his own life. i mention it not as a grim factoid but because it is a vital contextualisation of this film; the#play has been described before (and play is not the right word) as a sort of loose form manifesto from Johnsonâ a laying out of his own#peculiar philosophies and interests in a disjointed mannerâ peppered with asides and distractions and filming mishaps (all kept in the#final product). for meâ the feeling was inescapable that this was like viewing a suicide note. whether Johnson had already come to some#conclusion on that front or notâ the fact is that his own obsession with morbidityâ with the spectre of death and of decay (it runs right#through his workâ particularly his work in film) transforms this into something almost confessional. there's a section of the film where#the author recalls witnessing the aftermath of a traffic accidentâ a motorcyclist thrown through wire fencing and sliced like cheese#the absurdity of the comparison is lingered onâ Johnson almost stalls and appears to lose his train of thought (briefly discussing instead#the modern mass production of cheese) but he also seems clearly affectedâ delivering the tale in a haltingâ reverent tone#not that this is all darkness and gloom; it's just as often funnyâ or surreal (the film frequently cuts away to a bunch of bananasâ only#later explained by one of Johnson's biographical recollections) and includes visual punsâ bad jokes and a few moments of physical comedy#the writer doesn't seem distressed. ratherâ he seems... if not at peaceâ then as though he has come to terms. confident in his own beliefs#and ideals. but perhaps that's reaching too farâ or reading in what the viewer wishes to read in. the sad fact is that Johnson took his own#lifeâ but he left us with a body of work unlike almost anything elseâ and which is still being celebrated and analysed today. rip bsj
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