#Model-making company India

[idea-explorer]

[sizzlingsandwichperfection-blog]

Last week, Johnson & Johnson agreed not to enforce their secondary patents on bedaquiline in most countries after a long public pressure campaign by TB activists around the world.

(A special shoutout to Nandita Venkatesan and Phumeza Tisilethe, the two women who led the charge to prevent the patent evergreening in India, which is the only reason generic bedaquiline is in production.)

But the problem of patent evergreening is everywhere--as this NYT story reports, Gilead intentionally denied people access to a drug they knew to be less toxic than alternatives because it wanted to extend its monopoly on HIV drugs for as long as possible.

Similarly, Johnson & Johnson has been intentionally denying people access to affordable bedaquiline, even though they knew they could make a profit even if they decreased the price by 65%.

What's especially galling is that both these companies benefit tremendously from public investment (bedaquiline research was funded primarily by the public), and so we end up paying for it twice--once to develop it, and once to have it available to the sick.

This is infuriating, and it is resulting in the real impoverishment and death of so many people. How does it end? With better governance and regulation. In this respect, India can be a model for us--their courts have done a much better job than U.S. ones of determining what really deserves to be patented and for how long. I'm hopeful that we can learn from the, but disgusted by this ongoing horror.

[liesmyth]

Do you think the Nine Houses follow a Marxist, Keynsian, or Austrians economic model

this ask made me SO happy you have no idea! some vague thoughts

The Houses obviously have to do careful resource allocation. I doubt they have a free market economy, at least not on a system-wide scale. I could see some of the Houses — like the Third or Fifth Houses, which are by all accounts wealthy and with a very large population — develop some kind of internal capitalist economy within the House itself. Namely, private actors who control and own properties, wealth accumulation, competitive markets etc. But ultimately I think even those are subject to strong (local) governmental oversight because, again, they live on space installations in a situation of constant resource constraint. I bet there are quotas for everything.

However! No way ALL the Houses have a market economy. I'm thinking especially those Houses that are very small and/or have a "mission" which means that societal development is carefully planned, and probably the economy is also centrally planned. (Ninth, Eight, Sixth, maybe Second and/or Fourth).

On an overreaching scale (within the Home System) I don't think "the Empire" (as in, John) is overly concerned with the yearly economic development of the Houses, partly because he's been historically absent for decades or even centuries at a time. Verging sharply into headcanon territory, I think the closest thing the Houses have to a real centralised government is military leadership (High Command or the Fleet Admiral, who's the head of the Second House) and when it comes to issues that concern multiple Houses but are more "civilian" in nature, is kind of a free-for-all. I'm thinking about how Harrow thought that writing to ask for help would result in the Fifth or maybe the Third cannibalising the Ninth House — it looks like there's an informal council of House leaders, but no properly organised central government.

Trade: travel and commerce between the Houses is regulated. You can't just take a spaceship and move from the Eight to the Second, for example — movement of people as well as goods depends on a ship schedule that runs on "routes" and I'd bet there's an immigration/emigration quota that's maybe decided between specific House leaders, or maybe a third party. My best bet is that one of the Houses (possibly the Third or Fifth) OR an ad-hoc organisation (which includes multiple higher-ups from said well-off Houses) are the ones who regulate shipping and travel, and either have an ownership stake in the shipping system or administrate it in the name of the Emperor.

The shepherded planets: putting the "imperialism" in "Empire". The Houses definitely exploit their colony planet for resources, as per AYU (talking about the "contracts" that the Empire signs with the occupied planets). However, it's also worth noting that 1) for at least 5000 years, the House system was self-sustaining and hadn't made contact with any other population; and 2) stele travel is kind of a hassle, and only seems to be limited to Cohort ships that we know of.

What I'm getting at is that I think the economy of the Houses is not dependent on their war of conquest — imo it's more of a mission of conquest for conquest's sake, see Corona thinking that the economy of the Houses doesn't quite add up, and Augustine talking like the ongoing expansion of the Houses is a whim of John's and little else. Basically, it seems to be a way to oppress the occupied planet for occupation's sake, and I wouldn't be surprised if the resources the Houses extract from the conquered planets go straight into financing yet more war and occupation and very little (if any) of any wealth they may accumulate makes it back to the Houses.

It COULD be that there's a necromantic equivalent of the East India Company, and my bet would be on the Second administrating it — Harrow doesn't seem to rate them at all, which tracks because Harrow's primary concern is Houses that could be a threat to the Ninth, and the Second being focused on exploitation that's external to the Home System could be an explanation for that. I've also seen speculation that making money from colonialism is the Fifth House's purview (*) but EYE think it makes more sense if the House that are more strongly associated with running the war effort are also the ones making money from it. Or it could be a joint operation.

(*) never forget the iconic tag #we regret to inform you that spreadsheets dad is maybe running the necromantic East India Company @katakaluptastrophy here)

Anyway. Sorry I haven't answered your actual question! GUN TO MY HEAD, if I had to pick ONE economic model to map the Houses onto, I wanna say soviet type economy (think: centralised planning, no inflation, little to no unemployment, tendency towards black market, little to no innovation). I have thoughts about what the consumer needs market looks like in the Houses but nobody needs to hear that. Also, it's def very limited

If anyone has thoughts PLEASE feel free to jump in, I'm always thinking about the logistical side of space imperialism in the necro empire!

[musclejedi-tameem]

Teddy was surprised when he got an invitation to come work as a model at this new company. He was a small skinny guy so not generally what modeling agents were looking for but he decided to go and see how it went. When he arrived he was greeted warmly and shown where to wait until they were ready for him and he was given a cup of tea to drink while he waited. Teddy didn’t usually drink tea but he didn’t want to upset his hosts and possible employers so he drank it to be polite. The tea was warm and had many slices in it, making him feel warm inside. Teddy soon started to sweat and as he wiped his brow noticed that his skin looked darker, as if he had a sun tan. It spread from his arms and his body began to shake as he began to grow! His muscles grew and grew becoming thick and strong like a bodybuilder as his skin turned a deep tan color. His bones clicked and popped as he shrank a little from his 6’1’ to a new 5’5 but as he grew shorter the muscles grew more and he widened out. His clothes easily tore off and he groaned in a new deep voice as his neck thickened up. His stomach became etched with beautifully formed abs and then began to bloat out into a thick roid gut. He rubbed it with his new thick hands. Fuck it felt good. His face changed and became very angular and handsome as his hair turned dark black. He stood there panting and sweating in just the underwear he was supposed to model as there was a knock on the door. “Mr Patel are you all ready to go?” The voice spoke in Hindi but Teddy, now Vivek Patel the famous Indian bodybuilder and model knew that language fluently. “Yes I’m good to go.” He responded in the same language and winked and flexed in the mirror. He was now a bodybuilder and underwear model in India and loved every minute of his life. Especially when he could walk around in just his underwear and show his massive body.

[siswritesyanderes]

OMGGG YANDERE BRIDGERTON PLEASE

Okay, brainstorm.

I'm torn between wanting the characters to be ruthless in the non-violent social sense that leaves their opponents destitute, or leaning fully into "They're rich enough to get away with murder."

So, I'm thinking the Bridgertons are just ALL yanderes. It's just a family thing; just yanderes all the way down. They banter about it. Violet and (the dad; I forgot his name) were yanderes for each other, and their children are all amazed at how well their mother survived losing him so suddenly.

In their childhood, the Bridgertons are all platonic yanderes. (When they do have childhood crushes, they don't usually feel yandere towards those; they're just cute little childhood crushes.) With their friends, they tend to be highly protective, or clingy, or jealous. Any one of them will kill for their family without a second thought and bury the body on their own land. Maybe someone hurts little Eloise's feelings, Daphne tells their older brothers, and Anthony, Benedict, and Colin sink a body in the river that night. Or rather, Anthony and Colin do, while Benedict preserves their alibi.

(At this moment I'm going to write about the canon relationships of those of them who have those. I'm open to asks about what specifically you're looking for.)

Daphne is yandere for Simon. She has modeled herself to be the perfect diamond, and Simon, as much as he tries to be, cannot make himself harder than a diamond. In fact, he is moldable, and fragile, and she adores him. Simon is not a yandere and also doesn't really get that Daphne is a yandere. He hasn't been romantic like this with anyone before, so he doesn't know what a normal level of possessiveness is. He's been taught that women need to be wary of him, not vice versa. Her genuine innocence to matters of the flesh shields her from a lot of scrutiny. How can someone who has never touched herself be thought guilty of taking undue license with a man? How could someone with such wide, naive eyes be thought guilty of manipulating anyone? At every step, she guides him into the palms of her hands, and she loves how he succumbs.

If she ever had her eyes on someone other than Simon, in keeping with my fondness for poly yanderes, most likely she would first verify that Simon likes the person, too. It's not beyond her capabilities to guilt him for liking someone else and leverage that to get him to go along with whatever her plan is to pursue this unconventional relationship. But I think she would pick a gentler way to convince him, and only resort to shaming him if he resists the gentle approach. Maybe the one they both love can be hired as a "nanny" or "tutor" for their children, and they can enjoy their intimate company in the comfort of their own home. That could work even if the person marries someone else, and anyway, who's to say the unfortunate rival won't trip on a slick road or drunkenly fall into the Thames?

Anthony thought he felt that Bridgerton obsession for Siena; he pursued her relentlessly on the basis of what he believed he was supposed to feel. When that didn't pan out and he still felt basically like his normal self, he decided that he must not be like the rest of his family. And good! Because he didn't want to fall in love anyway.

Then he met Kate, and suddenly his ruthless self is unleashed in full. She was the sun in the morning, the air he breathed, and he needed as many hooks in her as possible to make sure she didn't go anywhere. When she seemed to distrust and resent him, he courted Edwina. Now Kate had to be around him. But as he wormed his way closer to her, she planned to leave for India as soon as Edwina was married. That couldn't be allowed. Every step he took was contrived to erase the possibility of Kate leaving him. Honestly, we could say that he deliberately caused her to fall off her horse, if we wanted to. Kate does recognize that he feels and behaves abnormally toward her, but once she comes to terms with being romantic with him in the first place, she's able to handle his yandere side pretty easily.

If he ever had his eyes on someone other than Kate, he might kidnap them in secret. Again, he just needs them not to leave. Kate finds out, because she's on top of everything always. She isn't really yandere, but she already manages his obsession with her on a daily basis. Now, she manages his obsession with the new person, the ethics of kidnapping, and the need to contain the scandal of what he's done, by basically helping him to craft a plausible narrative around what happened. (Maybe they found you in the woods, having gotten lost and ill, and were keeping you in their home until you were well enough. You're still not allowed to see anyone; who would question the Bridgertons? Kate makes sure you're comfortable and reins in Anthony where necessary. He worships her for being so understanding of his needs.)

I haven't seen season 3 yet and so I don't have a full handle on Colin right now.

Benedict will gladly pine forever. He has a kind of romantic enjoyment of the sensation of yearning, so he could paint his love and watch his love and tease his love forever. But, given the expectations of the society they live in, his love might be obligated to marry someone. He will very amicably ruin anyone his love courts. Scandals everywhere. Without the slightest dip in his wistful smile, he will set everything into place to have his rivals socially destroyed, in the ton, and when his love is left with no one else to court, then he will appear with all the love in his heart. If the person is looking for a husband, then he's their last chance. If they're looking for a wife, then Benedict will cleverly contrive it so that they read as best friends, artistic partners, whatever else. Maybe his love has found themself to be inexplicably cut off from any money and resources they once had. The crucial thing is that he will never have to vie for attention. He only has to introduce himself, and they will concede to his love willingly. And then he'll unload his deluge of paintings and sculptures and poems onto them. He might do this with Madame Delacroix.

Also, maybe Penelope's a yandere? Just separately. Idk, she has too much subtle power to ignore.

[brf-rumortrackinganon]

I have always thought that Meghan does not make her own money, does not see any projects throught to completion and isn't launching her own company is because she does not want to split money with Harry in case of a divorce.

I feel she is of the mentality that what's his is hers, but what's hers is just hers. (I took that phrase from somewhere online, but I can't remey where from).

That's the reason she kept her agent and publicist in US when she married in 2018,so he could deal with her company Frim Fram while she was in the UK. It's the reason she wanted to get pain fromthe work she did while royal and wasn't happy with the 3 mil stipend.

And it's the reason all their major money-making projects have been Harry's - Book deal, Invictus, Better Up , or joint - Netflix.

When Harry loses money (the lawsuits) she is mad. But when she loses money (pr, paid mag covers, 40x40 merch, Bench, insane spending for fake Un tour etc) it's just an investment gone wrong and they never talk about it again.

I think Meghan always just wanted to be an influencer, even when that word wasn't a thing. She liked the Tig thing she did and that's all she wants to do. Archwrll is very much modelled along those lines where she updates their stuff like updating a blog.

I know people sayshe isn't very good with follow through but I don't think she is that bad. Their failure has got a lot to do with Harry and him simply not knowing, not being capable of doing, not being very good at carrying projects on his own without a capable team.

The moment their divorce is finalized and the financials have been settled (and locked in) she will start working (hustling) and she will start making money the way she wants to. It will be something stupid and ridiculous, mostly speaking fees, appearances, red carpet merching or some product line. But she will make money.

She is just hedging her bets now and milking the royal money train dry. Whatever she has made so far in the past 7 years is safely locked in some other bank account under some company name that someone else is the front of.

You don't even have to be an evil genius to do that just have some financial acuity and ambition. Ones a hustler, always a hustler.

Ask from August 20th

Some good points here.

I disagree that Meghan has follow-through. Nothing I���ve seen from her since 2015ish shows she has follow-through. She does the bare basic minimum and the team around her finishes everything so she can put her name on it. She did it on The Tig. She did it for Suits. She did to the Hubb Kitchen cookbook. She did it with the royal tours. She did it with the fauxyal tours. She did it with Smartworks. She did it with 40x40. She did it with the UN. She did it with India and Malta and Rwanda charity work. She did it with the USO tour. She did it with the wedding. She did it with Vogue UK.

The only things Meghan did herself was throw everyone under the bus and stab them in the back. And even that’s sometimes questionable.

So she needs the capable team around her too, but capable means something different for Meghan. Where Harry’s “capable team” meant having people who do literally everything for him from picking out his clothes to taking him for munchies to running his own charity programs, Meghan’s “capable team” means having people who do exactly what she wants, when she wants them to, as she wants them to, and to read her mind as to when/how/where she wants things.

And that’s not someone who’s a good boss. That’s a terrible boss, a toxic one, one who has no problem screaming at people and throwing them under the bus, one who’ll underpay her staff and manipulate them into unethical or immoral behavior, work them to the bone, and who demands not just total loyalty, but 24/7 access and commitment. Everyone knows that about Meghan. Everyone sees that about Meghan. (And if one doesn’t see that about her, then one doesn’t have enough experience in the workplace or has never had a toxic boss of their own.)

And because Meghan is that kind of a boss, the only reason she has a capable team around her now is because of Harry. Because it looks really good on people’s resumes to work for the Duke of Sussex because they can leverage that to other big high-faluting jobs with more important people and more important work.

The second Meghan doesn’t have Harry, not only is that team gone, so is the world’s tolerance for Meghan Markle. She can hustle all she wants to get the paychecks she believes she deserves, but she isn’t going to get it. She’s getting no better than what she has now because it’s the same thing she got before Harry. If people weren’t interested in her before Harry, they definitely won’t be interested once her 15 minutes are up and her memoir washes out of the news cycle, and they won’t be interested because she can’t do anything for them. She doesn’t move magazines. She doesn’t sell clothes. She couldn’t sell her own book. She can’t even sell her own jam, dog biscuits, and kids.

The best her hustling post-Harry can get her is probably a spot on The View when her memoir comes out but even that’s not a sure thing because she’ll want them to fawn over her and I guarantee you, someone will be rolling their eyes at her in front of her. My money is on Whoopi.

[rideboomindia]

Please describe your company’s go-to-market strategy

Here is a detailed description of RideBoom's go-to-market strategy:

RideBoom's go-to-market strategy is focused on expanding its successful bike taxi service to additional cities across India. The key elements of their strategy include:

Target Market: RideBoom is targeting urban residents and visitors in cities with growing populations and transportation needs. They have identified cities like Agra, Kolkata, and Pune as prime markets for their bike taxi service [1].

Value Proposition: RideBoom's bike taxi service provides an efficient, affordable, and environmentally-friendly transportation option for short-distance travel in congested urban areas. It aims to alleviate traffic, reduce emissions, and offer a convenient mobility solution [1].

Pricing: RideBoom is offering competitive and affordable pricing for its bike taxi service to make it an accessible option for a wide range of customers [1].

Promotion: RideBoom is promoting its service through its mobile app, which allows users to easily book and track bike taxis. They are also offering promotional discounts for new users to drive initial adoption [1].

Sales and Distribution Channels: RideBoom is directly operating its bike taxi service in the target cities, leveraging a fleet of trained drivers. The service is accessible through the RideBoom mobile app, providing a convenient and accessible sales channel [1].

Scalability: RideBoom has a clear roadmap to continue expanding its bike taxi service to more cities in India, demonstrating a scalable and replicable go-to-market strategy [1][3].

Partnerships: RideBoom may explore strategic partnerships with local transportation authorities, businesses, or other stakeholders to further enhance its market reach and service offerings [3].

Overall, RideBoom's go-to-market strategy is focused on rapidly expanding its proven bike taxi model to new urban markets, leveraging its expertise, technology, and customer-centric approach to drive adoption and success [1][3].

[staranghae]

(teaser) another bollywood love story

I don't want to spoil the story at all BUT I want to introduce you to all the characters so here you go! also, network tag -> @kbookshelf

taglist!: @thepoopdokyeomtouched @mellowamour @hellohannie @rewa118 @anarchyishere @yaaaridk @readerlozies @anardaneh @vanillacheol @chaaaand @jww04 @tuliptoot @aysxldea @reysworldd @shualover-r @chweverni @rakshithanotrao @vettigirl @kimvante2013 @chickpea-jimin @9yuldaengi @soobinsmiddletoe @yaaaridk @taliareads @vminkook-ownsme @ranoutofnamestonameit @sheraayasher @eightlightstar 

name: y/n l/n

birthday: 18/04/1997

Born and brought up in India, Bachelor's and master's in business administration in South Korea. Heiress to one of the only two Indian businesses to make it onto the top 5 of Forbes' Top 50. A brat when around the other chaebols but is an actual sweetheart. Can hold grudges for lifetimes if she wanted to.

name: mingyu kim

birthday: 06/04/1997

Born and brought up in India, Bachelor's and master's in business administration in South Korea. Korean Indian. Heir to the other business that was in the Top 5 of Forbes' Top 50. Also a brat around other chaebols. Forgives easily. Loves a lot of people. Hates a few. Chaos follows him wherever he goes. Clumsy AF.

y/n's friend group (charcters are aged up) nickname: Y/N and co.

name: huh jennifer

birthday: 08/10/1997

Rich brat from New York who's in SoKo under a transfer program. Knows Y/N through mutual acquaintances. 'An adorable hellspawn', as described by Y/N and co.

name: yu karina

birthday: 11/04/1997

Rich brat #2 from Seoul, SoKo. Got in unversity through her own merit but people choose to believe that it's 'daddy's influence', because god forbid a woman be smart AND rich. 'IT girl' of Seoul International University.

mingyu's friend group (no one's aged up lol) nickname: 97s

name: cha eunwoo

birthday: 30/03/1997

Rich brat #3. Heir to one of the biggest food manufacturing companies in South Korea. A part time model and actor. 1/2 of the Mingyu Bullying Club. 'IT Boy' of Seoul International University. Is currently dating Yu Karina.

name: jeon jeongguk

birthday: 01/09/1997

Rich brat #4. Heir to one of South Korea's leading entertainment companies. Part time model and full time YouTuber. 2/2 of the Mingyu Bullying Club. Is currently dating Huh Jennifer. Resident influencer of Seoul International University

[stephensmithuk]

The Sign of Four: The Strange Story of Jonathan Small (Part One of Two)

I will split this in two parts as I've got a lot to cover here.

CW for discussions of nasty prison conditions.

The depth of the Thames is about 6.5 metres at low tide in Woolwich, near to the Plumstead Marshes as they were then. However, the river has strong currents and very little visibility, so it would be a risky operation even with 2024 diving technology for some rather small objects.

The rupee originally was a silver coin dating back to ancient times in India, becoming something of a standard currency during the Mughal period. The East India Company introduced paper rupees and while there was an attempt by the British to move their territory to the pound sterling, they soon gave up, minting their own rupees with the British monarch's head on. The currency was also non-decimal. India retained the currency post-independence and went decimal as well.

Mangrove trees are very common in equatorial coastline regions - they can remove salt from the water, which would kill many other trees.

Prisoners set to the Andaman Islands penal colony were forced to work nine to ten hours a day to construct the new settlement, while in chains. Cuts from poisonous plants and friction ulcers from the chains would often get infected, resulting in death.

The convict huts on Ross Island were two-storey affairs, with the bottom as a kitchen and took area, the prisoners sleeping on the upper floor. Designed this way as an anti-malaria measure, they however leaked and the prisoners themselves were constantly damp from the rainfall, offering them little protection from the mosquitoes in any event.

Ague is an obsolete term for malaria; adults experience chills and fever in cycles.

The British would conduct experiments with quinine as a malaria treatment by force-feeding it to the prisoners. This caused severe side effects.

The British would make use of locals as warders, who wore sashes and carried canes. I'd imagine they could probably be quite brutal.

Pershoe is a small town on the River Avon near Worcester. It has a railway station with an hourly service to London, taking just under two hours today.

"Chapel-going" in this context means that the people attended a non-conformist church i.e. not one part of the Church of England.

"Taking the Queen's/King's shilling" was a historical term for joining the armed forces - for the army this was officially voluntary, but sailors could be forcibly recruited, being known as "press-ganged" until 1815. You would be given the shilling upon initial enlistment or tricked into taking it via it being slipped into your opaque beer. You would return the shilling on your formal attestation and then receive a bounty which could be pretty substantial in terms of the average wage, although a good amount of that would then be spent on your uniform. Some enlisted, deserted and then reenlisted multiple times to get multiple payments. The practice officially stopped in 1879, but the slang term remains.

The 3rd Buffs refers to the latter 3rd Battalion, Buffs (East Kent Regiment), a militia battalion that existed from 1760 to 1953, although it effectively was finished in 1919. However, in reality, they did not go to India to deal with the rebellion, instead staying in Great Britain to cover for the regular regiments who did.

The British never formally adopted the Prussian "goose step" instead going for the similar, but less high-kicking, slow march.

The musket would possibly have been the muzzle-loaded Enfield P53, a mass-produced weapon developed at the Royal Small Arms Factory in Enfield. It was itself was the trigger of the Indian Rebellion in 1857 due to the grease used in the cartridges. They would also be heavily used in the American Civil War on both sides, especially the Confederate one as they smuggled a lot of them, with only the Springfield Model 1861 being more widely used. As a result, they are highly sought after by re-enactors. The British used them until 1867, when they switched to the breech-loading Snider-Enfield, many of the P53s being converted.

The crocodile would likely have been a gharial, which mainly eat fish. Hunting and loss of habitat has reduced their numbers massively, with the species considered "Critically Endangered" by the IUCN.

"Coolie" is a term today considered offensive that was used to describe low-wage Indian or Chinese labourers who were sent around the world, basically to replace emancipated slaves. Indentured labourers, basically - something the US banned (except as a riminal punishment) along with slavery in 1865. In theory they were volunteers on a contract with rights and wages, however abuses were rife. Indentured labour would finally be banned in British colonies in 1917.

Indigo is a natural dark blue dye extracted from plants of the Indigofera genus; India produced a lot of it. Today, the dye (which makes blue jeans blue) is mostly produced synthetically.

I have covered the "Indian Mutiny" as the British called it here in my post on "The Crooked Man".

The Agra Fort dates back to 1530 and at 94 acres, it was pretty huge by any standards. Today, much of it is open to tourists (foreigners pay 650 rupees, Indians 50), although there are parts that remain in use by the Indian Army and are not for public access.

"Rajah" meaning king, referred to the many local Hindu monarchs in the Indian subcontinent; there were also Maharajahs or "great kings", who the British promoted loyal rajahs to the rank of. The Muslim equivalent was Nawab. However, a variety of other terms existed. The East India Company and the Raj that succeeded them used these local rulers to rule about a half their territory and a third of the population indirectly, albeit under quite a bit of influence from colonial officials. These rulers were vassals to the British monarch; they would collect taxes and enforce justice locally, although many of the states were pretty small (a handful of towns in some cases) and so they contracted this out to the British. As long as they remained loyal, they could get away with nearly anything.

562 of these rulers were present at the time of Indian independence in 1947. Effectively abandoned by the British (Louis Mountbatten, the last Viceroy, sending out contradictory messages), nearly all of them were persuaded to accede to the new India, where the nationalists were not keen on them, with promises they could keep their autonomy if they joined, but if not, India would not help them with any rebellions. Hyderabad, the wealthiest of the states, resisted and was annexed by force. The ruler of Jammu and Kashmir joined India in exchange for support against invading Pakistani forces, resulting in a war. A ceasefire agreement was reached at the beginning of 1949, with India controlling about two-thirds of the territory; the ceasefire line, with minor adjustments after two further wars in 1965 and 1971, would become known as the Line of Control, a dotted line on the map that is the de facto border and one of the tensest disputed frontiers on the planet.

India and Pakistan initially allowed the princely rulers to retain their autonomy, but this ended in 1956. In 1971 and 1972 respectively, their remaining powers and government funding were abolished.

Many of the former rulers ended up in a much humbler position, others retained strong local influence and a lot of wealth. The Nizam of Hyderbad, Mir Osman Ali Khan was allowed to keep his personal wealth and title after the annexation in 1948 - he had been the richest man in the world during his rule and used a 184-carat diamond as a paperweight, at least until he realised its actual value. The current "pretender", Azhmet Jah, has worked as a cameraman and filmmaker in Hollywood, including with Steven Spielberg.

[sosuigeneris]

What are men in those circles looking for in a woman (not in India specifically but in general)

this answer will be more generalised. Not all men are like this but I would say majority.

Ambition is seen as desirable but to an extent. They want to be able to joke around “my wife runs this wellness company” bs but they don’t want you flying around the globe making it work. It’s going to be tough being at the peak of your career and be married to someone like this.

Education is also pretty huge. Most rich circles are right leaning. Parents do influence their children on what their “ideal” partner should look like. Serious business families (meaning, those not in entertainment) stress heavily on education level (should be at least undergrad), health, background, and ability to adapt. You need to be able to adapt to the environments you’ll be thrown in. You’ll encounter gossip (and the absolutely crazy kind), jealousy, backstabbing, performative support, crude remarks, fights (even physical ones), psycho family members and if you make the mistake of engaging or calling them out (rather than just politely dealing with it) you WILL be in hot water.

looks. If you look like a fashion nova model, out. If you look like a hippie, out. If you have crazy hair or really huge tattoos, out. Again, I’m generalising. Most rich girls who are not in entertainment tend to dress extremely casual - what really sets the outfit apart is that it’s casual stuff from high end brands, paired with a designer pendant or bag or shoes. You need to “show off” the right brand accessory, not the whole outfit. And when it’s time to shine like at a gala, you can really stand out.

there are elements of the trad wife that most of these guys want. They want someone attractive, who they can bring to the most important events and not feel embarrassed, someone who is almost overly-friendly, someone who doesn’t earn more than them, inclined towards children, strong compatibility of values etc. They want someone who looks modern, feels modern but has some of those old school elements that you can’t guess easily. Most of these women you’ll notice also take care of their philanthropic endeavours - which is the best way to network, gain fame and creative more businesses. For that reason you need to be an extrovert and know how to host, all that jazz.

getting married fairly young (I personally feel under 26 is quite young to get married) is also common. The marriages where the girl is of an “ordinary background” are commonly long term high school / university sweetheart type relationships.

[endlessly-cursed]

Next Gen- Yasemin Battersea-Parsons

“𝑰𝒇 𝒂𝒏 𝒂𝒄𝒕 𝒐𝒇 𝒌𝒊𝒏𝒅𝒏𝒆𝒔𝒔 𝒉𝒂𝒔 𝒂 𝒑𝒓𝒊𝒄𝒆, 𝒕𝒉𝒆𝒏 𝒊𝒕'𝒔 𝒏𝒐𝒕 𝒂 𝒈𝒆𝒏𝒖𝒊𝒏𝒆 𝒂𝒄𝒕 𝒐𝒇 𝒌𝒊𝒏𝒅𝒏𝒆𝒔𝒔, 𝒇𝒐𝒓 𝒓𝒆𝒂𝒍 𝒌𝒊𝒏𝒅𝒏𝒆𝒔𝒔 𝒐𝒖𝒈𝒉𝒕 𝒕𝒐 𝒏𝒖𝒓𝒕𝒖𝒓𝒆 𝒕𝒉𝒆 𝒉𝒆𝒂𝒓𝒕, 𝒏𝒐𝒕 𝒕𝒉𝒆 𝒘𝒂𝒍𝒍𝒆𝒕.”

Name: Yasemin Neeru Battersea Parsons

Nicknames: Yas

Birthdate: 16th of December 2004

Zodiac Sign: Saggitarius (i think??)

Personality Type (MBTI): TBD

Blood Status: Pureblood

Nationality: Turkish-Indian-Irish

Physical Appearance

Hair: Black, curly

Eyes: Black

Height: 1.57m

Weight: 64kg

Body Type: Medium-size

Skin Tone: Dark brown

Distinguishing Marks (scars, birthmarks, etc.): One birthmark on her neck

Background

Hometowns

Kolkata, India- The rich and ancient city was the place of birth for Yasemin, and where she spent much of her winter in the Bengali equivalent of Christmas and even participated in religious rites, despite following the Muslim religion more.

Antakya, Turkey- Her other hometown, she lived in a rustic yet wealthy house with her grandmother, where she spent many summers and even visited many mosques and started on her Muslim faith

Dublin, Ireland- Her main residence, living outside the center, she loved how carefree and busy they were and many of her friends lived near, and her formative years were spent there

Family

Mother: Esmanur Zeynep Battersea

The only living Battersea that directly descended from Simon by then, she was raised as a hanimsultan and was treated like Middle-Eastern royalty despite being long gone. She did not expect to have children after Shreya, and was delighted to have one more child. Despite being fond of Yasemin, her favouritism was never noticed by her daughters

Father: Mahmoud Ismail Parsons

A Bengali businessman, he married Esmanur to enforce his monopoly on the industry and expand his growing empire. When Esmanur was pregnant again, he was surprised and worried, because his wife have had fertility problems years prior and didn't want to risk her life. Nevertheless, Yasemin was born healthy and without much fuss, and he spoiled her

Older sister: Shreya Humashah Battersea Parsons

Although she was first angry at Yasemin's birth, the moment she held her, she knew she loved her. Shreya loved to take care of her and talk about girl stuff, going shopping and having silly moments. Shreya was like a second mother and role model to Yasemin and are very close, even after Shreya marries Kevin Farrell and forms her family with him

Distant cousin: Luke Battersea

A bit closer in age, despite him being prickly and reserved, Yasemin approached him slowly, allowing him to come to her, actively listening to whatever he talked about and giving surprisingly helpful advice and thoughtful gestures, such as baking him his favourite cake for his birthday or when he had a bad day, or ensure that the cook cooks his comfort food once a week, and include him in the family trips

Hogwarts

House: Hufflepuff

Best Class: Herbology

Worst Class: Potions

Boggart: Everybody diminishes her efforts, throwing them and shouting at her that she'll never be enough

Riddikulus: The papers get up and start dancing cha-cha-cha

Patronus: A hare

Patronus Memory: Dancing in the rain when she was eight with her father and Shreya as her mother film

Mirror of Erised: (before turning 19) Achieving peace and stability in her hometowns (after turning 20) having stability, peace and a family with Scott by her side

Amortentia (what she smells like): Victoria's Secret perfume 'shimmer', strawberry bubblegum, henna

Amortentia (what she smells): Ice, cologne, something related to Scott

Career

11-18: Hogwarts student

21-35: Philantropist

36-65: President of the Battersea company

Personality & Attitude

Priorities: Making some good in the world, her family's wellbeing

Strengths: Kind, empathetic, insightful, caring and generous

Weaknesses: Naive, clueless, innocent during her adolescence, way too trusting, a people pleaser and can't say anything bad about anyone

Stressed: During social gatherings and during exams, feeling stupid all the time

Calm/Comforted: Watching her comfort show (FRIENDS), spending time with Shreya, in her bed

Favorites

Colors: PINK, burgundy red, navy blue and lilac

Weather: Sunny

Hobbies: Reading, knitting, baking and creating skincare and makeup routines

Fashion: Yasemin is far more fashionable than her sister Shreya, often wearing heels and short skirts and tops, all in the palette of pink, black and white. She also has curly hair and has a rigorous routine that she always asks not to be interrupted when performing it

Relationships

Significant Other/Love Interest: Scott Morris ( @potionboy3 )

Both friends from the moment they met, unlike her peers, Scott seemed to get her, and Yasemin always felt seen with him. What she didn't know is that Scott had a huge crush on her. A crush that everybody save her seemed to notice. For years, he dropped subtle hints here and there, but the clueless Yasemin didn't seem to see it.

Until, on a party, after sharing a meaningful moment, Scott surprised Yasemin by kissing her and declaring his feelings for her. What was more surprising to Yasemin is that she felt the same. Even though Yasemin was a year ahead of Scott, they saw each other often and even gave him the keys to her house once they became serious.

[MORE TBA]

Friends: Noor Verma Dhendron ( @legilimenace )

Even though they were different, Noor and Yasemin got along and suprisingly complimented one another. Shreya soon befriended Mansi, Noor's sister, and became inseparable, becoming almost members of the family

Mia Morris ( @gaygryffindorgal )

Scott's older sister, Yasemin liked her from the beginning and she was key in setting her up with her brother

[MORE TBA]

Jude Cozens ( @unfortunate-arrow )

Both with similar natures, she met him through Scott and also reminded her of Luke. She was shocked when she learned that he and Noor started dating

Yasemin is looking for friends! I'll favour those born in 2004-5! Hmu or send me an ask if you're interested!

Rivals: TBA (why would you want to antagonize this angel?!)

Trivia

She doesn't drink alcohol due to religious and personal reasons

Her drink of choice is a lime Aquarius

Always has a red velvet cake for her birthday

She hates green peas

Is surprisingly good at breakdance, salsa and dabke, and often does it in heels

Used to hate her curly hair and tried to straighten it like Shreya for most of her teens

While Shreya inherits her father's businesses, Yasemin inherits her mother's legacy

Is medium sized and was always made fun of by her parents' peers and went on crazy diets and developed body dysmorphia due to early development

Almost never went to parties because of people getting drunk and being invasive towards her

Cries easily for everything, yet can be calm in dire circusmtances

Picked up baking thanks to her therapist and often shows up to classes and gatherings with Turkish and Bengali sweets when she feels her friends are feeling down or stressed or wants to celebrate

Has the cutest and most elegant handwriting in Hogwarts (it was voted)

[valleyfthdolls]

Ryoko and Sumire doodle

Rambling under the cut

I keep going back and forth on what I want the characters' names to be. Specifically, in terms of the Aishi family, the only source I've found suggesting Aishi to be a real last name says it only exists in Bangladesh, but it is a first name both in India and more importantly Japan, and its meaning is symbolically relevant enough that I kind of want to keep it. The name I'd been using as a replacement just means "white rock" which isn't really interesting. I also have gone back and forth about the whole "they keep the women's last name" thing. Right now, I'm thinking that instead of the Aishi family's condition being localized entirely within one bloodline, it's more like real-life mental illnesses (specifically modeling it after ones I have experience with like BPD which caused me to initially relate so heavily to Ayano) and is based on growing up in unhealthy environments and suffering other traumatic occurrences like abuse and abandonment. I do like that the family, according to the wiki, canonically runs a textiles company which is the in-universe explanation for the Aishi family taking Ayano's mom's maiden name, and I do plan on keeping that because I like Ayano as a seamstress, but I think I want to have the Aishi surname come from her father.

Re: Ryoko, Ryoba is just a word, it just means a double-edged blade, and it was chosen as a "feminine" version of Ryobo, which is also just a word. Ryoko on the other hand is actually a name, and one whose notable meanings include "cool (also used for "unsympathetic") child", "enduring (also used for "invading") child", or "wise child". For her specifically, I imagine it being spelled 凌子, which would make it "enduring child". Mitarai refers to washing or "purifying" yourself before entering a shrine, and is sometimes translated roughly to "please wash your hands", which was one that made me laugh for quite a while. Regardless, I chose this because I like the idea of washing as purification for someone like Ryoko who is literally washing blood off her hands.

Ryoko has a perm because those were popular in the 80s, including in Japan. I didn't draw it great but eh.

Sumire's school uniform was swapped out for a from-memory doodle of a ripped-up kimono. It turned out frankly abysmal, but that's where the "ghost girl in a white dress" trope originally began. Also tying to old depictions of onryo, Sumire's body fades out the closer to her hands and feet it gets, except for the one ring finger.

The "string of fate" between them mostly represents that Ryoko was the one to kill Sumire. It turning black as it approaches her is of course representative of Sumire's death. The way it's tangled around her is kinda like. She was wrapped up and caught by it, and unable to free herself kinda deal.

I imagine Sumire is kinda like. barely there, just enough that her presence can kinda be felt. She's hardly conscious or aware, but she's confused and angry, and that bitterness can be felt through the whole school. It's the feeling that someone is always persecuting you, always looking down on you, always waiting with bated breath to see you suffer. If she were more aware, present or powerful, she may attempt to seek revenge on Ryoko by killing Ayano in a very gruesome way, so that Ryoko feels the most pain and trauma she is capable of feeling from her daughter's death.

[memoriae-lectoris]

It turns out that what people like the most is fear over calm, falsehood over truth, outrage over empathy. People are far more apt to like posts that are incendiary than those that are not, creating an incentive for people to post provocative material in the hopes that it will go viral. With the introduction of the like button, individual Facebook users were suddenly being rewarded for posting outrageous, angry content whether it was true or not. Studies have since shown that information that keeps people engaged is exactly the type of information that leads them toward anger, resentment, and violence. When William J. Brady and his colleagues at NYU analyzed half a million tweets, they found that each moral or emotional word used led to a 20 percent increase in retweets. Another study by the Pew Research Center showed that posts exhibiting “indignant disagreement” received nearly twice as many likes and shares as other types of content.

[…] Worse, the behavioral algorithms began creating self-reinforcing, increasingly outlandish information silos that led users down dangerous paths: toward conspiracy theories, half-truths, and extremists seeking radical change. These recommendation engines, as they are called, ensured that users were channeled toward more narrow and more extreme information. […] Walter Quattrociocchi, a computer scientist at Sapienza Università di Roma, analyzed fifty-four million comments over four years in different Facebook groups. He found that the longer a discussion continued, the more extreme the comments became. One study found that YouTube viewers who consume the kind of “mild” right-wing content created by provocative talk show host Joe Rogan, whose audience in 2020 was 286 million, are often pulled into much more radical alt-right content. The study concluded that YouTube is “a radicalization pipeline.”

It’s this business model of engagement that makes social media so terrifying to those of us who study civil wars. The current model doesn’t care if the information it disseminates is true or not, just that it is all-absorbing. And the big technology companies—who are now the new gatekeepers of news and information—have no incentive to restrict who uses their platforms or what they say. In fact, it is in the interest of their shareholders to disseminate engaging information as widely as possible.

[…] It’s become a pattern: social media as the vehicle that launches outsiders with autocratic impulses to power, riding a popular wave of support. We’ve seen it with Erdoğan in Turkey and Modi in India. It also potentially helped bring Mariano Rajoy of Spain to power. All were social media savvy dark horse candidates.

[beardedmrbean]

A blackmail scam is using instant loan apps to entrap and humiliate people across India and other countries in Asia, Africa, and Latin America. At least 60 Indians have killed themselves after being abused and threatened. A​ BBC undercover investigation has exposed those profiting from this deadly scam in India and China.

Astha Sinhaa woke up to her aunt's panicked voice on the phone. "Don't let your mother leave the house."

Half-asleep, the 17-year-old was terrified to find her mum Bhoomi Sinhaa in the next room, sobbing and frantic.

Here was her funny and fearless mother, a respected Mumbai-based property lawyer, a widow raising her daughter alone, reduced to a frenzied mess.

"She was breaking apart," Astha says. A panicked Bhoomi started telling her where all the important documents and contacts were, and seemed desperate to get out of the door.

Astha knew she had to stop her. "Don't let her out of your sight," her aunt had told her. "Because she will end her life."

Astha knew her mother had been getting some weird calls and that she owed somebody money, but she had no idea that Bhoomi was reeling from months of harassment and psychological torture.

She had fallen victim to a global scam with tentacles in at least 14 countries that uses shame and blackmail to make a profit - destroying lives in the process.

The business model is brutal but simple. There are many apps that promise hassle-free loans in minutes. Not all of them are predatory. But many - once downloaded - harvest your contacts, photos and ID cards, and use that information later to extort you. When customers don't repay on time - and sometimes even when they do - they share this information with a call centre where young agents of the gig economy, armed with laptops and phones are trained to harass and humiliate people into repayment.

At the end of 2021, Bhoomi had borrowed about 47,000 rupees ($565; £463) from several loan apps while she waited for some work expenses to come through. The money arrived almost immediately but with a big chunk deducted in charges. Seven days later she was due to repay but her expenses still hadn't been paid, so she borrowed from another app and then another. The debt and interest spiralled until she owed about two million rupees ($24,000; £19,655).

Soon the recovery agents started calling. They quickly turned nasty, slamming Bhoomi with insults and abuse. Even when she had paid, they claimed she was lying. They called up to 200 times a day. They knew where she lived, they said, and sent her pictures of a dead body as a warning.

As the abuse escalated they threatened to message all of the 486 contacts in her phone telling them she was a thief and a whore. When they threatened to tarnish her daughter's reputation too, Bhoomi could no longer sleep.

She borrowed from friends, family and more and more apps - 69 in total. At night, she prayed the morning would never come. But without fail at 07:00, her phone would start pinging and buzzing incessantly.

Eventually, Bhoomi had managed to pay back all of the money, but one app in particular - Asan Loan - wouldn't stop calling. Exhausted, she couldn't concentrate at work and started having panic attacks.

One day a colleague called her over to his desk and showed her something on his phone - a naked, pornographic picture of her.

The photo had been crudely photoshopped, Bhoomi's head stuck on someone else's body, but it filled her with disgust and shame. She collapsed by her colleague's desk. It had been sent by Asan Loan to every contact in her phone book. That was when Bhoomi thought of killing herself.

We've seen evidence of scams like this run by various companies all over the world. But in India alone, the BBC has found at least 60 people have killed themselves after being harassed by loan apps.

Most were in their 20s and 30s - a fireman, an award-winning musician, a young mum and dad leaving behind their three- and five-year-old daughters, a grandfather and grandson who got involved in loan apps together. Four were just teenagers.

Most victims are too ashamed to speak about the scam, and the perpetrators have remained, for the most part, anonymous and invisible. After looking for an insider for months, the BBC managed to track down a young man who had worked as a debt recovery agent for call centres working for multiple loan apps.

Rohan - not his real name - told us he had been troubled by the abuse he had witnessed. Many customers cried, some threatened to kill themselves, he said. "It would haunt me all night." He agreed to help the BBC expose the scam.

He applied for a job in two different call centres - Majesty Legal Services and Callflex Corporation - and spent weeks filming undercover.

His videos captured young agents harassing clients. "Behave or I will smash you," one woman says, swearing. She accuses the customer of incest and, when he hangs up, she starts laughing. Another suggests the client should prostitute his mother to repay the loan.

Rohan recorded over 100 incidents of harassment and abuse, capturing this systematic extortion on camera for the first time.

The worst abuse he witnessed took place at Callflex Corporation, just outside Delhi. Here, agents routinely used obscene language to humiliate and threaten customers. These were not rogue agents going off-script - they were supervised and directed by managers at the call centre, including one called Vishal Chaurasia.

Rohan gained Chaurasia's trust, and together with a journalist posing as an investor, arranged a meeting at which they asked him to explain exactly how the scam works.

When a customer takes out a loan, he explained, they give the app access to the contacts on their phone. Callflex Corporation is hired to recover the money - and if the customer misses a payment the company starts hassling them, and then their contacts. His staff can say anything, Chaurasia told them, as long as they get a repayment.

"The customer then pays because of the shame," he said. "You'll find at least one person in his contact list who can destroy his life."

We approached Chaurasia directly but he did not want to comment. Callflex Corporation did not respond to our efforts to contact them.

One of the many lives destroyed was Kirni Mounika's.

The 24-year-old civil servant was the brains of her family, the only student at her school to get a government job, a doting sister to her three brothers. Her father, a successful farmer, was ready to support her to do a masters in Australia.

The Monday she took her own life, three years ago, she had hopped on her scooter to go to work as usual.

"She was all smiles," her father, Kirni Bhoopani, says.

It was only when police reviewed Mounika's phone and bank statements that they found out she had borrowed from 55 different loan apps. It started with a loan of 10,000 rupees ($120; £100) and spiralled to more than 30 times that. By the time she decided to kill herself, she had paid back more than 300,000 rupees ($3,600; £2,960).

Police say the apps harassed her with calls and vulgar messages - and had started messaging her contacts.

Mounika's room is now a makeshift shrine. Her government ID card hangs by the door, the bag her mum packed for a wedding still lying there.

The thing that upsets her father the most is that she hadn't told him what was going on. "We could have easily arranged the money," he says, wiping tears from his eyes.

He's furious at the people who did this.

As he was taking his daughter's body home from the hospital her phone rang and he answered to an obscenity-laden rant. "They told us she has to pay," he says. "We told them she was dead."

He wondered who these monsters could be.

Hari - not his real name - worked at a call centre doing recovery for one of the apps Mounika had borrowed from. The pay was good but by the time Mounika died he was already feeling uneasy about what he was part of.

Although he claims not to have made abusive calls himself - he says he was in the team that made initial polite calls - he told us managers instructed staff to abuse and threaten people.

The agents would send messages to a victim's contacts, painting the victim as a fraud and a thief.

"Everyone has a reputation to maintain in front of their family. No-one is going to spoil that reputation for the measly sum of 5,000 rupees," he says.

Once a payment had been made the system would ping "Success!" and they would move on to the next client.

When clients started threatening to take their own lives nobody took it seriously - then the suicides started happening. The staff called their boss, Parshuram Takve, to ask if they should stop.

The following day Takve appeared in the office. He was angry. "He said, 'Do what you're told and make recoveries,'" Hari says. So they did.

A few months later, Mounika was dead.

Takve was ruthless. But he wasn't running this operation alone. Sometimes, Hari says, the software interface would switch to Chinese without warning.

Takve was married to a Chinese woman called Liang Tian Tian. Together, they had set up the loan recovery business, Jiyaliang, in Pune, where Hari worked.

In December 2020, Takve and Liang were arrested by police investigating a case of harassment and released on bail a few months later.

In April 2022 they were charged with extortion, intimidation and abetment of suicide. By the end of the year they were on the run.

We couldn't track down Takve. But when we investigated the apps Jiyaliang worked for, it led us to a Chinese businessman called Li Xiang.

He has no online presence, but we found a phone number linked to one of his employees and, posing as investors, set up a meeting with Li.

With his face shoved uncomfortably close to the camera, he bragged about his businesses in India.

"We are still operating now, just not letting Indians know we are a Chinese company," he said.

Back in 2021, two of Li's companies had been raided by Indian police investigating harassment by loan apps. Their bank accounts had been frozen.

"You need to understand that because we aim to recover our investment quickly, we certainly don't pay local taxes, and the interest rates we offer violate local laws," he says.

Li told us his company has its own loan apps in India, Mexico and Colombia. He claimed to be an industry leader in risk control and debt collection services in South East Asia, and is now expanding across Latin America and Africa - with more than 3,000 staff in Pakistan, Bangladesh and India ready to provide "post-loan services".

Then he explained what his company does to recover loans.

"If you don't repay, we may add you on WhatsApp, and on the third day, we will call and message you on WhatsApp at the same time, and call your contacts. Then, on the fourth day, if your contacts don't pay, we have specific detailed procedures.

"We access his call records and capture a lot of his information. Basically, it's like he's naked in front of us."

Bhoomi Sinha could handle the harassment, the threats, the abuse and the exhaustion - but not the shame of being linked to that pornographic image.

"That message actually stripped me naked in front of the entire world," she says. "I lost my self-respect, my morality, my dignity, everything in a second."

It was shared with lawyers, architects, government officials, elderly relatives and friends of her parents - people who would never look at her in the same way again.

"It has tarnished the core of me, like if you join a broken glass, there will still be cracks on it," she says.

She has been ostracised by neighbours in the community she has lived in for 40 years.

"As of today, I have no friends. It's just me I guess," she says with a sad chuckle.

Some of her family still don't speak to her. And she constantly wonders whether the men she works with are picturing her naked.

The morning that her daughter Astha found her she was at her lowest ebb. But it was also the moment she decided to fight back. "I don't want to die like this," she decided.

She filed a police report but has heard nothing since. All she could do was change her number and get rid of her sim card - and when Astha started receiving calls her daughter destroyed hers too. She told friends, family and colleagues to ignore the calls and messages and, eventually, they all but stopped.

Bhoomi found support in her sisters, her boss and an online community of others abused by loan apps. But mostly, she found strength in her daughter.

"I must have done something good to be given a daughter like this," she says. "If she hadn't stood by me then I would have been one of the many people who've killed themselves because of loan apps."

We put the allegations in this report to Asan Loan - and also, through contacts, to Liang Tian Tian and Parshuram Takve, who are in hiding. Neither the company nor the couple responded.

When asked for comment, Li Xiang told the BBC that he and his companies comply with all local laws and regulations, have never run predatory loan apps, have ceased collaboration with Jiyaliang, the loan recovery company run by Liang Tian Tian and Parshuram Takve, and do not collect or use customers' contact information.

He said his loan recovery call centres adhere to strict standards and he denied profiting from the suffering of ordinary Indians.

Majesty Legal Services deny using customers' contacts to recover loans. They told us their agents are instructed to avoid abusive or threatening calls, and any violation of the company's policies results in dismissal.

[hezuart]

Why did you switch from animation to reviews? Also, do you still plan on doing CGI like you mentioned multiple times?

oH BOY..... you may need to sit down for this one

So it all started back in 2012. I was around 14 years old and just saw Rise of the Guardians and Wreck it Ralph. The stories, the characters, the world-building, the animation... now I never really went to movie theaters as a kid, but as a teen I started going and I instantly fell in love.

I went to community college for a few years and made some amazing friends. Loved some of my teachers and we participated in fun events like the 24-hour challenge and Campus Movie Fest. I had gotten in the top picks for Campus Movie Fest at some point and was supposed to go to the Cannes Film Festival in France to showcase my short film, but then the pandemic hit and it got canceled indefinitely.

So get this, for community college, I got a certification in 3D Animation and Video Game development. It's basically an AA degree but without general ed. (Why do you need general ed to get a degree in something? Math and PE have nothing to do with Animation. College is ridiculous. People have to pay you more simply because you were forced to spend more money in college. Wild.) Out of the 20 classes I had taken to get this certification, only 3 of those courses were hands-on 3D animation. And only one of those courses was hands-on video game development and I dropped out of that class because it was PC only and I only had a Mac at the time. I applied to the class without realizing it was accommodating only to PCs. So even my certification is barely reaching the basics for the title of it, but I did take another online course or two for 3D animation which I have a different certification for.

Now even with my 3D animation, I was never taught the physics engine. I was never taught hair or cloth simulation, but I do have modeling, rigging, animating, and texturing experience. For gaming, I have very little experience. I've only modeled things and found my way around Unity, but otherwise, I suck at coding. I hate coding with a passion. Making a video game without coding isn't really possible.

Now, when the pandemic hit, a lot of things were shutting down. I had no idea where I wanted to go next. People kept asking me where I was going for my higher education, but I kept getting warned not to waste money on college if you're trying to become an artist, especially at University. It's a money pit, and competition is so high, you're not guaranteed a job, you're just gonna be in debt. Even colleges like Cal Arts, who charge over $1K per class, I've been told are a "Pay to get in" kind of place. Where the money is used to nab professionals from their work to teach students or talk about their company or programs, and through that, you get a bigger chance to get your foot in the door because you know someone. I've unfortunately been told that's the more realistic way to get into animation: networking. If you're a shy introvert who doesn't know any famous people, you need to be extremely talented and unique to stand out to get the chance of being noticed. I don't really want to suck up to people nor do I want to waste thousands of dollars and 5 more years on college that I may not even need (let alone be able to afford) especially if there are online classes that may be even more valuable.

Now after I got out of college and started applying a few places, I discovered a LOT of unfortunate information.

Most animation these days is done overseas. South Korea, India, Japan, and Canada are the big ones.

Invader Zim, Steven Universe, Miraculous Ladybug, The Simpsons, OK KO, Star vs the Forces of Evil, Kipo and the Age of the Wonder Beasts, Adventure Time, Twelve Forever, and the Powerpuff Girls Reboot were animated in South Korea. The Ghost and Molly Mcgee is animated in Canada.

(The first four seasons of the Simpsons were animated in America until it switched to South Korea and India.)

2D traditional animation is no longer viable. Puppetry is the industry standard because it's the cheapest. Luckily, Toon Boom Harmony has allowed us to push the boundaries of 2D puppetry. Puppetry these days, if done well, can look really great, like Tangled the Series, but if you don't have Toon Boom Harmony, you're probably not gonna be hired.

Not even all 3D is made in the USA. If it's Disney, Dreamworks, or Pixar, then it's usually USA. But streaming service movies, like Sea Beast, Kid Cosmic, The Willoughbys, and Klaus, while they claim to be a "Netflix Original" that "Netflix Animation" animated, that's a lie. Klaus was animated by Yowza! Animation in Canada. The Willoughbys: Bron Animation, Canada. Kid Cosmic: Mercury Filmworks, Canada. Sea Beast: Sony Pictures Image Works, Canada. (X)

Go Go Cory Carson is written and storyboarded in America, but the animation is shipped out to be done in France. Sonic Boom is also French Animated.

Even Sony Pictures? Open Season, Surf's Up, Spiderman: Into the Spiderverse, Cloudy with a Chance of Meatballs, SMurfs, Hotel Transylvania, Over the Moon, The Angry Birds Movie, Sea Beast? Sony Pictures Imageworks is based in Canada. They're doing all the animation for them. It's not animated in America, it's merely funded by them.

I should also clarify: I only want to participate in stylized animated media. I don't want to do CGI for hyper-realistic films, which eliminates most of the animation jobs out there these days. It's just not my thing. The insane amount of details and uncanny valley are just so unappealing, I can't do it.

The closest animation studios are still far away. Most companies are located in LA. I'm over 7+ hours away from there. LA also has a high poverty rate, terrible air quality, is overcrowded, and is just generally not a good place to live, especially if you're low middle class. You're not gonna survive there.

Pixar is located in Emeryville, a few minutes north of San Fransisco city. Emeryville is the most crime-ridden city in that area. They tell you not to walk home alone at night. You're more likely to get robbed there than anywhere else according to the population ratio there. There are a lot of gangs that hide up there, and there's a lot of poverty there, even outside of San Fransisco. It's basically a trash pit. Not an ideal place to live, and commuting through 3-hour SF city traffic is also not gonna work. (X)

I have also been informed some people who work at Pixar are petty that the interns use their facility. Pixar has a heated pool, soccer field, gymnasium, and a few other nice things on their property. I was informed there was a person or two who got mad that an intern was using their basketball court.... when the intern was on break. As though they weren't part of Pixar, as though they had no right to touch the property. Apparently, they also used to make the interns push around little tea carts to serve refreshments as a way to "talk to the fellow animators" to probably get them interacting, but hearing that the interns were basically chored with butler duty to bother the animators hard at work seems like such a forced thing. That makes me uncomfortable. Of course, the person who told me these stories has been working with Pixar for over a decade or two now, so things could be very different as the years went on. Pixar itself on the inside of the animator building is gorgeous. They all decorate their office spaces in crazy ways, it looks like a movie set. But they have a bar and "whiskey club". They're apparently allowed to drink at work and have often had parties that got a little out of hand. There's also an old chain smoker room where the founders used to play poker and spy on people outside of their room with hidden cameras; I've even been inside. I don't think they use it anymore, though I'm not totally sure. Some of this info was fascinating, but the drinking made me uncomfortable. I kinda want to work with sober people here.

The sex ratio in the animation industry is also interesting and unfavorable. 70% of the animation and art school ratio is women, but only 34% of the actual animation workforce is women. 34% female to 66% male. More women study animation than men, but more men get hired and hold positions than women. Animation, ironically, has always been a male-dominated workplace. This unfortunately contributes to the "you have to know someone" or "be rich" to get-in situation. Men know a lot more men and not as many women. So the 30 to 40-year-old guys hire the other guys they know rather than a young poor girl with a passion. This makes it even more difficult for me to get in. (X)

20th Century, Netflix Animation, Nickelodeon, Cartoon Network, Bento Box, Vanguard Animation, Universal Studios, Titmouse, 6 Point Harness, ShadowMachine- all LA / South California.

There are a few places I could apply to, but what they do, I just don't care for. Niantic(Pokemon Go), Lucasfilm(Effects), Whiteboard Animation(Marketing), Sharpeyeanimation (Marketing), EA games (Mass Effect, Battlefield, Dragon Age 2, all those hyper-realistic war, sports, or fantasy games.)

So whether it's outside of the USA or within the USA, I need to move. I don't have the money for that yet.

Just find a company that does remote work, right? It should be easy, especially in pandemic times! Wrong. Most animation companies don't permit remote work. It's probably a security issue. But I've done research on this. The only big animation company I've found (so far) that allows remote work (or is HIRING for remote work) is Mainframe Studios in Canada. They have a 3D animation job list, and I guess they focus on animating Barbie movies(???). (X) But that's about it. And even if you're a remote worker, there's a high likely hood you still need a Visa to be allowed to work for a company belonging to another country. So that's a whole other legal process to deal with.

Disney is becoming a huge corporate monopoly over American animation. They bought Blue Sky only to kill them off. (Disney also just recently laid off 7,000 people due to their stock price drop and failed movies they released the past year with deliberately bad marketing for political reasons. (X) Disney also bought Pixar and is pushing for sequels because weird or bad, sequels and terrible live actions make them a LOT of money. Did you know Disney's terrible Lion King CGI remake is amongst the top 10 highest-grossing movies ever made? It's criminal. (X)

Because Disney is such a big name in the USA, there's a huge association of animation = children's media, which is not true. Animation at the Oscars also has its own category, when it's not a genre, is a medium. Disney often wins at the Oscars too because no one sees the other animations. Granted, Disney has an insane marketing budget in comparison, but it's clear no one cares to seek out animation outside of heavy CGI live-action these days. No small-time studios, no limited releases, no anime. The fact that Disney also now OWNS the Oscars is SUS as hell. (The fact that Disney-owned ABC threatened the Oscars, forcing them to cut 8 categories or else there wouldn't be a show that year is wild. There isn't even an oscar for stuntmen. What the fuck, Hollywood?) (X)

Dreamworks nearly went bankrupt and sold itself to Comcast back in 2013. Comcast also owns Illumination. Dreamworks has been focusing on making bad tv show adaptions of their IPs. So yes people, Jack would sooner meet the Minions than meet Elsa. Disney is the biggest corporate monopoly, but it's definitely not the only one. The animation industry in America is snuffing out its competition by buying it out for itself. It's insane the kind of power they have.

Competition is HIGH. Because of this, the only ways to get in? If you're rich or you know someone. Pixar gets over 3,000 intern applications every summer. Less than 100 are seen by actual hiring managers. The most interns Pixar has ever taken in a single year were 12. The least they ever took in a single year was two. A 12 to 3,000 ratio is not favorable. That's a 3% chance to get into a big-shot animation company.

And again, because remote work isn't permissible to new hires, you need to live in the area to commute to the campuses. This is one of the reasons why LA is so crowded.

If you get into an animation company purely remote and maybe even for a different country? You are the luckiest person alive.

Programs are expensive. The animation industry is very strict on what programs they use. The industry standard for 2D puppetry is Toon Boom Harmony; the industry standard for 3D animation is Maya, and the industry standard for video game development isn't as clear but Unity is one of them.

Some of these programs are free, as long as you are a student. If you are attending college or a certain online program, you can use your school-issued email through them to apply to get the program for free for about a year. Otherwise, if you're using it to make your own animations solo?

Autodesk Maya: $225 a month or $1,785 a year (X)

and guess what? Maya removed its free render service. Arnold is now built in by default, however, if you want to BATCH render (Meaning render a full scene or several slides) it will slap it's ugly watermark over it.

Fun fact, this very rendered watermark can be seen accidentally in a single frame for the Kingdom Hearts Frozen cutscene

Well, you need to batch render if you're trying to animate so let's see what Arnold costs- $50 monthly to $380 annually.... are you kidding me?! The rendering PLUG-IN BUNDLED TO MAYA COSTS MORE TO USE THAN THE OWN PROGRAM?! (X)

Now, there are other rendering plug-ins you can probably use with Maya. But they all have their ups and downs and their own costs as well. (X) Pixar's Renderman is $595 per license. I can't seem to get info on Octane. V-ray solo is $39 monthly while premium is around $60 monthly.

Now there IS Blender, an alternative to Maya. It is free and I have it. That is ideal to work in for people like me. I tried it a while back, but I hated the interface windows. It was hard to work on it when you can't close them properly. It's possible they've fixed this in an update, but I haven't touched the program in over three years so I wouldn't know. It's different from Maya a little, so it has ups and downs in comparison too. But Blender is a savior to 3D artists everywhere.

Toon Boom Harmony isn't as bad but still high: Lowest price is $27 monthly / $220 annual and the highest is $124 monthly / $1,100 annual (X)

Unity has a basic version that is free, but Unity Plus is $399 yearly while Unity Pro is $2,040 (X)

So some programs are clearly more viable than others. But imagine you're trying to model, texture, rig, animate, simulate, and render a short film all by yourself in Maya. That's gonna take you over a year or two, and you'll have several thousand dollars out of your pocket by the time your free trial ends. And might I say, for an industry-standard program, Maya sucks. It's almost unusable without those plug-ins for not only rendering but also for the models to even be able to SELECT their BONE rigs.

Do you want to practice on your own when school is out of session? Fuck you! Fuck subscription services! Welcome to capitalist hell, baby!

Again, using Blender is more viable, but you're still going to be basically doing everything yourself. That's gonna take years. Do you have the patience for that? Do I?

Because of the pandemic, movies aren't even hitting theaters anymore. They're going straight to streaming services. Streaming services of which, gain sole rights to and can take media off their platforms at any time without warning. Thanks, Discovery+ ! Does everyone remember the HBO Max Animation & DC purge? It could happen to other streaming services too. Piracy will save the future of animation at this point. (X)

And again, Streaming services like Netflix will purchase films and claim they made them by slapping their logo over it; but no, they either bought the distribution rights or produced them through funding and maybe storyboarding. Often times from a Canadian film studio. (Link again X)

Even stop motion companies like LAIKA are losing money and may have to shut down or be bought out in the future, especially considering how much work and money they put into their films vs. how much money they actually make. (X)

All of this? Naturally made me fall into a depression. My god, the layers of hopelessness. My animation and modeling is pretty average too. I'm decent. I can maybe make a good shot. But I can't blow people away like James Baxter can. I mean, I shouldn't compare myself to people. If I worked really hard, maybe I could get into a good company. But again, I have to move! A part of me gave up. I don't really do 3D animation anymore, though part of me misses it.

I still 2D animate. I'm trying to make a short film and though my college friends who were working on it with me have given up, I have done my best to keep going. Even if it has been produced at a snail's pace for the past three years, I still intend to finish this animation. It's gonna be beautiful when it comes out, and it will be a wonderful portfolio piece regardless.

So with nothing else to do and no other kind of job experience really under my belt(plus my family is prone to covid so getting a job in the pandemic was just kind of out of the question) I decided to go to youtube. I heard some people can make a little money on there, but the truth is I had actually wanted to become a youtuber for a few years prior. I've always looked up to animators and reviewers on youtube, I've loved the stories they tell and their incredibly detailed analysis essays on movies, tv series, books, etc. I wanted to be one of them. I wasn't sure exactly what I'd do, so I just followed the Youtube Partnership program set up which took a few months, and then jumped in! I found I only had the time to upload once every month or two. I had a ton of audio issues and I'm not outputting at the proper 1920 x 1080 quality that I should be doing either. It's a huge learning process that I still haven't perfected, but I'm taking notes to try and get better.

Even though Youtube is fun, I only make $300 a month, and that isn't even consistent. With patreon, I make maybe another $80 or $100 on top of that, so overall $400 a month average. That's really nice and pretty cool! But it's not enough to survive.

Now I work part-time at a coffee shop. My mental health is a lot better and I love my coworkers. I make roughly $400 a week in comparison to the $400 a month. It's still not enough to live off of (the cheapest rent around is over $1,000 a month, not ) and it's still a temporary job in the long run. I intend to work here for maybe another two years to save up money.

But what do I do now?

Am I welcome in animation spaces anymore?

As a critic of popular media, it could be likely that they could fire me or deny my application because of my critique of their past films or tv series. They could see my youtube persona and assume I'm a raging untrustworthy nitpick instead of a passionate, kind person.

Vivziepop's Spindlehorse company? What Viv was doing was a dream. I was so inspired by her. She made her own company, made a super successful pilot, and was even creating more jobs for traditional, high-quality animation. However, for Hazbin Hotel, she required more funding, which is why she sold it off to A24, who now has corporate say in the show. A24 is known for letting creators be more lenient, but otherwise, Viv won't have full control over it anymore unless she managed to get them to sign something over to her; but with the rumors of her being kicked off season 1? I don't know anymore.

Her own company Spindlehorse; they rely on youtube revenue and/or merch sales to fund Helluva Boss. That's a tricky business practice, but it's kept them afloat so far.

However, Spindlehorse is hiring a lot of people as of late. This could be a bad sign; that people might be leaving the company due to potential mistreatment or unhappiness. With the way the show is going, I don't really want to be part of that company regardless, but maybe before season 2 of Helluva Boss, I would have considered applying. Had I made any critique videos prior, there's no way they'd accept me. "Aren't you that one YouTuber that said my writing is bad for season 2 episode 2?" And you expect me to hire you?" Like yeah, that application process would go down well. Not. By critiquing artists' work, some of them are very sensitive. I'd be kicked out for a lot of things, when really, we artists should be critiquing each other all the time, trying to improve. That's how the writer's room always is, ahaha... hours of fighting goes down in those meetings. It's intense, but fun.

But yeah, it's such a shame. Even small companies need to sell out to corporate to survive. Either that or be HEAVILY crowd-funded, which again, can be a slippery slope.

I see a ton of small projects on Twitter looking to hire people, or looking to become a big studio to release a pilot or game. I've joined a few of them, but most are unpaid because of COURSE they are, and then these projects?? Just don't go anywhere. Because it's unpaid. Because we can't afford to work on a project for free. IRL comes first. Some of these projects seem so great but they don't go anywhere, and it's hard to have faith in start-up studios anymore. (Game creators might have a chance, but tv series or films? Good luck, folks.)

At that point, should I just make my own company? I don't have the money or knowledge for such a thing! It's insanely expensive to start a business and get licensing. So much paperwork, so much everything! And the USA Government is so behind in understanding technology. If you want to create a remote business and/or copyright something, you're still required to put an advertisement in a local newspaper about it, even if your business isn't selling to locals. 💀 The number of fees and ridiculous legal hoops you need to jump through... it's a ridiculous waste of time and money. But you need to do it. The question is, am I willing to do it? Am I willing to tackle such an insane thing by myself?

I want to keep my internet persona and IRL persona separate, but can I? I value having a private, quieter life away from the screen. I worry about getting doxxed one day because of the nature of the internet. I worry about people finding my IRL resumes or profiles for work I want to do outside of youtube for security's sake. My art style is unique and very recognizable. I don't have a lot of private art that is worthy of being in a portfolio. But for absolute safety, I'd need to password-protect my websites or portfolios so the public doesn't have free access to them; only companies I'm applying to. But at that point, does password-protecting my resume and portfolio make it less likely I'd be hired due to the inconvenience? Due to the private, hard-to-find nature of my work? Being a YouTuber with great story skills and art skills with a fanbase could be a big plus to getting hired somewhere, but it could also be a horrible disadvantage that would get me fired. It's a double-edged sword that I cannot work around and I don't know what to do.

I've considered the video game industry, but even that isn't ideal. A lot of the indie ones I adore aren't made in the USA. Gris and Monster Camp were made in Spain. Ori and the Blind Forest: Austria. Hollow Knight: Australia. Little Nightmares and Raft: Sweden. LIMBO & INSIDE: Denmark. Outlast, Don't Starve, Spirit Farer, Bendy and the Ink Machine: Canada.

SuperGiant Games did Hades, Transistor and Bastion and is located in SF, but they're not hiring. Janimation, a multi-media company located in Texas isn't hiring. Frederator in New York isn't hiring.

I don't want to work for a studio that does nothing but first-person shooters or sports games. If I want to get into the gaming industry, I probably need to crowdfund and make a company to make a game myself.

If I make my own game, which I've wanted to do for a long time now and still want to... I can't code. I guess I could try to hire someone that could? But a game to the extent I want... I'd need to start small. I'd need to practice. It's several years of work. Will it even be worth it? I don't think I can do it alone. I'd need crowdfunding and workers; which again, here comes the "make my own studio" issue...

Do I even want to animate anymore? I prefer traditional animation in comparison to puppetry. I prefer 2D animation to 3D animation simply because it is more accessible. But even then, I'm finding myself drawn more and more to writing, storyboarding, and character design. If I were a 3D animator, this is mostly what I'd be working with all day: Naked models in an empty room. I'd do none of the physics simulation or texturing or lighting.

Animating naked & bald people all day... I don't know... 3D Animation kind of lost its appeal. You only work on such a small portion of a film, you almost never have the bigger picture. You won't see the final result until the film is done. As an animator, you're almost kept in the dark. Maybe that's how they want it anyway, since leaks are a huge issue they keep quiet under strict NDA.

But yeah, anyway... I'm an artistic digital generalist. I can do almost anything. 3D animation, storyboarding, writing, photo editing, illustration, rendering, modeling and so much more. It's hard to choose what you really want to be in this industry. I feel like Barry Benson dfklgjdflkjg

I don't know what I'm gonna do anymore. There's gotta be a solution to this but I just can't figure it out. I don't want to give up my youtube channel so I can be an animator. I don't want to give up a safer, quiet countryside house to be able to survive financially. Am I even willing or able to move countries? Is my career more important than friends and family?

I think I'm thinking too much about everything. I should start small. Move less than an hour away first and move in with roommates to get a feel for independence instead of jumping into it immediately. Get a job at a small time company, maybe not for what I want at first, but it'll get me some experience and maybe I'll learn some things along the way to understand where I can go next. Take it slow and don't panic too much over trying to be a young big shot. Take things one day at a time? That's my current goal, I suppose.

So you know... to answer your question... why did I switch to youtube for a current career? Because of a classic existential & career crisis in my 20s. Will I ever go back to 3D animation? Maybe. Maybe one day.

[eatmangoesnekkid]

Looking back over my life through high school, college, and post-grad, I realized that I have always possessed some level of whore energy, not a traditional whore energy where I was having sex with others (just wasn't my thing), but a whore consciousness, a Goddess of Love, Isis-Magdalena heritage and emanation. When you tap into whore consciousness,  people will tend to  "like" you, and want to be around you in any space you inhabit. It's because whore energy teaches you how to make people feel better. It models how to communicate in authentically pleasant ways with any gender, ethnicity, or class, innocently charming with your attention, eye contact, care, and witty use of language. People will perceive you friendly. Teachers may give you extra time and attention. You and another person could be doing the same job at a company, but your workload will be lighter. Life will come to you easier than it does most. When you emanate a whore consciousness, a grounded, invisible, magnetic quality of energy, people will desire to be around you because you make them feel something. Whore consciousness brings you back home to your body and into the presence of pure love that you get to share with the global world. Because ultimately, at our core, we all just want to remember how to feel something deeper and exceptional again.

India Ame’ye, Author, From Chapter “Whore Consciousness”

Additional comments:

virtualcrusadelover said: I like this line of thought, but I'm disturbed by it being labelled whoreishness. Why do you give it that name?

eatmangoesnekkid said: Good girls, sweet girls, nice girls!!! As an ex “good girl, sweet girl, nice girl” I can honestly tell you that you will have to look into your socialization and perception of the word...the word itself is "innocent" and full of vitality.  Whore is what the energy is which is why I named it as such---for some, the word will feel juicy and pleasure-amplifying, like a full throttle 'yes' queen -energy. for others, it will feel degrading, triggering, or predatory. Both interpretations will be correct based on the reader's conditioning, perceptions, and lived experiences. I made the transmission cleaner in my book by defining why I chose to call it "whore" energy. You can call it “Goddess  of Love” or Venusian as alternatives, but it’s all just the oldest archetype of the feminine, the whore, pro-ho....consciousness, that plays a role in magnetism and a healthy pelvic floor that allows you to cultivate a greater amount of life force energy for your body, your lover, and your dreams, objectives, and desires and evolve your health, awareness and consciousness.  Considerthat in Ancient times, during the height of whoring, whores were highly revered and respected oracles and prophetesses. Also consider advocating for the rights of sex workers as well. It’s all connected. :)

virtualcrusadelover said: We’ll have different thoughts about this, I understand, but in the effort of creating dialogue: to me, it’s not perception, but what the word is. “Whore” inherently holds the meaning and origin of shaming female sexuality/objectifying women. My spirit doesn’t reject it in fears of not being a “good girl.” I see letting this wild, pure freedom live by a different name other than something associated with being an object to be used by others.     

eatmangoesnekkid said: I totally feel you. I also know that it is a word that holds a lot of power that we can retrieve back. I hope after reading the content  of this chapter, if inspired, you feel the warm embrace and evolution in reclamation which is not about men but about running the flow of energy throughout your body to distill a brighter more loving emanation for our world to be inspired from. What would you call it? Thank you for sharing your heart. :)             

virtualcrusadelover said: Hmm, not sure what to call it. But maybe a new understanding needs to begin at large at first, which won’t hold a name for a while. I don’t know. Either way, looking forward to reading your book :)                                   

eatmangoesnekkid said: that’s SOOO incredibly beatuiful what you just said “…..but maybe a new understanding needs to begin at large at first, which won’t hold a name for a while…..” I love that as well.

virtualcrusadelover said: I love your writings as well which is why I'm happy to have this conversation with you. :) Is this chapter in your upcoming book?

Original Poster

eatmangoesnekkid said: thank you and yes!! ;)

The core awakening of Whore /Goddess of Love, Isis/Magdelena, Harlot, or compassionate, loving Grace energy is a sacred transmission of a healer, visionary, oracle,  dancer, and every other arts you can imagine. The legacy named "whore" was eventually downgraded, cast out, reviled, and shamed, but was a Divine Feminine High Priestess trained in the arts and mystery schools. This energy was an equal counterpart to Yeshua, the Divine Masculine. Both consciousnesses were teachers and anointed Beings that effected the human essences of those who were open to receive. Whore energy, when it's truthful and grounded, seeds the way of love, beauty, and regeneration. When its authentic, this consciousness will help you remember your divinity in human form. It will inspire you to stop leading with your head and accompanying overthinking and overprocessing, and come back down into your body, with your holy oils, intimacy, and kundalini. It will midwife a psycho-somatic remembrance on how to truly love yourself and love others. If you desire a life full of love, abundance, dance, lightheartedness, ease, and to joyfully use your voice and expression, what you are also desiring is to connect to the spinal fluids, mysteries, and higher frequencies, like Whore Consciousness, and retrieve back the power inherent in these codes and frequencies for integration. Ancient arts that are highly applicable to our lives today.

India Ame’ye, Author