#Minoru Kimura

[theanticool]

Hiromi Wajima vs Minoru "Philip" Kimura 3 - K-1 World GP 2021 in Osaka

K-1 Super Welterweight champion Hiromi Wajima is in the headliner spot this week for K-1. Riding an 8 fight win streak that stretches back to 2020, Wajima will defend his title against China's Ouyang Feng in the main event of K-1 ReBirth 2 this Saturday (Dec. 9).

[jasvvy]

well that was nice of hi--

--oh

[seygay]

Keiko and Minnow post Twitchy’s death

[randomrichards]

GODZILLA VS. GIGAN:

An amusement park

Hides plot to take over world

Using space kaijus

[spryfilm]

Film review: “Seven Samurai” (1954)

[ulrichgebert]

Ein prächtiges Abenteuer von Akira Kurosawa. Und sogar "besonders wertvoll"*. Das ist Film! Schöner hätte ich es auch nicht sagen können.

*so richtig versteht man aber nicht, warum. Ist halt so'n Historienspektakel.

A German poster for Seven Samurai, aka 七人の侍 (1954)

(Moviegoods)

[limitlessscion]

On Satoru's family

The very first headcanon I opened up this blog with was mostly just the idea that Satoru had siblings, as well as both his parents were alive. At the time it was kind of just a quick thing and I threw info down without too much thought, but over the past months I've been lucky enough to have been able to explore that aspect. Satoru having been taken from his parents and raised by the clan as a whole took its toll on his immediate family.

Minoru Gojo, his mother, has her overall story more fleshed out in this post detailing the political circumstances of the modern Gojo clan. She had been late in her pregnancy with her third child when he was identified as the next bearer of the six eyes.

She and her husband Shoji had already been prepared to welcome their new son into their life; they'd picked a name and had prepared their home for the new arrival when the news broke. Their son was given the traditional name of Satoru rather than what she'd wanted, and she gave birth in the ancient structure built to house the child of the six eyes rather than in the comfort of her own bedroom. She'd only been allowed to hold him when she nursed him in his infancy, and he was whisked away from her swiftly after each time to be looked after by specially trained caretakers from the Imai clan.

This took an immediate mental toll on her that left her in a depression that took years to climb out of with the support of her husband. She got to watch her son grow up in her vicinity but he would never call her his mother and she was never allowed to treat him as her child. She watched him raised in a way she never would have wanted for him, knowing assassins were after his life, seeing the pressure put on him and the way he hardened into something cold and alien over the years.

She dedicates much of her life to watching over him from a distance, and even as she became his primary advisor after he took over the clan as the new head, he would never view their relationship as anything but a working one.

But to her, Satoru would always be her son.

Shoji Gojo quit his career as a sorcerer in order to support his wife. Their status in the clan had risen massively from having birthed the bearer of the six eyes, and they had all their material needs taken cared of without him needing to work. To be entirely honest, he was glad for that; he was not a particularly strong sorcerer and it was a shitty job. He stressed often about the possibility of a violent early death and how a busy schedule often kept him away from his family, leaving his own parents and his wife to raise his children in his absence.

He does have complex feelings about the lavish "lazy" lifestyle that had been bought with his third child's birth. Every time he hears of another sorcerer dying out on the field, he feels a mix of relief that it wasn't him, and then the guilt that he wasn't out there fighting and earning his keep. He felt a coward whose peaceful life had been secured by having a son who would never be his, and knowing Satoru would spend his whole life spilling blood in his father's stead.

It wasn't normal for a sorcerer as weak as him to hold as high of a position as he does, and he can feel the scorn and judgement constantly levied his way for his unearned status; some imagined, and much of it very real. Shoji is a quiet anxious man and he is rarely seen in the family compound, preferring to stay in the privacy of his own room most days.

Katsumi Gojo Kimura was the eldest brother. He was seven years old when Satoru was born, and his life before and after that event was vastly different. Excitement for a little brother soon turned into confusion at politics that went over his head and his mother's sudden decline. For the years after that, he and his little sister were mainly looked after by his paternal grandparents who took care of their material needs, but were not invested in them in the way their mother had once been. Katsumi found himself parentified in the care of his little sister.

He came to resent Satoru, who he saw as greatly privileged at the expense of destroying the peace of their family. Katsumi also had the bad luck of being born with Limitless, a technique that is completely non-functional without the six eyes. It's a common condition within the Gojo clan, where producing "useless" sorcerers like him was an acceptable sacrifice to increase the chance of the Six Eyes bearer inheriting the technique.

It made Katsumi feel like he'd almost gotten everything that Satoru was handed on a silver platter; the prestige, the attention of everyone within and outside the clan, the special training and what seemed like everything he could ever want. Even his mother seemed obsessed with her youngest son more than her other two children that she had once given so much of her love and attention to. Even after she seemed to have recovered from her initial depression, she'd never given them the same quality of attention since.

It was like he'd been thrown away as worthless trash for the sake of his prodigal brother.

Years later when he was well into adulthood, he'd learned to let go of that envy when he realized he was happy with the life he had. He'd found a loving partner, been able to become a second grade sorcerer even without a technique and was capable of taking pride in his accomplishments. He was at peace with his own lot in life. He'd thought back to the life his little brother lived and saw the way Satoru could never escape the scheming of clan politics and issues at a scale Katsumi just could not bother to care about. He eventually changed his name to his wife's to cut his final ties to the Gojo clan, putting his resentment to rest.

Hisako Gojo was only three years old when Satoru was born and she was too young to truly remember the event. But she spent much of her childhood left alone, shunted between caretakers and often left as her big brother's responsibility. She spent a lot of time being put in front of a TV or given books to burn away her time. Her technique allowed her to change the passage of time to her own perception, and she spent much of her childhood "fast forwarding" through her life once she'd gained a measure of control over it. She's impatient, finds it hard to follow conversations and easily loses interest in most things.

She was sent to a private elementary boarding school at the age of 7, and never returned home to live permanently since.

By the time she was a teenager, her high school years spent in an apprenticeship to a man who specialized in the storage and transport of cursed tools, Hisako came to learn that she had never been able to experience a family that was not torn asunder and broken into pieces. One time she was invited to a friend's house and sitting around the table with her friend's entire family, siblings, parents, and grandparents all together laughing and eating from the same plates. She'd realized she had never experienced such a normal scene in her life, the closest being large celebrations that involved the entire clan where she'd been left at a small table at the side with the other children, except Satoru who had always been seated by the clan head.

Hisako craved to pull her family back together, and when she learned that Satoru was going to the Tokyo campus of Jujutsu High instead of staying home to finish his specialized education, Hisako transferred there as well to work in the cursed tools administration department.

She would spend the next decade working to rebuild her relationship with her brothers and parents, but would eventually come to the conclusion that her vision was in vain. They would never be able to be a family in the way that she wanted, and she would have to live with that.

[thenarryparable]

My new oc!!!

Okay so she's uh Lemon and Tangerines adoptive mom, getting that out of the way.

Her name is Yuzuki Minoru, she is a Natively Japanese British woman, she moved from Kyoto when she was just an infant for a "better life".

She's an ex-assassin, working for an organization in London, one in Japan when she moved back for a few years to visit family. Earning her respect from the likes of Shigeru Kimura, after she had saved his son from getting in trouble by accident once.

When she returned home in 2006, she retired at the age of 36 and opened a ramen restaurant point. Two years later she met her future sons. Thomas (Tangerine) and Elliott (Lemon), aged 17 and 15, we're frequent people in her restaurant when they were runaways, living in a shed near a cold lake most of the time so they stayed there for warmth and to get Elliott fed.

One day she followed them, trying to find out what the hell was happening with them after Thomas came in there, covered in bruises, looking pale. She found them in the shed and took them to the restaurant and set up a room for them upstairs and since then they had lived with her.

And that's how she adopted the citrus twins.

If you wanna hear moreeeee I shall tell hehe.

[byneddiedingo]

Takashi Shimura in Seven Samurai (Akira Kurosawa,1954)

Cast: Toshiro Mifune, Takashi Shimura, Yoshio Inaba, Daisuke Kato, Seigi Miyaguchi, Minoru Chiaki, Isao Kimura, Yoshio Tsuchiya, Bokuzen Hidari, Yukiko Shimazaki, Kamatari Fujiwara, Keiko Tsushima, Kokuten Kodo, Yoshio Kosugi. Shinpei Takagi, Eijiro Tono, Tatsuya Nakadai. Screenplay: Akira Kurosawa, Shinobu Hashimoto, Hideo Oguni. Cinematography: Asakazu Nakai. Production design: Takashi Matsuyama. Film editing: Akira Kurosawa. Music: Fumio Hayasaka. 

It's a truism that silent movies and talkies constitute two distinct artistic media, and to judge the one by the standards of the other is an error. But it's almost impossible to watch films made by older directors, especially those who came of age when silent films were being made, without noticing the efforts they make to tell their stories without speech. It's true of John Ford, Alfred Hitchcock, and Howard Hawks, even though they, especially Hawks, became masters of dialogue in their films. And it's true of Kurosawa, who although he didn't begin his career in films until 1936 and directed his first one in 1943, was born in 1910 and grew up with silent movies. I think it helped him learn the universals of storytelling that are independent of language, so that he became the most popular of all Japanese filmmakers. Others rank the work of Ozu or Mizoguchi more highly, but Kurosawa's films manage to transcend the limitations of subtitles more easily. Of none of his films is this more true than Seven Samurai, which is also generally regarded, even by those with reservations about Kurosawa's work, as his masterpiece. That's not a word I use lightly, but having sat enthralled through the uncut version, three hours and 27 minutes long, last night, I'm willing to endorse it. It's an exhilarating film, with none of the longueurs that epics -- I'm thinking of Gone With the Wind (Victor Fleming, 1939) and Lawrence of Arabia (David Lean, 1962) -- so easily fall into. I don't know of any action film with as many vividly drawn characters, and that's largely because Kurosawa takes the time to delineate each one. It's also a film about its milieu, 16th-century Japan, although as its American imitation, The Magnificent Seven (John Sturges, 1960), shows, there's a universality about the antagonism between fighters and farmers. Kurosawa captures this particularly well in the character of Kikuchiyo (Toshiro Mifune), the would-be samurai who reveals in mid-film that he was raised as a farmer and carried both a kind of self-hate for his class along with a hatred for the arrogant treatment of farmers by samurai. Mifune's show-off performance is terrific, but the film really belongs to Takashi Shimura, who radiates stillness and wisdom as Kambei Shimada, the leader of the seven. There are clichés to be found, such as the fated romance of the young samurai trainee Katsushiro (Isao Kimura) and the farmer's daughter Shino (Keiko Tsushima), but like the best clichés, they ring true. Seven Samurai earned two Oscar nominations, for Takashi Matsuyama's art direction and Kohei Ezaki's costumes, but won neither. Overlooking Kurosawa's direction, Shimura's performance, and Asakazu Nakai's cinematography is unforgivable, if exactly what one expects from the Academy.

[dorothydalmati1]

Urusei Yatsura 2022 Season 2 Episodes 14B & 15: A Stormy Date

Written by Hayashi Mori

Part 1 storyboard by Minoru Yamaoka

Part 2 storyboard by Hideya Takahashi, Takahiro Kamei & Yasuhiro Kimura

Part 1 directed by Yuki Morita

Part 2 directed by Yasuhiro Kimura

Part 1 chief animation direction by Masashi Yamada

Part 2 chief animation direction by Satoru Kiyomaru & Ryo Kobayashi

[identity-library]

Diverse Sexuality (Comics)

A:

Archie (Comics)

Jughead Jones (Asexual)

B:

Blue Lock (Manga)

Ryusei Shidou (Gay)

C:

D:

E:

F:

G:

H:

I:

J:

K:

L:

M:

Marvel (Comics)

Aaron Fischer/Captain America (Gay)

Aikku Jokinen (Lesbian)

Alana Jobson/Jackpot (Lesbian)

Alani Ryan/Loa (Bisexual)

Albert Moon Jr./Silk (Gay)

Aldrif Oddinsdottir (Lesbian)

America Chavez (Lesbian)

Aneka (Lesbian)

Annabelle Riggs (Lesbian)

Aura Charles (Bisexual)

Avril Kincaid (Lesbian)

Ayo (Lesbian)

Beatrice Bartholomew/Cyclops-Lass (Unspecified WLW)

Benjamin Deeds/Morph (Gay)

Benjamin Thomas (Asexual, Demiromantic)

Brandon Sharpe/Striker (Gay)

Brunnhilde/Valkyrie (Bisexual)

Carl Valentino/Somnus (Gay)

Carmen Cruz/Gimmick (Lesbian)

Cessily Kincaid/Mercury (Bisexual)

Charlie Cluster (Bisexual)

Charlotte Webber/Sun-Spider (Pansexual)

Christian Frost/White Bishop (Gay)

Christopher O'Leary (Bisexual)

Claire Voyant (Bisexual)

Cloud (Queer)

Cooper Coen/Web-Weaver (Gay)

Cullen Bloodstone (Gay)

Daimon Hellstrom (Bisexual)

Daken Akihiro (Bisexual)

David Alleyne (Bisexual)

Dennis Dunphy (Gay)

Doop (Bisexual)

Elizabeth Braddock/Captain Britain (Bisexual)

Ellie Phimister/Negasonic Teenage Warhead (Lesbian)

Felicia Hardy/Black Cat (Bisexual)

Gabe/Bad Guy (Gay)

Gabrielle Diwa (Lesbian)

Gaveedra Seven/Shatterstar (Bisexual)

Gwendolyn Poole/Gwenpool (Aromantic, Asexual)

Heather Douglas/Moondragon (Lesbian)

Heather Tucker/Tempo (Lesbian)

Hector Baez (Gay)

Hector Pullman (Gay)

Heidi Sladkin/Riot (Lesbian)

Hercules (Gay)

Hercules Panhellenios (Bisexual)

Hiroim (Gay)

Ian Soo/Telekinian (Bisexual)

Irene Adler/Destiny (Bisexual)

Isaac Ikeda/Protector (Gay)

Jacob Oh (Gay)

James Howlett (Gay)

Jamie Rogers (Asexual)

Jean-Paul Beaubier/Northstar (Gay)

Jennifer Kale (Bisexual)

Jin Joon-Sung/Kid Juggernaut (Gay)

Judah Miller (Gay)

Julie Power/Lightspeed (Bisexual)

Julio Richter (Gay)

Karolina Dean (Lesbian)

Katherine "Kitty" Pryde (Bisexual)

Kolgoth Antares (Gay)

Korg (Gay)

Kyle Jinadu (Gay)

Loki Laufeyson (Bisexual)

Marcus Roston (Gay)

Max Modell (Gay)

Megan Gwynn (Unspecified WLW)

Megan Ogawa/Kappa (Bisexual)

Monica Sellers (Queer)

Morgan Red (Asexual)

Mors (Bisexual + Polyamorous)

Nadia Van Dyne (Asexual, Quoiromantic)

Nathaniel Carver/Hindsight (Gay)

Nico Minoru (Bisexual)

Noh-Varr/Captain Marvel (Bisexual)

Odessa Drake (Lesbian)

Peter Quill/Star-Lord (Bisexual + Polyamorous)

Phyla-Vell/Captain Marvel (Lesbian)

Priscilla "Shay" Smith (Lesbian)

Raven Darkhölme/Mystique (Bisexual)

Raz Malhotra/Giant-Man (Gay)

Rebecca "Rikki" Barnes (Bisexual)

Ren Kimura (Lesbian)

Renata Da Lima/Bouncer (Lesbian)

Robert "Bobby" Drake/Iceman (Gay)

Romeo (Gay)

Roxanne Washington (Lesbian)

Rūna/Valkyrie (Lesbian)

Satana Hellstrom (Bisexual)

Sera/The Hunter Queen (Lesbian)

Simon Lasker/Pyro (Gay)

Sinclair Abbott/Spymaster (Bisexual)

Steck'ee (Pansexual)

Tamara Blake/Iron Cat (Lesbian)

Theodore "Teddy" Kaplan-Altman/Hulkling (Gay)

Thomas "Tommy" Shepherd/Speed (Bisexual)

Toni Ho/Iron Patriot (Lesbian)

Val Ventura/Flatman (Gay)

Victor Borkowski/Anole (Gay)

Victoria Hand (Lesbian)

Vivian Vision (Lesbian)

Vnn (Gay)

Wade Wilson/Deadpool (Pansexual)

William "Billy" Kaplan-Altman/Wiccan (Gay)

Xavin (Pansexual)

Xuân Cao Mạnh/Karma (Lesbian)

Yelena Belova/Black Widow (Asexual, Aromantic)

Ying Liu (Lesbian)

Yukio/Wild One (Bisexual)

Zoe Zimmer/Ms. Marvel (Lesbian)

N:

Nanbaka (Manga)

Jyugo (Bisexual)

Nimona (Graphic Novel)

Ambrosius Goldenloin (Gay)

Ballister Boldheart (Gay)

O:

Our Dreams at Dusk (Manga)

Anonymous (Aromantic, Asexual)

Ilya Tchaiko (Gay)

Kaname Tasuku (Gay)

Saki (Lesbian)

P:

Q:

R:

S:

T:

U:

V:

W:

X:

Y:

Z:

[jasvvy]

[minorukimiura]

book work キムラみのるポートフォリオ

本を中心にした私のポートフォリオです、こちらからご覧いただけますのでご覧ください。 ▶︎kimura minoru portfolio2022 books

[mod-reese-side-blog]

Name: Yukino Kimura

Age: 18-22 (based on thread

Gender: Demi girl

Sexuality: bisexual

Pronouns: any pronouns

Ultimate: Exorcist

Height: 5’8

Weight: 131 lbs

Chest: 36 inch

Blood type: B

Birthday: September 2nd

Star sign: Virgo

Likes: the occult, curses, graveyards, apples

Dislikes: sports, sunlight

Relationships:

Hozumi Kimura, mother (deceased)

Minoru Kimura, father

Daiki Kimura, older brother

Ursula, pet bunny

Hanzo Matsuda, ex boyfriend

Other muses:

Naoko Suto (classmate)

Kaori Takushi (classmate,)

Tsuyoshi Niishio (classmate, friend)

Raijin Hirose (classmate)

Other information:

-has a habit of biting her nails

-has light sensitivity issues

-she usually doesn’t get along with most people due to her ‘creepy’ personality, however if she manages to become friends with someone she gets very attached

[jca-archive]

Minoru Kimura, from JCA Annual 6 (1985)

[dnact]

Broo....... I hope I can buy the dvd