#Milan Expo

[emvisual]

Este es el pabellón de los Emiratos Árabes Unidos diseñado por Foster and Partners para la Expo de Milán. Unas paredes ondulantes de 12 metros de alto y 140 de largo.

Podría ser obra de Richard Serra perfectamente.

[dlyarchitecture]

[earlycuntsets]

mcr shows on youtube pt. 2 (2005 - 2007)

-> pt. 1 (2002 - 2005)

-> pt. 3 (2007 - 2011)

-> pt. 4 (2011 - 2023)

10/16/2005 connecticut expo center hartford ct - pablohoney27

10/19/2005 carpa neumatica del hipodromo de las americas mexico city mexico - emopinktears

10/21/2005 umbc fieldhouse catonsville md - XxXHollowChildXxX

11/04/2005 carlington academy brixton london england - jason is lost in japan

11/07/2005 carlington academy newcastle upon tyne england - tilly b

11/10/2005 ambassador theater dublin ireland - the academy is my beautiful romance

11/19/2005 razzmatazz 2 barcelona spain - xversa

11/29/2005 stade unprix montreal ontario canada - Smashingchemicals

11/30/2005 john labatt centre london on canada - prunejjuicebob

12/02/2005 muchmusic studio toronto ca - ATØMIC JĒY

12/04/2005 97x next big thing coachman park clearwater fl - obsessionbrazil

03/17/2006 emos annex austin tx - mason randall

04/29/2006 give it a name festival - earls court london england - angelsandairwaveshva

04/30/2006 give it name festival manchester evening news arena manchester england - huesoflife & xEyelashWishes

05/12/2006 sun god festival ucsd rimac field la jolla ca - hisuikirei

08/22/2006 hammersmith palais london england - the academy is my beautiful romance & GMarks1984 & batwife & juliehf

08/24/2006 meadowbank stadium edinburgh scotland - monroeville84 & emu1515 & darthjeebus666 & ZiCoChAiN

08/27/2006 reading and leeds festival little johns farm reading england - joe brady & gdmec182

08/31/2006 mtv vmas radio city music hall nyc ny -- jusyanotherkilljoy

09/06/2006 mtv2s $2 bill philadelphia pa - koi no yokan

10/05/2006 avalon los angeles - the academy is my beautiful romance

10/09/2006 the album chart show london england - xthankyou4thevenomx

10/11/2006 roundhouse london england - ATØMIC JĒY

10/12/2006 virgin megastore london england - the academy is my beautiful romance

10/13/2006 paradiso grote zaal amsterdam netherlands - skittyblackfire

10/14/2006 e-werk berlin germany - redoftherose

10/23/2006 vintage vinyl fords nj - vintage vinyl records

10/25/2006 axis boston ma - juliehf

10/28/2006 city park new orleans la - ohbabylevenin

11/09/2006 e-werk cologne germany - darthvaderlives

11/13/2006 university of liverpool liverpool england - xEyelashWishesx

11/21/2006 alcatraz milan italy - mychemicalitalia & gainlover

12/01/2006 96x electric christmas the norva norfolk va - the academy is my beautiful romance

12/03/2006 97x ford amphitheater tampa fl - sillybears

12/07/2006 key arena seattle wa - anja

12/08/2006 twisted christmas arco arena san francisco - christine kay

12/14/2006 cobb arena detriot mi - fobgirl08

12/31/2006 the pontiac garage nyc ny - the academy is my beautiful romance

01/19/2007 mount smart stadium auckland new zealand - the academy is my beautiful romance

01/29/2007 festival hall melbourne australia - the academy is my beautiful romance

02/07/2007 big day out adelaide showgrounds adelaide australia - the adademy is my beautiful romance

02/26/2007 wolstein center cleveland ohio - rival heart & awesomelexa & katie & sohos & sensesfail814

03/13/2007 ipayone center san diego ca - slownotstupid & shortygothops & sara513

03/14/2007 selland arena fresno ca - miserylovedme123 & m sims

03/16/2007 lawlor events center reno nv - hellasexyrocker12

03/27/2007 scottish exhibition and conference center glasgow scotland - 슬롯 아우디

04/02/2007 koko london england - ATØMIC JĒY (2) & dametokillfor

04/04/2007 elysee montmartre paris france - redoftherose

04/10/2007 kb hallen copenhagen denmark - 666noft (DANZIG COVER) - C4R17O

04/21/2007 universal orlando grand bash '07 universal studios orlando fl - aneiger & selbstmordflucht

04/25/2007 - nashville municipal auditorium nashville tn - thelaurelbush &

05/09/2007 centre bell montreal qc canada - the academy is my beautiful romance

05/20/2007 virgin festival thunderbird stadium vancouver bc canada - ATØMIC JĒY & the academy is my beautiful romance

06/01/2007 nürburgring, nürburg, germany - mcr shows

06/08/2007 download festival donington castle donington uk - the academy is my beautiful romance

06/17/2007 wembley stadium london england - the academy is my beautiful romance

06/26/2007 razzmatazz barcelona spain - the academy is my beautiful romance

07/01/2007 pier pressure frihamnspiren gothenburg sweden - the academy is my beautiful romance

07/04/2007 volksfestgelände pieschener allee dresden germany - cassnjason

07/25/2007 projekt revolution white river amphitheatre auburn wa - the academy is my beautiful romance

07/27/2007 sleep train amphitheatre wheatland ca - christine kay

07/29/2007 shoreline amphitheatre mountain view ca - the academy is my beautiful romance

07/30/2007 kevin and beans breakfast capitol records studios la ca - the academy is my beautiful romance

-> pt. 1 (2002 - 2005)

-> pt. 3 (2007 - 2011)

-> pt. 4 (2011 - 2023)

[superstarbarbie1977]

Barbie Expo 2024, Milan

[nobigneil]

Neil Newbon 2024

Convention Schedule

all convention tagged posts

CALGARY EXPO - posts

FAN EXPO PHILADELPHIA - posts

FAN EXPO DALLAS - posts

TOO MANY GAMES EXPO - posts

FAN EXPO DENVER - posts

FLORIDA SUPERCON - posts

FAN EXPO CHICAGO - August 16 - 18

FAN EXPO CANADA - August 23 - 25

DRAGON CON - August 29 - September 2

RETROGAMECON - October 12 - 13 ONLY

NEW YORK COMIC CON - October 17 - 20

*update* LIVERPOOL COMIC CON - November 9 - 10

MILAN GAMES WEEK - November 22 - 24

Please click on the link for further info re: each convention

[eddy25960]

Humanity against Evil, now at Rome’s National Gallery of Modern Art (GNAM), was one of the first works by Ravenna-born sculptor Gaetano Cellini (1873-1937).

Cellini presented the plaster model at the Milan Expo of 1906, for which he won the prestigious "Premio Fumagalli dell'Accademia di Brera".

[soudasouda]

Austrian Expo Pavilion 2015 Milan by penda dailypenda with Alex Daxboeck via instaarch Follow Souda on Tumblr

[les-portes-du-sud]

Pavillon du Vietnam - Milan Expo 2015 par VTN

[philoursmars]

Marseille, il y a maintenant 3 semaines. Il y avait au MuCEM, côté Fort Saint-Jean une autre expo "Trophées et Reliques" :

Johanna Cartier : "Brilliante"

Laurent Perbos : "Ballon²"

ballon de commémoration de la victoire à la Ligue des Champions OM-AC Milan 1993

boule de bowling de John Fitzgerald Kennedy ; gant de Cassius Clay; chaussure de foot de Beckenbauer ; bombe d'équitation de Lady Diana; ballon de foot de Pelé; bonnet d'aviateur de Saint-Exupéry

ballons de rugby - 1930 ; à droite XIX-XXe s.

gants de boxe d'entraînement de Marcel Cerdan - 1944

[canmom]

Animation Night 156 - THREE YEARS

I did it.

Happy birthday Animation Night, my weird little baby. You are now three years old.

Three years ago, I was watching the Japan Animator Expo. I was blown away and charmed and overwhelmed. So I was like, I have to make people experience Me! Me! Me! for themselves. And while I’m at it, everyone needs to absorb Aeon Flux. What if I were to... stream some cool weird animations on Twitch instead of my usual videogames?

Well, that was a hit!

So I did another week, pulling in package films like Robot Carnival. At some point I decided to try screening entire movies. My friends helped me research films I’d never heard of, and compiled two wonderful lists of animated music videos. At some point we switched from mostly short films to mostly movies. Runtimes got more and more ambitious. The writeups got stupidly elaborate. Every week I’d nerd out and research some new director or studio or subject.

Before I knew it, I was celebrating a whole year of that. And then another! And now, what do you know, it’s three. We have covered a truly startling cross-section of animated films from across space and time.

At this point it feels like if I missed a week, I’d die or something.

(You might be thinking, hold on, I thought you said the anniversary was next week? Well, I did a maths oops. I was trying to take into account the difference between ‘52 weeks’ and ‘365 days’ and I screwed up! No, 156 is the closest week to the anniversary. Except... actually all the previous anniversaries were actually celebrated a week early, since I was counting from a notional ‘Animation Night 0′.  But uh... having established that tradition I’m not gonna break it.)

So, let’s go over a few highlights from the last year, as has become traditional. But what are we watching tonight? Well, previously we marked the occasion by rewatching some of my faves from the early days, like Aeon Flux, Tekkonkinkreet or Dahufa. This time, the spotlight is going back to the Japan Animator Expo, which was a thing that Hideaki Anno’s Studio Khara organised, pulling in an incredibly varied collection of short films from all sorts of different studios - a chance for some of the greatest animators to cut loose and make some concepts that would be too weird or elaborate to make normally. More on that in a bit!

So. The last year. The first week AN 105, we took a look at old school Imaishi at his most stylish in Dead Leaves, and a strange Japanese-French angle on LA in Mutafukaz. Fun movies, a promising start.

But the next week, I lost my friend Fall. It still makes no fucking sense, and it won’t ever. On Animation Night 106, I used this ritual to remember her by showing Haibane Renmei, an anime deeply important to her. It proved to be exactly what I needed to see at that time - one of the most truthful depictions of grief. I still miss Fall. I wish I could talk to her about everything that’s happened in the last year. (I’ve done my best to learn Japanese in part to honour her love of languages, but now I’m at the point I can somewhat hold a conversation, it hurts that I can’t actually talk to her in ‘her language’.)

The next few weeks, I kept this up despite everything. We visited the ingeniously grotesque ‘gekimation’ of Ujicha (AN108), visited Mamoru Hosoda twice to more or less charming effect (AN107, AN 113), recreated Studio Ghibli’s one-two punch of 1988 (AN 111), and had a look at some absolutely unique directors like Bill Plympton and Joann Sfar (AN 112, AN 114). I got to show @mogsk​‘s original fansub of a film of Croatian animator Milan Blažeković (AN 116). On AN 117 I wrote another love letter to independent/web animation.

Short films would continue to have a presence all throughout - AN109 we checked out the latest Love Death and Robots and nearly every CalArts film of the year, and AN135 we did the same with a fantastic selection of Gobelins films as well as some unique animators like Poul Robertson and Pulpe. AN 141 took us out to China, with the glorious return of Shanghai Animation Film Studio, and the brilliant Mee’s Forest by Busifan of Dahufa fame, now with a fresh translation by the writers of Animation Obsessive.

On AN 119, I wrote a post about Richard Williams and The Thief and the Cobbler, telling the story of Williams’ lifelong project to try to live up to his ideal of Disney’s Nine Old Men, no matter the cost. That proved to be one of my post popular posts of the whole year and it’s definitely one of the bits of writing I’m happiest with.

The next week on AN 120 I was in America! We saw something just as technically ambitious in another way: Richard Linklater taking Bob Sabiston’s ‘rotoshop’ software and a great deal of animator sweat to portray the world of dreams, and then Philip K Dick’s tragic scifi version of his experiences at edge of society, caught between exploitative cops and the effects of heavy drug use. It’s a unique style, and an effective one. Another American week took us into the archives of Liquid Television, the incubator of Aeon Flux and Beavis and Butthead, to see what else they had in their vault (AN 121).

On AN 122, we had a look at The Hakkenden, an incredibly ambitious and varied OVA... if one that’s now mostly remembered only by sakuga fans. AN 125 took a look at the rest of Peter Chung’s career besides Aeon Flux, notably the delightfully strange Alexander Senki, which we’d revisit to finish a few weeks later, but also some of his franchise work like Riddick and Tomb Raider.

AN 127 took us to see the three adaptations of the works of ‘Project Itoh’, Hideo Kojima’s best friend and purveyor of sharp near-future scifi. Itoh died tragically young; these posthumous adaptations by three different studios each have a very distinctive style and are powerful films in their own right.

Halloweens are when we go and take a look at horror animation - they’re always memorable. On AN 129 we got to see more of the work of Ujicha, and dive into the baroque, slimy hellish dreamworld of Phil Tippett’s thirty-year magnum opus Mad God.

On AN 130, I got to have another headscratch at the old question of ‘what the hell is up with Hayao Miyazaki’, comparing his old film Porco Rosso against the most recent The Wind Rises, which both approach the tension between his pacifism and his love of old warplanes.

On AN 136 I took another leaf through Animation Obsessive to collate their writing on the Zagreb School into a film night. This unique group of animators put a unique spin on the UPA style, breaking all the supposed rules of animation timing.

Back in the day I wrote a monstrously long post about samurai to introduce an animation night on jidaigeki, Japanese historical stories. AN 137 returned to that subject, with three very different but all excellent films by Production I.G. and Toei.

AN138 was a chance to compare Pinocchios old and new, with del Toro’s new stop-motion interpretation making a hell of a splash. The new one was undeniably beautiful, but could its story hold together..?

On Animation Night 139, I had a look at the mighty realist animator and occasional director Hiroyuki Okiura. Okiura was one of Production I.G.’s secret weapons, renowned for his contributions to films like Ghost in the Shell, but we had a look at some of his more obscure works like Run, Melos. The next week (AN 140) I followed this up with a deep dive into Oshii’s ‘Kerberos Saga’, trying to figure out what Anpo man Mamoru Oshii was doing with all that nazi power armour. Of all the films in that sprawling story, Okiura’s Jin-Roh: The Wolf Brigade was certainly the most impactful and coherent, but Oshii’s bizarre pixilation film Tatsuguishi-Retsuden was a historical oddity I was glad to discover despite the wonky translation.

On Animation Night 143, I finally gave the Lupin III franchise its due. We took a look at some of the wonkier entries in the long history of Lupin, such as The Mystery of Mamo in which Lupin goes up against a weird blue immortal guy, and the recent attempt to reboot it in C.G. And we had another look at Takashi Koike’s dark, heightened take on Lupin, which is always... an experience.

The next week on AN144, I continued my efforts to get into Gundam by taking a look at Sunrise Studio 1′s overwhelming film duology Gundam Thunderbolt. Jazz and space battles, a nonstop orgy of robot violence, it was a ride.

On Animation Night 146, we commemorated Leiji Matsumoto, one of the most influential artists in the history of sci-fi anime, creator of such immortal characters as Captain Harlock. It was a chance to take a look at his whole career, even the early WWII comics, where we saw his fixation with the figure of a reluctant soldier on the wrong side. The next week (AN147) we saw the time that Daft Punk collaborated with Matsumoto and Toei to make a movie for their album - and some weeks later on AN152 we’d return to Captain Harlock again, with Shinji Aramaki’s odd CG interpretation.

Animation Night 148 was a long overdue return to the world of Korean animation, with a fascinating set of angles, from viciously dark drama to rural nostalgia to... kinda like yugioh? AN149 took things historical, looking at Toei’s adaptations of mythological stories from the earliest days of anime - which hold up really quite well.

Then on Animation Night 150 came the long-awaited day where I got to show everyone Masaaki Yuasa’s incredible film Inu-Oh. A blind monk and a cursed boy join together to tell the stories of the fallen in medieval glam rock. It’s such an expression of the joy of what animation can be, and honestly one of my favourite films, and I’m really glad everyone seemed to enjoy it as well.

After all that, were we running out of steam? Not at all! Animation Night 151 saw the release of Lackadaisy, showing that webcomic dorks on Discord can make animation to rival any big studio; Bani-Chan’s beautiful film for Toby Fox and Itoki Hana, and most of all, Studio Ponoc’s Modest Heroes, the effort of a bunch of former Ghibli staff to bring something new to anime. The third film Invisible, featuring the unbelievably sophisticated animation of Akihiko Yamashita, has to be seen to be believed.

And that almost brings us up to now! Animation Night 153-154 took us into a dive of an early work by the master of chuunibyō, Kinoko Nasu, with year-spanning nonlinear story of wizards and traumagirls and murder - as envisioned by the madly ambitious early Ufotable. And last week, I wrote a monster of a post covering the story of Kunihiko Ikuhara for AN 155 - the man launched from Sailor Moon to create such uniquely powerful works as Utena, Penguindrum, and Sarazanmai. Thanks for reading that, it means a lot that so many people did!

So... phew. Hell of a year.

I wasn’t sure I’d be able to bring new material every week for a third year running. I’m kind of amazed that I did - and it’s not like this is the dregs, we’re still finding things that amaze and delight. But that said, I am kinda running out of stuff to show. Animation Night will continue, but I’m going to start introducing more reruns - which I hope isn’t a bad thing because a whole lot of you joined quite recently so it will probably be new to you!

And with that in mind, it’s time to go watch one of the very first things I ever showed on this film night: The Japan Animator Expo.

If I was to write a full writeup on the Animator Expo, it would take so long that we’d have no time to actually watch the films. So with that in mind, here’s the short version.

So. Hideaki Anno (AN: if u don't know who she is get da hell out of here!) left the hot organisational mess that was Gainax to run his own studio Khara, their primary mission being to create the four-movie Rebuild of Evangelion series (see: AN 18, AN 66). But this mammoth project was not their only undertaking. In 2014, Anno and Khara organised a series of short films for the Tokyo International Film Festival, designed as a showcase of both new and old animators. The series was called the 日本アニメ（ーター）見本市 Nihon Anime(etā) Mihonichi or Japan Animator Expo. Each week, a new short would be released on the web.

The shorts vary incredibly wildly. Some of them are incredible technical flexes by some of the most experienced in the business; others rougher work by independent animators. Some tie in to existing franchises (mainly Eva), or function as pilots for later works; others are standalone. Some are music videos, some are short films, some blur the lines. Some use a relatively standard anime style, some are CG, some have a unique design aesthetic. It’s an incredibly varied and cool collection.

^a brief clip from the psychic bomb that is Me! Me! Me!

I will write up a full breakdown of every film in the animator expo and what’s interesting about who made each one at a later date. Tonight let’s just watch the thing - it’s not short! So Animation Night 156 will begin pretty much right now; movies will begin in 10-20 minutes once people are in so please get over to twitch.tv/canmom and watch for as long as you like! ^^

See you there!

[research-lighting]

Austrian Expo Pavilion 2015 Milan by penda dailypenda with Alex Daxboeck via instaarch Follow Research.Lighting on Tumblr Source: https://soudasouda.tumblr.com/post/750913710753742848/austrian-expo-pavilion-2015-milan-by-penda

[ceramiccity]

Milan Furniture Expo Preview

Modern interior with wooden sideboard, floor lamp, and decorative vases against pastel backdrop. Follow Ceramic City on Tumblr Source: https://research-lighting.tumblr.com/post/749867246966521856/milan-furniture-expo-preview-follow

[blackpilledkremlintsarina5294]

Vladimir Putin at the Milan Expo on June of 2015.

[superstarbarbie1977]

Barbie Expo 2024, Milan

[artlimited]

ART LIMITED features Alma Bibolotti with the art work "Foster, Emirates Pavillon 1". Visit the artist's profile https://www.artlimited.net/30433 Published Thursday 5th, January 2023 at 14:50:31. For a chance to be featured follow our rules in the profile description of our Instagram account. Featured artists are welcome to respond to any comments posted for their art works. Thank you to our curators for their selections. #blackandwhite #fineartphotography #myfeatureshoot #archilovers #photography #edifice #2015 #expo #milan #architecture #artexhibition #contemporaryphotography #construction #foster #structure #architectureaddiction #blackwhite #blackandwhitephoto #monochromatic #blackandwhitephotography https://www.artlimited.net/30433/art/photographie-foster-emirates-pavillon-1-construction-edifice-structure/en/680942

[tsasocial]

Intertextile directions reveals I-dentities as theme connecting fashion trends for spring / summer 2026

In a world striving for rapid evolution, the values and identities of humans and objects stand steadfast, and nurturing individuality is key – according to Identities, the theme connecting the Intertextile Directions Trends of S/S 2026, developed by four renowned international forecasters. From 11 – 13 March 2025 at Intertextile Shanghai Apparel Fabrics – Spring Edition, fairgoers will be able to discover the emergence of four key trends – SIMPLE, HACKING, MISCHIEF, and FREEDOM – at the Trend Forum in Hall 5.1 of the National Exhibition and Convention Center (Shanghai).

For the upcoming sourcing season, prominent trend forecaster Elementi Moda (Milan) will take charge of the Forum and create a tangible showcase of the trends, predicted by them and the three other members of the Intertextile Directions Trend Committee – DONEGER | TOBE (New York), NellyRodi™ Agency (Paris), and Sachiko Inoue (Tokyo). The Forum will feature collections of fabrics and accessories from various exhibitors, arranged according to each trend story. In-vogue fabrics for S/S 2026 range from natural and understated textiles with raw simplicity, to curated cute materials with whimsical and innovative elements.

‘When we change our clothes’ – understanding the upcoming trend stories Wanting to dress in favourite clothes, resemble someone admired, or remain true to self are a few of the near-universal ideals for personal style choices. As a concept, fashion embraces each wearer’s diverse passions, and that shines through in the I-dentities theme.

SIMPLE

Seeking a peaceful lifestyle in harmony with nature, the trend utilises a colour palette mildly drawn with neutral tones, showing natural softness and delicate brushstrokes. Fabrics are split into three categories: Quiet craft, featuring fabrics of inherent quality and raw simplicity such as cotton-cashmere and dehydrated linen; Emo-tech, using materials with a strong focus on texture, overdye as well as faded and vintage-inspired patterns; and Mystic past, woven or knitted feminine fabrics with a cool, soft texture and delicate appearance.

HACKING

Blending sport, beauty, comfort, and sustainability, with rhythmic and refreshing hues such as dark camouflage contrasting with signage brights. Sexy corp, the first category, is characterised by organic, recycled and synthetic fashion materials balancing performance and practicality. Outdoorsy, meanwhile, makes use of new-quality and highly functional fabrics with a touch of individuality. Lastly, Glam move prioritises comfortable materials with lightness and wearability, such as sophisticated satin, triacetate, and wool blends.

MISCHIEF

A neo-romantic style brimming with modernity, revealing a milky pastel palette empowered by a playful spectrum of hues. Sugarbaby shows shirring, puffed fabrics, matelassé, and other fabrics with a free-spirited and joyful kitsch, while Preppy boy is marked by fresh and airy organic materials and refined country-style fabrics. Finally, Cheeky Cheeky consists of multicoloured, playful fabrics blending different types of fibres, with many including pigment prints and innocent, childlike drawn patterns.

FREEDOM

This trend draws from the desire to escape into an extraordinary, non-routine existence, using an exotic palette fusing mysterious hues with sunny gradational tones. Fabric categories consist of Dramatropic, with voluptuous fabrics such as sleek silk satin, grosgrain, and chiffon; Happy Hippie, embodying diverse personalities using dynamic materials with a pleasant and cool feel; and Serenity, and its supple, nuanced fabrics with flocked finishes, delicate embroidery, and floral and bird motifs.

The fair is co-organised by Messe Frankfurt (HK) Ltd; the Sub-Council of Textile Industry, CCPIT; and the China Textile Information Centre. It will take place alongside Yarn Expo Spring, Intertextile Shanghai Home Textiles – Spring Edition, CHIC and PH Value at the National Exhibition and Convention Center (Shanghai). For more details on this fair, please visit: www.intertextileapparel.com.

Intertextile Shanghai Apparel Fabrics – Spring Edition will be held from 11 – 13 March 2025.

Other upcoming shows:

Vietnam International Trade Fair for Apparel, Textiles and Textile Technologies 26 – 28 February 2025, Ho Chi Minh City

Intertextile Shenzhen Apparel Fabrics / Yarn Expo Shenzhen 11 – 13 June 2025, Shenzhen (Futian)

Intertextile Shanghai Apparel Fabrics – Autumn Edition / Yarn Expo Autumn 2 – 4 September 2025, Shanghai