#Mike Mist

[dirtyriver]

The Detectives, 1993, original cover art by Adam Hughes

[wolfboywarmachines]

mine and yours first breaths were of the same air

the fall of the house of usher (2023) // gone girl (2013) // succession (2018-2023) // "with the mist so dense on the bridge" - mahmoud darwish (2008) // star wars: episode viii – the last jedi (2017) // unknown // bullet train (2022) // unknown // wandavision (2021)

[mystery--mist]

My child ran to me and showed me this doodle he drew of his new friend

Glad he's finally starting to make friends :") ♥

Mark child belongs to @dimneo1010

[sitting-on-me-bum]

‘Sunrise on the Towy’

by Mike Richards

Garden Photographer Of The Year Awards

[geekgirles]

A biracial lesbian couple? In my Ghostforce? It's more likely than you think.

[thryth-gaming]

My "Home" Games

So, I've since realized this term is a bit confusing because it has since been used to differentiate on-camera Actual Plays from private games. But I started using it because I was unsatisfied with the typical concept of the "favorite" game.

Basically, I have four games that I will always return to if given a chance. These are:

Fate Core

Scion 2e (Storypath)

City of Mist

Monster of the Week

I really can't choose between these four games as to which I enjoy more. However, some people may have noticed that I don't recommend them equally. So here's why Monster of the Week is the game I recommend the most.

Fate Core

Fate Core is one of the more recent variations of the Fate system which descended from FUDGE and first appeared in specific games like Spirit of the Century or Dresden Files RPG. It is a narrative game and uses the Aspects from FUDGE, a mechanic which has influenced a lot of narrative games ever since. It can and has been adjusted to hit a large number of genres with a large collection of much varied official release content, the majority of which is available Pay-What-You-Want, and a very easy to work with open license for making third party material.

However, Fate Core is very much a toolkit system. This means that the base rules are meant to be modded so that you can hit the exact gameplay flavor you're hoping for. This means that a GM will be faced with making a fair amount of homebrewing mechanics to match desired narrative. That mentioned vast library of sample worlds does help as you can borrow mechanics from any of a number of existing world books to make your world, but it still requires some work.

On top of this, as one of the earlier narrative games, it has some rough spots in mechanics and, most glaringly, a lot of tables struggle with getting the Fate Point economy flowing at just the right level. This can cause the game to underperform. This is because the metacurrency of Fate Points generally requires the GM and players to actively engage with it by experiencing problems as a result of the down side of their Aspects. A common story I've been told is that tables will just RP their negative aspects without being encouraged to, which is fine because the game allows for giving Fate Points for that, but forget that it is a thing they should get Fate Points for. More recent narrative games have answered this problem by including purely game play ways for the metacurrency to refill so it isn't entirely dependent on players and GMs remembering to do it.

So, that brings me to the following for Fate Core

Very low buy-in cost, most of the material can be purchased for low cost or gotten for free.

Lots of support and examples.

High flexibility

High GM campaign prep required (session prep is pretty easy though)

The mechanics takes a bit of a re-working some player's approaches to gaming.

Scion 2e

A roleplaying game where you can play a hero with a spark of divinity in a modern day setting where the supernatural is public and all myths are true, especially the contradictory ones. Yup, sign me up. I am always up for this genre of game play. You got a lots of cases of "Jus' Folks" supernaturals alongside the heroes and where magic is a simple part of life.

Also, the Storypath system is a great mix of narrative and tactical. It scratches my desire to do character builds and doesn't require me to perform absurd mathematical gymnastics in order to get exactly the flavor I want for my character. The stunt system is great and seems to take inspiration from Green Ronin's AGE game's stunt point mechanics, but the gem is Enhancements and Scale.

Enhancements range from +1 to +5, with +4 and +5 only possible to reach with supernatural abilities. These are bonus successes that only apply to your roll if you have rolled at least one success on the dice. This keeps the dice relevant, as compared to Scion 1e where eventually bonus successes reached a point that dice just didn't matter anymore. The cap on enhancements would keep the power bound within a certain power level if this wasn't then match with the Scale mechanic which allows the characters to be the demigod or superhero they're meant to be.

The default setting makes some assumptions about the world but also explains how you can adjust these to your desire. For example, I generally ignore the whole idea of the war between gods and titans. So this is neither a good nor bad bit.

The big downside to this game is that the financial buy-in to get into the game is pretty significant. At minimum to play the game you need both Origin and Hero to have all the basic rules you need to play the game at its best. You can play Origin for a good long while and have fun, but it has very limited advancement and scaling, so you're eventually going to want to move on to Hero. Demigod and God are significantly different gameplay feels and you may never end up reaching that level and still be fully satisfied, so you don't need those, but they do have extra Pantheons and ideas about the world setting.

Accompanying this is that the supplements of the game are rather hit and miss. Mysteries of the World, Saints and Monsters, Demigod, God, and Titanmachy are definitely worth a purpose. However, Dragon, Masks of the Mythos, and a few others are sort of middling. Dragon and Masks in particular feel over-engineered and fiddly.

High buy-in cost

Minimum 2 book requirement

Varying supplement quality

Variable gameplay flavor from social to combat

Amazing flavor

Excellent mix of narrative and tactical mechanics

City of Mist

City of Mist is a noir superhero game where you play people who are empowered by their connection with a story (or multiple stories in the case of one of my PCs). This Mythos has a desire to relive itself on an epic scale and will empower your character to do just that. For example, the Little Match Girl mythos will seek to relive her story of deprivation, delusion, and death by exposure and if not anchored by a human will, will spread this concept throughout all of society.

It is a game descended from Powered by the Apocalypse but the extent of its changes are such that I feel that it is its own thing. It still uses the 2d6, but where it uses Fate Aspect-like "tags" instead of the common range of usually 5 stats and the combination of four themebooks instead of a single playbook makes it incredibly different.

The themebook mechanics does make City of Mist perhaps the best mechanics for doing character development out of any game I have ever played. The themebooks are meant to grow in effectiveness and versatility but also to be lost and replaced, granting experience based on the strength of the replaced theme. This process has a pacing controlled almost entirely by the player with dice-based changes well sign-posted as risks so they will never come as a surprise. You can have your character change as much or as little, as fast or as slow as you want. There is also a built in reset option for characters that don't want to retire their character but do want to go back to an entirely fresh sheet.

In addition, the Iceberg approach to planning stories and campaigns is exceptional and it has some truly great advice on how to manage spotlight between players to make sure nobody is recommended. The publishers have also started to make other games based on this system but I do not believe there is an open license as of yet, so for now the only Written in the Mist games (yes, I just made that up) we're getting are going to com out of Son of Oak Games.

However, the mechanics are a bit intricate. In my opinion they are not over-designed or extraneous and move fluidly once you're used to them but they can take a bit of getting used to. Also, while it was originally a single book, the publisher found that it was too large a book to allow for efficient publishing so it was split into two books. This puts its financial buy-in at similar levels to Scion 2e. There are some supplements, Shadows and Showdowns is especially good providing new themebooks to use, but I believe most add setting elements, example cases, and example characters.

Somewhat high buy-in cost

Minimum two book requirement

Somewhat complex rules that do work well after a brief learning curve.

Excellent character development mechanics.

Such flavor.

Monster of the Week

Of the Powered by the Apocalypse games not created by the original designers of the system, Maguey and Vincent Baker, this is the game that most understands both the limits and strengths of the PbtA system. It is a very straightforward and simple systems that knows exactly what it is and what it is here to do. And this self-awareness has allowed it to grow in ways a lot of other PbtA games struggle to do so (without becoming something entirely different at least).

As long as a story fits within the framework of investigative action horror, Monster of the Week can do it. The playbooks represent story arcs for the character drawn from recognizable shows and books like Buffy the Vampire Slayer, Supernatural, Dresden Files, Evil Dead, Penny Dreadful, and even Scooby Doo.

The hunters are able and encouraged to borrow from other playbooks to fill out their personal character build and each move is also an element of the character's story.

To date, all of the supplements have been excellent, and I'm going to say that the new supplements co-authored by myself and Marek Golonka are set to fit that mold. Also, essentially, the supplements do not change the game to such a degree that they become absolutely necessary to playing the game the way some supplements have become in other's game (a certain witch's cauldron for instance). If the only book you own is the Monster of the Week corebook (I suggest the Hardcover edition as it includes some optional rules from Tome of Mysteries) you have everything you need for an excellent game.

I highly recommend each of the supplements but even once you have them, you won't always need Team playbooks and you won't always want to be playing in one of the other world settings of Codex of Worlds. If you get the Hardcover edition of the Corebook you'll already have a lot of the optional rules from Tome of Mysteries, but that book will still benefit you in the form of its more than 20 pre-made mysteries, several advice essays on running the game, and four hunter playbooks: The Searcher, The Hex, The Gumshoe, and The Pararomantic.

The downside of this game is that you're not always going to want to do investigative action horror as a game premise. If I want something that allows for slice of life, then Fate would be the best followed by Scion 2e and City of Mist. Similarly if I want the game to be more about supernatural politics than fighting monsters. The game CAN do politics and slice of life well, but once those become the central focus of a campaign you may want to switch to a different system.

Low to Average financial buy-in

Lots of support

Excellent supplements

Accessible rules

Really needs to be the specific genre of investigative action horror.

[bylertruther]

some of you never grew up in a small conservative town as a (gay) nerd that was bullied, harassed, and excluded for years on end for not fitting in and for visibly and enthusiastically liking geek things—geek things that then branded you a satanist in everyone's eyes and as something Other, Lesser, and Undoubtedly Unworthy of Basic Human Decency even though you were literally just an actual child with harmless interests and not a satanist or an evil disgusting subhuman thing, and it shows.

you cannot apply modern views and beliefs to a show that is set in the eighties, especially not when it's set in conservative midwest eighties which is a whole other beast. being a socially awkward and nonconforming geek is something that people STILL get bullied for if you don't do it in a way that the majority deems "acceptable", especially if you live in a conservative, religious area.

your experiences are not universal and your inability to relate to a certain motif or story does not make it "lesser" or "bad writing."

[weewoow-2060307]

Me when someone says Byler is one-sided:

[tomoleary]

Mike Dringenberg and Malcolm Jones III “Season of Mists A Prologue” Sandman #21 Splash Page 1 Original Art (DC, 1990) Source

[earthshells]

Athe michael afton renaissance is happening right now and i am leading it

[thebutcher-5]

Oculus - Il riflesso del male

Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo continuato a discutere di fumetti, spostandoci questa volta negli USA e prendendo in esame i comics, specialmente uno riguardante il mio supereroe preferito con Superman: Stagioni. La storia parla della crescita di Clark, da quando andava al liceo a Smallville fino a quando si è trasformato in Superman, compiendo gesti…

[dirtyriver]

Ms. Tree: Deadline, written Max Allan Collins, interior art by Terry Beatty, cover by Claudia Caranfa

This fourth volume of Titan/Hard Case Crime's reprint of one of the best US comics P.I. Series contains the following stories:

Deadline (Ms. Tree #10-13, August-November 1984) Skin Deep (Ms. Tree #14-15, December 1984-January 1985) Runaway (Ms. Tree #16-17, February-April 1985) Runaway II (Ms. Tree #32-34, September-November 1986) Death, Danger and Diamonds (Ms. Tree 3D #1, August 1985)

[spooky-confetti]

"someone should have told her she didn't need to try this hard."

Haunting of Hill House (2019) directed by Mike Flanagan

[mystery--mist]

Hehe how silly :3c

Wonder who is gonna die :Oc

Mark belongs to @dimneo1010

Original meme below!

[andragoras-in-vanity]

hm i have no energy to write anymore, but should i start a side blog for my card readings and ghost stories? im so estranged from life and my home, i cant get comfortable without being connected like i was before i moved, even reading cards is hard to do now.

[redgoldsparks]

Transcript below the cut.

instagram / patreon / portfolio / etsy / my book / redbubble

Panel 1: For the second year in a row, Gender Queer was the most challenged book in the US, reported the American Library Association.

Panel 2: It’s been a weird two years. Number of unique titles challenged in the US by year. 2000: 378 titles. 2005: 259 titles. 2010: 262 titles. 2015: 190 titles. 2020: 223 titles. 2021: 1858 titles. 2022: 2571 titles.

Panel 3: It’s been a hard two years. The ACLU is tracking 469 anti-LGBTQ bills in the US.

Panel 4: Usually I prefer to wait until something is over before I write about it, so I have time to reflect. But this experience has not ended.

Panel 5: It has only gotten louder. (A series of screen shoots of news headlines about Gender Queer, book challenges and an obscenity lawsuit against the book being dismissed in the state of Virginia).

Panel 6: I’m constantly wondering, “When should I speak and when should I let the book speak for itself?”

Panel 7: I remember when I realized that the previous most challenged book spent five years in the top five.

2020- Melissa by Alex Gino at #1 2019- Melissa by Alex Gino at #1 2018- Melissa by Alex Gino at #1 2017- Melissa by Alex Gino at #5 2016- Melissa by Alex Gino at #3

Panel 8: Oh, I think I can take my time figuring out how to respond. I think I’m in this for the long haul...

Panel 9: Ways to support libraries and challenged authors: Check out and read challenged books. Vote for and attend library board and school board meetings. Report censorship to the ALA and PEN America. Vote to fund libraries. Speak up against legislation limiting the teaching of queer history, sex ed, abortion and the history of racism in the US.

Panel 10: Most challenged books of 2022:

1. Gender Queer: A Memoir by Maia Kobabe

2. All Boys Aren’t Blue by George M Johnson

3. The Bluest Eye by Toni Morrison

4. Flamer by Mike Curato

5. (tie) Looking For Alaska by John Green

5. (tie) The Perks of Being a Wallflower by Stephen Chbosky

7. Lawn Boy by Jonathan Evison

8. The Absolutely True Diary of a Part-Time Indian by Sherman Alexie

9. Out of Darkness by Ashley Hope Perez

10. (tie) A Court of Mist and Fury by Sarah J Maas

10. (tie) Crank by Ellen Hopkins

10. (tie) Me and Earl and the Dying Girl by Jesse Andrews

10. (tie) This Book is Gay by Juno Dawson