#Micro-grids

[tanuki-kimono]

Hello! First off, your blog is such an important resource for me in kimono colours and patterns. I’m making a manga when the details of there kimonos are rather important for the time that passes. And I was wondering what the colours/patterns are for each of the four seasons?

Hi and thank you for your kind words <3 I hope my answer will help you with your manga, don't hesitate to link me the finished story!

As for your question, seasonal color/patterns is a HUGE subject. Sensibilities and tastes changed across periods - and so did patterns, colors and styles ^^;

With a "modern" (late Edo to modern times) setting in mind, you can have a look at this past ask, where I linked patterns ressources => Japan 72 micro seasons, kigo seasonal words, Kimonolady's Tea ceremony calendar, etc.

As for colors, check those past notes => otterintheflightdeck's color serie, color association + those ressources => kimono colors matching grid (via Kimono Nagoya), kasane no irome (on Sengoku Daimyo / on Kariginu), Irocore color list (in jp but each color has brief english description)

[tinyhousetown]

Off Grid Micro Cabin (97 Sq Ft)

Built for a net cost of $50!

[tinyhomehunter]

I found this while searching on pinterest and FELL IN LOVE. I am a huge halloween/gothic style lover.

[janedroid]

Who would I like to talk to soon?

I’d love to have tea with Mike Cannon-Brookes from Atlassian. I spend so much time researching, reading and daydreaming about a protopian future, it would be so much fun to brainstorm with someone who is equally as enthusiastic about the potential for humanity. Mike’s involved with developing cleaner energy and has had a few stoushes with older power companies and their boards. He’s stuck to his…

[offgridsolarblog]

Illuminating the Future - Solar Power Micro-Grid Systems

In an era where sustainability and energy independence are paramount, solar power micro-grid systems have emerged as a beacon of hope for communities, industries, and regions seeking reliable, resilient, and environmentally friendly energy solutions. These decentralized power networks leverage solar energy to not only provide electricity but also boost efficiency, enhance reliability, and reduce the carbon footprint. In this article, we'll explore the world of solar power micro-grid systems, delving into their components, benefits, applications, and their pivotal role in shaping a greener future.

The Anatomy of Solar Power Micro-Grid Systems

Solar power micro-grid systems are intricate yet highly efficient energy ecosystems. They comprise several essential components that work harmoniously to provide clean and sustainable electricity:

Solar Panels: At the heart of the system are solar panels, which capture sunlight and convert it into electricity. These panels are usually installed on rooftops, in open fields, or on other suitable surfaces.

Inverters: Inverters play a crucial role in converting the direct current (DC) generated by solar panels into the alternating current (AC) required for electrical devices.

Battery Storage: Energy generated by the solar panels is stored in a battery system. Deep-cycle batteries are commonly used for their ability to store energy efficiently.

Controller: A charge controller regulates the flow of energy from the solar panels to the batteries, preventing overcharging and extending battery life.

Distribution System: The micro-grid includes a distribution system to transmit electricity to end-users, whether they are residential, commercial, or industrial consumers.

The Benefits of Solar Power Micro-Grid Systems

Reliability: Solar power micro-grids provide a reliable source of electricity, even during power outages or unfavorable weather conditions. This reliability is crucial for critical facilities like hospitals, schools, and emergency response centers.

Efficiency: Micro-grids enhance energy efficiency by optimizing power supply and demand, reducing waste, and minimizing grid strain.

Energy Independence: Communities and businesses that deploy solar power micro-grids reduce their dependence on centralized power grids, enhancing their energy independence.

Environmental Sustainability: By harnessing the sun's energy, micro-grid systems significantly reduce carbon emissions and contribute to a cleaner environment.

Economic Benefits: Over time, solar power micro-grid systems lead to cost savings, as they reduce energy expenses and decrease reliance on fossil fuels, which are subject to price fluctuations.

Applications of Solar Power Micro-Grid Systems

Rural Electrification: Solar power micro-grids are a lifeline for remote areas and villages with unreliable or no access to centralized power grids.

Industrial Facilities: Manufacturers and industrial plants rely on these systems for uninterrupted operations and cost-effective energy supply.

Residential Communities: Housing developments and gated communities can achieve energy independence and a sustainable lifestyle through solar power micro-grids.

Educational Institutions: Schools and universities benefit from reliable power supply and reduced energy costs.

Emergency Response: Emergency response centers and disaster management facilities depend on micro-grids for continuous power, even during crises.

The Future of Solar Power Micro-Grid Systems

As technology advances and environmental concerns grow, the future of solar power micro-grid systems appears brighter than ever. These systems are poised to play a pivotal role in shaping a more sustainable, efficient, and resilient energy landscape. They are not just local solutions; they are integral to a global shift toward cleaner, greener energy practices. Solar power micro-grids are the path to a more sustainable and illuminated future for us all.

[ecoeconomicepochs]

Solar Nova + Pole shift Vs Crypto chips

The 1859 Carrington Event impacted telegraph wires. Is it time to relook at the world's monetary unit of value in light of a energy grid / internet that is disabled? The Carrington Event was the most intense geomagnetic storm in recorded history, peaking from 1 to 2 September 1859 during solar cycle 10. It created strong auroral displays that were reported globally [1] and caused sparking and even fires in multiple telegraph stations. The geomagnetic storm was most likely the result of a coronal mass ejection (CME) from the Sun colliding with Earth's magnetosphere. [2] #money #currency #energy #solar #nova

[biglisbonnews]

Local communities play key role in clean energy transitions Putting people at the centre of all clean energy transitions is also key to successfully implementing energy and climate policies, says IEA. https://www.esi-africa.com/renewable-energy/local-communities-play-key-role-in-clean-energy-transitions/?utm_source=rss&utm_medium=rss&utm_campaign=local-communities-play-key-role-in-clean-energy-transitions

[greenthestral]

Breaking Barriers: The Challenge of Electrification in Remote Areas

In today's rapidly evolving world, the importance of electrification cannot be overstated. Access to electricity is a cornerstone of modern living, enabling progress in education, healthcare, communication, and economic development. Over the past few decades, remarkable strides have been made in electrification efforts, but there remains a significant challenge in reaching the hardest-to-reach areas. This article explores the obstacles hindering impressive progress in electrification and sheds light on the efforts being made to overcome these challenges.

The Significance of Electrification

Electrification is a critical component of building sustainable and inclusive societies. It enhances the quality of life for people in both urban and rural areas, enabling them to access vital services and technologies. Electricity facilitates the functioning of schools, hospitals, industries, and communication networks, empowering communities to thrive and participate in the global economy. However, despite its transformative power, millions of people around the world still lack access to electricity.

The Impressive Progress

In recent years, electrification efforts have achieved remarkable progress. Governments, non-profit organizations, and private companies have collaborated to expand electricity access to remote and underserved regions. The adoption of renewable energy sources, such as solar, wind, and hydro power, has played a significant role in bringing electricity to areas with limited infrastructure. Additionally, advancements in technology and innovative micro-grid systems have made it possible to overcome geographical barriers and provide energy solutions to previously inaccessible locations.

Challenges in Reaching the Hardest-to-Reach

While impressive progress has been made, electrification in remote areas faces formidable challenges. Some of the key obstacles include:

Geographical Barriers: Many remote regions are situated in rugged terrains, such as mountains, forests, or deserts. Building and maintaining traditional power infrastructure in these areas can be prohibitively expensive and logistically challenging.

Lack of Infrastructure: Remote regions often lack basic infrastructure like roads and transportation networks, making it difficult to transport materials and equipment needed for electrification projects.

Affordability: In impoverished regions, the cost of setting up and maintaining electricity infrastructure can be a burden for both the communities and the providers.

Political and Social Instability: In certain areas, political conflicts and social unrest can hinder progress in electrification efforts, discouraging potential investors and disrupt ongoing projects.

Environmental Concerns: Balancing the need for electrification with environmental conservation is crucial. Some remote areas are ecologically sensitive, and care must be taken to ensure sustainable and eco-friendly energy solutions.

Solutions and Initiatives

Despite the challenges, numerous initiatives are actively working to bring electricity to the hardest-to-reach regions. These efforts include:

Off-Grid and Micro-Grid Systems: Off-grid solar systems and micro-grids provide localized and decentralized energy solutions, bypassing the need for extensive infrastructure. They can be tailored to suit the specific energy demands of a community.

Mobile Technology: Mobile technology has become a powerful tool in facilitating electrification. Mobile payment platforms and smart grids help manage energy distribution efficiently.

Public-Private Partnerships: Collaborations between governments, non-governmental organizations, and private companies have proven effective in pooling resources and expertise to tackle electrification challenges.

Miniaturized Technologies: Technological advancements have led to the creation of compact and efficient energy solutions, such as portable solar panels and mini wind turbines, making them suitable for deployment in remote areas.

Community Engagement: Empowering local communities to take ownership of electrification projects fosters a sense of responsibility and sustainability.

Conclusion

Impressive progress in electrification has undoubtedly improved the lives of millions, but there is still much work to be done to reach those hardest-to-reach areas. The challenge of electrifying remote regions requires innovative solutions, collaborative efforts, and a commitment to sustainable development. As technology continues to advance and awareness grows, there is hope that the barriers hindering electrification will gradually crumble, lighting up the lives of those who have remained in the dark for far too long. It is essential for governments, organizations, and individuals to come together and invest in electrification as a means of driving positive change, fostering economic growth, and leaving no one behind in the pursuit of a brighter and sustainable future.

What's In It For Me? (WIIFM)

Are you curious about the state of electrification in remote areas and the challenges hindering its progress? Discover how impressive efforts to bring electricity to the hardest-to-reach regions impact global development, the environment, and the lives of millions. Learn about innovative solutions and initiatives that can transform the future of those in need, while contributing to a sustainable and inclusive world.

Join the Movement: Let's Light Up Lives Together!

Be a part of the electrification revolution! Help us overcome the challenges of reaching remote areas with electricity. Share this article to spread awareness and inspire others to support electrification efforts. Together, we can make a difference and empower communities worldwide. Click here to learn more about how you can get involved and contribute to this meaningful cause.

Blog Excerpt

The quest for electrification in remote and underserved areas has seen impressive strides, yet it faces significant challenges that slow its progress. Access to electricity is pivotal in shaping modern living, but millions of people still lack this essential resource. This article delves into the obstacles hindering electrification, including geographical barriers, lack of infrastructure, and affordability issues. We explore the solutions and initiatives driving change, such as off-grid and micro-grid systems, mobile technology, and community engagement. By addressing these challenges head-on, we can create a brighter and sustainable future for all.

Meta Description (320 characters)

Discover the challenges impeding impressive progress in electrification efforts to reach remote areas. Explore innovative solutions and initiatives, empowering communities and transforming lives worldwide.

[powerx100]

POWER X5.5KW48HP (Parallel Operation) Micro Off Grid Solar Inverter

This is a multi-functional inverter/charger that combines the functionality of an inverter MPPT solar charger and a battery charger to provide uninterruptible power support in a portable size with a comprehensive LCD display that provides user-configurable and easily accessible button operations such as battery charge current, AC/solar charger priority and acceptable input voltages based on different applications, allowing for parallel use of up to six units.

Specification of POWER X5.5KW48HP (Parallel Operation) Micro Off Grid Solar Inverter

Product parameter

Conventional data

D*W*H (mm)

472*298*129mm

Net weight (kgs)

10 .5 kg

Communication interface

RS485/ RS232 (Standard)

LCD remote/WIFI (O ptional)

Output

Output voltage (battery mode)

230VAC土5%

Surge power

11000VA

Waveform

Pure sine wave

Efficiency (peak) PV toINV

97%

Efficiency (peak) BAT to INV

94%

Input

Voltage

230VAC

Optional voltage range

170-280VAC (for personal computers)

90-280VAC (for home appliances)

Frequency range

50Hz/60Hz (Auto sensing)

Battery

Battery voltage

48VDC

Floating charge voltage

54VDC

Overvoltage protection

61VDC

Maximum charging current

80A

Features of POWER X5.5KW48HP (Parallel Operation) Micro Inverters for Off Grid

Pure sine wave output

Output power factor of 1.0

Programmable priority supply levels for PV, energy storage or electric grid

Adjustable charge current and voltage with a wide range of PV voltage input (120VDC-500VDC), 110AMPPTSCC

No battery operation in sunny weather, WiFi monitoring function (optional)

Anti-spam kit for irritating environments (optional) LCD remote control with 5/10/20 m cord (optional)

PV and electric power complementary with lithium battery for flat operation up to 6 sets.

[maxlarens]

OP: well, that isn't fucking relevant

pairing(s): oscar piastri x mercedes driver!reader

summary: someone tries to threaten your job, oscar has some choice words for him. (OR: the trials and tribulations of being a woman in a male dominated sport)

word count: 2.7k+

an: i kinda hate the white knight trope but i still wrote this lol, it scratches an itch and i think driver!reader did a sufficient amount of defending of herself beforehand. anyway, this is a one shot that's kind of connected to my smau series just a girl. enjoy!!!!! [also standard disclaimer: this does not reflect the opinions of any real life people/companies/organisations/etc. it is fiction. thank you]

You’re no stranger to sexism in Formula racing— you knew going into this that you’d have to deal with thinly veiled remarks about your gender and purposefully obtuse questions from reporters who think they know more than you about the sport you’ve dedicated your life to. You had to deal with it when you were karting, you had to deal with it during your stint in F2, and you have to deal with it now.

The fact of the matter is that some people do not think you belong here, and therefore are entirely unable to integrate the reality that you are very much here to stay, into their worldview. You’re lucky to have somehow earned Lewis’ loyalty, which had brought the Mercedes contract and the support of Toto simultaneously. Mercedes-AMG aren’t making leaps and bounds into the world of feminism, but you’re grateful for the seat regardless. You’re here and not going anywhere if you can help it.

You try your best to stay off the bad parts of social media, so as not to be subjected to the barrage of hate comments and death threats directed your way. You’re tough— but no one’s that tough. It’s fine for the most part. You focus on the racing, how the car feels, your performance and improving it weekend after weekend. You try at least. You’d love to leave your gender entirely out of the mix, you don’t think it’s relevant frankly. But unfortunately, the reporters do. (And so do some choice individuals working on the grid, who just can’t seem to keep their big fucking mouths shut about you.)

It’s disappointing, sure— but not surprising to sit down at a press conference and get a smattering of questions about your rumoured relationships and extracurricular activities when every other driver gets fifty questions practically thrown at them about their performance, or FIA regulations, or the track conditions. The part that bothers you the most is honestly just the lack of interest. It’s like they don’t think anything you have to say about the sport is valuable so they just don’t ask you the same questions they bother to ask the men. That probably is the actual case too.

So— y’know— you’re not that shocked when a reporter from some sports blog you’ve never heard of straight out asks if you “expect to be switched out with another female driver next year?”

The room goes dead fucking silent in a way that you do actually find satisfying. It’s good to know that most of the reporters in the room do know a tactless question when they hear one, or at least that you inspire enough fear in people that they’re waiting with bated breath to hear your response. Next to you, Oscar tenses, you can feel it where your thighs are touching. You can imagine his face right now without looking, that pinched micro-grimace he does. The barest hint of a crease in the bridge of his nose as he tries not to scowl. You want to put your hand on his knee and squeeze it in thanks.

You don’t. Instead, you frown and cock your head to the side, meeting the eyes of the reporter across the room.

Slowly, measuredly, you repeat, “I’m sorry, do I expect to be replaced with another female driver next year? Is that what you said?”

He nods, bringing the microphone closer to his mouth as if you really couldn’t hear him the first time, “Yes, yeah. That is what I asked.”

You hum, pursing your lips as if you’re sincerely considering his question. You can see a few people in the crowd who are cringing already, some of them have been on the receiving end of your tendency to play with your food before you eat it. Your ego feels pretty good about that.

“Why would Mercedes want to replace me?” you ask in your most polite voice, feigning real curiosity to this man who you doubt has done any research at all on you.

“Um,” he errs, some of his former unflappable confidence leeching out of his tone, “Well, to give more women a chance in Formula One—”

You start to speak over him, done with entertaining his ignorance. You bite, “—there are other teams for that, actually. I don’t think it’s presumptuous to say that I’ve earned my seat at Mercedes, or that I’ve proven that I belong here so far this season. In which, I have not qualified or placed below a P7. And I certainly don’t think it’s fair of you to ask if I am going to voluntarily give up my hard-earned seat to another person because you think I am here because of some women’s inclusion effort by Mercedes. And, okay, who knows, maybe I am. But I am not giving up this seat without a fight, nor do I imagine that Mercedes are in a rush to find someone to replace me right now. You’ll have to ask someone to confirm that though.”

You wind down after that, punctuating your point with a firm nod; some of the fight and the fury seeping out as you start to reckon with the potential consequences of your outburst. Mercedes’ PR rep will have something to say surely, you’re just hoping you haven’t crossed some kind of uncrossable line. Another part of you doesn’t quite care as you watch the reporter gape like a fish out of water, feeling rather satisfied that you’d put him in his place.

Eventually, the room recovers and moves on from you. Checo is getting asked his opinion on tyres while you share a furtive glance with Oscar. He smiles approvingly, mouth closed and the apples of his cheeks pushed up into his eyes. You feel the urge to touch his knee again but resist, instead smiling back as covertly as you possibly can. A warm feeling spreads in your chest and you almost forget about the reporter and his stupid question in favour of watching Oscar’s slow-burn smile.

Mercedes is fine with it, it turns out. Apparently, you’re doing the heavy lifting for them in the feminism department and all they have to do is have Toto or someone come out and say a few words in agreement. It suits them fine, they don’t need to take any hard stances and you get the blame if anything goes horribly wrong. That grates at you, of course it does. But you’ve got a seat, haven’t you? You’re not going to give it up because Mercedes are covering their asses like the multibillion-dollar company that they are.

It means you’ve avoided the all-hands-on-deck PR meeting you thought you’d be stuck in tonight, but it’s left you in too sour a mood for this party. It’s some function, fundraiser, something or other and they’ve invited all the teams, drivers and ‘important’ FIA staff. This means there’s an inordinate amount of people here and you’re really not into it.

But you’re still here. You’ve shoved yourself into a cute, strappy, black top, and a denim mini-skirt and you’ve even added some cute jewellery in a feeble attempt to match whatever over-the-top outfit Lewis has arrived in. It’s at least a step up from your usual team polo and leggings, or the Mercedes hoodie that you pull on over it. You’re comfortable. You’re fine.

You pull a hand out of the pocket of your oversized leather jacket as Oscar comes back over with your beer. You smile at the expression on his face as you take the neck in between your fingers. He’s scowling openly, the corners of his lips curled up in distaste.

“Busy?” you ask, then you hold up the beer in thanks, “Cheers, by the way.”

“Hmm, too crowded,” he affirms, “I lost Lando.”

You shrug, taking a swig of the refreshingly cold beer, “Actually? Or did he run off with someone?”

Oscar snorts, “Yeah, no. He got into a conversation with Max.”

You laugh, “Yeah, in that case, I reckon we’ll see Lando in a few hours.”

“Definitely.”

The two of you share an amused smile before you’re back to looking into the crowd because sometimes, it’s hard for you to look at him— like looking directly into the sun. You’re aware of him in your periphery, standing there and rocking back and forth on his heels, occasionally taking a sip of his drink. He looks away for a moment, and you turn to look at him. Taking in the endearing swoop of his hair, the scattering of freckles and moles on the side of his pale face, the long line of his neck disappearing into the collar of his shirt. You shift your eyes slightly to the right of him, to the patchwork of vents and scaffolding in the ceiling, feigning as if you’d only been casually looking his way.

“That reporter was a piece of work,” Oscar says once he’s drifted his attention back to you.

You roll your eyes on instinct, and groan, “Tell me about it, holy shit, Osc. What an asshole. I don’t know if he was just stupid or legit didn’t know a single thing about me.”

“Mm,” Oscar hums in agreement, “and I like how no one asked you a single question after that. Way to go guys, that’s exactly how you show your support.”

You roll your eyes, still smiling a little at the contented feeling you’ve got in your chest, “I know, right. Trust, they all got on their keyboards afterwards to wax lyrical about how deserving I am of my seat. It’d be fucken’ nice if they acted like it during press conferences.”

“Yeaah,” he sighs, half-laugh, half-exhale, “It’s unfair.”

“Fucken' right,” you gripe, tipping your head back and letting a slip of fizzy beer cascade down your throat— the alcohol, though meagre, leaves you feeling loose, a little reckless, “It sucks Osc. God, I just want to be respected. If I had a dick and balls I’d be fucking killing it, dude. This is my rookie season, I’ve been scoring points every race. Except for the DNF, which was not my fault. But, fuck me, they don’t give a shit.”

You squeeze your eyes shut to stave off the angry tears that are sitting behind your eyelids, threatening. When you open them Oscar is staring at you, frowning, his brown eyes huge and sparkling and sympathetic. They’re like a black hole you want to fall into. Your heart squeezes. He’s so— ugh. Quickly, your mind supplies about a hundred answers to that question: sweet, cute, nice, adorable. Something stutters in your chest and you feel your cheeks starting to grow hot. That slow-burn smile of Oscar’s starts on his face, and you watch dimples form on his cheeks.

The moment is quickly ruined by a particularly nasally Italian accent that you vaguely recognise, “You know,” it says, clearly talking to you, “You should make sure to watch your tone. You never know who could be listening.”

Mood thoroughly dampened, you turn to face the interruption. It turns out to be one of the numerous men on the grid who won’t shut up about you, sharing unsolicited opinions left and right. He has his arms crossed against his chest and a smug expression on his face, as if he’s just caught you doing something terrible— instead of simply complaining about the subpar treatment you’re afforded.

He’s not worth your time whatsoever but God you’re angry. Maybe it’s just been too much shit on top of shit today but you cannot deal reasonably with this man right now— and you are not afforded the luxury of not acting reasonably toward someone like this, no matter how much of a dickhead they are. You open your mouth. Close it. Open it again. Close it and bite down on your bottom lip so nothing accidentally slips out. You’re trying to fish a semi-civil sentence out of a sea of fuck you fuck you fuck you on repeat and it’s not working.

“Are you threatening her?” Oscar asks, a dangerous lilt to his tone, and somewhere in the pulse of anger, you think this is the happiest you’ve ever been to hear his voice, “Because, I am pretty sure your team principal would not be pleased to hear that you’re going around threatening one of Mercedes’ drivers.”

He scoffs, trying to play it off, but you think you register a little bit of worry somewhere in there— Oscar can be threatening when he wants to be and McLaren are not exactly nobodies in this sport right now, “Please, I am not threatening her. I am just telling her that she needs to watch her mouth.”

“Right,” Oscar nods, mouth pinching, “Sure. Well, it would be our word against yours and I’m fairly sure your team principal would believe two drivers over you right now. Especially with that history, you’ve got, dude.”

A little thrill goes up your spine as his face goes white as a sheet. Oscar’s talking about the nice little list of comments he’s made that you’ve reported to your team and an FIA representative— which you’ve taken to doing every time anyone starts up a pattern of saying things about you or to you. They’re to cover your ass honestly, so you can’t be accused of making things up if push comes to shove. You’re sure they’ve made their way back to him and his boss; you’re glad they’ve made an impact (but perhaps not enough to stop him outright).

He sniffs, a nervous edge to his words, “I am not threatening her.”

“Okay. Apologise.”

“Excuse me?”

Oscar raises an eyebrow, “If you’re not threatening her, apologise.”

You bite the inside of your lip and grip the neck of your near-empty beer bottle tighter. Alright, Oscar can be scary. Noted. Very much noted.

“I—” He quickly thinks better of protesting and looks at you, lips pursed in a thin angry line, “I apologise.”

He looks at Oscar, Oscar looks at you. You shrug and nod. Good enough. You don’t need him to grovel, you think he’s been sufficiently humiliated already. Although, before he scampers off into the crowd at Oscar’s approval, you manage a dry, “You think I need to watch my tone now?”

He scowls, but says, “No,” anyway.

Then he stalks off into the throng of people.

You relax more the further that he gets away from the two of you. The tension dissipates into something warm and charged with a different kind of electricity entirely. You ignore the unease that tries to take root in your stomach and instead focus on Oscar at your side.

“That was—” you scrub a hand over your face, starting your sentence again, “Hm.”

Oscar sigh-laughs again, “Yeah, what an asshole.”

“Thank you,” you say meaning it wholeheartedly, “No one’s done something like that for me before.”

Oscar looks down at you, frowning, he shakes his head, “It’s nothing.”

“It’s not nothing,” you answer, feeling bold as you put a hand on his bicep in an attempt to express how grateful you feel for him, for what he’d done for you, “It’s really not, Osc.”

He’s quiet, staring at you with big brown sparkling eyes for a long long moment. A long moment in which you fantasise about reaching upward and pulling his face down to yours, feeling his lips against your own. They’d be soft, you think— his hair would be too. You don’t think about it and you resolutely ignore the tug low in your gut.

“You deserve it,” he says eventually, loud enough that you can hear it, but not anyone else, “You are killing it, by the way.”

You breathe a laugh, “Yeah, I’d better be.”

You squeeze gently at his bicep, feeling the sinewed muscle underneath his dress shirt. Then you let your hand drop, trailing absently down his arm as you do so. Your fingers brush his hand, and he catches yours before it's out of reach at your side. Purposefully, he threads your fingers with his, squeezing firmly and brushing his thumb tenderly over your knuckle. You feel a little lightheaded when he lets go.

You sigh, masking the out-of-breath quality of your voice, “I need another drink.”

“Yeah,” Oscar breathes, “Me too, I reckon.”

🏎️ title taken from this song :)

[bi-writes]

whats wrong with ai?? genuinely curious <3

okay let's break it down. i'm an engineer, so i'm going to come at you from a perspective that may be different than someone else's.

i don't hate ai in every aspect. in theory, there are a lot of instances where, in fact, ai can help us do things a lot better without. here's a few examples:

ai detecting cancer

ai sorting recycling

some practical housekeeping that gemini (google ai) can do

all of the above examples are ways in which ai works with humans to do things in parallel with us. it's not overstepping--it's sorting, using pixels at a micro-level to detect abnormalities that we as humans can not, fixing a list. these are all really small, helpful ways that ai can work with us.

everything else about ai works against us. in general, ai is a huge consumer of natural resources. every prompt that you put into character.ai, chatgpt? this wastes water + energy. it's not free. a machine somewhere in the world has to swallow your prompt, call on a model to feed data into it and process more data, and then has to generate an answer for you all in a relatively short amount of time.

that is crazy expensive. someone is paying for that, and if it isn't you with your own money, it's the strain on the power grid, the water that cools the computers, the A/C that cools the data centers. and you aren't the only person using ai. chatgpt alone gets millions of users every single day, with probably thousands of prompts per second, so multiply your personal consumption by millions, and you can start to see how the picture is becoming overwhelming.

that is energy consumption alone. we haven't even talked about how problematic ai is ethically. there is currently no regulation in the united states about how ai should be developed, deployed, or used.

what does this mean for you?

it means that anything you post online is subject to data mining by an ai model (because why would they need to ask if there's no laws to stop them? wtf does it matter what it means to you to some idiot software engineer in the back room of an office making 3x your salary?). oh, that little fic you posted to wattpad that got a lot of attention? well now it's being used to teach ai how to write. oh, that sketch you made using adobe that you want to sell? adobe didn't tell you that anything you save to the cloud is now subject to being used for their ai models, so now your art is being replicated to generate ai images in photoshop, without crediting you (they have since said they don't do this...but privacy policies were never made to be human-readable, and i can't imagine they are the only company to sneakily try this). oh, your apartment just installed a new system that will use facial recognition to let their residents inside? oh, they didn't train their model with anyone but white people, so now all the black people living in that apartment building can't get into their homes. oh, you want to apply for a new job? the ai model that scans resumes learned from historical data that more men work that role than women (so the model basically thinks men are better than women), so now your resume is getting thrown out because you're a woman.

ai learns from data. and data is flawed. data is human. and as humans, we are racist, homophobic, misogynistic, transphobic, divided. so the ai models we train will learn from this. ai learns from people's creative works--their personal and artistic property. and now it's scrambling them all up to spit out generated images and written works that no one would ever want to read (because it's no longer a labor of love), and they're using that to make money. they're profiting off of people, and there's no one to stop them. they're also using generated images as marketing tools, to trick idiots on facebook, to make it so hard to be media literate that we have to question every single thing we see because now we don't know what's real and what's not.

the problem with ai is that it's doing more harm than good. and we as a society aren't doing our due diligence to understand the unintended consequences of it all. we aren't angry enough. we're too scared of stifling innovation that we're letting it regulate itself (aka letting companies decide), which has never been a good idea. we see it do one cool thing, and somehow that makes up for all the rest of the bullshit?

[prokopetz]

Code Green

A game for 3–7 players, about being where you're not supposed to be.

Last night, you were suspended in a tube of brightly coloured goo in an underground research facility, operated by an organisation whose three-letter initialism's meaning is strictly need-to-know. This morning, someone noticed your tube was empty. Nobody has determined how that happened yet, and you're not inclined to stick around until they figure it out!

Or, in other words, it's been nearly a whole week since I got that massive revision to Space Gerbils out the door, and apparently my brain has decided that's enough of a break. This thing was written start to finish in under 12 hours, so let the circumstances of its authorship guide your expectations. Special thanks go once again to Caro Asercion, whose micro-RPG Dwindle introduced me to the design space I'm fucking around with here. Go buy their stuff.

Anyway:

What You'll Need

Code Green is a tabletop RPG for one game moderator (GM) and up to six players. Each player will need a copy of the Profile Grid, below, as well as three tokens of some sort: dice, coins, beads, etc. You'll also need at least five six-sided dice (for the whole group, not per player, though it's fine if each player has their own set). If you're using dice for tokens, it's recommended that the dice you plan to roll be visually distinguishable in case they land on someone's Profile Grid.

Rolling Dice

There are two ways you'll be asked to roll dice in this game: rolling d66, and rolling a dice pool.

To roll d66, roll a six-side die twice, reading the first roll as the "tens" place and the second roll as the "ones" place, yielding a number in the range from 11 to 66. For example, if you rolled a 3 and then a 5, your result is 35. You may also be asked to flip a d66 roll; to do this, take your result and swap the digits without re-rolling. In the preceding example, if you flipped your roll of 35, your new result would be 53.

To roll a dice pool, pick up the indicated number of six-side dice, roll them, and take the highest individual result. Duplicates have no special significance. For example, if you rolled a pool of three dice and got a 2, a 4, and a 4, your result would be 4. If you would ever roll a pool of zero or fewer dice, roll two dice and take the lowest instead.

Character Creation

Each player should create their own character. There are three things about your character which are always true:

You are newly born into the world. You may know things about the world (e.g., from your programming, having read them on a computer terminal, etc.), but you haven't experienced them.

You are implausibly good at remaining inconspicuous; unless you're deliberately drawing attention or doing something which requires a dice roll, humans will almost always fail to spot you.

You are not human. You can decide what that means.

To find out what else is true about your character, roll or choose three times from the Form table, and three times from the Function table, placing your results into the correspondingly labelled slots on the Profile Grid, below, in any order you please. Your three results from each table should be different; if you elected to roll and get the same entry multiple times, flip your result, and re-roll if it's still a duplicate.

Think about what your three Form traits and three Function traits imply about your character's physical makeup, but don't set anything in stone just yet – you'll see why not in a moment.

Finally, roll a six-sided die five times, and record the results in the order in which they're received. The resulting five-digit number is the only name your character has when play begins.

Table 1: Form (d66)

11–12. Blood 13–14. Bones 15–16. Brain 21–22. Claws 23–24. Ears 25–26. Eyes 31–32. Guts 33–34. Hands 35–36. Heart 41–42. Hair 43–44. Legs 45–46. Lungs 51–52. Nose 53–54. Skin 55–56. Tail 61–62. Teeth 63–64. Tongue 65–66. Wings

Table 2: Function (d66)

11–12. Accelerated 13–14. Autonomous 15–16. Auxiliary 21–22. Cryogenic 23–24. Cryptic 25–26. Elastic 31–32. Electric 33–34. Entropic 35–36. Invasive 41–42. Invulnerable 43–44. Kinetic 45–46. Magnetic 51–52. Phasing 53–54. Polymorphic 55–56. Projectile 61–62. Pyrogenic 63–64. Telescopic 65–66. Toxic

Playing the Game

Play proceeds in a series of scenes. In each scene, the GM will set the stage: a challenge to overcome, a peril to escape, a mystery to investigate, etc. Given the nature of your characters, most things will be mysteries to you!

Initial Token Placement

Once the stage has been set, place each of your three tokens on a different square on your Profile Grid. If you have no preference, you can roll d66 for each token and place it in the square whose marked numeric range contains the number you rolled, flipping or re-rolling your result if you get a square which already contains a token. The placement of these tokens represents your initial state when the scene opens. Depending on the nature of your character, this may be reflected by a shifting of internal focus, or by a physical transformation.

Participation

To participate in the scene, simply tell the GM what your character does; the GM will describe how the world responds, and ask what you do next. Whenever you wish – or are forced – to do something more than lurk and observe, you are obliged to make a test.

Making Tests

To make a test, first choose a pair of traits – one Form trait, and one Function trait – with which to face the challenge. For example, if your Form traits are Legs, Tail and Teeth, and your Function traits are Cryptic, Invulnerable and Phasing, you might test your Invulnerable Legs against the trouble at hand.

Next, count the number of tokens present in the rows extending from each of the chosen traits. The illustration below shows which squares would be consulted in the preceding example:

Next, roll a dice pool containing a number of dice equal to the number of tokens present on squares extending from the chosen traits. Do not count a token twice if it's on the square where the two traits intersect (e.g., the green square in the illustration above). In the event that no tokens fall on squares extending from appropriate traits, remember that you are allowed to roll a pool of zero dice by rolling two dice and taking the lowest rather than the highest.

Finally, compare your result to the following table:

1–3. Less than human. Whatever you'd intended to try still happens, but it cannot overcome human opposition (or adversity which would challenge a typical human), and any lasting effects are transitory and easily explained away. 4–5. Mostly human. Your effort can contend with human opposition (or circumstances which would challenge a competent human), and its lasting effects make it obvious that someone (or something) has been interfering with matters. 6. More than human. Your effort easily brushes aside any human opposition, and its lasting effects are impossible to rationalise as anything other than the intervention of inhuman forces.

Without Applicable Traits

In the event that you're forced to make a test and no possible pairing of your traits is applicable, you don't get to roll anything, not even with a pool of zero dice; simply resolve the outcome as though you'd rolled a result of 1–3. Other characters may attempt to preserve you from this fate by assisting you, in which case you roll one die per assisting friend; see below for more details.

Assistance

If you wish to assist another character in making a test, consult your own Profile Grid, considering only those squares which contain tokens. Only the specific pairs of traits represented by the squares on which your tokens fall are eligible for assistance; for example, if one of your tokens falls on the intersection of Cryptic and Teeth, you may assist with Cryptic Teeth, but not any other pair of traits involving Cryptic or Teeth unless those squares also have tokens on them.

If you're able to identify an eligible pair of traits that seems applicable to the test at hand, explain how you're using it to help, and hand the player making the test one extra die. Any number of characters may assist on a given test.

Providing assistance neither requires nor permits your character to adapt (see below) – it needs to be your own test for that!

Adapting

After resolving a test, your character adapts, shifting focus or form to reflect what they've learned. Take one token of your choice from your character sheet, and move it to a different square which doesn't already contain one. You can move any token you wish, but it must end up on a different square than the one it started on unless no valid destinations are available. Adapting is not optional, and must be carried out after every test.

Suffering Strain

If whatever you're making a test against is particularly strenuous or dangerous, you might suffer strain as a consequence. Strain will often be incurred on a result of 1–3, and rarely on a result of 4–5; only the most foolhardy efforts will incur strain even on a result of 6!

To incur strain, roll d66, and place a small X on the square on your Profile Grid whose indicated numeric range contains the number you rolled. If there's a token on that square, immediately move it to an empty square of your choice, unless fewer than three unmarked squares now remain; in that case, simply remove the token entirely.

For the remainder of the scene, tokens may not be moved to any marked square. In addition, if you suffer further strain, and the square indicated by your d66 roll is already marked, your character is incapacitated, and may not participate in tests at all until they recover.

All strain is cleared – and any discarded tokens restored – at the end of each scene. Incapacitated characters also recover at this time.

[formulapookie]

:)

Under the cut to read on tumblr, here to read on Ao3 <3

I'll commit your every scar to my memory rosquez, 6k words

(set 2025)

Marc has been looking at himself in the mirror for twenty minutes now.

Inspecting for every micro feature which signaled he was getting older.

He doesn’t want to get older, he can’t.

All his career, his success had come when he was a kid and he had been nicknamed “alien” for it goddamnit.

youngest pole sitter, youngest podium finisher, youngest winner, youngest champion.

key word being young. 

he doesn't feel old, but older, god yes. Everyday.

A new source of pain coming out, an old one resurfacing, the fear of falling behind, of not fitting in anymore and of running out of time.

All present and heavy on his body, which took the hit every time.

Why he thinks that, he isn’t  sure.

But he feels like he must get everything now or it will all have been useless.

It’s been one year now since he and Vale reconciled, and nine months since they made their relationship official, but only to intimate friends and their families, since Marc was still a target in the paddock, and they both knew that having a gay relationship wasn’t exactly the greatest thing to share in a sport like theirs.

And while the respective families had reacted well (except for a bit of skepticism on Alex’s side) the Academy had been more bitter, especially Uccio, but it was to be expected since he is so obviously in love with Vale since the dawn of time.

The mirror in their room at the Ranch keeps reflecting his toned and muscled body, along with his freshly shaved face and regrowing curls.

If he has to be honest he isn’t the one who brought up the aging thing.

First Vale, at his birthday, after he was officially a Ducati factory rider for that year, telling him he was “growing up”, getting closer to 35.

And it terrified Marc.

Then his brother, joking about him retiring so that he could be the only Marquez on the grid “haste que tu y Mr doctor creéis un hijo con magia y aterroricen a MotoGP” (Until you and Mr Doctor will create a son with magic and terrorize MotoGP) 

And finally Bezzecchi two weeks ago.

He was talking to Celestino, to which he seemed glued to the hip, almost symbiotic, as if they only existed one attached to the other.

“Sta invecchiando comunque, magari Vale con i gusti per i più piccoli che ha se ne trova uno più giovane e meno sfasciato” (He’s aging by the way, maybe Vale with his taste for younger people will find a younger and less broken one) 

“Sei un coglione Marco dai” (Marco you’re a dickhead come on)

“Dico la verità, magari tra una settimana ci porta un ragazzetto di 20 anni che lo guarda con gli occhi a cuoricino e che non sia mezzo pieno di cicatrici” (I’m saying the truth, maybe in a week the he’ll come to us with a 20 year old boy who looks at him heart-eyed and who’s not half covered in scars)

“Immagini? Tanta fatica e poi se ne sbatte un altro”

(Can you imagine? So much trouble and he ends up fucking another guy)

“Sarebbe karma” (Would be karma)

Marc had been hidden behind the door throughout the whole conversation, and a wave of nausea and vomit overwhelmed him, causing him to rush silently to the toilet and throw up.

Maybe they were right. 

He was getting older, Vale had said that himself, joking about his smile lines.

He had started exercising even more, buying more products for skincare and trying to act like he was 20 again.

And suddenly he didn’t feel pretty anymore, he just wanted to ride a couple laps on the dirt track and forget about it.

He looks at himself one last time, not failing to notice the faint line of a wrinkle in the corner of his eyes staring right back at him, menacing.

He puts on his gear, ignoring everyone in the kitchen and heading straight for the track, grabbing the bike with the bright orange “93” plastered on front.

It’s the best way to shut his mind off, it’s just him and the track, the bike being a direct extension of his body.

He completes ten, twelve, fifteen laps then he slips, bike flying out of his hands and his body tumbling down in the dirt.

His arm hurts, but his brain aches more.

Finished finished finished.

He goes to grab the bike to climb on it again when he feels a pair of arms around his body. Vale.

“Are you ok Marc? Do I need to grab your painkillers? I’ll help you back on the bike if-” the older one gets cut off harshly by Marc, who has pain in his eyes

“I can still do things Valentino you know?”

He's angry, his tone bitter and his words harsh.

He’s not like that and Vale knows, he’s tender when they speak, they’ve hurt each other way too much already to be cruel to one another now.

Vale has a concerned expression painted on his face, his eyes quickly running to Marc’s right arm, then to his face again.

“Let me get up”

“Ok but-“

“I want to do some other laps let me do them” 

it’s not a plea, or a begging, his voice is resolute and firm.

Vale is visibly worried, but lets him.

He looks as Marc gets back on the bike and restarts, the corner of his eyes caught by Bezz and Celin giggling between themselves.

Marc gets off the bike after one hour, when his body cannot take it anymore and his brain is foggy enough with thoughts about breaking, turning, speeding.

He leaves the bike in the garage, stripping out of his leathers, the only clothing underneath a sleeveless adherent black top, half dirty from soil and grass.

And just when he was convinced to have sedated the thoughts for at least a good few hours his eyes trace the outline of his scar, dead tissue on his arm.

He goes to their bedroom bathroom quickly, to avoid more sensations to overwhelm him, getting into the shower and turning the hot water on, letting it rinse away scenarios where he’s not present in Vale’s future. He spends at least twenty minutes under the water, washing himself carefully and almost trying to clean away the scars littering his body, obviously without succeeding.

As he gets out of the bathroom he’s only wearing a towel around his hips, and he inevitably meets his reflection staring back at him from the mirror.

He wants so desperately to see the 20 year old wonderkid he used to be, but that’s his past. Marc knows time passes for everyone, it takes from you, sometimes more than it should, sometimes it’s harsher on your body and sometimes on your soul.

He isn’t fucking eighty he knows that but still. He’s grown. He’s not the starstruck kid Vale first met and with whom shared many nights during their rivalry.

He’s a grown man now, he looks different, he can see the tiredness in his own eyes, pain sometimes so much it eats his body whole, the same pain which has him stay awake some nights.

And he knows Vale is older than him but Vale is also Vale and no one in their right mind would ever question his capacities or greatness, not even if he was 90.

And like Bezzecchi said he had a taste for youngsters, full of life and ready to do whatever he said as if it was a command.

He used to be one of those, but now…

He hears his name getting called downstairs for dinner, yells back he’s getting dressed and will soon be there.

He avoids the mirror while changing, his body feels wrong every time he tries to look at it, his face transpires the worry sleeping in his chest.

They all eat together, Pecco is there too, he’s getting used to sharing spaces with his future teammate which is good, but Bezzecchi is there too, casting funny glances at his best friend making them both giggle while sometimes looking over at Marc. He speaks maybe four words during the whole dinner, his brain feeling like it’s underwater and needs to be saved from drowning into the abyss.

As they finish eating he helps clean up the table and when he’s proposed to stay and watch a movie he fakes a headache, heading upstairs and leaving the academy to enjoy their time. 

Not even two minutes later he’s in his boxers under the sheets, back turned to the glassy hell his mirror has become.

He hears the door opening and quiet steps making their way to him.

“Ei amore, everything ok?”

Vale’s tone is tender and caring, something which only surfaced once they reconciled, a side of Vale making him humane, not the cold and distant concept of a God Marc still had in the back of his mind.

It was good in a way, but on the other hand it made him feel weak, like he needed to be spoken softly otherwise he would’ve broken like glass. 

“Si, I’m a bit tired and have a headache, can we just…can we just sleep?”

It was the most obvious of the answers, the fakest one, and yet the only one he could give him at that moment.

Valentino nods, taking off his shirt and pants and climbing into bed, Marc laying his head on Vale’s stomach, feeling the man’s hand stroke his curls gently.

Valentino is tired too, he had to follow an event all day and close a contract for VR46, he falls asleep in a half hour, while Marc has his eyes wide open in the darkness of a night lightened only by a pale moon in the distant sky.

He hears his mind speaking again, telling him how he’s not himself anymore, he’s not what Vale wants and he’s not the best Vale can have, because afterall he is THE Valentino Rossi and everyone wants a piece of him and Vale could feel entitled to request a piece of every one just because of who he is.

You’re not the one Vale deserves.

He could have them younger, prettier, faster, better.

He could have someone he can be seen with, with someone he could bring to races and shit like it was normal to do.

He could have someone who didn’t try to fight him so hard back then.

A new rookie maybe, fast, magnetic, idolizing him.

Vale would have every right to just let him go to find someone who doesn’t look so broken, who doesn’t risk getting more and more broken every week.

Perhaps he wants children.

And well for how much you can adopt kids maybe, no surely, Vale wants his kid to look and be like him.

Marc doesn’t cry, but just because he’s too afraid of waking Vale up, and surely seeing him acting so pathetic would be the last straw Vale would need to leave him and go find someone else.

So he doesn’t, he cries a lot internally, he tries to trace every mole on Valenitno’s body because he’s so afraid that in a matter of time he’ll be unable to see him like this again.

or feel the heat of his body next to his own.

Afraid to wake up without the smell of his shampoo or go to sleep missing the pair of arms that are holding him at this moment.

He manages to fall asleep after more than an hour, thoughts feasting on his brain like worms on a carcass, the same word echoing endlessly in his mind.

useless

He wakes up to an empty bed, no sign of Valentino in the room whatsoever, and he imagines his life could become like this in a matter of time.

He doesn’t understand how those little comments managed to get under his skin so much, he had never been the one to take those things to heart because…

because he had never actually believed any of that shit talk before.

But now he’s the first one to think that, the first to indulge on it. 

He can feel a sense of inadequacy crawling in bed with him, wrapping his hands around his throat and slowly depriving him of the chance to breathe.

It’s burning and it hurts like hell, it’s ugly.

He scrambles to the bathroom, throwing up bent over the toilet, coughing and sniffing like during the worst hangover of his life.

He can make out rushed steps coming to the door, Valentino crouching down to level himself with Marc, stroking his hair and back, worry painted in his eyes.

“Marc, do you want me to get you something? Are you ok?”

Weak, undeserving, not enough

That fuckin voice doesn’t shut up goddamnit, it haunts his mind and poisons everything coming in close contact with him.

What if it can poison Vale?

What if by standing so close to Marc he’ll end up being corrupted by this voice?

No no no, he’d rather suffer alone and watch Vale be happy with someone else rather than seeing him hurting.

Because that’s what Marc is when it comes to who he loves.

Selfless, adoring and ready to let go, because he knows he’s not an easy person to put up with so he never pushes.

“No I’m ok I just didn’t digest dinner well that’s all”

“Marc”

“I told you it was yesterday’s dinner Vale, I’m already feeling better, see?”

And he smiles, the fake PR smile Vale has seen hundreds of times, he could recognise Marc’s true smile in a crowd full of people, his laugh in a room filled with clowns and most of all he could recognise Marc hurting in a massacre.

His eyes are lifeless, a veil of something trapping the joy and happiness inside, not letting them see the sun.

“Marc tell me what’s going on because you’re not ok and I am not letting you leave the room until you’ve told me what’s happening”

“I decide if I can get out of the room or not Vale, you’re not my mom, I told you i’m ok so let me go thank you”

Vale wants to stop him but he knows it would be worse, Marc would shut down and respond robotically to questions he dreads to know the real answer to.

“Marc. I won’t force you ok? But please tell me what’s going on, you look-”

“I know what I look like there’s no need to tell me”

Marc thinks of old, spent, expired, outdated. 

All different words to mean only one thing.

undesirable.

And weak.

He fucking threw up in front of Vale, he almost had tears in his eyes, he had to come up with his fake smile he knew Vale would recognise, he’s so fucking stupid god how can he act like that and hope to still have a chance in keeping Vale.

He gets past him, putting on a pair of joggers and a short sleeved shirt of his and walks out the room, grabbing his biker boots and protective jacket by the entrance and putting them on, ignoring the boys sitting in the living room looking at him with curiosity.

Probably he yelled before, and they heard him.

Amazing.

He slams the door shut behind him and goes to grab his street bike.

Once he’s put the helmet on he’s alone. 

Truly alone.

No other voices or sounds, not even the one in his head.

It’s quiet, like one of the earliest nights he remembers sharing with Valentino, the one in Aragon perhaps, or the many in between races when they could wander off in one of Vale’s secret spots and share everything, even the silence.

He starts the bike and goes for a ride, a long one, he didn’t bring his phone with him so he doesn't know how long precisely.

He comes back home once he’s hungry and beginning to feel tired.

Once again he doesn’t dwell on the academy boys watching him, he can only imagine what they’re saying.

He doesn’t let the thoughts come to him this time though, he just heads straight for the shower and gets ready for lunch.

Vale is an amazing cook, he prepared something that smells delicious, but Marc can’t eat more than half a plate before already feeling nauseous.

He eats everything anyway, he doesn’t want to upset Vale more, so he forces every fork until he clears the plate.

“Vale” it’s Bezzecchi’s voice, he has a strange tone to it “how’s Pedro? didn’t you say he should come to the ranch soon? To see what he’s capable of off track?”

Marc doesn’t want to suppose things, but the way he says the last sentence sends shivers down his spine

20, fast, starstruck by Vale, not half covered in scars.

Check, check, check, check.

The qualities Bezzecchi talked about a few weeks prior are all part of Pedro.

Marc excuses himself from the table for the second time in a row, feeling bad about doubting Vale but also not holding him responsible if that came up to be the case.

He had said it himself he was now the past of MotoGP, and Pedro the future.

Bezzecchi cackles from the table, Celestino elbows him in his ribcage, earning a harsh stare from his friend.

Vale just sits at the table, looking in the direction Marc had disappeared to, trying to understand what was going on with his boyfriend, because he truly has no idea and is scared something had happened outside of the peace of the Ranch, maybe someone finding out about them and threatening Marc to reveal their relationship to the public.

He decides to leave him alone for a while, maybe he’s just not used to having all these people around all the time and needs his space, a moment alone to quiet down his brain.

He spends the afternoon with the boys, racing around the track, checking and analyzing data and talking about Bezz’s newfound harmony with Aprilia.

The clock hits eight pm and they’re all hungry as hell, so the boys quickly make their way to the bedrooms to take their showers and change, since they also decided to go out tonight for a party held by one of Bezz’s DJ friends.

Meanwhile Marc had stayed in the room the whole time, spending half of it crying his eyes out because he couldn’t stop thinking about what if Valentino actually decided to break up with him again and the feeling of emptiness he would feel eventually.

The other half he spent it trying to understand how to make himself look younger for Vale, which clothes to wear, how to act, to talk, to lie when his arm hurt while they were having sex.

Fucking pathetic

He wishes he could tear his brain outside of his skull, anything not to hear that sharp voice commenting his every move and look, he just wants the world inside his mind to shut the hell up and leave him be, at least for a few hours, just that.

A few hours where he doesn’t have to worry about being abandoned by the one person he loves more than life.

A few hours where he can love himself again.

But his brain doesn’t concede him neither those few hours, it’s a machine programmed to drive him insane, unstoppable.

Vale knocks on the door, he recognises their passcode, never changed during all those years spent together.

“Dinner is in five minutes, are you coming?”

“Yes yes, just let me get dressed and I’ll be there”

“Ok, see you downstairs amore”

It cuts deep, the bug whispering in his ear the word amore is just a way to keep him close for need, not driven by real feelings.

He comes down two minutes later, a simple pair of shorts and a t-shirt he stole from Vale not so long ago, still smelling like him.

He smiles softly at the man, sitting beside him, across Pecco, who greets him with a nod.

The boys eat in a rush, not speaking a word, apparently they were supposed to meet some other guys by nine and they’re never going to make it on time.

They practically absorb their food and are out the door in twenty minutes, in Luca’s car off to the bar they set as a rendez-vous point.

And so he and Vale are left alone.

He doesn't know how long it’s been since the last time they were completely alone, not even that annoying guard dog of Uccio staining the environment.

“You’re really beautiful tonight amore”

Lie

“My shirt looks really pretty on you, makes you look smaller”

He doesn’t actually like it

“Want to go upstairs?”

He just needs a release, not you.

“Yeah sure” he’s convincing, Vale doesn’t seem to notice his body twitching when his fingers touch his arm.

They reach their bedroom, Vale guiding Marc towards the bed, hands running under the stolen shirt to go catch on his abs, fingers looking for a strong grip.

They share a sweet kiss, nothing like the ones shared after their battles on track, quick, charged and filled with need.

 Marc knows Vale wants those back, not these ones, too plain and domestic for him to ever like.

So he tries to pull the switch, biting at Vale’s lip, pressing himself against him, backing up until his body is caged between the wall and Valentino, who looks rather surprised at the sudden change of attitude.

“Fuck me Vale come on” it feels dirty, demanding, but that was exactly like he was back then, and he so desperately needs to feel like that again.

Vale’s lips are on his neck, biting and sucking hard, matching Marc’s tone.

It’s not what he wants, it’s what Vale wants.

And that is enough for him, he’ll just try to enjoy what was probably going to be one of the last nights together, and he didn’t want Valentino to resent him for it too.

He’ll just have to relax, think about Vale’s happiness and take it.

After one particularly harsh bite he winces, but so quickly Vale cannot register it while dragging him to bed.

The grip on his wrist is strong, possessive, needy.

It’s what Vale wants, stop being fucking selfish and let him have it.

The voice is right, he cannot be selfish and wish for Vale to stick around out of pity.

He needs to earn his lover back, who cares if he has to do things he doesn’t want to do?

In the end it’s all for love.

He lets Valentino undress him, sharp teeth attacking his nipple, making him moan loudly, he’s exaggerating a bit his actions but it’s for a good cause. 

He keeps repeating to himself this is ok to do, he really wants to please Vale, it’s not bad, he used to like the sharpness and rush of adrenaline that came with battling on track so why should this be different?

He feels Vale’s hand cupping him through his boxers and he thrusts his hips up, eyes closed and hands gripping both on Vale’s hair and back, keeping him there.

“You smell so good Marc, never going to let you go”

And that’s where Marc loses his battle with himself.

He tries to keep it in but a sob comes out anyway, a tear rolling out of his eye and ending up on the pillow underneath his head.

And Vale knows Marc. He knows the difference between a sob due to pleasure and this.

This is not Marc enjoying it so much he cries, this is Marc not enjoying it at all.

He stops, getting up and sitting in front of Marc who has his eyes closed, hands balled into fists and his mouth shut in a rigid and thin line.

He’s fucked it up, he let his own feelings ruin everything again.

He doesn’t want to look at Vale, to see the disappointment and displeasure which surely the older has in his eyes right now.

He can’t bear to see how pathetic he is in Valentino’s eyes.

You ruined it for him, good job.

His head echoes with this thought, he was almost there, so close to faking it perfectly but he had to fucking cry.

He didn’t even cry in front of Vale when he told the world he hated him and he should be off the sport, but he cries for this.

“Marc?” Valentino’s voice is filled with something, it sounds like concern, fear almost.

“Marc, would you open your eyes?” no he can’t he fucking can’t because they’re filled with tears that are just going to spill out if he does, he doesn’t want that, he doesn’t want Vale to see him weak and scarred and broken.

“Amore please, what’s going on? Did I hurt you? I’m sorry if I did just please open your eyes and tell me”

There, now Vale even thinks it’s his own fault, amazing, really fucking amazing, another step towards separation.

Vale is so fucking worried right now, Marc is practically crying in front of him, trying to hold his tears in to seem tough but his body is shivering and his lips already trembling.

If he seriously went overboard and hurt him he’s going to punch himself in the face, he would never want to wound Marc.

“Amore?” It sounds like a plea, and it is, he’s begging for an answer, because he has to know what he’s done wrong.

Was he too harsh? Too demanding? Did he hurt his arm? How many possible things may he have done wrong? 

Marc gathers what little forces he has left and props himself up, sitting on the bed and opening his eyes, but he doesn’t look at Vale.

He wouldn’t be able to see him even if he wanted to, tears clouding his vision and falling on the bed.

Vale grabs the shirt he discarded earlier on the bed, the one with a wrinkled 46 printed in front in a now not so bright yellow font.

“You’re shivering Marc put this on, you’ll get sick if you don’t” he lets Vale dress him, he feels like he doesn’t have control on his body and it makes him go insane.

He always needs to have control, otherwise how can he handle reality?

He finally manages to look up at Vale, and the man can see the pain rooted deep into his stare, and he aches.

He aches because how could he not notice how much Marc was truly hurting? His eyes look like the ones he had back in 2014, after the press conference where he first broke his heart.

God that stare, the haunted gaze he had that day, it will haunt him forever.

A kid, he was a kid and he managed to kill him.

And now he looks like that kid again. Confused, hurt, crushed and dead.

“I-I’m sorry I ruined it Vale, I didn’t mean to I-” he stops, a hiccup interrupting his words “I can’t I’m not what you need right now and I get it” What was he saying? What does he mean not what Vale needed? He is everything Vale needs and way more than what he deserves.

“I just…I thought I could at least still let you have this but I can’t even fucking bring myself to ignore myself for this while”

Vale is so confused right now, because he doesn’t understand. Why is Marc talking like he’s going to fucking die in a minute? Why should he ignore himself? 

He has so many questions but he cannot even pose one, his lips sealed by incredulity.

And Marc on the other hand feels like he isn’t even deserving of an answer, he wants to scream and cry and beg Vale for a chance, but he doesn’t.

Finally Vale manages to speak up, the feeling of instability being suppressed by the need to understand what was killing Marc’s mind.

“Marc, what are you saying? let me have what? you didn’t ruin everything and what’s with the 'I'm not what you need’ thing?”

It looks so real to Marc now, the concern and the preoccupation radiating from Vale.

You failed him, you just had to shut up and endured and you fai-

For the first time this week he manages to shut the voice up, sending it back to the hell it came from long enough to be aware of the fact Vale really cares about him.

He breaks down, crying in front of the man he loves for the first time.

It’s ugly and messy, and he’s fuckinging exhausted, he wants to hold Vale, he wants to be held by him, he needs to feel at home.

And even if he doesn’t say that explicitly Vale gets it, he throws his arms around the boy, keeping him there for a while, not bothering to check how long, he places him on his lap, Marc’s ruffled hair tickling his neck as he continues sobbing into his collarbone, shoulders shivering at every sound.

He gets his head up from Vale’s neck, and fixes his gaze on Vale’s.

“Please Vale promise me you won’t leave me for someone younger and prettier, because I know you could do that anytime if you wanted because you deserve it but please don’t, I know I’m not beautiful like before and that I’m broken now and that you should be with someone who doesn’t hurt himself every week and I know I can’t do what I did before in bed but I swear I’ll try to do it again, and and I get it you could have anyone because you’re you but I only want you please please I love you I can’t let you go I need to be with you I know it’s so pathetic and dumb but I beg of you don’t leave me”

He rushes his words out, one attached to the other not caring anymore if he sounds weak, his face is now completely wet with tears and Vale’s shirt is soaked as well, but he doesn’t care, it feels like he let go of an enormous weight and is finally free.

Vale's answer comes like a helping hand to a drowning person, the hand that grabs yours and drags you out of the angry waves keeping you underwater, your lungs burning.

“Marc I- I don’t even know where to start I mean…why would I ever leave you if you’re the best thing I ever got the chance to have in my life? Why would I need someone younger when I have you and how could I want someone prettier when no one’s more perfect than you?

You’re right you’re not as beautiful as before, you’re far more breathtaking now, and you’re everything but broken, do you think that just because you fell and injured yourself you aren’t attractive to me anymore? Those scars symbolize you never giving up. They are one of the most attractive things you have, amore.

Marc I don’t care if we cannot have that rushed sex we used to have when we raced together, I love what we do now, I adore it, I feel much more connected to you, back then it was adrenaline and desire, now it’s love and need, I wouldn’t trade it for any sum on money in the world you must know this, I would never want to hurt you or force you to have sex with me if it hurts you, ok?

And I don’t fucking care I am who I am, or the fact I could have anyone else because 

I. have. you. 

And you’re the only one I want or need or dream about sharing my life with, you get it?

I love you Marc Marquez and I’ll be damned if I let these thoughts get to you and make you act like that.

I’m never going to leave unless you want me to, because I already left once and I hurt you and myself and I cannot go through it again. 

It was the worst period of my life because I looked for you every night and you weren’t there, because of me.

I should be the on worrying about you leaving me because of what I did, never never never the opposite” 

And now Vale is crying too, his eyes holding onto Marc’s gaze like his life depends on it, like he needs an answer to breathe again, because he too feels like he’s drowning and being brought to safety by his lover.

“You still love me? You swear?” It sounds so feeble and desperate Vale wants to open his chest with his bare hands and gift Marc his heart as proof of his love, because the only way he could doubt his love for him would be Vale not showing it enough, not doing everything the boy needed to feel loved.

“Of course I still love you Marc, I never stopped, and I never will, I want to share my whole life with you, you are my star and I will never let you say those things about yourself again, got it?”

“Even if I’m older now? I’ve got scars and lines and I look-”

“You look perfect. Listen I know I said I don’t believe in therapy and all that shit but I just- it’s just I didn’t like what they told me there and I decided to shit on it, but it actually helped me realize I still loved you and if you need to go there to understand how much I love you I’ll pay for it, I’ll bring you to your appointments and I’ll accept whatever outcome you get from it”

It feels good now, to Marc. It’s like he got dragged out of a stormy ocean onto a tropical beach, sunny, warm, quiet and calm.

Quiet.

No wretched voice demonizing or belittling him, just Vale, the only other presence on his dream beach, so close to him he can feel their hearts beating in unison.

He locks his fingers with Vale’s, a soft smile forming on his lips.

“Yeah I- I want to go, because I don’t want to feel like this again, I need to free my mind. Do you understand me? It’s so full it feels like it’s going to explode”

Yes, Vale knows. He’s gone through it more than he likes to admit, and he just nods, pulling Marc even closer, pressing a sweet kiss on his forehead, feeling the boy relax under his touch.

Marc tilts his head, looking up at Vale, and goes to plant a soft kiss on the man’s lips.

No rush, no lust, nothing except deep love and trust, a feeling of peace hovering over the couple who drifts to sleep together, Marc being able to dream of a beautiful snippet of his life with Vale, them together at the Ranch, not worrying anymore about hiding because Marc is retired and nobody will say anything, Stitch and Shira running after a kid with big blue eyes in the garden, the academy boys discussing who’s the favorite uncle.

Marc and Valentino holding hands, Marc’s head on Vale’s shoulder as they look at the little  girl laughing, playing with the dogs and the grass.

It’s domestic, soft, and quiet.

So quiet.

The only sound being the laughter coming from their friends and families and the dogs panting behind the buzzing girl.

She looks like Vale.

She calls him and Marc picks her up, she smiles, they’re happy.

There’s no need to worry anymore, Vale never left him, Marc neither, they went through Marc’s insecurities together, they didn’t let go of eachother.

In the real world Valentino is smiling, putting Marc to bed, covering him with their sheets, dreaming of the same thing. 

A life, a future with Marc.

[alpaca-clouds]

Trains are hecking cool!

Hey, it might be a bit cliché, given that I am an autistic Solarpunk, but can we just talk about how fucking cool trains are?

They are fairly fast and move a ton of people at the same time. Due to the reduced friction on the rails, they are also way less energy consumptive than basically any other form of transport (with maybe the exception of the cable car, which does not work quite so good in most areas, though and is way slower).

Given that they can run completely on electricity, we can actually run them completely on renewable energy, too. And because they do not store the energy but draw it directly from their own grid, we do not need as much in terms of rare earths to get them moving, as for example electric cars.

And obviously they can move a lot of people at the same time. Everything about them is super efficient.

As an extra: They also reduce micro plastics. Because here is the thing: A lot of the microplastics we currently have in nature do not come from any sort of garbage, but from wheel abrasions of car tires and the like. Something that metal wheels on metal rails have way less off.

So, what I am saying is: Trains are hecking cool. We should totally build more rails and go to more places via train!

[fatehbaz]

"Industry" as a frame of meaning is [...] relevant from the beginning of [modern-era labor advocacy and the general practice of intentionally "taking it easy" or "slowing down" while at work in order to advocate for and take care of oneself] [...], a form of "working badly" [...]. This close link is understandable given the absolute focus on efficiency that marks management thinking - Taylorism [Frederick Taylor's time studies and his support for using stopwatches to micro-manage in the workplace], the Gilbreths' time and motion studies [...]. [W]e can feel that trace of disgust, a certain sneering affect [...]. The sneer gathers around the word "motionless," [...]. The promise of the “upstanding citizen” is posed against the figure of the cripple, etymologically bound to the one who creeps, who stays low, to the one who is not proud and erect and in public view. In this way, that figure - along with the hobbled, the mute, the blind, the mad, the deaf, the chronic, and, of course, the paralyzed - becomes the exemplary negative definition. [...] [T]he only culturally sanctioned options are to be hidden from public life or recuperated [...]. That [...] fantasy of [a] return to previous levels of mobility that aligns easily with ableist conceptions of normal function and health [...] is also grounded in the specific idea of a return to ["productivity"] [...].

We can find this dynamic in especially dramatic form in the influential work of early twentieth-century “scientific management” theorists Frank and Lillian Gilbreth, known both for their time and motion studies of labor processes [...]. [T]he Gilbreths are relentlessly devoted to the reduction of inefficiency in labor to save energy, reduce unnecessary fatigue, and, above all, neutralize the fundamental “waste” of effort and time hidden within every human movement, particularly when at work. According to Frank and Lillian, “there is no waste of any kind in the world that equals the waste from needless, ill-directed, and ineffective motions, and their resulting unnecessary fatigue.” The battle against this “waste” gets posed as a civilizational battle stretching back across human history, only now conquerable with modern means, yet theirs is also a project with explicitly nationalist overtones that can be strategically couched to suit a war economy and a desire for American imperial hegemony.

---

The solution they propose is a total analytical dissection of labor processes, breaking single tasks into discrete parts to detect the little gaps in time that could be closed. Such minute lags and “micromotions” will necessarily get missed without the tools the Gilbreths turn to, like moving picture cameras - turned to face workers with chronometers in front of the lens and reticular grids on the wall behind for scale - and a “chronocyclegraph,” which allowed them to zoom in on a single gesture to see its tiny deviations and wasted movements frame by frame. In their methodology, delays and breakdowns take a form almost directly counter to simple malingering or the kind of willful self-stasis that Spargo denounced. Rather, what causes the inefficiency that the Gilbreths target is too much movement, an excess of animacy and motions that need not be done to complete a task, resulting in unnecessary fatigue and wasted opportunities for profit.

Yet at the heart of this, there is one figure seen to most embody this “wasted” energy and time in full - not in a specific action, badly choreographed task, or laziness, but in their entire being. This is what they designated as the “cripple,” [...].

---

“What,” the Gilbreths ask, “is to be done with these millions of cripples, when their injuries have been remedied as far as possible, and when they are obliged to become again a part of the working community?” [...] The “cripple” therefore emblematizes the waste of America’s “human resources” for the Gilbreths. It manifests a physical limit - the body that is conventionally seen to be unable to do productive work - but also a political one that they cannot even fathom, or at least allow publicly: the idea that anyone might challenge either the supposed utility of this frenzy of streamlined work or the very category of what constitutes “waste” itself. For the Gilbreths, the “elimination of waste” is not merely a project of capital. It is a civilization-scale undertaking that benefits all involved in the process: “All workers are sharing in the savings made possible by the elimination of waste.” [...]

It is not mere surveillance, increased policing, or something that openly oppresses and invites a revolt. Instead, it is a mode of management and control that seeks to saturate every step of the process, all the while insisting that what’s good for profit is good for those whose stolen time generates that profit.

---

All text above by: Evan Calder Williams. "On Paralysis, Part 3". e-flux Journal Issue #147. September 2024. Published online at: e-flux dot com slash journal/147/624989/on-paralysis-part-3/. [Bold emphasis and some paragraph breaks/contractions added by me. Text within brackets added by me for clarity/context. Presented here for commentary, teaching, criticism.]

[theresattrpgforthat]

The one part of D&D that still hooks me every time is the thrill of character creation. Tweaking all those numbers, the min-ing, the max-ing, all to put together a vision of a character and the life they've led. Are there any solo games that scratch that itch?

THEME: Solo Character Depth

Hello there! So much of what I’m familiar with in regards to solo play has a pretty light character creation compared to games like D&D, because the game itself is where you get to piece together that character’s life. Big shoutout to the Lone Adventurer, a You-tuber who plays solo games and records his play sessions - you might find more games that interest you on his channel!

KUROI, by Candlenaut.

Kuroi is a cyberpunk setting which pays homage to the greatest giants of the Cyberpunk genre, of which the author has been a die-hard fan since the early 90s.

The game is played on a 6x6 inch grid and is a so-called micro wargame. You progress from level to level of a heavily guarded corporate building, trying to fulfill the objectives of your Heist. The game uses a unique Action roll system with two re-rolls (Yatzee style) that you must tactically manage in your turn by using these dice to buy various actions and enhance them. In the game, you can choose several ways to progress through each level, you can be stealthy or manipulate enemies or go all out with your entire arsenal.

This is a micro skirmish game, so much like D&D, your character is built with combat in mind. You play through levels, trying to get around or fight through various enemies. Your character has skills and actions, although rather than rolling for your stats, you distribute a range of numbers according to your strengths. The higher your skill points, the more resources you have, in the form of re-roll. You also have descriptive characteristics, which you can fill in as you like.You can also look at a play through of the game on the Lone Adventurer’s YouTube channel!

Anamnesis, by Sam Leigh.

You play as an individual who has woken up with memory loss. You do not remember who you are, where you are, or what you care about. As you draw tarot cards, you fill the blank spaces of your past and learn more about your present. There is no winning or losing in Anamnesis - the goal is to tell a story and discover the identity of the character you've created.

Anamnesis as a game is entirely about character creation. You use a deck of tarot cards to provide prompts: your character is someone who has to piece together pieces of their backstory slowly, as pieces of the world around them remind them of who they used to be. If you like slowly discovering a backstory using vivid imagery and symbolism, you might like Anamnesis.

Notorious, by Always Checkers Publishing.

Notorious is a sci-fi tabletop roleplaying game for one player. Play to tell stories of the Nomads; notorious bounty hunters who strike fear among the scum & villainy of the universe & follow the dubious code of the Nomad's Guild.

In the midst of an intergalactic war, you'll take on a lucrative contract from one of six factions. The job is simple: bring the target back, dead or alive—no disintegrations.

But your presence won’t go unnoticed. 

Your growing reputation also attracts a series of hostiles. Suspicious locals who simply don’t like you (& their friends might not either), rival Nomads or faction agents working against you.

Notorious feels pretty fleshed out, with races, origins, load out and personalities that all come into play when you create your character. You play through a hunt, with descriptions of your mark and the planets they may be hiding out on determined through random rolls. Part of your character is randomly rolled, but these pieces feel like an outline that you can fill in.

You can check out a play-through of this game on the Lone Adventurer’s channel. If you want to follow the story of a lone bounty hunter like Boba Fett or the Mandalorian, this might be the game for you.

Ironsworn, by Shawn Tomkin.

In the Ironsworn tabletop roleplaying game, you are a hero sworn to undertake perilous quests in the dark fantasy setting of the Ironlands.

Others live out their lives hardly venturing beyond the walls of their village or steading, but you are different. You will explore untracked wilds, fight desperate battles, forge bonds with isolated communities, and reveal the secrets of this harsh land. Are you ready to swear iron vows and see them fulfilled—no matter the cost?

I don’t think Ironsworn really leans into the min-maxing that you’re looking for, but it does have a wealth of character options, especially if you consider the Starforged and Sundered Isles expansions. Characters choose three Modules that can represent your skills, tools, or companions, all of which help flesh out who you were before you started adventuring. You develop the character as you play, expanding on their abilities and forging bonds with NPCs as you complete quests. Your character isn’t a blank slate before you start, but I think much of the fleshing out happens as you roll.

Ironsworn isn’t solely a solo game, but it’s definitely designed with solo players in mind. The base game is free, so you can try it out without having to pay anything before you have to make a decision to buy any of the supplements!

Colostle, by Nich Angell.

Colostle is a solo RPG rulebook that allows you to play a single player adventure campaign through the impossible and incredible world of the Colostle.

The Colostle is a castle so big that there are oceans, mountains and cities within its rooms! There is no 'outside' to the Colostle, everything is within. And stalking these Roomlands, are the Rooks, huge walking stone castle towers that attack anything they see, but hold the Rookstones, the only source of magic in this world.

Colostle uses character classes, similar to D&D, complete with stats attached to your class choice. However, the game uses a deck of cards that you draw to help determine what happens next when you fight and/or explore. You also choose a calling; a reason why your character is questing in this gigantic castle. Compared to many other solo games that I’m familiar with, this game is much more structured and similar to traditional fantasy games, so Colostle might be worth checking out.

You can watch a how-to-play video for Colostle here!