#Meaning I have to write all the backstory

[sparrowlucero]

i enjoy ur bird abode thoughts! I was a genuine enjoyer of the show when it was airing, I’m no die hard fan though and love to see ppls personal takes on the overall story/plot. Im curious if you also would agree or have any thoughts on the impacts The Mouse’s cancellation had on the shows ability to be more than it was? srry im not super eloquent with my words, but basically ur response to that ask got me wondering if part of the reason the show like genuinely wasnt all that ground breaking or unique in the end plot wise (other than the villain faces consequences in the end ig) as far as YA/Teen animation goes, was because of The Mouse’s inability to let the writers flesh out the show before gutting it? i have a negative bias toward The Mouse franchise and obviously dont know anything about how writing a show under the eyes of a franchise that big would work, its just smth that rattles around in my head and wanna know what u think!

Well to an extent, but I think it's much more the effect the studio had on how the owl house started out as rather than it not getting a full season at the end - It didn't escape my noticed that the show was initially announced as being a "horror comedy" when it doesn't really seem like either, especially by the second season, and yeah, the original pitch bible is obviously aiming for that much more than the show proper is as it goes along (and is honestly seems quite a bit more funny, weird, and dark, with an overarching plotline about a giant bug being used to religiously suppress people, eda able to cure her curse by killing luz, and one of the major characters being a teen boy awoken from a sleeping curse who ends up being a weird little bigot because he's from the 13th century, among other things)

(side note, i just noticed they actually specifically describe the thing i assumed the show was gonna be about here. huh.) but ultimately the bulk of the show that was actually made seems very influenced by a writing team that was genuinely interested in making a tropey YA fantasy story rather than just being mandated to. I mean even in what aired you can see the show sort of settle in ways that feel less like studio interference and more like, you know, art students creating their ideal fantasy show, like how King is clearly Eda's roommate who's funny because he looks like and sounds like a little dog despite being an adult man at the beginning but by the end they've made him her adopted sad backstory son who's explicitly a child. While I think a third season would have made the show as it existed better, because they clearly didn't get to finish the plot they wanted to (frankly to the point where some major aspects of the show are a bit confusing, I'm still not sure what a grimwalker is), I don't really fault the show for that but also don't think that hypothetical season (which pretty clearly would have been mostly about the magic school teens going to normal school) would suddenly flip around into something that I personally found interesting and subversive. Nor should it, really; again, it being Queernorm Harry Potter thing is clearly the intended appeal of the show, it's not really a flaw but just not a genre I'm personally interested in when compared to what I initially expected the show to be.

HOWEVER I will say they robbed little weird girls of their representation and that can't be forgiven

[no-thanks-im-stuffed]

I have a Gravity Falls Theory I've been meaning to write down for a WHILE so here goes:

Stanford Pines is no genius and I'm gonna pick apart every single one of "Ford's" scientific inventions/accomplishments to prove it.

Grab a beverage, this is gonna be a long one

[Gravity Falls spoilers, a little bit of The Book of Bill]

Contents:

Ford's "Grand Unified Theory of Weirdness"

Codes and Secrets

Inventions

Ford's Tragic Backstory

McGucket

Why Would He Do This??

After Weirdmageddon

1. Ford's "Grand Unified Theory of Weirdness"

TLDR

I can support most of my claims with the help of Journal 3. Unless Ford had actual, scientific research papers, this is the only research we have from him and it's... not scientific in the slightest. Ford treats his "research notes" like a personal diary. I get that they had to design the Journal to be entertaining to kids, but from a scientific lense (which is what he wants to be perceived through), most of Ford's discoveries are very surface level and sometimes (especially later on) border on paranoid conspiracy theorist rambling.

His Grand Unified Theory of Weirdness is the reason he came to Gravity Falls in the first place. His goal is clear:

but, on the very next page, the ramblings start.

It gets worse once he finds the invisible ink.

The one bit of "science" I found him doing was his experimentation with the Bottomless Pit. He threw objects in the hole and only saw some stuff coming back while other stuff went missing. Ford hypothesizes it might be a "Möbius Pit" and even spends enough time experimenting on it that he found out "nothing ever seems to get lost on Friday the Thirteenth". Credit where credit is due.

"The pyramids were built to appease Bill!" sure, buddy.

(And yes, Bill confirms most of these ramblings about his history in The Book of Bill, but a) he too could be lying about this and b) I don't think he had a nice chat with Ford about who he tricked and tormented to build his portal. It wouldn't really fit into the timeline.)

Anyway, he's documenting all kinds of fantastical creatures in the Journal - adding his whimsical commentary and making random assumptions about stuff without any scientific basis. As he admits himself later on, this is getting him nowhere to actually start his Grand Unified Theory of Weirdness, let alone finish it. It's been SIX YEARS.

BUDDY WHAT ARE YOU DOING.

It took a spark of "divine intervention" to even start doing any meaningful research and it was just Bill telling him "hey there's a weirdness dimension btw".

Ford even admits that he didn't come up with it himself. The next pages are the first actually scientific looking ones so far, but more on that in the Inventions section.

He doesn't really advance on his Weirdness Theory for a while (see McGucket chapter for more), but later in the Journal, Ford has a little adventure with Dipper, talking about "The True Theory of Weirdness". He drops a "weird" jelly bean on the floor and watches it roll uphill towards Gravity Falls. He then states that Gravity Falls is a "Weirdness Magnet" and every oddity is eventually drawn to this place. Which is not a theory scientifically speaking, more like an unproven hypothesis. He didn't develop a model to, let's say, predict which oddity will find its way to Gravity Falls next or when it will happen.

"I explained that I felt in my bones that my arrival at this town, and perhaps Dipper's, too, was not an accident. That we were part of some greater fate the town had in store for us." Very scientific.

2. Codes and Secrets

The Journal has several hidden messages from a good handful of characters, some more encoded than others.

We all know the Map leading to the secrets of Nathaniel Northwest's fraud from the show. Ford found it somewhere in the library.

It just needed to be folded. Layton ass puzzle. A 12 year old figured it out. Ford couldn't do it. Even Mabel is poking fun of him.

Now on to the ciphers.

One of them is a letter from Blendin, encrypted with the Vigenère cipher. To this, Stanford "aced cryptology" Pines says the following:

He was given the key and still couldn't make sense of it. Of course a cool puzzle for people reading the Journal, but not really helping Ford with upholding his image of being an undeniable genius.

Ford himself mainly uses the Atbash and Caesar ciphers, both being a) literally thousands of years old, b) incredibly simple and c) not his own invention.

Bill uses two symbol substition ciphers.

Now I don't know about you, but if a divine being chose me as the genius of the century to inspire me and said being left tiny hidden messages in my diary, I would stop at nothing to try and decipher what they're trying to tell me. For some reason, Ford did not do this. The first message Bill leaves says "I'VE BEEN INSIDE YOUR MIND SIXER, I KNOW YOUR SECRETS". He could have seen all of this coming wayyy earlier (or just had yet another red flag to ignore).

Anyway, I accidentally solved the code before finishing the Journal just to discover that Bill is literally handing him the solution on a silver platter towards the end.

Girl, what do you mean "???" ??

Now, I know Ford at this point is incredibly sleep deprived, paranoid and traumatized. But come on. If I can solve it 6 coffees in while dissociating, our genius can find the solution to Bill's alphabet using the A1Z26 cipher that he put in the journal himself. Plus, as mentioned, he could have deciphered his alphabet way before The Betrayal when his mind was still sound.

So again, not a good look for Ford in the whole genius department.

3. Inventions

Now let's take a look a the inventions which are most commonly associated with Stanford:

The Portal

The Bunker

The Magnet Gun

The Quantum Destabilizer

The Perpetual Motion Machine

The Bunker. Designed and built by McGucket (and possibly the lumberjacks before zapping them with the Memory Gun), including the death trap of a security system.

The Portal is not one of Ford's inventions, that much is pretty clear. He "comes up with the idea" after Bill told him about some kind of "weirdness dimension".

Now maybe Ford built the portal. Or McGucket built it (which I find more likely due to his tendency to build large scale metal structures) and Ford helped him. We can't really say for sure.

What we CAN say for sure is that McGucket left the day before the big test, which means the portal was basically finished at that point. So if there was still any work left to do, it would have been minimal and "even Stanley" could figure it out without help, so Ford probably could have too.

Notice the wording "F insisted that he could do it on his own". McGucket insisted he could do it on HIS own. But then went out of his way to ask the lumberjacks and not Ford to help excavate the whole thing.

Why? Why not include Ford? Maybe because McGucket could tell Ford was overworked. Maybe because he thought even with Ford's help, they wouldn't have been able to do it in a timely manner and he didn't want to memory zap more people than neccessary, I'm not sure.

Anyway, the Bunker consists of the Bunker itself, a Security Room, an Observation Room and a Storage Room. On top of that, a Temperature Control Apparatus, a Cooling System and a Cryogenic Tube.

Again with the phrasing. "HIS skill for construction". "telephone HE built". "my assistant really topped HIMSELF with the security precautions". "once F starts inventing, he can't stop". A man like Ford wouldn't pass up on an opportunity to tell the world about his own accomplishments, yet they are strangely missing in these pages. However, the sketches documenting McGucket's work have become more technical than they've ever been. They even have small annotations that seem as if Ford asked McGucket what he was currently building.

"F has explained" implies McGucket was once again doing this on his own. Why else would he need to explain anything to Ford if they were doing this together? Plus, again, surely Ford would have mentioned if he participated in any way.

The things he DID mention is that he found a mole man skeleton and "Shifty", the shapeshifting creature. And he saved McGucket once Shifty broke out of their cage (Remember this for later, it'll come in handy). And he conducts tests on Shifty (remember this as well).

On to the Magnet Gun.

Again, passive form. If Ford had modified the gun himself, he would tell us. Chances are it was once again McGucket. Or it was just taken from Crash Site Omega as Ford says in the show that he and McGucket came down there often to loot the UFO for tech.

Lastly: The Quantum Destabilizer.

He actually admits he worked on it. However, he spent 30 years between dimensions. In these 30 years he couldn't find anyone (including himself) to get the Destabilizer working. The Other McGucket, however, was able to do it in less than a week.

Ford claims he was missing a suitable power source which The Other McGucket found, but there's no way of knowing if there was more to those "minor adjustments" to Ford's blaster than Ford would like to admit.

The only invention left is the Perpetual Motion Machine which I will save for the "Tragic Backstory" section.

Honorable mentions:

The Hyperdrive needed to power the portal

"F's mechanical know-how" vs. "my keen intuition." The Hyperdrive was looted from Crash Site Omega. Plus, McGucket was the one to realize it was even needed in the first place.

While between dimensions, he was given a Dimensional Translator. Also not his own invention.

The metal plate in his head? Not his invention. Not even his idea. The Oracle did that for him.

The Book of Bill has another example that Ford can't invent for shit: He found the blueprint of Abigale Blackwing's Anti-Bill-Suit in the library (once again, not even his own invention) and drafted a more modern blueprint. And either he completely failed to build it or it didn't work because we never hear from it again. Instead, he installs a retina scanner to keep Bill out of the lab. Which he (probably) ALSO didn't build himself.

In summary:

Portal: blueprint by Bill, (probably) built by McGucket.

Bunker: designed and built by McGucket (and probably lumberjacks)

Magnet Gun: likely looted from Crash Site Omega

Quantum Destabilizer: a mess before McGucket fixed it overnight

Perpetual Motion Machine: see below.

Dimensional Translator: Not Ford's invention.

Metal Plate: thought of and installed by The Oracle.

Anti-Bill-Suit: invented by Abigale Blackwing.

4. Ford's Tragic Backstory

In fact, he mostly doesn't even say that he did any of this. He openly admits whenever he took something or McGucket built stuff, and barely calls any of the inventions his own. We just assumed that he can (on account of him being a genius), so we assumed he did.

would only make sense if he ACTUALLY couldn't get the Perpetual Motion Machine to work. We already know Ford is an unreliable narrator and I'm probably not the first one to point out that it doesn't make sense that Stan supposedly cost Ford his entire scholarship by breaking his Perpetual Motion Machine (accident or not).

Think about it from a college's point of view: You hear about a young man who apparently built a machine that violates the laws of thermodynamics. You don't just pass up on something like that just because it didn't work the ONE TIME you came to visit. That would be an exceedingly stupid thing to do. I think they would have given him that scholarship if he even got close to achieving such a feat.

Now let's briefly assume Ford IS a genius whose invention got sabotaged. Ford could have easily fixed it and asked for a second appointment with the judges. This did not happen. And even if he didn't get into his dream school, he could have used this perpetual motion machine for the good of humanity. He didn't do that. If the Machine had ever worked, it would have made international news. It didn't. He would have been world famous. He isn't. What does that tell us?

Does he even *have* 12 PHDs as he keeps claiming? In what? For what reason? Wouldn't he get a scholarship for his dream school at some point given his seemingly endless potential? It all seems like overcompensation to me. Reminds me of Tommy Tallarico and his ever-increasing number of Guinness World Records.

However, there is a reason Ford is like this. It is connected to his tragic backstory, but I will include this in the final chapter for narrative reasons.

Also note how even in A Better World, he did not go do his dream college. The science center was built around the Shack that he went to later in life:

And even there, he only manages to make a name of himself with McGucket's cooperation. We already established he couldn't build the portal on his own. My guess that McGucket once again did the heavy lifting and didn't mind Ford taking the credit (as you will see in the McGucket chapter).

5. McGucket

We only see McGucket make stuff on screen. All this time he's welding together contraptions, piloting giant killer robots, having a blast.

At this point we've already gone over how McGucket built (probably) most of the Portal, the Bunker and everything in it, and got the Quantum Stabilizer to work. We also know that in his free time, he loves to tinker. He canonically built a laptop (with extra keys for Fords fingers), a cellphone, the Memory Gun, several killer robots, the Shack-O-Tron and started an entire ass cult along the way.

And that's just what I picked up on skimming the Journal.

We never see Ford tinkering ONCE. Still, he constantly praises McGucket for his "brilliant mind", "mechanical knowledge" and "skill in construction".

I think FORD was McGucket's assistant. He didn't get ANYTHING done before he called McGucket over for help. In the bunker, all he did was find a skeleton and conduct "experiments" on Shifty (by showing them pictures of creatures and documenting what happens). He led McGucket to the UFO crash site, McGucket was the one to actually extract the Hyperdrive. All of the stuff Ford does sounds more like an assistant's job to me.

I'm also pretty sure McGucket knows that Ford isn't the genius he claims to be. Upon seeing Bill's blueprints, he immediately gets suspicious:

Why would he say this to a fellow genius?

And he's the one who recognizes something is wrong with the portal earlier than anyone else.

The day before the test, he meets Ford at the diner to warn him cause something is *deeply wrong* - and offers him a thesis paper.

Now here is where things get interesting.

Ford gets angry. But instead of saying something like "How dare you insult my scientific integrity / intelligence", he thinks McGucket wants the Grand Unified Theory of Weirdness to himself, which obviously couldn't be further from the truth. But Ford is too insecure about his intelligence and too curious about the portal to care.

This makes me wonder if McGucket had done this before. They went to college together. What if McGucket wrote Ford's final assignment as well? What if he'd seen him have a meltdown over the introduction and whipped up a fantastic final thesis in an afternoon?

We know McGucket cares deeply for Ford, and we can tell his intentions at the diner were sincere. He doesn't really want or need any credit - meanwhile Ford is starved for it. This is probably also why he's fine being "Ford's assistant" even though he's the one putting in most of the work.

6. Why Would He Do This??

Before we talk about Ford's plans after Weirdmageddon, I have to mention that there's a good reason Ford is pretending to be a genius. This is pretty speculative territory, but I think it makes sense given what we know about the Pines family.

When you're a twin, at least in the Stan Bro's case, you're constantly being compared to one another. Once it has been established that Ford is the "smarter" of the two (true or not), their father latches onto that and soon Ford's intelligence becomes his entire identity. I think just like Stan was looked down upon and neglected for being the "stupid" twin, Ford was burdened with expectations for being the "smart" twin. "You're gonna go far, kid. You're gonna make us so much money, you're gonna get us out of this dump." An INSANE thing to burden a child with.

This goes well for a while, Ford gets straight As and is the pride of the family. His ego inflates. But then something strange happens which I'm sure many "gifted kids" can relate to - he hits a wall. At some point he can no longer brute force things with his intelligence and he has trouble keeping up with the expectations from his family. His massive ego gets damaged beyond repair.

Soon, he starts questioning everything. "If I'm not the smart guy, who am I? What's left?" and it's too late to turn back so he moves forward. And if intelligence can't get him there, at least he can use the smarts he does have to make sure nobody else ever finds out. It's not unlikely for him to develop this attitude and it's the same kind of mindset he brings to taking the Hyperdrive from Crash Site Omega:

This makes him a con artist like Stanley, in a way. Which, after everything that's happened, must feel like such an insult to Ford that he'd rather live in denial than face reality. The reality being that he is about as intelligent as Stanley, too. This doesn't mean Stan is dumb (he managed to get the portal to work with barely any help, after all), just that Ford is not as intelligent as he (and everyone else) thought / expected of him. AND that Stanley isn't as dumb as everyone always told him he was.

I think while yes, Stan broke the Machine, Ford couldn't fix it. Or it was never even a Perpetual Motion Machine to begin with. Yes, Ford couldn't go to his "dream college", but was that really his dream? Or his father's? Remember when McGucket offered him the Weirdness thesis on a silver platter, saying with this he can finally "get his life back", and Ford still refused? Maybe he didn't want his old life back. Because his old life SUCKED without Stanley in it.

7. After Weirdmageddon

Now that we established what Ford's dad wanted him to be, let's explore what Ford actually likes doing.

Obviously journaling and sketching what he sees, but what else?

Ford loves exploring. He goes on hikes, climbs mountains, visits caves, goes ham on Crash Site Omega. In the Bunker he looks around and discovers a mole man skeleton and Shifty while McGucket did the inventing/building.

So yeah I think Ford lied about being a genius to compensate for his (self perceived) lack of other qualities, he lied about his 12 PHDs, his scientific accomplishments, maybe even some inventions. He sucks at decoding things despite claiming to have "aced cryptology". Instead, he spends most of his time exploring, fighting monsters, stealing shit and getting in all kinds of dangerous situations. Truth is, he is *much* more similar to Stan than he'd like anyone to find out.

He's also great at action hero stuff. He saves McGucket from the Gremloblin, and later from Shifty, he's jumping around the UFO with a magnet gun as if it's the only thing he's ever done, and saving Dipper from the security system, just to name a few.

He even says this in the episode: "I need to train an apprentice to help me fight monsters, solve mysteries, and protect this town." This doesn't really sound like science stuff to me.

He also doesn't even WANT to do science. He likes the idea of science, like in Sci Fi movies, but not the actual labor that comes with it. Ford has been travelling between dimensions for 30 years. He probably is the only human to ever have done that in his dimension. Surely he spent these 30 years on research? Well...

There's only a single line mentioned in the Journal about doing anything scientific and he didn't even dedicate the entire sentence to it.

He "compared notes with scholars". That's *it*.

But surely he has so many papers and theories he can finally publish to fulfil his initial goal to "join the ranks of Newton, Tesla, & Einstein in the pantheon of science"?

Nope. He goes treasure hunting with Stanley. Ford seems to have forgotten all about his research. And I think that's not just because he wants to make up for lost time, but also because this is what he truly wanted to do this entire time, before he was forced into the "genius" mold. To go adventuring, to be creative, to spend time with the family that matters.

8. TLDR

Ford didn't manage to write his Grand Unified Theory of Weirdness.

His Journal is entertaining, but ultimately full of unscientific ramblings.

He didn't build the portal, bunker, magnet gun, quantum destabilizer, or any other invention I could find.

All of his accomplishments can be traced back to either Bill, the town library, or McGucket.

He didn't write his own codes, he couldn't decipher any of the codes or secrets he found, including the ones he was given a solution to.

The Journal makes it look like Ford is McGucket's assistant and not the other way round.

McGucket is amazing and needs to be protected at all costs.

The tragicness of Ford's backstory makes no sense if he actually WAS a genius.

He needed to keep up the genius act because that's what his family expected of him and now he's con-artist level good at it.

He spent 30 years between dimensions committing crimes and preparing for revenge instead of doing science.

he seems to not even LIKE science. he prefers exploring, drawing, and getting into dangerous situations.

Once back in his home dimension, instead of doing anything science related, he goes adventuring with his brother.

Disclaimer: I have nothing against Ford, if anything this adds to his character cause I haven't seen anyone even so much as question his status as a genius yet. I just needed to get this out of my system cause this has been brewing in my brain since JULY.

This took me 10 hours to write. Thank you so much for making it this far, this post was brought to you by Autism™

[tfp-miko-zine]

hi there!! i wanted to ask if miko's friends have any names?

Since you've asked, here they are!

You probably saw these two in some of the art on this blog, so...

Contributors, if you wanna add them into your art or writing, by all means! It brings more life into Miko's backstory ❤️

💜 Mod KAJiRA

[leoruby-draws]

I did a whole bunch of drawings for Jason's team two weeks back, so now its time to concentrate on Steph's team! Here we've got 4 new characters for her team, with a couple extra tomorrow as well. Lets go into to them, one by one.

First up is the lantern for the group, more specifically a Violet Lantern apprentice aka Miri Riam! Her reasons for coming to earth is unknown at the moment but they seem to have some connection to Carol Ferris. Carol's also a Violet Lantern and Hal's(Green Lantern) on-and-off girlfriend and occasional antagonist. Perhaps Miri was sent to become Carol's apprentice? I've got more info on whats happening there, but thats for later.

As for why Miri was chosen for the group, I knew I wanted some kind of Lantern for the team, but couldn't find a green lantern that was both in Steph's age group and have fun interactions with them. But then I thought, does it have to be a green lantern? I had a red lantern for Jason's group after all. I looked around and found Miri! I don't know her exact age but I knew she was a young adult, so I'm just gonna have her be around Steph's age group.

The Violet Lanterns Corps are very ...enthusiastic about the power of love and Miri's no exception. She wants everyone to know the joy of Love, she's honestly kinda annoying about it. I remember this one GL issue where she was destroying a city just to get Kyle and Soranik to resolve their love troubles. That pretty much became the basis for how I'm writing Miri's personality. Like I said above, I'll get more into Miri at a later time.

Next is Maxine Hunkel aka Cyclone, granddaughter of Ma Hunkel aka the golden age Red Tornado! I already posted a drawing of her a while back, I thought she'd make a fun fit for the team. She's has such high energy and so much enthusiasm I couldn't help but find her utterly endearing. I think at a later point she'll end up joining the JSA but for now she's just having fun with this team.

Btw I thought that maybe her grandmother, Ma Hunkel, could fit a similar role that the other Red Tornado did for Young Justice, helping out a young hero team. Just a way to emphasize how Steph and Tim's teams can serve as foils to each other.

Next up is the archer of the group, Mia Dearden aka Speedy II. Tho she should probably have a different name due to Roy still being Speedy atm. Maybe Speedette? Ehhh, gotta workshop that.

Anyways here's Mia and Steph meeting as civilians, with Mia showing off her bow. Mia seems to be in some sort of school uniform, perhaps Oliver is sponsoring her to go to a fancy academy? Her backstory is similar to canon, with Oliver saving her from bad people. I'm not sure if her story should be exactly the same as canon, since Mia is 10 but terrible things like that do happen in real life to young children. But I don't know if a goofy au like mine is the best place to show that. But for now lets just say Mia is currently trying to heal and become a hero like Green Arrow.

I imagine Steph and Mia get along really well, they just get each other in a lot of ways. Steph can see Mia might be hurting inside and wants to cheer her up, hopefully with all of Mia's new friends she can.

Last up is Jaime Reyes aka Blue Beetle III. Unfortunately I haven't drawn him all that much so no individual drawing for him, tho I do like him.

As for why Jaime, I remember liking him in the YJ cartoon and found him pretty likeable in the comics as well. But I've always like the spiderman hero archetype anyways, which Jaime fits really well (I mean, it was done on purpose). Static and Sideways also fit the archetype and are in the team as well. Arguably you can say add Steph to this too, probably more than Tim in my personal opinion.

Another reason I wanted to add Jaime is that he and Steph almost became teammates in canon, in a failed Young Justice project. What could have been huh. Third reason is more silly tho, if Barbara and Ted Kord start to date in this au, imagine how grossed out Steph and Jaime will be lmao.

So there's four new teammates for the team, but! I've got a couple extra for tomorrow! And later on I hope to finally post some more doodles of these characters (some of them are real old, more than a year old). Especially Miri, she turned out to be such a fun character, and I've always liked the all the lantern corps. Here's a bonus doodle of them btw (with bonus unmasked Sideways):

So many new members, well, hope you liked all that!

[a-couple-of-notes]

I’m curious what makes you ship Rio/Alice (I also love the ship and glad more people are on board)

Oh, boy. Sorry for the wall of text that's about to hit your eyeballs, anon.

First, the main reason is that I love unexplored dynamics. It's more fun for me to write rarepairs that I have to work to justify or understand, that aren't necessarily scaffolded by popularity or a whole canon romantic storyline. Actually, I tend to avoid writing pairings that a lot of other people write or that feature heavily in canon--kind of a strange feeling of "if you don't have anything new to add, don't say it." (Which, to be clear, is not how one has to approach fandom at all. I genuinely enjoy reading my favorite tropes and premises over and over again! I like seeing ten different people gif the same moment! It's just that I, personally, like the narrative space of rarepairs.)

So for me, Rio and Alice occupy that fascinating grey area of having maybe one and a half canon conversations (super rarepair) but also being such strong characters independently that the threads of behavior and backstory are there to connect if you want. (I want.) To wit:

Rio and Alice are two people (person and entity?) whose natures fundamentally oppose each other--Alice is a very mortal protection witch whose natural instinct is to save, to be good, and Rio is the immortal Death, whose job it is to reap, to take, to be villainized. Put them together, and they'll clash in a fun way--especially since, unlike Agatha, Alice is terrible at running away or deflecting. It has the potential to be really toxic, and it has the potential of coming out the other side to actual growth and understanding. (This is what makes Alice so easy to ship/write for me, by the way--I mean, yeah, she's my blorbo, but also her sincerity and instinctive selflessness offer a great counterpoint to, like, every other character. The others, who are balls of lies and deflection and worse coping mechanisms, clarify when placed next to her.)

They also have interesting similarities: they're both bound by duty. Both forced to accept senseless tragedy. Both grieving. Both, in a way, willing to be truthful.

There are so many entry points into it from canon: Rio following Alice through her life via the curse, Alice seeking Rio (death) at some point in her life (which is not exactly canon but you can argue it by...well, Alice's whole deal pre-episode 4), Rio being jealous of Alice saving Agatha (I wrote that one), and of course Rio reaping Alice. Come on. That cheek touch. Like, we saw someone walking beside Rio into her realm, and it wasn't Agatha.

And, well, there's the Agatha of it all. The way I write Rio, you simply cannot cut Agatha out of it. It adds an extra challenge to figure out how Rio and Alice would have a relationship that would stack up in any way to Rio and Agatha's (and what that would look like). If you do it right, it gives extra meaning to Rio/Alice--it's not the destined love, but it's one they had to choose.

And finally, the two other, very shallow reasons:

I wrote a fic about these two, and I put so much of the stuff I like in there that I played myself and got interested.

Aesthetically, Death and her puppy dog girlfriend in a Hot Topic leather jacket? Fire.

[dufferpuffer]

Tom Riddles orphanage is interesting.

1920s/1930s The idea of not putting children to work was quite new. In fact there were still Workhouses until 1948.

Victorian's commonly thought that people were only poor because they are lazy, plus the well-blossoming ideas of eugenics meant poor people were probably just worse genetically. It was 'Christian values' to at least dress and feed poor children, but if you were too supportive of them they would only grow up to continue to be lazy, probably like their stupid poor lazy parents. They will go off and join the workforce at 14, so you shouldn't coddle them too early or else you'll spoil them.

Most orphanages were set up and funded by whichever rich fuck wanted to boast about how many little kids they 'help'. Some really were trying to help - but yknow... eugh. Rich people. Nothing was particularly regulated and abuse against children was accepted and even encouraged.

Plus its fresh after The Great War, poor street kids fending for themselves were hardly rare, infant mortality was high... Lots of kids and not much demand for them. If they could hurry up and grow up to join the workforce... that would be swell.

Experience of the common orphan in a common orphanage: + Crowded eating halls where they usually didn't eat well. + Beds lining the walls, no privacy, everyone in the same room. + No individuality - kids often forgot their own birthdays or names... adults rarely use them, there's too many kids to remember and they keep dying and shit, honestly who cares - if they get adopted maybe they'll be renamed anyway + Education was often light, just the basics + Sometimes they were also put to a little work beyond their own laundry and cleaning etc. + Sundays they get dressed up, cleaned up - to try and get them adopted. Trot them out like little show ponies to try and tempt some rich person. ''They aren't dirty street shits, they're nice and handsome little children who won't embarrass you.'' + In many places child abuse was just... awful. Being made to eat their own vomit, pushed down stairs, locked into rooms and forgotten about, straight up being murdered by their caretakers... if you can imagine it, it probably happened.

...Why do I say all this? Because barely any of that seems to apply to Tom's experience. That doesn't mean his Orphanage was a nice place for him to grow up... but my god, it sounds like a DREAM compared to the norm-!!!

+ Tom Riddle... had his own fucking bedroom. WOAH. + Privacy. Access to books to read. He could READ. + His own WARDROBE, where he could KEEP HIS OWN THINGS. + It's assumed other children could ALSO keep their own things, as he had stolen their stuff - and some even had PETS??? + No real sign that he is put to any grueling work. + He was calm and impolite in his own room - he isn't terrified to talk back to adults. + Though it did anger and scare him, experts were being brought in to try and evaluate his health. + He looked well. Well fed, healthy, clean, normal.

Mrs. Cole the Matron - though she says judgemental things she says and the mention of 'whacking on the nose with a rusty poker' (which I assume is basic physical abuse...?) - seems shockingly involved with the children. She knows their names, their preferences, their backstories... and despite the orphanage being poor, they take the children on a holiday every year. Even Harry thought she seemed alright.

It is BONKERS how nice it is at Wool's Orphanage. That is an intentional writing decision. They author is British, she knows basic recent British history - the 'suffering orphan' is baked into her very bones as a concept.

He COULD have been depicted as: + Just one dirty face in a room of many beds, many children, that Albus had to weave through to take him somewhere private and tell him he was different from them, he was special. + Keep the smaller rooms - but he has to share with five or so other boys... who have all moved their beds as far from his as possible. + He could have only barely even remembered his own name - there's nobody who cares to call him it anyway, so he dislikes it. + A "Yes Sir, Sorry Sir, Of course Sir" little boy - who then breaks out in joy over going to Hogwarts + ...just straight up could have been in a workhouse.

It wouldn't be far-fetched for it to be described like Oliver Twist (set in 1830s, but there was actually higher child mortality in 1930s) Or more of an Annie situation (set 1930s New York - probably better conditions than 1930s England) The Author has never shied away from displaying child suffering before. Just look at Snape and Harry... and even Neville! Yet Tom Riddle very much has an air of being the Top Rooster. + Even the adults don't know what to do with him. + He is rather comfortable as long as doctors aren't being brought in. + He has gone out of his way to MAKE that comfort for himself, through enforcing a harsh pecking order amongst the other kids. + He is, especially for the time, a bit of a brat. Talks back, snappy, sneering and scoffing, talks over adults, snatches...

That's not unreasonable of him, by the way. He IS treated unfairly due to his powers, he is a poor orphan in a world with an abundance of poor orphans... and he's just a little boy. Of course he acts out.

But he could have been made more sympathetic - and more believable, honestly - with only a slightly more harrowing depiction of his living situation than simply 'a little shabby - and the over stressed but tries-to-care Matron likes a drop of Gin.' Instead he is living better than most of the lower class.

Which to me can only mean he isn't supposed to come across as too sympathetic. He isn't a suffering orphan, he isn't miserable, he isn't abused (too badly), he isn't lonely, he isn't any of the things Harry was... despite being in a similar situation, at first glance. He is still sympathetic. Harry and Albus both thought so. But the reader isn't supposed to see his childhood as terrible. Just sub-par. We are happy he gets a chance at life at Hogwarts... ...but aren't thinking 'Oh man, of course he murdered people, he has had such a harrowing life' Snapes life was worse. Harry's life was worse. Neither of them kill.

[an-obligatory-blog]

Thinking about this post I made again because the more I think about it, the more I am glad that Infinite was not in Shadow Generations and the more anxious I am when he finally does.

Because I have like, conjured this idea in my head of how I want Infinite to return-- something that retains what was established in Forces (including his "unlikable" aspects) while progressing his character in a way that is one 1) meaningful, 2) not a complete joke, and 3) gives incentive to use him again and not shelf him forever after one more appearance. But the more I'm convinced of my vision, the more I think "there's no way this is happening" because very often, attempts to "fix" the character comes with an inherent lack of respect to a character's current traits-- erasing instead of working with what they have. Think of past (and I guess current) sentiments of "fixing" Amy and all the discourse that was spawned from it. I feel like I have tunneled myself into future disappointment as an Infinite fan and the fandom would be less resistant to it than Amy because I feel like people are more likely to accept whatever as long it isn't carbon copy of Forces.

Which is a shame because the main flaw of Infinite in Forces, imo, isn't that he's a "fraud", but that his backstory is empty. If your definition of "fixing" Infinite is to establish an understandable reason for his breakdown and flesh out his relationship with his squad without changing any of the story beats, you did not write an AU where "Infinite but what if he's a good character". What you wrote is a legitimate interpretation of Infinite because Forces said nothing about why he had that reaction Shadow or really anything about his squad. Sonic Team could legitimately take that and not have to call it a retcon because of how little it contradicts anything since, again, the issue was that it's "empty" not "rotten". To begin with, assuming that "Infinite's motive is nothing more than a tantrum" is just as much of a presumption as someone's fic coming up the most tragic sob story for Infinite to justify the events of Forces; it just that the former is the simplest explanation to fill the holes that Forces' less than stellar writing left behind and thus, the impression he leaves on the public.

If what I described is enough to "fix" Infinite in your eyes, then you may not hate Infinite as a character as much as you may think you do. It's not like it contradicts hating Forces' writing.

And I know that's not everyone-- there are plenty of people who rather have literally anyone else as the villain, someone who isn't a "fraud" or someone who is more "badass/cool" or even someone that embraces "lameness" as a primary trait aka a joke character. The most common sentiment I find on Infinite is "he is a character with a lot of potential, so I would like to see him back with better execution", but what do you mean by "potential"? What does this "better execution" look like? It seems like an opinion that the Sonic fandom can unite under on the surface, but I think that the moment Infinite were to hypothetically return, the division between who is satisfied and who isn't will surface.

Or maybe it won't. Maybe Infinite isn't important enough worry about how much of his original self is preserved or what a natural progression with him looks like as long as its paired with writing that's more palatable to the audience. If people were to go online and fight for something more in-line with his characterization in Forces, would anyone care? Wouldn't be more likely that such sentiments are deemed stupid?

I am glad that Infinite didn't show up in Shadow Generations because he doesn't belong there. Mephiles, Black Doom, even Metal Madness-- you can argue that they represent something to Shadow, but not Infinite. It's /Shadow/ who represents something to Infinite the same way Sonic represents something to the Avatar but not the other way around. It's possible to progress Infinite in a way that changes that, but that's not happening in a story that centers Shadow and his past because Infinite has nothing to do with that. All people expected from a possible Infinite appearance is the "I don't remember you" treatment (which again, already happened in Forces) that Mephiles ended up getting-- he doesn't represent anything that Mephiles, a character who is meant to reflect Shadow down to his appearance, doesn't already.

But Infinite could always appear when SEGA feels like it-- frankly, it was harder to bring back Mephiles given that he was wiped from the timeline but look at him here now. If he comes back and his character is taken in a direction that I don't like, is that me being close-minded? His backstory is empty so his "potential" is "infinite", but is anyone, including myself, willing to accept what's outside of what we consider ideal? I'd like to imagine that my ideas for him would be something that would make us all happy, but is that even possible, much less true? Maybe those are useless questions. We can only evaluate things that exists.

Infinite isn't a character that belong to me nor do I have any semblance of authority over him but falling in love left me feeling possessive. I feel arrogant and hypocritical-- thinking that canonical material that wouldn't meet my standards is better off not existing while trying to appreciate controversial material that many would not miss. I keep doing it because if not me, who else is going to think the way I do-- hating the exact things I hate and liking the exact things I like? A lot of Sonic fans do this, I think, so at least I'm not special. It makes you feel based as hell.

late night infinite thoughts/hc/analysis

despite being clowned on for his Ls and "i'm not weak" scene, i don't think infinite particularly childish? or more specifically not in the specific brand of "pathetic sore loser" that's been memed on. like he doesn't feel like the type of character who would throw a tantrum/be visibly upset if he can help it (particularly in front of shadow since that's the guy he's pitted against).

it's not that i don't understand why he left that impression-- the way shadow dlc told his background would ofc lead ppl to feel that it was an overreaction for being kicked a couple of times, but the thing is, we saw how he reacted when he met shadow again and what he said after being told that the hedgehog didn't remember him.

(using screencaps of the jp script, but i'm p sure en is the same jist)

sure, infinite is gassing himself up in this scene because of his shiny new rock, but when i saw this scene, my immediate thought was "so you think you aren't someone worth remembering"? (which can also be extended to his squad mates who were also defeated and thus "weak", regardless if you think they are dead or not) he's not particularly angry in this scene-- if anything, he admits that shadow's words of him being a loser (and thus weak) is /fact/.

hence why i think that infinite hates himself more than he could ever hate shadow. he can hide it by saying "well that's just the old me, i've changed. look at my virtual reality of green hill" but that mask isn't just for show. past or present, he is still himself even if he pretends otherwise. he is insecure, that's true. it's also true that his ego is fragile and that it hangs on his ability to suppress others.

however, his ego isn't unshakable at the face of failure or incapable of self-reflection, even if he wishes it was. the denial phase doesn't last forever.

to put it in another way, he's not the type of sore loser who will go "the other guy must've cheated" or "it's not fair" and deny the other person of their achievement. he's the type of sore loser who becomes frustrated with himself, trains himself to exhaustion, maybe cheat himself if tempted (you'll have to convince him that it would be a meaningful victory if he does though, (re. his logic on relying on magic rock ok, but relying on friends is bad and fake, apparently)), and fall into despair if his efforts don't pay off. that's really what his "i'm not weak" breakdown really is to me-- falling into despair and eventually accepting that he is powerless.

with high ego, he may dismiss losses as a fluke, but that requires plausible deniability to be present to fall back on. my point is that his arrogance doesn't come across as stable, it's just that conquering 99% of the world would convince anyone that they are hot shit.

also, he's not bad at /hiding/ his insecurity. insecurity isn't an aspect that was just added to him in the dlc and thus "ruining" him-- he just hides it well when he started wearing the mask. he only showed a mote of desperation by the end of his final boss fight. before that, we had sonic and the avatar breaking out from null space in record time and while eggman was in shock, infinite just stared silently-- he retained a "mysterious" aura for most of the game despite multiple setbacks. his ability to hide his emotions without his mask is up to you, but at the very least, he would at least /try/ to cover up anything he deems "unsightly".

what i'm trying to say is, i think he'd be upset being called weak, but i don't think that specific "overreaction" he had in shadow dlc is just something that happens every time he's insulted, esp when his ego is in a more stable state.

why he's so fixated about strength and weakness is pure hc territory bc forces writing sure as hell didn't explain it, but i think it's safe to say that he wasn't stable before his encounter with shadow and no matter how many ppl think that his motives are "stupid", this was something that meant a great deal to infinite. why it took until shadow for the camel's back to be snapped, idk maybe something happened to him earlier or maybe not, but regardless, infinite appears to be someone who is very desperate to be proud of himself and he measures how much he is worthy of pride through "strength". those who are strong don't think of those weaker than them, to him. (re. him saying that it's fine that shadow didn't remember his past self, and following up with "you're nothing to me now" bc he believes that he is now stronger than him. also note his quirk in jp where he calls ppl "gomi" (in katakana)/trash, idk jp well i just think it's neat)

this "fraud" quality of infinite's is something i find appealing as his fan, and not in the "i think it's brilliant to have a joke character that parodies edgelords" kind of way (infinite isn't purposefully meant to be joke and i don't think he has to be in order to be "good" with his current backstory). to segway into a different conversation, i don't care of the take that "infinite should've been an artificial lifeform like shadow created by eggman" bc to be frank (and i apologize if this is too spicy of a take), i don't see the benefit to that other than to give infinite more "aura points" by erasing his backstory as a "fraud". (bc a villain that doesn't meet the "aura" threshold is bad, i guess.)

bc here's the thing, right-- there are a lot of things you can compare and contrast between shadow and infinite and create a meaningful analysis out of it, but remember that infinite is the main villain of sonic forces and that sonic forces... is not about shadow.

sonic forces, if anything, is the avatar's story. the avatar is infinite's primary foil.

shadow defeating infinite parallels infinite defeating the avatar (at the start of the game). infinite gains help from eggman and the phantom ruby while the avatar finds the Power of Friendship, Love, and Courage (tm) through sonic. infinite finding solace in "fake" power while the avatar finds "true" strength. infinite believing that he is the one who sees the reality as it is (re. his theme song lyrics), when it was the avatar who sees through his illusions.

and i really like that. idk if these are the right words, but i feel like they stand out because of how "human-like" and "relatable" compared to everyone else (esp the avatar bc they are literally an OC). with the exception of tails (who is instead offset by being a kid genius), the sonic cast is filled with characters that have stronger than average willpower, leaving the "outsiders", infinite and avatar, to play catch up in their quest to find strength. they are not unshakably confident like sonic or endlessly persistent like eggman-- they are, at their core, embody the insecurity and lack of confidence that the ordinary person is more likely to succumb to. infinite is like a bandit boss in a jrpg: has a reputation of being feared, has followers/lackeys, villain vibes, but at the end of the day, they are just the first boss the protagonist wipes at the tutorial. the avatar would be a background character in literally any story except forces. they both "extras" trying to take the spotlight that was meant for the leads.

that is why i genuinely think that his current backstory has more value narrative-wise than that hypothetical one and it's not just preference. i don't care if forces has bad writing-- infinite and the avatar starting off as "ordinary people" as a parallel is neat and i will die on that hill. (and imo this attribute makes infinite a unique villain in the sonic verse. like he's not explicitly sympathetic like merlina was or even overtly tragic like gerald, but he manages to have that pitiable, human-like quality, you know?)

but yeah this is really about him not showing up in sonadow gens. like don't get me wrong, i would've been very happy if had shown up and i did lowkey expect it when i saw sunset heights in the trailer, but i'm not mad that he didn't ngl. for the reasons listed above, i don't see infinite as a "shadow villain" like mephiles and black doom are.

[erinwantstowrite]

thinking so hard about the very shitty au i wrote when i was on wattpad where Lucy (fairy tail) met the guild as a kid but they had their memories wiped at the end of it and didn't remember her, so when she finally meets natsu again SHE remembers them but they don't remember her. also she was their enemy when they first met and when she ran away from her father it was because he tried to create one of the time travel gates but he had to sacrifice a celestial wizard to even try and get it operating. i think she had two older siblings in this au too? anyway i never posted it but it was so incredibly long and I can't get into my wattpad account anymore so it's gone forever so i can't even reread it and laugh at how badly written it was

[duckiemimi]

dandadan fills the well-written-female-characters shaped hole in my heart.

[abrielarnold]

The room starts to spin and he’s glad he’s lying down. He shuts his eyes and turns his external imaging devices and motion sensors inward, cocooning himself in the darkness and warm hum of his machines.

The only part of himself that he allows himself to interface with is the blades in his shoulder copters turning slowly in time with the slight draft in the room. He drapes his mind around them, giving the spinning, dizzy feeling a place to exist that isn’t his stomach. His louvres flutter like gills, directing his exhaust-filled breaths away from his fuel lines and processors.

You Can't Save Everyone, But You Can Try by JustAnotherGuest.

watched generator rex for the body horror, stayed for the giant robots, decided that there could have been MORE body horror and giant robots, and here we are.

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[clowningaroundmars]

Hobie1610 pt. 3

part 3 has finally arrived!!! at a faster rate than part 2 but a bit of a wait nonetheless lol

not entirely sure how long this lil story will go on for but hope y'all are enjoying this ride regardless, whether it ends on the next part or in 3 more chapters ldfjkdhf

in this installment: thrilling action, a high stakes chase, and we get to learn more abt our beloved hobie jones! yippee!

>pt. 1 here<

>pt. 2 here<

♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧

By some miracle, Hobie did not mention the suit to Miles once they started texting semi-regularly.

Unfortunately, they also couldn't really make their lunch date (date? God, get it together, Morales. It is not a date…) as soon as Miles would have liked, due to a million different things getting in the way of them setting a solid day aside to chill together.

Just his luck, of course.

But in the hallways, Hobie actually deigned to give Miles a passing smile every now and then. They didn’t ever get to hang out like they did for those precious few moments on the first day of school, but Miles didn’t feel the crushing weight of guilt every time he saw Hobie in his same classroom anymore. What a relief!

So Miles was mostly okay with how things were going anyhow, even if the hangout ended up falling through and they both decided not to go in the end. He was able to patrol and do his homework in blissful peace for the first time in months.

… Kind of.

That look on Hobie’s handsome face as he looked down past Miles’ coat collar though…

That still ate away at an anxious part of Miles’ brain whenever he had the time to sit down and really let his worries manifest.

No time to think about that now, though. Miles was suited up again on a school night, hoping to get at least an hour’s worth of patrolling in before security at Visions noticed he was absent from his dorm room. He hoped Ganke would be able to cover for him like he always did.

It was yet another cold evening out in New York City, and Miles was steadily covering the edges of Brooklyn, heading towards Manhattan to do a quick sweep through Central Park like he did on occasion. There was always something going on in Manhattan, especially during the evening.

Miles decided it wouldn’t hurt to take a quick peek before calling it a night and heading back to Visions.

So away he went-- now fully in his Spiderman element-- vaulting and soaring over buildings, showing off every now and then by doing silly flips and tricks mid-air for the opportunistic New Yorkers looking to snap their Spiderman Sighting of the day. A little social media promo never hurt anyone, after all…

Spiderman finally swung down onto a tree branch on the western side of the park from a street lamp and was just about to lower himself down as inconspicuously as he could, before immediately feeling the tingling electricity of his Spider Senses race up and down his spine, giving him the usual headache along with it.

He crouched down quietly on a branch and watched as a familiar lanky figure streaked across the path underneath him onto the grass and beyond.

Whoever this runner was, he was fast. And hot on his trail was a gang of burly bumbling assholes cursing up a blue streak as they gave chase.

Spiderman’s eyes stayed glued to the fast runner like they were a lifeline. His senses honed in on the person and he erupted out of the leaves of the tree with one mighty leap, sailing through the air to shoot a web out and swing his way on over to the excitement.

Several joggers, people walking dogs after work, and mothers with baby carriages exclaimed and shouted as they were barreled into by the gang of men trying to keep up with their moving target. The runner didn’t seem to be giving up, though, as their long legs sent them flying over bushes and rocks and lounging people as gracefully as a ribbon in the air.

It was indeed getting dark soon again, but the darkness didn’t really affect Spiderman’s senses at all. His mask helped him fine-tune his powerful vision and anticipate the runner’s next moves.

It looked as though they were trying to make their way up towards the Great Lawn from Cedar Hill, but whether the person was planning to make a break for the now-empty Delacorte Theatre or the Metropolitan Museum Of Art… or beyond? That was the million dollar question.

Spiderman didn’t want to lose the person in case they happened to just be a petty thief, since that would be a quick and easy problem to fix. But as he silently chased down the runner alongside (and unbeknownst) to the gang, his suspicions gave way to some other... ideas.

Namely, that the runner seemed young, a bit too young for someone to be pissing off this many fully-grown gang members.

He pushed through his confusion and made a break for the theatre the second he guessed that the runner was pivoting in that direction.

The trees were getting thicker the closer they got to the Belvedere Castle and Spiderman eventually resorted himself to hoofing it, mindful of sticking to the shadows of the foliage that surrounded them on all sides.

He was super grateful now more than ever that his suit happened to be his signature sleek black and red, rather than the tacky and hyper-visible reds and blues of many of his Spider counterparts (sorry Peter!)

Once he confirmed that the suspicious target was indeed planning on hiding in the bleachers of the massive amphitheatre, he shot up a web to hoist himself into the infrastructure from the tall stadium lights. From there, he positioned himself a bit closer to the fray, hearing the loud and heavy boots of the gang following the runner, not far behind.

Then, he squinted into the dusk as he watched one of the entrances from his perch up high... and almost choked on his own saliva!

In comes none other than Hobie Motherfucking Jones, streaking down several steps like a shooting star, clutching onto… something tucked under one of his arms. He was breathless, panting loudly, and heading straight for the Belvedere Lake.

Upon hearing the heavy bootfalls get ever closer with every passing second, it seemed that Hobie got the idea to attempt a last-minute juke by throwing himself underneath the stairs that faced the lake, tucking himself as tightly as he could under the massive stage at the center.

Spiderman watched all of this happening with wide eyes, holding his own breath in. He prayed that the ugly thugs didn’t see Hobie’s sneaky last-second move, but climbed up high onto the stadium lights and prepared to swing down anyhow, just in case.

What was Hobie even doing here, out at this hour? And what the hell did he manage to steal that was so important to these men anyways? It was quite a chase they were caught up in, running nearly two entire miles all the way up to the amphitheatre just to catch him, and that was only from what he could see when he swung into action.

The group split up and pulled out flashlights, determinedly searching the bleachers and corners as best they could while the sky rapidly darkened above them.

From right below the webbed crime-fighter, Hobie poked his head out from the shadows and took a peek.

No, no, duck back down! Spiderman wanted to shout, but he couldn’t.

No one knew he had followed them and he was safe high above the action where he balanced himself on the metal bars that housed the bulbs. His muscles tensed as the bright beam of light from one guy’s flashlight swept a little too close to Hobie’s head. Damnit.

Spiderman couldn’t just sit there all day! He had a friend to save, stolen item be damned!

He rechecked his web shooters furtively and took aim.

He set his sights on another stadium light pole across from the stage, figuring that if he was quick and agile enough, he could time his swing well enough to scoop Hobie up from where he was hidden and avoid any detection. Hopefully.

Seemed like a solid enough plan though, until Hobie just. Shot out from his hiding place all of a sudden, the heels of his boots rapping loudly against the cement and echoing all around the stage as he made a beeline for the lakefront.

Shit!!!

Miles wanted to kill him. Those guys didn’t even suspect he was hiding where we was in the first place!

... Okay, plan B!

Spiderman’s brain whirred at breakneck speeds as he watched the thugs exclaim loudly and give chase yet again, this time much closer to Hobie than they ever were before.

Without thinking, he swung down from his perch and bowled over a couple of men in his haste to simply just… grab Hobie like a damsel in distress and fireman-carry him back around the gang to get a good line of web onto a nearby pole.

The men all cursed and shouted in surprise of course, flashlight beams waving around everywhere.

One of them even yelled, “what the hell was that?!” like a character in one of his dad’s favorite cheesy slasher movies.

Spiderman was too fast for them, a black blur simply whizzing by as he grabbed Hobie and hoisted the both of them up into the air with a mighty leap. Hobie yelped in surprise, grunting from the effort, and seemed to let whatever he stole slip out of his hands which then clattered loudly onto the ground below.

The thugs rejoiced then, shaking fists at Hobie and his rescuer as they flew up to the top of a tree and detached themselves so they could fall onto the stadium light opposite from Spiderman’s initial hiding spot.

Spiderman didn’t stop until he attached another web up to the lights and dangled there for a bit. Adrenaline still coursed through his veins as he shifted Hobie off of his shoulders and let him slide slowly onto his side, his friend’s wiry arms clutching him tightly.

They both watched with rapt attention at the goings-on several feet below them.

The thugs congregated around the fallen item, picking it up and turning it this way and that. It looked like a briefcase, though with the low lighting it really could’ve been anything. It was only when one of them-- the biggest and burliest of them all-- shouted out another colorful swear word that Hobie then seemed to come back to himself again.

He squeezed Spiderman’s shoulders with his arms and kicked at him. They swung a bit from the wiggling.

“Ouch!” Spiderman hissed, as quietly as he could. He was hoping the dark dusk would conceal their position now as long as they made No Noises, but even that wasn’t guaranteed.

“Go, go, go, go, man! Let’s get out of here!!” Hobie hissed right back into his ear, his face mere centimeters away from Spiderman’s mask.

Spiderman stubbornly ignored the heat radiating out from his face at that realization and jerked this way and that, looking for an easy escape from their conundrum.

Flashlight beams danced around the ground before finally swinging up to the trees and catching sight of a pair of shoes dangling in the sky.

The biggest and meanest one of the bunch pulled something out of his pocket and took aim.

Bullet! Spiderman’s senses screamed into his cerebellum.

“Goddamn,” he huffed ruefully as the shots rang out. Hobie panicked. “Bullets for us? That’s a little harsh, isn’t it?”

Hobie clung onto his hero for dear life. “Brother, if you do not get a move on from here, we are both gonna get turned into fish filets!” He shouted into Spiderman’s ear.

“Ow. Okay,” Spiderman grumbled, sticking himself to the side of the pole they dangled from and readjusting Hobie so that he clung onto his back instead.

He took a deep breath and narrowly dodged a bullet that whizzed unnervingly close to their heads. Hobie yelled again.

“Okay, okay, okay,” Spiderman began, speaking quickly. “Hold on, okay? Hold on tight. Just hold on and do not let me go for even a second!”

“On it!” Hobie shouted back, legs kicking a bit before wrapping themselves tightly around Spiderman’s torso.

They both took a breath and then Spiderman jumped, gaining some air before twin webs erupted from his web shooters-- aimed directly towards the seating area entrance.

Together, he and Hobie rocketed from their airborne position towards their escape route once the fluids connected to solid architecture. To his credit, Hobie only whimpered a little bit through the ride.

The thugs had no chance! They stumbled on tired, aching legs towards the very door the two teens had left out of, complaining and cursing some more as they searched through the steps and made their way out onto the theatre’s general admission and concessions area.

They searched and searched through the bushes and trees, going so far as to even check the sculptures near the structure.

After several tense moments of gruff shouting back-and-forth, the search eventually died down until only a couple of the men were left sweeping the area once more. The others had already given up their fruitless endeavor and called it a night.

“Fucking kids, man. What the hell,” Spiderman heard one of them grumble before kicking at the Romeo and Juliet statue angrily and following the rest of his cohorts down the path towards the Great Lawn again.

Hobie and Spiderman let out matching sighs of relief then, happy to have given the men the slip by managing to hide behind the giant 3D Delacorte Theatre sign right above the box offices. Lucky for them, most people don’t think to search behind lit-up signs, so they went completely undetected.

“… Wanna let me know what you were doing here this whole time? You could’ve gotten killed!” Spiderman breathed. He wanted his tone to be sharper, more authoritative… but he was just so glad to see his new friend still in one piece instead of riddled with more holes than a chunk of swiss cheese!

Hobie scoffed, tucking a loc behind his ear and sitting back. Thanks to the lighting of the sign and the other park lights in the area, Spiderman could see him digging around in his coat pocket and fishing out-- a USB drive?

Hobie held it up triumphantly, sleepy down-turned eyes glistening with pride.

“I got it! Suckers! Screw them by the way, I’m not the thief, if that’s what you’re wondering,”

Well. He was sneaky, alright. Spiderman had to hand that to him, at the very least.

He sat back on his heels as well and exhaled. “Fine. I believe you. What’s on that drive?”

Hobie squinted at him then, really giving him a good once-over now that the excitement had officially died down. “…Damn. You’re Spiderman,”

“Yeah, yeah. Hey, hi, nice to meet you, I’m your friendly neighborhood Sp-- ugh, seriously man, just tell me what all of that was back there or else I’m webbing you up and calling the cops.”

“Hey!” Hobie objected. “Like I said already, I’m the good guy here. I snagged this from those guys because I caught them snoopin’ around the museum over that way. I followed them and found out they were stealing this!”

Spiderman bobbed his head. “Okay? And what’s on it?”

Hobie turned the drive over a bit in his hands, admiring it. “Most likely? Security codes, schedules, maps. I’ve been uh… investigating those dudes for a while after watching them sniff around the museum for a few days now. It looks like they were just art thieves plannin' a heist, so I jumped on the opportunity to deliver justice myself.”

Hobie’s mischievous grin was met by Spiderman’s disapproving stare.

“And why didn’t you just call security and let them know? Like I said, super dangerous thing you did back there! If I wasn’t there to save you, you could’ve died, man.”

Hobie pocketed his USB drive again and rolled his eyes. “Y’know, for a vigilante hero with cool superpowers, you sure are a square.”

Spiderman sat up and placed a hand on his chest, feigning hurt. “Oof, ow. That’s mean,”

“Yeah, it is, but you know I’m right. If a kid like me walked up to some cops and tried to warn them of a possible art heist, you just know those pricks’ll laugh in my face and do literally nothing about it. I had to take matters into my own hands!” Hobie jutted his chin out defiantly.

Well. Couldn't really argue with that, especially considering PDNY’s less-than-stellar track record of taking preventative measures most times. All that they would most likely do is nod along to whatever Hobie was telling them and chuckle, shaking their heads as they walk away. Not their problem.

Spiderman rubbed his chin. “Point taken," he conceded. "So what’s your plan now?”

Hobie glanced around, as if he was checking for any eavesdroppers. “I’m gonna submit some photos to a journalist I met online before turning this in back to the museum. The journalist’ll help get those guys behind bars once a story's published and some actual adults talk to the cops. I am going to go collect my reward,”

Spiderman blinked. He had a bunch of questions swimming in his head, but the first question out of his mouth was, “what reward?”

“The reward for turning in precious security info, genius!” Hobie tapped at his forehead with a finger and grinned. “If I get to negotiate with them, I can get some money to save up and-- uh. Nevermind. Listen, are you gonna rat me out or not?”

Miles’ brow creased behind his mask. “… I don’t think I will. Sounds like you’re doing the right thing… mostly.”

Hobie cheered silently. “Yes! Okay, I take it back, Spidey. You are cool!”

Spiderman sighed. “But first, I need to know you’re gonna be safe. Like, actually, and that you’re not gonna get followed home.”

Hobie shrugged nonchalantly and pushed more locs out of his face again. “Yeah, you can walk me home if you want,”

“No, that’s not what I mean. I mean, that’s not the only thing I mean. I need you to promise me that you’re not gonna get into stupid stunts like this again. That was so dangerous and you really could’ve gotten hurt!”

Hobie exhaled as well. He stared intensely into the mask’s giant white lenses for a beat, making Spiderman shift uncomfortably.

Then, he held up his pinkie. “… Fine. I won’t do stupid shit like this again. I promise.”

Spiderman blinked a few more times and hooked his pinkie onto Hobie’s. “Uh. Okay, cool! Cool, that’s what I wanna hear, considering keeping New Yorkers safe is my job! I just wanna see you safe, that’s all. No more art heists, you gotta leave that to the professionals to handle,”

“What, professionals like you? You might’ve not even gotten to them in time before they snuck off with like millions of dollars worth of art, bro.”

“Anyone ever tell you you are just so mean? Dontcha have a little faith in me? The ‘vigilante hero with cool superpowers’?” Spiderman shot back.

They both laughed.

“Seriously, though. I do appreciate the fact that you saved my ass back there,” Hobie admitted, eyes cast downwards for a second. “I was actually gonna throw this thing into the lake and hope this drive got eaten by like… a fish or something.”

“And what about you?” Spiderman smiled despite himself.

“Well,” Hobie shrugged. “If I died, I died. I guess,”

It was Spiderman’s turn to scoff now. “You have a family, man. Don’t be ridiculous. You have friends and family that would miss you!”

Hobie’s expression turned dark, his entire face shadowing for a second before being replaced by cool detached nonchalance. A slight hint of annoyance stayed put underneath.

“… My family’s barely my family. I don’t have any friends, either. Don't worry about me.” Hobie admitted in a clipped tone. He stood up abruptly and started doing some casual stretches.

Spiderman stood up as well, knowing fully well how this song and dance was going to go.

He would never admit it out loud, but he’d seen his fair share of self-destructive citizens throwing themselves into the middle of danger in the short time he’d been doing this whole vigilante thing. He had talked many a melancholy or manic person from tossing themselves off of multiple different buildings, different bridges, stopped them from “falling” onto train tracks.

And as loath as he is to admit it, this Hobie’s particular brand of cool detachment was entirely too familiar to him as well.

A flash of his uncle Aaron’s face lit up a part of his brain that he hadn’t really allowed himself to acknowledge since that fateful day. He quickly stamped that out.

He cleared his throat and rubbed at his neck. “… Well. That sounds pretty depressing, man.”

He didn’t notice Hobie’s shoulders hitch at that phrase.

“But,” Spiderman continued, “You got people out here who care about you, even if you don’t know it. You’re still so young, you could be ending your life before you even meet, like, your favoritest person in the whole world, right? So just do me a quick favor, take care of yourself. For me. Live long enough to meet your favorite person, alright?”

Spiderman put on his best comforting expression that he could despite the mask most likely getting in the way of Hobie fully seeing it. He hoped his words were enough to convince him not to dive off the deep end, at least not anytime soon.

It seemed to work at least a little bit, because Hobie looked back at him with a much warmer-- albeit hesitant-- expression.

“Can I ask you something?” Hobie finally said after a few moments of silence.

“Uh, sure.” Spiderman replied.

“Do you know about a kid named Miles Morales at all?”

The air was sucked out of Spiderman’s lungs right then as he floundered like a fish for a minute, brain working into overdrive to make his answer sound both intelligent and convincing.

“U-uh, maaaybeee? I dunno, I meet a lot of New Yorkers everyday and I don’t get many names, yanno? S-sounds familiar, but sorr--”

“I knew it,” Hobie exhaled a laugh and surged forward to embrace Spiderman with both arms.

Spiderman stood frozen in his place, arms held in mid-air as he worked to process this.

“Uh. What--”

Spiderman felt Hobie’s chin dig into the side of his cheek a little as he turned his lips to his ear. “Your secret’s safe with me, by the way. I’m not telling anyone,”

Miles felt his whole world turn on its axis before shattering completely.

Oh no, no, no, no, no! Goddamnit!

Miles pushed Hobie off and stepped back, holding his hands up. “Oh hey, whoa, whoa, whoa. I dunno what you’re thinking or who you think I am, but--!”

Hobie sighed loudly. “Miles, I saw your suit.”

The world screeched to a halt.

Hobie picked his gaze back up off of his feet and even seemed apologetic, almost. “I, uhm. Like, back on the roof. At Visions. I wasn’t… a hundred percent sure I saw it, since it could’ve been any logo at all, but. Well, you’re a pretty bad liar too, y’know that, right?”

Miles sucked in a slightly shaky breath, gulping loudly. “Uh. W-well,”

Hobie smiled shyly. “You, uh… you’re like around the same height as Miles Morales, anyways. And you sure sound a lot like him, too.”

Damn. Damn it all.

Miles spun this way and that, placing his hands atop his head as he panicked slightly. “H-Hobie, you cannot tell anyone else about this, whatsoever. Do you understand? No one. At all. Or we’re both dead!”

Hobie held his hands up, lines creasing in his face. “Look bro, you’ve got secrets of mine too. We pinkie promised, remember? I don’t break promises.”

Miles didn’t point out that the promise was so that Hobie would stop getting himself into stupidly dangerous situations, but he accepted it anyways, albeit reluctantly.

“D-do… do you actually, like actually promise me you’ll never breathe a word about this to anyone? Ever? At all?”

Hobie held up his right hand into the air, as if taking an oath. “I, MJ, solemnly swear to never breathe a single word to anyone about your super secret identity, so help me god.”

Miles planted his fists on his hip and shook his head. “Oh my god,” he exhales on a shaky laugh.

“Don’t you believe me? What would I have to gain by selling you out? Oh,” Hobie stops suddenly, perking up. “We could even work together! I got me my sweet camera and my extensive connects, man. Think about it!”

“No, no. Hobie. Stop that, man. I’m not putting you into any danger after I just saved your skinny butt. Spiderman doesn’t do sidekicks anyways,”

Hobie looked a bit put out, but shrugged anyways. “Well, I mean… think about it sometime. We could seriously take down criminal activity around here, if you’re down! And, uh. You do have my number,”

Miles looked up and took a deep breath. “Mmnyes, I do. I do have your number. That’s… I mean you’re not wrong about that. Listen, I think it’s getting pretty late and we should both be heading back home now, though.”

The corners of Hobie’s mouth curled up mischievously. “True, true. It is a school night, after all.”

Miles couldn’t stop grinning despite the heavy anvil that threatened to burst out of his chest. “Yep, yes it is! Okay, time to get you home now. C’mon, let’s go.”

Miles moved to step into Hobie’s space and carry him on his back again so he could lower the both of them down from the lip of the theatre roof.

But before that happened, he felt Hobie place a cold but strong hand on his shoulder, stopping him.

Miles looked up inquisitively and felt his breath catch in his throat as he felt those same hands slowly slide up the smooth spandex of his suit, up his shoulders, and then they stopped at his neck, at the seam of where his suit and mask met.

The entire thing probably only took a few seconds to do, but to Miles it felt like eons passed as he felt every single muscle twitch and the pulse beating underneath Hobie’s skin while he ran those fingers up his arms.

He was standing so close to him! Oh god!

The entire ordeal was unbearably intimate, and Miles could barely stop the shudder that wracked his body suddenly.

Hobie’s soft lips were slightly parted, the lighting of the sign next to them caught in the dark brown portals that were his eyes.

“U-uhm. Sorry, this is weird...” he mumbled quietly. But his hands didn't move.

All around them, crickets started their soothing chorus.

Here they were, right behind the giant lettering of the Delacorte Theatre, intertwined in each other’s arms on a cold night-- and Miles’ core body temperature has never felt hotter before. He felt like he could melt steel, the way this night was going. He didn’t know when his hands raised to grasp onto Hobie’s arms, but they must’ve done it of their own accord because Miles then felt himself squeezing softly onto Hobie’s biceps.

Slowly, painstakingly, and carefully… Hobie made his move.

Every centimeter of the mask being pushed up was accompanied by a soft look that asked-- no, it begged-- for permission to continue. His hands seemed to move on their own eventually, as he slid the mask up over the back of Miles' head and then eased it up off of his nose.

Hobie wore a soft look of determination then, that fully came into view again once Miles felt his mask slide right up off of his eyes. Hobie’s soft hands eventually fell away, mask in one hand, no sounds in the air except for the wildlife of the park starting to wake now that the night has officially fallen.

Miles wasn’t sure why he did, but he held his breath.

After a few seconds of appraising gazes from each other, pupils meeting pupils, exchanging a million words a second with just a few looks… Hobie grinned beautifully.

“Damn. There you are,”

Miles felt a plume of heat erupt from his gut and rush up to his face. “Uh. Hm, y-yep. Here I am,” he blinked back at Hobie with his big brown eyes.

Hobie had a look of pure joy on his face before it started to melt away suddenly. “You know… I should backstab you for abandoning me out of nowhere that one time, though… I really should...”

The moment collapsed like an undone web, a delicate thing now completely destroyed as Miles leaped up in indignation.

“Hobie!”

Hobie stepped back and laughed loudly. “Re-lax! I’m not gonna actually do it. But. Y’know.”

“And if you do, I’ll leave you webbed up to that billboard near Visions,” Miles threatened, mostly light-heartedly.

“Psshh, and then get my mom’s two million lawyers on your ass? Good luck,”

“As if they could ever catch me! I’m Spiderman!”

Just as easily as they had stepped out of being just kids for a moment, they stepped right back into it, bickering like they'd been friends since forever.

Miles lowered the both of them from the sign and they headed towards the eastern side of the park, making their way over to Hunter’s Gate. They bickered and bantered back and forth the entire way there, and it was only once they made it to the outer gates of the park that Miles stopped them both.

With his mask back on and other New Yorkers now milling nearby, Miles made it a point to lower his voice as he turned to Hobie and puffed his chest out heroically.

“So, random citizen. Where are we off to today? I told you I’d take you back home safely, and that’s what I’m gonna do.”

“’Cause you promised, right?” Hobie smirked, tucking his hands into his coat pockets.

“Uhm. Yeah, yeah. I did. So, lead the way!” Spiderman made a grand ushering gesture, and Hobie chuckled good-naturedly as he stepped aside and exited Central Park.

“You gonna walk me home, Spiderman?” Hobie threw him a side-long glance.

“Yyyeah…? Why? You’d rather swing home?”

“I liked swinging, actually. Yeah,” Hobie stopped where he was on the sidewalk and nodded with an air of finality. “Yeah… let’s swing!”

Spiderman felt his heart do a few somersaults in his chest before he gestured towards his shoulders. Hobie quickly assumed the position, long lanky arms wrapping around him and leaning his body weight against Spiderman’s side.

Spiderman shot up a web to a nearby street lamp and gave his friend one more glance.

“You sure?” He asked again, really making sure that Hobie was okay with this. Not many people really liked swinging, which was understandable. Even Miles wasn't the biggest fan of it at times.

Hobie chuckled and ignored the onlookers as they slowly ambled past the two, throwing the teens questioning glances as they made their way past them.

“Yeah, I am! Let’s go,”

.

.

.

.

.

.

.

.

.

.

Miles: Do you actually actually really like on your LIFE promise that you’re not ginna tell a soul about… well…

Miles: gonna*

MJ: Yes, Miles. I PROMISE [eyeroll emoji]

Miles: I KNOW WHERE YOU LIVE

MJ: Do you actually, though? ;)

Miles: No. But I can find out… I got connects

MJ: Uh huh. I’ll tell your “connects” that if you don’t take me out on that promised lunch date, our friendly neighborhood Spiderman just might be the next trending topic on ALL social media apps again very soon……..

Miles: Oh my god. You are Evil. I can’t believe this. My next arch nemesis… damn

Miles: What a killer plot twist. The greatest foe I have yet to face happens to be none other than one of my very own classmates

Miles: It be ya own people

From his family’s Lower Manhattan penthouse, Hobie laughs out loud as he reads the text messages, ignoring all of the curious glances thrown his way by various members of his team.

From Miles’ own humble dorm room at Visions, he laughs aloud as well.

[sah-crescentmoon]

(Short story below the cut. No need to read it.)

All Eyes on You:

Dalnim could only stare at the board behind the soldier. It wasn’t the board itself that was the issue, even though it was broken. It was what was written in chalk: “CONSCRIPTION.” He dreaded that word. Dalnim never wanted to think about it, which is why he likes school. Well, not really. Teachers would always find a way to talk about the war and how what they learned would benefit their times as soldiers. Dalnim hated those moments in class, especially history. Could they not talk about any conflicts that ended peacefully? Surely there must be some conflicts that ended with a peace treaty. As he continued to be lost in his thoughts, Dalnim failed to realize that someone stood beside him.

"Dalnim!" Dalnim stiffened his body in fear and looked to his side. It was his teacher, who did not look happy at all. Before Dalnim could apologize, the teacher continued. "Why are you not paying attention? All of this information is important when it comes to you to join the military. Plus, this soldier took time out of his to teach you and your classmates about this, so show some respect." Dalnim nodded as he looked ahead. He apologized to the soldier, who didn't seem to mind as he had a soft smile on his face.

"Haha, must be the rain making everyone tired today. I hope you can stay alert as this information is really important," the soldier said calmly. Dalnim nodded. He felt bad for ignoring the soldier. He really should have at least listened to what he said. After all, the path that he wants may not be the path he walks on. Especially since Flower Hill has already carved the path for all its citizens. To become soldiers for a war that would never end unless the Weasels and Wolves are destroyed beyond repair. In his opinion, the war was now a battle on who could spill more blood. Sighing, he listened to the soldier continually talk about the conscription.

The soldier finished his speech, and the class erupted into claps. Each student was also raising their hand to ask questions in excitement. The teacher and the soldier seemed to be pleased with the outcome. The soldiers began to answer some of the questions. Then, one question shocked Dalnim to his core.

"Do you mind repeating that again?" the soldier asked. Dalnim lowered his head in shame. Why? WHY? Using his peripheral vision, he watched as his classmate looked at him. He shook his head. His classmate opened his mouth and repeated that question. Dalnim's stomach began to hurt, and his heart raced as the question was repeated.

"What would you do if you know someone who opposes this war and conscription? Personally, I wouldn't associate with a traitor." Dalnim's classmate asked. The teacher and the soldier looked at one another. Dalnim looked up and saw that they were both staring at him. Dalnim looked back down. He felt his heart pounding against his chest. Dalnim felt sick and held his stomach. He hoped with everything that he would not vomit. Dalnim looked back up and saw the soldier.

"Can you stand up?" The soldier asked. Dalnim slowly stood up but refused to look at the soldier in the eyes. He was both ashamed and embarrassed. He could hear his classmates talking. He couldn't hear what they said. But it must be the same words his sister told him over and over.

"Traitor. Coward. Pathetic."

Dalnim finally looked up and it felt like he couldn't breathe anymore. The soldier wasn't mad or even upset. Rather, he seemed disappointed. Dalnim looked back onto the ground. The soldier, however, pushed his head back up. Dalnim gulped.

"Dalnim, what do you think the soldiers and eventually your classmates are fighting for?" the soldier asked. Dalnim didn't respond. He looked at his teacher, who turned away from him. Dalnim realized he was on his own and all eyes were on him. He hated this. Dalnim could feel tears falling off his face. "Answer me."

"I-I don't... know," Dalnim whispered. His head was hurting now. The soldier wasn't pleased with the answer, but he didn't push Dalnim for an actual response. The soldier just shook his head. Dalnim's heart was now beating in his ears and his vision blurred. He could feel himself breathing heavily, his legs began weak. The soldier seemed alarmed and said something. Dalnim doesn't know what he said as he slumped back onto his chair. His vision went black.

End

Note: I have another short story ready. But, I need to make a drawing. Also won't be posting it until much later to prevent spamming my stuff on the tag. The art could have been better, but y’all, it’s been a while since I went on ham on my art, so I’m still proud of it regardless. The uniform is based on NK school uniforms. Did I succeed? … sure why not.

[kennyomegasweave]

Listen! Tharn has horrific trust issues and doesn't trust anyone, not just Phaya okay!

Like he clearly doesn't even trust Yai and the Abbot because of his issues! Because yes he knows Yai, basically his brother, believes Phaya would rather die than hurt Tharn so much he flat out told Phaya he can't die cause he already gave him Tharn to protect. And yes he knows the Abbot, who raised him, has continuously told him he needs to fully trust Phaya will take care of him. But he has trust issues okay! Those just don't go away! He can't just trust Phaya okay!

Though he does trust Chalothon and thinks he's a good guy. Even when he knew about Phaya's dreams that only Tharn knew about and basically accused Phaya of losing his mind, clinically, in front of everyone at their work at a crime scene. But it obviously makes complete sense he trusts him implicitly and never questions anything cause he's known him his whole life! That's not something you can just throw aside for some boyfriend, soulmate or not, you know!

But then, wait...why doesn't he trust Yai and the Abbot the same?

But I'm glad he knows Chalothon is the problem now. Sucks for him about everything because of it. Hope it works out for him in the one remaining episode. Don't really care either way anymore regardless.

[carcarrot]

*through gritted teeth* i am going to write my screenplay

[silusvesuius]

my nelvas and moraak thought crumblets