#Maybe people will be less inclined to bitch about you behind your back if you do.

[fourfuckinghorsemen]

That was not about you, self absorbed child. There have been more assassins trying to murder me than you can count, and as far as I am concerned you never tried to kill me. Or maybe you did but the attempt was so bad I didn't even notice. I was talking about Ajay, an old acquaintace of someone, he tried to drown me in a pool during a fight. The world does not revolve around you, neither do my thoughts. I had stopped referrencing you in any way during the last days, but congrats for starting this discussion again, maybe now people can finally realise who is the quarreler who can't stop, that is you.

And to the idiotic anon who tried to 'rat me out' maybe try to learn how to read, and learn that not everyone is as obsessed about this person as you are and not every sentence relates to him, so congratulations you just upset him again rekindling this argument again, and this time it wasn't even my fault, just plainly your own.

Maybe don't accuse me of being "self-absorbed" when even you admitted that this has been the anons fault. They took your words out of context. And unfortunately, because I couldn't give a flying fuck about your life, I wasn't aware that this was about Ajay. I'd apologise for making an assumption, but considering you go out of your way to insult me at every avaliable opportunity, I don't think I can be blamed for assuming it was about me. 🤷‍♂️

Even now, you're going out of your way to belittle me. Why is that, Sherlock? Does insulting people make you feel better about yourself? Does lacking respect for anyone and everyone mean you're truly superior to everyone else? I've tried to be civil. I've tried to be polite in the past. It doesn't get through to you, does it? You don't understand the concept of "treat others as you want to be treated".

Since you don't bother with that concept, I won't. You treat me like shit and I'll treat you in the same manner. That's just how it works.

[yxstxrdrxxm]

MATCHUP FOUND FOR [ @yandere-romanticaa ].

LOADING...

...

...

CONGRATULATIONS! YOU AND XIAO SWIPED RIGHT!

WOULD YOU LIKE TO SEE HIS PROFILE?

[ YES ]

XIAO is a strange case. For him, what he values a lot is matters of quality time and less about words of affirmation. For the tattoo artist, he finds you... Interesting. Someone who's confident and won't back down, and yet has an issue in running her mouth... Yes, he likes that.

If you have issues, though, not to worry! XIAO takes care of it by making sure you don't start blabbing on by silencing any prying eyes. Er, maybe not harm them, but... Give them a glare or two. Yes, that seems fitting for him.

Behind close doors, though, XIAO is touch starved. He may not show it often, but he enjoys having someone hold him anywhere: hands, arms, or even by his waist or neck, if you're daring enough. However, he is a cat, so be patient when he recoils the first few times.

(Zhongli does inform you that he warms up to people he likes, and he won't actually hurt you if he likes you enough. And he was right.)

If you are indecisive or have trouble debating on an important matter, ask him for his opinion. Sure, his tone could be a bit rough and he may sound rude, but you find that his insights are clear and concise. Yes, you can even ask him for silly matters if you are so inclined. He won't judge if you ask him which is better to spend on, a new game or food.

The one thing, though, is that he is extremely possessive. He is also hard to please with first impressions alone on the app, so if he swipes right on your profile, it means he likes you enough to try it out.

... Oh, you said you want him for yourself, right?

Well, that works out for him. He wants you too.

Other than that, you two should be (mostly) fine! XIAO has a bad case of resting bitch face syndrome though, but with enough time spent and even some time with friends and him, you'll be able to read his body language.

Just a word of advice: D███ ████ ███████ ██.

...

█████? ███ ███ ████ ██? ███! ██ ███████ ██ ███!

██ ███ ████ ███! ████ ██ ██! ██ █████ ██████ ███ ███ ████ ██ ███████ ██ ███████—

[ END OF PROFILE. ]

[ WOULD YOU LIKE TO RENT HIM? ]

[navybrat817]

This Is the Hunt

Pairing: Dark!Ransom Drysdale x Soft!Dark Female Reader Summary: Ransom likes the hunt, especially when you turn him down. Word Count: Almost 800 Warnings: Threat of sexual assault, non-con touching (do not read it this upsets you!), misogynistic thoughts, implied major character death, swearing, Dead Dove: Do Not Eat. A/N: A Sinday treat for @syntheticavenger​ 's 8k Spooky Challenge. Congrats, lovely! It was a fun challenge to keep this to less than 800 words!

Please follow @navybrat817-sideblog ​ for new fics and notifications. Not beta read and written on my phone, so any and all mistakes are my own. Please comment and reblog if you’re inclined! 18+ please!!! - Banners by the lovely @its-just-may ​.

Ransom didn't like the word no. Call him spoiled or egotistical, but he was a man who got what he wanted. Tonight, he wanted you. And he wouldn't let anything get in his way of his goal.

He knew your type… You looked innocent enough, but the revealing "costume" screamed that you were an attention whore. Hell, you'd probably cream your panties the moment he took control. He wondered if you'd drip when you were choking on his cock. 

His hunger for you grew as you turned down offers for drinks. He was going to have you and you'd thank him for giving you the fuck of your life. You'd probably beg him for more like a cock drunk slut. Maybe, you'd cry when he left.

Pathetic.

Flashing his signature smirk as he made his way over, he ignored your feigned look of disinterest. It made the hunt more exciting. "So… What are you supposed to be? A siren? Vampire?"

You glanced down at your dress and cape with a shrug. "Just felt like dressing up."

"And dress up you did," he said, running a finger down your arm. Your skin felt so warm. How hot would your pussy feel? "Let me buy you a drink."

"No, thanks. I'm waiting for my friends," you said politely. 

"You don't have to worry about that since I'm here," Ransom said, putting the right amount of charm in his smile. "C'mon. One drink."

You took a step back, giving him a once over. "I appreciate the offer, but no thanks."

He chuckled after a moment. Were you actually turning him down? "Listen, pumpkin-"

"No, you listen. There are plenty of girls here who would love a drink, but I am not one of them. I would appreciate it if you left me alone."

Blood boiled in Ransom's veins as he leaned in close. Who the fuck did you think you were to talk to him like that? "If you wanted to be left alone, why did you dress like a slut?"

Anger flashed in your eyes as you grabbed the nearest drink and threw it in his face. "Go fuck yourself," you snapped, spinning on your heels and storming away. 

"Bitch!" he yelled, wiping the liquid from his eyes. A few people glanced his way as he pushed through the crowd, looking for you. It wasn't enough for you to turn him down, but humiliate him in the process?

Fuck. That. 

The cool night air hit him as he went outside, looking both ways. His teeth flashed as he spotted you walking, quickly heading in your direction. "Where are you going, pumpkin?"

You looked back for a second before you began to run, your cape flowing behind you with each step. He quickly gained on you, tempted to tackle you on the sidewalk. Would anyone stop him if he did?

He smirked again when you turned into an alley. He couldn't recollect the last time he was this excited, but he'd still make you pay. "Too easy," he chuckled, barely out of breath as he followed. It gave him a chance to take in your form in the dim light, frantically searching for a way out. "Why run if you didn't want me to catch you?" he taunted as he stomped over, grabbing your arm.

You shrieked as he pushed you against the bricks. "Wait-"

"I'm not waiting, you fucking bitch," he snarled as he shoved his leg between your thighs, making your costume ride up. He leaned in close, so you could feel his breath. "You're wet. I can feel it. Knew you'd be a slut."

You trembled as he rocked his knee against your heat. "...I like the chase."

"I don't give a shit what you like. I wanted to make you feel good… but now I want it to hurt."

Your laughter surprised him. "Oh… it'll hurt."

Ransom didn't register the movement behind him until he felt a sharp pain in his neck. He didn't even have a chance to scream as someone pulled him away from you, blood flowing from his wound as his back hit the ground. He sputtered as he tried to cover it with his hand, seeing two pairs of glowing eyes staring down at him. Who, or what, the fuck were they?!

"I told you…" you said calmly as you pushed yourself off the wall and fixed your dress. "I was waiting for my friends. Well… boyfriends. And they don't like others touching me."

"What… the fuck?" Ransom coughed as you crouched down and smiled. He was wrong… There was nothing innocent about you.

"Men like you are all the same. It's pathetic," you taunted as you patted his cheek. "Now stay still. My boyfriends are hungry."

[e-vasong]

I’ve already talked about a Leverage crossover where the Hargreeves are conmen but I'm. losing it thinking about. a Leverage AU where the Leverage team sees these kids on tv, and they just go.  oh shit, that’s just fucking wrong.  (I know the timelines don’t match up but let’s pretend the umbrella kids were born a little later, or that Leverage takes place a little earlier, or something like that.  I don’t know.)

But these fucking umbrella kids show up on TV, and at first none of them are paying much attention. Not right away.  They’re busy running cons, and none of them except Hardison watch TV for fun very often.

So they’ve all heard bits and pieces about this Umbrella thing, and aren’t quite sure what to make of it.  Superhumans, huh? Eliot mutters at one point. Whatever. Our lives are already so goddamn weird.

But eventually they catch a broadcast while they’re home in between cases.  it’s playing in the background while they’re enjoying a meal together at the brewery.

The Umbrella Academy saves the day yet again! the broadcaster declares cheerily. We go now to a statement at the Louvre from their leader, Sir Reginald Hargreeves.

It’s just novel enough to catch their attention--being who they are, they all perk up at the word Louvre--and it gets them half-watching as they chat over breakfast.

It’s Parker that sees it first.  She’s Parker, so what catches her attention is actually not the fact that one of them is covered in blood, nor is it the fact that their father is calling them by numbers instead of names.  It’s the way that they stand, tense and upright.  It’s the way that the one covered in blood is trembling minutely, so fine that it’s almost imperceptible. But she notices. And she notices the way that the one to the bloodied boy’s left--the fifth one in line--leans over ever-so-subtly when their father is looking away. Whispers something with the barest movement of his lips. And then, after a moment of hesitation, he links hands with his shaking brother, twining their fingers together.  Parker knows that whisper, knows what this is. She used to do that with her brother.  Used to hold Nick’s hand, just like that, when their fosters were scaring him, trying to provide comfort even despite the fear of being caught.

It’s not long before the others follow her gaze. She’s stopped engaging in the conversation entirely, is just staring at the television with a death glare, nose wrinkled.

“Parker, baby,” Hardison says.  “That’s your angry face.”

“I’m angry,” she says, and doesn’t elaborate.

“Got it,” Hardison takes it in stride, as he always does.

Eliot’s frowning at the TV.  Unlike Parker, his eye does jump to the most obvious thing first.  To the boy, no older than eleven or twelve probably, drenched head to toe with blood.  There’s no rips in his clothing; Eliot’s pretty sure the blood isn’t his. He’s standing up straight, but his shoulders are slightly hunched.  Like he’s injured.  Broken ribs, maybe?  And he’s been taught to hide them too. He’s also not the only one with that too-stiff posture. These kids aren’t standing up straight. They’re standing at attention.  Number One, their father calls one of them, and what are those? Fucking callsigns?  

Sophie and Nate are watching too.  Their faces are carefully blank.  They aren’t happy, Parker’s pretty sure, but they’re trying not to react.

“What the hell?” Hardison says slowly.  He’s the last one to catch on, though only by a very narrow margin.  He lacks Sophie and Nate’s cynicism, and the years of personal experience Parker and Eliot have, but he’s still too smart to not figure it out almost immediately.  And he is first one to abandon the stunned stillness that’s fallen over the rest of them, pulling his laptop out of his bag, already quickly tapping away at the keys.

“This ain’t right,” Eliot says, voice a growl in his chest.  “This is--this is--it’s televised child abuse.”

Sophie makes a quiet noise of agreement then. “It is,” she says, quietly disgusted. “Those poor children.”

Nate is still staring at the screen, lips pressed flat.

“This Reginald guy looks rich,” Parker says.  Then: “Can we kill him?”

Eliot chokes on his drink.

“How is this even legal?” Sophie asks.  She sounds curious, though not particularly surprised by the grievous violation of child protection laws before her. “It’s so...blatant.”

“Sir Reginald Hargreeves,” Hardison says, no longer typing.  “He is--oh shit.” And the typing resumes, faster and a little more panicked than before.

“Hardison?” Nate prods after a moment, giving Hardison a sidelong glance.

“Yeah, yeah, it’s all good,” Hardison says.  “The INTERPOL files on this guy are locked up tight though.  Almost tripped their security system there.  I didn’t, of course, but--”

“You couldn’t get in?” Eliot says, smirking.

“Yet,” Hardison says.  “Dammit, man, it’s been less than five minutes.  Give me a couple hours and that thing is mincemeat.  Metaphorically speaking, of course.  But I do see what’s going on here and,” he clicks his tongue, shaking his head in disappointment.  “Y’all, this is hinky.”

“Yes, I think we got that,” Nate says.  The corner of his lip twitches up.

“Yeah, yeah,” Hardison says.  “This guy has got friends everywhere.  No one knows how he got the kids, but it looks like he technically bought them--”

“He what?” Sophie sounds like she’s been suckerpunched.  Parker can’t think of the last time she heard Sophie sound so shocked.

“Oh yeah.  You think that’s bad?  The numbers aren’t code names  The numbers are their name names.  Like, legally.  I just found an article that said he ordered them by how useful he thinks they are, but judging by the adoption papers it was actually in the order he, uh,” Hardison coughs, “acquired them.”

Eliot is swaying where he stands.  “Common tactic.  He’s pitting them against one another so they’ll be easier to control.  It undermines the self worth of the ones lower on the scale and makes the ones that are higher up feel obligated to do what he wants.  Son of a bitch.”

“...And it looks like he leveraged their powers as excuse to gain exemptions from child protection laws,” Hardison continues like he hasn’t been interrupted.  “Claimed their abilities meant they don’t need the same safeguards.”

“That’s bullshit!” Eliot sounds thunderous.

“I know, buddy,” Hardison reaches over blindly, waving his hand around vaguely until he finds Eliot’s shoulder.  He gives it a comforting squeeze.  “I didn’t write it.”

Eliot heaves in a shuddering breath.  “That’s just--”

“Evil,” Sophie finishes.  

“I’m inclined to agree,” Nate says.  He’s not watching the TV anymore.  He’s staring off into the middle distance, arms crossed over his chest.

“Oh!” Parker perks up.  All the grief and distress that had been brewing on her face vanishes like storm clouds parting for the sun.  “Nate! Nate, are you scheming?  You look like you’re scheming.”

Nate makes a noncommittal grunt.  “It would be dangerous.”

“They’re in danger,” Sophie says softly, jerking her head in the television’s direction.

Eliot’s long-since gotten to his feet.  He’s pacing, and that’s how Parker knows he’s furious.  When Eliot is too angry to stand it, he has to move, has to find some way to handle the rage roiling under his skin.  Usually he cooks, chopping vegetables with furious aplomb.  And when he can’t cook, he paces.  

“They’re fucking child soldiers,” he says.  “I can’t--” he cuts himself off with a furious shake of the head.  I can’t believe, he was about to say, Parker thinks, but he had to stop because that’s not true.  Eliot knows better than anyone what the government--what the world does to people they find useful, whether its skill or power that makes them so.

“Y’all are behind,” Hardison says in sing-song.  “I’m already trying to burn this motherfucker down.”

“Hardison, do not tip our hand,” Nate says, snapping into his leader-voice automatically.  Parker grins.  He’s already got a plan, then.  She knew all that reluctance was just for show.  Sophie laughs, as clear and bright as the ringing of a bell, and even Eliot perks up.  

Hardison grumbles, closing his laptop and stuffing it back in his messenger bag.  

Nate is grinning a little too, though it’s that angry smile he gets sometimes when Parker knows he’s thinking about hurting bad people.  She understands.  She's wearing hers too right now.  Nate glances them all over, and for all the malice dripping off the knife’s edge of that smile, his eyes are soft.  Maybe even a little proud.

“Fine. Fine. You guys win,” Nate says, lifting his hands in defeat.  He’s putting on a show of being beleaguered, but Parker can hear the sparking anger in his voice, and oh, how could she have forgotten?  Sophie is so gently righteous, Hardison so achingly distressed, and Eliot so full of fire and fury that she almost didn’t notice Nate’s seething wrath, nearly forgot that Nate looks at every injured child in need of help and thinks of Sam.  “Everyone, get your things.  Hardison, get us some plane tickets.  Let’s go steal some children.”

“Okay, okay.  I ain’t complaining cause, like, fuck that guy,” Hardison says, slinging his bag over his shoulder.  “But stealing children?  Could you have made us sound anymore like kidnappers?”

“Hardison!”

“I’m just saying.”

[xaibaugrove]

Everyone in the Krew is Problematic

I was inspired to go on this rant by someone who recently brought up a question in a server I’m in, asking why so many people in the fandom seem to hate Mako and Makorra and why. This wouldn’t be the first time I defend Mako and it most likely won’t be the last, but it might be the first time I tear him and everyone else in the Krew down in the process, only to bring them back up. Hear me out though.

I think I’ve totally accepted that a lot of people in this fandom will always hate Mako and that I will have to perpetually defend him, I understand that this is the relationship I’ve chosen with this world. But what I still will never understand are the reasons why people hate/dislike him because compared to how much they love other characters in the Krew who honestly aren’t that much better than him (in some cases, even worse!), it doesn’t make any sense.

Let me also preface this by saying, I love these characters with all my heart and soul, probably more than I should love fictional characters, but this is the life I live and with that being said, I am going to tear them apart just to prove a point. Okay, here we go.

MAKO

Most of his detractors list the usual criticisms, which are valid when isolated. He cheated on Asami, he lied to Korra, he was a terrible boyfriend and essentially he treated the women he claimed to love or care about horribly. Gee, it’s almost like the man was a teenager with no experience in having long-lasting, healthy relationships and was raised in the streets by gangmembers while doing anything to survive and provide for his younger sibling after seeing his parents killed right in front of him and suddenly being orphaned…

I think Mako has been torn down enough, so I won’t get too deep into the tearing down part for him. It really does baffle me how someone can claim to be woke and not comprehend how someone coming from poverty could possibly be a product of their environment. Like, does everyone think that poor people automatically have hearts of gold and turn out like Little Orphan Annie? Why are people surprised that when someone has a shitty life, they might do shitty things?

Also, sooo many people love Zuko, who actively tried to cause harm to Aang, Katara and Sokka numerous times, and sympathize with his troubled past. But like, sure Zuko had an abusive father and his mother peaced out of his life for whatever reasons but at least he had his uncle. Mako had his parents for maybe 8 years before they were murdered in front of him and then had...no one for the next 10 years? Except for Bolin, sure, but no other parental figure in his life. Dude literally had to become him and his brother’s own parent and joined a gang to survive, and after all that, the worst he does is acts as a bad boyfriend toward Korra and Asami and he is instantly thrown to the wolves. Something doesn’t add up. It’s just...I don’t get it.

Yes, the way he treated people was bad, but people can grow? That’s a thing humans can do. And he was a teenager, my god. No, we cannot allow our past to be an excuse for how we treat others, but we have to be aware that there is a growth process to being human. And being human in and of itself, isn’t pretty. You think Mako is problematic? Don’t get me started on your fave.

KORRA

Ok, I love this woman to death but she is ridiculously problematic. She pursued someone in a relationship and essentially forced Mako to cheat on Asami by kissing him against his will, that’s already pretty awful and shows a lack of empathy on her part, also kissing people without their consent is no bueno. But also I just have to say it for the people who might not know this. One of the fundamental reasons why Makorra didn’t work was because KORRA WAS ABUSIVE. Okay? It wasn’t just that Mako was inadequate at relationships and didn’t know how to people, it wasn’t that she was secretly confused and wanting Asami the entire time (biphobia at it’s best) one of the main problems in the pairing was that Korra was crazy abusive towards Mako. Seriously, why don’t I see this more often in those discussions??

If we need examples, I have dozens. Honestly, it’s really easy to see how terrible Korra was to Mako, I’d actually argue that she treated him worse than he treated her. I mean, they were both terrible to one another, but in Korra’s case she went through the motions of being completely infatuated with your first teenage crush, getting with said crush, then crashing and burning once you realize that you have no idea how to treat a romantic partner so after the butterflies wear off you subject them to all the wonderful aspects of your anger issues. Not only did she scream at Mako during every argument they had, she also threatened him with bodily harm if she got really angry. Remember how their relationship crashed and burned in Book 2? Here are the things that Korra did during that time. Let me reiterate, this was not okay.

Mako is visibly shaken by this!

This woman burst into her boyfriend’s place of work and violently kicked his desk out from in front of him with all his coworkers present. That is not normal behavior. That is a red flag. And after she came back, had amnesia or whatever and forgot they broke up after that scene, let’s not forget that Mako was legitimately Afraid to break up with her again. Korra made her partner frightened that they might suffer bodily harm if they upset her. Again, and I can’t stress this enough, this is not okay!

The little scene in Book 3 when Korra is lifting Mako like 100 feet off the ground with airbending while he’s screaming in fear just to make Asami laugh is cute, right? I’ll admit, I loved that little moment too, it’s one of the only instances of Korrasami development that we got, but also, there were sooo many things wrong with that scene lol. Not only does Korra terrify Mako for literally no reason, it’s also sort of just her continuing to exercise some degree of power over him for her own amusement. Almost like a subtle reminder to him saying, “I am stronger than you in every way and I can break your femur like a twig if I wanted to… but I won’t, so look how much fun we’re having!”

Now of course, there are reasons why Korra acts like this. She was isolated for almost her entire life and never learned how to treat people and be around people. The Avatar is human because they must live amongst the people they protect and that helps them develop empathy and cherish life. The White Lotus deprived her of that fundamental aspect of her duty as the Avatar and it showed throughout the beginning of the series. Clearly, she was young, didn’t see how her actions could negatively affect others and hurt the feelings of not just her partner but also friends and family (she was really awful towards a lot of people in her life!). But as the series went on, we see her having less outbursts and learning to control her temper more.

One can only assume that she does not have the same behavior with Asami because for one, I don’t think Asami would play that shit, she seems like she would electrocute a bitch in a heartbeat and not hesitate if needed, but also Korra is not the same shitty partner she used to be as a teenager. Again, kids do stupid things. Adults do stupid things. And we learn and we grow. Korra will probably make some more mistakes in her relationship with Asami. I don't think anyone can have one bad relationship and suddenly learn all the lessons they can from it and have a perfect one the next go around. I can totally picture Korra losing her temper and raising her voice at Asami if she gets frustrated and forgets who she’s dealing with. Managing anger issues is hard, I know this from experience, and it doesn’t magically get easier. Of course, if Korra does pop off, Asami would definitely put her in her place because she’s a bad bitch who doesn’t take anyone’s shit, next character.

ASAMI

You know her, you love her, you fantasize about her and you probably have her on your list of fictional characters you would totally bang if you had the chance (I know I do), yes, even your best girl is problematic. It’s interesting to me that a lot of people sympathize with Asami and very few openly criticize her (so few that I’ve never seen anyone say a bad thing about her). What’s there to criticize though? The poor girl was cheated on by Mako, had her feelings disregarded by Korra, who claimed to be her friend but pursued her then-boyfriend behind her back and then made up for it by simping for her for the rest of her life? Also her mom was murdered when she was just 6 years old, her father threatened to kill her once and physically abused her, then died right after they started repairing their relationship, essentially making her an orphan at the ripe age of 22. Suffice it to say, Asami has been through it.

So, how could she be problematic, you ask? Why, of course, through the classic Bryke technique of romance progression in storylines called Kissing People Without Their Consent

To be honest, I did gloss over this with Korra, simply because there were sooo many other issues with that woman and I just couldn’t go through every single one in as much detail but that doesn’t negate how serious this whole sneak attack kissing thing is. Sure, Asami is very emotional and lonely and sort of desperate too, (it's a little sad, really) but Mako is clearly uncomfortable and completely caught off guard by the kiss. This is also the second time this happens to him in the series! There are a couple factors that might contribute to why Asami does this and acts this way, maybe Korra’s general awfulness rubbed off on her (don’t make a dirty joke) but this is still wrong.

AND that’s...pretty much it. Kissing people without their permission is a big no no, though. Not wanting to gloss over that, but Asami really is a good person who just did a not-so-great thing. Getting burned by Mako twice probably made her a little less inclined to be as forward with anyone though, and it looks like she now takes her time and is patient in her relationship with Korra. It even seems like Asami is the only person Korra is afraid to upset, as Korra does seem more gentle and calm when around her. And who knows? Maybe Asami living a life where a majority of the time she got whatever she wanted when she wanted it might have also influenced her to be more assertive or even imposing within her relationships.

If anything, those three fools getting into relationships with each other just showed how not ready they were to be in relationships in the first place and also how not okay they were.

BOLIN

Originally I titled this as “Everyone in the Krew is problematic (except Bolin)” but then I remembered that Bolin totally kissed a woman without her consent so I deleted the shit out of that!

This asshole looks genuinely pleased with himself after essentially assaulting Ginger. Not a good look.

Sure, Bolin is baby. He will always be baby to me. But that does not erase the fact that he also actively supported a fascist dictator. Not only was the kissing without consent thing bad, but there’s also that. No matter how many times people around him warned him about the fact that he was on the wrong side of things, that he was helping someone who was putting people into concentration camps...Bolin wanted to believe the best of Kuvira. He ignored obvious signs that the woman was a dictator committing human rights violations like crazy and you know, there’s gotta be a reason for that too.

Maybe Bolin wanted to feel like he was doing something good for once. When you think about it, with his role as the comic relief in the Krew, and sort of constantly being infantilized by his older brother, I wouldn’t be surprised if the man developed some insecurity in his ability to do anything good or useful for anyone without screwing it up in some way. In Kuvira’s army, it seemed like he was actually taken seriously, he felt like he was doing something that mattered. Korra had being the Avatar, Asami had her business and mindblowing philanthropy (honestly, her ability to be as charitable as she is profitable is insane) and Mako had his police work (ACAB, tho). Bolin had...the role of being a joke. A superficial actor. A former pro-bending meathead.

Bolin lived his entire life following after his brother that once they were adults and Mako finally decided to live his own life for once, it left Bolin completely lost. And lost young men are perfect recruits for fascists.

So, in conclusion, my whole reasoning behind destroying the integrity of my favorite characters is to prove a huge point. All of these characters are problematic. They have flaws, some bigger than others (looking at you, Korra. Just...wow), but ultimately, even if your fave is problematic... that’s okay. A lot of people, mostly younger people it seems, are really obsessed with being right about everything that they do and stan. And that’s a wonderful thing, so much change has come about by the younger generations calling out people who do fucked up shit, don’t want or try to improve, and get away with it. But it’s also caused a lot of people to be unforgiving and completely unwilling to acknowledge when people do improve and try to be better.

Personally, I love my problematic Krew because having issues that you’re constantly working on internally is human. It’s human to make mistakes, it’s human to grow from those mistakes. And it’s inspiring to me, who is wholly imperfect, to see myself reflected in fictional characters who aren’t perpetuating unrealistic ideals of human nature, characters who are messy, crazy and ultimately human.

As one of my favorite manga artists and queen of impeccable character creation Rumiko Takahashi once said:

“I think that perfect people are not very interesting.”

And I will always wholeheartedly agree.

[darlingbudsofrae]

Andrew Minyard Appreciation Post

Foxes Appreciation Series : || 1 || 2 || 3 || 4 || 5 || 6  || 7 || 8 || 9 || 10 ||

I believe that even with all the overwhelming Andrew Minyard content, we can never give the love this precious soul deserves.

Andrew Joseph Minyard deserves all the love in this universe.

He is very loyal.

Like, because he was often left behind most of the times in his past, it’s kind of ironic how Andrew understands the concept of family.

How willing he is to fight for his family, keep his family- even if it doesn’t show in the most obvious ways.

Friendly reminder that Andrew Minyard strike deals with people because he thinks it’s the only way to make people stay.

Friendly reminder that he is willing to go through hell and back for his family to the point of even hurting himself.

Because he could give less shit if he gets hurt. This MF is willing to go all in in protecting “his” people even if it kills him because he just don’t see anything worth living his life all the while secretly doing the best he could because he wants his family to succeed and that’s just-

Isn’t it ironic that everything Andrew Minyard are for are also the same things that ended up hurting him?

Like this kid honors promises to a fault and ensures hope when necessary (eg Kevin and Neil) when his life consisted nothing of false hopes and broken promises.

Did you know that the second character in the book to say the word fine the most is Andrew? While Neil says fine as a defense mechanism, Andrew mostly says the word to assure others that they’re going to be okay when they’re overthinking.

He also really values consent and that first kiss with Neil, when he pushed him and said he wasn’t in the head space to give it? That scene is underrated af.

Also, for someone who got lied to all his life, Andrew is so honest. He tells the truth in all its ugly glory because better terrible truths than kind lies.

Honesty suited Andrew because he was an instigator at heart and his opinions were often unpopular.

Andrew Minyard is not a good person- doesn’t try to convince someone he’s a good person.

He threatens people, he can kill without a second thought. I think this is why most people view him as “psychotic” but if you do read the times Andrew act out on violence, they’re mostly because they’re provoked by inappropriate behavior slash words.

Like with Nicky, and the things he says about Neil and Kevin. I really like that Andrew acts on that because as violent as it is and as much as I love Nicky, he tends to oversexualize someone and say unnecessary and inappropriate things.

I love how Andrew doesn’t act like he likes people. Doesn’t feel inclined to make someone comfortable. 

And honestly, who can blame him when most of the foxes see him as a monster? Like I love the foxes but they’re judgmental assholes.

I really hate this about the books, like I can defend why the upperclassmen and even his own family sees him as such but it just gets to me.

Because for me, out of all the people there is in the world, the foxes should’ve been the first people to understand that Andrew was human with real feelings- that he didn’t have to act on a certain way.

I will never get over about how until the end of the book, the rest of the foxes still sees him that way.

As someone who went thru a lot of shit, Andrew was such a comfort character. Personally, I feel like his character arc was one of the best ones I’ve read.

He’s coping, still coping- and that’s okay.

Y’know what I love about Andrew most? He actively goes to therapy. In a way, despite seemingly giving up on everything, kid is willing to fix himself.

And maybe the results are slow or next to none but so what? He doesn’t have to recover immediately and honestly, reading AFTG back in a time when I was pressuring myself to heal fast because I was too frustrated with everything- reading Andrew was like getting washed by a cold bucket of water.

Recovery takes time. Healing is a process. And it could even take years and no matter how long it takes, it’s okay ✨

Also, another thing I like about Andrew’s character was that Nora made a point about not forgiving abusers. Most books tend to send that message (which is disgusting) but with Andrew’s character, it’s clear that you don’t have to attach yourself to your abusers.

Forgiving abusers is not a necessary part of the healing process. 

 This is getting dark so to lighten things up a bit, Andrew has a sweet tooth. He loves ice cream.

Also, he majored in criminal justice and I know Nora said he did that just to be a troll but I like to believe that deep inside, he wants to help those who are in a situation like him and actually make the world a better place.

Andrew knows what to do when someone’s breaking down. Like, with every character, his apathy aside, he always knows how to act.

Also, he’s one of those annoying even-if-I-don’t-make-an-effort-I’m-talented-af-and-can-still-perform-well-so-sue-me assholes and normally I hate those type of characters but Andrew was an exemption. 

Like, we do not talk enough about the fact that he asked Wymack to choose between numbers 1 - 5 and only let that number of goals in of the opposing team that night before shutting down the goal completely.

Or that he only let 13 of the ravens’ shots - the nation’s best team - in and that is oh my gods where do I even begin with Andrew Joseph Minyard being a superior goalie I cannot-

Also the fact that Andrew completely shut down the goal when Neil freaking asked him to- who is this man? 

What a simp. What power. 

I hope in the AFTG universe, someone out there is doing the god’s work and compiling his saves. Like, I don’t normally watch sports stuff cuz I hate sports but I would pay good money to see that yes sir I will.

We could talk about Andrew’s saves more but that just deserves its own post cuz it’s chef kisses

We do not talk enough about Andrew’s eidetic memory. Seriously, we don’t.

Also, you can say all you want that he’s an emo kid but kid has good fashion sense.

Andrew seriously has the best lines in the series. Did some of them made me choke and wheeze and cringe? Yes. But did most of them make me cry like a bitch and hit my heart right where it hurts? Also yes.

“Congratulations are in order, I suppose! Since I have none to give, I will tell the others to respond appropriately.”

Also, some of them were lowkey Shakespearean and I refuse to believe that Andrew doesn’t read Shakespeare-

Seriously, he’s so extra but he’s also so traumatized and such a gay disaster I can’t-

He’s five foot short.

[vvienne]

SANGCHENG FIC RECS

flight of a one-winged dove by bloodletter

Talking at someone is only fun for so long. That's all being a sect leader is: talking and talking to people bound by courtesy to listen to you. It's so fucking dull. A relief, then, to face one’s equal, and no less an old friend who is inclined to interrupt you whenever you ramble. He likes it. It’s one of Jiang Cheng’s best qualities.

In the years after Guanyin Temple, Nie Huaisang attends to unfinished business.

whipped by reindeercolin

Jiang Cheng blinks. “Dammit, they do think you’re dating one of us! I hate it when Wei Wuxian is right.” “Excuse me?” Nie Huaisang gives him an incredulous look. “First of all, they think I’m dating you, and if anything, they’re getting more aggressive!”

(or, the one in which Jiang Cheng has too many relatives, not enough patience, goes through a brother-divorce and finds out he has a boyfriend - in that order, more or less.)

Ponder the Manner of Things by Pip (Moirail)

It's not that Jiang Cheng can't do a quadruple flip followed by a triple toeloop. It's that his mother seems to think that's still not good enough.

Jiang Cheng is grateful that Huaisang doesn’t have the same kind of family life that he does, all - messy with expectations and cravings for closeness and nothing but vague filial piety where love is meant to be.

a matter of time and organ donation by nev_longbottom

This is it. The call he’s been waiting for. His brother had ‘an accident’ or ‘died in his sleep’ or some other lie to cover up the murder.

“Please, Mingjue is missing. He got into one of his moods and he was gone when I came back from grocery shopping. He’s not answering his phone. I don’t know if he left or was kidnapped or if something else happened. Huaisang, please, if you’ve heard anything,” Meng Yao begs.

Nie Huaisang hunts his brother's killer.

no tip necessary by tattletold

With all the nervousness of a virgin in a whorehouse, Jiang Cheng closes the door behind himself and enters, sitting on the low seat across from the escort. The pretty young man keeps his face hidden behind the delicate fan, and Jiang Cheng thinks for a moment that he recognizes the design painted onto it now that he’s closer.

It’s only when he lowers the fan and opens his eyes, wide, does Jiang Cheng paralyze with realization.

They speak at the same time in equally horrified tones.

“Jiang Cheng?”

“Nie Huaisang?”

Your Place in the Family of Things by raisedbyhyenas

No matter what happens, no matter the circumstances, Wei Wuxian will always leave and Jiang Cheng will always get stuck trying to rebuild from whatever’s left.

*************

In which Jiang Cheng makes friends; gets a cat; begins to rebuild a relationship; and maybe, possibly, potentially, learns a little bit how to be happy.

sigh yourself to sleep by merthurlin

“Let me take care of you, A-Cheng.”

No one—no one has ever said that, not to Jiang Cheng. He wasn’t a very sickly child, true, but the few times he remembered being sick it was never—he had a-jie, and later on he had Wei Wuxian, for what it was worth, but he never—

halcyon days by serein

They're in a forest, it seems just the two of them.

"You have to be patient," Nie Huaisang says, "I once waited for three days to catch a sparrow."

"Three days?" Jiang Cheng replies, sceptical. He can't imagine Nie Huaisang having the attention span for that.

"It's not that hard," Nie Huaisang says, "if you know what they want, and find a way to get it for them."

[JC stumbles across an array and gets physically de-aged to be 16/17. NHS kindly offers his help to an old friend, but things... escalate.]

To Distraction by isozyme

It’s the third night of Yunmeng’s kite festival celebrations. Nie Huaisang has come visiting, eager to partake in the food, the arts, and Jiang Cheng.

-

Jiang Cheng wants to forget. Nie Huaisang has some new lube and wants to see if he can put his whole fist in somebody’s ass.

Lights, Camera, Kiss by MissMagus

When Nie Huaisang gets paired with straight porn star Jiang Cheng for a five-part series, he’s sure it will be an utter disaster. Until the cameras start rolling and their chemistry alights like wildfire.

(Or, the five times Nie Huaisang and Jiang Cheng have sex for their job, and the first time they have sex outside of it.)

Only the Shallow by hamburglar

When Nie Huaisang gets bored and convinces Jiang Cheng to make out with him, he’s probably not expecting to still be dealing with the guy 16 years later.

OR the story where Jiang Cheng goes into: the Cloud Recesses, denial, some bushes, the private porn library at the Unclean Realm, and subspace.

Blind for Love by manamune

Jiang Cheng is poisoned with an aphrodisiac and needs to orgasm repeatedly in order to flush it from his system.

The first person he thinks of going to for help is Nie Huaisang, who does what any good friend would do: he shoves his three decades worth of feelings for Jiang Cheng deep into the recesses of his mind, locks them up so he can pretend they don’t exist, and then fucks him so hard that he passes out.

Descending by lightningwaltz

“I want to… to not be embarrassed.”

“To not be embarrassed during what?”

“During sex.” There. Jiang Cheng can say it. “In general. Also with you right now.”

“Very good.”

“When did you become so authoritative?” Jiang Cheng wants to sound irked, but can’t quite manage anything beyond nervous curiosity.

dark water by Morgan (duckwhatduck)

There are words, somewhere, for this. Words that would put a shape to the thing that sits between them, would seal their understanding. There are words for sympathy, for friendship, for understanding, for that touch, for this feeling.

Jiang Cheng can feel them, somewhere, fluttering formless at the back of his throat, squirming under his ribcage, but he cannot grasp them. They swim beneath the surface, fish in muddy water - and like fish, they will dart away if he grabs for them incautiously, and leave him nothing but cold splashes and grit.

Or: Why talk about things when you could fuck about it instead?

never knew i was a dancer by isozyme

“What’s a stone butch and why aren’t they real?” Jiang Cheng asks, too buzzed to care too much about not being up on lesbian culture.

Huaisang pats Jiang Cheng on the no-man’s-land between her boobs and her shoulder. “You’re so useless, Jiang Cheng. A stone butch is a fictional hottie who doesn’t make you do any work at all, just wants to give head and fuck you stupid on her strap.”

“Fictional?” Jiang Cheng echoes, having - not a moment, per se, but sort of a problem where her thoughts are going too fast for her poor drunken brain to keep up with.

“Nobody actually wants to fuck a chick who’s too lazy to eat you out after,” Huaisang mumbles.

-

After leaving Wei Ying and Lan Zhan’s bachelorette party, Jiang Cheng and Nie Huaisang decide to experiment with some outdated stereotypical lesbian sex roles.

lights out by rynleaf

“Nie-zongzhu makes the most sense,” Sect Leader Yao nods sagely, to murmurs of assent across the Jin Sect’s gold gilded banquet hall. Jin Ling, clad in opulent robes that look somewhat comical on a boy of sixteen, inclines his head as his scribe makes a notation, and the noise rises as sect leaders pat themselves and each other on the back for a decision well made.

Jiang Cheng groans and downs his cup of wine in one go.

-

In which the Sect Leaders elect a new Chief Cultivator.

shadow eternal by rynleaf

“You want me to distract the Chief Cultivator from the Annual Cultivation Conference, so you and other sect leaders can… what. Sign contracts without adult supervision?”

“If Jiang-zongzhu is amenable,” Sect Leader Ouyang repeats with a nod.

Jiang Cheng pinches the bridge of his nose. The pressure he felt building behind his eyes all morning is swiftly coalescing into a bitch of a headache. “Just what do you all think I’m capable of?”

Sect Leader Ouyang bows with a cheerful smile. “We have utmost faith in Sandu Shengshou’s abilities.”

-

In which a night hunt ends in disaster, Jiang Cheng catches a glimpse of Nie Huaisang's heart, and feelings are discussed after a certain fashion.

Four Days in Lanling by halotolerant

Nie Huaisang looks at him. ‘You are confusing me, Clan Leader Jiang, perhaps I misunderstand, but…’

‘You didn’t misunderstand. You don’t misunderstand. You understand all of it.’ For six months Jiang Cheng has been mulling this over, and now with Nie Huaisang in front of him he can’t figure out if he most wants to knock him down or kneel at his feet. What he does is try and breathe. Clench his hands at his sides. ‘And now I am going to ask you to do something for me. You have to do something for me. You have to help Jin Ling.’

Lean for Love Forever by Pip (Moirail)

Having a crush on your roommate is really embarrassing, except that's apparently the opposite of a problem. Jiang Cheng can't deny that's pretty convenient.

Wei Ying holds it up, a series of straps and buckles and velcro and wow, really a lot of leather. It has absolutely no conceivable form beyond tangled.

Nie Huaisang opens the door at exactly the moment that Wei Ying holds the thing up to Jiang Cheng’s chest, as if he’s trying to imagine how exactly it would fit onto a person, and it falls into a tangled pile between them while they stare at Huaisang in mild mortification.

acquired momentum by mongrelmind

Had Madam Yu known that this is where her son would end up, she would have gouged his eyes out with her bracelet before he made the grave mistake of looking in the direction of Nie Huaisang.

-

in which Nie Huaisang has an art show, Jiang Cheng is begrudgingly topless*, and there are. Shenanigans.

*Nie Huaisang excluded.

[mymoonagedaydream]

Stranger’s Kiss

Summary: Heartbroken and lost, the neon city streets seemed to guide you to exactly where you needed to be.

Pairing: Bartender!Bucky x y/n

Word Count: 2.2k

Warnings: Language, smut references

Author's Note: Cheeky little oneshot, hope y’all enjoy. It’s based around lyrics from Stranger’s Kiss by Alex Cameron.

---

Don't even bother climbing out of the well That ain't no way to get out of the hell that you're in

Four years.

You’d given him four years of your life, for what?

For you to walk into your bedroom and find him balls deep in some tramp from his office.

You left without a word, but it felt like something of yours had stayed there, with them. Like they’d chipped away a piece of you and left it lying there on the carpet.

As you walked aimlessly for hours, the city started to feel like it was dying around you. 

The night was made of flickering street lights, sirens, broken glass and junkies. You thought about leaving, starting somewhere fresh, but what was the point? You'd have to take your baggage with you wherever you went.

Keeping your head down and your pace swift, you half-listened to the faded whispers of people passing you in the street, but even those were eventually drowned out by the pattering of rain against the sidewalk. 

Turning into one of the city’s many dreary backstreets, you saw a solitary neon sign bathing the uneven concrete and murky puddles in a jarring red light. 

The only place that was open this late, Stark’s Bar.

It was the end of the earth, the rock under which all the sad and lonely insects of the city crawled. You’d never been inside, never before sunk low enough to warrant a visit, but tonight it seemed to be calling your name.

As soon as you tugged the door open, the heavy scent of stale beer and cigarette smoke hit you like a wall, knocking you backwards. But inside was warm, dry and quiet. 

That’s all you wanted.

Keeping your eyes fixed on the sticky, creaking floor, you trudged towards the bar, taking the first free stool you found. A broad torso planted itself opposite you, blocking out the dim light that streamed from underneath the crooked lampshades.

‘Double scotch.’

‘You sure you’re in the right place?’

The torso’s low voice came from above your head, but you didn’t bother glancing up. You didn’t have the energy or the inclination for conversation right now.

‘Double scotch.’

The dim light returned, only interrupted again when a tumbler flecked with hard water stains and half-full of liquor was dropped in front of you.

You stared at that glass for what felt like hours, just thinking.

There was no way you could go home tonight. You’d struggle to ever set foot in that apartment again, the whole place was scattered with painful reminders of everything you’d lost. Maybe you should call your mom, ask her to pick a few things up for you.

Tomorrow.

Tonight, just find a motel and sob yourself to sleep. 

---

I know you're wondering why you wish you were dead And there's no solace in the fact that it's all in your head

That flickering red light just kept leading you back to where you knew you belonged.

You dropped yourself on the same barstool and waited for the torso to plant itself in front of you again, ordering the same drink as you had for the past however many nights you’d been here. They all seemed to blur into one.

Something different happened this time, though.

The shadow didn’t shift. You waited, eyes fixed downwards, but the dim yellow light didn’t return.

‘Are you alright?’

This was only the second time you’d heard the torso speak, but the voice was much firmer than last time.

‘Fine.’

‘So you’re depressed and a liar? Not a great combination.’

Your eyes shot up, widening a little as you took in the monolith of a man in front of you. His dark, stained t-shirt was stretched over his thick shoulders, bright pink lips trained into a slight smirk as he kept his gaze fixed on you.

‘Excuse me?’

He placed his hands flat on the counter either side of you, bracing himself against the bar and bringing his face down to level with yours. ‘You been in here four nights in a row. Ordered a double scotch without even looking at me, sat for a couple hours staring at it and then left without a word. You’re telling me you’re fine? Whatever.’

'Maybe it's none of your goddamn business, asshole.'

'So drink at home.’

You watched him back away, his sharp blue eyes only breaking from yours when he eventually turned around.

He was right, you definitely weren’t fine, but you figured the only thing sadder than drinking in this place was picking up a ten dollar bottle of whiskey from a liquor store and drinking it alone in your motel room.

Besides, it made you feel a little better knowing that you probably weren’t the most tragic loser in the place.

---

Don't bother flying when we jump off the cliff Make sure it's head first if you don't want to deal with what ifs

When you arrived the next night, a double scotch was waiting on the bar above your usual stool.

You flicked your eyes up to the bartender, who gave you a nod and a knowing smile as you climbed onto your seat, your gaze slowly wandering down the length of his arms. The way they tensed and shifted as he slowly polished a glass was almost mesmerising.

It was only a minute or so before he approached.

‘Still fine?’

Maybe it was the crippling loneliness, the bottle of wine you’d had earlier in your motel room or just the fact that he was the only human being who’d smiled at you all week, but the idea of opening up and spilling all to this perfect stranger really wasn’t as unappealing as it should’ve been.

‘Been better.’

‘No shit.’ He reached a bottle of scotch from under the counter and topped up your drink, knowing full well you hadn’t so much as touched it yet. ‘I always thought we should rename this place Rock Bottom.’

A faint laugh escaped your lips. ‘Funnily enough, that doesn’t make me feel much better.’

‘Maybe not.’ He edged your drink a little closer to you. ‘But this will.’

The golden liquid rippled around the glass as you plucked it from the bar, squeezing your eyes shut and necking it down in one.

His smile widened into an astonished grin, making your face begin to heat up and your chest tighten slightly.

‘Bucky.’  

‘Y/n.’ You felt the corners of your mouth curl up slightly, a movement they’d almost forgotten.

‘Nice smile, y/n.’

Your gaze stayed on him as he went back to work, serving all the other hopeless nonentities propping themselves up on the bar. It only wavered when you felt your phone vibrate against your thigh.

It was him, your ex, asking if you could talk. He wanted to work things out.

Five days since it’d happened and this was the first time he’d tried to get in touch.

This fucking asshole had banged some random bitch in your bed, made you to live out of a duffle bag in a sleazy motel for almost a week and then expected you to come crawling back as soon as he whistled?

Fuck, he knew exactly what he was doing. 

He knew you’d be low and vulnerable. He knew you’d be tempted. He knew that, even now, you were still wrapped around his little finger.

And it hurts, and it hurts But I don't wanna talk about it

A rogue tear escaped from the corner of your eye, rolling halfway down your cheek before being quickly and firmly wiped away, its brief presence going unnoticed by most of the other figures scattered around the bar.

Most, not all. 

‘Hey, you see that dude over there?’

Bucky folded his arms on top of the bar so he was eye level with you, gesturing his head slightly towards a white-haired man in a three piece suit, sitting alone at a table in the corner behind two empty martini glasses.

You had no idea where this was going, but you were pretty glad for the distraction. ‘Mhmm.’

‘Used to be a millionaire. Invested all his money in CDs in ‘98 and lost it all when Steve Jobs invented the iPod. He was married to Claudia Schiffer for a couple months but she left him when he couldn’t afford to pay for her nose job.’

A single, full-throated guffaw escaped your lips, making you clamp your hand over your mouth before slowly lowering it and muttering. ‘That is absolute bullshit.’

‘You got me.’ He leaned in a little. ‘Fun though, right? You try.’

You bit your lip slightly, gazing at him for a few seconds before reluctantly nodding and beginning to scan the room. This place was so full of eccentrics and weirdos, it was difficult to choose just one.

'Alright. Woman over there.’

Bucky twisted slightly to look at a very broad, stern-looking woman sitting at the bar, wisps of dyed red hair clinging to the moisture on her forehead. ‘Go on.’

‘She used to work security for Bryan Adams. The two of them were best friends, but he fired her after she got hammered and told him that she was in love with him. She can’t listen to Summer of ‘69 without sobbing, he broke her heart.’

His eyes darted back to you. ‘And how did she feel about that?’

Your gaze was fixed on your subject but it felt more like you were looking straight through her, your mind wandering somewhere else entirely, words falling into your mouth spilling out involuntarily.

‘Like someone shoved their hand into her chest, grabbed a handful of anything they could feel and just ripped it out. Like all the sensations in her body had been permanently replaced with waves of fear and dread that got better and worse at seemingly random intervals. Like the last four years of her life meant nothing to-’

You stopped suddenly, eyes shooting back towards him as you realised what you'd said. He stood up straight, triumphantly folding his arms across his broad chest, smirking down at you.

‘Bingo.’

'Oh what do you think you are, a fucking shrink?'

'In this job, gotta be.'

'Cause in my dreams, I miss you Then I wake up to reality's bliss

For the first time, you decided to hang around at the bar until it closed. You weren’t sure why, you had no idea what you were hoping would happen, but every minute that passed made your motel room seem less and less appealing.

Bucky called last orders, and minutes later the few remaining dispossessed wandered out into the red-bathed side street.

You hoisted yourself onto your feet, turning to leave but stopping dead when a full bottle of whiskey was firmly planted on the bar in front of you, a very smug-looking barman smirking at you from behind it.

The two of you sequestered yourselves to a snug, dimly lit corner and began sharing the liquor straight from the bottle.

As you stared blankly out the front window, you could feel his eyes roaming over you, a sensation you were enjoying far more than you were letting on. Being this close, you could pick up his faint scent of old spice and cigarettes, you could hear his deep, slow breathing and feel his muscular thigh pressed up against yours.

‘He messed you up pretty good, huh?’ You nodded faintly, keeping your gaze fixed forward. ‘Wanna talk about it?’

‘Nothing to say, really. After four years I caught him fucking someone else. It is what it is.’

He scoffed, taking a long swig before holding the bottle out to you. ‘What a fucking asshole.’

‘Mhmm.’

‘If it helps, my last girlfriend stole my TV to buy weed.’

You almost choked on a mouthful of liquor, just about managing to swallow it as you choked back fits of laughter. ‘That does help, actually.’

‘Thought it might.’ He reached over and gently pried the bottle from your hand, placing it on the table and shifting himself to face you. ‘Seems like we’re both shit outta luck.’

‘You’re not wrong there.’

As you slowly turned towards him, the wild look in his eyes made the hard thumping in your chest quicken, your lungs tightening slightly as you rapidly pulled in shallow breaths. You to adjusted yourself as his arm slid over the back of your seat.

Letting your eyelids flutter closed, you focused on the gentle stroking of his fingertips over your shoulder, the feeling of his warm breath brushing over your lips as he leant towards you, the soft pressure of the side of his nose against yours and the muffled bump as your foreheads connected. 

Everything else melted from your mind, all the stress and misery of the last few days briefly disappearing in the distance as you just let yourself live in this moment. 

His hand moved up to cradle the side of your face, drawing it towards his and finally closing the gap between you.

Now all I ever wanted and all I ever needed is right here In the stranger's kiss.

---

Permanent Taglist: @nnuree @tcc-gizmachine @emmabarnes @somewhatasoftbaddie @juenenfeu @ddowii @rebekahdawkins @x0xchristine @maevemarethyu @thechaoticargonaut @yayrainday @linkpk88 @mcolbz14 @indigo123789 @verygraphicink (Italicised names are untaggable)

---

[freaoscanlin]

In the Arms of an Aila

Fandom: High Rollers Aerois Campaign

Notes: Rated PG, 4438 words, trigger warnings for minor blood mentions. This is a Uni AU wherein the Storm Chasers are a group of students sharing a house on Stormchaser Avenue after their dormitory burns down. Shout out to @obishenshenobi for being amazing and co-writing this series with me!

Summary: Four times Aila carries the party, and one time they return the favor.

Read it on AO3

“Hey, Aila?” Nova said.

“What?”

“Just...thanks.”

“Very welcome. Just do your part and hold on. Sentry will get mad if I drop you.”

Nova

The blister set in somewhere between mile two and mile four. Since it was supposed to be a five mile hike, and a torrential downpour hit at the end of mile two, soaking them to the bone within minutes, a blister was the last thing Nova needed.

Of course, who really needed a blister? Rubbing an actual sore onto the skin as the first step on the way to a callus was an absolute stupid function of humanity, and human feet should not be designed this way. In fact, all humans were composed of stupid engineering. Her thighs burned, her lower back ached, she was muddy and cross and cold, and the pain rubbing along the back of her heel made her actually want to cry.

“We’ll get to the end soon.” Sentry kept a cheerful look in place. This whole hike had been her idea in the first place, and she’d led the pack all the way out to the waterfall. Which, admittedly, had been very pretty. On a sunny day it might have even been gorgeous. But Nova could feel her teeth chattering, and she must have looked miserable because Sentry had been making remarks like that for the past twenty minutes. “And then we’ll be in a nice warm car. And we’ll get some hot chocolate.”

“Coffee,” Nova managed to say through her chattering teeth.

“Or coffee. Sure. Coffee’s fine.”

Lucius, following behind Sentry without too much trouble, should have looked bedraggled and miserable. But he’d packed a fancy purple camping jacket for the adventure. Quill, trudging behind him, kept flicking a hand through his sopping hair and sending water droplets everywhere.

Aila, after the first time Nova had landed on her ass, had taken the rear. Every so often, she reached out to grab Nova and keep her from careening off the edge of the path.

“Let’s take a hike,” Nova muttered under her breath as she limped along. “It’s beautiful, Nova. You’ll love it, Nova. Just think of the pretty views, Nova. This is great. Just great.”

She stepped down and hissed in pain as her boot moved against the blister. Instantly, the three people ahead of her turned to look. “Are you okay?” Sentry asked, her brow furrowed.

“Fi—I’m fine. It’s just a blister. I’ll be fine.”

It took a great deal of reassurance that she would be fine in order for the others to believe her. They had less than a mile to go, soon they’d be in the car, she could grit her teeth through it. After a day of holding the group back to her pace—it wasn’t her fault she lived with a bunch of jocks who preferred the gym to the library—the idea of stopping just because her foot hurt made her burn with shame. So she waved away their protests and gamely set off.

For a couple hundred meters, at least. At that point she began to whimper.

Something rustled behind her, followed by a sigh. Aila grabbed her arm to stop her. “What? Was I about to fall?” Nova asked, looking down at the steep incline beside the little trail.

“Hop on.” Aila turned to face away from her, bending her knees just a little.

“What?”

“I’ll give you a piggy-back ride.”

“But it’s so far still.”

“You weigh less than a sack of potatoes. I’ll be fine. Hop on.”

The others, having missed all of this, continued on their way up the path. Nova glanced back toward them, wondering if she should just suck it up and run to catch up. The thought alone made her want to cry.

Red-faced and embarrassed, she climbed onto Aila’s back and wrapped her arms around Aila’s neck. The relief of being off her feet came instantly.

“Comfortable?” Aila asked.

“If I get too heavy—”

Aila snorted at that. “Please. This isn’t even a workout. Hey, Sentry, wait up!”

In no time at all, she caught up to the group, trotting along as though she wasn’t even burdened by Nova’s weight. Nova decided she’d feel embarrassed later, when she wasn’t so wrecked. Aila was big and sturdy and warm, and it was the first reprieve from misery she’d had in over an hour. Quill gave her a small smile of commiseration, letting out a “hey” when she tiredly reached out to muss his hair.

“Hey, Aila?” Nova said.

“What?”

“Just...thanks.”

“Very welcome. Just do your part and hold on. Sentry will get mad if I drop you.”

Nova rested her cheek against the back of Aila’s shoulder, watching the landscape go by around them, and obeyed.

Sentry

“And just what do you think you’re doing?”

Sentry, about to reach for the pantry door in the darkness, froze. A split-second after Aila’s voice rang out through the kitchen, the lights flooded on. Sentry didn’t need a highly active imagination to fully see the picture it painted: Aila by the switch in an ancient pair of joggers and one of the hundreds of tacky free T-shirts they handed out during orientation week. A massive gulf of space between the pantry and Sentry’s bedroom. And Sentry herself in her Tom Servo sleep tank and shorts, balanced on one foot to stay off of her bad knee, right by the pantry—with her crutches nowhere nearby.

“Ah, um, ah,” Sentry said, looking about for an excuse. Her shoulders sagged. “I just wanted a snack?”

“And you decided, ‘oh, I’ll just hop to it, then, will I?’”

Sentry spread her hands wide, sheepishly. “Yes?”

Aila’s expression could melt steel. “Even though you’ve got a perfectly good pair of crutches by your bed.”

She hated the crutches, yes, but in that moment Sentry decided she hated disappointing Aila more. Still, she pushed her shoulders back. “I’m allowed to put a little weight on it—”

“In two weeks! You’re supposed to stay off it for now, or you’ll make it worse.”

“I’m only getting a snack. That’s not that strenuous.”

“For somebody who mothers the rest of us when we’ve so much as got the sniffles, you’re a bad patient yourself.” Aila strode across the kitchen and before Sentry quite knew what was happening, scooped her up. Just as quickly—though a little more gently—Sentry was deposited into one of the kitchen chairs. “You could have called one of us to get you a snack if you hate the crutches so much.”

“You were all asleep, and you need your rest.”

“We need our Sentry in one piece more than we need rest.”

Aila stomped into the pantry. A bag of crisps sailed through the air, landing in front of Sentry on the table. Grumbling under her breath the whole time, Aila emerged and stormed about the kitchen, collecting a midnight snack for herself. Sentry angled a chair over to prop her recovering leg up, trusting that Aila would work through this head of steam eventually. At long last, Aila sat down across from her with a glass of water for each of them. She dug viciously into a yogurt.

“Feel better now that you’ve bitched me out?” Sentry asked, digging into the chips.

Aila considered. “A little, actually. Now I see why Nova does it all the time.”

Sentry saluted her with a crisp. “Glad to help. Thanks for getting these for me.”

“You’re welcome.”

“You don’t need to keep me company if all you were coming down for was a glass of water or something, though. I don’t want to keep you up.”

“Sentry,” Aila said in a measured voice. “If I leave you there, you’ll just hop right back to bed. So I’m going to stay here until you’re finished and I’m going to eat my yogurt and then I’ll carry you back to bed, and we’ll not tell the others any of this ever happened because they’ll scold you.”

“That might be the most I’ve ever heard you speak,” Sentry said.

“Yeah, I’m a real chatty Cathy at this hour, apparently.” Aila nudged one of the glasses toward her. “Drink your water. It’s good for recovery.”

“Yes, Mom,” Sentry teased, and Aila rolled her eyes at her.

Lucius

Lucius saw the blood, had a brief eternity to think whoopsy, there I go, and when time returned to its normal course of business, fainted. Well, he went woozy, at any rate. He felt his knees buckle, but from afar like they weren’t his knees anymore, and his vision squeezed into one narrow point of blankness, and he staggered.

He slammed into something very solid, but warm like a person. “Oh, no, you don’t,” said a familiar voice in his ear.

“S-so much blood,” Lucius said, his voice sounding as far away as his knees.

The entire world seemed to tilt and a feeling of warmth suffused him, reminding him of the earliest days with Nanny Nophir. That changed abruptly, though, when he realized that instead of being cradled like a small child, somebody had slung him over a shoulder like a bag of cement. Not just anybody, he realized in a muddled storm of thought. Aila had him over one shoulder, bracing him with an arm behind his knees.

Muzzily, he twisted his head to see Sentry hurrying out of the kitchen and into the shared living room. “What’s happened?” she asked.

“Nova’s got a nosebleed,” Aila said. “His majesty still faints at the sight of blood, apparently.”

“Hey,” Lucius said feebly, as the dig felt a little unfair. He let his body hang limp, too wrung out to really protest beyond that. There had been so much blood...

“I’m so sorry,” Nova said, her voice muffled by either a towel or her hand. “Lucius, I’m so sorry, I forgot you don’t like blood. It’s just so dry—”

“Let’s just get you cleaned up,” Sentry said kindly, resting a hand on Lucius’s back as she passed. “Maybe put him on the couch?”

The last must have been directed at Aila, for she moved over and Lucius found himself being lowered onto the divan. They really should have gotten a proper fainting couch for the living room, even though it clashed with the rest of the furniture he’d hand-selected. Though the ultimate irony remained: if Aila hadn’t caught him, he wouldn’t have made it to said fainting couch anyway.

Lucius, feeling queasy, glanced over. He spotted the bloody towel that Nova had instinctively put over her face to staunch the blood, and his eyes rolled back into his head.

“Hey—hey!” Something snapped loudly in front of his face and Lucius opened his eyes. Aila snapped her fingers a few more times. “None of that now. Turn that way.”

“It’s fine, I’m fine,” Lucius said, automatically obeying. “Good heavens. I could have cracked my head open on the coffee table if you hadn’t caught me.”

“Doubt it.” Aila snorted. “Hard as your head is, you’d have cracked the coffee table in half.”

“Oh really, do you think?” Lucius couldn’t help but be a little pleased at the thought. Having somebody like Aila think any part of him was tough—she’d certainly made enough jokes about lacrosse in their first days together—was quite exhilarating. He studiously kept his gaze focused on the back of the couch, deliberately not looking as Aila took the bloody towel out of the room and returned with bleach wipes. “Oh, I do hope she didn’t stain the carpet.”

“Eh,” Aila said. “I’ve gotten blood out of worse. Though I’ll let Nova clean up her textbook on her own. I’m nice but not that nice. It should be safe for you to look now.”

Lucius swallowed hard and sat up, rubbing his head. He’d come in to inquire of Nova, seated at the coffee table with a textbook and a soap opera on in the background for noise, if she wanted to perhaps grab a quick dinner with him before their evening class. And she’d turned to him in horror, blood leaking and...

Well, he’d prefer not to remember beyond that point. Instead, he resolutely turned his thoughts to more pressing matters (after all, Sentry was taking care of Nova, which meant she would be just fine). He cleared his throat. “Aila, I do have a question for you.”

“Yeah, what is it?”

“Do you think we should get a fainting couch in here? For the aesthetic?”

Aila stared at him for a long time, then turned on a heel and left without saying a word or even making a face at him.

“I’ll take that as a yes,” Lucius said, and began to set his mussed clothing to rights.

Quill

No matter how they jeered and teased, there was no getting Sentry into the water. Even the triple dog dare, which would have worked on Quill without fail, held no effect. She merely gazed at them serenely from her lakeside lounger, told them they were all very clever, and closed her eyes once more, returning to sunbathing.

“Boo,” Quill called, cupping his hand around his mouth. He tried to splash water in her direction, but Sentry had wisely set her chair out of range.

“Oh, quit bugging her,” Nova said from deeper in the lake where she was treading water in her cute old-fashioned swim suit. Even in the water, she hadn’t taken off the elbow-length glove she wore to cover the scars from her lab accident. “Let the woman get some sun away from our shenanigans.”

“I refuse to let my best friend be too much of a coward,” and Quill raised his voice over his shoulder as he swam toward Nova, “to swim in the lake!”

“Love you too, Quill,” Sentry called back without opening her eyes.

The sun did feel nice, admittedly. Their first day at the cabin—one of Lucius’s family’s many, many vacation properties—had been gray and cold and unpromising, but today the skies were clear and the air was warm. Donning a pair of swim trunks and cannon-balling off of the private dock was the only logical choice to be made, in Quill’s opinion. And the others had followed not far behind: Nova in her one-piece, Lucius in speedos that left absolutely nothing to the imagination, and Aila in what Quill suspected just to be her underwear, as she hadn’t gone shopping for their vacation, even at Sentry and Nova’s urging. Sentry herself had donned a tankini but was staying far, far away from the water, having made it clear just how much she found the thought of parasites and other lakely dangers distressing.

Swimming wasn’t as easy as it had been before his accident, but Quill made it out to Nova and began to tread water beside her. She closed her eyes and tipped her face to the sun. “This feels so nice. I didn’t realize how much I needed a break. I had more than four hours of sleep last night, Quill. It felt like a miracle.”

“I may never go back,” Quill agreed. “Do you think Lucius would mind if we, like, just moved in permanently? There’s a bidet. Have you ever stayed in a place that had a bidet?”

“Can’t say that I have.” Nova turned. “Aila! Have you ever stayed in a place with a bidet?”

“When would I have done that?” came the reply. Aila didn’t even lift her head up from where she was floating on her back, eyes closed.

Lucius swam up, popped underwater, and emerged so that his hair flowed back in perfect waves. The sunlight caught very faint freckles on his shoulders. “I’ve been meaning to bring that up. It’s rather a travesty that we don’t have one at home. We could have one installed quite easily.”

“Eh,” Aila said, eyes still closed. “Feels bougie.”

“How dare you,” Lucius said.

Aila merely opened one eye a slit and smirked at him. Lucius, after a moment of grumpiness, smiled back.

“Did we bring a football or anything?” Nova twirled herself around in the water like a spinning top. “Or some kind of water game we could play? Not that I don’t love swimming.”

“We could play Chicken,” Quill said. When the other three merely gave him varying glances of confusion or interest (or disinterest on Aila’s part), he tilted his head. “Did none of you ever play Chicken as kids?”

“The thing where you dart out in front of cars and stay there until they almost hit you?” Nova asked.

“No, the bit where one person gets up on somebody’s shoulders and tries to knock another person—on somebody else’s shoulders—over into the water. Here, here, I’ll show you. It’s fun.” Quill glanced between the three of them and did some quick calculus that he would never, ever tell anybody else about. “Here, Aila, let me up on your shoulders.”

Aila kept floating for a few seconds more before she seemed to shrug to herself. “Eh. I’ve got nothing better to do.”

Left to his own devices, Quill was positive that he would have made it awkward to clamber up on Aila’s shoulders. But he’d forgotten just how strong rugby made Aila, and how often she went swimming. As they approached the shallower depths, she disappeared under the water. Quill felt something almost hit him from behind, and then he was launched toward the sky. He yelped and clung on for dear life as Aila straightened to her full height, the water coming up to her shoulders.

“Ooh! Ooh! I want to try. Lucius, let me up.” Nova scrambled over to Lucius and climbed up on his shoulders, kicking her feet excitedly (Lucius winced a little). She held her arms up like an old timey boxer. “You’re going into the water, bird-boy.”

“Hey, now,” Aila said. “Let’s make this fair. One hand behind your back.”

“Oh, right. Sorry, Quill.”

“I don’t need two hands to beat you,” Quill said, though he nearly disproved his entire point by overbalancing and almost falling off of Aila’s shoulders.

She merely locked her hands around his knees. Nova put her scarred hand behind her and waggled the fingers of her remaining hand at Quill.

“Oi!” A voice from the shore made all of them turn to look at Sentry, who’d sat up and set her book aside. “What are you doing? That looks dangerous!”

“I’m sure it’ll be fine,” Lucius called back. “Aila and I have it all in hand.”

Sentry hovered on the edge of the lounger like she wasn’t entirely sure she believed that. “Well, just—just be careful.”

Quill used the distraction to lean over, scoop up a handful of water, and fling it in Nova’s direction.

“Hey!”

And just like that, the battle commenced. Aila charged forward with Quill holding on, Lucius did the same with Nova, and a wrestling match for the ages followed. Nobody would ever come up with a consensus on who actually hit the water first, though. Lucius swore it was Quill, Nova agreed, Quill argued vehemently that it was of course Nova, and Aila remained the neutral party, content to be the base for many, many games of Chicken afterward.

And Sentry remained on the shore, pretending she wasn’t keeping a close eye on them for injury and doing a horrible job at hiding it.

All in all, a pretty perfect summer morning, if you asked Quill.

+ 1 Time They Carried Her

“Sign up for survivalist camp, she says. It’ll be fun, she says. We’ll learn cool new techniques to surviving in the wild. Great bonding time!”

“To be fair,” Nova said from behind Aila’s head, where Aila couldn’t really see her without craning her neck, “we were having a great time bonding until, you know, all of this.”

Because Aila couldn’t see her, and moving to do so would only get her scolded, she had to imagine Nova waving her free hand in aggravation.

“I for one am having a perfectly lovely time,” Lucius said.

Aila could never tell when he was being sarcastic, and she didn’t see that changing any time soon. She suspected in this case he might be genuine, though. The course instructor had complimented him on his very fancy camping vest (“It has so many pockets,” Lucius had said) and nobody had yet found the heart to tell Lucius that had been sarcasm. So all through this hike he’d been in a particularly good mood. That made him the only one, probably.

Things had been going rather well during the whole course, up until this morning: the morning of their final day in the course, when they would be tested “randomly” and, using little but their wits, a compass, and a map, navigate themselves back to the parking lot. Camping with her friends had been fun, even if it meant being squished into a two-person tent with Sentry and Nova (the latter of whom had very bony elbows) at night. Aila liked the outdoors. She liked the feeling of self-sufficiency that this course had brought with it. She imagined herself as something of a pioneer. In the olden times, she would’ve kicked ass at all of this.

Unfortunately, it was nigh on impossible to kick ass with a “broken leg.”

And she wasn’t hiking out of the woods. She was being carried. On a stretcher. This sucked. The instructor had folded his arms over his chest in a rather smug fashion as he gave them their final assignment. His eyes had lingered between Sentry and Aila, easily the tallest members of the group. And he’d narrowed in on her, which was why she was being lifted by her friends on a tarp stretcher that they’d improvised.

“This sucks.”

“Yes,” Quill said, grimacing. “So you’ve said multiple times. We’re not having the best go of it either right now.”

Aila closed her eyes and leaned her head back. She’d already had to fold her arms close into her chest like a sleeping vampire to avoid being bumped and jostled about. The tarp they’d fashioned into a stretcher smelled bad. She felt like she’d been stuffed into a tiny little space, not great when she suspected she was a little claustrophobic anyway. “I’m bored.”

“I’ve got several books you could read,” Nova said, completely earnest.

That would only make this day worse, having to read. Fortunately Sentry, who was planted on the right side above Aila’s head and therefore easy to see, laughed. “I don’t think a book will help.”

“I was up late reading all about the local fauna in case there was a pop quiz,” Nova said. “I could tell you about some of them?”

“I’d rather read the book,” Aila said.

Nova tilted her head, considering. “You know what? Fair.”

“It’s not long to the parking lot,” Lucius said in a cheerful voice, though he was a bit out of breath.

“Feels like miles,” Quill grumbled.

“That’s probably because it is. I was lying,” Lucius said, tittering nervously.

Aila had pointed out that the course instructors couldn’t see them, so she could just get up and walk for a bit until they were nearing the end and all of her friends could be spared, but Nova had looked so abjectly horrified at the thought of cheating on a test that Aila had backpedaled and felt a little actual shame. Just a tiny bit, though. Not enough to fully penetrate the thick barrier of indifference she liked to carry about.

“Fine,” she said now, with a sigh. “Tell me all about these fascinating plants of yours, Nova. Not like I can do much else right now.”

Nova squeaked in excitement, reaching down to grab Aila’s leg.

“Ow,” Aila deadpanned. “That one’s broken.”

“I thought it was the other one?”

“It’s not real,” Quill said. “She’s messing with you.”

“Right. Right! Okay, so to start with, these are deciduous trees—”

Aila tuned her out in record time. Since there wasn’t anything to do but lay stiffly with her arms in a stupid position and the stretcher swaying nauseatingly below her, Aila let the patter of Nova’s excited overexplaining wash over her. She closed her eyes to stave off the nausea of watching the canopy overhead.

Sleep didn’t come right away, though it drifted near enough that she dozed a few times. Finally, she heard Nova whisper, “Did I do it? Is she out?”

“Think so, yeah,” Sentry replied.

“Oh, thank H’esper.”

“Quill!”

“We’re the ones marching miles carrying her and she’s whining?” Quill whispered back. “Have a care for my legs. I can’t feel them anymore.”

“Me either,” Lucius said.

“Meanwhile, all she has to do is lay there and be carried!”

“Which for Aila is torture and you know it,” Nova hissed.

“I do suppose she’d whine less with an actual broken leg,” Lucius said, thoughtfully, and Aila nearly gave up the game by grinning. “She does have that stoicism thing going for her. I rather admire it at times. Daddy always said that I should be stron—ow, splinter!”

“You okay? We can take a break if need be,” Sentry said.

“I’ll endeavor to carry on,” Lucius said, but he sounded tearful.

Aila almost opened her eyes again, but joining this conversation would require more mental energy than she was willing to expend. Maybe if she did actually fall asleep, this nightmare of a hike would be over sooner.

“She does look kind of peaceful,” Nova said. “In a very Angry Aila way. Nobody tell her I said that. Either of those things.”

“Your secret’s safe with me,” Sentry promised.

There was a long silence. The stretcher continued to sway, though not in a soothing or repeatable pattern that promoted sleep, and her friends were quiet apart from the sound of heavy breathing as they tromped through the woods. Not a bad day for a hike, overall. She really wished she could just get up and walk alongside them, but if she had to be carried, so be it. At least she had them around her.

Aila nearly opened her mouth to tell them so (and ruin the illusion that she’d been napping this entire time) when Quill cleared his throat. “We are agreed, yes, that she’ll be driving the whole way home since she’s been napping this entire time anyway?”

“Yes, of course.”

“Duh.”

“Why, obviously. I’ll be completely knackered by that point.”

Aila’s smile probably betrayed her, but she elected not to care about that. She merely let the group travel on, carrying her to their final destination in their survival course. There were worse ways to spend a Sunday afternoon, even if it meant being the one to drive them home afterward.

[redrobbingabank]

Choosing

“Sam, I need to go in the prison.” Usually, Quackity’s request brought with it a rush of guilt. No matter how tightly Sam shut his eyes to what he was complicit in, he couldn’t block out the screams.

Today, though, guilt was replaced with dread, creeping through his veins like cream poured into coffee. Quackity would want to be in the main cell. Dream was already there. 

They were in the main entrance to the prison. Sam had been sitting with an open book wracking his brains for any kind of weakness Technoblade could use to try and break Dream out. Quackity had appeared with his axe, warping into existence from the portal. Sam wasn’t sure how he’d gotten through without ringing the bell. In the interest of their friendship, he wasn’t sure he wanted to know.

Sam shook his head. “You can’t go in, Quackity.” 

He didn’t even know why he was defending Dream. The bastard deserved everything he’d gotten for what he did to Tommy. To the server in general, but mainly Tommy. And he’d made Sam an accomplice.

But the screams were still in his head, and Sam wasn’t ready to look at another bloodied corpse on the cell’s floor.

“What?” Quackity let out a short, incredulous laugh. His good eye twitched. “What do you mean, I can’t go in?” 

“It’s an open investigation. Prison protocol dictates that only the Warden may enter the premises in case of a jailbreak. I can’t let you in, Quackity, I’m sorry.”

Quackity smiled. It looked poisonous. “Sam, come on. We’re business partners. You’ve bypassed protocol for me before, just… do it again.” He eyed the Warden’s passage over Sam’s shoulder.

Sam started tapping his trident against the ground, agitated. “Some would argue that that’s what led to Dream escaping in the first place!” he said. “I can’t let you in.”

“Hey!” Quackity shouted. He stepped forwards until he and Sam were toe to toe, looking directly into each other’s eyes. “Don’t you fucking say that. I never did anything to help Dream escape.”

Though it made his pride smart, Sam backed up until he was no longer in weapon’s range. “I mean, you put Techno in! You told me to lock him up! I’d say that correlates!”

“I mean it Sam, shut the fuck up. Just shut the fuck up,” Quackity spat. “I need to get in the prison, and I’m not leaving until I do.”

In his anger, Sam forgot the secret he was hiding. He threw up his hands. “Fine! Just… follow me. But leave your weapons in the ender chest.”

Quackity glared at him, but Sam glared back until he conceded. Scoffing, he shoved the ender chest in the corner open and emptied his weapons into it, keeping his armor on. “Okay, let’s go.” 

Sam turned on his heel and opened the door, leading Quackity through the Warden’s tunnel. It wasn’t until they were passing the less secured cells that he remembered. It wasn’t like he could do anything about it now, though. His breath froze in his chest as they walked. Maybe Dream could feel the fury radiating off of Quackity from his cell. 

They turned the corner into the room outside the main cell. Sam hadn’t bothered to put the lava back down, close as he’d been since Techno escaped. Which was why, when Quackity looked over, Dream was in full view, near the ledge, waiting for them. 

Everyone was still for a moment. Then, with the distinct feeling of a jack-in-the-box being wound, Quackity turned around. He was grinning incredulously, shoulders shaking with a restrained laugh. “Sam?” he asked. “Why is Dream in the prison?”

Sam kept his face carefully empty. “He requested it,” he said. “Given the original purpose of the prison and the way it’s been forgotten, I felt inclined to indulge him.”

“Indulge him?! This son of a bitch? He doesn’t deserve shit, and you know it!” Quackity yelled, gesturing with his axe behind him. Maybe it would have been smart to make him leave his weapons at the entrance. “So you’ve just been lying to me, for what, a week?”

“You’ve been torturing him, Quackity!” Sam yelled back. “The prison was meant to hold people, no less and no more!”

“Don’t act innocent, Sam. You let me in here, you helped me trap Techno, and now you’ve done this! I’m doing this for the revive book, Sam! Las Nevadas needs the revive book!”

Sam met Quackity’s eyes. “My loyalty is to the prison first, Quackity. THat’s how it has to be. I have to protect its security.”

Quackity shook his head, closing his eyes. “Really. That’s how it is, huh?” His eyes opened, and he swung his axe. Sam didn’t have time to duck before it hit his chest, but he yelled and collapsed with it still buried in his flesh. Blood started to trickle out around it, soaking into his clothes. 

Darkness was quick to close in, dimming Sam’s vision like a sack had been put of his head. “Las Nevadas doesn’t have room for disloyalty, Sam.” Quackity’s voice faded out, Sam’s limbs lost their strength, and the Warden passed out on the prison floor.

[i-did]

hi hello i couldn't sleep last night so i was scrolling thru all ur asks and stuff and ur opinions and analyses are so interesting!!! and then afterwards i was thinking about what u were saying about mlm smut and i'd also been thinking about such things a little bit recently bc like.....at a certain point it becomes quite clear that the vast majority of smut-writing is just imitation. like there's the sex noise verb list and all and the whole general mechanics of the sex and those things just .... replicate over and over. and the whole thing w people writing mlm vs wlw smut regardless of their own sexual orientation..... like i feel like a big part of that is just a self-perpetuating thing. like if u have not had sex and u r getting all ur (pleasure-related) sex ed from fandom (even if u do watch porn, that doesn't rlly tell u how to describe stuff? idk) regardless of What fandom , the majority is going to be mlm smut. which is itself majority imitation of other mlm smut, imitating and imitating back to whoever knows what the first smut fanfic was etc. there's just way More to mimic than there is on the women side of things. which then becomes a self-perpetuating thing, bc the mimicry continues and generates more and more. and---if there are fundamental misunderstandings of anatomy involved---those self-perpetuate as well. and maybe even exaggerate. and yeah. does this all make sense? idk i was just thinking about it. like all the stereotypes and stuff continue bc writers are getting their inspo from other writers rather than their own brains. or something. idk!!!!! it's just all... divorced from reality? bc words. or something!! i hope u get what i'm trying to say. just thoughts i've been thinking. anyway i think ur thoughts are cool. and ur writing. ok bye have a good day!!

Okay yeah this is kinda messy but hope u see this, uhh yeah I think you're right about the echo chamber effect fr about stuff. I think it's a mix of projecting too sometimes. talk more under the cut and also link to a video essay since I love video essays.

Here’s a video that sort of touches on this topic: 

“Gay fanfiction” by Sarah Z. (has CC)

https://www.youtube.com/watch?v=H8E_C00dKwI

This video begins to talk about fetishization at the end, but also… not really. The words “gay fanfiction” is used as a catchall, when really gay fanfiction is largely mlm written by non-mlm.

Fandom is a largely women's space dominated by the female gaze in a media industry world that is dominated by men and the male gaze. I'm really glad women have this space to explore creativity and queerness, and I don't expect the female gaze to go away, but I am still ultimately bummed out I can’t read most fanfic or interact with most fandom spaces without having fetishization in my face. 

So about 80% of fandom is women, and most of those women aren't straight, but 90% of those women prefer mlm ships. Why don’t they prefer wlw ships? Well definitely part of it is the fact that queerbaiting is centered around white straight men, and then there is also the fact that women tend not to be written as well charcter wise. But the fact still remains that you get jerjean getting priority over Layla and Alvarez who are in canon just as much and are a canon wlw couple who actually interact as well as Alvarez could likely be a woc because of her Hispanic last name. Korasami doesn’t get nearly as much hype as zuko and saka, despite the fact that they are 2 fully dimensional characters who canonly kiss and hold hands, something the creators fought for and ended up having to sacrifice another reboot for. 

I do believe the fandom echo-chamber is largely responsible for… a lot of things, like you're saying. But what's interesting is that the complaints I've heard about visual porn from non mlm in the fandom space is that they can’t get off to it because its for the male gaze and misogynistic usually. But they also don't seem to notice how the mlm smut circles has the female gaze and is also… almost always mlm. If it was a pure anatomical not knowing thing, I get that, but I also think that leads to the question of “then why the male body for porn, and not your own? The one you know and are familiar with?” 

I know some people want to get outside of their own body for porn and don’t want to think of their own anatomy at all, but overall I'm still uncomfortable. If an anglo said “well I watch porn of only Mexicans so I don't self insert” I'm gonna be like … hhhh in a similar way. I understand people “like what they like” but I wish they also noticed said patterns in the first place. I understand the t4t tumblr porn circle, and how it's different from cis people who only watch trans porn. 

I actually wished that instead of fandom focusing on mlm ships where some asshole guy hits on bottom troupe charcter for top troupe character to save, was instead… a wlw character experiencing said shitty getting hit on and other wlw swooping in. what's interesting is fandom writes a lot about misogynistic experiences without often realizing it. Ive read fanfic where guys get called sluts for sleeping with people or called bitch for speaking their mind, these arent things men usually experience, but rather women. Fandom has a lot of internalized misogyny and also queerphobia imo. Women characters often get pushed to the sidelines and men become the canvas for female fans to project onto. 

There is this natural inclination to mlm. When people are talking about “gay shipping” or “gay books” or “gay feels” or even just “gay” mlm is what’s largely in mind. I honestly am kinda saddened by this because if gay fanfiction was really solely about writing more to feel represented, then you would see a lot of bi and ace and lesbian rep, but this isn't the case. Queer women are seriously underrepresented, and I want to hear their stories and read them in fanfiction as well as published. 50% of lgbt literature is mlm, and of that its largely written by women. Becky Albertalli, Rainbow Rowell, Maggie Stiefvater, are the YA big names and are all women writing mlm. Red white and royal blue is written by Casey McQuiston and Captive prince (which is not YA) is written by C. S. Pacat, who is non-binary, but is also TME and not mlm. These are all the big names in mlm lit, behind them is some gay men, but honestly their stories aren't preferred, they're not the right “flavor” for the consumers usually, who are largely women. In general YA consumers and authors are women, but I wish that they… just wrote about women too. I think there is a certain… snowball effect to the overrepresentation of mlm representing the whole LGBT community that leads to fetishization, as well as misogyny playing a factor in: less women characters being written well to write fanfic on, when they are written well they're taken less seriously or the audience struggles to relate to them, they're less marketable then men. 

Idk I never feel “seen” or “represented” by any of the books above, which don't address boyhood and manhood and queerness intersecting really, and AFTG doesn’t either. I relate to AFTG as a trauma victim who has experienced a lot of what many of the characters go through and have gone through in the EC as well as them just overall being very well written characters, but I don't relate to it as a mlm really. I've never seen like.. gay voice or being straight passing or femphobia or how boyhood can be affected from a young age by those around you sensing you're ‘other’ or if you didn't experience this you feel outside the mlm community. Let alone sub cultures like bear and leather and pup, at most you see the word “he's such a twink” in fandom which... i fr hate non mlm using that word because it's usually used to replace the f-slur essentially, used derogatorily or to call him “such a bottom” and stuff like that. It’s like a joke or an insult.

Long story short, idk mang this was a ramble and I think I'm coning down with something. I wanna see more queer women rep and women authors writing about being a queer woman too. I think it's a complex web of fetishization and a bit of forbidden love yaoi culture (or it used to be in the BOYXBOY days) as well as misogyny on an industry level, creator level, as well as reader/consumer and fandom level. I don’t think it’s inherently wrong to explore other peoples stories and what we read has to be segregated, “only mlm are allowed to read and write mlm, only wlw are allowed to read and write wlw,” but I also think author’s intent and audience and background is telling, as well as overall statistics. Like about an hour ago I was looking for cookbooks in spanish or in english, and I was looking for some mexican food cook books, but I had to look for them using words in spanish because otherwise what came up was a bunch of “fiesta party, easy as uno dos tres authentic cooking!” and I was like… hm. Since I could tell they were marketing to anglos. (also the author’s last names were like michelle smith, james cooper, and this could be for a variety of reasons, but I trust Hispanic names more tbh and deadass would look at the authors pictures and if they had other books in Spanish or what their specialties were.)

anyways. not sure how to end this. uhm if anyone has any book recs (my to read list is like 500 books tho no joke) preferably not YA white mlm written by a white lady, hopefully queer women written by queer woman, LMK, I need more wlw and queer women stories on my list. I have a decent amount but always looking for more. I kinda wanna link my goodreads or my storygraph but I also don't want to get doxxed and it has my legal name on it so.

Also, I'm dyslexic and using spell check but if there's like some wild typos my b.

[internalsealpanic]

Lesson Learned

summary: Pinning exercises are a lot easier when you ask nicely.

a/n: The backstory to this piece was that I went to the church part of our discord server and told people about me being thirsty about Slade and they collectively went: DO HIM. The reader does have a backstory which boils down to rich girl from a crime family is a little shit because I thought this would have a funny dynamic with Slade.  Special thanks to @batarella and @knightfall05x for proof reading and giving me ideas. Would this count as my one entry for kinktober? 

warnings:  This is straight up smut. Please read responsibly. Brat taming, strength kink, daddy kink, orgasm denial, and hinted size kink. (Hilariously half of these were by complete accident.) There is some injury mentioned but not too graphically. Both characters are assholes.   

masterlist

Slade was on the ground, his head was swimming even as the sharp shriek of sirens rang loud in his ears. His senses were at once too sharp and too unfocused. Whatever drug he'd been hit with had to have targeted the nerves in his muscles too. He couldn't move. Not substantially anyway. Not in a way that would actually help him.  Through the haze he hears the clicking of heels against the floor, then a sharp pain shoots through him when said heel dug into one of his still closing bullet wounds. 

 You stood above him, your shark's smile hidden behind your mask.  "Well old man, I didn't think you would be caught this easy. I might need to rethink this meeting." You hummed tapping your chin as you lean down your heel digging further into his flesh. It's a tactic your sister had taught you. People were less inclined to think clearly when in excruciating pain.  If Deathstroke was this easy to capture, was he really worth your money? 

 He was watching you, blue eyes looking defiant. You whistled low. You liked a hard negotiation. It kept things more interesting. The rapid footsteps of men drew you out of your contemplation much to your annoyance. You debated on just paying them to go away. It would make your life easier but there's a chance these men were truly loyal to the man you had just paid a visit to.

 You weigh your options. His reputation may be enough to keep your siblings away. Maybe just long enough 'til their petty little war is over. "I'm going to hire you-"

 "-this assumes I'm going to say yes"

 You snorted. He noted the confident roll in your shoulders, the kind of cocky self-assured gesture of someone who knows they're going to win.  Every movement, every angling of your form deliberately used to show a difference in power and lack of respect. In short, it made you very punchable.

 "Your statement assumes you have a choice." You chuckled tilting your head to the side in challenge. He scowled at you and you try to keep the sheer delight you feel out of your body language. You weren't sadistic by any means but for one, brutality was practically bred into you, and two, you are, what your darling eldest brother had so kindly put, a  little bitch.  "I'll tell you why you'll say yes to my proposal." You said stepping off of him and pirouetting towards your duffle bag. "One, I'm offering your more than a million dollars in cash for the simple job of training me-" You observed his face as it remains carefully impassive. You expected as much. You heft your bag into your arms and unzip it rummaging through the cache of weapons you had stored just in case plan A through F failed you. "Unless we're associated, I'm the only one walking out of here with any money for their troubles." You said tossing the severed head of his target in front of him. You gave him an all too pleased grin. 

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 You find yourself pinned down again in the span of 15 minutes, face squished against the training mat, your arms pinned behind you, and most annoyingly your ass raised while your bastard of an instructor laughs in your ear, his lips dangerously close to your ear. You hiss and bristle feeling the fibers in your muscles burn from the uncomfortable angle they've been forced into.  You squirm trying to buck him off but his strength rendered your efforts moot. His enhanced strength keeps your body firmly between the sweat-covered mat and his large, toned body which just made you bite your lip to keep anything vulgar from escaping you. 

 You were 110% sure he was fucking with you at this point but any smart remark you had was either smothered by the mat or died whenever you felt acutely aware of your skin against his.  

 "Get off of me, old man," You snarl, making a futile attempt to kick him off with one of your legs. He chuckles at your weak attempts, the reverberations from his chest pressing against your back sending a thrum of excitement rolling over you concentrating into more distracting areas. You can't see it but you know he's grinning smugly above you and you can't decide whether it's your horniness or your anger that will win out. You sincerely hope it's the latter. 

 "C'mon, kid, you can get out of this," He encourages but you don't miss the playful mockery dancing in his tone. You squirm and wriggle and sigh. "Just let me out," You demand, politely. He doesn't budge. You turn your head to pout petulantly at him. That doesn't do anything either. 

 You sigh again. You hated pinning exercises with a carefully cultivated passion which you would normally direct at whatever instructor was dumb enough to force it upon you. However, that wasn't really possible as of this moment. One of the reasons for this hatred was that you were never pinned down unless you wanted to be, even then they were usually too hesitant to follow through so you never really saw any practical use for the skill. That is until last week when you found yourself being pinned down by the Red Hood which was honestly a fantastic position if you weren't trying to get away from him. Apparently, the large man didn't take too kindly to being shot at even when your very professional self explained that you were in fact a decoy. After you were entirely unable to slip his hold, you begrudgingly agreed to let Slade teach you a few maneuvers. The other reason was that you liked being pinned down. Your body is far too enthusiastic about the feeling of being pinned down. You're pretty sure you've expended more energy into suppressing your thrilled shivers than you have trying to get out of any of the holds he's demonstrated so far.  The fact that he was an attractive asshole with no shirt did not help.    

 "Maybe if you ask nicely, princess" He drawls his teeth grazing your ear, beard bristling against the sensitive skin of your shoulder. You bite back a groan and stop the cant of your hips. "Or are you even capable of that?"

 "I am, sir" You grind out but it sounds too breathy to be threatening. You feel the curve of his lips against your shoulder.

 "Dunno, brat, I've never seen you do it," He taunts pressing closer to you. You're suddenly aware of just how close you two are. You hate how the way he called you brat sent thrills up your spine. You try to even your breath but you're entirely too feverish both body and mind. You had to think of something before you were lost in a haze.

 You nudge your arm one last time before an idea strikes. A familiar shark-like grin spreads like wildfire across your features. Pressing your ass against his crotch, you roll your hips, the movement slow and deliberate and painfully tempting. Sure, it was a dirty trick but 1) he never said anything about using your assets 2) you've been wanting to do that since the first hold. You feel his muscles tense and you can't help but radiate smugness.  Your smile vanishes, however, when he rolls his hips against yours giving you a feel of his hardened length through the thin fabric of your gym shorts. The slow, tantalizing friction against your core draws out a vulgar moan from you. 

 "Do you wanna run that by me again, brat?" He whispers low and husky emphasizing the last word with another grind of his hip. You pant, hips answering back with their own desperate movement. You want to let your hips keep moving, to make him move, to feel his cock against your core but pride flared in your chest. "Make me." You bite out. "I really should teach you some manners."You feel the low rumble of his answer in response seemingly amused by your continued resistance. He rocks his hips against yours drawing out another breathy moan from you. Out of spite you bite your bottom lip and rock your hips in tandem with his. What did you hope to accomplish from this? You don't know but it certainly felt good. Your skin feels hot and oversensitive as your bodies continue to move at this rhythm. The feel of his muscles rippling against you makes you arch your back. You wanted more but you had too much pride. As if spurred on by the movement, he presses a kiss on your shoulder and sucks at your flesh, a rough hand grips your waist tight enough to bruise. "Slade!" You choke out losing your composure.  The cry sounds more like a plea than you would like. You sound so small and needy beneath his ministrations. 

 Distilling your anger into your weakening limbs you try to buck him off again. You make a small noise of triumph when he budges but whine when his grip on you just gets tighter. "Not quite, princess,"  

 He flips you onto your back. A hand pins both your arms above your head as he situates himself between your legs. His lips capture yours in a rough kiss, the type where you feel two bodies fighting each other for dominance. His teeth bite lightly against your bottom lip asking for entrance. You open your lips less in concession and more of a challenge. The wet muscles of your tongues entangle. Your nose is filled with the musk of him. It was overwhelming. You moan into the kiss and you feel him smile into it. Another small victory. 

 Slade ends the kiss having undeniably won the match. You try to move your hand to punch the grin off his face but again your hands don't budge. You curse his enhanced strength halfheartedly as the feeling of the heat coiling in the pit of your stomach takes over. Instead of diving back in for another kiss as you expected, Slade trails kisses down your jawline, your throat, and your collar bone leaving very defined very visible hickeys. There was something oddly possessive in his actions.  The look in his eye was predatory. 

 You, foolishly, let your attention wander to your hands seeing what angle you could possibly force them into so you can slip his grip and maybe turn the tables. Your attention snaps back to him when the pressure around your chest loosens and the distinct sound of a zipper fills your ears. Your eyes widen as you watch as he unzips the front of your sports bra with his teeth. Your breath catches even as your chest fills with the lack of constriction. Your too hot skin is grazed by the training room's cold air. He places a kiss in the valley between your breasts but when you whimper and move slightly urging him to proceed. He moves on to your stomach. "Asshat" You seethe through gritted teeth. You let out a groan of frustration. You were going to kill him. You honestly don't care if you've just wasted half a billion dollars on this asshole. 

 His kisses drift down to your inner thigh drawing a moan from you. Slade chuckles seeing your desire seeping through the thin fabric of your shorts. He isn't entirely surprised considering how unsubtle you are about your interest. A rare moment of embarrassment blankets you. Your legs try to close but rough hands pry them apart placing them on his broad shoulders. You bite your lip when he plants a kiss on your inner thigh. Your lips are puffy and red at this point, looking delicious as you panted. Slade wonders how your lips would feel around his cock but he decides he'll save that for another time. He hooks his fingers on the waistband of your shorts and his eye widens momentarily when he doesn't feel a second layer of fabric underneath it. He looks at you incredulously.

 You shrug trying to keep the mischief off your face looking absolutely unapologetic. "It's laundry day-" You shrug a little amused that this is the detail that caught him off guard. "-I did tell you I had stuff to do~"He also supposedly had stuff to do but, apparently, you were stuff. He chuckled and without dignifying your comment with an actual response, he rips your shorts off with ease and tosses them somewhere behind him.  A complaint or a threat, you weren't entirely sure, died on your lips when his tongue gave your core a nice long lick. A loud, needy keen escapes you. Your hands now free from his grasp dig into his scalp.  Pleased with your reaction he continues. His skilled tongue exploring your core hitting spots you didn't even know were there. Your hips meet to match his pace as he fucks you with his tongue. You whine when he withdraws his tongue but mewl loud and wanton when you feel two rough fingers stretching your insides. His mouth latches onto your sensitive bud, fingers pumping in and out.  You throw your head back not being able to contain your moans.

 "Look at me, brat," The command is deep and resonant. Your whole body buzzes with excitement. Slade can see your eyes dilate as his voice drops an octave. 

 "Yes," Your breath hitches when he doesn't move. "Sir" You add as a concession hoping it was enough. You felt your pride waning from the small piece of power being given away. Thankfully, he rewards you with another long lick before you can dwell on it. Slade watches as your face twists in pleasure trying your best not to throw your head back. You see the smugness on his face even when half of his face is buried between your legs. You don't attempt a threat simply because you don't trust whatever comes out of your mouth to be coherent. You were so close. You rock your hips trying to chase your high. Your skin is flush and glistening with sweat. You were so close. He feels your walls tightening around his fingers. Another needy keen escapes you as you were about to tip over the edge. 

 The motherfucker pulls back. You snarl at him but it comes out sounding more like a needy croon than anything else. He chuckles at you even as he captures your lips for another kiss. His tongue is thick with the taste of you. Your hand tangles itself into his hair while the other tugs at the waistband of his sweatpants.  He pulls away giving your lips one last nip before his body is off of you. It's funny how just moments ago you wanted him off of you badly enough that you'd play any dirty trick you could think of but now your skin is burning for his touch.  He takes off his sweat pants and his engorged cock slaps against his abs. It takes every brain cell at your disposal not to drool at the sight of it. He was BIG. You wonder briefly if he would even fit.  

 He spits on his cock rubbing his head against your thoroughly soaked folds. You mewl. A playful look in his eye does not go unnoticed but you were far too preoccupied with other concerns. Thankfully, so did he. Slade eases into your pussy in slow shallow thrusts. You can physically feel your walls stretching inch by inch as he works his way into your tight pussy. He can feel every bit of resistance your pussy is putting up. It's his turn to hiss when he finally bottoms out. Your walls cling to his member trying to milk it for all its worth. You drag your nails down from his shoulder to his arms. You pout when his skin heals immediately. You wanted to mark him as he did you but apparently, his healing factor was not up to being kinky today.   

 He laughs at your little protest and gives you a quick kiss. He begins to thrust shallow and languid. Your lips are locked in, sensually nibbling at each other's lips. You arch your back pressing your chest against his musculature savoring every bit of stimulation you could get.   You cant your hips against his urging him to go faster. His large hand grips your hips and pins them down. The coil in your stomach grows tighter at the ease at which he stops you. You feel him grin against your hot skin. 

 "Didn't I say I would teach you some manners?" He pulls himself out leaving you feeling hollow and wanting. You're pretty sure if you weren't drunk on your arousal the look in your eyes would be nothing short of murder, however, this was not the case, Whatever venom you had in you vanished in a swirl of neediness that racked your body. Your cant your hips uselessly trying to find friction only to be met with cool air. 

 "Slade pleeeeaaase!"

 You gasp, as a sharp stinging sensation on your pussy knocks the breath out of you. Slade gives you an expectant look. 

 "Sir, plea-"

 Another slap. Your back arches.  You’re panting heavy, mind swirling and searching. 

 "Daddy please!" The words tumble from your lips thoughtlessly. You both freeze. Slade's face is unreadable making you want to shrink away and let the earth swallow you whole. Panic rises in your chest until you feel his hips slam against yours. The force is enough to knock the breath out of you. He manhandles your body to fuck you at a better angle. His grip on your thighs tight and bruising. You whimper when he dips his head down near yours pressing kisses to your jaw and the pulsating flesh of your neck leaving your mouth free to moan his name like a mantra.   A deep resonant growl rumbles in his chest sending thrills through your skin into your spine. Your hardened nipples drag against his chest as they bounce with his pace. His cock pumps in and out of you at an animalistic pace. You were absolutely going mad over his rough pace but it wasn't enough to push you over. You were both so close.

 "Daddy, please! I- I need-" Slade's cock twitches. His pace goes from animalistic to punishing in the space of a heartbeat. He growls into your ear as he reaches down to rub your clit with skilled, calloused fingers. Your walls tighten around him as you go over the edge.  Your orgasm hits you in a flurry of heat and electricity. He fucks you through it as he chases his own. He pulls out his cock. Ropes of cum covering your chest and your stomach. 

 He lays beside you pulling you close. You moan quietly still feeling the aftershocks of your orgasm. He nuzzles his face into the crook of your neck, planting an open-mouthed kiss. You ease into his hold and close your eyes. 

 "See how easy your life is when you're a good girl, princess," He whispers mockingly into your ear. You raise a middle finger at him too fucked out to care whether it actually conveyed as much venom as you wanted it to. 

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Thanks for reading! Next week will be our regularly scheduled fluff unless I get possessed by the thirst muses. 

tag list:  Tag list:  @batarella , @anothertimdrakestan , @lucy-roo , @multifandomgirl-us , @idkmanicantenglish ,@birdy-bat-writes ,  @boosyboo9206 , @americasmarauders , @l-horizondepeu , @arestorationofbalance  , @cloudie-skay , @knightfall05x

[highqueenofelfhame]

far away from sane - one

i’m going to preface this by saying that nobody has read this over so i don’t know if it’s good or if i just think it’s alright, who knows. only time will tell. I looked over this twice for grammar and editing and stuff but i’m sorry if i missed anything.  Thank you @starborn-faerie-queen  for your genius prayer to anneith. I owe you one. Not sure what the ‘one’ is but like certainly something let me know when you’d like to collect lmao.

TW: blood mostly. // 2435 words

Celaena had said it before, and she would likely say it again: the lying in wait before a job was the worst. Some people relished in it, seeing it as something religious almost. In fact, she knew a handful of assassins that worshipped their chosen deity in the moments before pouncing on their prey. Celaena wasn’t particularly religious herself. Too much had happened to her in her twenty four years to really believe that anyone up in the sky was looking out for anyone but themselves. Sometimes she felt like the sun was shining on her a little brighter than it did on other people. When she was a child, her mother had told her she was Mala blessed. She was not inclined to agree.

Still, when she slipped up the alley by the temple, she paused. A quick glance to her watch told her she still had an hour before she needed to be at the warehouse. An entire hour to kill, and what better way to spend her time than giving some old religious bastard a heart attack? She couldn’t think of anything, so she silently slipped through the front door of the small temple, splashed some holy water at the tapestry of the gods, and made her way toward the small confessional booth. 

Celaena settled inside on the uncomfortable, hideously upholstered bench and waited quietly. After seventy-two seconds, and just as she was about to leave and give up on spooking a foolish old man, the divider on the priest’s side of the partition slid open with a heinous screech that sent a shiver sprinting down her spine. Dim, warm light peppered over her lap through the grated holes of the window. Never too careful, Celaena adjusted her hood to be sure that ever defining feature about her was swallowed up in darkness. 

“Anneith, goddess of wisdom, we beseech you. Hear our prayer,” she recited, eyes looking to the little holes that separated her from the priest on the other side of the booth. A low, humming voice accompanied hers as she spoke and Celaena found herself slightly annoyed that he didn’t sound as ancient as she had hoped. “Forgive me Father, for I have sinned. It has been… gods. If I’m being honest, like sixteen years since my last confession. I… I don’t know where to start, actually.” 

Celaena tapped her finger against her watch and made a mental note of the time while she contemplated what she should confess, exactly. It wasn’t like she had a shortage of sins, but if she came on too strong straight out the gate, it would be hard to slip out of the church and into the night unnoticed. She sighed heavily and looked back up at the partition as she twisted her mouth in thought. The holes in this particular confessional were too small to see even a hint of the man that sat on the other side of the booth. Good. That meant he couldn’t see her, either. 

“I haven’t been in one of these things since I was a kid. My mother and father would take me to temple and I would fall asleep leaning against my father and wake up when he lifted me into his arms after it was all over. Church happens so early in the morning for young minds, you know. You should consider pushing back the time.” When the priest said nothing, she huffed an impatient sigh. “Anyway, I’m pretty sure the last time that I was in here it was for shoving my cousin down the four steps that lead up to our front door because he’d taken my ice cream. If you ask me, he should have been the one repenting. He stole -- and from a little girl no less. But I was the one in trouble.” She snorted, giving him a moment to say anything at all but the man was made of stone and said nothing. “I’m here now because I have a long, long list of sins, father. Longer than anyone else that has been in this crumbling building. Well, that isn’t true. There is one man, I think, that would top me. But I doubt he’s ever stepped a single toe into a church, much less tried to atone for the things he’s done.”

Celaena glanced down at her watch again, then settled back against the chair and dropped the bomb to end all bombs: “I’ve been killing for as long as I can remember. Well,” she shrugged to herself, “since I was eight.”

“Killing?” The priest finally asked, a trace amount of surprise laced in his tone. 

“Animals. People. Animals first, because that’s how they train you. The people come second once your technique isn’t so shoddy. And if I say so myself, and I do, my technique has been flawless for the last ten years. There’s a learning curve, but, well, that isn’t why I’m here. I’m not here to brag about my perfect skill or about the secrets that I’ve heard whispered in the dark. I bet you’ve heard your fair share of secrets, haven’t you, father?” Celaena glanced down one more time, already working the door open slow enough that it wouldn’t make any noise. The man didn’t say anything, likely at a loss. Or maybe he was already calling the police on his cell phone. “Anyway, what do you think my penance would be?”

“For killing people?” He finally answered. Celaena smiled to herself as she opened the door enough to slip through.

“Yes,” she said, and then disappeared through the small opening she’d made and disappeared into the shadows of the church, then the shadows of the street. She wasn’t a complete maniac, she didn’t begin cackling as soon as she was out the door. Though she did wish more than anything that she had been able to see the look on the man’s face when she revealed such dark truths. Wished he had been able to see the smile pulling at her lips while she spilled her secrets to him in the dark. 

Instead she weaved up and down the streets and alleys, climbed onto roofs and hopped from building to building when they were close enough. She didn’t stop moving until she reached the warehouse that she knew the stupid fucks were hiding in. She could see all three of them sitting around a shitty metal table, taking turns throwing down cards. Celaena was too far to hear anything that they said beyond a low murmur of voices, not that it mattered. They had all signed their deaths away to her when they’d had whatever part in killing Sam. It was made worse by the fact that they sat around a table now, playing games mere days afterward. She had hardly been able to eat since his blood had been splattered across her face, and they were playing stupid card games? They could beg and plead all they wanted under her knife, but it didn’t matter. Every single one of them would cease to breathe in the next eight minutes or less. 

It hadn’t been hard to figure out which of the safe houses they would be at that week. The men of the Assassins Guild had never been smart. Smart enough to get away with murder, yes, but not smart enough to beat Celaena. They could call her a bitch all they wanted, but growing up with the lot of them she was always Arobynn’s favorite, always the most skilled assassin of them all. Arobynn had crowned himself the king of assassins, but Celaena had earned her title as the assassin queen, had fought for it in violent shades of red over the years. The student had become the teacher, and tonight she would school all of these idiots for thinking they could take Sam from her and get away with it. 

After waiting another two minutes, Tern and Harding both stood from the table and began their laps around the property. Mullin stayed seated, idly shuffling his cards while Celaena snuck inside and up behind him. With a simple flick of her wrist, her favorite daggers had extended into her hands, and moments later a blade was at his throat. The assassin queen didn’t bother with pleasantries, didn’t inconvenience herself by trying to go easy on the rat beneath her fingertips. She pressed the blade into his skin and fought off a grin when a bead of blood dripped down his flesh. 

“Which one of you did it?” Her other hand twisted into his oily hair as she pressed the blade harder against his neck. “Normally I wouldn’t give you any credit, Mullin, because you could never out run me. But since I was in a little bit of shock, whichever one of you did it had a few minutes time to get away. You can tell me who it was and I’ll consider letting you live, or I can slit your throat right now and let you bleed out before your friends get back.”

“They were your friends once, too,” Mullin grit out, to which Celaena snorted.

“None of you were ever my friends. I could counter your shitty argument with the same one, he was your friend, too. He still lived with you, for gods’ sake. And you or one of your nitwit friends shot him in the head like he didn’t matter. So, I will give you one more chance, Mullin. Which one of you stupid fucks ki—”

She was violently cut off by someone yanking her head back by her ponytail. While part of her wasn’t surprised that someone had found her, she also knew they had found her a little too soon. Their fifteen minute patrol hadn’t been nearly long enough. Neither of the men should have been back yet, but here she was with one at her back and two at her front. Mullin now held her dagger in his hand, the one she’d had at his neck but dropped from the surprise attack. Harding stood beside him, which left Tern  keeping her hands in a vice-like grip behind her back, his knife pressing into the throbbing pulse in her neck. 

Stupid. She had been so rutting stupid.

Her eyes slid to Harding, who was kneeling to open and rifle through a wooden crate beside the table. When he stood he was unravelling an iron-tipped cat-o-nine tails. She refused to give any of these bastards the satisfaction of being afraid, so she kept her jaw locked and her eyes clear. Mullin approached her, pulling two pairs of handcuffs from his pocket that he used to lock her arms behind her back. Just as she poised herself to bring her knees up into his groin, her feet were knocked out from beneath her and she was helpless to catch her fall. Instead, she ate the concrete, teeth singing as her chin knocked into the ground and blood pooling in her mouth because she bit her tongue on contact. Celaena spit in the direction of Mullin and Tern, her blood splattering across the ground. It didn’t take long for her to feel the warm stickiness of blood dribbling down her chin while one of them unzipped her suit from neck down to her waist. 

And then they began whipping her. And whipping her. And whipping her.

Until black seeped into her vision and threatened to pull her under. A set up. It had been a set up. Killing Sam had likely been part of that set up. Arobynn had been mad at her for leaving the guild and had killed Sam to make her angry. He knew she would be reckless and a little stupid after losing the one person that meant absolutely everything to her and he had been right. And now she was going to die face down on the floor of a dirty warehouse in the slums of Rifthold, in a pool of her own blood. Poetic. 

“Just leave her,” she registered someone saying, but she couldn’t tell which voice it was. Everything sounded the same with the loud ringing in her ears. Someone was kneeling down beside her, looking at her face but she was seeing double and couldn’t figure out who was who. 

The man’s head snapped up as she heard a second set of ringing that sounded an awful lot like sirens. 

“What the fuck? The cops?” Vaguely, she registered blue and red lights flashing in the windows,  clearly getting closer as the vibrancy became hard to look at in her state of distress. Footsteps ran away from her followed by a lot of shouting. Gods, she wished they would shut up. Her head was hurting, her tongue hurt from biting it when she’d been kicked to the ground earlier. As footsteps ran toward her this time, she tried to focus on anything that wasn’t the mind-numbing pain. 

Tried and failed, until someone was crouching beside here and a set of bright, livid green eyes was in her line of vision. 

“I’ve got her! We need a medic!” The man yelled over his shoulder, leaning down a little closer to her. Celeana’s eyes moved down to where his pinky finger had dipped into the edge of her blood pool. A hard shiver made her body begin to tremor and she realized just how cold this room had become since she’d first entered it. The man rose up a bit, ripping his coat off and draping it over her body. She wanted to scream at the pain, at the raw sensation the jacket rubbed into her mangled skin, but she didn’t. “Can you hear me?”

She blinked once for yes, unsure if he would understand her code until he said, “Yes? One blink for yes?” She blinked again in silent confirmation. Once, she had known this man’s name. The man with the silver hair and bright green eyes that had been tracking her like a hawk. He had always been close, but too far. Celaena had always been a few steps ahead. Now, bleeding out onto the cement she couldn’t even remember what letter his name started with. “Stay with me, Celaena. Stay with me.”

She tried. She really did. 

But the darkness encroaching the edges of her vision was a lullaby and with one final blink at the man, it dragged her down and sang her to sleep.

@starseternalnighttriumphant @highladyofthesith @scarznstars @court-of-glass @tintinnabulary @musicmaam @awkward-avocado-s @aelin-queen-of-terrasen @clockworkgraystairs @shyvioletcat @westofmoon @the-regal-warrior @ame233 @empire-of-wildfire @thewayshedreamed @singme-t0sleep @royalsqueeze @stupendousslimepeanutcroissant @katelynchang @damebadwolf @wingsway @i-love-all-books @musicdreamer003 @in-love-with-caramel-macchiato @mu-si-ca-l @3am-reading @stardustsroses @booknerdproblems @prettygalsread @angelofmusic81 @sleeping-and-books @cool-ish-nerd @noodlecatposts @meltalgel-ig @fancysludgeshoelamp @greenbriaars @wifeofchrishemsworth @ccrtana @cityofsuns @rowaelin-fireheart @sunsummoner @spyofthenightcourt @joyceortiz13 @brokenbutnotquiting @emilyrose111294 @feyresarrow @tangledraysofsunshine @silvermindwarrior @superspiritfestival @maastrash @ashleyfroberg @cursebreaker29 @moondancer-204 @jesstargaryenqueen @januarystears @vasudharaghavan @city-of-fae @firedoorcinemaclub @rowaelin-cressworth @annejulianneh111 @blackjacks-donuts @crackedship @runawayrowan @that-other-pineapple @mynewdreamwasyou @highlordswhores @abookishfreak  @tottenhamboys20   @empress-ofbloodshed @morganofthewildfire @starborn-faerie-queen @b00kworm @musicdreamer003 @bamchickawowow @ireallyshouldsleeprn @booksofthemoon @ashlynn231 @mariamuses @sanakapoor @harrymoncheri @ladywitchling  @smalltddygothgf @booksbqueen​

[cherry-interlude]

Lana Del Rey Album Songs Ranking (Remade)

It’s been a few years since I ranked all of Lana’s (album) songs so I wanted to do it again. This is all my OPINION, which I’m sure some people might disagree with, but you don’t have to agree with it. This is also a very long post.

Don’t Let Me Be Misunderstood

This cover song is just a little too drab and uninteresting to me, and I never listen to it. After the brilliant, sprawling, sexy, heart-breaking tracks on Honeymoon, this feels like a tacked-on track just to plump up the album. It feels simply like a cover.

For Free

Though this is a well-made song, with three brilliant women owning the track, it again just feels like a cover. It fits in well with Chemtrails, but by the time I get to this song I’ve had my fill.

Breaking Up Slowly

It just feels repetitive and simple, something only to have on in the background while my attention is diverted. It’s a good song and a nice attempt at bringing Lana’s country music in, but it does little to keep me interested.

God Knows I Tried

This song is filler. Jammed between the jazzy softness of Terrence Loves You and the pop favourite High By The Beach, this track just feels like it was sort of shoved in. It doesn’t even feel completely right on Honeymoon, instead a throwaway song that bridges Ultraviolence and Honeymoon whilst not fitting in with either album.

24

Though perfect for the credits of a Hollywood movie, 24 has plenty of flair but nothing of substance. The lyrics aren’t as imaginative as most of Lana’s music and I’m not surprised this song found itself near the end of the album.

Lucky Ones

Personally, this song irritates me. It's sickly in its lyrics, sugary in the romance and classic Lana tropes of dangerous men and Lana starstruck by them no matter if they’re ‘careless cons and crazy liars’. The little flair of the verses and the overtly sweet chorus really irks me, especially following the brilliance that is Lana’s first ‘Del Rey’ album.

Coachella

It is a rushed track, sounding completely unfinished and hurried with an unconvincing track beat. Polished, it would be brilliant – but it sounds like Lana thought of the song (which sounds promising in the video where she sits in the forest and sings) and had to force it to ‘fit in’ with the trap-pop tracks on Lust For Life. The lyrics are thoughtful, if not cliché, but it could have been done better.

This Is What Makes Us Girls

It just doesn’t appeal to me. Maybe because I can’t connect to the lyrics in any way, I just don’t feel anything when I hear this song and choose to skip it. That being said, the demos are pretty fun.

God Bless America

As much as it’s a song honouring women during a period of time when feminism was being shaken, it doesn’t quite feel like Lana’s heart is in it. The patriotism is uneasy considering she was removing herself from the American flag and its associations, and the anthemic feel never lifts. It’s a sweet song, but never goes deeper than surface level.

Religion

Though fairly sexy and haunting – her unshaken faith to her man, her drawling voice – this delicate track is too simple and sombre for me to get completely into it. I always want to skip and get to my favourites.

In My Feelings

It’s great Lana has a bad-girl, bad-bitch, fuck-you pop track but this, like Coachella, feels unfinished. It has the vibe of work in progress, and the vocals are still messy (surely intentionally, though it doesn’t always come across that way) as well as trying slightly too hard. It doesn’t compare to Fucked My Way Up To The Top.

Beautiful People Beautiful Problems

The verses don’t match up to the choruses and I feel nothing – not empowered or emotional – when listening to this song, but it is a beautiful duet between Lana and Stevie. Their voices really are divine together and though I don’t listen to this song much, the demos are even better.

Change

Mostly because it freaks me out, this is a song I don’t often listen to. With a basic structure yet long, meandering lyrics, Lana broods over the state of America at the time, which can make for depressive listening. Though it’s a pretty enough song, it’s seriousness is too much to bear sometimes.

Blue Velvet

Sometimes too slow, Blue Velvet doesn’t inspire multiple listens in me, but it is a gorgeous cover and absolutely a showcase of Lana’s vocals.

Diet Mountain Dew

A cheeky little track that won many over, it still is hard for me to fully get into it. However, it ages like fine wine and is a wonderful step into the Lizzy Grant unreleased tracks (especially with the many, sometimes even better demos).  

Burning Desire

It’s a messy song, with Lana’s vocals shaky and the instrumental not quite up to scratch, but this song is certainly a guilty pleasure and great for getting into the sexy mood. The car metaphors are a bit much, especially considering it’s for a car advert, but if you get past that it’s a song to add to your freaky playlist.

Money Power Glory

As powerful and dark as this song is, with incredible instrumentals and Lana at her most dynamic, I barely remember the lyrics of the verses, instead waiting for the rich choruses.

Swan Song

A gentle track that has a lot of untapped power behind it, this is a quiet stormer of a song that has a lot of heart and grace. It may be a filler track, but it is definitely better than some.

Bartender

Even more gentle is the confessional, piano-led Bartender, which is a sweet little love song stripped back much like Lana’s simple romance where she sneaks out to see her lover. The main (and probably ridiculous) thing that keeps me from falling in love with this song more – though I’m already pretty amazed by it – is the very quiet sound of feedback that comes and goes, a fuzzy noise that is very subtle but distracting enough for me.

The Next Best American Record

This song would be higher if it was Architecture – the gorgeous, well-thought stunner that wowed us all when it was leaked. The lyrics are less fractured relationship and more wishy washy, wiping away the gritty sadness that made Architecture so beloved (at least to me). Now it’s been made ‘happier’, it’s hard to tell what the song is – is Lana happy with her lover or is she sad like in the unreleased version? Is this a break up song or a celebration of the romance? What does it mean now that it is both of them that are obsessed with writing? It’s something for me to certainly explore more, but it is paled in comparison to the original.

When The World Was At War

This track grew on me, with the hidden lyrics, fun vocals and hopeful message. Lana knows how to make a song that lifts your mood and this is certainly one of them.

Guns and Roses

I used to despise this song – finding it boring and dull. However, after giving it a listen years later, it is in fact a beautiful song with a gritty feel that is perfect for Ultraviolence. It fits in perfectly with the album and the extended tracks, and though it isn’t the strongest lyrically, the vocals and dreamy feel is thrilling.

Lolita

I choose to listen to this song without the underage character – or romantic connotations of her – in mind, instead seeing this song as a grown woman trying to charm an older man. However, as I have grown older – and read (and loved) the book several times more – I feel more inclined to distance myself from this song. It’s a fun, perky pop track but it definitely feels dated.

Dance Till We Die

Lana sings of her connection to other famous female singers and her daughter’s chosen name, making this a very personal pop song that also reminds of When The World Was At War for its hopeful and ultimately positive edge. It is a little slow but incredible touching, and the bridge is so kickass you can’t help but dance along.

Not All Who Wander Are Lost

This is a very sweet little song that again showcases the more positive side of Lana’s music, rather than the heartbroken and distressed women she tends to play. Though it is a filler song it’s a very pretty one and so catchy.

Wild At Heart

Wild At Heart is similar to Not All Who Wander Are Lost in that it’s a departure from a tragic femme fatale, instead a love song that also mimics Swan Song in that she considers leaving fame for her lover. What makes it even better is how Lana samples How To Disappear, a much sadder track, and twists it into something happy with this ultimately more upbeat album.

Radio

Like Diet Mountain Dew, Radio is another perky tune that is more than just a catchy filler. It’s a little bit sassy and has an edge to it (with the expletives and how her life is sweet not like sugar but cinnamon) that keeps it from being too frothy. Speaking of Lana’s newfound fame, it’s a nice break from the love ballads and tragedies peppered throughout Born To Die.

Without You

Shockingly dramatic, Without You is the ultimate symbol of Lana’s older music – a woman who could only feel happy unless her man was in her life. She has definitely moved on for the most part from wailing her demise at losing her lover but Without You is still glamorous, catchy and perfect to singalong to.

The Other Woman

This is one of Lana’s best covers – Nina Simone’s song about being the other woman and how it is in fact lonely and heart-breaking. Lana makes the song her own, her vocals stunning and lo-fi with instrumentals that are perfect for Ultraviolence.

How To Disappear

I feel that the live version of How To Disappear, where she sung it on stage before it was released with its real instrumental, is the superior version. It’s stripped back and tender enough to feel the emotion thoroughly, but the album version doesn’t disappoint. It’s one of many great tracks from (what I think is) her best album, and has a great story within it.

Fucked My Way Up To The Top

Lana’s satirical, sexy and stirring Fucked My Way Up To The Top was just tongue-in-cheek enough to keep from being too much of a cliché. Perhaps based on her real experiences but definitely a fuck-you to anyone who critiques her for owning her sexuality, it’s a little bit controversial but an incredible song.

Tomorrow Never Came

This song, which is a gorgeous duet with Sean Ono Lennon and a nice nod to 20th century music, subverts expectations that it is a sad song by in fact including a happy ending. I love how it can make you cry with both sadness and happiness, and tells a sweet story that paints pictures of parks and country houses.

Yosemite

The long-awaited Yosemite didn’t disappoint, and though it took a while to grow on me it became a classic and somehow familiar track. It’s impossible to not sing or dance to it and wouldn’t be out of place in Lust For Life.

Hope Is A Dangerous Thing

It’s quite slow – the Change/24/Old Money of Norman Fucking Rockwell – but it is clearly a personal and well-thought song that references Lana’s great inspiration Sylvia Plath. Lana’s deft at getting her thoughts out in song and I think though it’s not a song I often listen to, it is beautiful.

Honeymoon

The sweeping violins, dramatic vocals and the dangerous undercurrent makes Honeymoon crackle with electricity. It’s an amazing introduction to an album that once again has dangerous men, bad girls who get hurt but are strong again and amazing instrumentals. Though it’s not the best song from the album, it sets the tone perfectly.

Million Dollar Man

Like Without You, it’s another song of complete devastation, which Lana has grown from in her music. Million Dollar Man shows some great vocals and lyrics, and gets the emotion out perfectly whilst honouring the music that inspired her.

Old Money

The verses are pretty enough but they don’t catch my attention the way the choruses do. The slow, steady song took a long time for me to really appreciate but it’s impossible not to feel some kind of emotion when Lana lets her lover know she will be with them whenever they need her.

Sad Girl

Like The Other Woman, Sad Girl shows how being the other woman has it’s downfalls but appreciates the sexy, exciting side of it – how alluring her man is and how much of a bad bitch she may be. Once again, it’s a pure Ultraviolence song that shows Lana’s vocals and music in the best way whilst showcasing the classic caricature of the femme fatale.

Dark Paradise

Strangely upbeat for such a sad song, Dark Paradise is great to dance to but also something that makes you want to cry. Lana’s vocalisations and dramatic lyrics don’t quite compare to some of her other songs but Dark Paradise is iconic.

Summertime Sadness

The slow-burn, emotional gut punch that is Summertime Sadness is always a classic and one of Lana’s best. Though it is far from my personal favourite it is absolutely an outstanding song and the perfect example of Lana’s most well-made and well-delivered songs.

Gods and Monsters

The strained Gods and Monsters is a great tale about the evil side of fame, which Lana never quite delves too deeply into but gives a metaphorical and mildly personal nod to. Gods and Monsters is one of those songs that has you singing along and feeling strong.

Carmen

Carmen is a beautiful, sad story that feels rich and luxurious despite its harrowing lyrics of an alcoholic star. The French bridge adds to the decadence and it feels like a dirty alcohol bottle wrapped in silk, from the tentative verses to the unnerving chorus.

Born To Die

One of Lana’s original pop chart tracks, this is a song that never grows old. It’s one of the blueprints of the Lana Del Rey era and deftly shows her vocals whilst setting the tone for the pessimistic, romantic star in the early 2010s.

Salvatore

Opening with laughing – or crying – Salvatore has an eerie feel to it, though it is completely erotic in feel (enough to ignore some of the simpler lyrics). It is a song that feels dreamy, much like the rest of Honeymoon, but passionate and reminding of some of her older music (from the vocals in the bridge that have a Lolita/Fucked My Way Up To The Top feel to them to the continued trope of bad boys and glamour).

Flipside

Dirty, gritty and quite contained, Flipside is a song that I wished had more attention. It’s not her most imaginative song but there’s something about it, from the gloomy guitars to the hushed vocals, that have me wanting to sing it over and over. It also is one of her great fuck-off songs, as sympathetic as it is resilient.

Doin’ Time

Lana really turns this song into her own with the summery instrumentals and the pop edge she is so good at. It’s surprisingly one of her best covers and a fresh-feeling track that isn’t bogged down by emotion or maudlin music.

Lust For Life

Breathless and oh-so-romantic, Lust For Life is one of those songs that was perfect for the charts, and a key piece in Lana’s turn into becoming more positive. However, as fun and lovely as this song is, the demos are a whole other ball game. A little more ethereal, they fit Lana much more perfectly and it’s sad she dismissed the witchy feel for a song that is brilliant but generic.

Love

One of Lana’s warmest and most refreshing songs, she looks at love with fondness and dedicates this track to her ‘kids’. She knows her fans well and to make a song that references them (much like Happiness Is A Butterfly’s nod to her ‘babies’) makes this song all the more pleasant.

The Greatest

Lana’s vocals are put to good use in this intimately-written song. She speaks her mind in her reminiscence of the past and the worries for the future, all with a storming chorus that is certainly one of her best.

Love Song

Tender and almost tentative, Love Song is one of those tracks that is romantic through-and-through. It’s stripped back enough to feel like it really is a private song for only her lover’s ears, just as confessional as Cinnamon Girl and Bartender.

White Mustang

Short but sweet, this song has all the makings of a Lana Del Rey song, harking back to the Born To Die days with her imagery and fallen love affair, but it is spiky enough to be part of her later music where she starts giving less shits. The whistling and race cars are a nice touch, displaying her play on words snugly.

Dark But Just A Game

Sort of jazzy, Dark But Just A Game is ever-shifting and never quite settles on a particular sound. It’s cohesive, however, and clearly states what Lana is thinking in a way that works with the rest of Chemtrails. It’s pretty sexy as well, which doesn’t hurt the enjoyability factor.

High By The Beach

The wooziness, the carelessness and the growth from a woman begging to be put in a movie to a woman who is able to do as she pleases. Lana stumbles and swears through the song but knows exactly what she wants – and it isn’t disappointing men or stalking paparazzi.

Let Me Love You Like A Woman

Some may think it much slower and more boring than a lot of her tracks, but I think it’s a tidy, sweet track. Lana plainly states her love, urges her man to run away with her and lets her emotions (and voice) do the talking.

Summer Bummer

Lana is as restless as a hot summer in this song and it works. Her brisk-paced yet soft-voiced lyrics and gorgeous imagery gets my pulse racing, and ASAP Rocky’s verse works well for it. Though it would have been interesting to get a full, solo Summer Bummer, Rocky adds an edge to this song and compliments his ‘lover’ well.

Groupie Love

Much more flowery and wide-eyed, Groupie Love is like a contradiction. Lana’s passionate dalliance with Rocky’s god-like star opposes the relationship in Summer Bummer (uncertain) but both are just as secret. Groupie Love has the edge of being ultra-dreamy and demonstrating pure love – and lust – without the messiness.

American

It’s a filler track that has potential for much more. It’s an adorable song, almost cautious in its lead-up to the satisfying chorus, and is filled with Lana tropes galore. Following Lana’s stressed Ride and coming before the darkly sensual Cola, American is a breath of fresh air.

National Anthem

What an anthem it is. It’s simply provocative and one of her most classic tracks. Mixing love, money and fame together with a bit of sex thrown in, National Anthem is precisely what Lana’s America seems to be.

Is This Happiness?

It’s muted, mournful and resentful, questioning a relationship that Lana wants to keep but at the same time doesn’t. This is one of Lana’s best sad songs, tearful as it is still adoring beneath the exasperation.

Art Deco

Art Deco is purely dreamy, a song to bathe in. The lyrics are a little bit simple but Lana’s vocals and the flowing, aquatic music is the perfect hook.

Terrence Loves You

Lana’s jazzy song is delicate, letting only her voice and the saxophone dominate. With references to David Bowie, Lana pines for someone who hurt her badly, but she soothes herself with music the way plenty of her fans do when listening to her records.

White Dress

The vocals were a surprise at first – high, strained whispers – but they definitely grew on me. Painting a picture of young Lana loving life and dreaming of bigger things, it’s nostalgic in lyrics but also reminds of some of Lana’s old work – her unreleased tracks where she would serve coke and fries.

Chemtrails

It gets better as it goes on, growing and twisting from a song to sunbathe to into a restless, darkening track. It has the best vibe for an idealised world with something a bit off, and the imagery of pools, jewels and schools grounds Lana into a (very, very rich) normality rather than the glamorous star she always liked to portray.

13 Beaches

Opening with a quote from Carnival of Souls, Lana takes High By The Beach to the next level. She goes from sticking her middle finger up to the paparazzi to simply wishing she would be allowed to live her life without them hounding her. It’s a matured approach that uses sound interestingly, with beeps and whines adding a strange texture to the song.

Cola

The controversial line was intended as humour, but strangely it works. Even if Cola is satire like Fucked My Way Up To The Top, Lana owns the ‘other woman’, the patriotic singer, the sexy and unashamed woman who says what she thinks without caring of the consequences. It’s an iconic song, even if you have to turn the volume down to not offend.

Black Beauty

The unreleased version is ten times more emotive, with its stripped back and lonesome feel, but the album version is just as good. The ultimately loving but unhappy lyrics are full of stunning imagery, and this is a song that would have been perfect with a music video.

Body Electric

Blasphemous as much as it honours icons, Lana sinfully owns Body Electric. The bridge is a bit out of place but Lana’s eyebrow-raising approach to religion and sexuality is genius.

Off To The Races

The best demonstration of Lana’s vocals, Lana plays the glam girl without a care just as well as the Lolita-type, needy lover in this ode to money and her man. The soaring bridge is stunning, and the swirling violins add an air of Hollywood to it.

Bel Air

Completely overlooked (in my opinion), Bel Air is an apologetic song of redemption, a shining and honest track that is as touching as much as it is hazy and tranquil. With soft piano and the sound of children opening and closing the song respectively, it’s set apart from Paradise with a pureness that Lana pulls off well.

Ultraviolence

Controversial at the time and still controversial now, Ultraviolence is about being weak, about giving in to love no matter how toxic. I don’t entirely support the lyrics but it’s a stunning song, lo-fi enough to feel uneasy and haunting. When you shut off from the lyrics, you get a simply beautiful track.

Pretty When You Cry

Lana’s imperfect, close-to-tears vocals are wonderful in this song, and she really lets her emotion shine through. The pained guitar and Lana’s increasingly distressed singing are enough to get you feeling exactly as she does.

Florida Kilos

Fun. Fresh. Freeing. Lana’s ode to drugs is simply something to dance to and sing, and she somehow manages to get the sunny feeling across even with the Ulraviolence-esque grunginess. It’s one of my favourite songs of Lana’s because it’s just so happy, which is a nice departure from some of her heavier tracks.

Cherry

Many people’s favourite – Cherry. It was my favourite of Lana’s for a long time, dripping with sex appeal and sadness but with a cute dance to compliment it. It had all the right stuff wrapped up in a tidy, compact box and the imagery is lush. I still love this song but since then we’ve had the ‘Cherries’ of her next few albums, Cinnamon Girl and Tulsa Jesus Freak. Like these, Cherry was a song that seemed set apart from the rest of the album and was a novel take on her typical music.

California

Simply for It's meaningful, raw lyrics – promising to be there as soon as he wants her, much like in Old Money – California is a sun-soaked dream with a very honest approach. Lana isn’t completely devastated, or begging for her lover to return. She is sad but realistic, and only wants the best for him. It’s beautiful and sad with a crazily addictive chorus.

West Coast

The shift from fast-paced, grungey, whispered verses to sprawling, drawling choruses – complete with weirdly sexy beeps towards the end of the song – shook us all, and it’s one of Lana’s most interesting songs. Lana honours the West Coast but also her man, in love with the music scene as much as she is with him.

Shades of Cool

The snide verses. The gradually growing music. The guitars. The explosive chorus. The nuclear bridge. The absolutely perfect timing and pacing. Shades of Cool is flawless, another Sad Girl but with much more power, emotion and music.

The Blackest Day

The Blackest Day needs more attention. Cold in places, almost lost, but then wounded in the chorus, The Blackest Day rolls with the emotions and is the kind of song that makes you want to fall apart and sob. Which is good, in a way, as it shows how brilliantly Lana conveys emotion.

Freak

Cult-like and haunting, this is the sexy predecessor of California. Lana swoons and tempts in this track, from her harmonising to her pouting “take it to the back if you really wanna talk” - not to mention the rest of the song in its entirely, all elements married together to create the perfect seductive track.

Music To Watch Boys To

Like Art Deco, Music To Watch Boys To is fairly aquatic and dreamy. Like Freak, it has that cult vibe (the chanting of the bridge). However, this song is perfectly its own, from the mix-up of vocal styles to the shifting tone (sad to smug to obsessively in love).

Norman Fucking Rockwell

What an opener. Norman Fucking Rockwell lets the actual singing and lyrics do the talking, the instrumentals pushed back enough to let Lana’s gut-punching first line (“God damn, man child, you fucked me so good that I almost said I love you”) and her blue yet annoyed insults to her Norman Rockwell do the talking.

Mariner’s Apartment Complex

It’s a song for yourself and for the people you love. Lana is strong enough to take care of herself, to be her own guidance – and to take on her lover’s problems too. It’s an empowering song, so distant from a lot of her discography, and I adore the nautical references and the hopeful message.

Brooklyn Baby

Satire again, but it still works. Lana plays a (fairly cringey) and somewhat self-absorbed, over-confident singer who is too cool for her own boyfriend, but she does it well. From saying how she wished people didn’t judge her, to the freedom the seventies gives her, to the warm guitars and upbeat tone, to the backup vocals of Seth Kaufman, Brooklyn Baby is a song to remember for all the right reasons.

Ride

Ride is one of Lana’s best, if not the best. With her devotion to America and her open thoughts about needing other people to make her feel good and happy, Lana knocks it out of the park with the superb step up from Born To Die.

Video Games

Video Games is just beautiful, plain and simple. Lana’s low voice, telling a flowing story of the simplicities of true love, are removed from her ‘famous singer’ image she constantly tried to portray and instead open up to the heart of what she has always sung about: love and its many forms, good or bad.

Get Free

The new take on Ride was a pleasant surprise. From changing the lyrics to show she wants to move on and be happy to (silently) name-dropping her influences, Lana’s manifesto was a personal song that we could all resonate with. The outro of the beach was the perfect closer to Lust For Life, and Get Free summarised the album which took her from sad girl to someone who could let herself move on.

Heroin

Heroin is no doubt one of her best. It’s tense and dark, referencing Manson and (allegedly) a friend she lost years ago. Lana lets herself dive into her worst thoughts headfirst, not so much dreamy as it is nightmarish, but still comes out the other side dreaming of marzipan and ready to move on.

Tulsa Jesus Freak

The third of the ‘Cherries’, Tulsa Jesus Freak goes straight to a happy place. Where Cherry was angry and Cinnamon Girl was cautious, this track dives into being comfortable with her man. It was just as passionate as the other two songs but about religion, sex and self-satisfaction.

Blue Jeans

Plucking guitars, crying violins and Lana weaving a tale about a gangsta who left her, without explanation, and the hurt that follows. Similarly tied to Dark Paradise, Blue Jeans is the next level of that, her tough-girl spoken verses dismissed as the choruses open up and she pours her heart out.

Cruel World

Lana is on top-form on this song, furious, maddened, sad, taunting – she hits every emotion with style. Lana grows more and more unstable as the song goes on, invoking images of a woman scorned and no longer taking that shit, but she still has a fragility about her as she comes undone that is tied directly to her Ultraviolence era.

Happiness Is A Butterfly

This song goes through many stages. She is unsure, not knowing how her lover feels. She is optimistic, elated as she tries to capture the butterfly. She is dismissive, no longer caring if she might get hurt – she loves too much. She is pissed off, sick of being treated badly. She gives in, simply wanting to dance and just be happy. The flow of this song is constant, a little messy, but it has the beautiful message pinned to it: to keep trying to be happy and do what you love.

Fuck It I Love You

I love the music video version more than the album version, the latter being more stripped back. Fuck It I Love You just gives in to emotion, acknowledging Lana is hurt, her lover is hurt, but that doesn’t mean she doesn’t love him. She simply lets that feeling take over.

Cinnamon Girl

Cinnamon Girl touched me like no other Lana song has. Where Cherry was a mixture of emotions, good and bad, angry and loving, devastated and thrilled, Cinnamon Girl was about cautious optimism. Lana urges her lover to give in, and she knows – smiling as she sings it – she wins.

Venice Bitch

Venice Bitch just has that soothing, unhindered feel to it – and not just from the nine minutes of pure music and vibe. Lana dedicates this song to the kind of love that is just wholesome and homely, all whilst touching on her insanity, her ever-lasting love for America and the modern world (her live streams). It feels nostalgic yet contemporary, and adding the “fucks” and “bitch[es]” helps keep this song from being to sugary sweet but instead what it is – an honest love song rooted in the idealised and the realistic.

[atendersun-archived]

[/-puts 🔥 🔥 🔥 on your head for any three~ ]

1. I definitely am of the opinion that the toxic positivity held on this platform in the rpc just a few years back left a foul residue on the community. I think the fact that people were trying to write characters as if they were completely incapable of expressing any emotion outside of happiness out of fear of being perceived as mentally ill is an issue of itself, but beyond that it just went to show how quick people are to give up authenticity in the face of fitting in. I actually would say that seeing people put more humanity in their characters by researching and writing about depression, anxiety, stress, and many others is genuinely admirable. Where I still feel it falls short in the community though is there aren't enough people doing it. I think some fall short due to the refusal / internal dread that they themselves might be viewed as "less than" by having a less than muse. Which, at that point, it again comes down to maybe if people didn't stigmatized and speak down on those with mental illness / neurodivergence in general, we would be more apt to be compassionate and human in ways that extend into our hobby. Now if you do consider people with those experiences as being undeserving of your time and space, then maybe you might want to consider utilizing that block button soon because I will cut a bitch to the ground for treating Muu as anything less than a person in 2022.

2. I think some people are going to be faced with the repercussions of their actions on Tumblr once they phase out of it. Life is truly catching up to the many of us due to work, children, spouses, etc and I think it is going to be a rude awakening to find out that they don't have any redeeming qualities outside of their following base. Some in that same boat are also lucky that they were drawn to a hobby that is strictly online, because in anything face to face they'd be catching hands. I am putting the notion of putting on a kind face for the sake of Muu behind me in 2022, because I feel with sincerity that some people on Tumblr just don't deserve it. The bottom line basically becomes if you get caught projecting onto mine or someone else's character that I care about in this year, I personally chose to act upon my right to beat ya ass. Stop letting ooc hierarchy and pacts overflow into ic territory when you know the only people getting hurt are those uninvolved.

3. Whoever decided we needed to use icons needs to meet me in the pit, because I really dislike having to make these things and edit them. I consider more and more every day just becoming an icon less roleplayer regardless of fhe limited following likely to arrive with it. It would give me a chance to not be so inclined to change it every two days anyways, and would give more incentive for describing vs saying in writing. That and anything that makes less work for me at the end of these six day work weeks is my kind of deal.

[forasecondtherewedwon]

Do You Tree What I Tree?

Pairing: Peter Parker x Michelle Jones (Spideychelle) Rating: T Word Count: 8730

For @justmattycakes​! Happy holidays!!! Massive thanks to @spiderman-homecomeme for organizing this Spideychelle Secret Santa!

Summary: Home from their various colleges for winter break, MJ and her friends make a day out of going to cut down their own Christmas trees. Being alone in the woods—just her, Peter, and an axe—seems like the perfect opportunity to admit that her feelings for her friend have changed.

“Wine and cider!” Peter announces, jabbing a finger at the car window as they pass a rustic-looking roadside sign.

MJ smirks to herself. His touch will probably leave a smudge on the glass, which Flash will painstakingly wipe clean later. She likes Flash much more now than she did in high school—they all do—but she likes to build up a little vindictiveness towards him in advance, for when he inevitably says or does something douchey.

“Whine inside her, is that what you’d do if you could actually get a girlfriend?” Flash asks immediately. Sweet justification for MJ, though she rolls her eyes.

Flash is driving, but Betty trusts his skill enough to smack his arm from the passenger seat, then turn to smile back at Peter.

“That sounds nice. We should definitely stop on the way back.”

“Yeah,” Ned pipes up. “Maybe they’ll have a fireplace too, where we can thaw our fingers.”

“Babe, I won’t let your fingers get cold.”

“Aw, babe,” he croons, reaching over his girlfriend’s shoulder where she sits in front of him to tangle their fingers together.

“Back to your intense lack of dateability,” Flash persists. MJ swears his original asshole persona comes out so much more whenever he slides behind the wheel of his dad’s Cadillac Escalade. “Are you having a lonely winter, Parker? With only your cold lab bench to keep you warm?”

Next to MJ, Peter sighs and mutters, “Same old Flash.” She thinks he says it only to himself, but he darts a look at her and they share a smile.

“Well, I don’t have your L.A. weather,” he allows, artfully changing topic.

Flash will talk for an hour straight about the numerous perks of attending UCLA, including the constant sunshine, the short-shorts, and the absence of his current listeners. The last they all recognize to be a blatant lie, but they like him enough to let him get away with it. MJ has a special sympathy for Flash in those moments; she’s still growing from the girl she was when they were all at Midtown together, when she found it so much easier to edge away from other people or, when she did interact, to speak defensively, insultingly, and with liberal use of the middle finger. Her communication skills have flourished with not being able to see these people in person every day. She’s actually amazed with how she’s clung to them, certain she’d failed to develop the kind of solid relationships people were supposed to form in high school and that she’d just stagger forward through her fine art degree (PoliSci minor) with a wild hope of connecting to other humans through the doodles that she’s developed into graceful sketches, from sketches to oil paintings with sweep and verve.

The five of them are in their second year at their respective centres of learning now and it feels really nice to gather after living by too-brief text exchanges, missed calls, and videocalls that somebody’s roommate inevitably arrives home in the middle of, loud and invasive. When MJ’s speaking to Ned or Flash, they can push through. They have the boisterousness and, in Ned’s case, natural good nature, to conduct two separate conversations at the same time. Betty prefers to hang up and try at a better time, when they can speak uninterrupted. Peter’s different from all of the above. MJ always sees how he blushes, as though he’s being caught talking to her. It makes her flush in return. There’s no reason for them not to be as close as either of them are with any of the others, but conversations with him make her feel different. Without meaning to, their voices lower and they wander away from whatever topic they start with; on some nights, into the most intimate tracks of their inner lives. She gets why he feels caught to be interrupted because it’s disorienting for her too, being dragged back to the larger world, hearing a voice other than his in her ear. She likes traditional phone calls with him the best because she can lie in bed with her phone pressed to her ear and he doesn’t have to know.

“Are we almost there?” Ned says when Flash pauses in his rhapsodizing of Venice Beach.

MJ, sitting in the middle of the backseat, watches her friend unlock her phone and check the map.

“Yes. Under two miles to go.”

“And we’re super sure about this place?” Ned checks.

“Mhmm. A friend of a friend in my French workshop went last year and got the most spectacular Fraser fir,” Betty assures him. “I saw it at her Christmas party. That’s the one you couldn’t go to because you got the flu, remember?”

“Ugh,” he agrees.

“We passed a tree farm awhile ago,” Peter ventures. “That wasn’t it?”

“Betty told me the owners of that farm own this lot too. It’s cheaper to get your tree here because they don’t tend the lot in the same way,” MJ informs him. She likes the look on his face when he listens. She likes the feel of his leg bumping against hers as they traverse the uneven gravel sideroad.

“Yeah, I think I’ll be making up the cost difference paying for a paint job. I can hear the stone chips!” Flash complains. As if he’s ever paid for so much as a tank of gas.

“It’s an adventure, moron,” she says.

“I wasn’t prepared for stone chips.”

“I told you everything in an email last week, when we were planning this,” Betty calmly reminds him. “We should all be prepared.”

It isn’t visible to her right now, but MJ knows her friend has a shiny, compact saw at her feet, tucked into a neat black case, looking bizarrely like a tennis racket. Her own axe is trapped beneath Peter’s shoe so it doesn’t slide forward under Flash’s seat and slice the soles off his shoes. It’s quite sharp. She made sure.

“Listen,” Flash demands, “I’m the transport. Someone else can take care of the less significant details.”

“That is so fucking dumb,” Peter mumbles.

“What?”

“I said, I hope your feet don’t go numb,” he says more loudly. MJ turns her head, like she’s trying to follow the gentle backwards sweep of falling snow with her eyes when she’s really trying to hide her smile from Flash’s suspicious gaze in the rear-view mirror. “Did you wear waterproof boots and warm socks?”

“Of course. About to make winter my bitch.”

Betty twists to catch MJ’s eye.

“You wanna take this one?”

“Go for it.”

While Betty educates Flash on why that is not an acceptable thing for him to say—not with two of his female friends in the car, or ever—MJ drums her fingers on her knees. Her mittens are piled in her lap for now; despite her natural inclination to insult Flash’s ride, it heats up nicely. Plus, she’s tucked between Peter and Ned. She glances to her right to check on the latter and finds him huffing a warm breath on the window. He traces his finger through the resulting condensation, drawing a heart and writing ‘B+N’ in the middle. MJ glances at Peter and he’s already looking at her.

“So, tree?”

“Yeah,” she says. “I’ve been told to keep it under six feet. A measuring tape and a ladder might’ve been helpful, but there wouldn’t have been anyplace to put the ladder once we got the trees on the roof of this thing.” She smacks the SUV’s ceiling and Flash goes, “HEY!”

“You can just choose a taller one,” Peter suggests, “and then cut it shorter.”

“I feel bad about the waste though. It’s a living thing.”

“I can help you with that.”

“Oh yeah?” MJ’s genuinely curious. She knows May prioritizes Hanukkah customs to keep Peter’s connection to both his ethnoreligious traditions and his lost love ones strong, so she doesn’t know how a Christmas tree fits into that.

“Right before you guys picked me up, May had an idea. She thought it might be nice just to get some pine branches for, like, generic winter decorating and to make the apartment smell good.”

“That’s a really good idea.”

“Yeah. I was gonna grab scraps from where other trees had been cut down, but I can get them off whatever tree you pick instead. Or you can. You have the axe.”

“I’ll give you a turn with it if you help me drag my tree back to the car,” MJ bargains with a smile.

“I can definitely help.”

Of course he can. He could probably carry a dozen trees if he felt like it. Over his head. With all the roots and clumps of frozen earth still attached. But the thought of him hauling the tree back with her rather than for her is something she appreciates. As she nods, she gets the fluttery feeling she’s been experiencing more and more whenever he’s called her this term. Their calls have gotten longer. A younger version of herself would be amazed at the way she can now talk for hours without noticing the time slipping past. And it never feels wasted. Actually, when they aren’t talking, MJ misses Peter. She can’t completely put it into words and so she hasn’t. What she’s done, besides continue to answer every time he calls, is offer him a chance to swing the axe she brought. Romantically, there’s room for improvement.

Their overlapping winter breaks are going to end in another week and she’s scared the calls, as treasured as they’ve become to her, won’t be enough.

“There!” Betty cries. She flings her arm across the dash to point.

“That’s the woods,” Flash says, brushing her off.

“No, that’s the driveway! You’re going to pass it!”

The jarring, inelegant jerk of the wheel as he takes Betty’s directions at the last moment tips Ned into MJ and MJ into Peter. They all groan in discomfort, but Flash seems supremely pleased with himself as he straightens the tires. Off the gravel, their passage between the trees is muffled by the packed snow on the laneway other cars have driven over. There’s a dusting on top as today’s thin flurry continues to fall. As she sits up straight following Flash’s terrible Baby Driver impression, MJ feels Peter’s hand on her back, through her coat, and her face gets hot. Unable to meet his eyes in thanks, she leans towards Ned instead and the two of them stare out at the picturesque scene where low drifts spill over the ground and every pine, spruce, and fir—all dusted in white—looks like the perfect Christmas tree.

“Hats on,” Betty instructs as Flash pulls to a stop next to a pickup truck with a tarp already laid out in its bed, awaiting a tree. “Shoelace check. Gloves and mitts secure.”

“You sound like you’re prepping us to jump out of an airplane,” Flash laughs.

He swings his door open while Betty’s trying to get back into her winterwear checklist with the rest of them, letting in a gust of cold air that disturbs the warmth MJ’s hoarded as well as Betty’s good temper. She reaches across the center console and shoves Flash with both hands, pushing him straight out of the vehicle with a “WHOA!”

Betty’s nonchalant as she flips her mirror down and adjusts the positioning of her pompom hat before stepping out of the SUV herself. Peter and Ned pile out, laughing, and MJ climbs out Peter’s side. Flash is next to the car, brushing himself off.

“I’m going to get sick,” he pouts.

“Say cheese!” Ned encourages, snapping a picture as Betty runs into shot to pose next to her victim, cupping his face between her gloved hands.

“Maybe this’ll make him change his mind about the cider place,” MJ notes to Peter hopefully.

“I feel like we’d be stopping there no matter what,” he muses. “It was either making Flash fear hypothermia or Betty sneaking back to the car first and tampering with his brake line or something.”

“So, which way looks good, babe?” Ned asks his girlfriend.

As she told them, this lot isn’t the manicured family attraction the last place was. There aren’t any employees standing around—easily spotted even as they drove past the tree farm down the road in their orange crossing-guard-style vests—or a map marking which areas are which type of tree. There’s just sort of a main track that’s been tramped down by passing feet leading between trees. It’s easy to see for a ways, but beyond that, the forest grows denser. MJ knows Betty did her homework and can identify tree varieties, and she doesn’t actually care which type she gets. She’s here for the experience, and for the idiot next to her who gives her a thrill every time the nylon sleeves of their winter coats rush against each other.

“Hmm,” Betty says, and strides forward through the narrow entrance. From there, things fan out. She taps her bow saw, now loose, against the side of her leg. “Well, what would everyone like to do?”

“I’m going wherever you are,” Ned vows. She shoots him a soft smile.

“Me too,” Flash decides. “You’ll get us in and out of here fast so we can get warm. Not like Parker, who’ll probably get lost in the first five minutes.”

“What?” Peter asks, insulted. “Will not.”

“Oh yeah? How’s your sense of direction without that robot lady in your head?”

“Karen is not a robot lady, she’s an AI.”

“Same diff.”

“It is not. A robot lady is like what they have on The Jetsons.”

“Whatever. Point is, without your GPS, I don’t trust you.”

“Well,” Peter counters, “we can just look at our phones.”

“Already tried that,” Flash informs him. “I don’t get a signal out here.”

Regardless, the rest of them check.

“That’s alright,” Betty persists, trying to be chipper to maintain group morale, MJ’s sure. “It’s daylight, the snow’s not coming down hard, and nobody’s going off alone. Now, Flash, Ned, and I are going that way.” She points, then glances from MJ to Peter. “Do you guys want to stick with us, or…?”

MJ opens her mouth and looks to Peter, shuffling beside her and doing some sort of best-friend telepathy with Ned, based on the stupid, scrunched up looks on their faces. Is he going to say something? He’ll probably want to stay with Ned. It’ll be weird if she speaks up for both of them. But if she doesn’t, when are they going to talk, just the two of them? Since they’ve all been back in the city, everything’s been done in a group—buying presents for friends and relatives, going skating, getting hot chocolate, attending Flash’s ugly holiday t-shirt party (L.A.-themed, so no sweaters allowed). The woods though. The woods are quiet and friendly and private. Snow muffles sound, fresh air and cold wake her up and fill her lungs until they burn with everything she’d say to Peter if she just had this opportunity. No Ned and Betty hanging back to offer encouraging looks, no Flash to ruin everything with a terribly timed innuendo. MJ just needs Peter. Just her and Peter. Please, dork, she thinks, don’t say Ned.

The words come from her.

“I think Peter and I’ll go that way,” she declares, nodding sharply in a direction that isn’t Betty’s.

“Yeah,” Peter adds.

Oh, thank god, MJ thinks.

“He’s gonna get you lost,” Flash warns. He’s already stamping his feet like he’s freezing to death on the spot, though the cold isn’t that bad with the tree cover. “Then he’ll go nuts in the woods.”

“I have an axe,” MJ reminds him flatly. She glances at Peter. “Bring it.”

Peter snorts a laugh.

“No one will be re-enacting anything that remotely resembles The Shining,” Betty instructs. “Meet back here in, how long, do you think?”

“Depends,” Flash says. “How long should we wait before declaring those two missing and sending out a search party, of which I will not be a member, but will be happy to direct from the comfort of the Escalade with a hot drink in my hand and my feet against the heating vent.”

“Dude, don’t do that,” Ned pleads. “You’ll make the whole car smell like your feet.”

“My ride, my rules.”

“Should we just…?” Peter asks MJ. She nods.

“Let’s go.”

“Ok, um, an hour!” Betty decides.

Peter gives her a thumbs up and the two of them follow the path as it diverges, then cut away again, wading through ankle-deep snow where no other tree-hunter has walked today. The sound of Flash goading the other two fades. MJ stops for a minute and turns to watch them march into the trees. She takes a deep breath in and out.

“You good?” Peter asks.

“Yeah.” She hefts the axe onto her shoulder to look more lumberjack-esque (and so she doesn’t slice it into her calf as she walks). “Come on.”

Despite promises to share, she refuses to surrender the tool any sooner than she must. Soon enough, she’s huffing, face passing through damp clouds of her own breath and chilling her flushed cheeks and frozen nose. Balancing her temperature out here is a tricky thing; as long as they keep moving, as they are, she stays warm, but with Peter crunching along in the snow beside her, she’s too warm. MJ bites her mitt between her teeth and unzips her coat a little to let the brisk air circulate around the back of her sweaty neck.

“You’re not gonna catch cold?” Peter asks solicitously.

She shakes her head.

“Ok,” he says, “but it’d be just like you to get sick and say nothing about it while Flash complains all the way home that he is sick when nothing’s wrong with him.”

“The only thing he’s suffering through is his body’s natural rejection of us. He spent too many years thinking he was better than we are just to end up right here, hacking down Christmas trees together.”

“Probably caroling,” Peter guesses.

“Probably. He claims his favourite holiday song is the instrumental version of ‘Carol of the Bells,’ but that has to be a lie.”

“My money’s on something super cheesy.”

“Mine too,” MJ agrees with a grin.

Gradually, she slows, taking in the pine trees around them. Her guesstimation is that some of these go up to ten or twelve feet, but there are shorter options tucked in between. Younger, or those that maybe didn’t get as much light as they grew. She wipes the back of her mittened hand across her forehead, pushing her slipping fleece headband back where it’s been sliding forward.

“So,” she asks, “any of this look good to you?”

She lowers her gaze to find Peter hastily averting his from her face.

“That one?” he says, pointing to a tree at random.

“Peter, that one’s longer than Flash’s SUV.”

“Oh. Right. Um, ok…”

Focusing now, she watches his upturned face and the serious expression that sinks into it, the way snow’s been sinking into her hair. Maybe Betty was right about wearing a hat, though Betty’s hair is also significantly flatter than hers and thus more conducive to hat-wearing. Well, it’ll be fine. They aren’t stranded or anything and the snow’s not getting to them as much as it was when they had to walk across the clearing to reach this stand of trees. They’re sheltered here. As MJ hoped, it’s quiet.

Instead of asking Peter how much of his remaining holiday he’d like to spend with her, or how he feels when she forces him to hang up the phone first (he must notice), or why, exactly, he was so quick to agree to go off into the woods with her when he could just as easily have insisted they all stay together, she criticizes the first tree he takes genuine interest in.

“Crooked.”

“Too dense.”

“Too sparse.”

“Weird empty area.”

“I swear to god, something moved in there, Peter. I do not want a fucking National Lampoon Christmas, ok? My mom will freak out if I bring a live squirrel into our home.”

He’s laughing at her when they finally spot one that looks pretty good: shorter but not squat, full but with soft, long needles rather than nasty ones bent on treating them both to non-consensual acupuncture if they stand too close. It doesn’t look sickly or as though it’s currently inhabited by birds or rodents.

“So young,” MJ does note, assessing its size in comparison to a taller tree a yard away. “Oh well.” She raises the axe and adjusts her grip.

Peter goes scrambling backwards, almost slipping, then tries to pretend he was only calmly moving out of the way, that he is not afraid of the radius of her swing. When he starts babbling about how quickly his body could probably heal from an axe wound (though, with all the crazy shit he gets up to, that’s actually not something he’s experienced yet), she finally laughs at him.

“Relax,” she says. “You can just hold the branches up at the bottom while I chop through the trunk.”

Fearless—and even more determined to prove it now that she’s given Peter a scare—MJ drops to the snow and wriggles under the tree, as close as she thinks she should be while still being able to swing the axe. Peter’s hand makes her jump. She whips her head around, nearly getting a clump of needles in the eye, but he’s only skimming her coat by accident as he gathers the lowest branches away from her. As she asked. Right, he’s not touching her on purpose and he’s not even doing the not-touching activity on purpose but because she told him to. He’s trying to help. Frustrating.

She props herself up on her elbow and takes an awkward whack at the tree. The blade sinks into the bark like it’s supposed to, but it’s still somehow surprising to feel the give. MJ takes a few more tentative swings and the axe sinks deeper, requiring some force to yank it out again. She grunts and hears Peter crouch down behind her.

“Is it going ok? Can I do anything?”

“Umm, maybe be prepared to pull the top of the tree in the other direction so it doesn’t fall on my head. I think I’m almost halfway.”

“Yes, please don’t make it fall on your head,” he requests.

“It won’t as long as you do your job,” she promises gruffly, hewing in once more.

“Do you think this would be easier with a saw?” Peter’s voice is higher now, coming from the other side of the tree. Though the branches fell when he changed position, she can feel them only resting lightly on her as he holds the top of the tree away. Probably standing on his toes.

“Don’t say anything against my axe.”

“I’m not! I was just thinking out loud!”

“A saw,” MJ informs him with another swing, “is not as badass.”

“Good point.”

But is he just agreeing because the tree’s starting to topple and the final swings to break through it take her blade closer to his shins as he dances out of the way? Maybe.

She clambers out and, with the tree now on an angle, is able to chop from an upright position, down on a diagonal until she buries her axe in the snow, then yanks it free.

“Oh, you can lay it down,” MJ tells Peter when she realizes he’s standing there with his arms full of tree, face hidden as he keeps his head pulled back from the branches.

He does so gently and then they stand there in triumph. MJ hurls her axe into the ground.

“Would you quit that?” Peter requests, jumpy.

She grins.

“Sorry. Just really feeling this.”

“I can tell.”

They took their time making their selection and can do one of two things next: either trim the branches for Peter to take home to May right here or drag the tree back to Flash’s SUV and perform the necessary amputations there. They do neither. MJ shrugs her shoulders and flexes her fingers inside her mittens, exorcising the tension of gripping the axe’s handle. She turns, glancing casually around, but really looking for something invisible—a reason to stay. A rational delay before rejoining the others.

“Hold still,” Peter says, as she’s looking back the way they came. The way she thinks they came. They stomped around this area, circling every tree, for a while, so the footprints are a little confused.

“What? If you try to tell me there’s a squirrel in my hair, I’m not going to believe you.”

He smiles softly.

“No squirrel, just snow.”

She stares at her friend warily as he approaches, then sweeps snow from her headband. That’s when she realizes one side of her coat is soaked from lying on the ground. It can’t get through though, it’s just the outer layer. Still, Peter walks a complete circle around her, wiping snow away.

“There,” he says.

MJ sighs.

“Peter…”

“Yeah?”

His face is so open as he looks at her, flakes flying around and between them. Her heart squeezes almost painfully because there have been so many days of not seeing his face without the assistance of a screen. Now that he’s here, it’s too much.

“Umm… how many branches do you think May wants?”

MJ crouches and puts her back to him, feigning being deep in concentration over the fresh Christmas corpse splayed out in the snow. She feels like a detective at a crime scene. Peter exhales heavily behind her, then drops to her level.

“More is probably better, right? She’ll probably take some in to work or try to give them to the neighbours anyway.”

“True.” They both reach for the axe. “Go ahead,” MJ says, quickly withdrawing her hand.

Peter shaves off what he thinks May might like—plus at least an armload more—in quick slices and snips.

“Jeeze, this thing is sharp.”

“I know,” she says proudly.

“I want one. For the suit, I mean. You think that could work?”

“Well, you already have a bunch of less probable-sounding features, so why not a spider with an axe made of webs?”

“Ned’s gonna be so excited when I tell him.”

“I’m excited,” she says, maybe a little too forcefully. It’s not a competition. She doesn’t think he’s already forgotten about her. There’s just some kind of glitch in her brain-to-mouth connection that no Spidey tech could possibly fix.

“I think we’re ahead of schedule,” Peter tells her.

He pulls out his phone to check the time while MJ cleaves into the fallen tree’s trunk, cutting it down to a size more suited to transport and her family’s apartment.

“We could do this in two trips,” he presses. “Take the tree and come back for the branches? Or vice versa?”

“I think we can manage it in one.”

She glances at him and he looks mildly frantic.

“Or two,” MJ amends. “Two would be better.”

Are they finally going to talk? That has to be the reason for Peter stretching this out, doesn’t it? But he moves quickly to grip the lowest branches of the tree, down where MJ severed it, and she grabs those on the opposite side of the trunk. After a jerk to get it going, they slide the tree smoothly over the snow, leaving a fine trail of needles. It occurs to her, as they walk, that she was worried about this part on the way in here, that the tree might pick up dirt from where others have walked, but the ground looks fresh and sparkling in the sun. That’s not familiar.

“Peter? Are we going the right way?”

“What? Yeah. Aren’t we? We have to be. Because the sun was…”

He gestures very unconvincingly overhead and her heart plummets in her chest. For once, not because she’s scared of saying something about her feelings for him and hearing they aren’t reciprocated, but because what Peter’s not saying directly is that they might be lost. And the worst part of that scenario is Flash being right. No, no, no, Peter will not make Flash right, not today.

“It’s been snowing,” she reviews. Stupid and obvious, but facts are soothing to her. “How much do you think it’s snowed? Not that much, right? It can’t have. We must’ve just started walking the wrong way.”

“Definitely. Ok, let’s turn around.”

So, they swing the tree with them and strike out in the opposite direction, not going very quickly as they navigate the trees. They pass the stump they lately created and MJ plucks her axe from the snow on the way past. It just makes her feel better, having it.

Unfortunately, this way isn’t correct either.

“Alright,” she says slowly. “What the fuck.”

“Let’s leave the tree for a minute.”

They set it down. She realizes she’s sweating.

“How could we be lost? How could you be lost?”

“There aren’t exactly landmarks,” Peter says. “It’s just… trees.”

“Maybe we should’ve gone to a place with signposts and neat little rows.”

“That doesn’t sound like you.”

He wanders over to her, watching her with careful eyes.

“I wasn’t this cold when I called today an adventure.”

“Maybe you should zip your coat back up.”

But she’s too warm and uncomfortable to do that just to challenge how he’s calling her bluff.

“Are you scared?” he asks. “You don’t need to be scared. I think we did a lot of circling. We didn’t walk too far in any one direction. I could climb a tree and look around?”

“Climb a tree? One of these trees? The ones covered in snow with the thin branches and the spiky needles?”

“Hey,” Peter jokes, hitting her arm with his elbow, “you’re supposed to be cheering me on.”

“I…” She closes her mouth. He frowns.

“Is something wrong?”

“We’re lost and Flash is going to gloat.”

“Besides that.”

“You’re trying really hard to get us out of here.” That should be a compliment, a commendation, but it sounds accusing as it leaves her mouth. MJ feels on-edge, heart beating all wrong.

“…Should I not be?”

God, she’s being strange. She can feel herself being strange. Everything’s aligning to buy her more time and she’s panicking trying to work out what to do with it. The snow is falling softly all around and she’s auditioning to play the most awkward protagonist in the history of Hallmark holiday movies.

“Are you looking forward to going back?” MJ asks abruptly.

“To the car?”

“To school. In January.”

“Umm, kinda? I mean, it’s going well. But you know that, we talked about this stuff the other day when you and Ned were over at May’s.”

“Yeah.” She’s thinking, staring down at her cut tree, debating how to mention that there’s one thing they didn’t talk about, that she couldn’t bring up, because she felt strange about doing it with Ned there. She goes to continue, unsure of her phrasing, but ready to push onward, when Peter answers, looking thoughtfully up at the pale-grey snow clouds.

“It’s really nice to be home, but I also don’t like living in the past.”

He glances at her to see what she thinks. She’s noticed that he does that a lot, when they’re on a video call. Sometimes, she teases him about it—the way he makes certain assertions sound like questions because he wants her input, values her opinion, thinks of her as wiser than him (she is) though he’s the genius playing around at the upper end of the grading curve in all of his classes.

“Sorry, what were you gonna say?” he asks, spotting the unfinished thought in her expression, how she holds her eyebrows a little too tightly together.

MJ shakes her head.

“It’s nice to have you home.” As Peter’s beginning to smile, swaying slightly towards her, she rambles on, “It’s nice to have everyone home. I mean, I could go longer between having to see Flash in person, but what can you do, right? It’s worth it to have Ned home. And Betty. And you.”

She swallows.

“There!” he shouts, pointing past her. She squints.

“What is it?”

“Our tracks.”

Trusting his superior eyesight, MJ troops after him. Sure enough, their deep treads from earlier are still faintly present—now gentle indents as the snowfall works to even everything out again.

“But we don’t have to hurry back,” Peter says. She avoids his eyes.

“Except we probably do, now that we’ve wasted time being lost.”

“We were never actually lost.”

“Whatever you need to tell yourself so you can sleep at night, Spider-Man. Help me with the tree.”

He does, then hightails it back to collect May’s branches once MJ’s in the clearing with only the little trail left between her and the makeshift parking lot. She pulls her bounty along and through the gap, suddenly back with the rest of her friends.

“Did you manage to lose Parker out there?” Flash asks immediately. “Nice. Up top.”

She rolls her eyes instead of meeting his hand in a high five.

“He just had to go back for something,” MJ explains, expressly for the benefit of Ned and Betty.

“What’d he do, drop some of you guys’ sexual tension in the woods?”

Flushing with the sting in the air and self-consciousness, she walks past Flash. Just close enough to drag the tree over his feet and make him start whining about getting dirt on his blindingly-white designer snow boots. When his complaints cut off, she knows she’s in trouble. It’s like the sudden silence in a horror movie that you just know means nothing good.

“Never mind,” Flash says loudly. “Sexual tension present and accounted for.”

MJ whirls around to see Peter’s arrived and is staring at her with a pleading look on his face. Or he was, until Flash’s words sunk in. Surely, Peter’s fast enough to snatch his keys, toss them to Betty, and have them all climb into the SUV and wheel outta here, leaving Flash behind? But during the holidays? She’d feel bad. He’s lucky.

“Can we just get the trees loaded?” Peter asks, moving to help MJ pull hers closer to demonstrate that it’s not so much a question for Flash as a demand for him to shut the hell up. Flash probably doesn’t understand. He’d need tact for that.

“Fine. And not a scratch on the Escalade,” Flash commands.

He opens the trunk to reveal a set of carefully folded tarps; they’re too ratty to actually belong to him, so MJ’s betting that they’re Betty’s or Ned’s. Those two went on a big, romantic camping trip together right after high school graduation, so these could be remnants. The first tarp crinkles in Peter’s hands as he pulls it out and unfolds it. Beneath the second—removed by Ned—there’s a Burberry blanket protecting the SUV from the tarps. Honestly. Momentarily forgetting about their awkward moment in the forest, MJ catches Peter’s eye and nods at the blanket. The two of them start laughing and soon, Betty and Ned have spotted them and are laughing too. Flash is perplexed, which, as always, is when he gets grouchy and defensive.

“Can we pick up the pace, people?” he requests. “I need a hot drink and an even hotter fire. I can barely feel my fingers.”

“Wait.” MJ frowns and pauses in assisting Peter with dragging the longest tarp onto the roof of the SUV. “I have a tree, Ned and Betty each have trees… Flash, where’s your tree?”

She turns her head and notices Ned just cutting off a gesture of slicing a hand across his throat to insist on her not finishing that question. Betty sighs and explains.

“Flash’s service came back while we were out there.”

“Dude,” Peter huffs, stretching to reach and finish tugging the tarp into place, “you had service? You could’ve texted us to see if we were, I don’t know, lost.”

“This should come as no surprise to you, Parker,” Flash says snootily, “but I had other priorities.”

“Oh yeah?” MJ questions suspiciously.

“He went online and bought an artificial tree,” Betty says with a roll of her eyes.

“Sacrilege.”

“More like brilliance,” Flash corrects. “It has snow-encrusted branches, pre-strung lights, and the thing isn’t gonna die in a week, so it’s better for the environment.”

“Isn’t it plastic?” MJ checks in a slow voice, waiting for him to catch on.

“Yeah.”

“Then the process used to produce it created harmful emissions and when you find it next year and decide to throw it out because you’re no longer ‘feelin’ it’ or whatever excuse you have, it’ll go straight in the trash and from there to one of the many, many local and international landfills that house our city’s waste.”

“You’re pretty judgy for a girl who just fucking murdered a tree.”

“I did my research,” MJ counters easily. “This is a sustainably managed forest. They maintain the trees, protect new growth and transplant saplings every spring to ensure the health of not only the cash crop, but the forest as a whole. Pre-light that, dickhead.”

Feeling flustered, she goes to give Betty and Ned a hand with positioning their tree on the roof. MJ stands on the ledge offered by the open trunk and stabilizes the tree while the others guide it into position.

“Tension,” she hears Flash diagnose under his breath. He’s smart enough to not meet her eye when she glares down at him.

They encounter a small problem while loading the second tree: both Betty and Ned have selected especially full specimens. Side by side, they take up the entire roof, and MJ’s tree is still on the ground with Peter’s mountain of branches, waiting to be slung onboard.

“I don’t think it’ll fit,” Ned says after jumping into the air twice to take a look at the available space (none).

“Neither do I,” she agrees. “Guess it’s going in the trunk.”

“In the trunk?” Flash is there in a, well, flash. He slipped into the driver’s seat, ostensibly to doublecheck their route home, but really to start his seat-warmer and turn the Christmas radio station back on. His distress is juxtaposed against a jazzy rendition of ‘Winter Wonderland.’

“Yeah. There’s nowhere else.”

“Guys, please. Are you trying to get back at me for the sexual tension comment? It’s forgotten. I lied. No tension here. Cut the act and tell me that thing’s going on the roof with the others.”

“While ‘that thing’ is a capitalist nexus, it’s also a precious symbol of everything I love about Christmas,” MJ says firmly, “and it’s going in the trunk of this SUV.”

“Guys?” Flash glances at the other three, but nobody sides with him.

“Don’t worry, Flash,” Betty says kindly. “We won’t use the second tarp to go on top of the roof trees, we’ll line the trunk with it instead. There won’t be any needles, I promise.”

That is definitely not a promise she can make, and MJ’s sure her friend is aware, but she’s taking a shortcut to winning this standoff and MJ admires that. The placating seems to wash over Flash like the spirit of Christmas over Scrooge McDuck. Suddenly, he’s smiling.

“Yeah. We can do that. Of course. But.” Oh no. The smile’s warping. Flash is about to be an asshole again, MJ can see it coming fast on the horizon. “The tree’s going to take up more space than just the trunk.”

MJ peers into the SUV. Shit. He’s probably right.

“Oh,” says Betty, not getting the issue, “well, we can fold the seats down, right? The tree isn’t that tall. Come on, guys, we’ve had real problems. This is nothing!”

She beams at them and Ned wraps an arm around her, hugging her to his side.

“We’ll lose a seat in the back,” MJ says.

She’s profoundly annoyed by the satisfaction on Flash’s face as she’s the one to say the words, point out the obvious. Isn’t she always? It feels like her role in this friend group and she never minds that, never has until this very situation and its inevitable conclusion.

“Somebody’s gotta sit on somebody else’s lap,” Flash singsongs. “And it’s not me because I’m the driver!”

The other four look at each other.

“Betty,” Ned begins, “you and I could…”

“But she needs to be in the front to navigate,” Flash irritatingly points out, “and before you say it, you shouldn’t double up in the front. It’s not safe.”

Maybe they can back over him when they steal his ride and drive out of here, MJ theorizes. She sighs. Loudly. Vexedly.

“I’ll sit on Peter.”

She proceeds to make eye contact with none of them, just fishes a sloppy coil of rope out of the back and works with Betty to feed it over the trees and through the windows. Some cold air will blow into the SUV, but that won’t matter so much to her, she guesses, since she’ll have the benefit of Peter’s body heat. Who needs a seat-warmer when you can have an actual human lap? Ugh, no, not funny, but she tried to consider it in a way that doesn’t make her want to volunteer to sit in the trunk with her tree.

Finally, they lift her tree and Peter’s branches inside, position them, and shut the trunk. Flash is whistling ‘Carol of the Bells’ as he practically skips to the driver’s seat. Betty, far more compassionate, gives MJ a reassuring look before she gets in. Then Peter climbs into the back, taking the middle seat, and glances at her, lingering in the snow. She groans to herself and folds into the car as Ned gives her an encouraging pat on the back.

Maneuvering is awkward. Peter cranes his neck back like his whole body is leaning to make room for her, but it’s not possible—he’s already pressed back against the seat. She sits. He rustles beneath and behind her. Before she can panic and insist on walking home, Ned gets in and slams the door closed (Flash complains).

“Uh,” Peter starts, “do you wanna shift forward so I can buckle my—”

“Absolutely not. If we’re sharing a seat, we’re sharing a seatbelt. I don’t want to end this excursion by flying through the windshield when Flash swerves the car off the road because he sees a snowdrift that looks like a butt or something.”

“Hey! I’m an excellent driver,” he complains, starting the car.

“I could just, like, hold onto you?” Peter offers.

MJ’s heartbeat rockets. She presses the top of her head to the ceiling to ground herself.

“No. We’re using the seatbelt.”

Peter stretches it away from the seat and holds it for her to grab; she passes it back for him to fasten. The second it clicks into place, Flash throws the SUV into reverse and hits the gas. Peter must move his head away from behind hers because MJ’s genuinely surprised not to feel his nose break against the back of her skull.

“Excellent driver, huh?” she questions flatly.

“There was ice.”

“Sure there was.”

Flash winks at her in the rear-view mirror and instead of siding with her, MJ catches Ned chuckling.

“I’m sorry, but it’s funny. You guys look ridiculous seatbelted together,” he says.

But she doesn’t feel so much ridiculous as confused and on alert, swaying with Flash’s accelerations and decelerations (thankfully minor compared to how he started off). Every time, Peter’s hands jump to grab her: shoulders, waist, legs. Once, he grabs her hands and even though she still has her mittens on, dripping melting snow onto the seat on one side and the tree branch she’s clutching on the other, it’s startling.

“Sit still,” Peter tells her when she jerks out of his hold.

“You sit still.”

He laughs.

“I can’t go anywhere—you’re sitting on me.”

“Then try having less bony legs,” she suggests, though they both know the nerd has more muscle mass in one of his legs than the rest of the SUV’s occupants have in their entire bodies combined.

“Right up here!” Betty directs. “We have to pay.”

MJ sags gratefully into Peter, relaxed for the first moment of the short drive from the lot to the tree farm. She tenses up again when they pull in and Betty offers to be the one to hop out and pay for their trees. There is no reprieve from Peter’s lap. She hands over her cash to her friend with a sigh and listens while the trees are removed from the roof, shaken by a machine to rid them of loose needles, and replaced for transport home. When the trunk opens and the tree farm guy slides MJ’s little tree free, she shivers at the cold air blowing in.

“Take off your mitts and put your hands by the vent,” Peter suggests.

MJ looks around and sees that the only vent she can reach is the one their feet are bracketing, down by the floor. She fights the grip of the seatbelt to bend forward. Ah. Hot air on her freezing fingers, plus, she’s out of the draft coming through the open trunk.

“This is better. Thanks, dork.”

She glances back and spots the stricken look on her friend’s face as he watches her, still seated on his lap, but now bent over. MJ sits swiftly upright.

“I’m actually not that cold,” she says, spine rigid beneath her coat and her sweaters.

Peter sighs and, while Ned’s looking out the window to watch her tree get vibrated and wrapped, tentatively offers MJ his hands. If Ned notices that they’re holding hands when the SUV is completely repacked and they’re on their way to the place with the wine and cider, he doesn’t say a word about it. It’s shared body heat. It’s a survival tactic. That’s what MJ tells herself as she finds her and Peter’s fingers moving gently from a perfunctory clasp to intertwining.

They stay that way until Flash pulls off the road at the cider spot, which turns out to be an apple orchard. Well, more than just the orchard; there’s a whole barn here, but fancy, with a designated lot and possibly a restaurant inside.

“This is so cute!” Betty says.

MJ concentrates on shaking her hands out of Peter’s before Flash puts the SUV in park and turns around to see them.

The two of them are the last out of the car and she’s stiff with the silence, listening to their friends laugh and gripe about the cold (Flash) as they wait with Ned’s door open. Before MJ can push through her thoughts and fears to say anything, Peter’s arm comes around her. Her eyes widen. …And he unbuckles the seatbelt. Probably just because she was taking too long. She slips over into Ned’s vacant seat and is about to scramble out when Peter catches her hand. MJ turns.

“Will you tell them we’ll meet them inside?” he requests.

Heart hammering, she relays the message, then looks on as Ned and Betty hustle Flash through the doors before can make another of his unwelcome comments or otherwise interfere.

“I think we really need to talk,” Peter says, after MJ pulls the door closed to preserve what little heat is left in the vehicle.

“We talk all the time,” she argues. She thinks, Yes, please talk to me.

“About a lot of stuff. You know, most stuff.” He wedges his fingers under the edge of his hat to run them nervously through his hair.

“That’s a generalization, but a fair one.”

“But, you know, lately, I’ve been, uh, wishing that we could talk about…”

“…even more stuff?” MJ guesses, hopes.

“Yeah.”

“Me too.”

“You know, our schools aren’t that far apart,” he says, like it’s the first time he’s realizing this.

She smiles wryly.

“I’m aware. That’s why I came out for Thanksgiving first year when you couldn’t make it back to Queens. Even if we did eat take-out shrimp Pad Thai instead of homecooked turkey.”

“And,” Peter adds, “it’s why I showed up at your dorm to help you study for that midterm you were stressing about in October.”

“And why I picked up when you called me every night,” MJ says, quieter. He smiles softly.

“I was talking about the distance.”

Summoning her courage, she looks him right in the eye and lets her still-uncovered hand sneak back over his.

“What distance?”

“You’re my best friend,” Peter starts. “You and Ned.” MJ frowns. Oh shit. Shit, shit, shit, she’s misjudged this, seriously misjudged this.

“Oh. Well. Great. Cool.”

“No, MJ!” he says quickly, noticing the look on her face. He flips his hand under hers so their palms meet. “I’m definitely in love with you, I just mean… Well, oops, I guess I said it.”

She’s pretty impressed with her own control over her facial features—maintaining a slightly-happier-than-neutral expression—when half of her brain is setting off fireworks that seem to be landing and fizzing around on the other half. He’s in love with her. Definitely.

“For as fast as your mind works, your mouth always manages to get ahead of it,” she observes.

Peter’s expression goes from tortured and fumbling to sharp and decisive.

“That’s good advice.”

“What? That wasn’t advi—”

He darts forward and kisses her, hand emphatically clutching hers. There’s a humorous smack when their mouths separate.

“Oh my god,” Peter says, “I forgot to ask if it was ok to do that.”

MJ smirks.

“My only complaint is that you beat me to it when I’ve been trying to figure out how to do that all day.”

“I did wonder,” he admits with a small smile.

“And you couldn’t have helped me out?” she asks, exasperated.

“A big part of being friends with you is knowing you rarely need help. You’re good, like, ninety percent of the time.”

“What do you do the other ten percent?”

Peter shrugs.

“Kiss you and ask if you have plans for New Year’s? By the way, do you have plans for New Year’s?”

He tries to adopt a casual expression but now that MJ thinks about it, she can’t recall the last time her friend looked at her with anything like mild interest. He can’t pull it off anymore, if he ever could. Apparently, she wasn’t always watching that well, because she clearly didn’t know everything.

Peter loves her. He loves her.

“I have a feeling I’ll probably be available,” she tells him. “I have a bad habit of trying to be where you are.”

“I love that about you.”

MJ kisses him quickly, then shoves him away, nearly into the pine tree resting on his other side. Whoops. It’s just that she can feel how easy it would be to get caught up in this moment, and they’re still in the back of Flash’s SUV. People are waiting for them. She takes a deep breath and gives Peter a searching look.

“If we walk in there like this—” She shakes their clasped hands. “—what do I say?”

“Tell them your hands were cold.”

“I… I don’t want to hide it, I just…”

“I know. It’s ok. It’s new.”

“Yeah.”

Peter nods sympathetically. He’s her friend first; he’s not going to push her to speak before she’s ready. (He probably knows he couldn’t if he wanted to.)

She hauls the door open and they stride through the snowy parking lot together. The sun’s already struggling to come out and flakes whip high into the air, catching in the light. They step inside the building to see brightness streaming through the windows, their trio of friends crowded around a table. Flash seems to be making Ned sprinkle cinnamon into his hot apple cider while he films it—presumably to post for the enjoyment of the Flash Mob. (That’s still going. He has a shocking number of followers.) Betty turns and her gaze slips down to their joined hands. She smiles.

MJ has the excuse ready. When Flash and Ned glance over, she’s prepared to tell them her hands were cold.

She opens her mouth.

“Peter’s my boyfriend now.”