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kinascum · 3 months ago

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CHARMED ᯓ★

Austin Butler x Reader

wc: 1.7k | summary: y/n, an interviewer at Variety, scores an interview with Austin Butler. | nav - taglist

FLUFF. no major warnings.

You sit in the quiet of the Variety office, surrounded by the soft hum of the air conditioner and the occasional clack of a keyboard echoing through the open-plan space. Your heart beats a little faster than usual today as you prepare for the interview of a lifetime. The email with the subject line "Austin Butler Interview: Confirmed" still sits open on your screen, a stark reminder of the excitement and nerves you've been juggling since you read it. You've done this before, of course, but something about Austin feels different. Maybe it's the way his blue eyes seem to look right into your soul in every magazine cover, or the way his deep voice sends a shiver down your spine when you watch his interviews. You're a journalist with a knack for making even the most guarded celebrities open up, but you're not immune to the charm of Hollywood's golden boys.

The clock ticks closer to the scheduled time, and you stand, smoothing out the wrinkles in your blouse and taking a deep breath to steady your nerves. You've spent hours researching his career, from his early days on the small screen to his breakthrough performance as the king of rock 'n' roll. You've rehearsed your questions, honed them to perfection, and now all that's left is to wait for the moment when he walks through the door.

When he does, it's like the air in the room shifts. He's taller than you expected, with a presence that seems to fill the space around him. He's dressed casually, but it looks like he stepped out of a magazine spread, his jeans fitting just right, and a leather jacket thrown over a simple white tee. His eyes scan the room, and when they land on you, you feel a jolt of energy. He smiles, a genuine, warm smile that reaches his eyes, and you can't help but return it, feeling a little bit like you're melting.

You extend a hand, and he takes it, his grip firm but gentle. His skin is warm, and for a second, you're lost in the sensation of his touch. "Y/N," he says, as if he's known you for years, not minutes. "It's a pleasure to finally meet you." His voice is like a caress, and you blush, hoping it's not too obvious. You've always been a little shy around the people you admire, and the fact that he's looking at you with such kindness isn't helping your nerves.

As you lead him to the interview set, you notice the way his boots scuff the floor, the quiet confidence in his stride. He seems to be at ease in his own skin, a stark contrast to the flurry of activity around you. You offer him a seat and take yours opposite, placing your notebook and pen on the table. You've done this a hundred times before, but today, your hand trembles ever so slightly. You tuck a loose strand of hair behind your ear, a nervous habit you thought you'd outgrown, and try to remember to breathe. The cameras start to roll, and you're aware of every little detail: the sound of the film crew moving around, the smell of freshly brewed coffee in the background, the way the lights cast a gentle glow on Austin's face.

He leans back in his chair, his gaze never leaving yours. "So," he begins, his voice like a purr. "What's the first question you've been dying to ask me?"

You open your mouth to speak, but the words catch in your throat. You clear it, hoping he doesn't notice, and glance down at your notes. But as you look back up, you realize that the question you've so carefully prepared isn't what you want to ask anymore. There's something about the way he's looking at you, something that makes you feel seen in a way you never have before. And in that moment, you know that this interview is going to be unlike any other.

You take a deep breath and dive in, asking him about his preparation for his latest role, one that's earned him critical acclaim and a slew of award nominations. His eyes light up, and you can almost see the gears turning in his head as he thinks back to those intense days and nights spent becoming someone else. He speaks slowly, thoughtfully, his voice deep and resonant as he recounts the hours of research, the months of practice, the moments of doubt and triumph. You're captivated by his dedication, his passion for his craft shining through every word.

As you listen, you find yourself leaning in, hanging on to every syllable. His words paint a vivid picture of his journey, and you're drawn into the story as if you were there with him. You ask follow-up questions, eager to learn more, and he responds with the same thoughtfulness, never rushing, always choosing his words with care. His honesty is refreshing, and you can't help but admire the way he's handled the pressures of stardom with such grace.

But then his gaze starts lingering on you a beat too long, and when he smiles, it's a smile that says he's not just talking about the movie anymore, and suddenly, the air in the room feels charged with electricity. You blush, your cheeks grow warm, and you feel your heart race in your chest. Your hand fidgets with the pen, and you realize you're playing with your hair again, a nervous habit you thought you'd left behind in high school. But with Austin, you're feeling anything but professional.

He leans closer, his eyes never leaving yours, and asks you a question about your own work, your favorite stories, your dreams. And you find yourself opening up to him, sharing things you never thought you'd say out loud, let alone on camera. His voice is a gentle coax, drawing you out of your shell, making you feel as if you're the most interesting person in the world. And maybe, just maybe, you start to believe it.

The conversation flows like a river, twisting and turning through topics of art, life, and love. His stories are peppered with laughter, and you find yourself smiling more than you ever have in an interview. His hand reaches out, resting on the arm of your chair, and you feel the warmth of his touch seep through the fabric as he pulls your chair closer to his. It's a simple gesture, but it sends a jolt through your body, making you aware of every inch of space between you as you catch a glimpse of how his muscles flex under the studio lights.

You notice the way his fingers tap against the chair, a subtle beat that matches the rhythm of your heart. His eyes, so blue and deep, seem to see right through you, and for a moment, you wonder if he can read your thoughts. You realize you're not just asking questions anymore; you're exchanging glances, sharing silent moments filled with understanding. The chemistry between you is palpable, and the crew seems to have melted into the background, leaving just the two of you in the spotlight.

The interview comes to a close, but the energy between you and Austin doesn't dissipate. As the crew starts to pack up, he lingers, his hand still resting on the arm of your chair. "Thank you," he says, his voice sincere. "That was one of the best interviews I've had in a long time." You blush, feeling a warmth spread through your chest. "Thank you," you reply, your voice barely above a whisper. "It was an honor."

He stands, and you follow suit, the space between you closing as you exchange pleasantries about the weather and the traffic. His eyes never leave yours, and you can't help but feel like there's something unspoken hanging in the air. He's charismatic, down-to-earth, and thoughtful—everything you've read about him, but seeing it up close is like experiencing the gravity of a star for the first time. His words come out measured and deliberate, each one chosen with care, as if he's afraid of saying too much or too little.

As you walk him out, the quiet of the office seems to amplify the sound of your shoes on the floor. The lights seem to dim, and the world outside the glass walls fades away. You find yourself lost in the depth of his gaze, the way his eyes seem to dance when he smiles. He pauses, his hand resting on the doorknob, and looks at you with an intensity that makes your knees wobble. "Y/N," he says, and the way he says your name feels like a secret shared between the two of you. "Could I interest you in a drink? To celebrate a successful interview?" His words are followed by a cheeky grin as he addresses you in an overly formal manner.

You're surprised by the invitation, but something in his tone tells you that it's more than just a professional courtesy. You hesitate, your heart racing as you laugh nervously. You've never mixed business with pleasure before, but the way he's looking at you, the way his thumb brushes against the back of your hand as he holds the door open, makes you want to throw caution to the wind. You nod, trying to sound casual. "Sure, I'd love that."

The bar he chooses is dimly lit, the kind of place where whispers are the loudest sounds and secrets feel safe. He orders a whiskey neat, and you ask for a glass of wine. As you sit across from him, you can't help but notice the way the light plays with the shadows on his face, highlighting the sharp line of his jaw, the curve of his lips. He talks about his love for music, the way it's shaped him as a person and an actor, and you listen, enraptured. His passion is contagious, and you find yourself sharing stories from your own life, things you rarely speak of outside of your closest friends.

The conversation flows as easily as the alcohol, and you realize that you're not just talking about work anymore. You're laughing, sharing, connecting in a way you never have with an interview subject. His hand reaches across the table, and he takes yours, his thumb tracing lazy circles on your skin. It's a simple touch, but it feels like a promise, a question, a door opening to something new.

A/N: kinda in a love-hate relationship with this one yall

tell me if yall want to be added to this masterlist's taglist !!🩶🩶🦫

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softpine · 1 year ago

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"So... How do you rate our chances of survival?" "I'm trying not to think about it."

↪ Until Dawn AU

you should be able to follow this even if you haven't played until dawn, but i'm not sure anyone will want to read this lmao. major spoiler warning if you do! also since you're not supposed to say the monsters name and it was a bastardization of native beliefs anyway, i'm just calling it "the creature".

anyway, here's how the frozen pines crew would fare in until dawn...

Danny purchases an abandoned hunting lodge in Blackwood Pines. He hasn't gotten a chance to stay there himself, but he allows Asa to bring his friends up for a weekend visit as long as they check in regularly. Unbeknownst to anyone, this lodge was closed down in the 80s after a teenager (Finn) disappeared, and the team sent to find him was found partially eaten in the woods. Finn's body was never recovered. He's said to haunt the lodge ever since, chasing away anyone brave enough to step foot inside.

The group arrives at the lodge just before sundown. Alisa reveals that she brought her Ouija board, so they all gather around to use it – except Austin and Elaine, who are annoyed because they'd been the last to arrive and the cable car had gotten stuck, meaning they'd had to walk all the way up the mountain. They just want to relax, not taunt spirits. Asa mentions that there's a cozy guest cabin down the path where they could be left alone. Austin jumps on the opportunity, but Elaine is reluctant to walk even further, especially now that it's dark. Stevie picks up on her anxiety and argues with Austin on her friend's behalf. ("Why did we come all the way out here if you two are just gonna go somewhere else and bang?") Matt tries to diffuse the situation, but it just makes Austin more annoyed. He says he's going to the cabin whether Elaine comes or not. Elaine rolls her eyes but eventually follows him, though she promises she'll call Stevie once they're safe in the cabin.

As they're walking, Austin apologizes for getting angry and Elaine forgives him. They make it to the cabin without incident, but when she tries to call Stevie, she realizes she lost her phone. She wants to go back to the lodge, but Austin convinces her to stay and they'll look for her phone in the morning. This part follows the events of the game closely, ie. Austin starts a fire and they talk for a while. They start kissing and undressing, but are interrupted by a loud crash through the window: Elaine's phone. She thinks Matt and Stevie (but mostly Matt) followed them to play a prank on them. She flips out, yells at them from the porch, storms back inside, and... gets yanked through the window and is dragged away screaming. Austin grabs the gun off the wall and chases after her. POSSIBLE DEATH #1: If Austin takes too long, Elaine could have her throat ripped out by the creature. If Austin is fast enough, he'll follow her screams through the mines, finding her injured but alive. As he reaches out to grab her, the elevator shaft falls and she disappears from view. Either way, Austin will believe Elaine is dead. Stunned, he searches for who or what took her. He heads for the abandoned sanatorium in the distance, unaware of the horrors that await him.

Meanwhile, the rest of the group is finally using the Ouija board. Finn isn't responding with the planchette, but he's scaring them in other ways: making the lights flicker, random sounds come from the vents, and making himself appear in their vision for just long enough to think they've imagined it. Everyone gets scared, except Asa, who finds it intriguing. He goes upstairs on his own and tries to talk to Finn with compassion rather than morbid curiosity, but Finn isn't ready to hear it and he continues to scare everyone. Stevie is the most worried, especially because it's been a few hours without word from Elaine. She wants to go check on her at the guest cabin. Matt thinks this is weird and codependent, but after enough convincing, he agrees to go with her.

When they find the guest cabin, they see broken glass and blood everywhere, with the door wide open and the gun missing. They follow the footsteps until they reach a cliff. Matt knows he can safely climb down it because of his experience in parkour, but Stevie won't be able to. He tells her to use the nearby radio tower to call a ranger for help while he goes to find Elaine and Austin. Here, he has the option of giving Stevie his swiss army knife, or keeping it for himself. He makes his way down into the mines, until there's no more snow, thus no footprints to follow. That's when he hears Elaine screaming. POSSIBLE DEATH #2: Matt rushes to help her, but the screams were only the creature mimicking her voice. He's strung up by his neck and dragged deeper into the mine. If he still has his knife, he can cut the rope and survive. If he gave it to Stevie earlier, he will be defenseless and die. Either way, he or his body will remain trapped in the mines.

Stevie finds the radio tower. She successfully calls for help, but the ranger says they'll only be able to send a rescue team when the snowstorm subsides at dawn. She waits for Matt inside the tower, but he never shows. If Matt is still alive, his shoe will be tossed through the window, landing at Stevie's feet. If he's already dead, his decapitated head will be thrown inside. In both cases, Stevie is horrified and scrambles to call the ranger again to stress the urgency of the situation, but before she can reach it, the tower starts to collapse. She holds on for as long as she can. The tower crashes to the ground, trapping Stevie in between bits of mangled metal. If Matt had given her the swiss army knife earlier, she can use it to shatter a window and climb out safely. If she doesn't have the knife, she has to kick the window out, hurting her ankle. She decides she's done being a hero and starts running/crawling towards the lodge, bawling her eyes out.

Cut to Asa, unbothered, taking a bubble bath in the jacuzzi tub. Finn is leaving him alone, because even he knows there's a time and place for haunting people. Instead, he's focusing on scaring the shit out of Jada and Alisa, who have been wandering around the lodge searching for clues about its history. The basement is filled with animal carcasses in various stages of being skinned or stuffed that were never cleared out after the hunting lodge was abandoned. Jada starts to feel sick, but Alisa is fascinated and wants to keep going. Finn continues to scare them, getting more and more agitated the further the girls explore. He screams at them to get out, but they don't listen. Eventually, he becomes fully corporeal and begs them to leave, but Alisa notices that he's trying to prevent them from entering a small door at the very end of the basement. Naturally, she has to enter that door. She pushes past Finn and steps inside, though nothing could have prepared her for what she sees: A decomposed human body, mostly just bones, curled up in the corner of the room. He's wearing the same clothes as the ghost. She realizes the missing teen didn't die out in the wilderness on a hunting trip – he was killed by someone in the lodge.

Asa hears the girls screaming and hurriedly gets dressed (no anti-gravity towel for him, thank you), but in his haste to find them, he trips down the stairs and scratches up his face. He doesn't know what's going on and he's just plain scared, so he can't help but start crying. This is what makes Finn realize he doesn't want to hurt anyone and he doesn't want to be alone anymore; he wants these people to survive. He helps Asa stand up, which surprises both of them, because he didn't think he was capable of moving things in his environment without being angry. He says Jada and Alisa ran outside and he'll help Asa find them.

Austin flees the sanatorium, which was crawling with monsters and wolves (he was nice to Wolfie, don't worry). He catches up to Stevie in the woods. She sees a gnarly bite mark on his shoulder but thinks nothing of it, because she has no idea about the creatures and assumes it was some wild animal. If her ankle is hurt, Austin helps her walk and Stevie feels compelled to apologize for generally being rude to him. She doesn't hate him, she just worries about her best friend. Austin understands, but then he has to break the news that Elaine is dead. Stevie tells him Matt is dead too. (either, both, or neither could still be alive at this point, but they are always presumed dead). Stevie flat out refuses to believe that Elaine died, while Austin is defeated and believes they're all going to die tonight so there's no point looking for their bodies. Regardless of what Austin says, Stevie will leave him and go after Elaine herself. Austin continues towards the lodge.

Austin runs into Jada and Alisa next, who are stumbling out of the lodge, terrified. He yells at them to go inside. ("Whatever you think you saw in there doesn't hold a fucking candle to what I've seen out there.") They go back inside and lock themselves in a room with a weapons cache. Austin tells them everything he learned in the sanatorium – the forgotten miners who resorted to cannibalism, the monsters they became, and how the news covered up the massacre they caused. He says Elaine and Matt are dead because of these creatures, and Stevie will likely be dead because she ran off on her own. Jada wants to at least find Asa and let him into the safe room with them, but Austin says he's probably dead too (no one knows that Finn is watching out for Asa now). He teaches Jada and Alisa how to shoot a gun. It's while he's doing this that Alisa notices the bite on his neck. For an hour now, Austin has been stressing that these creatures were human once, but they became infected, dangerous and deadly, and he never mentioned that he'd been bitten by one. She screams for Jada to look at it, but Austin is quicker – he grabs Alisa tightly, covering her mouth. Jada is still holding the gun Austin taught her how to use. Even with a hand over her mouth, Alisa can be heard begging her to shoot him. Jada trains it at his forehead and... POSSIBLE DEATH #3: Jada can shoot Austin. If she does, Alisa will thank Jada for saving her life, and says that if they make it out of here alive, she'll tell everyone she did it in self defense. If Jada can't bear to shoot him, Austin will throw Alisa to the ground and run away.

But he doesn't get far. Right there in the living room, two creatures hang from the ceiling sculpture. Austin slows to a stop, holding his breath. It's nearly impossible for anyone to die here, as Finn will save them by creating a noisy distraction. Finn himself is only a visage, so he can't be harmed by the creatures which angrily circle the lodge for their prey. He suggests the only way to escape is by causing a gas leak and exploding the lodge with the monsters inside. POSSIBLE DEATH #4 & 5: If Jada shot Austin, then no one will be able to warn Asa that there are still people in the lodge, therefore Jada and Alisa will die of smoke inhalation in the weapons room. If Austin is alive, he does warn Asa (despite his anger about nearly being shot), and Asa instructs Finn to help the girls escape first. This leaves Asa (and Austin, if he's still alive), vulnerable to the creatures, meaning POSSIBLE DEATH #6 & 7: Asa and/or Austin can fail a don't move section and die. In the event that Asa dies, Finn becomes enraged and lights the fire himself, blowing up the lodge immediately and killing everyone inside, including the humans. If only Austin dies, Finn feels that he has failed, but he still makes sure Jada, Alisa, and Asa are out of the lodge before starting the fire.

Stevie hears the explosion and runs faster towards the mines, terrified at the idea of all her friends being dead. Elaine can't be dead too. POSSIBLE DEATH #8: If neither Elaine nor Matt is alive, Stevie will automatically be killed here, because she still isn't aware of the creatures in the mines and has no idea she needs to stay quiet and not move. But if either (or both) Elaine and Matt are still alive, Stevie finds them in the mines. All of them are in bad shape now, but they're thankful Stevie came back. They have to move very slowly. When they reach the edge of the mine, so close they can see the moonlight from the cracks, they're cornered by a creature. POSSIBLE DEATH #9, 10, & 11: If Stevie runs, she will die. If Stevie hides with Elaine/Matt and fails, Elaine/Matt will die. If she succeeds, they all survive. They stumble out of the mine just as the sun starts to rise over the horizon, the sound of rescue helicopters growing louder.

Much later, after the dust has settled, police recover Finn's body and lay him to rest. The investigation into his death has only just begun, but Finn isn't concerned. Because for the first time in as long as he can remember, he has a companion... In life or in death.

THE END.

please do let me know if you read this whole thing because you're officially my new best friend :') there's a ton more choices and branching pathways i thought about, but i figured this was already insane enough, so i tried to keep it simple fjksjds

#here's how to read the stats: the white vertical lines indicate the baseline normal #the blue line indicates how that stat has changed throughout the night due to the choices you make #i refuse to be embarrassed about making this <- she said with embarrassment #asa mayfield #stevie donovan #finn atwood #elaine nguyen #jada carey #alisa #austin #matt #bloopers

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