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The Sun Creation Depended On Saturn Motion

Abstract

Paper Question

Practically Can The Motion On The Time Axis Be Possible?

Can We Move To The Future Or The Past?

Let's answer in following

(1)

The solar system (planets and distances) are created from one energy and this energy is provided by one light beam and this light beam travels by a speed 1.16 million km per second-

In Details

Firstly, the light (1.16 million km per second) had created the planets orbits before any planet creation and the energy is consumed in the space creation process and because of the energy consumption the light speed is decreased from (1.16 million km per second) to the known speed of light (300000 km/s)

The light (1.16 million km per second) started its motion from Mercury orbit moves toward Pluto- means- the light (1.16 million km per second) started from Mercury orbit with speed (1.16 million km per second) and the light created all planets orbits till Pluto orbit- before any planet creation- and by that- the light lost its energy and the light beam in Pluto orbit reduced its speed to be 300000 km/s as a result for the energy consumption in the space creation process

(2)

And the energy is reflected from Pluto toward Venus (the inner planets)

By that the light beam (300000 km/s) moved from Pluto toward Venus, means it moved in the reflected direction to the original light beam (its speed 1.16 million km per second)- and - The light beam (300000 km/s) reached to the original point (Mercury Orbit) from which the light (1.16 million km per second) started its motion AND

A COHERENCE OF LIGHT is done between the original light beam (1.16 million km per second) and the light beam (300000 km/s)! Now –The coherence of light between the two light beams is proved by strong and powerful proves- BUT It's Not Clear how this coherence can be occurred?!

(3)

The produced light beam (300000 km/s) moved in (the reflected direction) to the direction of the original light beam (1.16 million km per second) (In Space) and reached to Mercury orbit (the origin point) - But– logically – the produced light beam (300000 km/s) can NOT find the original light beam (1.16 million km per second) there because the original light beam is consumed already in the space creation process and the rest energy is this produced light beam (300000 km/s) – based on that – How Can This Coherence Be Occurred?

Means-

How can the produced light beam (300000 km/s) meet the original light beam (1.16 million km per second)?

The produced light beam (300000 km/s) moved (in the reflected direction) to the motion direction of the original light beam (1.16 million km per second) (In Space) and (In Time) Means- the produced light beam moved into (Its Own Past) and in the past this produced light beam (300000 km/s) was (A Part of the original light beam 1.16 million km per second) and because of that the produced light beam (300000 km/s) met the original light beam (1.16 million km per second), and the two light beams created the coherence (in the past) and we see the results of this coherence in our present time-

This analysis is important because – the coherence of the two light beams (1.16 mkm/s and 0.3 mkm/s) is proved strongly and with powerful proves and any explanation for this coherence will prove that the produced light beam (300000 km/s) must have moved Into The Past to enable this coherence occurrence- and that tells clearly- the travel through the time axis is possible and fact

BUT

Can the matter moves into its past as the light does? NO

Why?? Because - the light can move simply in any direction (+ x, + y, + z, + t) by that the light can move into the future and can move into the past BUT The matter creation depends on A Motion In A Defined Direction-

let's remember this idea

Neptune diameter =49528 km because Neptune velocity is 5.4 km/s

(This Fact Is Proved By My Planet Diameter Equation)

Now, Neptune velocity is a motion in a defined direction (for example a motion in +x direction) - the energy moves in this direction (+x direction) and because of this motion Neptune matter is created and Neptune diameter is defined- now if the energy moves in (opposite direction "–x direction") that will change Neptune diameter or cause to perish its matter at all - Means- as long as – Neptune is found- that means – the energy moves in one direction (and not two directions) – for that Neptune can move into the future but can NOT move into the past.

Notice - the matter can not move into the past but the light can do that- Means- we have the time machine already- we need to know how to send the light beam into the past and by that we can have photos from the past events- and this will be The Time Machine

NOTICE

Let's remember the matter definition based on my planet diameter equation

The space and matter are created from the same original energy and they move with this original energy motion- BUT the matter has a distinguish picture and different velocity from the space picture and velocity (notice- The Gravitational Waves Prove That The Space Has A Motion)

If we suppose the space is similar to the sea of water, the matter be similar to a whirlpool or a vortex found on the sea page- means- the matter is a geometrical design has a distinguish picture from the space- as the whirlpool, it's created from the sea water but it has a distinguish picture from the sea waves picture

Means - the whirlpool is carried by the waves motion- and- the matter is carried by its original energy and moves with it- No Mass gravity is required for the matter motion- means- the matter is MOVABLE by nature.

Also - the whirlpool dimensions are defined by the water motion - for example- we have a whirlpool its diameter is (2 meters)- this diameter is defined by the sea water motion features (velocity, pressure and other motion features) by that- the water motion analysis explains how the whirlpool dimensions are created (this is the fact proved by my planet diameter equation which tells Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s)

Also- the whirlpool is created but the creation requirements are needed every day- means- even if this whirlpool is found since years it can be changed immediately if the water motion features are changed- means- the whirlpool creation process is NOT a historical one. -also- the matter is similar to a creature muscle, the muscle is found based on the blood motion and without this motion the muscle can be changed or removed.

Shortly - The Original Energy Was Found In Motion By Itself (As Moving Light Beam) - From This Moving Energy The Planet Matter Is Created - The Created matter dimensions are defined by the features of this original energy motion (means the planet creation data is defined by the energy motion features)

After the planet creation- The Planet Moves With This Original Energy – means- the created planet moves a motion depending on the motion of this original energy because the planet moves with this original energy motion- and – the planet moves by this original energy motion (No mass gravity is required to cause the matter motion)

Paper objective

The paper proves the following two Facts

(Fact No. 1) The solar planets and their distances are created from one energy and this one energy is provided by one light beam and this one light beam travels by speed 1.16 million km per second

(Fact No. 2) The Sun Rays is created by the planets motions energies total (and NOT By Any Nuclear Fusion) and The Sun Rays production process depends strongly on Saturn motion – Also the gravitational waves are produced by the planets motions energies and Not by the sun gravitational field – Moreover The Sun doesn't Create a gravitational field.

Paper Definitions and Theories Refutations

In following I provide the basic definitions and some theories refutations which can help the paper discussions and arguments

1- SPACE DEFINITION

The space is similar to the sea of water, the energy is stored in the space in waves form (the gravitational waves), means the space has mechanical features

2-PLANET MOTION ENERGY DEFINITION

Any moving body produces motion energy (1/2mv^2), but where's the planet motion energy? The planet can't store its motion energy inside its body because it would raise its temperature, and no planet temperature is raised by its motion-

Logically, Planet motion energy must be stored in the space in waves form-

The space is similar to the sea of water and planet motion in space is similar to a fish swimming in water- the fish motion creates waves in water and the planet motion energy creates waves in the space- means- Planet motion energy is stored in the space in waves form.

Let's see this picture accurately- we observe one swimming fish in the sea- the fish hits the sea water by its tail and pushes some water and by that the fish swims and moves- we conclude the water moves by a velocity Equal the fish velocity because of the reaction force- means- the fish swimming creates wave in the water and this wave moves by the fish motion velocity-

Similar to that-

Planet motion energy creates wave in the space- this wave moves by velocity equals this planet velocity and the planet motion energy is stored in this wave in the space

For example – the wave is produced by Mercury (47.4 km/s), this wave moves by a velocity = (47.4 km/s)

3-THE PLANETS MOTIONS UNIFIED WAVE DEFINITION

The planets motions energies waves are unified together into One Unified Wave and this wave moves by a velocity = the planets velocities total 176 km/s

4-THE GRAVITATIONAL WAVE DEFINITION

The waves I have described before are the gravitational waves, the scientists called them wrongly as (gravitational) supposing these waves are produced by the sun gravitational field but instead these waves are produced by the planets motions energies.

5-NO PLANET MOVES BY THE SUN GRAVITY

No Planet Moves By The Sun Gravity (Newton is wrong) –because- the planet moves with its creation emery- means- the planet creation and motion should be done by one energy only (one energy only) because if two forces have effects on the same one planet- this planet would be broken- shortly the planet moves by the energy motion from which this planet is created.

6-MASS GRAVITY CAN NOT CAUSE ANY MOTION

Mass gravity Can Not Cause any Motion- (Again Newton is wrong)– let's explain that

Mass gravity is a bond between 2 masses – the Earth and the moon are bond together by the mass gravity- They are similar to a lorry and its trailer– If a force causes the Earth to move the moon will move with the Earth– this is the effect of the mass gravity but the mass gravity can't cause any motion! Why? Suppose the moon moves by the Earth mass gravity - The moon motion produces energy (1/2mv^2)- and– From what source this motion energy will be provided? From the mass itself! means- If the Earth causes the moon to move that necessitates to decrease the Earth and moon masses by the motion energy– it's wrong definition for the mass gravity - the mass gravity creates a bond between two masses- and if a force causes the Earth to move the moon will move with the Earth, in this case, this force will provide the motion energy for the Earth and the moon– but No Motion can be done by the mass gravity.

7-MARS CAUSED THE EARTH MOON CREATION

Mars Original orbit was Between Mercury and Venus and Mars had migrated from its original orbit to its current one and Mars is the planet had collided with Venus and with The Earth and Caused The Earth Moon to be created.

8-NO TIDAL LOCKING HAS EFFECT ON THE MOON MOTION

The moon rotation period = the moon orbital period =27.3 days by Venus Motion effect on the moon motion and the planet diameter equation effect on it

9-THE FATAL ERROR IN THE SUN NUCLEAR FUSION THEORY

My theory tells – The Sun Rays Are Created By The Planets Motions Energies Total- The Sun Is Not Doing Nuclear Fusion To Produce Its Rays

Instead the planets motions energies total is used as the source of energy for the sun rays- means- the planets were found and revolving around a point in space and the sun is created later on this point of space- No planet moves by the sun gravity- also the sun doesn't create a gravitational field and the gravitational waves are produced by the planets motions energies-

That explains why the sun corona temperature is (5 million Kelvin) but the sun surface is 5800 Kelvin!? Because the energy is Not produced by the nuclear fusion but by the planets motions energies total –means- the energy is Not come from the sun mass to out but the energy is sent from the out into the sun mass- by that the corona temperature is the energy from which the sun surface temperature is created.

Let's summarize this theory here

Planet motion produces energy (1/2mv^2) and this energy is stored in the space in waves form (the energy isn't stored in the planet because it raises its temperature) Means - the planets motions energies are stored in the space in waves form

These waves are the gravitational waves– means- the gravitational waves are produced by the planets motions energies and not by a gravitational field moreover the sun doesn't create a gravitational field- my paper proves that

Let's explain how the sun rays is created-

The planets waves (the gravitational waves) are unified into one unified wave and this wave moves relative to the sun

The relative motion has two players (the first is the unified wave motion) and (the second is the sun point of space)

(the first player) The unified wave velocity equal the planets velocities total (176 km/s) but this velocity is increased by the planets motions energies accumulation- the planets motions use different rates of time to increase this wave velocity till be equal (speed of light =C= 300000 km/s) – means- this unified wave moves by speed of light (300000 km/s) relative to the sun point of space-

(The Second Player)- My theory tells – the planets matters and their distances are created from one light beam energy and the planets are geometrical points found on this light beam and move by this light beam motion- means - the planets are similar to ships on the sea of water they move by the sea waves motions- (and the planets velocities are less than speed of light because the planet use different rates of time for their motions)

Here- the second player is the sun point of space and this point is a stationary point its velocity is (1 km/s = Zero approximately)-

Shortly- we have a relative motion between 2 players- the first moves by speed of light 300000 km/s and the second is stationary point (1 km/s =Zero approximately)

BUT

How can a stationary point be created on the moving light (or on the sea water)?

Before The Sun Creation -

The planets revolved around a point in space- the revolution creates two velocities on both sides, the two velocities are equal in value and opposite in direction- their total is Zero- means- the revolution motion design creates a stationary point in the revolution center-

The relative motion is done by the unified wave (176 km/s) relative to the sun point of space (1 km/s= Zero approximately= stationary point)-this relative motion stores the planets motions energies

we remember – the unified wave velocity (176 km/s) is increased by the planets motions energy accumulation till this velocity be equal speed of light 300000 km/s

Shortly- we have a relative motion between two players – the unified wave moves by speed of light (300000 km/s) relative to the sun point of space which moves by (1km/s= Zero approximately= stationary point)- means- this relative motion causes a motion by speed of light to be done by the gravitational waves – let's prove that

This Is Extraordinary: Gravity Can Create Light, All on Its Own

https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsnHYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"cvid=620db4352aa943e2b454919a7b724604HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"&HYPERLINK "https://www.msn.com/en-us/news/technology/this-is-extraordinary-gravity-can-create-light-all-on-its-own/ar-AA19YL5d?ocid=hpmsn&cvid=620db4352aa943e2b454919a7b724604&ei=83"ei=83

This new article tells - the gravitational waves can move by speed of light and can produce A Light Beam–

Shortly- the article proves my theory that the gravitational waves move by speed of light (300000km/s) relative to the sun point of space

The Sun Rays Creation

We have a relative motion between (the unified wave) and (the sun point of space) – the different velocity = speed of light = C= 300000 km/s

The energy is reflected in the solar system- the reflection of energy causes to square the velocities by that the speed (C=300000 km/s) is squared to be (C^2)- and from this value (C^2) The Sun Rays is created – means – the sun rays is created from the gravitational waves motions energies- the article proves that also

My Theory Major Proof

My paper discusses many powerful proves- also – the logical reasoning is in my side and against the sun nuclear fusion theory- Simply- because- the planets motions produce energy (1/2 mv^2) that means the solar system has massive motion energy- so logically this energy should be used and the sun rays is the only available energy source- means- the sun is the outlet for the solar system energy-

BUT

I still have One Major Proof can kill the sun nuclear fusion theory – let's provide it

My theory tells the sun rays are created from the gravitational waves motions energies- means- the sun rays production method is The Relative Motion-

Why is this useful?

The relative motion is done between two players – (the first player is the unified wave) and the (second player is the sun point of Space)

Let's remark the sun point of Space as (Point X)–this is a defined point in the space means- No any point in the space can be used- we use only the revolution center because it's a stationary point and its velocity is 1 km/s (= Zero approximately)

Now- the sun point of space (Point X) is different from any other point of space because the other points move by different velocities and they can't be stationary points where there's only one stationary point in the revolution design

Shortly, the sun rays is created by a relative motion between 2 players, (the first player moves by speed of light 300000 km/s) and (the second player moves by 1 km/s = stationary point)- based on this different velocity the sun rays is created

Now- the second player is a point in space- but not any point in space can be used- we need one selected point which moves by 1 km/s (stationary point)- only and just only by this point (Point X) the sun rays can be created- any other point of space can NOT do this same job and the sun rays will never be created

The Conclusion

The Analysis Tells The Sun Point Of Space Is Found In A Geometrical Design

Means-

The solar system geometry and the solar planets motions create One Geometrical Design for the sun point of space to cause its velocity to be 1 km/s

Means- the sun point of space must be found by Mathematical Calculations-

an old question asked (Why Do We See The Sun Disc= The Moon Disc?) because

(the sun diameter/ the moon diameter) = (Earth orbital distance/ Earth moon dis)

Always, the explanation for this data was (Pure Coincidence) –let's see better

DATA

4900 million km = 1.392 mkm x 3475 km = 406000 km x 12104 km = 384000 km x 12756 km = 363000 x 2 x 6792 km = 51118 km x 49528 km x 2 (Max error 3%)

where

4900 million km = Jupiter Orbital Circumference

1.392 million km = The Sun Diameter

3475 km = The Moon Diameter

12104 km = Venus Diameter

12756 km = The Earth Diameter

6792 km = Mars Diameter

406000 km = The Moon Orbital Apogee Radius

384000 km = The Moon Orbital Distance

363000 km = The Moon Orbital Perigee Radius

Shortly- the data proves that, the sun point of space is found based on mathematical calculations take into considerations the planets data-

Why are these mathematical calculations necessary?

Because, the sun rays is created by a relative motion between 2 players- the unified wave and the sun point of space- for that reason- this point of space (Point X) is designed geometrically accurately to cause its motion velocity to be 1 km/s because this is the cornerstone to produce the sun rays-if the velocity of the (Point X) be 20 km/s (for example) the sun rays will never be created

Notice (1)

Here we can understand why the planet day period is important tool in its motion- because the day period defines this planet position relative to the sun point – and even if the sun is not found- the planet day period still defines this planet position relative to the same point of space (Point X)

The planet day period shows there's A Relative Motion must be found behind the solar system design.

Notice (2)

In my current paper I use similar analyses and arguments to prove my theory tells

The solar planets matters and their distances are created from one light beam energy and this light beam moves by speed 1.16 million km per second-

This light beam is the original source of energy for all things in the solar system and for that any data analysis proves this light beam is a fact and its speed 1.16 million km per second is a fact also regardless Einstein hypothesis.

10- PLANET DIAMETER IS CREATED BASED ON A MATHEMATICAL EQUATION

My planet diameter equation – the paper tests it in details

Also the equation proves the planet diameter is used as a period of time

11-PLANET VELOCITY DEFINITION

Planet velocity is a rate of time between this planet and the sun point of space, let's use Pluto velocity 4.7 km/s as example

The sun point of space velocity is (1 km/s) and Pluto velocity is 4.7 km/s for that Pluto motion relative to the sun creates a rate of time with the sun point of space – means

One Hour Of Pluto Clock = 4.7 Hours Of The Sun Clock

This definition depends on the planet velocity and this value is changed later by the planets motions unification and the energy reflection- but – here- I write only the definition of Pluto velocity – means -

If Pluto revolves around the sun alone without any other planet and no reflection of energy is done in the solar system Pluto velocity would create this rate of time

(One Hour Of Pluto Clock = 4.7 Hours Of The Sun Clock)

12-PLANET MOTION DEFINITION

The energy is moving in the solar system- planet motion changes this energy rate of time- let's use Pluto velocity as example for explanation

The sun point velocity is 1 km/s – means- the energy around the sun point moves by velocity 1 km/s and creates no rate of time with the sun

Pluto velocity is 4.7 km/s, and

The space is similar to the sea of water and Pluto moves in the space as a fish moves in the sea of water – now – we observe one fish swims in the sea- the fish hits the sea water by its body and by this action the fish can move-

Now we conclude that the water beside this fish must move by a velocity equal the fish velocity by the reaction force-

Similar to that- Pluto moves in the space and Pluto motion energy creates waves in the space and the produced waves move by a velocity – Pluto velocity

Now- the energy waves around the sun moves by a velocity 1 km/s and don't create any rate of time with the sun point of space-

But the energy waves around Pluto moves by Pluto velocity 4.7 km/s and this energy creates a rate of time with the sun point of space which is

(One Hour Of Pluto Clock = 4.7 Hours Of The Sun Clock)

Means

The energy velocity was 1 km/s before Pluto motion and becomes 4.7 km/s after Pluto motion- and that creates a rate of time for this energy relative to the sun point of space

By that we conclude the planet motion definition

Planet motion changes the moving energy rate of time

Why is this process important?

Because the solar system tries to create a relative motion between two points – (the sun point of space) and (the planets motions unified energy)- this is one relative motion between two points and the different velocity should be = speed of light = 300000 km/s means

The sun point velocity is 1 km/s and the planets motions unified energy velocity is 300000 km/s

For that the solar system geometrical design create accumulated rates of time to create this different velocity 300000 km/s

Notice

The planets motions unified energy move by speed of light depends on the rate of time (1 =1461) and

The light is created from (C^2) and this squared value is as a result for the energy reflection in the solar system- means- the planets motions unified energy moves by (C=300000 km/s) and by the energy reflection this value be (C^2) and from this value the light beam is created

We understand that the rate of time (1=1461) is used for speed of light (C=300000 km/s)

But (C^2) should use (1461)^2 means (1 = 2134521)

Shortly – the rate (1=2134521) is the major rate in the solar system and this rate is Not created by any planet motion but as a result for the energy reflection in the solar system-

13-THE SOLAR SYSTEM UNDERSTANDING DIFFICULTY

Why is it difficult to understand the solar system motion?

The solar system is one energy moves by speed of light- means- we can consider the solar system as one wave moves by speed of light (300000 km/s)

The system creates a stationary point (its velocity 1 km/s = Zero approximately)

The stationary point is the sun

The system uses 2 procedures to create this stationary point

(1st procedure) the wave revolves around a point in space (any point), the revolution creates two velocities on both sides, the velocities are equal in value opposite in direction and by that the total be Zero that means the revolution design creates a stationary point in its center

(2nd procedure) the wave moves by speed of light (300000 km/s) created small waves move by low velocities to enable the stationary point to be created- the small waves are the planets- means- the planet is a small wave moves by low velocity and the planets are created to be used as steps to decrease the speed (300000 km/s) to be (Zero or 1 km/s "stationary point")

We understand, the wave moves by itself, means, it's similar to a light beam moves by speed of light (300000 km/s) and the decreasing of the velocity is done for the planets and for that the planets motions use different rates of time

Here- the solar planets are similar to carriages in one train, and the light beam is this train engine, the engine moves and causes all carriages to move with it

Shortly, the planets are geometrical points found on the moving light beam and the planets motions depend on this light motion.

But, in fact, the planets are Not similar to carriages in one train because the carriages have equal velocities and the planets have different velocities- but still the concept is the same because the light moves one motion and passes one distance in one period of time and all planets are carried on the moving light beam, and the planets have to move this same motion and pass this same distance in this same period of time

For that reason the planets use different rates of time – let's use one example

Mercury velocity 47.4 km/s and 300000 = 47.4 x 6330

This data tells, one second of the light clock = 6330 seconds of Mercury clock

By that Mercury moves a distance = light motion distance in the same period of time

But

The planets are Not separated points move individually, they are one group created by geometrical design to cause the speed (300000 km/s) to be decreased to (1 km/s), for that, the rate of time definition should depend on the whole solar group motion

Shortly

The planets velocities total is 176 km/s and I add the Earth moon velocity 29.8 km/s because the planets motions energies total is stored in the moon orbit

The total be (176 +29.8 =205.8 km/s)

300000 km = 205.8 km/s x 1461 seconds

Means- the unified wave (205.8 km/s) moves in 1461s a distance =300000 km/s

Means- the rate of time should be (1 =1461)

Simply (one second of the sun clock = 1461 seconds of the unified wave clock) by that the wave moves by speed of light (300000 km/s) relative to the sun point

(NOTICE) the sun rays is created by this motion- let's summarize the idea

The unified wave (205.8 km/s) moves relative to the sun point of space (1 km/s), now one second of the sun clock = 1461 second of this wave clock and by that the wave moves by speed of light (C= 300000 km/s) relative to the sun-

And

The energy is reflected in the solar system and that caused to square the velocities means the velocity (C=300000 km/s) will be squared (C^2) as a result for the reflection of energy- and from this Value (C^2) the sun rays be created

Shortly-

the rate (1=1461) is the main rate of time in the solar system because by which the planets motions energies unified wave moves by speed of light (300000 km/s)

we see that no planet velocity is 1461 km/s relative to the sun, for that, this rate is divided among the planets- and the planets data is used to created one complete system of rates of time which produce this rate of time (1=1461)

means- all planets data are parts of this system of the rates of time- but not all data effect is understandable for use and for that we don't see clearly how this data interacts with one another to produce this one complete system of the rates of time

let's use example for explanation

Example no. (1)

Pluto velocity is 4.7 km/s, this velocity is defined relative to the sun point of space (1 km/s) and Pluto velocity creates a rate of time (one second of Pluto clock = 4.7 seconds of the sun clock)

We understand, the final rate of time tells (one second of the sun clock =1461 seconds of the planets motions unified wave clock)

Means, Pluto velocity creates a rate of time which is one rate in a complete system of rates of time which produced this final rate (1=1461)

We need to move with Pluto velocity in many details to see how this rate (4.7=1) help to produce the final one ( 1=1461)

All planets data are parts in the same complete system of the rates of time

Example no. (2)

Pluto diameter is 2390 km,

My planet diameter equation proves that, planet diameter is a period of time,

Means, the planet diameter is a rate of time contributes in the same complete system of the rates of time which produces the final one (1=1461)

But how is Pluto diameter used as a rate of time?

Not all data shows clearly its contribution and effect in the system of the rates of time but the planet diameter using as a rate of time can be understood by the analysis of Saturn, Uranus and Neptune diameters- these planets diameters are seen as rates of time more clear than Pluto- for that I put their analysis in the paper in point no. (**)

NOTICE The previous explanation tells the solar system is one energy moves among the planets

And

The moving energy among the planets causes to transport the motion among them

NOTICE

For better explanation of the rates of time system

The planets velocities rates and their orbital periods rates are rates of time

For example (Earth velocity = 6.34 Pluto velocity) this is rate of time (one second of Earth clock =6.34 seconds of Pluto clock)

But (Pluto orbital period 90560 days = 365.25 days Earth orbital period x 248 )

This is a rate of time ((one second of Earth clock =248 seconds of Pluto clock)

How can that be possible? ((6.28)^3 = 248)

The energy is reflected in the solar system three times and each time the energy reflection causes to square the velocities and for that the rate of time be used under power (3), both rates of time are used (1=6.34 and 1=248) but each rate of time is used in its order and category based on the occurred events in the solar system

NOTICE Planet rotation period be equal (24 hours of the Earth clock) and equal (one second of light motion clock)- this idea will be discussed later

14- PLANET DIAMETER CREATION

Planet diameter equation proves that, planet diameter is created depending on mathematical equation and geometrical rule, and that tells, the solar system design aimed to make Jupiter diameter the greatest diameter in the solar system while Jupiter is the planet in the solar group middle point- that tells- there was a geometrical necessity to put Jupiter with its greatest diameter in the middle point of the solar system- here- we can see how the solar group is very similar to the interference of Young light coherence experiment (double slits experiment)

That proves a coherence must be done between the light 1.16 million km /s with the known light speed 300000 km/s

15-SATURN MOTION EFFECT ON THE PLANETS MOTION

We know (One Hour Of Mercury Clock = 24 Hours Of Any Planet Clock) and

Because of the energy reflection in Saturn this rate be

(One Hour Of Mercury Clock = 576 Hours = 24 solar days Of Saturn Clock)

This rate caused

(One Hour Of Any Planet Clock = 24 hours Of Saturn Clock)

That caused Saturn motion to be distinguished in the solar system, and in fact, Saturn should be considered the major planet in the solar system because Saturn alone moves a distance = all planets motions distances total in the same period of time – this fact is produced by the effect of Saturn rate of time

As a result all planets defines their rotation periods based on Saturn Rate of time

In points (***) I analyze the rotation periods of the planets (Pluto, Neptune, Uranus, Jupiter and Mars) to show that how these rotation periods are defined based on Saturn rate of time.

Notice

All planets rotation periods are defined based on Saturn rates of time with them, but Saturn motion is consumed in its creation for the rate of time and Saturn can NOT guide the planets motions energies unification to create the one unified wave from which the sun rays is created because Saturn motion is consumed in the rate of time creation- for that – Jupiter guides the solar group into the unification to create the planets motions energies unified wave and Jupiter guides the group to create the sun rays and Jupiter defines the sun diameter and its position in the sky

For that reason- Jupiter rotation period is used as a reference for all planets rotation periods- in fact – Jupiter rotation period is created by Saturn rate of time and its motion effect- but –later Jupiter rotation period is used as the reference for all planets rotation periods – this fact is proved in the analysis of Jupiter rotation period

16-SATURN ROTATION PERIOD

Why does Saturn rotation period =10.7 hours and not 10.8 hours?

(A) Saturn Rotation Period Effect

Saturn circumference =378675 km and its velocity is 9.7 km- means- Saturn moves a distance = 378675 km in a period =10.844 hours

But Saturn rotation period is only 10.7 hours (10.844 – 10.7 = 0.144 hours = 518 s)

Means during 10.7 h Saturn can NOT rotate around its axis 360 deg but (355 deg) only- and Saturn needs (518s) from its next rotation period to pass its circumference (360 deg)

For that reason, Saturn in 76 rotation periods rotate around its axis only 75 times

By that Saturn has a cycle each (76 rotation period =76 x 10.7 = 813.2 h) and cycle caused to connect Saturn with the Earth motion – I prove that later

BUT, Why Saturn rotation period is NOT 10.844 hours simply?

(B) The Reason

Neptune Motion effect on Saturn caused its rotation period to be 10.7 h only

Because Neptune rotation period (16.1 h) is connected with Saturn rotation period (10.7 h) where (2 x 16.1 = 3 x 10.7), for that Neptune motion effect caused to decrease Saturn rotation period to be 10.7 h in place of 10.84 h (notice Neptune velocity 5.4 h and 5.4 x 2 = 10.8 the data shows this is Neptune effect)

Neptune motion created the rate (1.0725) and this rate is the length contraction effect and this rate caused to contract the planets data-

Shortly – 40% of all planets data are contracted by this rate- the rate has this massive effect on the planets distances, periods, diameters and axial tilts, I provide the effected data by this rate in point no. (**)

Now- Saturn caused to create Jupiter rotation period (9.9)

And because the energy is reflected in Saturn that caused to reflect the geometrical effects and by that the rate which created contraction caused to increase

9.9 hours (Jupiter rotation period) x 1.0725 = 10.7 hours

Shortly

Saturn created its rotation period depending on Jupiter rotation period by the length contraction effect which is caused by Neptune motion

(D) The Different Distance

If Saturn rotation period be 10.844 hours, Saturn would rotate around its axis completely during its rotation period (360 deg) but because Saturn rotation period is 10.7 hours only that caused Saturn to rotate (355 deg) during its rotation period which equal the distance (373644 km) which left a different distance form its circumference (378675 km – 373644 km= 5040 km)

The different distance (5040 km) is transported from Saturn with the energy toward Venus (and the inner planets) and this different distance caused to decrease Mercury day period by the period (1.4 hours =5040 seconds) means

Mercury day period was 176 solar days (=4224 hours) but Saturn motion effect on Mercury caused to decrease Mercury day period to be (4222.6 hours) where the different distance 5040 km from Saturn is transported to Mercury as a period of time (5040 seconds) – I prove this fact in point no. (**)

(E) The Relativistic Effects Creation

We know the planets motions unified wave moves by speed of light (300000 km/s) and – we know that- this speed is not created gradually but it's created by integration between the planets motions energies

Means- the speed can't reach to 297000 km/s (for example), this high velocity is NOT created in the solar system because the final speed (300000 km/s) is created by integration of the planets motions energies total

Shortly

The planets motions energies integration system prevent to create these high velocities but create only one high velocity (C= 300000 km/s) by which the planets motions unified energy moves and the reflection of energy will create C^2

Neptune caused to decrease the planets motions unified energy speed with 1% by that the speed (C= 300000 km/s) will be only (297000 km/s) and when the energy is reflected the value (C^2) will NOT be produced and No Light beam will be created

How??

Neptune delayed Saturn motion by caused its rotation period to be 10.7h in place of 10.844 h why?

Because planet rotation period be = (one second of light motion)

By that Saturn moves in 10.7 h a distance less than its circumference with 5040 km

(means in 10.7 h = One second the passed distance is shorter with 5040 km)

5040 km = 1.8 x 3000 km

(1.8 = Saturn velocity /Neptune velocity), this is the rate of time

Means 3000 km for Saturn will be seen as 5040 km for Neptune

Shortly

The passed distance (in one second) will be shorter with 3000 km

The speed is (300000 km/s) and this distance will decrease the speed to be 99% of speed of light (297000 km/s)

By that No light beam will be created – and

Also the high velocity motion will create relativistic effects in the solar system, and that caused to create the length contraction effect with the rate 1.0725

The Paper hypotheses

The paper provides 4 hypotheses with their explanations and proves – let's provide them in following

Hypothesis No. (1)

The space is created from one energy and this energy is provided by a light beam moves by a speed 1.16 million km per second – the speed is registered in the created space proves the speed is a fact.

Hypothesis No. (2)

The Gravitational Waves Are Produced By The Planets Motions Energies And Not By The Sun Gravitational Field– Moreover- The Sun Does NOT Produce A Gravitational Field And It Has No Massive Gravity-

Hypothesis No. (3)

Mars original orbit was between Mercury and Venus and Pluto was The Mercury Moon (Pluto size was equal Mercury size) But these two planets had migrated from their original orbits as a result for a collision- the planets migration caused a risk for the solar system geometrical design- Uranus and Jupiter the Two planets worked to repair the solar system design– that caused Jupiter orbit to be the main orbit in the solar system design- Jupiter orbit proves the speed 1.16 million km per second is a fact.

Hypothesis No. (4)

The Sun Is a phenomenon created by the planets motions

The sun rays is created from the gravitational waves motions energies and the gravitational waves are produced by the planets motions energies-

Based on that

The Sun Is A Phenomenon Created By The Planets Motions

And

The Sun Is NOT Doing Nuclear Fusion To Produce Its Rays- instead- The Planets Motions Energies Total Is Used To Produce The Sun Rays

The Sun Is Created After All Planets Creation And Motion –

Means

The Planets Are Created And Moving In Their Orbits Around A Point Of Space Before The Sun Creation- And The Sun Is Created On This Point Of Space around which the planets revolve –

And

No Planet moves by The Sun Gravity (Newton is Wrong) –

And

The Sun Doesn't Produce A Gravitational Field (Einstein Is Wrong)

And

The Sun Is A Phenomenon Created By The Planets Motions– means-The Sun creation and death depends on a cycle – means – after this current sun death another sun will be created for the solar system.

The Hypotheses Explanation

The abstract provides the hypotheses explanation and the paper provides their proves and discussions- In following the hypotheses will be explained in details

NOTICE –

The creatures and all matters on the Earth are created from the sun light energy and the sun light speed is 300000 km/s, because of that, the creature realization is limited to the speed 300000 km/s and can't realize the original speed (1.16 million km per second) that means the speed 300000 km/s is a limit for the creatures realization and not for the universe design.

Hypothesis No. (1)

The space is created from an energy and this energy is provided by a light beam moves by a speed 1.16 million km per second – the speed is registered in the created space which proves the speed is a fact

The Hypothesis Explanation

I- The Space Is Created By One Light Beam Energy- And This Light Beam Speed Is 1.16 million km per second

I-1 Preface (the main idea)

I-2 The Space Creation Method (the distances are one network)

I-3 Light Coherence between light (1.16 million km /s) and light (300000 km/s)

I-4 The Matter definition (based on my planet diameter equation)

I-5 The Planets Creation

I-6 Can The Time Machine Be A Fact?

The Hypothesis Proves

I-7 The Proves Logic Analysis

I-8 Planet Velocity Is A Function In A Speed = (1.16 million km /s)

I-9 Planets Orbits Are Defined By A Motion Its Speed = (1.16 million km /s)

I-10 Jupiter distances are defined by a motion by a speed = (1.16 million km /s)

I-11 The Solar System Geometrical Design Proves The Hypothesis

I-12 The Solar System Distances Analysis Prove The Hypothesis

I-13 Deep Analysis For The Planets Orbits

1-14 Light defines each planet orbital period

I-15 Can Planet Diameter Be Used As A Period Of Time

I-16 Mercury Orbit Analysis

I-17 The Planets Data Is Created By The Light Motion Directly

I-18 Light Defines Each Planet Rotation Period

I-1 Preface (The Main Idea)

The solar system (planets and distances) is created from one energy and this energy is provided by one light beam and this light beam moves by speed (1.16 million km/s)

The space is created before the planets creation-

Let's write the whole story in following

The light beam (1.16 million km per second) started its motion from Mercury orbit moves toward Pluto orbit– by that– we consider Mercury orbit is the origin point-

Now- we should notice- No planet is created yet- the motion from Mercury orbit to Pluto orbit defines the motion direction- and No planet is created before this motion end nor during this motion- the planets will be created after this motion is finished means when the light 1.16 million km per second reaches to Pluto (orbit)- after this event – the planets will be created –as I will explain later

Notice

The light (1.16 million km per second) creates the distances by its motion- means- the light moves from Mercury point to Venus point– the distance from Mercury to Venus was not found and is created only by the light motion through it for first time- means – before the light motion this distance was NOT found- It's found after the light moves through this distance for first time-

This is similar to the blood motion through the arteries, the blood creates these arteries and the blood moves through these arteries, but the blood created these arteries with its first motion and that needed energy- but – after the arteries creation the blood move through them without any energy is required- means- the first motion is the most important one because by it the arteries are created

Shortly- The space is created from the energy of this light beam its speed 1.16 million km per second – NOW- after the Space creation- the light beam energy is decreased because of the energy consumption in the space creation process- and the rest energy is one light beam its speed is (C=300000 km/s =the light known speed) – But - We understand that- it's the same one light beam- its speed was 1.16 million km /s before the space creation- and the light created the space and that caused to consume the light energy and that caused to decrease the light speed to be 300000 km/s

Shortly- the light beam started its motion from Mercury (orbit) with speed 1.16 million km /s and reaches to Pluto (orbit) with a speed 300000 km/s because of the energy consumption in the space creation process

Let's give example to explain this idea

Imagine we create A Sea Of Water- we use energy to create this sea of water- now we have some energy and we use this energy to create this sea of water- BUT- our energy is NOT spent completely But there's a small part still rest with us – this small part of energy is used to create one wave moves through this sea and this wave speed is 300000 km/s (I suppose the space is similar to the sea of water)

Now – the rest energy is found in one light beam its speed 300000 km/s and this light beam is found NOW in Pluto Orbit – and this light beam will be reflected from Pluto orbit toward the inner planets– means- the rest energy will move in the reflected direction to the original light motion direction.

This idea will be explained in details in the next point- shortly

The light beam (300000 km/s) will be reflected from Pluto toward the inner planets

AND the light 300000 km/s will meet the original light beam (1.16 million km per second) in the origin point (in fact – beside the origin point) and there's a coherence of light is done between the light beam (300000 km/s) and the light beam (1.16 million km per second) – this coherence of light is proved strongly- we have to ask (how can that be possible while the light beam 1.16 million km /s is consumed and the new light beam 300000 km/s is the rest energy? how this light beam (300000 km/s) can meet the original one (1.16 million km per second)? in points no. (I-3) and no.(I-6) I answer this question.

Notice (1) I suppose the rest energy is a light beam its speed is (C=300000 km/s) but this idea is for simplicity- the rest energy can be in any wave form its speed (C=300000 km/s) – no necessity to be in visible light beam form

It's simply energy moves by the known speed of light (C=300000 km/s)

Notice (2)

All Planets Orbits Are Defined Before Any Planet Creation-

The light used the distance from the sun to Pluto as one area and create one geometrical design for this area before any planet creation

Notice (3)

The planets are created from the rest energy its speed (300000 km/s) – means- the space is created by the light 1.16 million km per second and the energy is consumed in the space creation and the rest energy is one light beam its speed 300000 km/s (or one wave moves by the known speed of light C=300000 km/s) – the solar planets are created from this one wave its speed 300000 km/s and that means all planets orbit are created and defined before any planet creation

Notice (4)

The Sun Is Created After All Planets Creations And Motions

The sun is a phenomenon created by the planets motions energies total

The sun doesn't produce a gravitational field and doesn't have massive gravity

Logically – No planet moves by the sun gravity

(The Planet Moves With The Energy From Which The Planet Is Created – Newton is wrong- later we discuss the proves)

Notice (5)

The child (fetus) inside his mother is created by the blood motion- the blood motion creates arteries for this child and through these arteries the blood moves also but the arteries themselves are created by this same blood motion- Similar to that- the distances are created by the light motion energy and the light moves through these distances also but originally these distances themselves are created by the light motion energy- means the distances creation is done with the first time of the light motion through them - that required energy- but after the distances are created no more energy is required- the light (or planet) can pass simply through these distances

I-2 The Space Creation Method (the distances are one network)

Data

778.6 = 1.16 x 671

721 = 1.16 x 621

629 = 1.16 x 543

543 = 1.16 x 468

5906 = 1.16 x 5127

These numbers are distances in (million km)

778.6, 721, 671, 629, 551 are Jupiter distances to the sun, Mercury, Venus, Earth and Mars respectively- 5906 and 5127 Pluto distances to the sun and Jupiter respectively

468 = 936 /2 where (940 million km = the Earth orbital circumference)

Discussion

(1)

The previous data tells us how the light beam motion creates the distances-

Simply the light uses a distance as (a period of time) and travels through this period another distance- that can be understood clearly from Jupiter distances- let's look deeply as possible

The light beam (1.16 million km per second) uses the period 629 seconds to pass a new distance = 729 million km (Mercury Jupiter distance is 721 million km error 1%) – where 629 million km = Jupiter Earth distance

Also

The light beam (1.16 million km per second) uses the period 671 seconds to pas a new distance =778.6 million km (Jupiter orbital distance)

where 671 million km = Jupiter Venus distance

by this method the light creates the distances based on each other- and that makes all distances to be created depends on one another and that makes all distances in the solar system to be One Network where all distances are created based on the same One Geometrical Design

(2)

The data shows the creation method- and we understand that- the distance 551 million km (Jupiter Mars Distance) is created firstly and the light (1.16 mkm/s) used this distance as a period of time (551 sec) and the light travels during this period a distance =(639 million km where 629 million km is Jupiter Earth distance error 1.5%) and then the light uses the new distance (629 mkm) as a period of time (629 sec) and the light travels during this period a distance = (729 million km – where 721 million km = Mercury Jupiter distance – error 1%)

The data shows the method clearly and we understand the light original motion started from Mercury orbit to Pluto orbit because the distances are created based on one another in that direction of motion as explained clearly

(3)

New data NO. (1)

2723 sec x 2 x 300000 km/s = 1622 million km – where

2723 million km = Uranus Earth Distance

1622 million km = Uranus Neptune Distance

The data shows- the light beam its speed (C=300000 km/s) is in proportionality also with the created distances but this proportionally is found in Reflected Direction

Logically, The light can NOT move from Uranus to Neptune and after that the light returns to move from Uranus to the Earth- it's simply reflected direction

The distances are NOT created by the motion of this light beam (300000 km/s) – but the distances are created by the motion of the original light beam (1.16 million km per second) but the proportionality between the distances with the light (300000 km/s) is found because there's a proportionality between the original one (1.16 million km per second) and this light beam (300000 km/s) – AND

Because the light (300000 km/s) moves in the reflected direction of the original light beam (1.16 million km per second) that causes the proportionality between the distances and the light (300000 km/s) be in a reflected form

New data NO. (2)

2094 sec x 300000 km/s = 629 million km

2094 million km = Uranus Jupiter distance

629 million km = Earth Jupiter distance

The light (300000 km/s) moves in reflected direction- for that- the distance 2094 million km is used as a period of time to pass a new distance (629 mkm)

The data proves the idea clearly

Notice (1)

The proportionality between the light (1.16 million km/s) and the light (300000km/s) will be discussed in point no. (I-3)

Notice (2)

In Point (**) I prove the gravitational waves are produced by the planets motions energies- and I prove that – the planets motions energies move toward Pluto and this energy is reflected from Pluto toward Venus- this fact is proved by powerful data and proves- for that – I don't explain in details the light motion trajectory from Pluto toward the inner planets because this motion trajectory is studied in details in the hypothesis No. (2) of this discussion- understandable that- the planets motions energy trajectory is the same trajectory the light moves through it – means this trajectory is studied in details and powerful proves in point no. (**)

Notice (3)

Jupiter Distances Analysis shows that Jupiter orbit is the central orbit for the light (1.16 million km per second) based on which all planets orbits are defined.

But – this is not the first creation case –

The light (1.16 million km per second) created the planets orbits based on each other starting from Mercury orbit moves toward Pluto orbit – this is the fist creation case – and this fact is proved strongly in point no. (I-9*)

BUT

Mars had migrated from its original orbit (Mars original orbit was between Mercury and Venus) and Pluto had migrated also (Pluto Was The Mercury Moon revolves around Mercury and Pluto size was equal Mercury size)

The planets migration caused a serious risk for the solar system geometrical design- Uranus was the first planet tried to repair the solar system geometrical design and to save it- by that

Uranus created a vertical effect on Jupiter orbit to fix Jupiter in its orbit and prevent it to migrate with the migrant planets- and based on Jupiter orbit the other planets orbits are modified – that supported the solar system original design and saved it which causes to protect the geometrical design from the destruction.

As a result

That causes Jupiter orbit to be the most important orbit in the solar system- the paper third hypothesis explains the planets migration and Jupiter orbit analysis is done with the solar system design analysis (I-11*)

I-3 Light Coherence between light (1.16 million km /s) and light (300000 km/s)

(1)

The Coherence Of Light

The previous explanation told us that we have 2 light beams-

The original light beam its speed (1.16 million km per second) and it started its motion from Mercury orbit to Pluto orbit (where Mercury orbit is the light motion origin point) – and this light beam created all distances in the solar system and lost its energy in the space creation process and the rest energy is one light beam its speed is (C=300000 km/s)

The other light beam is the rest energy- its speed is (C=300000 km/s) and it moves in a reflected direction from Pluto toward Venus and Mercury-

Now – we have a coherence of light between these two light beams- the coherence is proved by powerful proves BUT firstly we have to ask (how can this coherence be occurred)? Because the original light (1.16 million km/s) is consumed and its energy is used already and the rest energy is this light its speed is (300000 km/s) - HOW can the light (1.16 million km/s) meet the light (300000 km/s)??

Imagine we have (116 dollars) and we spent all money except (30 dollars)- how can this (30 dollars) meet the original money (116 dollars)??

Let's write the answer

Suppose the light beam (300000 km/s) moves in the reflected direction (in the space) and also (in the time) – that can enable the light (300000 km/s) to meet the original one (1.16 million km/s) in the past and the coherence will be done there in the past- and we see the coherence results and effects on the solar system -

Means – the light (300000 km/s) moves into the past and found the original light (1.16 million km/s) in the past

Notice No. (1)

The original light beam (1.16 million km/s) can NOT move toward the future to meet the light (300000 km/s) because in the future the original light beam (1.16 million km/s) is NOT found –by that – the coherence can't be occurred in the future - But – the light (300000 km/s) can move into the past because this light beam (300000 km/s) was found in the past because it's a part of the original light beam (1.16 million km/s)

Notice no. (2)

I prove the coherence is done by powerful proves- that tells- this idea is a fact–means- there's a strong proof tells (in fact the light beam 300000 km/s moved into the past) and if we can use this feature practically we can get photos from the past events and by that we can have photos from the catastrophe which killed the dinosaurs and know much better about what had happened really in that time - This can be a real machine of time – the light motion into the past is a strong method to perform this invention.

Notice no. (3)

Why Can NOT We Move Into The Past As We Move Into The Future?

This question is answered in point no. (**)

(2)

The Light Coherence Proves

First Proof

The planets order is typical to the interference of Young –

In the double slits experiment, Young Interference is consisted of bright fringes and dark fringes - If we consider planet diameter is equivalent to bright fringe – we will see that- the planets order is typically to Young interference because

Jupiter (the greatest fringe) is in the middle and the fringes width is decreased gradually on both sides – typically to the planets order

Notice / I have proved that (Mars original orbit was between Mercury and Venus) if we restore Mars to its original orbit the order will be typical to the Young Interference

(I prove this fact in point no. **)

Second Proof

The planets velocities are defined based on the speed (1.16 million km per second) and the planets velocities analysis shows the speed (300000 km/s) is the planets motions limit- means- the planets velocities are defined based on both velocities (1.16 million km per second) and (300000 km/s) I prove this fact in point No. (**)

Third Proof

The light coherence defines the solar day period (24 hours) which is the solar system design cornerstone

(1.16 /0.3) x 2π = 24.3

By this equation the space and time are created- the equation tells–the space is created in curves (2π) and the time is created in units each unit is (24 hours)

Please note – the solar system geometrical design depends on the light motion in a solar day (24 hours = 86400 seconds)

The light (1.16 million km per second) moves in a solar day (86400 seconds) a distance = 100733 million km (= the planets orbital circumferences total)

Fourth Proof

The planets data prove there's a speed (1.16 million km per second) found in the solar system but the sun light beam moves by speed (300000 km/s) that tells the two speeds are facts and found in the solar system and the coherence between them is a logical result

The hypothesis proves discuss many powerful proves for this fact-

Notice- the coherence of light is a very important fact because it tells the light (300000 km/s) moved into the past and by that gives us a proof for the motion on the time axis- for that – many powerful proves support this fact.

I-4 The Matter definition (Based On My Planet Diameter Equation)

(1)

Let's remember my planet diameter equation

Planet Diameter Equation (v1/v2)= (s/r)= I

v = Planet Velocity

r = Planet Diameter

s= Planet Rotation Periods Number In Its Orbital Period

I= Planet Orbital Inclination (example, 1.8 degrees be produced as a rate 1.8)

v2, s, r and I are belonged to one planet and v1 is belonged to another planet

The planet (v1) is defined by test the minimum error

Earth Equation uses Neptune velocity

Mars Equation uses Pluto velocity

Jupiter Equation uses the Earth moon velocity

Saturn Equation uses Mars velocity

Uranus Equation uses Neptune velocity (As Earth)

Neptune Equation uses Saturn velocity

Pluto Equation uses the Earth moon velocity (As Jupiter)

(The Equation works from The Earth To Pluto) (the discussion explains the reason)

Example

Neptune Equation (89143 /49528) = 9.7/ 5.4 =1.8

89143 = Neptune rotation periods number in Neptune orbital period

49528 km = Neptune diameter

9.7 km/s = Saturn velocity

5.4 km/s = Neptune velocity

59800 days = Neptune orbital period (and Neptune rotation period =16.1 hours)

1.8 degrees = Neptune Orbital Inclination

(the equation is proved and discussed in details in point no. **)

(2)

Can We Define The Matter Nature Based On My Planet Diameter Equation?

The equation tells, the matter is created based on its motion! means Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s!!

That tells the motion with velocity 5.4 km/s is defined before Neptune diameter is created! Can we understand such definition for the matter nature? let's try

(A)

The Matter Nature

Means

The whirlpool is carried by the waves motion- and- the matter is carried by its original energy and moves with it- No Mass gravity is required for the matter motion- means- the matter is MOVABLE by nature.

Also

The whirlpool dimensions are defined by the water motion - for example- we have a whirlpool its diameter is (2 meters)- this diameter is defined by the sea water motion features (velocity, pressure and other motion features) by that- the water motion analysis explains how the whirlpool dimensions are created

Also- the matter is similar to a creature muscle, the muscle is found based on the blood motion and without this motion the muscle can be changed or removed.

Shortly

The Original Energy Was Found In Motion By Itself (As Moving Light Beam)

From This Moving Energy The Planet Matter Is Created

The Created matter dimensions are defined by the features of this original energy motion (means the planet creation data is defined by the energy motion features)

The planet creation data is in full harmony with its motion features- this fact is produced logically because the planet data is defined by the original energy motion features.

This explanation tells (Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s)

Example For Explanation

We agreed that the space is similar to the sea of water and the planet (matter) is similar to a whirlpool found on the sea page- this picture explains the idea clearly- because

We see the whirlpool doesn't move by the sea water waves velocity but by another velocity and that shows a distinguish in form and motion between the whirlpool (the planet) and the sea waves (the space)- BUT- the whirlpool dimensions are defined based on the sea water motion features- and if the motion features are changed the whirlpool dimensions will be changed also- also the whirlpool moves by the sea water motion even with a different velocity relative to the sea waves velocity but the whirlpool motion still is caused by the sea water motion- based on this picture we can say (because the water motion velocity is 80 km/h that causes this whirlpool diameter to be 2 meters "for example') – this is perfectly our sentence – let's remember it

(because Neptune velocity is 5.4 km/s that causes Neptune diameter to be 49528 km)

This idea is proved by my planet diameter equation (my fourth equation) (point No.**)

(B)

Now The velocity is a motion in (A Defined Direction)

Means– the matter is created because it depends on a motion in a defined direction- as we have seen- Neptune diameter is 49528 km because Neptune velocity is 5.4 km/s but this velocity is a motion in defined direction- and that tells Neptune creation depends on a motion in the direction of the (x axis positive "+x ") (for example)

That tells, if this motion moves in (x axis negative "-x ") that will cause Neptune diameter to be changed or perished

Means- the matter creation needs a motion in A Defined Direction

Now let's ask our question

Why Can't The matter (creature) Moves Toward Its Past?

Because the matter depends on a motion in one defined direction- that causes the matter moves into (the future) always and can't move into (the past) let's discuss this question more deeply in point no (I-6)

Notice

No Planet Moves By The Sun Gravity (Newton is wrong) – logically because- the planet moves by its creation force- means- the planet creation and motion should be done by one force only (one energy only) because if two forces have effects on the same one planet- this planet will be broken- this fact is proved strongly with the gravitational waves source discussion (Point no.**)

I-5 The Planets Creation

I summarize the main idea in following and the idea proves and discussions are found in point no. (**)

(i)

We know, the solar system is created from energy of one light beam its speed is 1.16 million km per second- and – the light created the space (the planets orbits) firstly and the energy is consumed in the space creation- and for that- the rest energy is found in one light beam its speed is 300000 km/s - And

From this light beam 300000 km/s the solar planets are created

Shortly

before the solar planets creation

The solar system was one light beam (or one wave moves by speed of light (300000 km/s)- by that – the solar system is One Wave moves by speed of light (300000 km/s)

Now

The Solar System needs To Create A Stationary Point Its velocity Zero relative to the moving one wave (300000 km/s)

This is the basic information in the solar system design-

The solar system needs to create a stationary point relative to the wave motion- by that – two velocities will be found which are (v1= the wave its speed 300000 km/s) and (v2= Zero= the stationary point velocity relative to the wave motion)–these two velocities produce a relative motion with different velocity 300000 km/s– this relative motion is the solar system design cornerstone.

Shortly – the solar system needs to create A Stationary Point

Notice– The solar system is carried by the light beam motion, NO stationary point can be found here – it's similar to a ship on the sea water- Nothing can stop- because the motion is done forcedly by the sea water –

The stationary point will be similar to the whirlpool (vortex) on the sea page- BUT

The solar system needs to create this stationary point - Now – let's try to create this stationary point in following - The solar system uses two procedures to do that,

(ii)

The first procedure

The wave its velocity 300000 km/s revolves around a point in space (any point in space), the revolution motion creates 2 equal velocities on both sides of the revolution- the two velocities are equal in value and opposite in direction- their total be equal Zero-means- the revolution motion creates A Stationary Point in the center of the revolution.

The second procedure

The previous idea is correct- but –the velocity 300000 km/s is a huge one and to decrease it to Zero velocity this is a complex process– for that- the wave (300000 km/s) created small waves with low velocities to use them as steps to decrease the velocity to Zero- the small waves are The Planets- (The planet is a small wave moves by low velocity relative to the original wave its velocity 300000 km/s)

Why Are These Small Waves Required?

Because the velocity 300000 km/s is decreased to Zero by using these small waves and their low velocities- the low velocities are used as steps to decrease the unified wave velocity (300000 km/s) to be (Zero)- this process decreases the velocity gradually from 300000 km/s to Zero depending on these small waves velocities (the planets velocities)

Means- the planets are created for this process to decrease the wave velocity from 300000 km/s to Zero- and The Planet Is A Small Wave Moves By Low Velocity

Shortly – the solar system has one complete system of velocities, Starting from Zero to 300000 km/s where the planets velocities are the steps between the two velocities – let's prove that here

(iii)

300000 km = 7.1 x (205.8)^2 where

7.1 is Lorentz length contraction effect for speed 297000 km/s (99% of speed of light)

205.8 km/s = the 9 planets velocities total (176 km/s) + the Earth moon velocity

(The moon velocity =29.8 km/s = the Earth velocity because they revolve together)

Why does the data use the squared value (205.8)^2?

We know the answer- but - Let's remember it

The planets are geometrical points on the same light beam and move with its motion- for that- the planets velocities rates creates rates of time– for example- Mercury velocity = 1.6 the Earth velocity- that means – one hour of Mercury clock = 1.6 hours of the Earth clock- Why??

Because Mercury and the Earth are carried by the same one light beam- the light moves one motion and passes one distance in one period of time- by that Mercury and the Earth have to move this same motion and to pass this same distance in this same period of time- but the two planets velocities are different- for that- the planets use different rates of time based on their velocities rates and by that the planets move equal distances in the same period of time –

Now- the velocity (205.8 km/s) moves relative to the stationary point (Zero) and creates a rate of time (1 second = 205.8 seconds) –

(one second of the unified wave clock = 205.8 seconds of the stationary point clock)

But – the energy is reflected in the solar system (I prove that in point no.**),

The energy reflection reflects the players – means

(one second of the stationary point clock = 205.8 seconds of the unified wave clock)

The stationary point will be THE SUN – by that

(one second of the sun clock = 205.8 seconds of the unified wave clock) – means

(one second of the sun clock = 205.8 seconds of any planet clock) –

Now during one second of the sun clock, the wave clock needs 205.8 seconds while the wave moves by a velocity 205.8 km/s- means –

During one second of the sun clock, the wave moves 42253 km = 300000 km /7.1

That creates the different velocity 300000 km/s between the sun motion and the wave motion-

Notice 1

The wave (205.8 km/s) moves during 1461 seconds a distance = 300000 km, and we know the Earth cycle (1461 days = 365 +365 +365 +366)

That tells, the speed of light (300000 km/s) is performed by the rate of time and that causes to create the Earth cycle-

Notice 2

Planet velocity is created by the rate of time- means- if no rate of time can be used – No planet velocity can be created – instead- all motions will be only by speed of light (300000 km/s)- the planet can create a small velocity because it can use rate of time

We realize that clearly because

The planets motions depend on the light motion- by that – the motion is done by One Motor only which moves by speed of light (300000 km/s), the planets can only move by speed of light or create a rate of time for their smaller velocities - No more options are provided.

Notice 3

We understand that, the planets are geometrical points on the same light beam, means

The planets are similar to carriages in one train and the light motion is the train engine means the planets are carried on the light beam and move with this light motion

I-6 Can The Time Machine Be A Fact?

To answer this question we need to review basics facts we have studied – let's do that in following

(1)

The solar system is created from one energy and this energy is provided by one light beam

(2)

The light moves simply and freely in any direction (for space) and (for time)- means- the light can move into the future (as matter does) or into the past (which the matter can Not do)

(3)

We know, the solar system is created from one light beam, and this light moves by a speed (1.16 million km per second) - And

We know, the light (1.16 million km per second) created the planets orbits firstly before any planet creation and the energy is consumed in the space creation and because of the energy consumption the light speed is decreased from (1.16 million km per second) to the known speed of light 300000 km/s – also

We know, the light (1.16 million km per second) started its motion from Mercury orbit moves toward Pluto- that means- the light (1.16 million km per second) started from Mercury orbit with speed (1.16 million km per second) and the light created all planets orbits till Pluto orbit- before any planet creation- and by that- the light lost its energy and the light beam in Pluto orbit reduced its speed to be 300000 km/s as a result for the energy consumption in the space creation process

(4)

Also we know the energy is reflected from Pluto toward Venus (the inner planets)

By that the light beam (300000 km/s) moves in the reflected direction to the original light beam (its speed 1.16 million km per second)

And – we know-

The light beam (300000 km/s) reaches to the original point (Mercury Orbit) from which the light (1.16 million km per second) started its motion

And we know that

A coherence of light is done between the original light beam (1.16 million km per second) and the light beam (300000 km/s)

BUT we don't know how such coherence can be occurred? Let's analyze that deeply in following

(5)

The produced light beam (300000 km/s) moves in (the reflected direction) to the direction of the original light beam (1.16 million km per second) (In Space) and reaches to Mercury orbit (the origin point)

But– logically – the produced light beam (300000 km/s) can NOT find the original light beam (1.16 million km per second) there because the original light beam is consumed already in the space creation process and the rest energy is this produced light beam (300000 km/s) – based on that –

How Can This Coherence Be Occurred? Means-

How can the produced light beam (300000 km/s) meet the original light beam (1.16 million km per second)? The answer is

The produced light beam (300000 km/s) moves (in the reflected direction) to the motion direction of the original light beam (1.16 million km per second) (In Space) and (In Time) Means- the produced light beam moves into (Its Own Past) and in the past this produced light beam (300000 km/s) was (A Part of the original light beam 1.16 million km per second) and because of that the produced light beam (300000 km/s) can meet the original light beam (1.16 million km per second),

And

The two light beams create a coherence (in the past) and we see the results of this coherence in our present time-

The idea is very important because – the coherence of the two light beams (1.16 mkm/s and 0.3 mkm/s) is proved strongly and with powerful proves and any explanation for this coherence will prove that the produced light beam (300000 km/s) must move Into The Past to enable this coherence occurrence- and that tells clearly- the travel through the time is possible and fact

BUT

Can the matter moves into its past as the light does? NO

Why?? Because

We know the light can move simply in any direction (+ x, + y, + z, + t) by that the light can move into the future and can move into the past BUT

The matter creation depends on A Motion In A Defined Direction-

let's remember this idea

Neptune diameter =49528 km because Neptune velocity is 5.4 km/s

(This Fact Is Proved By My Planet Diameter Equation)

Now, Neptune velocity is a motion in a defined direction

(for example a motion in +x direction)

The energy moves in this direction (+x direction) and because of this motion Neptune matter is created and Neptune diameter is defined- now if the energy moves in (opposite direction "–x direction") that will change Neptune diameter or cause to perish its matter at all

Means- as long as – Neptune is found- that means – the energy moves in one direction (and not two directions) – for that Neptune can move into the future but can NOT move into the past.

Notice

The matter can not move into the past but the light can do that-

Means- we have the time machine already- we need to know how to send the light into the past and by that we can have photos from the past events- and this will be The Time Machine

The Hypothesis Proves

I-7 The Proves Logic Analysis

I-8 Planet Velocity Is A Function In A Speed = (1.16 million km /s)

I-9 Planets Orbits Are Defined By A Motion Its Speed = (1.16 million km /s)

I-10 Jupiter distances are defined by a motion by a speed = (1.16 million km /s)

I-11 The Solar System Geometrical Design Proves The Hypothesis

I-12 The Solar System Distances Analysis Prove The Hypothesis

I-13 Deep Analysis For The Planets Orbits

1-14 Light defines each planet orbital period

I-15 Can Planet Diameter Be Used As A Period Of Time?

I-16 Mercury Orbit Analysis

I-17 The Planets Data Is Created By The Light Motion Directly

I-18 Light Defines Each Planet Rotation Period

I-7 The Proves Logic Analysis

Why can we prove that, a light beam its speed 1.16 million km per second is found in the solar system? also, the theory tells this light beam energy is consumed and the rest energy is found in one light beam its speed 300000 km/s (the known speed of light), if this light energy is consumed, how can we prove its existence?

There are two major reasons, which are

The Planets Orbits Are Created Before Any Planet Creation- And These Orbits Are Created Based On One Motion- And This One Motion Is Done By A Speed 1.16 Million Km Per Second.

The Planets Matters Are Created Based On Their Orbits – means- the planet is similar to a tree and the orbit is similar to a ground and the tree is planted in the ground-

NOTICE

after the planet creation, the planet can migrate from its original orbit to any other orbit - as Mars and Pluto did and that will not cause to destroy the planet.

Shortly-

the planet matter and data is created based on this planet orbit- the orbit is defined before any planet creation and based on the orbit the planet matter and data is created (we remember- the space is similar to the sea of water and the planet matter is similar to a whirlpool found on this sea page- that tells the whirlpool is created based on its place in the sea of water)

Shortly- The Planet Matter Is Created Depends On This Planet Orbit

The speed 1.16 million km per second is registered in the planets orbits because the orbits are created from the energy of the light beam (1.16 million km per second), and the planet matter is created from this planet orbit (energy)

Shortly

The light beam (1.16 million km per second) is the source of energy for (everything) in the solar system-

All orbits are defined by its energy, all matters are created by its energy, and all motions are done by its motion-

Can we prove this light beam is a fact? YES we can

The analysis for any data or any motion will discover this light beam because it's the source of energy for everything

Shortly

the light beam (1.16 million km per second) is The Source Energy of the solar system

The mother of all children can be discovered by analysis these children data

A QUESTION

Can the solar system design uses a rate 1.16 and I can't understand that but wrongly consider this rate (1.16) as a speed of light 1.16 million km per second?

NO- this can't be possible – Because

The light beam (1.16 million km per second) behaves typically to the known light beam (300000 km/s) – as we will see in the data discussion

I-8 Planet Velocity Is A Function In A Speed = (1.16 million km /s)

DATA

My 5th equation (v1v2=322)- the planets velocities prove it–let's see that in following

322 = 47.4 km/s (Mercury velocities) x 6.8 km/s (Uranus velocities)

322 = 35 km/s (Venus velocity) x 4.7 km/s (Pluto velocity) x 2

322 = 29.8 km/s (the Earth velocity) x 5.4 km/s (Neptune velocities) x 2

322 = 24.1 km/s (Mars velocity) x 13.1 km/s (Jupiter velocity)

322 = (17.9 km/s)^2 (Ceres velocity) (Max error 2%)

DATA ANALYSIS

The previous data tells the planets velocities are defined by three features

(1st Feature)

The planets velocities are complementary one another –means - each planet velocity is complementary with another planet velocity– means– The planets velocities are defined in pairs and not in single planets.

(Notice, the inner planets orbital inclinations are defined by the rule (v1/v2), for example, Mercury orbital inclination 7 deg = Mercury velocity 47.4/ Uranus velocity 6.8 that proves the effect of the rule (v1v2=322) on the planet motion)

Ceres velocity tells the idea - Ceres is used as the main point - as a result the outer planets be complementary with the inner planets – for that the rule (v1v2=322) controls the planets velocities- that means- The planets velocities are created based on One Design- Ceres velocity is used as the main point for this design

(2nd Feature)

Why the constant is 322? because 1160000 seconds = 322 hours – means- there's speed of light = 1.16 million km /s - Shortly

Mercury (47.4 km/s) moves during 6.8 hours a distance = 1160000 km

Uranus (6.8 km/s) moves during 47.4 hours a distance = 1160000 km And

Venus (35 km/s) moves during 2 x 4.7 hours a distance = 1160000 km

Pluto (4.7 km/s) moves during 2 x 35 hours a distance = 1160000 km

Earth (29.8 km/s) moves during 2 x 5.4 hours a distance = 1160000 km

Neptune (5.4 km/s) moves during 2 x 29.8 hours a distance = 1160000 km And

Mars (24.1 km/s) moves during 13.1 hours a distance = 1160000 km

Jupiter (13.1 km/s) moves during 24.1 hours a distance = 1160000 km And

(Notice - Saturn (9.7 km/s) moves during 33.2 hours a distance = 1160000 km - (between 33.2 and Venus velocity 35 km/s the error 5%)) (Data Max error 2%)

The Data Proves, The Planets Velocities Are Functions In The Speed 1.16 Million Km Per Second. That proves the speed (1.16 million km per second) is A Fact

(notice the planets velocities are complementary one another also based on the known speed of light 300000 km/s, the paper provides this data)

(3rd Feature)

The planets velocities limit depend on the known speed of light 300000 km/s

Let's explain that in following

The 9 planets velocities total is 176 km/s (I add the Earth moon velocity 29.8 km/s)

The 10 planets velocities total is 205.8 km/s

300000 km = 7.1 x (205.8)^2

The speed 297000 km/s (99% speed of light) causes Lorentz length contraction effect with the rate 7.1

The velocity (205.8 km/s) moves during 205.8 seconds a distance 42253 km

Where 300000 = 7.1 x 42253 km BUT 42253 = (205.8)^2

The squared value (205.8)^2 is found because of the used rate of time

We have studied this equation in point (I-5**) -the data shows, the planets velocities are defined as parts of a complete system of velocities starts from (Zero = stationary point) and reaches to the speed of light 300000 km/s and between these two values the planets velocities are defined to support this same system- that tells- the planets velocities are defined with limit to the speed of light (300000 km/s) - The data proves the speed (1.16 million km per second) is a fact -and also the data proves the coherence is done between the light (1.16 million km per second) and the light (300000 km/s)

(CONT)

Gerges Francis Tawdrous +201022532292

Physics Department- Physics & Mathematics�� Faculty

Peoples' Friendship university of Russia – Moscow (2010-2013)

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thepunkmuppet · 1 year ago

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the possible future of the hatchetfield series: hatchetfield halloween party livestream full rundown

again apologies if someone has already done something like this, but I’m procrastinating doing my coursework and just want to talk about hatchetfield I want everyone to be aware of this exciting stuff that was announced in the stream so here you go:

the next starkid musical to be released will not be in the hatchetfield universe.

the guy who didn’t like musicals will soon be ready to license.

nightmare time 3 was originally planned to be released in the same year as nightmare time 2 and will wrap up the overarching nightmare time stories (which seem to be miss holloway and the foster sisters respectively).

if they did a fourth hatchetfield musical, it would be about miss holloway and her backstory. it is already written. I am very very extremely normal about this fact 😃

there is a possibility of a hatchetfield movie, and workin’ boys was sort of a test for this concept. it would be a slasher murder mystery centering around the hatchetfield community players (zoey chambers and the cast of workin’ girls, possibly also with ruth, hidgens, alice and any other theatre-oriented characters but that part’s just my speculation). the transcription of the teaser description can be found below the nmt descriptions.

ok so here are the transcriptions of the nmt3 episode descriptions:

Story #1: Bottle Imps

Bill Woodward has been chosen to test CCRP’s latest and greatest product; Bottle Imps. These reality-bending buddies will bring their owner the one thing they desire most. When his new imp, Lovely, leads him to his soulmate, Bill decides to use his magical companion to play matchmaker. But to help Charlotte find the man of her dreams, Bill will have to bend the Imp’s rules. Rules he’s been warned, must never be broken…

Story #2: Frankenruth

Desperate to see a naked body, Ruth Fleming and Richie Lipschitz volunteer at the morgue of St. Damien’s Hospital. Their terrible plan becomes exponentially more terrible, when they become unwitting subjects in the experiments of the body-snatching madman, Doctor Laszlo, who claims to have conquered death itself. If Hatchetfield thought Ruth was bad before, then they will cower before the unspeakable horror of… Frankenruth!

Story #3: Becky Barnes Climbed a Tree

Becky Barnes is on top of the world! Not in a literal sense, of course. She’s deathly afraid of heights. After years of struggle, Becky’s life is finally everything she dreamed it would be. She’s engaged to her high school sweetheart, Tom Houston, and the two have a surprise baby on the way! But, as the couple prepare for the arrival of baby Marie, a shadow from Becky’s past returns to haunt them.

Story #4: Devil’s Night

Tim Houston has a crush. Unfortunately, it’s on his older, mature and totally cool babysitter, Grace Chasity, who he fears will never see him as anything but a snot-nosed little kid. But when a devilish maniac with murderous designs on Grace attacks Hatchetfield the night before Halloween, Tim must protect his beloved, or join the killer’s growing body count. It’s another slashing adventure on the night HE came home… Devil’s Night.

Story #5: (long special episode) Miss Holloween

It’s Halloween in Hatchetfield once again, and Miss Holloway is celebrating the same way she’s done for decades, staving off the horrors that go bump in the night. But when Duke gives her an invitation to his wedding, the dejected Miss Holloway begins to chafe under the terms of a contract forged many years ago. She strikes a new bargain, but unfortunately her creditors are known for their tricks, not treats. Just as Miss Holloway gives up her powers in exchange for a mortal life, a monstrous new threat rears its ugly head. As All Hallows Eve descends, and all Hell breaks loose, Miss Holloway must save the town or die trying… for real this time.

Story #6: (long special episode / season finale) Orb Weaver

Lex Foster had a life once. A home. A boyfriend. Now there is only the road, and her sister, and the fear of the men who are hunting them. As Hannah Foster watched Lex sink deeper into despair, she is certain of only three things: Webby is gone. She cannot help them. They are alone. Elsewhere, an old soldier awakens from a catatonic state. Returned from some unimaginable Hell with a mission. He knows that somewhere, two magical girls require immediate evac… then maybe some coffee.

very important: if you want nightmare time 3, WATCH NIGHTMARE TIME 2. BUY A TICKET TO THE LIVESTREAM. SHOW THAT THERE IS LOVE AND DEMAND AND IT’S WORTH THEIR TIME AND MONEY I AM BEGGING YOU

hatchetfield movie: Cast Party Massacre

The Hatchetfield Community Players. You will never find a cattier troupe of two-faced thespians. But when the blood begins to flow at their latest show’s cast party, they must consider: is there a secret murderer in their midst? And more importantly, who amongst them is a good enough actor to pull off such a performance? Can they set aside their petty squabbles and tangled romances, or is it curtains for this ensemble? Who will survive… the Cast Party Massacre!

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ssa-dado · 3 months ago

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9 - Folie à Deux

Aaron Hotchner x bau!fem!reader Genre: fluff, slow burn, so much tension it hurts. Summary: After being called to Houston to solve a gruesome case involving a dancing, folie à deux couple, you and Hotch are forced to go undercover, posing as a couple at a dance event. The operation brings you closer, revealing unspoken emotions as you navigate dangerous waters both on and off the dance floor. Back at Quantico, a matchmaking mission further blur the lines between partners, friends, and something more, solidifying your unique bond. Warnings: The case in this one is very graphic! Mentions of blood. Word Count: 14.1 k - I know, but trust me on this one Dado's Corner: My job with this one was simply to make your heart flutter, and I hope I’ve succeeded. I’m especially proud of this chapter (I secretly titled it “the ovulation chapter.” in my drafts). Unintentionally, it also works as a stand-alone one-shot. Consider this a small treat for all the suffering you’ve endured so far. Please comment and let me know what you think!

previous chapter ; masterlist

A few months had slipped by since you had finally admitted to yourself that you had a crush on Aaron Hotchner - your stoic, impossibly composed coworker but also your unexpectedly humorous friend. Accepting it didn’t make it any easier, though; it only sharpened your awareness of him, turning every stolen glance and fleeting smile into a secret thrill you could never quite tame.

His voice, deep and steady, lingered in your mind long after meetings ended, and every accidental brush of his hand felt electric, sending your heart racing in ways you couldn’t control. You found yourself memorizing the little things: the way his brow furrowed in concentration, the rare warmth of his smile that made the room feel lighter, and the quiet strength he carried that drew you in without trying. Working alongside him became a careful balancing act, a daily routine of holding back when all you wanted was to lean closer, to let your feelings spill out in ways that terrified and thrilled you all at once.

That day especially felt different, it wasn’t just any morning at the BAU; it was the day Hotch would owe you his 200th coffee - a milestone you had secretly been counting down to with a mix of excitement and fondness. What had started as a friendly wager between two competitive colleagues had evolved into a cherished ritual of ‘ constantly reminding you of your failures’, a small but meaningful connection that gave you an excuse to be near him, to share something uniquely yours in the chaos of your demanding jobs.

You stopped by your usual coffee shop on the way to work, picking up two cups of your favorite blend to mark the occasion. And because you couldn’t resist, you brought along the book you’d bought for him months ago but didn’t have enough courage yet to hand him due to the reminders of the dreaded night at Peter’s welcome back party - Hegel for Dummies. You couldn’t wait to see his reaction. Every detail, every inside joke felt like a small victory in your ongoing, unacknowledged crush on him.

As you walked into the bullpen, the morning light was filtering through the windows, casting a soft, golden glow over the quiet office. The light caught Hotch just right, illuminating him like some kind of ethereal portrait, and for a moment, you couldn’t help but marvel at the sight. He was sitting at his desk, engrossed in a stack of case files, the crease between his brows deepening with concentration.

His hair, usually so meticulously combed back, was already starting to rebel, a few strands falling loose and grazing his forehead in a way that made your heart skip. You loved how those little imperfections softened his usually sharp, composed appearance, making him look a touch more human, a little less like the untouchable rising star agent and more like the man you admired.

His eyes, a deep, rich brown that turned to liquid gold when the sunlight hit them just right, glanced up from his work as you approached. The way he looked at you, warm and attentive, made your breath catch. Those eyes, so often serious and guarded, held a softness that in your delusional mind he seemed to reserve just for you. It was like he saw you, really saw you, in a way that only a few else did, and that small, silent acknowledgment never failed to make your heart flutter.

“Good morning, partner,” Hotch greeted, his voice low and rich. It was a voice that always wrapped around you, grounding you in a way you couldn’t quite explain. The way he said “partner” felt special, loaded with a meaning you were too afraid to fully unpack.

“Good morning,” you replied, setting the coffees and the book down on his desk with a playful smile. “Today’s a special day, so I thought we’d celebrate.”

Hotch’s eyebrow quirked, his mouth curving into a teasing half-smile that made your stomach flip. God, you lived for that smile. It was so rare, so fleeting, and every time you saw it, it felt like a personal victory. “Special day? What did I forget?”

You rolled your eyes, biting back a grin as you watched the subtle play of emotions on his face - curiosity, amusement, that faint twinkle of mischief that always caught you off guard. “Come on, Hotch. Today’s the 200th coffee you owe me. Two hundred times you’ve somehow managed to beat me at this ridiculous game, and I’m starting to think you have a secret strategy you’re not sharing.”

He chuckled softly, a sound that was low and quiet, but so genuine that it made your chest tighten. There was something about the way his face softened in those moments that made you want to memorize every line, every subtle shift. “I’ve been wondering when you’d bring that up,” he said, his voice laced with that familiar, dry humor you adored. “At this rate, you’ll owe me another 200 before you even come close to winning.”

The banter between you was effortless, filled with a warmth that made every exchange feel like a private little world the two of you inhabited. You leaned against your desk, studying him like you always did - quietly, reverently, as if each glance was a stolen moment.

There were so many things you loved about Aaron Hotchner, so many small details that made your crush feel like a living, breathing thing. The way his tie was just slightly askew, hinting at the frantic rush of his morning. The way his hands moved as he spoke, precise and deliberate, fingers that always seemed to know exactly what to do, whether they were flipping through case files or adjusting the cuffs of his perfectly pressed shirt.

“You know, by now, you owe me more than $200 worth of coffee,” you teased, unable to suppress the smile tugging at your lips. “I think it’s about time you start paying up.”

Hotch’s eyes gleamed with that playful challenge you loved, the one that said he was always three steps ahead but still enjoyed every second of sparring with you. “Only if you can actually manage to win, which -let’s be honest - could take you an eternity. A philosopher I know once told me the story of Achilles and a turtle”

The lighthearted exchange was cut short when something on your desk caught your eye: a small, neatly wrapped box nestled under your lamp. It was a simple package, wrapped with an almost meticulous care, and you felt a surge of curiosity as you picked it up.

Hotch watched you, his expression softening, as you carefully unwrapped the box, revealing a sleek, elegant gel pen - the same kind he used religiously, except this one had a small “200” engraved near the clip.

Your heart skipped a beat, the significance of the gift hitting you like a tidal wave. It was just a pen, but it was also so much more than that: thoughtful, personal, and unmistakably him. You held it delicately, almost reverently, as if it were a secret you weren’t quite ready to share with the world.

Before you could find the words, Hotch spoke, his voice gentler than usual, tinged with that rare, intimate tone he reserved for moments like this. “I know Gideon never remembers anniversaries,” he began, his eyes flickering with the inside joke you shared, “but I’m not Gideon. And this is my promise that you won’t ever have to storm around like Rossi did on our first case together.”

It was such a simple statement, but the way he said it, so earnest and sincere, made your throat tighten. You couldn’t help but focus on the way his mouth moved, the slight pull of his lips that revealed just the faintest hint of dimples when he smiled. “Hotch, this… it’s perfect. You didn’t have to do this.”

He shrugged, effortlessly brushing off your gratitude in that casual, understated way that always made your heart ache. "I wanted to. It's my favorite kind of pen, and I thought you should have one too. The only difference is the ink color," he added, a teasing smile tugging at his lips. "I've noticed you always use blue... a bit of an unusual choice, but hey, if it works for you."

You couldn’t stop staring at him, your chest fluttering at the way he noticed your quirks and habits. His attention to detail, his thoughtfulness, made you feel seen in a way that was both exhilarating and terrifying. It was as if he’d quietly gathered the pieces of you - those you tried to keep hidden and the small, silly traits that made you who you were - and somehow found them all worth celebrating.

“Thank you,” you managed, your voice barely more than a whisper. “I don’t know what I’d do without you, Hotch. You’re… you’re the best partner I could ever ask for.”

He smiled, that small, almost imperceptible curve of his lips that felt like a reward, and it made your heart soar. He leaned back, crossing his arms in that familiar, confident way that somehow made him look both commanding and completely approachable. “I could say the same about you,” he said, his voice carrying that rare sincerity that made you feel special. “Though I’m still waiting for the day you actually beat me.”

You laughed softly, your gaze locked on his. “This is so thoughtful, it almost makes me want to kiss you on the cheek… if you weren’t so against physical contact, of course.”

Hotch’s smile turned mischievous, a rare twinkle lighting up his eyes that made your heart flutter uncontrollably. “Well, unlike Rossi and Gideon, we’re not married, yet.”

Though it was meant as a joke, it felt layered with something deeper, like a hidden promise disguised as banter. “Yet?! Are you planning on proposing? Because after all this thoughtfulness, you just might get a yes out of me,” you teased, your tone playful, even as your heart raced with the weight of your own words.

Hotch’s gaze lingered, his expression softening into something almost vulnerable. “I’ll make you another ‘lawyer’ deal,” he said, leaning forward, his voice dropping to that low, intimate register that made your skin tingle. “I’ll propose by the time I owe you a thousand cups of coffee. So, you’d better start winning, or you might just be stuck with me forever.”

The words were light, meant to tease, but there was a sincerity in his gaze that made your breath hitch. Your heart pounded, the beat echoing in your ears as you tried to think of a witty retort, but all you could focus on was the way his eyes lingered on you, the faint curve of his lips, the way his presence filled the space between you.

“Be careful what you wish for,” you managed to say, your voice wavering slightly despite your best efforts to sound composed. “You know that if you give me a deal like that, I won’t be able to help but accept.”

Hotch’s smile softened, and for a split second, his expression was almost tender, a quiet vulnerability that he rarely allowed himself to show. “Forever,” he murmured, as if testing the weight of the word, as if it were something fragile and precious.

“You’re a lawyer, Hotch,” you teased, though your voice was softer now, tinged with something you couldn’t quite name. “You should know better than anyone that divorces exist.”

Hotch’s gaze held yours, steady and intense, the faintest hint of a smile playing at his lips. “Forever,” he echoed softly, the word hanging in the air like a quiet dare.

You tucked the pen into your pocket, feeling its weight like a promise, a small, tangible reminder of the connection you shared, the quiet care that threaded through every interaction.

As Hotch turned back to his files, the brief flicker of vulnerability and humor slipping into the familiar stoic composure he reserved for work, your thoughts couldn’t help but drift to that thousandth day. A small, impossible hope lingered in the back of your mind, quietly daring to imagine what might happen when that moment finally came.

☐ ⬛

“Well, if it isn’t my two favorite night-owls gracing me with their presence,” Rossi greeted, his voice carrying its usual mischief as he glanced up at you and Hotch. “Hope you’re ready to pack up, we’ve got a situation in Houston. Local police just found a second victim, and it looks like this one’s escalating fast.”

There was no hesitation. Within hours, you, Hotch, Gideon, and Rossi were on a train bound for Houston, the rhythmic clatter of the wheels on the tracks a relentless echo of the urgency ahead. The details of the case gnawed at your mind, filling the air with a heavy dread that clung to you like a second skin. This wasn’t just another case, it was darker, more depraved than anything you’d encountered in recent memory. Two victims in two weeks, seemingly random but bound by the sheer, almost ritualistic brutality of their deaths.

The first victim, Lauren Fields, a 21-year-old English literature student with bright eyes and a future full of promise, had been found hanging from the ceiling of a derelict warehouse. But it wasn’t just the fact that she was dead, it was how she had been killed.

Her body was marred by deep, deliberate cuts, as though the unsub had taken their time, savoring the act. He had let her bleed out slowly, cruelly drawing out her final moments. The scene was a nightmare of gore: blood sprayed across the walls, congealed in thick pools on the floor, smeared in what almost seemed like purposeful patterns. The blood on the floor told a grim story of its own, scattered in ways that suggested not just violence, but movement.

The second victim, Eric Watts, a 36-year-old plumber, had been found in much the same state. Another warehouse, another scene of calculated carnage. His body hung from the ceiling, suspended like a grotesque puppet, slashed with the same cold precision. His blood had pooled beneath him, the same sickening patterns left behind, as if the killers found joy in the desecration of human life.

There were no obvious connections between Lauren and Eric: no shared history, no common threads, but the horror they endured bound them together. The only connection was the sheer sadism behind their deaths, the terrifying reality of what they had suffered.

When you and Hotch arrived at the latest crime scene, the atmosphere was suffocating, the heavy stench of decay mixing with something far more sinister - a creeping, invisible darkness that seemed to pulse from the walls and seep into your bones. The warehouse was cold and damp, every step echoing in the cavernous space, amplifying the feeling of dread that settled under your skin. The scene before you was like stepping into a nightmare: blood was smeared across every surface, splattered like a grotesque and violent artwork that told the story of terror in a language only the twisted could understand.

The victim’s body still hung from the ceiling, pale and lifeless, suspended like a gruesome puppet left to rot. The stark contrast of crimson against the cold concrete created a macabre impressionist masterpiece, each streak and spatter of blood capturing the chaos and suffering of the final moments.

But it was the floor that truly made the scene unbearable: bloody footprints crisscrossed the entire space, overlapping and swirling in erratic patterns, turning the ground into a nightmarish dance floor painted in red. It wasn’t just the sight of the blood; it was the story those prints told, a sickening ballet of violence and madness performed by the killers who saw their victims as props in a twisted dance of death.

Hotch moved through the scene with his usual composed intensity, every step deliberate, every glance calculated. He had a way of grounding you even in the most horrifying moments, his presence a constant reminder that you weren’t alone in facing this darkness.

You watched him closely as he crouched near the center of the room, his dark eyes scanning the bloody prints with the kind of focused calm that never wavered. There was something impossibly magnetic about his concentration, how he could look at chaos and find the patterns hidden within it. It was reassuring, and you couldn’t help but feel even more attracted by him every time you watched him work.

Hotch leaned in closer, tracing the jagged, uneven edges of the footprints with the tip of his pen, his expression hardening as he took in every detail. “There are two sets of footprints,” he observed, his voice steady and sure, cutting through the suffocating silence. “One left by a man, the other by a woman.” His focus was absolute, as if he were piecing together a puzzle only he could see.

You stepped closer, feeling the coolness of the blood-slicked floor through your shoes, the sticky sensation almost making you shudder. As you looked down at the prints, your mind raced, trying to make sense of the bizarre choreography. The shapes and patterns were hypnotic against the blood-stained concrete, swirling and merging in ways that felt oddly deliberate, almost purposeful.

You could feel Hotch beside you, his presence a steady anchor amid this violent tableau, and you leaned into that unspoken support, drawing strength from his calm.

“They’re not just walking around,” you said softly, your voice almost lost in the vast emptiness of the warehouse. The realization struck you suddenly, sharp and undeniable. “It’s almost like they’re dancing.” The prints weren’t just random; they moved in loops, turns, and steps that followed no logical path but instead mirrored something more fluid, more rhythmic. It was as if the unsubs were performing, dancing in the blood of their victim as they died above them.

Hotch’s head snapped up, his eyes meeting yours in an intense, electrifying moment of shared understanding. You could see the same chilling realization dawning in his expression, the pieces clicking into place with a horrifying clarity. You were both thinking the same thing, and when you spoke, the words tumbled out in perfect, uncanny sync: “It’s a folie à deux.”

Folie à deux - madness shared by two. The way the killers had moved around their victims, the sickening dance in their own blood, it all pointed to a couple lost in their own twisted world, feeding off each other’s delusions.

Hotch’s gaze lingered on yours, his expression a mixture of determination and something deeper, something that mirrored your own emotions, an unspoken acknowledgment of the darkness you were about to face.

The air between you felt charged, every breath heavy with the weight of what you had uncovered. In that brief moment, you felt a rush of warmth that cut through the chill of the crime scene, a reassurance that whatever horrors lay ahead, you would face them together, side by side.

You turned your attention back to the scene, but the connection lingered, a silent promise that neither of you had to say aloud. This wasn’t just about catching killers; it was about understanding the twisted minds that had found solace in each other’s madness.

☐ ⬛

Back at the police station, the atmosphere was tense, the air thick with the urgency of finding a connection that seemed maddeningly out of reach. The four of you were gathered around a large conference table, the crime scene photos spread out like pieces of a jigsaw puzzle that refused to fit together.

You watched as Hotch leaned forward, elbows on the table, eyes fixed on the images before him. You couldn’t help but steal glances at him, admiring the way his brow furrowed in concentration, the way he absentmindedly tapped his pen against the table, little quirks you had memorized in the quiet moments between the chaos.

“They have no connection,” Rossi said, frustration evident as he flipped through the victim profiles. “One’s a student, the other’s a plumber. Different neighborhoods, different circles. There’s nothing that ties them together.”

Gideon nodded, his usually sharp eyes clouded with concern. “Lauren was outgoing, well-liked in her classes, no known enemies. Eric kept to himself, lived alone. They were single, no significant relationships that would tie them together. No overlap, no common link.”

You studied the crime scene photos, trying to piece together the senseless brutality into something that made even a fragment of sense. The killers weren’t just murdering—they were performing, re-enacting something deeply personal.

A thought struck you, a theory that felt like it was teetering on the edge of insanity, but you couldn’t shake it. “Maybe the connection isn’t between the victims,” you said slowly, your voice trembling slightly as you spoke. “Maybe it’s about the killers. They’re choosing substitutes, victims that represent something to them. They’re killing themselves over and over, using these people as stand-ins. It’s the only way they can keep their bond alive.”

Hotch leaned back, his gaze fixed on you, piecing together the fragments of the theory you’d just laid out. There was something about the way he looked at you - sharp, attentive, and with a hint of pride that sent warmth flooding through you. “If that’s the case,” he said thoughtfully, “then the unsubs must have a significant age difference. At least ten years, maybe more. One victim is young, the other is older, they’re acting out their issues, punishing each other through these surrogates.”

Gideon’s expression tightened, urgency pressing down on him. “But now we’re running out of time. The pattern is clear: they’ve killed one victim every Friday. Today is Thursday. If we don’t catch them soon, we’ll be looking at another body tomorrow.”

Silence filled the room, heavy with the weight of the ticking clock. The profile was solidifying, but you were still searching for that key piece that would lead you to the unsubs before they struck again.

Rossi tapped his pen against the table, drawing everyone’s attention. “They’re not picking these people at random. The way they kill, it’s theatrical, ritualistic. It’s personal. It’s like they’re putting on a show for each other.”

You pointed to the photos of the bloody footprints, the twisted dance steps that had been burned into your mind since you’d first seen them. “The dance. The way they move around the bodies - it’s coordinated, like a rehearsed routine. Both victims had connections to dance events in the city. Lauren was part of an improv dance group, and Eric attended open dance nights with his niece. They’re targeting couples who, in some way, remind them of themselves.”

Hotch nodded, the pieces clicking into place. “The unsubs are drawn to these events. They’re either participants or observers, targeting couples who challenge their twisted ideas of love and connection.”

Gideon and Rossi exchanged knowing looks, their expressions shifting from grim determination to something almost playful. There was a hint of amusement in their eyes, a rare break from the tension as they turned their attention back to you and Hotch.

“You know what that means,” Gideon said, his tone laced with a sly undertone that hinted at more than just strategy. “We need someone who can really get under their skin, challenge their so-called ‘love.’”

Rossi leaned back in his chair, a smirk spreading across his face as he glanced between you and Hotch. “And who better than the two of you? You fit the victimology like a glove - twelve years apart, just like their preferred targets. Plus,” he added, his voice dripping with mischief, “you two have pulled enough late-night sessions over case files. Now you get to do something a little more… interactive.”

He gave a wink, clearly enjoying the irony, and you could practically feel the teasing energy radiating off him. It was all too clear that Rossi and Gideon were having far too much fun at your expense. They knew exactly what they were doing, and the thought of you and Hotch going undercover as a couple was like handing them a golden opportunity to poke at both of you.

They didn’t just see partners, they saw the unspoken chemistry, the way you worked together like a well-oiled machine, and they weren’t going to miss the chance to play matchmaker, even if it was in the guise of catching killers.

Rossi’s grin widened as he saw the look on your face, and you could tell he was reveling in every second of this. “It’s fate,” he said with a chuckle, barely able to contain his amusement. “Out of all the things you two have faced, this might be your greatest challenge yet.”

Gideon nodded, barely suppressing his own smile. “So, go on. Pack your dance shoes. Time to see if you can keep up with the unsubs.”

The suggestion hit you like a freight train, sending your thoughts spiraling. The idea of going undercover as a couple with Hotch was equal parts thrilling and terrifying. It wasn’t just about pretending, it was about pretending with him.

Every time you looked at him, you felt the undeniable pull of your own feelings, the crush that you’d tried so hard to keep hidden, now bubbling dangerously close to the surface. Being this close to him, touching him, dancing with him… it was everything you wanted and everything you were afraid to confront.

Hotch caught your eye, a small, almost teasing smile tugging at the corner of his lips. “Out of all the things I signed up for when I joined the Bureau,” he said, his voice edged with humor, “I never thought I’d end up dancing.”

You tried to suppress the nerves fluttering in your chest, forcing a playful smile in return. “Be careful what you wish for, Hotch. Remember the deal you made back in Quantico? That you’d propose when you owed me a thousand cups of coffee? Well, here we are—on our anniversary, rehearsing for what could be our first dance.”

Hotch chuckled, his smile widening, eyes twinkling with mischief. “Guess we’re ahead of schedule, then. I might have to get that ring ready sooner than I thought.”

You both laughed, but beneath the banter, there was a flutter of something real, something that made your heart skip. The weight of your joke hung between you, laced with the kind of unspoken longing that you’d been trying to ignore for far too long. If only he knew how much you wished those playful words were true.

☐ ⬛

Later, back at the hotel, you found yourself in the lobby, staring down at the dance steps outlined in the file Gideon had handed you. It was a romantic routine: timeless, intimate, and designed to draw attention. As you studied the sequence, you felt Hotch approach, his presence warm and grounding.

You looked up to find him leaning casually against the wall, jacket draped over his shoulder, his sleeves rolled up to reveal the strong lines of his forearms. You couldn’t help but notice how his hair was starting to fall loose, framing his face in a way that made him look almost boyish, at how he was effortlessly handsome.

“You ready for this?” Hotch asked, his voice a low, comforting rumble. There was a lightness in his tone, but you could see the hint of nerves in his eyes. It was oddly reassuring to know that he was feeling the same strange mix of anticipation and anxiety that you were.

You shrugged, trying to keep your voice steady. “The Bureau never prepared me for undercover ballroom dancing. I think the last time I slow danced, I tripped over my own feet more times than I care to admit.”

Hotch’s laugh was warm, genuine, and it sent a ripple of something achingly sweet through you. “Well, it’s not exactly standard training. But you’ve got rhythm, you’ll pick it up. And hey, if we can survive a shootout together, we can handle a dance floor.”

You arched an eyebrow, teasing. “I’m starting to think you’ve been hiding some secret dance skills. Were you secretly moonlighting as a dance instructor?”

He shook his head, grinning. “Not quite. But I did take a few lessons back in college. Thought it’d be a good way to meet people. I was terrible at first - tripped over my own feet more times than I’d like to admit.”

You laughed, the image of a younger, awkward Hotch struggling through a dance class making you smile. There was something endearing about the thought, something that made you feel like you were seeing a part of him that few ever got to see.

Hotch extended his hand, his eyes meeting yours with a gentle challenge. “Ready to give it a shot?”

You took his hand, the touch of his skin sending a rush of warmth up your arm. “Not even one bit.”

The song Gideon and Rossi chose for the two of you was ‘It’s All Coming Back To Me Now’ by Celine Dion. The music began, soft and slow, filling the lobby with a melody that felt both timeless and intimate. As you moved together, each step felt like a tentative exploration of something more than just a dance.

Hotch’s hand on your waist, the subtle strength in his hold, the way his eyes never left yours, it was all so much more than you’d expected, and you couldn’t help but feel the weight of every unspoken feeling between you.

“Careful,” Hotch teased as you stumbled slightly, catching you effortlessly. “Can’t have you falling for me on the dance floor.”

You shot him a playful glare, your cheeks burning with the double meaning behind his words. “If I do, it’s entirely your fault.”

Hotch’s smile softened, his thumb brushing against your hand as you continued to move in sync. “I’ll take full responsibility.”

The song played on, each step bringing you closer, each touch making it harder to ignore the truth you’d been hiding. Dancing with Hotch felt like stepping into a dream you didn’t want to wake from, a dangerous, beautiful dance where every move whispered of what could be, if only you were brave enough to reach for it.

As the song ended, Hotch pulled you close, his voice low and teasing. “Guess we really are rehearsing for our first dance.”

You laughed, trying to ignore the way your heart pounded in your chest. “Yeah, and just think, you’ve still got 800 coffees to go before you have to propose.”

He smirked, a twinkle in his eyes. “Better get to work beating me, then. I’m not planning on waiting forever.”

The words hung between you, playful yet laced with an unspoken promise. You knew it was just banter, just another layer of the teasing that had become so natural between you. But standing there, wrapped in the lingering closeness of the dance, it felt like so much more.

You stepped back slightly, breaking the intimate proximity but not the connection that buzzed between you. Hotch’s hand lingered at your waist for a second longer than necessary, and you felt the warmth of his touch sear through the fabric of your blouse, leaving a ghost of a feeling that you knew you’d carry long after this moment was over.

The silence stretched, not awkward but charged, both of you caught in a rare moment of vulnerability. Hotch’s gaze remained fixed on you, his dark eyes searching yours as if trying to read the unspoken words that hovered just out of reach. For a moment, you thought he might say something, something real, something that would bring down the walls you’d both so carefully built. But instead, he broke the tension with a soft, knowing smile.

“You did good,” he said, his voice a low, comforting murmur that sent a thrill down your spine. “I think we’ve got this.”

You nodded, trying to muster your usual bravado even as your heart thudded in your chest. “Yeah, well, it’s not every day I get to dance with a lawyer. I’d say that’s worth at least a few points in my favor.”

Hotch chuckled, a sound that was all warmth and affection, and you couldn’t help but bask in it, soaking up every second. “Just remember, you’ve still got a long way to go before you catch up. But I’ll admit,” he said, tilting his head with a playful glint, “you’re getting closer.”

The lightness of his words belied the heaviness in your chest, the way your feelings for him felt like a secret you could no longer keep hidden. You wanted to say more, to let him know just how much these moments with him meant to you, how every joke and every stolen glance was a lifeline amid the chaos.

But you couldn’t bring yourself to risk the delicate balance of your partnership, the friendship that had grown into something far more complex than you’d ever imagined.

Instead, you settled for a smile, one that you hoped conveyed at least a fraction of what you felt. “I’ll take that as a compliment, Hotch. And who knows, by the time we hit a thousand coffees, maybe I’ll have you dancing circles around me.”

Hotch’s smile turned softer, almost wistful, and for a fleeting second, you thought you saw a flicker of something more in his eyes, something that mirrored the quiet longing you carried for him every day. “Maybe,” he said, his voice tinged with a kind of quiet sincerity that made your heart ache. “But if you ask me, you’re already leading the way.”

The moment passed, but the unspoken sentiment lingered between you, a promise wrapped in uncertainty, an almost that hung just out of reach. As Hotch turned back to the files spread out on the table, his focus already shifting back to the task at hand, you couldn’t help but steal one last glance, committing every detail of this moment to memory. It was hard not to get lost in the fantasy of it, to imagine that maybe you and Hotch were dancing for yourselves, not just to catch a pair of killers.

Because even if it was just banter, just a playful dance of words and what-ifs, it was enough.

For now, it was enough to be by his side, to share the weight of the cases and the late nights and the stolen moments of something that felt almost like happiness.

For now, you’d keep dancing around the truth, holding onto the hope that someday, the steps would lead you to something more.

☐ ⬛

The atmosphere in your accommodation felt charged with an energy that was hard to ignore. You and Hotch had just finished a long day of preparation, your bodies still buzzing from the adrenaline of the evening.

This was the first time you had shared a room with him since you realized your feelings for him had deepened into something more, and you were painfully aware of the tension that hung in the air.

You were both drenched in the aftereffects of your undercover mission. The dance had felt so intimate, so dangerously close, and now you found yourself grappling with those emotions in a more personal setting. The idea of showering was both a relief and a distraction, a way to wash away the sweat and tension from the evening.

As you stepped beside the bathroom, you couldn’t shake the feeling that the moment was significant, that it marked a turning point between you and Hotch. You had shared hotel rooms on countless occasions, but this felt different. This time, there was an awareness, a hint of vulnerability that made your heart race.

“Do you want to go first?” Hotch asked, ever the gentleman, as he leaned against the wall, arms crossed over his chest. You nodded, grateful for the moment to gather your thoughts, to shake off the lingering tension of the evening.

After your shower, you dried your hair and slipped into a comfortable shirt and your usual pajama shorts, taking a deep breath before reentering the main room. As you emerged, you found Hotch sprawled out on the bed, a bemused expression on his face as he flipped through the pages of the book you had given him, Hegel for Dummies.

You couldn’t help but laugh, the sight of him attempting to wrestle with philosophical concepts a delightful surprise. “Look at you, and I thought I was the official philosopher of our duo,” you teased, crossing your arms and leaning against the doorframe. “I never thought I’d see you actually reading a book about philosophy. I was sure you were too serious for ‘Hegel for Dummies’.” you emphasized the word “dummies” with a smirk, savoring the rare chance to poke fun at his usually serious demeanor.

Hotch glanced up, his dark eyes twinkling with a rare spark of amusement. “What can I say? I’m already feeling a bit wiser,” he replied with a dry smile. “But hey, who wouldn’t want their mind expanded by ‘Hegel for Dummies’?” He emphasized the word with a smirk, playing right into your joke. “Though, I’ll admit, this wasn’t exactly how I envisioned unwinding after a long day on the job.”

“Just promise me you won’t start quoting him at me,” you said, dropping into the chair opposite him with a playful grin. “I’m not exactly in the mood to have my brain twisted around philosophical notions of love and duty - especially not whatever version of that ‘Hegel for Dummies’ is peddling. That sounds like a headache waiting to happen, that could get overly-simplified.”

Hotch stood up and stretched, his muscles flexing beneath his shirt as it rode up slightly, revealing a teasing glimpse of the firm, toned skin at his waist. You caught yourself staring, heat flooding your cheeks as you quickly looked away, caught between admiration and a surge of embarrassment.

“I’ll do my best to keep the heavy philosophy to a minimum,” he said, his voice low and slightly teasing as he moved toward the bathroom. “But I can’t promise I won’t slip up.” The way he glanced back at you, a subtle challenge in his eyes, left you feeling a little breathless, as if his words were more than just about Hegel for Dummies.

As he stepped into the bathroom to shower, you couldn’t help but stare at the closed door, the lingering warmth of his presence still in the air. It was a mix of nerves and excitement, and you were acutely aware of how much you wanted to cross that invisible line between partnership and something more.

When Hotch emerged from the bathroom, his hair was still damp and tousled, messy in a way that made him look effortlessly handsome. Droplets of water clung to his skin, trailing slowly down his neck and disappearing beneath the collar of his shirt, drawing your eyes to the strong lines of his throat and the hint of muscle beneath. For a moment, your breath hitched, and time seemed to stretch as you took him in - disheveled, raw, and undeniably attractive.

He exuded a quiet confidence, his body a blend of strength and subtle elegance that was captivating, even in his exhaustion, you couldn’t tear your gaze away, admiring the man who, even at his most worn-down, was impossibly magnetic.

“Are you okay?” he asked, catching your gaze. His voice held a hint of concern, a gentle nudge back to reality.

You shook your head, trying to focus on the task at hand. “Yeah, just… lost in thought.” Your voice sounded distant even to you, the weight of everything lingering in the air. “Oh, and Peter just called. He’s in Los Angeles on a case, and he wanted to know if we’d be up for grabbing drinks when we get back.”

Hotch raised an eyebrow, concern and curiosity mingling in his gaze as he studied you closely. “Are you okay with that?” he asked gently, his voice softening with genuine care and a quiet, almost protective undertone. He hesitated, his eyes lingering on yours, as if trying to unravel the emotions you kept hidden just beneath the surface. “And what about the date you had with him? How did that go?”

You sighed, feeling the weight of the unspoken truth bubbling up before you could stop it. It wasn’t easy to admit, especially to Hotch, but something about his presence made it impossible to hold back. “Honestly, it just reinforced what I already knew,” you confessed, your voice tinged with a mix of frustration and resignation. “We’re compatible as friends, but when it comes to being a couple, there’s… something missing.”

Hotch leaned against the doorframe, his posture relaxed but his eyes locked onto yours with an intensity that made your heart race. His expression was open, his concern genuine, and it was clear that he wasn’t just asking to be polite; he wanted to understand. “Missing how?” he pressed, his voice low and full of quiet curiosity that pulled you in.

You hesitated, grappling with the vulnerability of sharing the deeper truth, a truth that you hadn’t even fully admitted to yourself. “I don’t know,” you said slowly, searching for the right words. “It’s like there’s no spark, no real connection that makes me feel… grounded. I keep trying to find this balance within myself, this sense of who I am and what I want, before I dive back into dating. With him, I just felt like I was going through the motions, hoping for something that wasn’t really there.”

You watched as Hotch absorbed your words, his expression shifting with a flicker of understanding. There was a look in his eyes that told you he got it, maybe more than anyone else ever could. “You’re being honest,” he said softly, his tone filled with quiet respect. “That’s important. And it sounds like you’re making the right choice, prioritizing what feels true to you instead of forcing something that doesn’t fit.”

A small smile tugged at your lips, warmth spreading through you at his validation. “Thanks,” you murmured, feeling the comfort of his support like a gentle embrace. But beneath your gratitude, there was a lingering ache, a nagging wish that you could tell him the other real reason you were so hesitant to start something new with anyone else. The truth was, it wasn’t just about finding balance within yourself, it was also about him.

Hotch studied you for a long moment, his gaze never wavering as if he were searching for something deeper, some hidden truth that you hadn’t yet found the courage to voice. “Just remember,” he said, his voice gentle and laced with a sincerity that made your heart flutter, “it’s okay to take your time. There’s no rush to figure it all out, and no rulebook you have to follow.”

His words were simple, but they carried a weight that hit you straight in the chest. Hotch wasn’t just talking about your reluctance to date; he was offering you the space to breathe, to heal, to find your way without pressure or judgment. It was the kind of reassurance you hadn’t realized you needed, and it made you feel seen in a way that was both comforting and terrifying.

You offered him a grateful smile, feeling a surge of affection for him that was impossible to ignore. “Thanks, Hotch. That means a lot,” you said softly, and you meant it more than he would ever know.

“And, by the way,” you added, trying to lighten the mood, “Even if you are the philosopher now, I don’t think you have to worry about being proposed to anytime soon.”

Hotch chuckled, his voice playful “You never know. A thousand coffees and a philosophical debate might just seal the deal.”

You laughed, trying to shake off the weight of your feelings. “Well, I’ll just have to make sure I’m ready for that day, then.”

Hotch turned away, rummaging through his bag for a fresh shirt, and your eyes couldn’t help but follow the movement. As he pulled off his damp shirt, you caught a glimpse of the toned muscles in his back, the way they flexed subtly under his skin. The faint sheen of moisture made his skin glisten, his hair clinging damply to his forehead in a way that was both rugged and impossibly enticing. Your breath hitched, heart pounding as you watched him, captivated by the effortless grace of his movements.

You were drawn to him in ways that you could hardly admit, even to yourself. It wasn’t just his looks - though the sight of his broad shoulders and the curve of his spine definitely didn’t help your situation - it was everything he embodied. He was stability, strength, and an unwavering presence that grounded you even in the darkest moments. He was everything you craved, everything you told yourself you shouldn’t want, and yet here you were, heart racing and pulse quickening at just the sight of him.

You shifted on the bed, trying to focus on anything but him, but it was useless. Every movement he made drew your attention. The way he absentmindedly ran his hand through his wet hair, ruffling it in a way that left it messier than before. The subtle tilt of his head as he absorbed your words, genuinely invested in what you had to say. He made you feel seen, and that was more dangerous than any undercover mission.

“So,” Hotch said as he slipped his arms into his shirt, the fabric hugging his shoulders in a way that made your heart race, “do you ever regret it? Not… dating, but just how all of this can make things so complicated?”

You looked up, surprised by the question. The vulnerability in his tone caught you off guard, and for a moment, you didn’t know how to respond. “Honestly? Sometimes,” you admitted, your voice soft. “But I think it’s normal to feel that way. The job… it demands so much. And sometimes I wonder if it’s worth the trade-offs. But then I remember why I started, why I wanted this, and it keeps me going.”

Hotch nodded, his gaze distant as if he were sifting through his own set of regrets. “I get that,” he said quietly. “It’s easy to lose sight of things, to get caught up in the job and forget what you wanted in the first place.”

You swallowed, feeling the weight of his words settle over you. It was a rare, intimate glimpse into Aaron—the man beneath the stoic exterior, the version of himself he reserved only for moments like these, moments shared with you outside the rigid confines of work.

It was moments like this that made your feelings for him feel far deeper than a simple crush. It wasn’t just a fleeting infatuation; it was something profound, something that had quietly grown over time through every shared late night, every unspoken understanding, and every instance of mutual respect and unacknowledged care.

“Hotch,” you began, hesitating as you searched for the right words, “I don’t think I’ve ever told you, but… I really look up to you. You’re the reason I push myself every day. Because you set this standard that I want to live up to. Not just as an agent, but as a person.”

Hotch glanced at you, his eyes softening with a hint of something you couldn’t quite place. Gratitude? Affection? Whatever it was, it made your pulse quicken. “You don’t need to live up to anyone but yourself,” he said, his voice gentle but firm. “You’re… you’re better than you realize. And I’m glad to have you as my partner.”

The sincerity in his words settled over you like a warm blanket, soothing the frayed edges of your nerves. You wanted to say more, to tell him how much his opinion meant to you, but the lump in your throat made it impossible. So instead, you just nodded, hoping he understood the depth of your appreciation.

Hotch finished to dry his hair with the towel, and for a brief moment, you allowed yourself to imagine a different scenario. One where this wasn’t just another case, where you weren’t just colleagues sharing a hotel room for the sake of the job. You imagined lazy mornings, quiet dinners, and dances that were just for the two of you, moments untethered from the weight of your work.

“You know,” Hotch said, breaking the silence with a teasing smile, “for someone who’s supposedly my biggest competition, you’re pretty soft.”

You rolled your eyes, grateful for the lighthearted shift. “Don’t let it get to your head, Hotchner. I’m still gunning for that 1,000th coffee win, and when it happens, you’ll be the one stuck making breakfast every morning.”

He laughed, the sound rich and genuine, and it made your heart swell. “If that’s the price of losing, I think I can live with it.”

He sat down on the edge of his bed, picking up the book again, flipping through the pages as if searching for something to focus on. The sight of him engrossed in philosophy, his brow furrowed in concentration, was both endearing and a little surreal. You hadn’t expected him to take to the book so earnestly, but here he was, deep in thought, as if dissecting the nature of existence itself.

“Never pegged you as the type to dive into Hegel,” you teased lightly, hoping to steer your thoughts away from the yearning you were struggling to hide. “I thought you’d find it too abstract.”

Hotch glanced up, his smile small but genuine. ”Hegel for Dummies” he corrected you “Well, you did say it’d make me the official philosopher of the team. Besides, it’s… interesting. Challenging. A good distraction.”

“A distraction from what?” you asked, curious but careful, not wanting to pry too much.

Hotch hesitated, his eyes briefly clouding with something unspoken. “Just… life, I guess. It’s a lot easier to focus on someone else’s theories than to get lost in my own head sometimes.”

You nodded, understanding the sentiment more than you could say. “Guess we all need a distraction every now and then.”

He smiled at that, and for a moment, the room felt lighter, the heaviness of the day lifting just enough for you to breathe a little easier. Hotch stood up, stretching his arms up again, the hem of his shirt lifting slightly to reveal a glimpse of toned muscle beneath. You quickly averted your eyes, focusing on anything else, the artistry behind the pattern of the carpet, the flowers motives taking inspiration from 1800’s Art Nouveau… anything that wasn’t him.

Hotch caught your flustered expression and chuckled, the sound warm and unexpected. “If there’s something you want to say, you can just say it. I’m not a mind reader, you know.”

You fumbled for words, desperately trying to mask the fact that you’d been caught staring. “No, it’s nothing,” you stammered, your mind scrambling to come up with a quick distraction. “I was just thinking… once this case is over, maybe we should figure out a way to hand this undercover gig back to our two lovebirds. You know, let Rossi and Gideon get a taste of their own medicine. They’ve had way too much fun at our expense.”

Hotch paused, a mischievous smile tugging at the corners of his lips. “You mean like turning the tables on them?” he asked, his tone light but carrying a hint of something more devilish beneath it. “Maybe set them up with a little undercover operation of their own. I bet Gideon would look great in a dance ensemble.”

You laughed, enjoying the image of the two seasoned profilers stumbling through a dance routine. “Oh, definitely. Maybe we should get them to ‘rehearse’ with us. A little late-night surprise choreography. We could even record it, strictly for case review purposes, of course.”

Hotch’s eyes sparkled with amusement as he leaned in, clearly enjoying the idea. “We’ll make them pay for every smug look and every teasing comment. Let’s call it payback with a side of public humiliation.”

“Partners on the job, partners on the dancefloor, and partners in crime,” Hotch said, his voice laced with a mix of playful mischief and sincerity.

You grinned, feeling a rush of warmth at the thought of plotting with him. “The unholy trinity. They should have known better than to pair us up in the first place,” you said, savoring the moment.

Hotch’s expression softened slightly, his smile still lingering. “We would’ve found our way, no matter what,” he said, his voice laced with a quiet conviction that sent warmth flooding through you.

☐ ⬛

The next evening, the dance hall was alive with a soft, romantic glow, illuminated by chandeliers that cast a warm, golden light across the polished wooden floors. The air was filled with the soft murmur of conversations and the gentle strains of a live band playing in the corner.

Elegantly dressed couples moved gracefully around the room, their easy smiles and carefree movements masking the dark reality that lingered just beneath the surface. But for you and Hotch, this wasn’t just another night out, it was a hunt, and the dance floor was your stage.

Hotch was dressed in a tailored black suit that hugged his frame perfectly, exuding both authority and elegance. The crisp white shirt beneath his jacket added a touch of classic sophistication, but it was the open collar and the absence of his usual tie that gave him an air of relaxed charm that was rarely seen. His presence was magnetic, drawing eyes even in a room full of polished strangers.

You wore a sleek, simple white dress that softly hugged your curves, the fabric flowing with every step and catching the light as you moved. It was elegant yet daring, a statement piece that matched the confidence you needed to exude tonight. The neckline dipped just enough to be provocative without crossing the line, and the slit at your thigh gave you the freedom to dance with ease, a pair of dance heels completing the look.

Hotch’s hand rested lightly on your lower back as you entered the dance hall, his touch warm and firm, a silent reassurance that anchored you in the moment. You could feel the heat of his hand through the thin fabric of your dress, and every gentle press of his fingers sent a shiver up your spine that was impossible to ignore.

It was part of the cover, you reminded yourself, just an act to make you look the part. But every time he leaned in close, every whisper of his breath against your ear, it felt like so much more than that.

“Remember, stay close,” Hotch murmured, his lips brushing your ear as his voice rumbled low and intimate, almost sending a shiver straight to your core. “We need to blend in, keep it natural. And if you see anything—”

“Signal you,” you finished, your voice steady despite the pounding of your heart. You shot him a teasing smile, trying to mask the way his proximity made your pulse race. “I’ve got it. Just don’t step on my toes, okay?”

Hotch’s smile was quick and genuine, his eyes twinkling with a rare playfulness that made your breath catch. “No promises,” he said, his tone light but laced with the familiar seriousness of the job. “But I’ll try to keep the damage to a minimum.”

The music shifted, and the opening notes of “It’s All Coming Back to Me Now” filled the room, the familiar melody wrapping around you like a soft embrace. You took your places on the dance floor, and as Hotch’s hand found yours, a current of electricity passed between you. This was the routine you’d rehearsed endlessly, designed to lure the unsubs into revealing themselves. But as you stepped into the familiar movements, it felt like more than just a strategy.

Hotch’s grip on your waist was firm but gentle, guiding you effortlessly across the floor. His other hand clasped yours, fingers interlacing in a way that felt both intimate and natural, as if you’d done this a hundred times before – and actually you did last night.

Each step was precise, each turn fluid, but it wasn’t just the choreography that made your heart race, it was the way Hotch’s eyes never left yours, dark and intense, as if you were the only two people in the room. His movements were smooth, confident, and you couldn’t help but be drawn to the quiet strength that radiated from him.

With every spin, you felt the brush of his suit against your dress, the closeness of his body sending heat coursing through your veins. You were acutely aware of every touch, every shift in his posture as he pulled you closer, his breath mingling with yours in the space between.

The dance was supposed to be a lure, a means to an end, but in that moment, it was easy to forget the purpose behind it. It felt like an unspoken conversation, every movement a confession of the emotions simmering beneath the surface.

As Hotch twirled you around, your back pressed against his chest, the world seemed to narrow to the rhythm of the music and the warmth of his touch. For a brief, dizzying moment, you weren’t just undercover agents, you were two people lost in each other, sharing something that went beyond words.

He leaned in, his mouth hovering near your ear, his voice barely audible over the music. “You’re doing great,” he murmured, and the sincerity in his tone made your heart flutter. It wasn’t just praise; it was a reminder that he was with you, that you were in this together, not just on the dance floor but in everything.

As the song built to its powerful crescendo, you felt the weight of the room shift. Eyes were on you - some admiring, others envious, and two pairs watching with a chilling intensity. The unsubs had noticed you, just as you’d hoped. But in that moment, it was hard to remember that this was all a performance, that the heat between you and Hotch was supposed to be an act.

“Doing okay?” Hotch asked, his voice low and steady as he pulled you closer, his hand resting at the small of your back.

You nodded, meeting his gaze. “Yeah. I think we’ve got their attention.”

Sure enough, as you continued to dance, you noticed a couple standing off to the side, watching you with an unsettling intensity. The man was tall and rigid, his expression dark and brooding. The woman beside him was younger, with a delicate, almost ethereal appearance, her eyes flickering between you and Hotch with a mix of curiosity and thinly veiled hostility.

Hotch’s grip tightened ever so slightly, a silent signal that he’d seen them too. “They’re watching us,” he murmured, his voice barely above a whisper. “Don’t make it obvious. Just keep dancing.”

You nodded, trying to maintain your composure as the unsubs edged closer, their movements purposeful and predatory. The woman’s gaze lingered on you with a kind of disdain that made your skin crawl, as if she were sizing you up, looking for weaknesses. You felt Hotch shift slightly, positioning himself between you and the male unsub, a subtle but deliberate move to protect you.

As the music swelled, Hotch spun you in a graceful arc, his hand firm against your back, guiding you effortlessly. The dance felt like an extension of your partnership: fluid, unspoken, each movement a testament to the trust you’d built.

“This is it,” Hotch whispered as he dipped you low, his face inches from yours. You could feel the tension in his hold, the urgency mixed with something else, something that made your breath hitch. “They’re coming in. Just a little longer.”

You nodded, eyes locked with his, feeling the weight of the moment. When he pulled you back up, you spotted the unsubs moving toward you, their expressions dark and taunting. They joined the dance, circling you and Hotch with a menace that was palpable. The woman moved erratically, her steps sharp and aggressive as if mocking your movements, daring you to falter.

The man sneered, his presence looming as he matched Hotch step for step. “You think you’re good enough to keep up with us?” he spat, his voice dripping with disdain. “This isn’t just a dance.”

Hotch’s expression remained calm, but you could see the fire in his eyes. “It’s not about being good enough. It’s about knowing when to stop.”

The tension reached a breaking point as the woman lunged at you, but Hotch was faster, pulling you back and shielding you with his body. The room erupted into chaos as undercover agents moved in, surrounding the unsubs with practiced precision. You were yanked out of the way, Hotch’s hand never leaving yours as he guided you to safety.

The man fought back viciously, but the agents overpowered him quickly, wrestling him to the ground. The woman was dragged away, her screams echoing in the dance hall as she cursed and spat, her eyes wild with fury. It was over in a matter of seconds, but the adrenaline coursing through your veins made it feel like an eternity.

Hotch stood beside you, his breathing ragged but controlled, his eyes fixed on the scene unfolding before you. “You did great,” he said softly, his voice tinged with a mix of pride and exhaustion. “We did it.”

You turned to him, the weight of everything hitting you all at once “Yeah,” you replied, your voice unsteady. “We did.”

“Guess our partnership does extend to the dance floor after all,” Hotch said with a faint smile, echoing your earlier banter. His eyes held yours, warm and familiar, and you couldn’t help but feel a flicker of hope for whatever might come next.

You laughed softly, squeezing his hand in return. “Yeah, but I’m still holding you to that deal, Hotch. A thousand coffees, remember?”

He chuckled, his expression softening in a way that made your heart skip, he teased. “You just might get it.”

And for the first time, you let yourself believe that maybe, someday, you would.

☐ ⬛

Back at the hotel, the adrenaline of the night had finally worn off, leaving you both drained. Hotch was seated at the small table in your shared room, his usually sharp posture softened by fatigue, sleeves rolled up. He had his jacket carelessly tossed over the back of a chair, his face illuminated by the soft glow of a desk lamp as he flipped through the case notes one last time. The quiet rustle of paper filled the room, a familiar sound that normally calmed you, but tonight, it only reminded you of how much had happened in the span of a few hours.

You sat across from him, cradling a cup of coffee that had gone cold a while ago, but you didn’t care. Hotch glanced up, his eyes meeting yours, and for a moment, the exhaustion in his expression softened, replaced by something gentler, more personal.

“You handled yourself well out there,” he said, his voice low but filled with a sincerity that sent warmth rushing through your chest. “That wasn’t easy, but you kept your head, and… I couldn’t have asked for a better partner.”

You felt your cheeks warm under his praise, the knot of tension in your chest loosening ever so slightly. There was something about the way he said it, the way his gaze lingered on you, that made you feel seen in a way you rarely allowed yourself to feel. “Thanks, Hotch. I couldn’t have done it without you… literally,” you said with a soft smile, trying to keep your voice light despite the emotions stirring within you.

Hotch chuckled, the sound low and warm, a rare softness that made your pulse quicken. “I think we made quite the team tonight. I’d say Rossi and Gideon were right for once.”

You both laughed, the sound easing the lingering tension in the room. You could almost hear Rossi’s smug voice ringing in your ears, the playful teasing he’d surely throw your way once you were all back at the office. But as the laughter faded, the reality of the night settled back in, leaving you with a quiet, contemplative moment that was all too fleeting.

“It was strange,” you said softly, your gaze dropping to the coffee in your hands. “Being that close to… everything. To you.”

The words slipped out before you could stop them, vulnerability lacing your voice, and you quickly tried to cover your tracks with a joke. “Especially because you’re not the most physical person I know—and this comes from another relatively not-so-physical person.”

Hotch raised an eyebrow, a smirk tugging at his lips as he leaned back in his chair. “Well, as I’ve already told you, you’ll have to wait until the 1,000th coffee before you get any kind of physical contact.” His eyes sparkled with amusement, the joke a reminder of your earlier banter, but underneath it, you sensed the deeper acknowledgment of the closeness you’d shared on the dance floor.

“Be careful what you wish for, Hotch,” you teased, your voice light but tinged with genuine affection. “With the way things are going, we’re not just approaching our 1,000th coffee; we’re practically rehearsing for our first dance.”

Hotch shook his head, his smile widening as he leaned forward, resting his elbows on the table. “Maybe it’s all part of Rossi’s master plan. Get us so tangled up in undercover work that we forget how to do anything else.”

You laughed, rolling your eyes at the thought of Rossi’s meddling. “If this is his idea of fun, then I’d hate to see what he has planned for our next assignment.”

The teasing between you felt like a lifeline, something solid and real to hold onto amid the chaos. But even as you joked, there was a flicker of something deeper in Hotch’s eyes, a quiet recognition that this was more than just another case, more than just another day on the job.

Eventually, Hotch set the case notes aside, his focus shifting entirely to you. He leaned back, studying you with an expression that was equal parts admiration and something softer, something you dared not name. “You should get some rest,” he said gently, his voice carrying a note of concern that tugged at your heart. “We’ve got a long day tomorrow, and I think we’ve both earned a break.”

You nodded, feeling the exhaustion tugging at your limbs as you stood and made your way toward your bed. But before you turned off the light, you glanced back at him, unable to keep the small, grateful smile from spreading across your face. “Goodnight, Hotch. And… thank you. For not having stepped on my toes.”

Hotch returned the smile, his eyes lingering on you in the dim light. “Goodnight,” he replied, his voice soft but resonant. “And thank you, for the dance.”

☐ ⬛

When both of you were back to Quantico, the bar was buzzing with the lively hum of weekend chatter and soft music playing over the speakers. After the intensity of your recent cases, you, Hotch, and Peter had agreed to meet up, seeking some semblance of normalcy amid the chaos of your jobs.

The three of you were seated at a circular table, dimly lit by the glow of a nearby lamp. Peter was talking animatedly about his case in Los Angeles, recounting the details with a mix of exasperation and pride, while you and Hotch listened, nursing your drinks.

You watched Peter with a fond smile, grateful for the easy camaraderie you shared, but also feeling the weight of recent revelations about your own feelings. As he talked, you couldn’t help but notice how animated he became when he was excited, the way his eyes lit up when he was deep in a story. It was moments like these that made you value his friendship so much, but also reminded you of why things between the two of you could never be more than that.

Your gaze drifted absently around the bar, soaking in the low-lit ambiance and the scattered patrons enjoying their evening. The clinking of glasses, murmured conversations, and soft laughter created a comforting buzz in the background.

But something else caught your attention: a woman at the table next to yours, just out of Peter’s line of sight, was eyeing him with a mix of curiosity and barely concealed interest. She was attractive, with an easy smile and bright eyes that flickered over to Peter whenever he wasn’t looking. Her body language screamed intrigue—subtle glances, a quick smoothing of her hair, and the nervous excitement of someone contemplating making the first move.

Instinctively, you glanced over at Hotch, who was already watching you with a knowing smirk, as if he’d been waiting for you to catch on. His dark eyes gleamed with the unspoken mischief you both shared, reading your thoughts without a single word.

It was one of those moments that felt like a silent conversation, a shared understanding you’d perfected over years of working together. You both knew what this was: Peter deserved someone who saw him, who could give him the attention he deserved, something you were too tangled up in your own unresolved feelings to offer.

Hotch leaned in, his voice low and conspiratorial, his breath warm against your ear. “We should give him a chance,” he murmured, his lips twitching into a subtle smile that sent an unexpected flutter through your chest.

You nodded, catching on to his plan immediately, your own smile mirroring his. “We just need to find a way to leave him alone. Got any ideas?” you asked, your voice playful yet filled with anticipation.

Hotch’s eyes sparkled with a mischievous gleam, and you could practically see the wheels turning in his head. He had that look—the one that told you he was already five steps ahead, crafting a plan with the precision of a seasoned strategist. “Follow my lead,” he said, amusement lacing his tone. Hotch stood up, stretching casually, his movements drawing subtle glances from the surrounding tables. He made it look effortless, but you knew it was all part of the act.

“I’m going to grab us another round,” he announced, loud enough for Peter to hear but casual enough to keep up the ruse. He glanced back at you, a hint of challenge in his eyes. “You want anything, Y/N?”

You caught on without missing a beat, slipping into character with practiced ease. “Yeah, I’ll come with you,” you said, shooting Peter a quick, reassuring smile. “Keep our spot warm, okay? We’ll be right back.”

Peter, engrossed in his latest story about a wild case from the past, barely glanced up as he waved you off, too wrapped up in his own world to notice the unfolding setup. As you and Hotch made your way toward the bar, you risked a glance over your shoulder, just in time to see the woman take her chance.

She moved quickly, sliding into the seat next to Peter with a confident smile, striking up a conversation as though she’d been waiting all night for this moment. Peter’s expression shifted from surprise to a genuine, pleased smile, his posture straightening as he turned his attention fully to her.

Hotch watched the scene unfold, his smile turning smug with satisfaction. “Another mission accomplished, partner” he said softly, his voice carrying a quiet pride that mirrored your own. It wasn’t often you got to play matchmaker, but seeing Peter’s face light up made it all worthwhile.

You stifled a laugh, feeling the thrill of a plan executed perfectly. “I think he’ll thank us later,” you quipped, sharing a quick look with Hotch that was filled with conspiratorial delight. It was a simple moment, but one that cemented the bond between you.

Hotch returned with two glasses of whiskey in hand, the amber liquid catching the dim light as he handed one to you. He raised his glass, a playful glint in his eyes. “For love at first sight,” he toasted with a grin, the humor in his voice unmistakable.

You couldn’t resist adding your own cheeky touch. “And maybe to something a little more… physical happening tonight.” You clinked your glass against his, the sound crisp and satisfying, and took a sip, savoring both the taste and the success of your little scheme.

Just as you settled back, the familiar, haunting opening notes of “It’s All Coming Back to Me Now” began to play over the speakers, the dramatic chords filling the room with a nostalgic charge. The coincidence was surreal, almost eerie, and you both froze, exchanging a look of incredulous surprise, as if the universe was nudging you with a playful elbow.

“What are the odds?” you laughed, barely able to contain the mix of surprise and amusement bubbling up inside you. Hotch shook his head, smirking as he read your thoughts with ease.

“No,” he said firmly, though the smile playing at his lips betrayed his resolve. “I don’t think we’re going to do another show tonight.”

You leaned in closer, teasing him with a sparkle in your eyes. “Oh, come on, Hotch. Can you imagine the looks we’d get? It would be priceless. Plus, I bet drinks would be on me for the rest of the night.”

Hotch raised an eyebrow, his expression a blend of challenge and barely restrained laughter. “You don’t even have to ask me twice, then” he said, his voice low, filled with that familiar warmth and a hint of mischief that made your heart skip a beat.

Without another word, he set down his drink and extended his hand to you, his eyes gleaming with a mix of playfulness and something deeper, something that had been simmering between you for longer than either of you cared to admit. You hesitated for just a second, your gaze locked with his, before taking his hand, the contact sending a rush of exhilaration through you.

Hotch led you onto the dance floor, his grip firm but gentle, guiding you into position with a confidence that made it easy to fall into step. The music swelled, and suddenly it was just the two of you, surrounded by the soft glow of the lights and the muted conversations of the crowd. There was no case to focus on, no killers to catch, just you and Hotch, moving in sync to a song that seemed to echo every unspoken feeling between you.

His hand settled on your waist, his touch warm and steady, and you couldn’t help but lean into it, your body responding instinctively to his. Every spin, every step felt like a conversation without words, a silent dance of emotions that had been building between you for longer than you cared to admit. When he pulled you closer, his breath mingling with yours, the rest of the world seemed to fade away.

As the final note of the song hung in the air and the applause continued, you found yourself still standing impossibly close to Hotch, your breaths mingling, his hand still warm against yours. There was something thrilling about the moment, something unspoken passing between the two of you as the crowd around you slowly came back into focus.

Hotch smirked, his gaze flicking briefly to the bar. “Well, I believe someone owes me at least two rounds of whiskey,” he said, his voice teasing yet still carrying that low, rough edge that made your heart skip a beat.

You chuckled, your chest still heaving slightly from the dance. “A deal’s a deal,” you replied, your own grin widening. “And I’m nothing if not a woman of my word.”

He let go of your hand reluctantly, the absence of his touch leaving a small void that you couldn’t quite ignore. But there was warmth in his eyes, that familiar sense of playfulness that had surprised you earlier in the night, and it softened the space between you. As the two of you made your way back to the bar, you glanced around, catching sight of Peter and the woman still deep in conversation. A small part of you felt a sense of satisfaction, your matchmaking mission had been a success.

Rossi, ever observant, caught your eye from across the room and raised his glass in a mock toast. You couldn't help but laugh under your breath, giving him a subtle nod in return. He’d undoubtedly have something to say about the impromptu performance on the dance floor.

As you approached the bar, Hotch leaned casually against it, his presence commanding even in the relaxed setting. He waved the bartender over and ordered two whiskeys, his expression calm but his eyes still gleaming with the aftereffects of your shared moment. You had seen him in so many different roles - coworker, partner, friend - but this side of him, lighter and more playful, felt like a rare gift you hadn’t quite expected.

“So,” Hotch began, turning toward you as the bartender placed the glasses in front of you both, “think the unsubs would’ve been impressed with that performance?”

You raised an eyebrow, smirking as you lifted your glass. “They would’ve been running for their lives,” you quipped, taking a sip of the smooth whiskey. The warmth of it spread through you, mixing with the buzz of the evening. “You should see the way you move out there. If profiling doesn’t work out, I’m sure Broadway could use you.”

Hotch let out a soft laugh, shaking his head as he lifted his own glass. “I’ll take that as a compliment,” he replied, his voice still low, but there was an unmistakable amusement in his eyes. “But I think we should leave the dancing to the professionals.”

You clinked your glass against his, grinning. “Agreed.”

Before you could say anything more, Rossi sauntered over, his trademark smirk firmly in place. “Well, well, well,” he drawled, swirling his drink in his hand as he looked between you and Hotch. “I never thought I’d see the day. You two make quite the pair on the dance floor. I’m starting to think we missed our chance to send you undercover at a ballroom competition.”

You rolled your eyes, but you couldn’t hide the smile tugging at your lips. “You’re just jealous you didn’t get an invite.”

“Jealous?” Rossi feigned offense, his hand over his chest. “I’m just glad I got a front-row seat to the show.” He winked, clearly enjoying himself far too much.

“Don’t worry, Rossi,” Hotch chimed in smoothly, his voice dry but full of that subtle humor you’d been seeing all night. “I’m sure there’ll be another opportunity. We’ll make sure you’re prepared next time.”

Rossi chuckled, clearly entertained. “I’ll hold you to that, Hotch. But next time, I expect a full routine, choreography and all.”

As Rossi took a swig of his drink, Peter wandered over, his face flushed with a combination of excitement and, likely, a couple of drinks. “Hey,” he said, slightly breathless, his eyes darting between you and Hotch. “That was… something. I didn’t know you two could move like that.”

You exchanged a quick glance with Hotch, both of you trying to suppress smiles. “Just trying to keep things interesting,” you said lightly, noticing how Peter kept glancing back toward the woman he’d been talking to earlier.

Hotch, always perceptive, raised an eyebrow. “Seems like you’ve had a good night yourself.”

Peter’s grin widened, and he rubbed the back of his neck, clearly pleased with how things were going. “Yeah, actually. I’m kind of surprised, but… she’s great. I think we’re going to grab dinner next week.”

You felt a surge of satisfaction at that, knowing that your little matchmaking effort had paid off. “That’s great, Peter,” you said genuinely. “She seems like a good match for you.”

Peter beamed, clearly grateful, before excusing himself to rejoin her. As he left, you turned back to Hotch, the playful energy between you simmering just below the surface.

“Well, look at us,” you mused, swirling the remaining whiskey in your glass. “We’ve played matchmaker, stolen the show, and now I owe you drinks. I’d say tonight’s been a success.”

Hotch tilted his head, that familiar smirk making an appearance again. “Not to mention you’ve proven I can dance without stepping on your toes,” he teased.

You laughed, the sound genuine and light. “I’ll admit, you exceeded expectations. Though, if I remember correctly, you said something about ‘no promises.’”

He raised his glass in mock defeat. “Guilty.”

As the night began to wind down, the bar’s atmosphere softened around you, the conversations fading into a gentle hum beneath the dim glow of the hanging lights. You found yourself more at ease than you had been in a long time, just sitting here with Hotch, sharing drinks and easy laughter, without the shadow of a case looming overhead. And in those quiet minutes, you felt the undeniable bond that went beyond your roles as agents, reaching into something more personal, more real.

Hotch seemed to sense your thoughts, and he turned toward you, his expression softening in a way that was so rare for him—vulnerable, unguarded. “Thanks for tonight,” he said quietly, his voice low and filled with sincerity. “For playing along… and for everything else.” The weight of his words lingered, filled with unspoken appreciation for the comfort of your presence, both on and off the field.

The simple, heartfelt acknowledgment made your chest tighten with warmth, a feeling of closeness that was hard to describe. “Anytime, Hotch,” you replied softly, meeting his gaze and feeling that familiar rush of something deeper between you. “A philosopher I know once said, ‘partners on the job, partners on the dancefloor, and partners in crime.’”

Hotch laughed, the sound rich and genuine, his dimples making a rare appearance that you couldn’t help but adore. “I wonder who that wise man might be,” he mused, his tone playful and self-deprecating.

You grinned, leaning back in your chair, savoring the moment. “Oh, just the real advocate of the ‘Hegel for Dummies’ philosophical current,” you teased, your voice dripping with mock seriousness. “The man who’s mastered the art of the unholy trinity.”

Hotch chuckled, rolling his eyes but playing along effortlessly. “Ah, yes. The esteemed ‘Hegel for Dummies’ dialectics—a groundbreaking philosophy,” he said, putting on an exaggeratedly thoughtful expression that made you laugh. “It’s all about the triad, right? The unholy trinity: partners on the job, partners on the dancefloor, and partners in crime. A revolutionary approach to teamwork.”

You couldn’t contain your laughter, enjoying the easy back-and-forth. It was moments like these that made you feel like you and Hotch were more than just friends, you were partners in every sense of the word, sharing in the lighter side of life that was often overshadowed by the darkness of your work.

As you sipped the last of your whiskey, a mischievous thought struck you, and you leaned closer to Hotch, your voice dropping to a conspiratorial whisper. “What do you say we sign Rossi up for the karaoke list? A little payback for all his teasing.”

Hotch’s eyes gleamed with delight, his smile widening at the suggestion. “I thought you’d never ask,” he said, his voice filled with that familiar blend of amusement and quiet mischief that you loved. “I’m sure he’s got a rendition of ‘My Way’ just waiting to be unleashed.”

The two of you moved with quiet stealth, slipping over to the karaoke sign-up sheet while Rossi was engrossed in conversation with a couple of admirers at the bar. You exchanged a quick, mischievous glance as Hotch scribbled Rossi’s name onto the list with a flourish, choosing the most dramatic ballad you could think of, something that would make Rossi’s grand, showman personality shine, but also give you and Hotch a much-needed laugh.

Rossi’s name was called moments later, and the surprised look on his face as he stepped up to the microphone was priceless. Hotch leaned in close, his arm brushing yours as you both watched Rossi take the stage. “This might be the best decision we’ve made all night,” he whispered, his breath warm against your ear.

You nodded, unable to keep the grin off your face as Rossi launched into a hilariously over-the-top performance, complete with exaggerated hand gestures and dramatic pauses that had the entire bar captivated, and you and Hotch doubled over in laughter.

It was the perfect end to an unexpected evening, a night that reminded you of the simple joy of being around people who knew you deeply and cared without question. And as you stood there beside Hotch, sharing in the moment, you couldn’t help but feel grateful for the twists of fate that had brought you here, partners on the job, partners in crime, even if you always hoped for something even more.

#aaron hotchner #criminal minds #hotch #hotch x reader #aaron hotch x reader #aaron hotchner x reader #criminal minds x reader

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selectdatesociety · 24 days ago

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Houston matchmaker - the art of matching hearts in a big city

Modern life in a big city like Houston is full of challenges. Careers, family responsibilities, and personal development all consume time and energy, leaving little space for building deep relationships. In this dynamic world, many people turn to professional matchmaking services, such as those offered by Houston matchmakers, to find true love. But what do professionals in this field actually do, and why is their help increasingly popular?

The role of a professional matchmaker in Houston

Houston is a diverse city, both culturally and professionally. In such a complex environment, finding a suitable partner can be difficult. A Houston matchmaker is a professional who brings people together based on a detailed understanding of their values, goals and expectations. This is not a case of haphazard matching, but a carefully planned process to build a lasting and satisfying relationship.

This is where the advantage of professional services such as Houston matchmaker comes in. By enlisting the help of an expert, you gain confidence that the process is well thought out and focused on success. What's more, professional matchmakers often offer support in developing interpersonal skills, helping their clients better understand each other and build stronger relationships. Such a personalized service is more than just matching - it's a holistic approach to love.

Summary

In a world where time is a luxury and relationships are becoming more complicated, services like those offered by Houston matchmaker are becoming increasingly valuable. It's not only a way to find a partner, but also to better understand yourself and your needs.

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man-down-in-hatchet-town · 1 year ago

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Also! We're in the middle of a campaign to get Nightmare Time 3 to happen! At least two of the episodes from the line-up currently announced for the following season will tie back to the Nerdy Prudes Must Die characters! In order to get those stories, we've got to increase the viewer numbers for Nightmare Time 2. Fun fact: you only have to press play on a Youtube video and watch for like 30 seconds (I am insane and would recommend a minute just to be sure) for the play to count. So if you want those new stories but only one or two of the NMT stories appeal to you (can't relate but whatever), I'd recommend taking a couple of minutes to watch the opening minute or two of each NMT 2 video. Won't take up much time at all, and will help us get:

-Frankenruth: Desperate to see a naked body, Ruth and Richie volunteer at the morgue of St. Damien’s Hospital. Their terrible plan becomes exponentially more terrible, when they become unwitting subjects in the experiments of the body-snatching madman, Doctor Laszlo, who claims to have conquered death itself. If Hatchetfield thought Ruth was bad before, then they will cower before the unspeakable horror of… Frankenruth!

-Devil's Night: Tim Houston (Tom's son from Black Friday) has a crush on his babysitter, Grace Chasity. But trouble strikes when a devilish maniac with murderous designs on Grace attacks Hatchetfield the night before Halloween. This is the third installment in the teen slasher trilogy (and this one is inspired by Michael Myers!) so it'll probably include Pete and Steph as well? But the big question is, will Tim become the first person in Hatchetfield to survive getting a crush on Grace?

In addition, there will also be:

-Bottle Imps: Bill tries out a new product for CCRP, "Bottle Imps," reality-bending creatures that help you find what you desire. After they help him meet his soulmate, Bill decides to use them to play matchmaker for Charlotte. But this means he must bend some rules that should never be broken...

-Becky Barnes Climbed A Tree: Becky and Tom are finally together with a surprise baby on the way! But a shadow from Becky's past returns to haunt them. (They played the demo for this episode's accompanying song during a Kickstarter livestream and it's one of my favorites!)

-Miss Holloween: When Duke gives her an invitation to his wedding, Miss Holloway decides she's had enough of living with the price of her deal. She strikes a new bargain (WITH THE LORDS IN BLACK) and regains a mortal, powerless life just before a new monstrous danger arrives in Hatchetfield. Now she must save the town without her powers or die trying.

-Orb Weaver: The sequel to Yellow Jacket. This episode will be about Hannah, Lex, and MACNAMARA, is likely the grand finale of Nightmare Time, and should have LORE and maybe even some answers about 2005?

Help! I loved Nerdy Prudes Must Die and am curious about Nightmare Time but don't really have time to commit to watching it all... (a handy guide)

For those of you who don't know Nightmare Time was a series of Hatchetfield one shots that starkid wrote and recorded during lockdown, all of which are of course available for free on YouTube. They go a lot deeper into the lore than the 3 Hatchetfield musicals, including explaining and explore the characters we know and love in more detail, sometimes including shocking revelations.

They also introduce new characters to the Hatchetfield universe, including Stephanie Lauter, Grace Chasity and Pete Spankoffski, who we first met in a Nightmare Time episode.

As they were filmed in lockdown the recording quality is somewhat variable, but Season 2 has a much higher production value than Season 1, and in Season 1 Episode 1 in particular they were very clearly trying to find their feet with it. That being said the actual scripts and content of the episodes is solid throughout.

I've decided to put together this handy guide of which Nightmare Time episodes people might want to check out if they want to learn more about certain things we saw in NPMD.

1) Nibbly - Honey Queen (season 2 episode 1)

If you're curious to learn more about the Lords in Black each of them (bar Wiggly) have an episode of Nightmare Time devoted to them.

For Nibbly, Wiggly's hungriest and pinkest brother that episode is 'Honey Queen' in Season 2 Episode 1.

It explores a very entertaining rivalry between Linda Monroe (from Black Friday) and Zoey (the annoying barista from Beanie's in TGWDLM) that naturally turns very very dark. We also get to meet Linda's husband Gerald who she spends most of Black Friday on the phone to.

As a heads up Nibbly doesn't appear until, shall we say, the end of the episode (with Hatchetfield there's always a twist) and he's not in the super sexy form from NPMD but it's a very strong episode and does give a bit of background to Nibbly's deal.

2) Tinky - Time Bastard (season 1 episode 2 part 2)

If you're curious to learn more about this yellow motherfucker played by Curt then you're in luck because he's in my personal favourite episode and one with a lot of interesting lore surrounding it.

If you're curious about what he means when in NPMD he says 'I could add another Spankoffski to my set', Time Bastard is focused around Pete's brother Ted (from TGWDLM) and the dodgy dealings of CCRP.

It's an extremely clever episode, with lots of really fun twists. It's unfortunately season 1 so has slightly lower production quality, but in terms of raw scripting is just outstanding and has some really interesting reveals about people in the Hatchetfield universe who may not be who we think they are...

Also worth noting that this is in the same episode (Youtube video) as a different Nightmare Time episode 'Forever and Always'. Most episodes work like this where you have two different stories per episode, they absolutely can be watched independently but usually have some sort of thematic link (in this case it's the things we do for love and how they will inevitably be thwarted by CCRP being sketch).

3) Blinky - Watcher World (season 1 episode 1 part 2)

And if you're curious about the one who's always watching you, he's actually the first Lord in Black we meet through Nightmare Time, in the very first episode when Bill and Alice Woodward (TGWDLM) go on an ill fated trip to a spooky theme park.

Again this is from the first episode so production quality is low but it's a really solid episode and a very interesting look into these characters.

While this is our first meeting of a lord in black in Nightmare Time, I don't believe he's actually referred to as such, and the concept of the Lords in Blacks being introduced as Wiggly's brothers comes in at point 5 on this list.

4) Pokey - Yellow Jacket (season 2 episode 4)

You've already met Pokey through TGWDLM (yep that was his blue shit that destroyed the world!), but you won't truly realise how fucking scary he is until you meet his incarnation 'Otho' in Yellow Jacket.

A solid episode exploring Lex, Hannah and Ethan in a lot more detail, and in a world and lives where (at least at the start of the episode) things seem to be a lot more stable for them than in Black Friday.

And yeh as I've already mentioned Pokey is fucking s c a r y in it. Also you remember James Tolbert's character, Charles that gets a little cameo in Hatchetown? Well he's the main human antagonist of this episode!

We also learn a lot of lore about 'the gift', the thing that makes Hannah able to do magic.

5) The concept of the Lords in Black generally - The Witch in the Web (season 2 episode 3 part 2)

If you're curious about why everyone's been posting pictures of those evil teddy bears and now even more confused that you've met them all as fucked up high school students, the Witch in the Web is the episode where we're first introduced to the 'they don't care bears' as a set.

This is a really cool episode, again about Lex and Hannah, but it also exploring Uncle Wiley (from Black Friday) in a lot more detail.

We also first meet two characters called Duke and Miss Holloway who together form the ship Holloduke that if you were following any of Starkid tumblr during lockdown you will definitely have heard of. They're really cool!

Here we also meet Webby, Hannah's imaginary friend in Black Friday, who turns out to be the lord in black's sister: a queen in white. And she's dope.

6) Pete Spankoffski, Stephanie Lauter and Grace Chasity - Abstinence Camp (season 2 episode 2 part 2)

We first meet the now beloved characters of Pete and Steph and the slightly less beloved character of Grace in an evangelical abstinence only camp. The episode centers entirely around these characters and plays excellently with tropes of the horror genre.

It also has the best song in all of Nightmare Time and it's up to you to decide if I'm talking about 'oh my god it's the axe-man' or 'virginity rocks' (it's both, the answer is both).

That's pretty much it in terms of Nightmare Time episodes that cover things from NPMD, but in case you're curious here's a quick run down of what the rest are about:

The Hatchetfield Ape Man - season 1 episode 1 part 1. Hidgens makes Ted pretend to be a Tarzan style half monkey, half man thing to con Angela Giarratanna out of her inheretence.

Watcher World - season 1 episode 1 part 2. See bullet 3 above. Alice and Bill Woodward go to a theme park and shit hits the fan.

Forever and Always - season 2 episode 2 part 1. Paul and Emma get married. Things are not as they seem (there are robots). One of my personal favourites.

Time Bastard - season 2 episode 2 part 2. See bullet 2 above. Ted fucks with time travel and things end very badly for him. Best episode imo.

Jane's a Car - season 2 episode 3 part 1. Turns out the soul of Tom Houston's ex-wife Jane, who died in a car crash, transferred into the car. This somewhat complicates his budding relationship with Becky Barnes.

The Witch in the Web - season 2 episode 3 part 2. See bullet 5 above. Hannah Foster's having nightmares and somehow a witch and Uncle Wiley are involved. Luckily a good witch (Miss Holloway) is there to try and help.

Honey Queen - season 2 episode 1. See bullet 1 above. Linda Monroe and Zoey Chambers compete to win the Hatchetfield honey queen beauty pageant and things spiral wildly out of control. My personal favourite episode from season 2.

Perky's Buds - season 2 episode 2 part 1. Emma's finally achieved her dream of owning her own pot farm. Just her, her non-binary farm hand Ziggs and some very evil birds.

Abstinence Camp - season 2 episode 2 part 2. See bullet 6 above. Pete, Steph and Grace go to a retreat in the very creepy woods to learn one way or another about the perils of pre-marital sex.

Daddy - season 2 episode 3 part 1. Remember Sherman Young (Jamie's weird creepy guy from Black Friday)? Turns out there's something very weird going on with his mum. We also learn a lot about Frank Pricely (owner of toyzone from Black Friday) in this episode, who turns out to be a very interesting character.

Killer Track - season 2 episode 3 part 2. Miss Holloway must take extreme action to save a young girl and then the whole world against an evil song that kills anyone who listens to it. We learn a lot more about Holloway as a character and she is soooo cool. Another favourite episode of mine.

Yellow Jacket - season 2 episode 4. See bullet point 4. Hannah seeing her sister struggling to provide for them financially decides to find a way of using her power to earn some spare cash.

Hey Melissa - episode aired only on a livestream, type it into youtube and it'll come up. If you've ever found yourself asking 'what if Mariah's secretary character from the start of TGWDLM was really into dom pup play and Paul Matthews was her little pup bitch and she was also a horrific out of control serial killer?' then a) are you Matt Lang because if not I'm concerned? and b) by god this is the episode for you!. I personally really enjoy it I think it's super funny, but obviously heavy trigger warnings for abuse and sexual content warnings (there's a reason they didn't put this in the real series). Fucking excellent tho.

#nightmare time #nightmare time 2 #nightmare time 3 #WATCH NIGHTMARE TIME #starkid #hatchetfield

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best-group-financial · 4 months ago

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#bestgroupfinancial#BusinessAcquisition#buybusiness#houston

#business acquisition #buy businesses #raise funds for business in houston #bgf houston #business growth

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urlocalnonbinarybastardwrites · 4 months ago

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Hey I wanted to do ur matchmaker thing bc i thought it would be fun abd also i just generally like ur content! I’m fine being matched with either DC characters or HP characters (preferably marauder era ones). Also i’m bisexual with a preference for women but if you think a guy really matches my vibe thats totally fine

Ok so this is kinda hard but i’m gonna try my best to describe myself. I’m white (mostly German and Belgian) with brown hair and green eyes and i’m 5’9 (dreaming of a day i reach 6ft despite the fact that i’m 18 and will probs not grow anymore). I’ve lived in Houston, Texas my whole life and have never moved. Actually i’ve never even traveled outside of the USA and have only traveled out of state 4 times i think. So yeah, pretty sheltered but thats mostly due to money stuff. I would love to travel the world later in life; somewhere like Italy or really anywhere with interesting and old architecture.

I’m a massive introvert who 9 times out of 10 would absolutely rather stay home. That paired with a diagnosed anxiety disorder pretty much means a lot of alone time that honestly i really enjoy. I LOVE reading. I’ve been a big reader since elementary school and never stopped. About 4 years ago i also got really into comics, specifically batman and all the robins that he replaces like a parent exchanges their child’s dead goldfish for a new one so they don’t have to learn abt death yet. I also like reading classics like pride and prejudice, (promise i’m not trying to get Jason i just relate to him a lot on this)A picture of dorian gray, Frankenstein, and Maurice. (I’m also trying to get my hands on a copy of camilla bc like sapphic vampires!??? Absolutely). Although i would def not characterize myself as a writer I am trying to improve my writing skills bc its something i honestly enjoy and it’s kinda my dream job even if it’s unrealistic.

Ummm idk what else to write. Maybe some quick fun facts.

- my fave color is forest green💚

- i have a twin sister who i have a kinda rocky relationship with. Mostly bc she just has so much energy and she’s really sociable. Basically we dont really mesh but she’s still my sister (woah who could I possibly kin. Def not regulus black bc that would be sooo unpredictable🙄) sry that one wasn’t all that quick

- i’m a Sagittarius

-ummm i’m running out of ideas

-chocolate is literally the best food on earth

Ok so thats pretty much it. I went way more in depth abt myself than i planned so thats why i ended up doing this as an anon. Ik the whole point of this is to show myself bc thats how you’ll decide a character but like, being seen is scary. I’ll be checking in once in a while to see who i got matched with but feel completely free to not respond if you have a lot of asks.

Lots of love ❤️

Can you ask about this in my DMs? So sorry for the trouble but it would help me complete it better! Thanks for understanding!

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bedpage1234 · 8 months ago

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Exploring the World of Escorts in Chicago

Escorts in Chicago are not just about companionship; they represent a blend of charm, professionalism, and personalized service. Whether it's an elegant evening at a fine-dining restaurant, attending a corporate event, or simply exploring the city's nightlife, these escorts provide more than mere company—they offer a tailored experience.

One of the distinguishing factors of Chicago's escort services is their variety. Clients can select from a range of individuals with different backgrounds, styles, and specialties. Some Escorts in Chicago specialize in accompanying clients to social events, exuding sophistication and conversational prowess. Others focus on providing a more intimate and personalized encounter, offering a deeper connection and a sense of emotional fulfillment.

Privacy and discretion are paramount in this industry. Reputable escort agencies in Chicago prioritize client confidentiality, ensuring that interactions remain private and respectful. This commitment to discretion enables clients to enjoy their experiences without concern for judgment or exposure.

The process of engaging an escort in Chicago is straightforward yet professional. Clients typically contact reputable agencies through discreet communication channels. They discuss their preferences and expectations, allowing the agency to match them with an escort who aligns with their desires. This personalized matchmaking ensures that each encounter is fulfilling and enjoyable for both parties.

Beyond companionship, escorts often serve as guides to the city, particularly for visitors unfamiliar with Chicago's intricacies. They can recommend the finest restaurants, trendy bars, or hidden gems that embody the city's unique character. This added dimension transforms a typical encounter into an enriching and memorable experience.

Furthermore, Escorts in Houston prioritize safety and professionalism. Agencies rigorously vet their escorts to ensure they possess the necessary skills and demeanor to provide exceptional service. This vetting process not only guarantees client satisfaction but also fosters a secure and trustworthy environment.

The appeal of Chicago's escort services extends beyond locals to visitors seeking a unique experience during their stay. For tourists, engaging an escort offers an opportunity to discover Chicago's nightlife and culture from an insider's perspective. It's a chance to forge a meaningful connection with someone who understands the city intimately.

It's essential to recognize that the escort industry in Chicago operates within legal boundaries, with reputable agencies adhering to strict guidelines and regulations. This commitment to legality underscores the professionalism and legitimacy of Chicago's escort services.

Ultimately, escorts in Chicago cater to a diverse clientele, each seeking something unique from their experience. Whether it's companionship, adventure, or simply an escape from the ordinary, the world of escorts in Chicago offers a sophisticated and tailored approach to fulfilling these desires.

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horoscope1726 · 3 months ago

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What are some ways to alleviate the effects of Saturn mahadasha?

Here are five ways to alleviate the effects of Saturn Mahadasha:

Discipline and Responsibility: Embrace a disciplined lifestyle, fulfilling duties and obligations with patience, as Saturn rewards hard work and responsibility.

Charity and Service: Engage in charitable acts, especially towards the underprivileged, elderly, or the disabled, to reduce Saturn’s challenging effects.

Wearing Blue Sapphire (Neelam): Consult an astrologer to see if wearing a blue sapphire, Saturn's gemstone, can strengthen its positive effects and alleviate challenges.

Chanting Mantras: Reciting the Shani mantra ("Om Sham Shanaishcharaya Namaha") or the Hanuman Chalisa can help appease Saturn.

Fasting on Saturdays: Observing a fast on Saturdays, Saturn’s day, or consuming light meals like khichdi, can help reduce its negative influence.

To know the effect of Shani Mahadasha, or in which house your Shani is sitting. For that you can use Kundli for Android - Astrology application. Which can give you good information based on your horoscope for free. If you want to know more information, you can also contact us (91 85956 75042).

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astrorakesh1726 · 10 months ago

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What does Pluto in the first house mean in astrology?

In astrology, the placement of Pluto in the first house of a birth chart is significant and can influence various aspects of an individual's personality, behavior, and life path. Here are some key interpretations of Pluto in the first house:

Intensity and Magnetism: Pluto in the first house intensifies the personality and presence of the individual. They may possess a magnetic and powerful aura that draws others to them. This placement suggests a deep, transformative energy that can impact both the individual's life and the lives of those around them.

Self-Discovery and Transformation: Individuals with Pluto in the first house often undergo profound personal transformations throughout their lives. They may constantly seek to understand themselves at a deep level and may be drawn to psychological introspection and self-analysis. This placement indicates a journey of self-discovery and empowerment through confronting and overcoming personal challenges.

Charisma and Magnetism: Pluto in the first house bestows a strong sense of charisma and personal magnetism. Others may find them intriguing and captivating, but they may also evoke feelings of fear or intimidation due to their intense presence.

Power Dynamics and Control: Pluto's influence in the first house can manifest as a desire for control and power in personal relationships and situations. Individuals with this placement may have a strong will and may seek to exert influence over their environment or the people around them. They may also attract power struggles or intense dynamics in their relationships.

Rebirth and Regeneration: Pluto symbolizes the principle of death and rebirth, and its placement in the first house suggests a theme of regeneration and renewal in the individual's life. They may experience significant endings and beginnings that lead to profound personal growth and transformation.

Psychological Depth and Insight: Individuals with Pluto in the first house tend to have a deep psychological insight and may be drawn to the study of psychology, occultism, or other esoteric subjects. They may possess a keen intuition and a penetrating understanding of human nature.

Intensity in Relationships: In relationships, individuals with Pluto in the first house may experience intense and transformative dynamics. They may be drawn to partners who challenge them on a deep emotional level, and their relationships may involve themes of power, control, and psychological depth.

Overall, Pluto in the first house symbolizes a powerful and transformative presence that shapes a person's personality, relationships, and life journey. It is important to consider this position in the context of the entire birth chart for a comprehensive understanding of its effects. For which you can use Kundli Chakra Software 2022 Professional.

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itsgerges · 7 months ago

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