#Masaki Natsuko

[imiteeshon]

[kdram-chjh]

Japanese Anime Movie: Kimitachi wa Dō Ikiru ka (2023) | dir. by Hayao Miyazaki

El Chico Y La Garza (2023) Tráiler Oficial #2 Subtitulado

Watch this video on Youtube: https://www.youtube.com/watch?v=3qcGt2h0I2E

[retrosofa]

To commemorate Cutie Honey's 50th anniversary, I wanted to post trivia for all 25 episodes. We'll start this week with the first episode: "The Black Claw Grips The Heart."

Screenwriter: Masaki Tsuji

Art Director: Mataharu Urata

Animation Director: Shingo Araki

Director: Tomoharu Katsumata

In the early drafts Honey Kisaragi was originally Honey Tachibana. Honey’s finalized surname name, “Kisaragi” (如月) is a traditional name for February in the Japanese calendar. It refers to the seasonal “changing of clothes.” The name "Honey" comes from the American TV series Honey West.

Honey was voiced by Eiko Masuyama, who would reprise this role a few times over the years, notably in the Re: Cutie Honey audio drama and the Playstation game, Little Witching Mischiefs. She also had a guest spot in Cutey Honey Flash as Dr. Kisaragi’s old friend, Dr. Mitsuko Kanzaki.

St. Chapel Academy is located in Okutama, a mountainous area that’s about an hour and a half away from central Tokyo. St. Chapel itself was most likely inspired or at least named after the real life royal chapel, Sainte-Chapelle in Paris, France. The hymn the students sing during Mass in these early episodes is “Come, Thou Almighty King.”

The freckle-faced girl who stands next to Honey during Mass is her best friend and roommate, Natsuko Aki. Although she’s almost never referred to by her full name but rather “Nat-chan.” Her first name is in reference to natsu or “summer” while aki means “autumn.” In the original manga she is depicted as having pigtails rather than a bob cut and doesn’t have freckles. Natsuko’s anime design was based on an unnamed girl who appeared briefly in the Devilman manga.

Natsuko was voiced by Rihoko Yoshida, who’s best known for voicing the titular character in Majokko Megu-chan, Maria Grace Fried in UFO Robo Grendizer, and Michiru Saotome in Getter Robo. Yoshida would also voice Panther Zora in the 1995 PC-FX video game, Cutey Honey FX. Noriko Watanabe (Sister Jill, Mami) also voiced Natsuko occasionally for whenever Rihoko Yoshida was unavailable.

Honey’s goofy teacher Ms. Alphonne Louis Steinbeck III is based on a male character from Go Nagai’s Kikkai-kun manga. That same Alphonne also served as the basis for Akira Fudo’s teacher in the Devilman TV series. 

Ms. Alphonne was voiced by the late Noriko Tsukase, who had previously voiced Mr. Alphonne’s wife and son in Devilman. Although Ms. Alphonne appears in every other animated Honey series, this is the only version where she is voiced by a woman.

During the early production stages Seiji Hayami was known as Shun Kazami and was described as "falling in love with Honey, despite knowing she’s an android." He would also have a goofy little sister named Zuuko, who would question whether she was really related to her handsome older brother. When the series details were finalized, Seiji became more of a comic relief character and his romantic chemistry with Honey was downplayed. 

Seiji was voiced by Katsuji Mori, who would go on to voice Dr. Kisaragi in Cutie Honey Universe.

Katsuji Mori revealed he had ad-libbed Seiji's lines during Honey's first transformation. Originally, Seiji had no dialogue in that scene.

Honey's motorcyclist form is called "Hurricane Honey" which is possibly an homage to Shotaro Ishinomori's Cyborg 009. The lead character, Joe Shimamura, is sometimes a professional car racer who goes by the nickname "Hurricane Joe."

Seiji refers to Hurricane Honey as kaminari musume (カミナリ娘) which translates to something like “thunder girl.” He’s actually referring to the kaminari zoku (カミナリ族) or “thunder tribes”, Japanese motorcycle gangs who were known for their loud and rowdy modified motorcycles.

Sister Jill is the manager of Panther Claw's Japanese branch and Panther Zora's younger sister. The "Sister" part of her name is likely a reference to a religious sister, circling back to Honey attending a Catholic school. In the original series pitch, she was known as Sister Zora.

Jill is voiced by the late Noriko Watanabe, who also voiced Junpei's girlfriend, Mami.

Black Claw’s name comes from the original series proposal, which described Panther Claw’s soldiers as being color coded. Potential opponents for Honey would’ve included Black Claw, Scarlet Claw, Cobalt Claw and Gold Claw. Each would have possessed a specific skill or element, for example, “Scarlet Claw” would’ve possessed fire powers. For whatever reason the whole color coded aspect was dropped but “Black Claw” was still used as the name for Honey’s first real adversary.

According to Cutey Honey Roman Album published by Tokuma Shoten in 1981, Honey's childhood memories are artificial. They were produced by Dr. Kisaragi because he wanted Honey to have childhood memories like any other human girl.

Dr. Takeshi Kisaragi was originally known as Dr. Seiji Tachibana in the original series proposal. In the original manga Dr. Kisaragi looks noticeably younger, has black hair, no glasses and a goatee instead of a mustache.

Originally, Honey was only going to transform once or twice during the first episode. Tomoharu Katsumata (director for episode one) requested that Honey use all of her main seven forms.

Some of the choreography from Honey and Black Claw’s fight is based on sequences from the Abashiri Family manga, specifically when the lead character Kikunosuke battles against teachers from Paradise Academy.

Junpei is based on Kichiza Abashiri from Go Nagai's The Abashiri Family manga. Kichiza is the youngest son of the Abashiri family and is a master of explosives. Junpei was voiced by Kazuko Sawada.

It’s probably worth noting Honey and Junpei are the only two characters to appear in every episode of Cutie Honey.

We'll take a look at episode two next week!

[flicksnfilms]

The Boy and the Heron (2023)

Kimitachi wa dô ikiru ka After losing his mother during the war, young Mahito moves to his family’s estate in the countryside. There, a series of mysterious events lead him to a secluded and ancient tower, home to a mischievous gray heron. When Mahito’s new stepmother disappears, he follows the gray heron into the tower, and enters a fantastic world shared by the living and the dead. As he embarks on an epic journey with the heron as his guide, Mahito must uncover the secrets of this world, and the truth about himself.

TL;DR: Do I recommend it? > Yes. For sure.

The long of it:

Studio: Studio Ghibli Director: Miyazaki Hayao Writer: Miyazaki Hayao Music: Hisaishi Joe Cast: Santoki Soma, Suda Masaki, Shibasaki Ko, AIMYON Runtime: 124 minutes IMDB | RottenTomatoes | Official Site

Watched: at the cinema on February 6th

Reaction: ± The meaning, as with many Ghibli films, is a bit beyond me -at least in the immediate. But there's definitely beauty in their familial relationships --how Soichi cares so much and how, despite an awkward start, Mahito accepts Natsuko as a mother figure and is never weird about his father's feelings. [SPOILERS AHEAD]

The tower is a mystery and a half. The alternate world collapses, taking great-granduncle and the warawara and the other version of Kiriko are lost, but the parakeet and the pelicans get released from their captivity where their descendants are forgetting how to fly. There's a strange combination of sadness and relief. And though i couldn't tell you the story's purpose, i could tell you that the emotions are real.

Memorable aspect of the movie: + Man, Ghibli Japanese kids have some kind of stupid courage and the hands and feet of tree frogs. + The original Japanese title makes a lot more sense of the heart behind the story: "You all live in harmony"

[myfeeds]

Macaque trials offer hope in pneumonia vaccine development

Science News from research organizations Development of a novel pneumococcal vaccine with confirmed efficacy in macaque monkeys Date: November 28, 2023 Source: Osaka Metropolitan University Summary: A research team has successfully developed a novel pneumococcal vaccine by combining the team’s proprietary mucosal vaccine technology with pneumococcal surface proteins that can cover a wide range of serotypes. Experiments were conducted using mice and macaques and it was confirmed that pneumonia caused by pneumococcal infection was clearly suppressed in the target groups of animals inoculated with the vaccine. Share: FULL STORY The global impact of the coronavirus pandemic has ignited a renewed focus on emerging and re-emerging infectious diseases. Researchers at Osaka Metropolitan University are making great strides in combating pneumococcal pneumonia, one of the leading causes of respiratory deaths worldwide. Despite the existence of vaccines against pneumococcal infections such as otitis media, sinusitis, and meningitis, the prevalence of pneumococcal pneumonia remains high. Currently, around 100 new serotypes of Streptococcus pneumoniae have been identified, and the increase in pneumococcal infections caused by serotypes not covered by the vaccine has become a concern. This situation underscores the need for a more versatile vaccine. Building on their previous success in mucosal responses in 2019, in which they developed a mucosal vaccine that caninduce antigen-specific mucosal immune responses, mainly immunoglobulin A (IgA), on the target mucosal surface, a research team led by Professor Satoshi Uematsu and Associate Professor Kosuke Fujimoto from the Department of Immunology and Genomics at the Graduate School of Medicine, Osaka Metropolitan University, has this time set out to bridge the gap in pneumococcal pneumonia vaccination efficacy. To successfully develop a novel pneumococcal vaccine, the research team combined its proprietary mucosal vaccine technology with pneumococcal surface proteins that can cover a wide range of serotypes. Experiments conducted on mice and macaques have demonstrated the vaccine’s efficacy in suppressing pneumococcal pneumonia in the target animal groups. “This research has succeeded in developing a vaccine formulation that can potentially be used in humans, which will advance the development of this vaccine for clinical applications,” said Professor Fujimoto. “This next-generation vaccine technology is expected to contribute to the treatment of infectious diseases in the future.” Story Source: Materials provided by Osaka Metropolitan University. Note: Content may be edited for style and length. Journal Reference: Chieko Yokota, Kosuke Fujimoto, Natsuko Yamakawa, Masamitsu Kono, Daichi Miyaoka, Masaki Shimohigoshi, Miho Uematsu, Miki Watanabe, Yukari Kamei, Akira Sugimoto, Natsuko Kawasaki, Takato Yabuno, Tomotaka Okamura, Eisuke Kuroda, Shigeto Hamaguchi, Shintaro Sato, Muneki Hotomi, Yukihiro Akeda, Ken J. Ishii, Yasuhiro Yasutomi, Kishiko Sunami, Satoshi Uematsu. Prime-boost-type PspA3 + 2 mucosal vaccine protects cynomolgus macaques from intratracheal challenge with pneumococci. Inflammation and Regeneration, 2023; 43 (1) DOI: 10.1186/s41232-023-00305-2 Cite This Page: Osaka Metropolitan University. “Macaque trials offer hope in pneumonia vaccine development.” ScienceDaily. ScienceDaily, 28 November 2023.

[ljaesch]

Eleven Arts and Shout! Factory to Release the Blue Thermal Anime Film on Blu-ray and Digital on March 14, 2023

From the renowned animation powerhouse Telecom Animation Film and director Masaki Tachibana comes a new anime adventure, Blue Thermal. Produced by Telecom Animation Film, Blue Thermal, directed by Tachibana from a screenplay written by Tachibana and Natsuko Takahashi, is the long-awaited feature film adaptation of author and creator Kana Ozawa’s popular manga series which ran in Shinchosha’s…

[leenaevilin]

[Announcement] カリギュラ (caligula)

you will be able to watch the show in March 2020 @ WOWOW

[hotarutranslations]

Nationwide Simultaneous Handshake Meet Details Have Come Out!

Evening Its Ishida Ayumi

 Last night I couldn’t sleep well but,

 This morning I woke up refreshed

 At the same time,

I’m already missing the concert

 Now I’m really happy that there is a Hokkaido performance

 It ended up having to be postponed, it was an inconvenient burden, I’m really sorry about it, I thought it was lonely but,

 In this way a transfer performance was decided

 It was really over yesterday,

I just didn’t want to bear the loneliness,

Therefore I’m happy~

 It’ll end after this Hokkaido performance,

In the same way its lonely though

 While doing this,

 Holding for the Morning Musume ’20  1/22 Release 68th Single Commemorative release  ~Nationwide Simultaneous Handshake Meet~!! <12/14, 15 Nationwide 27 Places>

 Its here, nationwide simultaneous handshake meet

The details on the places and times

 Me with Sato Masaki-chan and

15th generation Kitagawa Rio-chan,

 14th Koriyama →Tochigi→Kinshicho 15th Morioka →Sendai (EBeans Store)

 We’ll be going there!!!

  That day, those that come to the venue and preorder a CD will be able to participate so, please don’t hesitate if its your first time

If there is someone nearby that doesn’t understand…

Those that do know please teach…!!!дﾟ)ﾁﾗｯ

 I’ll be waiting for a lot of you to participate

 Morning Musume 68th single commemorative release! Nationwide simultaneous handshake meet lottery!!

 Morning Musume ’20 “KOKORO&KARADA” (Promotion edit)

 I’m also waiting for your preorders for my photobook ❤

 (Wani Books Mail Order, Amazon Limited, Seven Net, Rakuten, Tower Records, HMV Site all have special things from preordering)

 https://www.wani.co.jp/event.php?id=6468

 GyaO! “ONE x ONE” #3

 I was in charge of live commentary with Haga Akane-chan! We chose our favorite concert video so, we talked about that!

 #FinallyYamakiandIshidaarehavinganevent

 These event goods are, also being sold via mail order!

 I was happily surprised that the socks were out of stock…

 There are handwritten live photos and,

A 2 set FSK so,

Thank you for checking it out~!

 Yesterday after the concert,

I was hungry,

I wanted to eat yakiniku for some reason,

 But it was late so I couldn’t go out

 So then, well tomorrow (today) I’ll go,

 Immidiately,

 Speaking of yakiniku,

 I invited Yamaki-san

 Immediately,

 I got an OK

 #YamakiandIshidaarehangingoutagain

 Today was a yakiniku lunch!

It! Was! De! Li! Cious!

 Towards yesterday’s concert too,

I was given an analysis of her impressions,

I thought Ooh~ while listening! Lol

  At yesterdays concert,

 It wasn’t just Hello! Project members,

Yaguchi Mari-san!! Tanaka Reina-san!! Iikubo Haruna-chan too!! Yamazaki Yuka-chan!!

 Yamadera Kouichi-san!!

Tejima Yuu-san!!

 Araki Yuko-san!!

 Matsuoka Mayu-san!!

 Momoiro Clover Z’s Momota Natsuko-san as well!!

 Many thanks to the lots of guests who came…

 See you ayumin ❤

 https://ameblo.jp/morningmusume-10ki/entry-12553605381.html

[recentanimenews]

Aviation Club Manga Blue Thermal Takes Flight as Anime Film in 2022

  Next year, Kana Ozawa's manga about unpowered flight takes to the skies with an animated film adaptation!

  Blue Thermal -Aonagi College Sports Festival Aviation Club- began its run in 2015 in Monthly Comic @Bunch, finishing its run in the course of five volumes. The series focuses on the world of gliding: flight in unpowered planes ("gliders" or "sailplanes") that stay airborne on currents of rising air in the atmosphere.

  A key visual, teaser trailer, and cast list were all put out today:

    Actress and model Mayu Hotta, who recently appeared as Ai Hayasaka in the live-action KAGUYA-SAMA: LOVE IS WAR, will voice main character Tamaki Tsuru:

    Nobunaga Shimazaki (Ritsuka Fujimaru in Fate/Grand Order) voices Jun Kuramochi:

    And Junya Enoki (Nasa Yuzaki in TONIKAWA: Over the Moon for You) plays Daisuke Sorachi:

    Check out the teaser trailer for a first look:

    The film is directed by Princess Principal director Masaki Tachibana, from a script by Tachibana and Farewell, My Dear Cramer screenplay writer Natsuko Takahashi. It is produced by Telecom Animation Film and "Blue Thermal" Production Committee, and will be released by Toei.

  Blue Thermal is due for release in Japan in March 2022.

  Source: Anime! Anime!

    By: Kara Dennison

[michaelcosio]

The official “A Good Look” music video – from the album and Netflix Original Anime film: SOUND & FURY – available now

Director: Jumpei Mizusaki

Unit Director: Shinji Takagi

Mechanical Design / M4 Storyboard: Daisuke Sajiki

Look Development:  Elsa Nakamichi

CGI Director: Takafumi Utsunomiya

Animation Director:  Takashi Ishikawa

Modeling Lead: Midori Kato

Additional Design:  Huang Chong Ya (Studio5), Tina Wang (Studio5)

Modeling: Suzu Kobayashi, Risa Okada, Benio Sugibayashi, Takeshi Ishiuchi, Thibault Tresca, Ada Ke (Studio5), Chen Li Ju (Studio5), Li Wei Tzu (Studio5), Yu Ting Wang (Studio5), Chen Yu Wei (Studio5), Han Tsung Chun (Studio5), Yoshi Wakayama

Animation: Kenta Yoshino, Syunya Iwamoto, Kentaro Moteki, Takeshi Ishiuchi, Masaki Takahashi, Yuya Matsuzaki, Syogo Konishi, Sari Nagano, Yuki Nakajima, So Nagata, Yu Chi Han (Studio5), Hung Tsai Lin (Studio5), Lu Chiao Wen (Studio5), Tang Haowei (Studio5)

Effect / UI Design:  Yuta Matsumoto

Key Animation: Maki Yamakoshi, Masaki Takahashi, Benio Sugibayashi, Tatsuya Asakura, Seijin Thomas, YukiHino (Liden Films), Hiroyasu Oda (Launch Box)

In-between Animation / Ink and Paint: Maki Yamakoshi, Masaki Takahashi, Benio Sugibayashi, Tatsuya Asakura, Seijin Thomas

In-between Animation: Sayaka Ishizuka (Liden Films), Tomoki Urata (Liden Films), Wang Xintong (Liden Films), Miyu Ohkubo (Liden Films), Lin Tzu Hao (Liden Films), Kouhei Hirasawa (Liden Films), Makoto Eto (Launch Box)

Ink and Paint: Yoshiha Nakamura (BeLoop), Reia Tanaka, Akihiko Uezuka, Ayaka Tetsuoka, Akari Tomari

Supervising Color Designer: Satoko Kimura

M4 Color Supervisor: Akira Hashigami (BeLoop)

Art Director: Yuji Kaneko (aoshashin.inc), Ken Nakamura (aoshashin.inc)

Art Setting / 2nd Key Animation: Yoshihiro Sono, Susumu Mamura

2nd Key Animation: Daisuke Sajiki

Background Art: Souta Kameyama (Aoshashin.inc), Ryoutaro Ueda (Aoshashin.inc), Taro Goto (Aoshashin.inc)

Texture Artist: Elsa Nakamichi, Benio Sugibayashi, Tomoe Nakano, Shiori Kato, Tsubasa Goto, Natsuko Takao, Yasuko Miura, Hiromitsu Saito, Yuki Narita

Compositor: Tomoe Nakano, Chen Yun An

Director of Photography: Jumpei Takatsu (LIDEN FILMS)

Cinematography: Mami Takamura (LIDEN FILMS), Tomoaki Suzuki (LIDEN FILMS)

Production Managers: Haruko Kitakura, Kaori Satake

Production Cooperation: Kohei Fujiwara, Chug Yi Jui (Studio5), Tomohiro Toyozono (Studio5), Kei Shimobayashi (LIDEN FILMS)

Producer: Kaori Satake

Episode 4: Dance Part Director: Elsa Nakamichi

Co-Director / Animation: Kenta Yoshino, Syunya Iwamoto, Takeshi Ishiuchi, Yuya Matsuzaki, So Nagata, Thibault Tresca

Animation Cooperation: Studio5

Animation Lead: Lin Yi-Ju (Studio5)

Dance Animation: Liu Jia-Wei (Studio5), Shen Yi-Shin (Studio5)

Flip Board Images: Daisuke Sajiki, Yasuko Miura

CG Production Assistant: Masaki Takahashi, Syogo Konishi, Sari Nagano

Backgrounds: RUNPU

Background Graphics: Shunsuke Ohyama (RUNPU), Kazunori Nakahara (RUNPU)

Effects: Yuta Matsumoto

Cinematography: Elsa Nakamichi, So Nagata, Tomoe Nakano, Chen Yun An, Thibault Tresca

Dance: SOLID CUBE

Choreographer / Dancer: Keiko Fukushima

Casting: Nami Harada

Coordinators: Yuki Ikegaya

Producer: Takayuki Sasaki

from SturgillSimpson

[reginadolin]

Sturgill Simpson "A Good Look" (Official Video)

The official “A Good Look” music video – from the album and Netflix Original Anime film: SOUND & FURY – available now SOUND & FURY Album Available Now: https://ift.tt/2lI84uk A GOOD LOOK'N TOUR ON SALE NOW: https://ift.tt/38OsFjj Subscribe to Sturgill Simpson’s YouTube Page: https://www.youtube.com/channel/UCMY-GtVQQFrk2JuPrkjC95w Credits: Director: Jumpei Mizusaki Unit Director: Shinji Takagi Mechanical Design / M4 Storyboard: Daisuke Sajiki Look Development: Elsa Nakamichi CGI Director: Takafumi Utsunomiya Animation Director: Takashi Ishikawa Modeling Lead: Midori Kato Additional Design: Huang Chong Ya (Studio5), Tina Wang (Studio5) Modeling: Suzu Kobayashi, Risa Okada, Benio Sugibayashi, Takeshi Ishiuchi, Thibault Tresca, Ada Ke (Studio5), Chen Li Ju (Studio5), Li Wei Tzu (Studio5), Yu Ting Wang (Studio5), Chen Yu Wei (Studio5), Han Tsung Chun (Studio5), Yoshi Wakayama Animation: Kenta Yoshino, Syunya Iwamoto, Kentaro Moteki, Takeshi Ishiuchi, Masaki Takahashi, Yuya Matsuzaki, Syogo Konishi, Sari Nagano, Yuki Nakajima, So Nagata, Yu Chi Han (Studio5), Hung Tsai Lin (Studio5), Lu Chiao Wen (Studio5), Tang Haowei (Studio5) Effect / UI Design: Yuta Matsumoto Key Animation: Maki Yamakoshi, Masaki Takahashi, Benio Sugibayashi, Tatsuya Asakura, Seijin Thomas, YukiHino (Liden Films), Hiroyasu Oda (Launch Box) In-between Animation / Ink and Paint: Maki Yamakoshi, Masaki Takahashi, Benio Sugibayashi, Tatsuya Asakura, Seijin Thomas In-between Animation: Sayaka Ishizuka (Liden Films), Tomoki Urata (Liden Films), Wang Xintong (Liden Films), Miyu Ohkubo (Liden Films), Lin Tzu Hao (Liden Films), Kouhei Hirasawa (Liden Films), Makoto Eto (Launch Box) Ink and Paint: Yoshiha Nakamura (BeLoop), Reia Tanaka, Akihiko Uezuka, Ayaka Tetsuoka, Akari Tomari Supervising Color Designer: Satoko Kimura M4 Color Supervisor: Akira Hashigami (BeLoop) Art Director: Yuji Kaneko (aoshashin.inc), Ken Nakamura (aoshashin.inc) Art Setting / 2nd Key Animation: Yoshihiro Sono, Susumu Mamura 2nd Key Animation: Daisuke Sajiki Background Art: Souta Kameyama (Aoshashin.inc), Ryoutaro Ueda (Aoshashin.inc), Taro Goto (Aoshashin.inc) Texture Artist: Elsa Nakamichi, Benio Sugibayashi, Tomoe Nakano, Shiori Kato, Tsubasa Goto, Natsuko Takao, Yasuko Miura, Hiromitsu Saito, Yuki Narita Compositor: Tomoe Nakano, Chen Yun An Director of Photography: Jumpei Takatsu (LIDEN FILMS) Cinematography: Mami Takamura (LIDEN FILMS), Tomoaki Suzuki (LIDEN FILMS) Production Managers: Haruko Kitakura, Kaori Satake Production Cooperation: Kohei Fujiwara, Chug Yi Jui (Studio5), Tomohiro Toyozono (Studio5), Kei Shimobayashi (LIDEN FILMS) Producer: Kaori Satake Episode 4: Dance Part Director: Elsa Nakamichi Co-Director / Animation: Kenta Yoshino, Syunya Iwamoto, Takeshi Ishiuchi, Yuya Matsuzaki, So Nagata, Thibault Tresca Animation Cooperation: Studio5 Animation Lead: Lin Yi-Ju (Studio5) Dance Animation: Liu Jia-Wei (Studio5), Shen Yi-Shin (Studio5) Flip Board Images: Daisuke Sajiki, Yasuko Miura CG Production Assistant: Masaki Takahashi, Syogo Konishi, Sari Nagano Backgrounds: RUNPU Background Graphics: Shunsuke Ohyama (RUNPU), Kazunori Nakahara (RUNPU) Effects: Yuta Matsumoto Cinematography: Elsa Nakamichi, So Nagata, Tomoe Nakano, Chen Yun An, Thibault Tresca Dance: SOLID CUBE Choreographer / Dancer: Keiko Fukushima Casting: Nami Harada Coordinators: Yuki Ikegaya Producer: Takayuki Sasaki Follow Sturgill Simpson: Website -https://ift.tt/1tdI6br Spotify: https://ift.tt/3aPxWci #SturgillSimpson #AGoodLook #SoundAndFury

[eastridgecowgirl]

Sturgill Simpson "A Good Look" (Official Video)

The official “A Good Look” music video – from the album and Netflix Original Anime film: SOUND & FURY – available now SOUND & FURY Album Available Now: https://ift.tt/2lI84uk A GOOD LOOK'N TOUR ON SALE NOW: https://ift.tt/38OsFjj Subscribe to Sturgill Simpson’s YouTube Page: https://www.youtube.com/channel/UCMY-GtVQQFrk2JuPrkjC95w Credits: Director: Jumpei Mizusaki Unit Director: Shinji Takagi Mechanical Design / M4 Storyboard: Daisuke Sajiki Look Development: Elsa Nakamichi CGI Director: Takafumi Utsunomiya Animation Director: Takashi Ishikawa Modeling Lead: Midori Kato Additional Design: Huang Chong Ya (Studio5), Tina Wang (Studio5) Modeling: Suzu Kobayashi, Risa Okada, Benio Sugibayashi, Takeshi Ishiuchi, Thibault Tresca, Ada Ke (Studio5), Chen Li Ju (Studio5), Li Wei Tzu (Studio5), Yu Ting Wang (Studio5), Chen Yu Wei (Studio5), Han Tsung Chun (Studio5), Yoshi Wakayama Animation: Kenta Yoshino, Syunya Iwamoto, Kentaro Moteki, Takeshi Ishiuchi, Masaki Takahashi, Yuya Matsuzaki, Syogo Konishi, Sari Nagano, Yuki Nakajima, So Nagata, Yu Chi Han (Studio5), Hung Tsai Lin (Studio5), Lu Chiao Wen (Studio5), Tang Haowei (Studio5) Effect / UI Design: Yuta Matsumoto Key Animation: Maki Yamakoshi, Masaki Takahashi, Benio Sugibayashi, Tatsuya Asakura, Seijin Thomas, YukiHino (Liden Films), Hiroyasu Oda (Launch Box) In-between Animation / Ink and Paint: Maki Yamakoshi, Masaki Takahashi, Benio Sugibayashi, Tatsuya Asakura, Seijin Thomas In-between Animation: Sayaka Ishizuka (Liden Films), Tomoki Urata (Liden Films), Wang Xintong (Liden Films), Miyu Ohkubo (Liden Films), Lin Tzu Hao (Liden Films), Kouhei Hirasawa (Liden Films), Makoto Eto (Launch Box) Ink and Paint: Yoshiha Nakamura (BeLoop), Reia Tanaka, Akihiko Uezuka, Ayaka Tetsuoka, Akari Tomari Supervising Color Designer: Satoko Kimura M4 Color Supervisor: Akira Hashigami (BeLoop) Art Director: Yuji Kaneko (aoshashin.inc), Ken Nakamura (aoshashin.inc) Art Setting / 2nd Key Animation: Yoshihiro Sono, Susumu Mamura 2nd Key Animation: Daisuke Sajiki Background Art: Souta Kameyama (Aoshashin.inc), Ryoutaro Ueda (Aoshashin.inc), Taro Goto (Aoshashin.inc) Texture Artist: Elsa Nakamichi, Benio Sugibayashi, Tomoe Nakano, Shiori Kato, Tsubasa Goto, Natsuko Takao, Yasuko Miura, Hiromitsu Saito, Yuki Narita Compositor: Tomoe Nakano, Chen Yun An Director of Photography: Jumpei Takatsu (LIDEN FILMS) Cinematography: Mami Takamura (LIDEN FILMS), Tomoaki Suzuki (LIDEN FILMS) Production Managers: Haruko Kitakura, Kaori Satake Production Cooperation: Kohei Fujiwara, Chug Yi Jui (Studio5), Tomohiro Toyozono (Studio5), Kei Shimobayashi (LIDEN FILMS) Producer: Kaori Satake Episode 4: Dance Part Director: Elsa Nakamichi Co-Director / Animation: Kenta Yoshino, Syunya Iwamoto, Takeshi Ishiuchi, Yuya Matsuzaki, So Nagata, Thibault Tresca Animation Cooperation: Studio5 Animation Lead: Lin Yi-Ju (Studio5) Dance Animation: Liu Jia-Wei (Studio5), Shen Yi-Shin (Studio5) Flip Board Images: Daisuke Sajiki, Yasuko Miura CG Production Assistant: Masaki Takahashi, Syogo Konishi, Sari Nagano Backgrounds: RUNPU Background Graphics: Shunsuke Ohyama (RUNPU), Kazunori Nakahara (RUNPU) Effects: Yuta Matsumoto Cinematography: Elsa Nakamichi, So Nagata, Tomoe Nakano, Chen Yun An, Thibault Tresca Dance: SOLID CUBE Choreographer / Dancer: Keiko Fukushima Casting: Nami Harada Coordinators: Yuki Ikegaya Producer: Takayuki Sasaki Follow Sturgill Simpson: Website -https://ift.tt/1tdI6br Spotify: https://ift.tt/3aPxWci #SturgillSimpson #AGoodLook #SoundAndFury

[retrosofa]

Here's trivia for Cutie Honey episode 14: Ah, The Last Day of School.

Screenwriter: Masaki Tsuji

Art Director: Mataharu Urata

Animation Director: Eiji Uemura

Director: Kazukiyo Shigeno

The episode title could possibly be a reference to When Worlds Collide. In Japan, it's known as "The Last Day of Earth" or 地球最後の日. Thanks to @brickme for the heads up!

In addition to the Elvis and National Geographic posters in Honey and Natsuko’s room, there is another that says “Musik, Mante Banye.” Mante Banye is probably a botched transliteration for “Mantovani,” as in the famed musical conductor and composer, Annunzio Paolo Mantovani.

Thanks to Switchpoint for the heads up!

The January 1974 issue of TV Magazine mistakenly claims Natsuko was murdered by Dynamite Claw. This mistake was also made in the Cutey Honey Roman Album, released in 1980.

Danbei mentions Sanada Yukimura, also known as Sanada Nobushige, who was a samurai from the Sengoku period. He’s probably most famous for being the leading general on the defending side of the Siege of Osaka.

As the school begins burning to the ground, Pochi jumps up and yells “Nippon Chinbotsu!” or “Japan Sinks!” This is a reference to the 1973 disaster novel of the same name by Sakyo Komatsu. 

In the next scene, Miharu wonders if there’s a revolution or internecine violence happening. The term she uses is uchi geba (内ゲバ)  which comes from the Japanese word uchi for “within” and the German word gewalt for “violence.” Miharu is likely referring to the student protests that occurred at Japanese universities during the late 60’s.

This is the only episode in which Honey doesn't kill anyone.

See you next week!

[otakunews01]

Cuarto comercial para la primera película de Mahou Shoujo Lyrical Nanoha Reflection

La película se estrenará el 22 de julio

La web oficial de las próximas dos películas de Mahou Shoujo Lyrical Nanoha Reflection (Magical Girl Lyrical Nanoha Reflection), comenzó la transmisión del cuarto comercial para su primera película el lunes. La primera de las dos películas se estrenará el 22 de julio del 2017 en cines de Japón.

CAST

Yukari Tamura como Takamachi Nanoha:

Nana Mizuki como Fate Testarossa

Kana Ueda como Hayate Yagami

Aya Hisakawa como Lindy Harlaown

Natsuko Kuwatani como Alph

Mikako Takahashi como Chrono

Yuki Matsuoka como Amy Limiette

Kaori Mizuhashi como Yuuno Scrya

Donna Burke como Raising Heart

Kevin J England como Valdish

Tetsuya Kakihara como Laevatein, Graf Eisen

Kana Ueda como Dearche

Yukari Tamura como Shtel

Nana Mizuki como Leby

Kana Asumi como Yuri

STAFF

Director: Takayuki Hamana

Guiones: Masaki Tsuzuki

Diseños de personajes: Kana Hashidate

Estudio de animación: Seven Arcs Pictures

La segunda película aun no tiene una fecha de estreno planificada, pero el productor de Seven Arcs Pictures, Tatsuya Tanaka, mencionó en una entrevista que "no habrá una larga espera" para la segunda película.

Nana Mizuki pondrá el tema musical para las películas.

En otra entrevista el director de la franquicia, Masaki Tsuzuki mencionó que la historia de las películas será completamente nueva, y tomará lugar tres meses después de la historia de la película Mahou Shoujo Lyrical Nanoha: The Movie 2nd A's, cuando Nanoha y los otros personajes están en en el verano de su quinto grado. Los acontecimientos de la historia inician cuando ciertos incidentes que ocurren en la ciudad de Uminari empiezan a ocurrir, así como también en el área de Tokio, por lo que Nanoha y los otros van a investigar. La historia contará con nuevos personajes, además de Amitie y Kirie. Los vestuarios Barrier Jacket de los personajes también tendrán un diseño completamente nuevo.

La película fue anunciada primero en marzo del del 2013 bajo el título de Mahou Shoujo Lyrical Nanoha The Movie 3rd: Reflection.

El proyecto de Anime original de Mahou Shoujo Lyrical Nanoha ya ha inspirado tres temporadas de Anime para televisión y un Anime spinoff para televisión titulado Mahou Shoujo Lyrical Nanoha Vivid que fue estrenado en Abril del 2015.

La primera película de la franquicia titulada Mahou Shoujo Lyrical Nanoha: The MOVIE 1st, se estrenó en 2010. La segunda película titulada Mahou Shoujo Lyrical Nanoha: The Movie 2nd A's, se estrenó en 2012.

Vivid Strike!, un Anime para televisión inspirado en la franquicia, se estrenó el pasado 2 de octubre en Japón.

[ljaesch]

Five More Cast Members Announced for the New Captain Tsubasa Anime

Five More Cast Members Announced for the New Captain Tsubasa Anime

Five more cast members have been announced for the forthcoming new Captain Tsubasa anime: Miho Hino is Hanji Urabe Tasuku Hatanaka is Yūzō Morisaki Tomomichi Nishimura is Tatsuo Mikami Masaki Terasoma is Kōdai Ōzora Rina Satou is Natsuko Ōzora Toshiyuki Kato is directing the anime at the studio David Production. Atsuhiro Tomioka is in charge of the series scripts, and Hajime Watanabe is serving…

[hyokas]

Hey girl!! For the ask game: 5, 11, 31. I love negative opinions 😈

hey there again maria! thanks for asking girl!

5. worst ending of an anime you’ve watched

hmmm i actually couldnt think of one, tbh if an ending is bad i just skip it so it doesnt really leave an impression on me. imma just answer my least favourite opening then, which is the opening from tokyo ghoul root a.

11. worst 5 characters

-shimotsuki mika, psycho-pass s2 (literally the definition of a bitch)-masaki, mayoiga-honda natsuko, ousama game the animation-shishigami hiro, inuyashiki-everyone in diabolik lovers

31. animes to stay away from

ohhh boi

-diabolik lovers (it’s so bad i cried)-brothers conflict-dies irae (i had no idea what the fuck was going on)-mayoiga-ousama game the animation (tbh the plot is pretty interesting and i haven’t dropped it yet, but dont bother with the anime, its very badly made)

phew you really made me dig through my brain there maria