#Marthouret

[dare-g]

Marquis (1989)

[fattomatoz]

• Marquis (1989) Dir. Henri Xhonneux

[alexlacquemanne]

Novembre MMXXIII "November Who"

Films

Dr. Who and the Daleks (1965) de Gordon Flemyng avec Peter Cushing, Roy Castle, Jennie Linden, Roberta Tovey, Barrie Ingham, Michael Coles et Yvonne Antrobus

Ripoux contre ripoux (1990) de Claude Zidi avec Philippe Noiret, Thierry Lhermitte, Guy Marchand, Jean-Pierre Castaldi, Grace de Capitani, Line Renaud, Michel Aumont et Jean Benguigui

Coup de foudre et Conséquences (Fools Rush In) (1997) d'Andy Tennant avec Matthew Perry, Salma Hayek, Jon Tenney, Carlos Gómez, Tomás Milián, Siobhan Fallon et John Bennett Perry

Au-delà des grilles (Le mura di Malapaga) (1949) de René Clément avec Jean Gabin, Isa Miranda, Véra Talchi, Andrea Checchi, Robert Dalban et Ave Ninchi

Clemenceau, la force d'aimer (2023) de Lorraine Lévy avec Pierre Arditi, Emilie Caen, Elizabeth Bourgine, François Marthouret, Serge Riaboukine et Arthur Choisnet

L'Argent des autres (1978) de Christian de Chalonge avec Jean-Louis Trintignant, Catherine Deneuve, Laura et Michèle Kornbluh, Claude Brasseur, Michel Serrault, Gérard Séty et Jean Leuvrais

Mort sur la piste (2023) de Philippe Dajoux avec Jason Priestley, Eléonore Bernheim, Olivier Marchal, Roby Schinasi, Adèle Galloy et Olivia Courbis

Sylvia Scarlett (1935) de George Cukor avec Katharine Hepburn, Cary Grant, Brian Aherne, Edmund Gwenn, Nathalie Paley et Dennie Moore

La Cité sous la mer (City Beneath the Sea) (1953) de Budd Boetticher avec Robert Ryan, Mala Powers, Anthony Quinn, Suzan Ball, George Mathews, Karel Stepanek, Hilo Hattie et Lalo Rios

Second Tour (2023) de Albert Dupontel avec Cécile de France, Albert Dupontel, Nicolas Marié, Scali Delpeyrat, Jackie Berroyer, Christiane Millet, Philippe Uchan, Renaud Van Ruymbeke et Bouli Lanners

Seuls les anges ont des ailes (Only Angels Have Wings) (1939) de Howard Hawks avec Cary Grant, Jean Arthur, Richard Barthelmess, Rita Hayworth, Thomas Mitchell, Allyn Joslyn, Sig Ruman et Victor Kilian

Un pyjama pour deux (Lover Come Back) (1961) de Delbert Mann avec Rock Hudson, Doris Day, Tony Randall, Edie Adams, Jack Oakie, Jack Kruschen, Ann B. Davis : Millie et Joe Flynn

Le Couteau dans la plaie (1962) d'Anatole Litvak avec Sophia Loren, Anthony Perkins, Gig Young, Jean-Pierre Aumont, Régine, Yolande Turner, Tommy Norden, Mathilde Casadesus et Elina Labourdette

Garde à vue (1981) de Claude Miller avec Lino Ventura, Michel Serrault, Romy Schneider, Guy Marchand, Pierre Maguelon, Jean-Claude Penchenat et Elsa Lunghini

La Sanction (The Eiger Sanction) (1975) de Clint Eastwood avec Clint Eastwood, George Kennedy, Vonetta McGee, Jack Cassidy, Heidi Brühl, Thayer David, Reiner Schöne, Michael Grimm et Jean-Pierre Bernard

Deux Hommes dans la ville (1973) de José Giovanni avec Jean Gabin, Alain Delon, Michel Bouquet, Mimsy Farmer, Victor Lanoux, Ilaria Occhini, Guido Alberti, Cécile Vassort, Bernard Giraudeau et Christine Fabréga

JFK (1991) de Oliver Stone avec Kevin Costner, Tommy Lee Jones, Gary Oldman, Kevin Bacon, Laurie Metcalf, Jay O. Sanders, Michael Rooker, Sissy Spacek, Joe Pesci et Jack Lemmon

Le Juge et l'Assassin (1976) de Bertrand Tavernier avec Michel Galabru, Philippe Noiret, Isabelle Huppert, Jean-Claude Brialy, Renée Faure, Cécile Vassort, Yves Robert, Jean-Roger Caussimon et Jean Bretonnière

Le Fugitif (The Fugitive) (1993) d'Andrew Davis avec Harrison Ford, Tommy Lee Jones, Sela Ward, Julianne Moore, Joe Pantoliano, Andreas Katsulas, Jeroen Krabbé et L. Scott Caldwell

Un singe en hiver (1962) de Henri Verneuil avec Jean Gabin, Jean-Paul Belmondo, Suzanne Flon : Suzanne Quentin, Gabrielle Dorziat, Hella Petri, Marcelle Arnold, Charles Bouillaud et Anne-Marie Coffinet

Doctor Who (1996) de Geoffrey Sax avec Sylvester McCoy, Paul McGann, Eric Roberts, Daphne Ashbrook, Yee Jee Tso, John Novak et Michael David Simms

Séries

Doctor Who Saison 19, 20 Series 1, 3, 11, 5, 4

Castrovalva - Four to Doomsday - Kinda - The Visitation - Black Orchid - Rose - La fin du monde - Des morts inassouvis - Earthshock - Time-Flight - Destination: Skaro - Ark of Infinity - La Famille de sang - Smith, la Montre et le Docteur - The Day of the Doctor - Snakedance - The Star Beast - The Ghost Monument - Le Colocataire - La Chute de Pompéi

Top Gear Saison 20

A l'abordage ! - Ils ont roulé sur l'eau - Mission Camping-Car

Brokenwood Saison 8, 5, 4, 3

Quatre incendies et un enterrement - Dix petits héritiers - Tu ne tueras point - Un Noël rouge

Affaires sensibles

Les étonnantes enquêtes du bureau des ovnis - 1975, l'année de la femme - Caravelle Ajaccio-Nice : un crash secret Défense ?

Coffre à Catch

#140 : "Elles répondaient au nom de Bella" (avec Max MK) - #141 : Qui sera le futur Mr Money in the Bank? - #142 : Y'a R les amis!! Y'a R ! - #143 : Tiffany prend les rennes et Finlay prend la Trique !

Happy Days Saison 4

De l'huile sur le feu - Remise des prix : première partie - Remise des prix : deuxième partie - Le Jour J est arrivé - Les Mauvais Garçons - Howard inventeur - Le Chien de Fonzie - Ralphy a de sacrés ennuis - Le Baptême de Fonzie

Downton Abbey Saison 4

La Succession - Lettre posthume - Faste et Renaissance - Le Prétendant - Rien n'est terminé - Une vraie surprise - Dernières Festivités

Professeur T Saison 1

Anatomie d'un souvenir - Un poisson nommé Walter - Règles d'or - L'amour d'une mère - Sophie sait tout - Le fils dévoué

The Crown Saison 6

Persona Non Grata - Deux photographies - Dis-Moi Oui - Onde de choc

Spectacles

Prom 10 : Doctor Who at the Proms (2010) avec Karen Gillan, Arthur Darvill et Matt Smith

Taratata 30 (2023)

La symphonie des jeux vidéos aux Chorégies d'Orange (2021)

Doctor Who at the Proms (2013) avec Neve McIntosh, Dan Starkey, Matt Smith, Jenna Coleman, Carole Ann Ford, Peter Davison, Nicholas Briggs, Ben Foster et Murray Gold

Le vison voyageur (2023) de John Chapman et Ray Cooney avec Michel Fau, Sébastien Castro, Armelle, Nicole Calfan, Anne-Sophie Germanaz, Alexis Driollet, Delphine Beaulieu et Arnaud Pfeiffer

Doctor Who: A Celebration (2006) avec David Tennant, Murray Gold et Russell T Davies

Drôle De Genre (2023) de Jade-Rose Parker avec Victoria Abril, Lionnel Astier, Axel Huet et Jade-Rose Parker

Prom 13: Doctor Who Prom (2008) avec Freema Agyeman, Noel Clarke, Camille Coduri et Catherine Tate

Livres

Doctor Who le dixième docteur, Tome 1 : Les révolutions de la terreur de Elena Casagrande, Nick Abadzis et Arianna Florean

Les contes du vortex de Pepperpot x Friends (Pauline Cadart Serizel, Marie Valerio, Rémi Germain, Robin Brou, Manon Segur, Julien Cadart Serizel, Flavia Valerio et Gökan Martin)

Le docteur Who entre en scène de Terrance Dicks

Doctor Who le dixième docteur, Tome 3 : Les fontaines de l'éternité de Elena Casagrande et Nick Abadzis

Les Daleks de David Whitaker

[filmes-online-facil]

Assistir Filme Graças a Deus Online fácil

Assistir Filme Graças a Deus Online Fácil é só aqui: https://filmesonlinefacil.com/filme/gracas-a-deus/

Graças a Deus - Filmes Online Fácil

Um dia, Alexandre (Melvil Poupaud) toma coragem para escrever uma carta à Igreja Católica, revelando um segredo: quando criança, foi abusado sexualmente pelo padre Preynat (Bernard Verley). Os psicólogos da Igreja tentam ajudar mas não conseguem ocultar o fato de que o criminoso jamais foi afastado do cargo, pelo contrário: continua atuando junto à crianças. Alexandre toma coragem e publica sua carta, o que logo faz aparecerem muitas outras denúncias de abuso cometidas pelo mesmo padre, além da conivência do cardeal Barbarin (François Marthouret), que sempre soube dos crimes, mas nunca tomou providências. Juntos, Alexandre, François (Denis Ménochet) e Emmanuel (Swann Arlaud) criam um grupo de apoio para aumentar a pressão na justiça por providências. Mas eles terão que enfrentar todo o poder da cúpula da Igreja.

[violent-things-mp3]

flat ass friday

[cinefilia2012]

Grâce à Dieu (By the grace of God) - 8/10

(Gracias a Dios)

[lentecreativo]

“Grâce à Dieu” (2019) 

[genevieveetguy]

Black Venus (Vénus noire), Abdellatif Kechiche (2010)

[detournementsmineurs]

"Eugénie Grandet" de Marc Dugain - adapté du roman éponyme d'Honoré de Balzac (1834) - avec Joséphine Japy, Olivier Gourmet, Valérie Bonneton, César Domboy, Nathalie Bécue et François Marthouret, octobre 2021. A mmoins que ce ne soit une Eugénie Grandet ^^)

[dare-g]

Sitcom (1998)

[ueinra]

Les Misérables (1972) François Marthouret and Mario Pecqueur as Marius Pontmercy and Courfeyrac

[architectnews]

Iona P&O Cruise Ship Interior

Iona P&O Cruise Ship Interior, Marine Architecture, Spa Interior Design, Commercial Boat Architecture

Iona P&O Cruise Ship Interior Design

25 May 2021

Iona P&O Cruise Ship

Architects: Jestico + Whiles

British cruise ship operator, P&O Cruises, has launched the latest addition to its fleet, Iona, with interiors designed by hospitality experts, Jestico + Whiles.

Britain’s largest and most environmentally friendly ship, powered by liquefied natural gas (LNG) will accommodate up to 5,200 guests.

Iona was named in a spectacular ceremony broadcast to a virtual audience on Sunday May 16 and the ship’s maiden voyage will be on August 7, sailing the UK coast and up to her namesake island.

The award-winning interior design and architecture studio has designed most of the food and beverage spaces throughout the ship and the most spectacular space of all, the soaring triple-height Grand Atrium which captures unprecedented panoramic views across the ever-changing seascape, as far as the horizon.

The Grand Atrium is the heart of Iona, a lively focal point that encapsulates the spirit of the ship, with spectacular views and natural light. This special space is designed to ‘draw the outside in’ and, accordingly, Jestico + Whiles has made the sea the hero of the space, allowing guests to connect with the seascape around them.The Grand Atrium will be, according to the occasion and time of day, either playground or sanctuary.

It a key entertainment space, designed meticulously to effortlessly accommodate a wide variety of experiences, from musical performance to thrilling aerialists.

At other times it will attract guests throughout the day for convivial repose, offering from morning coffee as the sun rises and sundowners at dusk.

An elegant, gravity defying, arcing staircase of Italian marble with a filigree, bright silver serpentine balustrade serves as the centre piece to the space, evoking the glamour of the iconic cruise ships of the early 20th century. Designed as a sculpture, its swooping form leads guests on a journey through the decks offering ever changing views.

The unifying experience of the atrium is always the view to the sea that provides an enchanting, captivating backdrop to the activity within.

Jestico + Whiles’ Associate Director, Jennifer de Vere-Hopkins said: “Despite the challenge of such a large space, we have worked closely with P&O Cruises to create a unique Grand Atrium that is harmonious with the separate venues, making the space both open and intimate. The refocusing of the guest experiences on the sea is the heart of an entirely new brief. The sea becomes the focus of the triple-height space; the sinuous curves are shaped around it, framing and complementing the views to the outside.”

P&O Cruises senior vice president, Paul Ludlow said: “We’ve set out to make sure the sea is the star on Iona, and the design of the Grand Atrium tells you so much about how special she is going to be. Balancing intimate spaces with larger social areas, guests will be wowed by the three storey high glass walls and the ever-changing view they reveal. From the moment they step onto the staircase, I know guests will be swept away by the beautiful design.”

Jestico + Whiles has designed P&O Cruises first ever ‘gastro pub’ – The Keel and Cow – on Deck 8, with views over the Grand Atrium and the ocean. The Glass House on Deck 7 will include an impressive wine list and menu curated by award-winning wine expert Olly Smith, wines from around the world are served by the glass. Wine connoisseurs will be well taken care of with a new experience, Cellar Door at the Glass House will offer wine talks, tastings and wine-pairing dinners. Guests can relax with unbeatable views as they watch impromptu aerial and circus performances in the three-storey high space.

On Deck 6 at the Vistas Cafe Bar there is a unique offer from P&O Cruises Food Hero and master pâtissier Eric Lanlard. The nearby Emerald Bar will evoke the glamour of a 1920s cocktail bar.

Iona was constructed at the Meyer Werft shipyard in Papenburg, Germany. She holds 5,200 passengers and is the largest cruise ship for the British market.

About Jestico + Whiles Jestico + Whiles is an award-winning architecture and interior design practice working from London and Prague. The practice incorporates a specialist and highly respected hotel and hospitality design studio of experienced and accomplished designers including architects, interior designers and FFE specifiers.

Jestico + Whiles has earnt an international reputation for excellence in hospitality design and is currently working on the new five-star W Edinburgh, the Mandarin Oriental Lucerne and the Kempinski Palace Engelberg.

Their portfolio includes the Zuri Zanzibar eco hotel resort, Hard Rock Hotel Ibiza; W London, Andel’s Hotel Lodz (Poland) and the interior design of the extraordinary Yas Hotel, a 500-key contemporary ultraluxe hotel which straddles the Formula One Grand Prix racetrack in Abu Dhabi.

The practice has completed Alston Bar & Beef in Glasgow and, most recently a sister restaurant in Manchester, as well as the restaurant at The Lansdowne Club in Mayfair (in a space originally conceived by the designers of the famous Queen Mary, the famous ship from the golden age of cruising), Shilling Brewing Co. in Glasgow; and Aqua Shard in London.

The Jestico + Whiles team has earned a global reputation for excellence in this field, supported by a great number of international awards, including the European Hotel Design Award, BD Interior Designer of the Year Award and FX International Design Awards. Jestico + Whiles won the MIPIM Award ‘Special tribute to Country of Honour’ in consecutive years, a unique accomplishment, and both for hotel projects.

About P&O Cruises P&O Cruises is Britain’s favourite cruise line, welcoming guests to experience holidays with a blend of discovery, choice, relaxation and exceptional service catered towards British tastes. P&O Cruises fleet of premium ships combine genuine service, a sense of occasion and attention to detail.

In 2021, P&O Cruises will launch Iona its first Excel class ship. The new LNG-powered ship, with 5,200-guest capacity, will be the largest ship built to serve the UK market. Iona will feature enhancements to already successful brand signature venues from the existing fleet, as well as features newly developed for Iona. P&O Cruises second LNG-powered Excel class ship and sister ship to Iona is named Arvia, meaning from the seashore, and will join the fleet in December 2022. Arvia is an innovative and future-focused ship and will offer outstanding, varied and contemporary holidays. Arvia has been designed to travel to the sun all year-round and to maximise views of the ocean and the seashore from everywhere on board.

With over 200 destinations worldwide, P&O Cruises itineraries are carefully curated to inspire discovery, and are varied to suit newcomers and experienced guests alike. With a wide choice of holidays from two days to three months there is something for everyone. P&O Cruises sails to Australia & New Zealand, Baltic, the British Isles, Canada, the Spain, Portugal & the Canary Islands, the Caribbean, Central America, the Far East & Asia, the Indian Ocean, the Mediterranean, Scandinavia, South America, the South Pacific, the United States and Western Europe.

Iona P&O Cruise Ship Interior images / information received 250521

Boathouses

Boathouse Articles

Community Rowing Boathouse, Boston, USA Design: Anmahian Winton Architects photo © Jane Messinger Community Rowing Boat House in Boston

The Houseboat, Poole Harbour, Dorset, England Design: Mole Architects and Rebecca Granger Architects photo © Rory Gardiner Houseboat in Dorset

Boat House McMahons Point, lower North Shore of Sydney, NSW, Australia Design: TW Architects photo : TW Architects Boat House NSW

Takapuna Beach Boatsheds, Auckland, New Zealand Design: Strachan Group Architects in association with Rachael Rush photography : Patrick Reynolds Auckland Boat Sheds

WMS Boathouse, Chicago, Illinois, USA Design: Studio Gang Architects photo : Steve Hall © Hedrich Blessing Boathouse Building in Chicago

Parry Sound District Boathouse, Ontario, Canada Design: Weiss Architecture & Urbanism Limited photo : Arnaud Marthouret Boat House in Ontario

Boats

Boat Design Articles

New Yachts 2018

Yachtsman’s House on the Isle of Wight

Oyster’s Sub 60ft Sailboat image courtesy of article provider The Oyster 565 60ft Sailboat

Marina Architecture

Building a Superyacht

Superyacht design for Blohm+Voss Design: Zaha Hadid Architects render © Zaha Hadid Architects Zaha Hadid Yacht – Blohm+Voss Boat

Z-Boat – limited edition of 12 boats plus 4 prototypes image courtesy of ZHA Zaha Hadid Boat Design

Se77antasette yacht for Benetti Design: Fernando Romero, FR-EE image courtesy of architects Yacht for Benetti

Fresnel Hydrofoil Trimaran Sailboat, Cape Town, South Africa Design: Dr Margot Krasojevic, architect image courtesy of architects Hydrofoil Trimaran Sailboat

New Dutch Architecture

Dutch Architecture

Dutch Architects

Dutch Buildings

Dutch Architecture Designs

Comments / photos for the Iona P&O Cruise Ship Interior page welcome

The post Iona P&O Cruise Ship Interior appeared first on e-architect.

[myhouseidea]

Family Pied-à-terre is a project designed by Weiss Architecture & Urbanism. Located in the west end of Toronto the project is renovation of a 1990’s penthouse condo that serves as a ‘pied-à-terre’ for a close-knit family. Photography by Arnaud Marthouret, Revelateur Studio.

#gallery-0-6 { margin: auto; } #gallery-0-6 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 25%; } #gallery-0-6 img { border: 2px solid #cfcfcf; } #gallery-0-6 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */

.

The renovation removed the existing walls that limited daylight into the depth of the unit. New walls, perpendicular to the broad width of glazing and a balcony overlooking Mimico Creek, allow daylight to enter the whole space. Further, the use of flowing curved bulkheads and rounded corners draw the space towards the sunbathed southern exposure. On the other hand, the design also creates intimate corners ideal for reading a book, or watching a game on the television.

Programmatically, as the condo is sometimes occupied by only one family member, and at other times, by all four, the flexibility of spaces was achieved through the design of temporary partitioning by large sliding and pivoting doors as well as murphy beds and pull-out couches. Moreover, the design also aimed to become a highly social space at time as the unit revolves around a narrow five and half metre-long marble and white oak table giving dinners, discussions, and card games.

  Family Pied-à-terre by Weiss Architecture & Urbanism Family Pied-à-terre is a project designed by Weiss Architecture & Urbanism. Located in the west end of Toronto the project is renovation of a 1990’s penthouse condo that serves as a ‘pied-à-terre’ for a close-knit family.

[ryanmeft]

Movie Review: By The Grace of God

Where faith-based films most often go wrong as films is in equating total, mindless devotion with faith. Feeling besieged by a cultural war that mostly exists in their minds, these affairs, generally Protestant or non-denominational, are less about God in any sense, and more about attacking the strawmen that Evangelicals tend to see hiding in every dark corner. Catholics have a rather more fraught and complex relationship with dogma, and Francois Ozon’s latest film explores actual threats in actual dark places: abusive priests protected by Church hierarchy. Faith in this film is not a thing of dogma or loyalty, but born of commitment to the idea that men of God can be held to justice by men.

The film’s central heroes are flawed men, because they are men. Alexandre (Melvil Poupaud) raises his three children faithfully in the Church, though notably does not seem to trust them alone with priests, and one night has a frank discussion with them and his wife (Aurelia Petit) about what happened to him at the hands of Bernard Preynat (Bernard Verley). A priest responsible for children’s summer camps in the 80’s and 90’s, he molested Alexandre at regular intervals; he recalls Preynat’s “fat stomach” on his back. His eventual anonymous charge prompts a more public outcry from a second victim named Francois (Denis Menochet), who unlike Alexandre has left the church and feels little need to play fair with them. Through this account, the third man, Emmanuel (Swann Arlaud) finds his memories of abuse forcibly returned, resulting in seizures and a severe rupture in his already fractured relationship with his less-than-stable girlfriend (Amelie Daure).

The film’s structure is slow and deliberate. It begins with Alexandre’s story, and doesn’t deviate from it for almost an hour, to the point where I (who, as usual, went in entirely blind) thought his tale was the entire focus. His fight is initially geared toward merely getting a confession and apology out of Preynat, who he believes the church will hold accountable once they know of his crimes. He is puzzled when the sympathetic and well-meaning go-between (Martine Erhel) begins stonewalling him after Preynat refuses to ask forgiveness; she explains, in a line whose mockery is all the more bitter for the sad earnestness in which it is spoken, that God will held Alexandre’s wound heal “If we don’t scratch it too much.” In that line, of course, is bound the entire scandal.

The story switches unexpectedly to Francois, who is initially not eager to pursue Preynat because he has put everything to do with that, including religion, behind him. Now an avowed atheist whose anger sometimes spills over into family dinners, he becomes more motivated when he realizes his brother (Stephane Brel), also abused, will nevertheless not stand by him, which is due to the latter man’s own unresolved trauma. He smashes on a set of drums when the stress becomes too great. The third perspective is that of Emmanuel, less settled in life and more rugged in looks than the other two, and whose damage is brought back to mind and pain by Francois going public about his.

The official position of the Church is that the Pope is God’s chosen representative and therefore his official word is infallible. The official position of many average Catholics on this official position is a resounding “Nah.” The feelings of the three men about Catholicism and God are varied and complex. Religion is a complex matter that many demand, for their own peace of mind, be rendered simple, but Ozon has not made a simple movie. The views of the three men are revealed in conversations between them and others, which contain things explicit and things implied. Ozon, who originally set out to create a documentary, has kept that style here, allowing people to have real talks and not movie-designed lines, and crucially, trusting that the audience will be kept riveted without big screen histrionics.

It works. The three men eventually join up in a team whose goal requires true superheroes: to get a 2,000-year-old spiritual empire which propagates itself as the one true voice of God to admit that it is wrong. The real world stakes make ordinary conversations compelling, and much of the tension is derived from the nature of Preynat himself. It would be hard to conjure a fictional villain as loathsome. In his first meeting with Alexandre, he immediately admits to what he did, and we almost wonder if he actually has a soul. No. His next words are among the most icily chilling I’ve ever heard uttered in a film: “I’ve always been attracted to children. It’s caused me so much pain.” He blames fear of “violent, hysterical parents” for his refusal to confess his crimes. The church keeps him working with children. In real life, he tried to block the release of the film in France. He is a horror of a man, evil nearly beyond the reach of words.

Ozon knows the vileness of Preynat and the unctuous denials of his superior (Francois Marthouret) are enough to chill us, and avoids overt visual depictions of abuse. The men here, after all, are fighting against shadows---things that happened decades ago that society would like to ignore, that the church would like to deny, whose damage cannot be simply expressed. It is not that showing it would make us cringe, though it undoubtedly would. It is that, like the towering presence of the Boston church in Spotlight, these things live in our minds even when we do not see them. To fight them required an act of immense courage. To make such a film about them, unsentimental, without easy drama, required one of immense faith.

Verdict: Must-See

Note: I don’t use stars, but here are my possible verdicts.

Must-See

Highly Recommended

Recommended

Average

Not Recommended

Avoid like the Plague

 You can follow Ryan's reviews on Facebook here:

https://www.facebook.com/ryanmeftmovies/

 Or his tweets here:

https://twitter.com/RyanmEft

All images are property of the people what own the movie.

[retegenova]

Grazie a Dio

Cinema: Grazie a Dio

A caccia di giustizia

(mymonetro: 3,32) Consigliato: Sì Regia di François Ozon.

Con Melvil Poupaud, Denis Ménochet, Swann Arlaud, Éric Caravaca, Francois Marthouret, Bernard Verley, Martine Erhel, Josiane Balasko, François Chattot. Genere Drammatico

– Francia,

2019. Durata 137 minuti circa.

Alexandre vive a Lione con la sua famiglia. Un giorno viene a sapere…

[lemagcinema]

Grâce à Dieu - Grâce à OZON ?

Grâce à Dieu de François Ozon (Fiore, Alì Blue Eyes)avec Melvil POUPAUD, Swan ARLAUD, Denis MENOCHET, Aurélia PETIT,  Eric CARAVACA, François MARTHOURET,, Bernard VERLEY, Martine ERHEL, Josiane BALASKO,  Hélène VINCENT, François CHATTOT, Frédéric PIERROTAlexandre vit à Lyon avec sa femme et ...

Retrouvez l'article complet ici https://is.gd/x9ubLa