#Mark Leon Goldberg

[vyorei]

Ya boi has no fuckin spoons left, I'll be throwing these up in batches for the last hour as it's heavily UN-focused rn anyway

[tieflingkisser]

Can the UN do anything to stop Israel's onslaught on Gaza? | Inside Story

A looming humanitarian catastrophe for Palestinians in Gaza. The words of UN Secretary General Antonio Guterres. He's invoked rarely-used powers to direct the Security Council to take action. But will the move have any impact on Israel, the U.S. or its other western allies?

Presenter:

Tom McRae

Guests:

Mark Leon Goldberg, Editor-in-Chief of UN Dispatch, a platform providing coverage on UN-related issues.

Jennifer Cassidy, a Lecturer in Diplomacy & International Law, University of Oxford; former Irish diplomat at Ireland’s Permanent Mission to the United Nations.

Chris Gunness, a former spokesman for UNWRA, founder of Myanmar Accountability Project.

[aion-rsa]

Once Upon a Time in America Is Every Bit as Great a Gangster Movie as The Godfather

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This article contains Once Upon a Time in America spoilers.

The Godfather is a great movie, possibly the best ever made. Its sequel, The Godfather, Part II, often follows it in the pantheon of classic cinema, some critics even believe it is the better film. Robert Evans, head of production at Paramount in the early 1970s, wanted The Godfather to be directed by an Italian American. Francis Ford Coppola was very much a last resort. The studio’s first choice was Sergio Leone, but he was getting ready to make his own gangster epic, Once Upon a Time in America. Though less known, it is equally magnificent. 

Robert De Niro, as David “Noodles” Aaronson, and James Woods, as Maximillian “Max” Bercovicz, make up a dream gangster film pairing in Once Upon a Time in America, on par with late 1930s audiences seeing Humphrey Bogart and James Cagney team for The Roaring Twenties or Angels with Dirty Faces. Noodles and Max are partners and competitors, one is ambitious, the other gets a yen for the beach. One went to jail, the other wants to rob the Federal Reserve Bank. 

Throw Joe Pesci into the mix, in a small part as crime boss Frankie Monaldi, and Burt Young as his brother Joe Monaldi, and life gets “funnier than shit,” and funnier than their more famous crime films, Goodfellas and Chinatown, respectively. Future mob entertainment mainstays are all over Once Upon a Time in America too, and they are in distinguished company. This is future Oscar winner Jennifer Connelly’s first movie. She plays young Deborah, the young girl who becomes the woman between Noodles and Max, and she even has something of a catch-phrase, “Go on Noodles your mother is calling.” Elizabeth McGovern delivers the line as adult Deborah. 

When Once Upon a Time in America first ran in theaters, there were reports that people in the audience laughed when Deborah is reintroduced after a 35-year gap in the action. She hadn’t aged at all. But Deborah is representational to Leone, beyond the character.

“Age can wither me, Noodles,” she says. But neither the character nor the director will allow the audience to see it beyond the cold cream. Deborah is the character Leone is answering to. She also embodies the fluid chronology of the storytelling. She is its only constant.

The rest of the film can feel like a free fall though. Whereas The Godfather moved in a linear fashion, Once Upon a Time in America has time for flashbacks, and flashbacks within flashbacks, and detours that careen between the violent and the quiet. It’s a visceral experience about landing where we, and this genre, began.

Growing up Gangster

Both The Godfather and Once Upon a Time in America span decades; it’s the history of immigrant crime in 20th century America. But they differ on chronological placement. Once Upon a Time is set in three time-frames. The earliest is 1918 in the Jewish ghettos of New York City’s Lower East Side. 

Young Noodles (Scott Tiler), Patrick “Patsy” Goldberg (Brian Bloom), Philip “Cockeye” Stein (Adrian Curran) and Dominic (Noah Moazezi), are a bush league street gang doing petty crimes for a minor neighborhood mug, Bugsy (James Russo). New on the block, Max (Rusty Jacobs) interrupts the gang as they’re about to roll a drunk, and Max makes off with the guy’s watch for himself. He soon joins the gang, and they progress to bigger crimes.

The bulk of the film takes place, however, from when De Niro’s Noodles gets out of prison in 1930, following Bugsy’s murder, and lasts until the end of Prohibition in 1933. Max, now played by Woods, has become a successful bootlegger with a mortuary business on the side. With William Forsythe playing the grown-up Cockeye and James Hayden as Patsy, the mobsters go from bootlegging through contract killing, and ultimately to backing the biggest trucking union in the country as enforcers. They enjoy most of their downtime in their childhood friend Fat Moe’s (Larry Rapp) speakeasy. Noodles is in love with Fat Moe’s sister, Deborah, who is on her way to becoming a Hollywood star. The gang’s rise ends with the liquor delivery massacre.

The final part of the film comes in 1968. After 35 years in hiding, Noodles is uncovered and paid to do a private contract for the U.S. Secretary of Commerce Christopher Bailey…  Max by a different name who 35 years on has been able to feign respectability and make Deborah his mistress. An entire life has become a façade.

Recreating a Seedier Side of New York’s Immigrant Past

While The Godfather is an adaptation of Mario Puzo’s fictional bestseller, Once Upon a Time in America is based on the autobiographical crime novel, The Hoods. It was written by Herschel “Noodles” Goldberg, under the pen name of Harry Grey while he was serving time in Sing-Sing Prison. 

Coppola’s vision in The Godfather is aesthetically comparable to Leone’s projection. From the opium pipes at the Chinese puppet theater to the take-out Lo Mein during execution planning, the multicultural world of old New York crowds the frames and the players in both films. Most of Once Upon a Time in America was shot at Rome’s Cinecittà Studios. The 1918 Jewish neighborhood in Manhattan was a street in Williamsburg, Brooklyn, which was made to look exactly as it had 60 years earlier.

Leone skillfully, yet playfully, captures the poverty of immigrant life in New York. The first crime we see the four-member gang commit could have been done by the Dead End kids. They torch a newspaper stand because the owner doesn’t kick up protection money to the local mug. And like the Dead End kids, they needle their mark, and joke with each other. At the end of the crime, Cockey is playing the pan pipe, and the very young Dominic is dancing. They are proud of their work and enjoy it. It’s fun to break things for money. And even better when they get a choice between taking payment in cash or rolling it over into the sure bet of rolling a drunk.

Violence without the Cannoli

Gangster films, like Howard Hawks’ Scarface and William A. Wellman’s The Public Enemy, were always at the forefront of the backlash to the Motion Picture Production Code. Which might be why gangster pictures were one of the first genres to benefit from the censors’ fall. A direct line can be drawn from the machine gun death which ends Bonnie and Clyde (1967) to the toll-booth execution of Sonny Corleone (James Caan)  in The Godfather. Another from when Moe Greene (Alex Rocco) gets one through the glasses and Joe Monaldi gets it in the eye in Once Upon a Time in America.

The Godfather has some brutal scenes. We get a litany of dead Barzinis and Tattaglias, horse heads and spilled oranges. Once Upon a Time in America ups the ante though. The shootings and stabbings are neat jobs compared with the beatings, which allow far more artistic renderings of gore, and pass extreme scrutiny. The one time the effects team balks at a payoff is when it’s not as gruesome as the setup.

“Inflammatory words from a union boss,” corporate thug Chicken Joe asks as he is about to light Jimmy “Clean Hands” Conway O’Donnell on fire. The mobster has such a nice smile, and the union delegate, played by Treat Williams, looks so pathetic while dripping gasoline that it feels like it might even be a mercy killing. It is a wonderful set piece, perfectly executed and timed. When Max and Noodles, and the gang defuse the situation, rather than ignite it, it is a lesson in the dangerous balance of suspense.

Like many specific scenes in Once Upon a Time in America, Conway’s incendiary introduction would’ve worked in any era. This is the turning point for the gang. The end of Prohibition is coming and all those trucks they’re using to haul liquor can be repurposed for a more lucrative future. 

“You Dancing?”

Music is paramount in both Leone’s and Coppola’s films. The Godfather is much like an opera, the third installment even closes the curtain at one. Once Upon a Time in America is a frontier film. The score was composed by Ennio Morricone, who wrote the music behind Leone’s A Fistful of Dollars, For A Few Dollars More, and The Good, the Bad and the Ugly.

The film opens and closes with Kate Smith’s version of “God Bless America.” Though the scene occurs during the 1968 timeframe, the song comes out of the radio of a car seemingly from another point in time.

Morricone’s accompaniment to Once Upon a Time in America is as representational as Nino Rota’s soundtrack in The Godfather. Characters, settings, situations, and relationships all have themes, which become as recognizable as the Prohibition-era songs which flavor the period piece’s ambience. Fat Moe conducts the speakeasy orchestra through José María Lacalle García’s “Amapola” while grinning dreamily to Deborah who is chatting with Noodles. He’s a romantic.

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The music becomes part of the action in Once Upon a Time in America. Individual couples cut their own rugs, doing the Charleston between tables as waiters and cigarette girls glide by. Cockeye, who has been playing the pan pipe since the beginning of the film, wants to sit in with the band. 

Forsythe almost steals Once Upon a Time in America. He cries what look like real tears at the mock funeral for Prohibition and drinks formula from a baby bottle during the maternity ward scene. The blackmail scheme, which involves swapping infants, plays like an outtake from a Three Stooges movie, something Coppola would never dare for The Godfather. The ruse is choreographed to the tune of Gioachino Rossini’s “The Thieving Magpie,” which elicits the youthful thuggery celebrated in Stanley Kubrick’s A Clockwork Orange. 

Devils with Clean Faces

One ironic difference between the two films is whimsy. The Godfather, which glorifies crime as corporate misadventure, is a serious movie with no time for funny business. Once Upon a Time in America, which is an indictment of criminal life, has moments of innocence as syrupy as in any family film (of the non-crime variety) and can be completely kosher. It’s sweeter than the cannoli Clemenza (Richard Castellano) took from the car, or the cake Nazorine (Vito Scotti) made for the wedding of Don Vito’s daughter. 

The scene where young Patsy brings a Charlotte Russe to Peggy in exchange for sex is a masterwork of emotive storytelling. He chooses a treat over sex. On one level, yes, this is a socioeconomic reality. That pastry was expensive and something he could never afford to get for himself. But as Patsy sneaks each tiny bit of the cream from the packaging, he is also just a child, a kid who wants some cake. He learns he can’t have it and eat it. It is so plainly laid out, and so beautifully rendered.

The Corleone family never gets those moments, not even in the flashbacks to Sicily or as children on the stoop listening to street singers play guitars. We know little of Michael Corleone (Al Pacino) or Sonny as youngsters, much less teenagers, and are robbed of their happier moments of bonding. We know they are close, they are family. But Michael has his own brother killed while Noodles balks at the very idea. Twice, as it turns out.

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“Today they ask us to get rid of Joe. Tomorrow they ask me to get rid of you. Is that okay with you? Cos it’s not okay with me,” Noodles tells Max after the gang delivers on a particularly costly contract, double-crossing their partners in a major diamond heist. They are not blood family, but from the moment Max calls Noodles his “uncle” to fool a beat cop, they are all related. 

Noodles then does what young men in coming-of-age movies have done since Cooley High: Something really stupid. An indulgence the Corleones could never enjoy. He speeds the car into the bay. The guys can’t believe it. It adds to his legend. The scene could have been in Diner, Ferris Bueller’s Day Off, or even Thelma & Louise. It is hard to dislike the gangsters in these moments. We know them too well, even as they do such horrible things.

How Women are Really Treated by an Underworld

The Godfather is told from the vantage point of one of the heads of the five established crime families; organized crime is as insular as the Corleone mall on Long Beach. That motion picture reinvigorated the “gangster film,” long considered a ghetto genre, but its perspective is insulated. By contrast, no matter how far they climb, Leone’s characters never really get off the block. They are street savages, even in tuxedos. Once Upon a Time in America whacked the gangster film, and tossed its living corpse into the compactor of a passing garbage truck.

The Godfather doesn’t judge its gangsters. The Corleones are family men who keep to a code of ethics and omerta. They dip their beaks in “harmless” vices like gambling, liquor, and prostitution. While there are scenes of extreme domestic violence, and a general dismissal of women, the film stops short of challenging the image of honorable men who do dishonorable things. Leone offers no such restraint. His history lesson is unabridged.

Long before Martin Scorsese’s The Irishman stripped gangster lore to a tale of toxic masculinity, Once Upon a Time in America robbed it of all glamor. There is a very nonchalant attitude toward violence and other demeaning acts against women in Leone’s film, from the very opening scene where a thug fondles a woman’s breast with his gun in order to humiliate her civilian date.

This is deliberate. The director, best known for Spaghetti Westerns, wants to obliterate any goodwill the gangsters have accumulated through their magnetic antiheroism. One scene between Max and his girlfriend Carol (Tuesday Weld) is so hard to sit through, even the other members of the gang squirm in their chairs.

Noodles sexually assaults two women over the course of the film. While there is some motivational ambiguity in the scene during the jewel heist attack, the rape of Deborah is devastatingly direct. It kills any vestige of romance the gangster archetype has in film. The camera does not look away, and the scene lingers with terrifying ferocity and traumatic intimacy. There is a visible victim, and Noodles’ wealth and pretensions of honor are worthless.

The Ultimate Gangster Epic

Once Upon a Time in America brings one other element to the genre which The Godfather avoids, a lingering mystery. Coppola delivers short riddles, like the fate of Luca Brasi, which are revealed as the story warrants. But the 35-year gap between the slaughter of Noodles’ crew and the introduction of Secretary Bailey is almost unfathomable. How did Max go from long-dead to a man with legitimate power?

What happens to Noodles in those years is fairly easy to guess, without any specifics. He got by. The gang’s shared secret bankroll was empty when he tried to retrieve it as the last surviving member. He put his gun away and eked out a quiet life. But even as the details spill out on the true fate of Max, it is unexpectedly surprising, as much for the audience as Noodles.

“I took away your whole life from you,” Max/Bailey says. “I’ve been living in your place. I took everything. I took your money. I took your girl. All I left for you was 35 years of grief over having killed me. Now why don’t you shoot?” This final betrayal, and Noodles’ inert revenge, take Once Upon a Time In America into almost unexplored cinematic depths. 

Max has gone as low as he could go. The joke is on Noodles, everyone’s in on it, including “Clean Hands,” who is tied in to “the Bailey scandal.” The cops are in on it, and so is the mob. Max admits even the liquor dropoff was a syndicate set-up. He’d planned this all along. Just like Michael Corleone had a long term strategy to make his family legitimate. 

This is an ambitious story. Beyond genre, this bends American celluloid into European cinema. By sheer virtue of being outside of Hollywood, Leone transcends traditional boundaries. He has a far more limitless pallet to draw from. He can aim a camera at De Niro’s spoon in a coffee cup for three minutes and never lose the audience’s rapt attention. Leone can pull the rug out from everything with a last minute reveal. Coppola bent American filmmaking for The Godfather, but stayed within proscribed parameters. He never gets as sweet as a Charlotte Russe nor as repulsive as the back seat of a limo. 

Once Upon a Time in America ripped the genre’s insides out and displayed them with unflinching veracity and theatrical beauty. It is a perfect film, gorgeously shot, masterfully timed, and slightly ajar.

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[eeraygun]

Top 285 Sonic Releases of 2018

000. Rosalia - El Mal Querer 001. Various Artists - 'I Could Go Anywhere But Again I Go With You' 002. Autechre - NTS Sessions 003. Various Artists - Kulør 001 004. Oneohtrix Point Never - Age Of (Japanese Edition) 005. Sophie - Oil of Every Pearl's Un-Insides 006. Tirzah - Devotion 007. Blawan - Wet Will Always Dry 008. Cam Deas - Time Exercises 009. Leon Vynehall - Nothing Is Still 010. Ingus Baušķenieks ‎ - Spoki 011. Clouds - Heavy The Eclipse 012. Kyo & Jeuru - All The Same Dream 013. Topdown Dialectic - Topdown Dialectic 014. Snail Mail - Lush (remaster) 015. Pavel Milyakov - Eastern Strike 016. Robyn - Honey 017. Falcon Black Ops - Vol. 1 018. CTM - Red Dragon 019. Ariana Grande - Thank You Next 020. Robert Lippok - Applied Autonomy 021. Various Artists - LACKRec. vs. Magic Power 022. Henning Christiansen - The Executioner 023. Against All Logic - 2012-2017 024. Scandinavian Star - Solas 025. Happa - PT3.2 026. Prime Minister of Doom - Mudshadow Propaganda 027. Ciara - Dose 028. Joy Orbison - 81b 029. Drew McDowall - The Third Helix 030. Felix Blume - Death in Haiti: Funeral Brass Bands & Sounds From Port au Prince 031. Teyana Taylor - K.T.S.E. 032. Borai & Denham Audio - Club Glow Vol. 1 033. Demdike Stare - Passion 034. Christian Zanési - Grand Bruit - Stop! l'horizon 035. DJ Healer - Nothing 2 Loose 036. Suzanne Ciani - Quadraphonic LIVE 037. Amnesia Scanner - Another Life 038. Various Artists - BROR08 039. Joy O & Ben Vince - Transition 2 - Systems Align 040. Lamin Fofana - Brancusi Sculpting Beyonce 041. ACT! - Universalist 042. Randomer - HS002 043. Vladimir Dubyshkin - Cheerful Pessimist 044. Hugo Massien - Almost Becoming Lucid 045. Barker - Debiasing EP 046. CLUBKELLY - GLOBAL 93 047. Ron Morelli - Disappearer 048. Jenny Hval - The Long Sleep 049. Tierra Whack - Whack World 050. Chambray - Nectar of Joy 051. Deben Bhattacharya - Paris to Calcutta: Men and Music on the Desert Road 052. Stef Mendesidis - Klockworks 23 053. Various Artists - Running Back Mastermix 054. Andrea - Forse 055. François Bayle - Tremblements... LP 056. Childish Gambino - This Is America 057. Efdemin - Naïf 058. Skee Mask - Compro 059. Cardi B - Invasion of Privacy 060. 700 Bliss - Spa 700 061. Chontane - Red Island EP 062. Honnda - Maraschino Mic Drop 063. Martyn Bootyspoon - Silk Eternity 064. Objekt - Cocoon Crush 065. Addison Groove & Bim Sanga Present Bags Inc. - Dance Trax, Vol. 17 066. Puce Mary - The Drought 067. Gonçalo F Cardoso - Impressões de uma Ilha (Unguja) 068. EQD - Equalized #008 069. Félicia Atkinson - Coyotes 070. Low - Double Negative 071. The Mistys - Pregnant Mannequin 072. Adlas - Arrival by Air 073. Vainqueur - Reductions 1995–1997 074. Xzavier Stone - THIRST 075. Kelman Duran - 13th Month 076. Lyra Valenza - Scan, Deliver 077. Bjarki – Oli Gumm 078. Answer Code Request - Gens 079. Forward Strategy Group - East Port Rangers EP 080. Voronoi - Vis-Viva 081. Olsen - Dream Operator 082. Mih-Ty - MIH-TY 083. Textasy - Dallas Gun Club 084. D.Dan - Covert Operation 085. Ursula K. Le Guin & Todd Barton - Music and Poetry of the Kesh 086. Duran Duran Duran - Choose Death 087. Jean C. Roché - Oiseaux Du Birds Of Venezuela 088. Vanessa Rossetto - Fashion Tape 089. Domiziano Maselli - Ashes 090. Smerz - Have fun 091. The Body - I Have Fought Against It, But I Can't Any Longer 092. Grizzle – Quinine 093. Rkss - DJ Tools 094. SHXCXCHCXSH - OUFOUFOF 095. Perfume - Future Pop 096. Stefano Moretti - Land of Mikuni 097. Sim Hutchins - Clubeighteen2thirty 098. Yves Tumor - Safe in the Hands of Love 099. Martyn - Voids 100. Sophia Loizou - Irregular Territories 101. Fracture - Soundboy Get Nervous 102. ABSOLUTE. - Malfunction 103. Diptera - 001 (antenna) 104. Nathan Micay - Whities 017 105. Alex Kassian - Hidden Tropics 106. The-Dream - Menage a Trois Sextape 107. Regal - Still Raving 108. Fumu - Sinuate 109. Evol - Ideal Acid 110. Various Artists - Only Promo Ma Poule 111. Mariah Carey - Caution 112. 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Röhrscheid - Xhale 139. Tee Mango - #2 140. Swarm Intelligence - Against The Dying Light 141. Céline Gillain - Bad Woman 142. Repro - Feel Extraordinary 143. Gila - Shedskin Pt.33 144. Jan Nemecek - Recurrences 145. Various Artists - Midnight in Tokyo Vol. 2 146. Various Artists - HYS001 147. No Moon - Infinite Dreamz EP 148. Prayer - Vital 149. Cadans - Slit EP 150. D. Tiffany - Feel U 151. The Empire Line - Rave 152. DJ Seinfeld - Sakura 153. 3KZ - A Love Supreme 154. Overlook - Never Understand 155. Ligovskoï - Esam 156. FJAAK - Havel 157. Scalameriya - Hellzone Megapunk EP 158. Drake - Scorpion 159. Locked Club - Svoboda 160. Young Echo - Young Echo 161. Reeko & Jonas Kopp - Realidades Holográficas I Torre de Babel 162. Hiro Kone - Pure Expenditure 163. Bruce - Sonder Somatic 164. Arkajo - Avasarala 165. TML - I Need An Exit 166. Thom Yorke - Suspiria 167. Various Artists - EDITSELECT36 168. Patrick Siech - Our Exile 169. Lucrecia Dalt - Anticlines 170. Qnete - Shtum 018 171. Future & Juice WRLD - WRLD ON DRUGS 172. Demian Licht - Female Criminals Vol. 3 173. Veronica Vasicka - in silhouette 174. 999999999 - RAVE REWORKS 175. Azari - Gotasoul 176. Varg - Nordic Flora Series Pt. 5: Crush 177. Mount Eerie - Now Only 178. Rabit - Bricks in a Draught 179. Elad Magdasi - Liquid Dreams 180. Tomas Urquieta - Dueños de Nada 181. The Higher - The Core 182. Ross Birdwise - Drunk Formalism(s) 183. Alan Fitzpatrick - System Addict 184. H4L - Four Lights 185. John Maus - Addendum 186. L-Vis 1990 - 12 Thousand Nights: Club 187. BLD - For Rave Use Only 188. Various Artists - Don’t You Mess with Cupid, 'Cause Cupid Ain’t Stupid 189. Ksmisk - Mikrometeorittene 190. Mark Leckey - Exorcism Of The Bridge @ Eastham Rake 191. Ross from Friends - Squaz 192. Rae Sremmurd - SR3MM-Jxmtro-Swaecation 193. Ricardo Villalobos - Silent EP 194. Young Thug - Slime Language 195. Phobia NL & Blacksun - Crossfire EP 196. X-Coast - XTC 197. Asymptote - Belief System 198. Ambivalent & Alden Tyrell - Detente 199. Christine and the Queens - Chris 200. Big Miz - Build-Destroy 201. Locked Groove - From Beyond 202. A$AP Rocky - TESTING 203. Paranorman - FUD001 204. Subradeon - Walking Through Motown EP 205. LMajor - Dig the New Breed, Pt. 1 206. P.Leone - The My Lita Project 207. P€PA & Z$OLI - Pzs_Rave 208. Adryiano - Dreams With EP 209. Appleblim - Life in a Laser 210. Vril - Omniverse EP 211. Бassae - Untitled 212. Gabber Eleganza – Never Sleep #1 213. Senyawa - Sujud 214. Radial - Tympana 215. N1L - 山卂ㄒ乇尺 爪乇爪ㄖ尺ㄚ 216. Dibek & Lodig - Lap.AM 217. Jonny Greenwood - Phantom Thread 218. Urulu - Foreign Depths 219. David Goldberg - EMO Serialism 220. DJ Different - Permission 2 Dance 221. Prg_m - Berytus Groan 222. Funeral Future - Hard Candy EP 223. Voiski - Sick Parrots 224. serpentwithfeet - soil 225. Company - Prosody 226. Stanislav Tolkachev - Champions Breakfast 227. Asquith - The Conditioning Track 228. Awdha - UNO 229. Dedekind Cut - Tahoe 230. Harrison BDP & Garth James - Vapour Trails EP 231. Sugar - No Sex Only Feelings 232. Duppy Gun Productions - Miro Tape 233. Mike Davis - Communique From an Absent Future 234. Cabasa - Uncle Sigmund's EP 235. Various Artists - Eel Behaviour: Sniper 236. Silicon Scally - Live at Scand 237. E-Talking & Laksa - Blue 04 238. Jacquees - 4275 239. Marcel Dettmann - Test-File 240. Acre - Hollow Body 241. #.4.26. - MDR 24 242. Blood Orange - Negro Swan 243. Various Artists - Bavarian Stallion Series 003 244. Developer - Off Grid EP 245. 90 Process - No Warehouse Needed 246. Sector Y - CS_TMS 247. Charli XCX - Focus & No Angel 248. Paula Temple & Eomac - ETXC001 249. Cassius Select - Fake Death 250. hekla - Á 251. UNIIQU3 - Phase 3 252. Sedvs & Peel - The Plf Sessions I 253. Yugen - Ineffable 254. Europa - Alpanya 255. LSDXOXO - BODY MODS 256. Roper Rider - Motion Profile 257. Forest Drive West - Un 258. Petar Dundov - Dalmatina & Once We Were Here 259. Desiigner - L.O.D. 260. Renick Bell - Wary 261. Nicki Minaj - Chun-Li 262. Locked Club - ЛОМАЙ EP 263. Dopplereffekt - Athanatos 264. Glaskin - Grey Lines 265. Beta Librae - Subspecies 266. Oisel - Entroterra EP 267. Conforce - Zero Point-Field 268. Raito - One Step Beyond 269. Hioll - Hioll 002 270. Various Artists - AEX005 271. Rune Bagge - Pink Dreams 272. Tensal - Industrialsociety EP 273. Mathias Schaffhaeuser - Love Idol 274. Notzing - 014 275. Michal Wolski - Still Life 276. Aphtc - When Grounds Shift 277. DJ Sneak - 3D Print 278. Bylly - Mouth Full of Sand 279. CUB - Seeing From Above 280. Farrago - Risin' 281. Amotik ‎– Amotik 009 282. D-Leria - Driving to Nowhere 283. The Cyclist - Alabaster Thrones 284. Roza Terenzi & DJ Zozi - Planet Euphorique

[wrestlingisfake]

Homecoming Part 1 preview

This is a two-night event, with Part 1 on Saturday, July 24 (7pm EDT) and Part 2 on Sunday, July 25 (also 7pm EDT). Each show is available to stream live on Fite.tv for $13.99 apiece. Or you can order the weekend pack to get both shows for $21.99.

I won't have a lot to say about this card because it'll be my first time watching GCW and I don't know most of the guys. But I have plenty to say about the main event.

Nick Gage vs. Matt Cardona - Gage is defending the GCW world title. Cardona still has the internet championship he made up when he was Zack Ryder, but that's not on the line. I can't find any information about the rules, but I have to assume there will be no count-outs or disqualifications.

Cardona is a former WWE Superstar that runs a podcast about collecting toys. Gage is convicted felon that wrestles in broken glass. In May they exchanged a series of tweets that ensured wrestling fans would back one and loathe the other. At a June 5 GCW show Gage called out Cardona, who wasn't there. On the next day's show, a mystery man laid out Gage and seemed to be Jon Moxley (Gage has many enemies for some reason) until he unmasked to reveal he was Cardona. So suddenly Cardona had nuclear heat with the GCW fans. Now Cardona is acting all big-league, as if it shouldn't be hard to beat Gage but he'd really rather not get into all of Gage's deathmatch stuff.

The obvious selling point here is to see Cardona massively underestimate Gage and get fucking destroyed. But on a different level, there's a perverse fascination with how Gage's fans would revolt if Zack Ryder of all people took the GCW title from him. The best part is that both guys are sure to benefit from the feud. Cardona can lose and still gain the respect of a whole new audience if he takes a few deathmatch spots and proves his grit. Gage can lose and create an archrivalry with a worldwide star that will only elevate his profile. Consider that GCW has been doing a slow burn all year for Gage-Moxley, and Gage is booked to wrestle Chris Jericho on AEW Dynamite, but this is the match everyone's talking about.

I have to say I'm rooting for Cardona. It'll be fun watching him take all kinds of Nick Gage offense, but I really, really want to see him become the GCW champion and spend a couple of months gloating about being the king of deathmatches or whatever. Woo woo woo, you know it.

Alex Colon vs. Drew Parker - This match is for Colon's GCW ultraviolent championship. Parker actually just won the BJW deathmatch title in Big Japan, but I assume that belt is not at stake. Again, no idea what the rules for this are, but you gotta figure an ultraviolent title is always contested without count-outs or disqualifications.

So if this match and Gage-Cardona are both deathmatches, then I'm curious how they coordinate all the spots and stuff. In the big leagues it's a faux pas if two matches on the same show feature the same big move or a spot with the same weapon. With companies like GCW and CZW, I wouldn't know, because I only ever hear about one crazy match on each show. In theory you'd want Colon and Parker to tone it down so they don't outshine the main event. In practice, I don't know how you tell the ultraviolent champion and the deathmatch champion to "tone down" anything.

I have no idea who should win this, but it feels like Parker shouldn't lose right after winning that BJW title, so I'll go with him.

G-Raver & Jimmy Lloyd vs. Mance Warner & Matthew Justice - Raver and Lloyd are defending the GCW tag team title.

G-Raver nearly bled to death in a 2019 match, which led to Jim Cornette saying something tasteless, which led to Raver making a "Fuck Jim Cornette" shirt, which led to a rather amusing lawsuit. Lloyd is the dude who wore a GCW shirt to Wrestlemania this year, and "joined" WWE's Hurt Business when they made him change his shirt. So I like these guys already.

I mainly know Mance from seeing him on MLW, where he seemed like a pretty cool good ol' boy. I can't find much on Justice, but he based his name on the Metallica album ...And Justice For All. So both teams have some pretty solid points. Maybe they can all be friends and share the tag belts! (I'm pretty sure they won't.)

2 Cold Scorpio vs. Grim Reefer - I first saw 2 Cold nearly 30 years ago, so when I heard that he was still wrestling after he left WWE I thought "wow, he must be kinda old, but he can still go." That was maybe 20 years ago, though. I had no idea he was still wrestling now. Luckily for him, there's been a renaissance of old guys running around, so even though he's 55 you can plausibly hope he's held up more like Christian Cage than Bill Goldberg.

As for his opponent, I guess Grim Reefer enjoys the mari-ja-wana, but I don't care because EVERYBODY HERE COMES 2 COLD SCORPIO~!

Marko Stunt vs. Starboy Charlie - Mark is the scrawny little guy on AEW. Charlie is another scrawny little guy who is not in AEW. Guess who wins.

Tony Deppen vs. Ninja Mack - I just saw Deppen lose the ROH television title a couple of weeks ago, but I couldn't tell you a thing about him. When I went to look up Ninja Mack, I was hoping he'd just be some white guy wearing a T-shirt and a black mask over his face doing a ninja pose, and I was not disappointed. Clearly Mack has the superior "made my own guy in a WWE video game" gimmick, so I'm pulling for him.

AJ Gray vs. Nolan Edward - Gray is a former GCW world champion. Edward is only 23 years old. I don't know if this is supposed to be Edward stepping up to a big name or Gray sliding down to working with prelim guys. Guess I'll find out.

Dante Leon vs. Atticus Cogar vs. Jack Cartwheel vs. Brayden Lee vs. Jordan Oliver vs. Shane Mercer - This is billed as a scramble match. I'm not sure what that means in GCW. I'm going to guess that it's just a standard six-way match where the first person to score a fall wins. Everything I can find about GCW scramble matches suggests that it's less about the rules than about crazy spots.

I'm not familiar with any of these guys and I get the feeling this match will not be a way to get to know any of them as individuals. I guess I'll pick Jack Cartwheel to win because that's a hell of a name.

[kristablogs]

News O'Clock: The WHO Said What Now?!

Trump thinks he can host the G7 summit at Camp David next month. We figure out which TV doctors we’d trust during These Times. Plus, Mark Leon Goldberg, host of the Global Dispatches podcast, talks to us about this week’s World Health Organization meeting.

View Entire Post ›

[mcmansionhell]

The McMansion Hell Big List of Books, Websites, and Films about Architecture

SURPRISE!!!! 

Edit: I had to take out the “Read More” tab because it killed all of my links, so Sorry for the long post!

Hello Friends! I feel as if I haven’t really been giving back to the community as much I should be in these last few weeks, and that while my latest Sunday posts have been mildly amusing, nobody is really learning anything from them. 

I shared some recommended reading on my Facebook page a week or so ago, and want to expand on that list here. Architecture is a wonderfully rich field with a plethora of resources. This post is a master-list of the architecture books, blogs, websites and films I have accumulated since my early teens. 

While extensive, this is in no way a definitive list, and I’m sure many others will have quite a bit to add on in the comments. I hope you enjoy!

Books

Links are to Amazon. A ** next to the title indicates the link is to an open-source copy of the book, or that it is easily available online. 

General Architecture (non-academic, general interest)

Paul Goldberger, Why Architecture Matters

Alain de Botton, The Architecture of Happiness

Witold Rybczynski: 

Looking Around

How Architecture Works

Home

Matthys Levy/Mario Salvadori, Why Buildings Fall Down**

Mario Salvadori, Why Buildings Stand Up**

Stewart Brand, How Buildings Learn 

Tom Wolfe, From Bauhaus to Our House** 

Christopher Alexander, A Pattern Language** 

Bill Bryson, At Home

Matthew Frederick - 101 Things I Learned in Architecture School

Architectural Style (Field Guides)

Virginia McAlester, A Field Guide to American Houses

If you want to buy one book on this list, I highly recommend this one. It’s the best book out there about American residential architecture. If you’re curious about houses, it’ll sate your curiosity. 

Carol Davidson Cragoe, How to Read Buildings: A Crash Course in Architectural Styles  (this one is neat for traveling about because it’s small)

John J. G. Blumenson, Identifying American Architecture: A Pictorial Guide to Styles and Terms, 1600-1945 (an old but good small guide) 

Nikolaus Pevsner, An Outline of European Architecture**

Pevsner Architectural Guides: Introductions [Houses • Churches]

Richard Apperly, A Pictorial Guide to Identifying Australian Architecture: Styles and Terms from 1788 to the Present

Cities, Suburbs, and Housing (of course not a complete list)

Jane Jacobs: 

The Death and Life of Great American Cities

The Economy of Cities

Cities and the Wealth of Nations

Vital Little Plans: The Short Writings of Jane Jacobs

Kevin Lynch, The Image of the City **

Lewis Mumford: The City in History

Aldo Rossi: The Architecture of the City**

Ebenezer Howard, Garden Cities of Tomorrow

Witold Rybczynski: 

Mysteries of the Mall

City Life

Makeshift Metropolis: Ideas About Cities

Kenneth T Jackson, Crabgrass Frontier: The Suburbanization of the United States

Joel Garreau, Edge City: Life on the New Frontier

James Howard Kunstler: 

The Geography of Nowhere

Home from Nowhere

Dolores Hayden, PhD:

Redesigning the American Dream: The Future of Housing, Work and Family Life

A Field Guide to Sprawl

Building Suburbia

Andres Duany, Elizabeth Plater-Zyberk, Jeff Speck: Suburban Nation

It’s only fair to put the New Urbanists in here. 

John Archer, Architecture and Suburbia (a favorite reference of mine)

Tracy Kidder, House

Sarah Susanka, The Not So Big House

Peter Marcuse & David Madden, In Defense of Housing

Matthew Desmond, Evicted

Alex F. Schwartz: Housing Policy in the United States

Architectural History:

Spiro Kostof, A History of Architecture: Settings and Rituals (personal favorite)

Francis Ching, et. al. A Global History of Architecture (a standard college textbook)

Carol Strickland, The Annotated Arch: A Crash Course in Architectural History (a lot of fun!)

Daniel Borden, et al. Architecture: A World History

Leland M. Roth & Amanda C. Clark, American Architecture: A History

William J. R. Curtis: Modern Architecture Since 1900 (a classic)

Edward R. Ford, The Details of Modern Architecture

Kenneth Frampton, Modern Architecture: A Critical History**

Heinrich Klotz, The History of Postmodern Architecture

Charles Jencks, The Story of Postmodernism

Architectural Theory & Criticism Essentials

General Architectural Theory:

Leland Roth, et al. Understanding Architecture: Its Elements, History, and Meaning

Francis Ching, Architecture: Form, Space, and Order** (AKA freshman year of architecture school)

Siegfried Gideon, Space, Time, & Architecture

Gaston Bachelard, The Poetics of Space **

Roger H Clark & Michael Pause, Precedents in Architecture**

Mark Foster Gage, Aesthetic Theory: Essential Texts for Architecture & Design

Geoffrey Scott: The Architecture of Humanism: A Study in the History of Taste **

M. Fil Hearn, Ideas that Shaped Buildings** (a great handbook of architectural theory through history - always by my side.)

Lewis Tsurmaki Lewis, Manual of Section (not quite architectural theory, but a super cool book)

Alexandra Lange, Writing About Architecture - not quite theory but a v good and useful book. 

Kate’s Top 4 Very Old Dead Guys (all public domain)

Vitruvius, The Ten Books of Architecture

Andrea Palladio, The Four Books of Architecture

Leon Battista Alberti, The Ten Books of Architecture

John Ruskin, The Seven Lamps of Architecture

Modern Architecture

Adolf Loos, Ornament & Crime **(fake summary below):

Le Corbusier, Towards a New Architecture**

Henry Russell Hitchcock & Philip Johnson, The International Style **

Reyner Banham, Theory and Design in the First Machine Age**

Ulrich Conrads, Programs and Manifestos on 20th Century Architecture**

Kenneth Frampton, A Genealogy of Modern Architecture

Ada Louise Huxtable, On Architecture: Reflections on a Century of Change

Current Architectural Theory / Contemporary Classics

Vincent Scully

Architecture: The Natural and the Manmade

American Architecture and Urbanism

Modern Architecture

The Shingle Style Today (this book completely blew my mind in high school, and remains one of my favorite books about architecture to this day.)

Robert Venturi + Denise Scott Brown

Complexity and Contradiction in Architecture**

Learning from Las Vegas**

Rem Koolhaas:

S,M,L,XL

Delirious New York**

Peter Zumthor:

Atmospheres

Thinking Architecture

Bernard Tschumi, Architecture & Disjunction**

Junichiro Tanizaki, In Praise of Shadows **

Films

Most of these films have the full version online for free. I won’t link directly to them because I don’t want to get yelled at.

Films About Architects:

My Architect [film about Louis Kahn]

Regular or Super: Views on Mies van der Rohe 

Rem Koolhaas: A Kind of Architect

Sketches of Frank Gehry

Frank Lloyd Wright (Ken Burns)

First Person Singular: I.M. Pei

Eames: The Architect & The Painter

Louis Sullivan: The Struggle for American Architecture

Infinite Space: The Architecture of John Lautner

How Much Does Your Building Weigh, Mr. Foster?

Loos Ornamental

Films about Architecture:

Kochuu [film about contemporary Japanese architecture]

The Pruitt-Igoe Myth [about the Pruitt-Igoe housing complex in St. Louis]

Unfinished Spaces [About Cuba’s National Art Schools Project]

Urbanized [about the design of cities]

Visual Acoustics [about the photographer Julius Shulman]

Great Expectations [general architecture]

I’d like to make a shoutout to my colleague Thomas Bena, whose film about McMansions, One Big Home, is making the film circuit now. I’ve seen the movie and will be writing a review on this blog in the coming weeks. In short: go see it if you can!!! 

Websites

Architecture News / Popular Websites:

Curbed

Dwell

Dezeen

ArchDaily

Architizer

Wallpaper*

FastCo Design

CityLab

Architonic

Domus

Archinect

Inhabitat

Blogs:

Life of an Architect

Life of an Architecture Student

Build Blog

Soapbox Architect

My Favorite Websites:

99 Percent Invisible (disclaimer: I write for them)

Archinform - an online encyclopedia of architecture

Monoskop - a huge database of amazing archival resources for architecture and design.

Arts & Architecture database 

US Modernist Magazine Library - incredible collection of primary sources from modernism

Docomomo (preservation of modernist architecture)

Failed Architecture (analyzing failure in architecture)

Places Journal (my favorite online journal)

Emporis (it has every tall building!)

On Tumblr

Tumblr seems to have killed my links. This is devastating.

Like McMansion Hell:

@uglybelgianhouses - the best, really the best. @terriblerealestateagentphotos

General Architecture: @architecture-drawings @archidrawings @archatlas @archidose @archimaps @archiclassic @architecturalmodels @an-architectural-statement @conceptarchitect @rationalistarchitecture @wherearchitectureisfun @archivemodernarchitecture @luciotuzza @drawingarchitecture @dailybungalow @victorianhouses @ofhouses @architorturedsouls

Modern Architecture: @20cmodern @fuckyeahbrutalism @architectureofdoom @modernism-in-metroland @theimportanceofbeingmodernist @modernistestates @germanpostwarmodern @decoarchitecture @englishmodernism @midcenturymodernhomes @bauhaus-movement @artfuckingdeco @iheartnouveau @sosbrutalism @americanmodern

Postmodernism: @aqqindex​ @palmandlaser​ (these two blogs were why I got a tumblr) @memphis-milano​ @80sdeco​ @blockygraphics​ @thetriumphofpostmodernism​

Vintage Stuff: @midcenturymoderndesign​ - mid century modernism @scanzen​  - an assortment of cool stuff @midcenturyblog​ - mid century stuff @superseventies​ - 70s @cardboardamerica​ -vintage postcards @theswinginsixties​ - 60s @70sscifiart​ - 70s Sci Fi Art @driveintheaterofthemind​ - great vintage blog @80stechnology​ - 80s tech @imperialgoogie​ - the 50s @ephemera-phile​ - old print stuff from various eras @heck-yeah-old-tech​ - old technology @quadrafonica​ - vintage hifi @homophoni​ - also vintage hifi @holespoles​ - all kinds of stuff @system32dreams​ - 80s/90s tech @monochrome-monitor​ - 80s/90s tech @beautifulcentury​ - 1890s-1910s @oldadvertising​ - vintage ads @back-then​ - amazing photographs from history @fifties-sixties-everyday-life​ - 50s/60s @y2kaestheticinstitute​ - turn of the 21st century @lpcoverlover​ - record covers @classical-vinyl​ - my first tumblr (I comment as classical-vinyl, fyi)

Favorite Architecture Photographers:

@phdonohue​ @archivemodernarchitecture​ @archivemoderninteriors​ @veronicadelica​ @new-brutalism​ @wmud​

Design/Art/People Who Consistently Post Awesome Things: @archiveofaffinities @zeroing @design-is-fine (one of my favs ever) @c86 @norequeststaken @scavengedluxury (another fav) @99percentinvisible @magictransistor @transistoradio @klappersacks​ @designstroy​ @ffactory​ @instereo007​ @contac​ @publicdomainreview​ @detailsofpaintings​ @modernizor​ @nemfrog​ @bluecote​ @graphicgraphic​

Visual Artists I Like: @sunday-thought @jimharrisart @jacobvanloon @michaelwardartist

Also shoutout to @maverick-ornithography who is not only hilarious, but who was also my first ever follower, so now I’m returning the favor. 

I hope you all enjoyed this post! Next up is Florida on Wednesday, so stay tuned! I’ll finish up Great Britain after that; I’m currently reading books on British vernacular architecture and its history so I’m more informed. I barely dodged some bullets in that last post and had to go back and correct a lot…

Have a great week! 

If you like this post, and want to see more like it, consider supporting me on Patreon! Tonight, I’m doing a live Discord chat with my $5+ Patrons at 8:30PM EST!

Not into recurring donations? Check out the McMansion Hell Store - 30% goes to charity. 

[awesomecolorfulcollectorwombat]

The AT&T Time Warner Merger Provides The Single Greatest Lesson For 21st Century Business: Yes, That's Your Business

New Post has been published on http://delphi4arab.com/the-att-time-warner-merger-provides-the-single-greatest-lesson-for-21st-century-business-yes-thats-your-business/

The AT&T Time Warner Merger Provides The Single Greatest Lesson For 21st Century Business: Yes, That's Your Business

In his book, Rules of Thumb, Alan Weber provided a series of 52 rules he’d learned from life. #24 was, “If you want to change the game, change the economics of how the game is played.”

This past Tuesday Judge Richard J. Leon of the United States District Court in Washington sent a clear signal that the economics of how the game is played have changed, when he gave the go ahead for the AT&T Time Warner merger.

The short story is this. The DOJ was opposed to the AT&T Time Warner merger because it believed that it would not have been to the benefit of consumers. This is based on the simple premise that the more choices there are in a market the greater the likelihood of innovation, fair pricing, and diverse options for the consumer.

According to an article in the New York Times, Judge Leon’s opinion was that the “Justice Department had not proved that the telecom company’s acquisition of Time Warner would lead to fewer choices for consumers and higher prices for television and internet services.”

Seems simple enough, right? But there’s much more to this worth paying attention to. Because the rules that have changed aren’t the obvious ones of how AT&T and Time Warner play but a whole ‘nother set of players who are defining their own rules.

You Can’t Handle The Truth

Mark Zuckerberg’s testimony on the hill several weeks ago gave us all cause for concern  when it comes to our legislators’ knowledge of technology. I had so wished that at any of the dozen or so times he was asked, “So, exactly how does Facebook make money?” Zuck would have just said, with a straight face, “You Can’t handle the Truth!”

“But in fairness to Mr. Goldberg, at least his contraptions would normally move a pea from one side of a room to another.”

In stark contrast Judge Leon’s depth of knowledge, insight, vision, and ability to clearly articulate the massive changes at play due to technology, had me shouting hallelujah in the hallway!   

This was a massive case. The trial transcript is more than 4,300 pages long, and Judge Leon’s opinion is a whopping 172 pages. I’m convinced that it will be one of the most read cases in business school classrooms for years to come. Not because of its legal prowess, but rather its portrayal of a post-industrial era attitude towards competition.

Although it contains some of the most enlightening and entertaining commentary that you’re likely to find in any court’s opinion, including such gems as the term “Poppycock,” it also makes it clear that this case was not just a matter of legal technicalities but rather foundational differences between old and the new ways of doing business.

That was evident in my favorite of Judge Leon’s comments. He compared the antiquated and ridiculously complex financial models presented by the DOJ to a Rube Goldberg device. After which, he went on to say, “But in fairness to Mr. Goldberg, at least his contraptions would normally move a pea from one side of a room to another.”

It’s all very entertaining, however something dramatic is also at play that cuts to the very foundation of the free market. And it’s something that will undoubtedly challenge the most basic assumptions that we’ve used to define what constitutes healthy competition, how businesses operate, and what is ultimately in the best interest of the consumer. 

Going Vertical

First, it’s worth taking a moment to describe the difference between a vertical and a horizontal merger.

A horizontal merger is between competing companies that most often represent alternative options for a consumer and are therefore driven, independently, to provide the best value. Horizontal mergers are frowned upon in a free market when they significantly reduce the positive effect of competition. We all get this cornerstone of free markets. 

Vertical merges are between companies that are at different points within the same supply chain. For example, one company manufacturers products and then merges with a separate company that distributes them.

In both types of mergers, the objectives of the companies merging are to achieve higher levels of efficiency, lower costs, and greater profit. Nothing at all wrong with that. The problems set in when the merger takes the option of choice away from the consumer and/or puts the merged company in a position where they can exert monopolistic power over pricing.

The history of regulation governing mergers is fascinating. It was spurred by the industrial trusts of the late 19th Century and the later monopolies created through mergers in the early 20th Century. There were political. labor, and economic concerns over so much concentrated power. But this was mostly true for horizontal mergers. 

Vertical integration however, was eventually shunned by corporations themselves under the premise that if everyone in a supply chain could focus on their core competency overall innovation and quality would rise, and inefficiencies would be driven out.

“You here a lot about digital disruption, right? Well, this is exactly what it looks like!”

That began to makes sense when the basics of an information sharing infrastructure were put into place through telecommunications and transportation infrastructure of hte early 20th Century. And it worked exceptionally well for the first hundred years.

Interestingly, it was technology that drove and enabled the shift to vertical disintegration. In fact, a very early conversation I had with management guru Peter Drucker, I asked him what he thought was the greatest single shift in business during the 20th Century. His answer was the shift from control through ownership to control through strategy and the shift from delivering products to delivering services.  This, according to Drucker, was the result of technological advances in how we work across businesses to build common strategies. 

So, how does all this play into the AT&T Time Warner Merger? Clearly, when it comes to content Time Warner has a treasure trove of properties, including HBO, Turner, TNT, CNN, Cartoon Network, and Warner Bros. AT&T has none of that. But AT&T does have control over the fastest growing platform for content consumption, mobile networks. Combined they seem to be purely complimentary.

There’s also fair precedent for many other vertical mergers of this sort, including Comcast and NBC Universal, Oracle and Sun, Google and Double-click, and Disney and Pixar.

Why then would the DOJ oppose this particular merger? Because, they are operating under an old industrial era economic model in which companies could achieve adequate vertical integration to meet the demands of the market and to compete on a global stage.

No longer. 

You here a lot about digital disruption, right? Well, this is exactly what it looks like! Owning the network or owning the content alone isn’t enough. And the reason is fascinating.  

Today’s marketplace is wildly different and it’s creating some of the most perverse relationships between companies–what Ken Auletta calls Frenemies, in the book by the same name.

Consider that Amazon which competes with digital media companies through its in-house produced original TV content, such as The Tick, also stores the content for its competitors’ TV series on its cloud storage. That would be like buying critical product from a competitor who you are also suing because they are stealing intellectual property from you. Oh, wait, that’s what Apple and Samsung have been doing for years.

In fact, according to a New York Post article, despite handing over a half billon dollars to Apple for patent infringement, Samsung makes more off of the components it provides to Apple for iPhone X than it does from its own Galaxy S8! 

The point here is that in today’s global markets supply chains are so intertwined and inter-reliant that in many cases the formality of a merger is just that. Sort of like the difference between cohabitating with a domestic partner and being married. Set aside religion for a moment, it’s a legal construct for economic benefit and convenience.

Whoever Owns The Behavior Wins

The one aspect of the AT&T Time Warner merger that should act as wake up call (or more like a fire alarm) to virtually every industrial era company is something that I talk about a great deal in my latest book, Revealing The Invisible. Judge Leon specifically pointed out that traditional media companies are at a distinct disadvantage when it comes to the erosion of their revenue streams from advertising.

In what has to be one of the court’s most cutting observations, Leon observed that while yesterday’s advertising players were media giants, today’s are vendors of hardware, technology, email, and social networking. He went on to point out that it’s these same companies who can, through behavioral marketing, so finely target their audience that they can deliver both advertising and content that is infinitely better suited to the consumer’s preferences than any traditional media company. 

In many ways what he was saying is that the industrial era model of business, mass marketing, billboard advertising, and ultimately faceless consumerism is on life support. Whoever owns the behavioral data owns the market. It’s that simple.

But the way, I see shades of this in many other areas as well. Musk is pushing Tesla towards ever greater vertical integration. In some cases that’s overt, such as owning their car dealerships and shunning any sort of traditional marketing. In other cases its subtle, such as collocating their battery supplier manufacturing and R&D under the same roof as the rest of their manufacturing at the Tesla Giga factory. In every case Tesla is using behavioral data across a tightly vertically integrated supply chain to create what will be an incredibly personalized experience.

So, what’s all this pointing towards? Simply that the rate at which companies need to innovate today and coordinate across their supply chains is impossible without ownership and access to deep behavioral data about the customer. 

Of course, none of this is a prediction of success for the merger between AT&T and Time Warner. Whether two businesses that are both facing huge challenges can achieve the economies of scale needed to overcome those same challenges when combined is something I do not hold out much hope for over the long term. AT&T has the data from its mobile users if it can figure out what to do, and if it will be tied through regulation in what not to do with it,  are entirely separate and unanswered questions. 

To me the most valuable lesson in all of this is that we are at an inflection point between the industrial era models that served us so well to scale and meet the needs of a burgeoning market of consumers to the hyper-personalized behavioral models needed to meet the demands of an insatiable appetite for personalized innovation.

You can play by the old rules or try to figure out the new ones; all that’s sure is that the rules of the game have indeed changed.

[peuplesobservateursnews-blog]

#Togo #USA #Israel Le sioniste EtatsUnien Mark Leon Goldberg pro-Clinton mafia appuie Farida Nabourema

#Togo #USA #Israel Le sioniste EtatsUnien Mark Leon Goldberg pro-Clinton mafia appuie Farida Nabourema

#Togo #USA #Israel Le sioniste EtatsUnien Mark Leon Goldberg pro Clinton mafia appuie Farida Nabourema

  Mark Leon Goldberg is a writer, blogger and podcaster. He is the editor of the United Nations and global affairs blog UN Dispatch and host of the Global Dispatches Podcast.  He is co-founder of the global humanitarian news clips service DAWNS Digest.  For three years running, he’s been named…

[feimineach]

The contrast couldn’t have been greater: a soulless inauguration ceremony, full of foreboding and lacking in poetry, followed by an outpouring of spirited protesters, most of them women, into the streets of cities and towns across the United States and throughout the world. Millions of them.

That the Women’s March on Washington drew far more people to the nation’s capital on Saturday than did Friday’s inauguration of Donald J. Trump clearly irked the new president, who sent his press secretary to the White House press room to issue a statement condemning the media for stating the simple fact that a modest numbers of Trump supporters made the trek to Washington for the showman’s swearing-in, especially when compared with the two inaugurations that preceded his.

If Trump hoped to deflect attention from the women’s marches taking place nationwide, he failed. But he did throw yet another shiny object before the media, one they had no choice but to chase, the object having been pitched from the White House podium.

On Tuesday, Trump lashed out at the women of the world by issuing an executive order that will likely have the effect of depriving women in developing countries of access to birth control. While the order is framed as a denial of U.S. funding to groups that provide information on abortion, Mark Leon Goldberg of UN Dispatch reports the effect of that order as impacting a portion of U.S. aid estimated to be 15 times greater than the Bush administration’s gag-order policy on abortion, the Trump order being designed to target a broader range of humanitarian groups that provide information on reproductive health care to the people they serve. The photo of Trump signing the order shows the president surrounded by white men and no women.

[ubuntunews-blog]

Spain Has Figured Out How to Save the Lives of Migrants at Sea. The Rest of the EU Should Follow

Spain Has Figured Out How to Save the Lives of Migrants at Sea. The Rest of the EU Should Follow - https://ubuntu.news/spain-has-figured-out-how-to-save-the-lives-of-migrants-at-sea-the-rest-of-the-eu-should-follow/ By: Mark Leon Goldberg on July 30, 2019Ed note. This article by Luna Vives, Assistant Professor of Geography and Migration, Université de Montréal  is from The Conversation under a Creative Commons license. According to the International Organization for Migration, more than 18,000 migrants have died or disappeared in the Mediterranean

[soulbounce]

【衝撃】ユニバーサル火災でマスターテープが焼失したアーティスト一覧

他の国にマスターのコピーがあることを祈ります。 38 Special 50 Cent Colonel Abrams Johnny Ace Bryan Adams Nat Adderley Aerosmith Rhett Akins Manny Albam Lorez Alexandria Gary Allan Red Allen Steve Allen The Ames Brothers Gene Ammons Bill Anderson Jimmy Anderson John Anderson The Andrews Sisters Lee Andrews & the Hearts Paul Anka Adam Ant Toni Arden Joan Armatrading Louis Armstrong Asia Asleep at the Wheel Audioslave Patti Austin Average White Band Hoyt Axton Albert Ayler Burt Bacharach Joan Baez Razzy Bailey Chet Baker Florence Ballard Hank Ballard Gato Barbieri Baja Marimba Band Len Barry Count Basie Fontella Bass The Beat Farmers Sidney Bechet and His Orchestra Beck Captain Beefheart Archie Bell & the Drells Vincent Bell Bell Biv Devoe Louie Bellson Don Bennett Joe Bennett and the Sparkletones David Benoit George Benson Berlin Elmer Bernstein and His Orchestra Chuck Berry Nuno Bettencourt Stephen Bishop Blackstreet Art Blakey Hal Blaine Bobby (Blue) Bland Mary J. Blige Blink 182 Blues Traveler Eddie Bo Pat Boone Boston Connee Boswell Eddie Boyd Jan Bradley Owen Bradley Quintet Oscar Brand Bob Braun Walter Brennan Jackie Brenston and His Delta Cats Teresa Brewer Edie Brickell & New Bohemians John Brim Lonnie Brooks Big Bill Broonzy and Washboard Sam Brothers Johnson Bobby Brown Clarence “Gatemouth” Brown Lawrence Brown Les Brown Marion Brown Marshall Brown Mel Brown Michael Brown Dave Brubeck Jimmy Buffett Carol Burnett T-Bone Burnett Dorsey Burnette Johnny Burnette Busta Rhymes Terry Callier Cab Calloway The Call Glen Campbell Captain and Tennille Captain Sensible Irene Cara Belinda Carlisle Carl Carlton Eric Carmen Hoagy Carmichael Kim Carnes Karen Carpenter Richard Carpenter The Carpenters Barbara Carr Betty Carter Benny Carter The Carter Family Peter Case Alvin Cash Mama Cass Bobby Charles Ray Charles Chubby Checker The Checkmates Ltd. Cheech & Chong Cher Don Cherry Mark Chesnutt The Chi-Lites Eric Clapton Petula Clark Roy Clark Gene Clark The Clark Sisters Merry Clayton Jimmy Cliff Patsy Cline Rosemary Clooney Wayne Cochran Joe Cocker Ornette Coleman Gloria Coleman Mitty Collier Jazzbo Collins Judy Collins Colosseum Alice Coltrane John Coltrane Colours Common Cookie and the Cupcakes Barbara Cook Rita Coolidge Stewart Copeland The Corsairs Dave “Baby” Cortez Bill Cosby Don Costa Clifford Coulter David Crosby Crosby & Nash Johnny Cougar (aka John Cougar Mellencamp) Counting Crows Coverdale?Page Warren Covington Deborah Cox James “Sugar Boy” Crawford Crazy Otto Marshall Crenshaw The Crew-Cuts Sonny Criss David Crosby Bob Crosby Bing Crosby Sheryl Crow Rodney Crowell The Crusaders Xavier Cugat The Cuff Links Tim Curry The Damned Danny & the Juniors Rodney Dangerfield Bobby Darin Helen Darling David + David Mac Davis Richard Davis Sammy Davis Jr. Chris de Burgh Lenny Dee Jack DeJohnette The Dells The Dell-Vikings Sandy Denny Sugar Pie DeSanto The Desert Rose Band Dennis DeYoung Neil Diamond Bo Diddley Difford & Tilbrook Dillard & Clark The Dixie Hummingbirds Willie Dixon DJ Shadow Fats Domino Jimmy Donley Kenny Dorham Jimmy Dorsey and His Orchestra Lee Dorsey The Tommy Dorsey Orchestra Lamont Dozier The Dramatics The Dream Syndicate Roy Drusky Jimmy Durante Deanna Durbin The Eagles Steve Earle El Chicano Danny Elfman Yvonne Elliman Duke Ellington Cass Elliott Joe Ely John Entwistle Eminem Eric B. and Rakim Gil Evans Paul Evans Betty Everett Don Everly Extreme The Falcons Harold Faltermeyer Donna Fargo Art Farmer Freddie Fender Ferrante & Teicher Fever Tree The Fifth Dimension Ella Fitzgerald Five Blind Boys Of Alabama The Fixx The Flamingos King Floyd The Flying Burrito Brothers John Fogerty Red Foley Eddie Fontaine The Four Aces The Four Tops Peter Frampton Franke & the Knockouts Aretha Franklin The Rev. C.L. Franklin The Free Movement Glenn Frey Lefty Frizzell Curtis Fuller Jerry Fuller Lowell Fulson Harvey Fuqua Nelly Furtado Hank Garland Judy Garland Erroll Garner Jimmy Garrison Larry Gatlin & the Gatlin Brothers Gene Loves Jezebel Barry Gibb Georgia Gibbs Terri Gibbs Dizzy Gillespie Gin Blossoms Tompall Glaser Tom Glazer Whoopi Goldberg Golden Earring Paul Gonsalves Benny Goodman Dexter Gordon Rosco Gordon Lesley Gore The Gospelaires Teddy Grace Grand Funk Railroad Amy Grant Earl Grant The Grass Roots Dobie Gray Buddy Greco Keith Green Al Green Jack Greene Robert Greenidge Lee Greenwood Patty Griffin Nanci Griffith Dave Grusin Guns N’ Roses Buddy Guy Buddy Hackett Charlie Haden Merle Haggard Bill Haley and His Comets Aaron Hall Lani Hall Chico Hamilton George Hamilton IV Hamilton, Joe Frank & Reynolds Marvin Hamlisch Jan Hammer Lionel Hampton John Handy Glass Harp Slim Harpo Richard Harris Freddie Harts Dan Hartman Johnny Hartman Coleman Hawkins Dale Hawkins Richie Havens Roy Haynes Head East Heavy D. & the Boyz Bobby Helms Don Henley Clarence “Frogman” Henry Woody Herman and His Orchestra Milt Herth and His Trio John Hiatt Al Hibbler Dan Hicks and the Hot Licks Monk Higgins Jessie Hill Earl Hines Roger Hodgson Hole Billie Holiday Jennifer Holliday Buddy Holly The Hollywood Flames Eddie Holman John Lee Hooker Stix Hooper Bob Hope Paul Horn Shirley Horn Big Walter Horton Thelma Houston Rebecca Lynn Howard Jan Howard Freddie Hubbard Humble Pie Engelbert Humperdinck Brian Hyland The Impressions The Ink Spots Iron Butterfly Burl Ives Janet Jackson Joe Jackson Milt Jackson Ahmad Jamal Etta James Elmore James James Gang Keith Jarrett Jason & the Scorchers Jawbreaker Garland Jeffreys Beverly Jenkins Gordon Jenkins The Jets Jimmy Eat World Jodeci Johnnie Joe The Joe Perry Project Elton John J.J. Johnson K-Ci & JoJo Al Jolson Booker T. Jones Elvin Jones George Jones Hank Jones Jack Jones Marti Jones Quincy Jones Rickie Lee Jones Tamiko Jones Tom Jones Louis Jordan and His Tympany Five The Jordanaires Jurassic 5 Bert Kaempfert Kitty Kallen & Georgie Shaw The Kalin Twins Bob Kames Kansas Boris Karloff Sammy Kaye Toby Keith Gene Kelly Chaka Khan B.B. King The Rev. Martin Luther King Jr. Wayne King The Kingsmen The Kingston Trio Roland Kirk Eartha Kitt John Klemmer Klymaxx Baker Knight Chris Knight Gladys Knight and the Pips Krokus Steve Kuhn Rolf Kuhn Joachim Kuhn Patti LaBelle L.A. Dream Team Frankie Laine Lambert, Hendricks & Ross Denise LaSalle Yusef Lateef Steve Lawrence Steve Lawrence & Eydie Gorme Lafayette Leake Brenda Lee Laura Lee Leapy Lee Peggy Lee Danni Leigh The Lennon Sisters J.B. Lenoir Ramsey Lewis Jerry Lee Lewis Jerry Lewis Meade Lux Lewis Liberace Lifehouse Enoch Light The Lightning Seeds Limp Bizkit Lisa Loeb Little Axe and the Golden Echoes Little Milton Little River Band Little Walter Lobo Nils Lofgren Lone Justice Guy Lombardo Lord Tracy The Louvin Brothers Love Patti Loveless The Lovelites Lyle Lovett Love Unlimited Loretta Lynn L.T.D. Lynyrd Skynyrd Gloria Lynne Moms Mabley Willie Mabon Warner Mack Dave MacKay & Vicky Hamilton Miriam Makeba The Mamas and the Papas Melissa Manchester Barbara Mandrell Chuck Mangione Shelly Manne Wade Marcus Mark-Almond Pigmeat Markham Steve Marriott Wink Martindale Groucho Marx Hugh Masekela Dave Mason Jerry Mason Matthews Southern Comfort The Mavericks Robert Maxwell John Mayall Percy Mayfield Lyle Mays Les McCann Delbert McClinton Robert Lee McCollum Marilyn McCoo & Billy Davis Jr. Van McCoy Jimmy McCracklin Jack McDuff Reba McEntire Gary McFarland Barry McGuire The McGuire Sisters Duff McKagan Maria McKee McKendree Spring Marian McPartland Clyde McPhatter Carmen McRae Jack McVea Meat Loaf Memphis Slim Sergio Mendes Ethel Merman Pat Metheny Mighty Clouds of Joy Roger Miller Stephanie Mills The Mills Brothers Liza Minnelli Charles Mingus Joni Mitchell Bill Monroe Vaughn Monroe Wes Montgomery Buddy Montgomery The Moody Blues The Moonglows Jane Morgan Russ Morgan Ennio Morricone Mos Def Martin Mull Gerry Mulligan Milton Nascimento Johnny Nash Nazareth Nelson Rick Nelson & the Stone Canyon Band Ricky Nelson Jimmy Nelson Oliver Nelson Aaron Neville Art Neville The Neville Brothers New Edition New Riders of the Purple Sage Olivia Newton-John Night Ranger Leonard Nimoy Nine Inch Nails Nirvana The Nitty Gritty Dirt Band No Doubt Ken Nordine Red Norvo Sextet Terri Nunn The Oak Ridge Boys Ric Ocasek Phil Ochs Hazel O’Connor Chico O’Farrill Oingo Boingo The O’Jays Spooner Oldham One Flew South Yoko Ono Orleans Jeffrey Osborne The Outfield Pablo Cruise Jackie Paris Leo Parker Junior Parker Ray Parker Jr. Dolly Parton Les Paul Freda Payne Peaches & Herb Ce Ce Peniston The Peppermint Rainbow Pepples The Persuasions Bernadette Peters Tom Petty and the Heartbreakers John Phillips Webb Pierce The Pinetoppers Bill Plummer Poco The Pointer Sisters The Police Doc Pomus Jimmy Ponder Iggy Pop Billy Preston Lloyd Price Louis Prima Primus Puddle Of Mudd Red Prysock Leroy Pullins The Pussycat Dolls Quarterflash Queen Latifah Sun Ra The Radiants Gerry Rafferty Kenny Rankin The Ray Charles Singers The Ray-O-Vacs The Rays Dewey Redman Della Reese Martha Reeves R.E.M. Debbie Reynolds Emitt Rhodes Buddy Rich Emil Richards Dannie Richmond Riders in the Sky Stan Ridgway Frazier River Sam Rivers Max Roach Marty Roberts Howard Roberts The Roches Chris Rock Tommy Roe Jimmy Rogers Sonny Rollins The Roots Rose Royce Jackie Ross Doctor Ross Rotary Connection The Rover Boys Roswell Rudd Rufus and Chaka Khan Otis Rush Brenda Russell Leon Russell Pee Wee Russell Russian Jazz Quartet Mitch Ryder Buffy Sainte-Marie Joe Sample Pharoah Sanders The Sandpipers Gary Saracho Shirley Scott Tom Scott Dawn Sears Neil Sedaka Jeannie Seely Semisonic Charlie Sexton Marlena Shaw Tupac Shakur Archie Shepp Dinah Shore Ben Sidran Silver Apples Shel Silverstein The Simon Sisters Ashlee Simpson The Simpsons Zoot Sims P.F. Sloan Smash Mouth Kate Smith Keely Smith Tab Smith Patti Smyth Snoop Dogg Valaida Snow Jill Sobule Soft Machine Sonic Youth Sonny and Cher The Soul Stirrers Soundgarden Eddie South Southern Culture on the Skids Spinal Tap Banana Splits The Spokesmen Squeeze Jo Stafford Chris Stamey Joe Stampley Michael Stanley Kay Starr Stealers Wheel Steely Dan Gwen Stefani Steppenwolf Cat Stevens Billy Stewart Sting Sonny Stitt Shane Stockton George Strait The Strawberry Alarm Clock Strawbs Styx Sublime Yma Sumac Andy Summers The Sundowners Supertramp The Surfaris Sylvia Syms Gabor Szabo The Tams Grady Tate t.A.T.u. Koko Taylor Billy Taylor Charlie Teagarden Temple of the Dog Clark Terry Tesla Sister Rosetta Tharpe Robin Thicke Toots Thielemans B.J. Thomas Irma Thomas Rufus Thomas Hank Thompson Lucky Thompson Big Mama Thornton Three Dog Night The Three Stooges Tiffany Mel Tillis Tommy & the Tom Toms Mel Torme The Tragically Hip The Trapp Family Singers Ralph Tresvant Ernest Tubb The Tubes Tanya Tucker Tommy Tucker The Tune Weavers Ike Turner Stanley Turrentine Conway Twitty McCoy Tyner Phil Upchurch Michael Utley Leroy Van Dyke Gino Vannelli Van Zant Billy Vaughan Suzanne Vega Vega Brothers Veruca Salt The Vibrations Bobby Vinton Voivod Porter Wagoner The Waikikis Rufus Wainwright Rick Wakeman Jerry Jeff Walker The Wallflowers Joe Walsh Wang Chung Clara Ward Warrior Soul Washboard Sam Was (Not Was) War Justine Washington The Watchmen Muddy Waters Jody Watley Johnny “Guitar” Watson The Weavers The Dream Weavers Ben Webster Weezer We Five George Wein Lenny Welch Lawrence Welk Kitty Wells Mae West Barry White Michael White Slappy White Whitesnake White Zombie The Who Whycliffe Kim Wilde Don Williams Jody Williams John Williams Larry Williams Lenny Williams Leona Williams Paul Williams Roger Williams Sonny Boy Williamson Walter Winchell Kai Winding Johnny Winter Wishbone Ash Jimmy Witherspoon Howlin’ Wolf Bobby Womack Lee Ann Womack Phil Woods Wrecks-N-Effect O.V. Wright Bill Wyman Rusty York Faron Young Neil Young Young Black Teenagers Y & T Rob Zombie

[juditmiltz]

South Florida’s largest retail sales deals in June

Photos of the properties

With experts predicting a “retail apocalypse”, South Florida has remained a lone exception. In June, the top retail deals included three traditional shopping centers, a building in South Beach, and the sale of the Metro Mall building in downtown Miami’s jewelry district.

The June investment sales figures were compiled from Miami-Dade, Broward and Palm Beach County property records.

Palms Plaza, Boca Raton – Crow Holdings | $30M

The largest retail sale last month belongs to Crow Holdings Capital Real Estate’s purchase of a shopping center at 22191 Powerline Road in Boca Raton for $30.2 million.

The Dallas-based asset manager paid about $360 per square foot for the roughly 85,000-square-foot shopping center known as the Palms Plaza. Crow Holdings is tied to the family of Dallas real estate developer Trammell Crow. North American Development Group, a Canadian commercial real estate developer, sold the property.

Palms Plaza was built in 1988 and last sold for $18.5 million in 2011. Tenants include Party City, Chase Bank and a standalone Olive Garden restaurant. The 9.4-acre property includes about 400 parking spaces.

Shoppes of Wilton Manors – Grass River Property and Downstream Realty Partners | $21M

Grass River Property and Downstream Realty Partners increased their investment in the Broward town of Wilton Manors. Property records show the partnership paid $21 million, or about $270 per square foot, for a 78,600-square-foot shopping center at 2200 and 2292 Wilton Drive.

The development group plans to renovate the property, securing a $22.8 million loan from Two Harbors Investment Corporation, a subsidiary of Pine River Capital, to finance the project. JLL’s Keith Kurland, Brett Rosenberg and Brandon Krupetsky arranged the financing.

Two companies tied to Rivercrest Realty Investors sold the Shoppes of Wilton Manors. Records show Rivercrest paid $16.6 million for the property in 2007.

Tenants include Sherwin Williams, The Alibi, Ocean Wine & Spirits and Tee Jay Thai Sushi.

Fogo de Chao building, Miami Beach – Baskir Capital Management | $15M

Baskir Capital Management paid $15.25 million for a retail building in Miami Beach’s South-of-Fifth neighborhood, leased to the Brazilian steakhouse Fogo de Chao.

The New York-based private equity firm bought the building at 836 First Street from a partnership controlled by restaurateur Myles Chefetz, Lyle Stern, Nelson Fox and Durfee Day. The seller was represented by HFF’s Danny Finkel and Mark Mandel, in cooperation with Noah Fox of Koniver Stern Group.

The buyer was represented by Marcus & Millichap’s Scott Sandlin and Alex D’Alba. The 12,000-square-foot building hit the market two years ago for $19.5 million. The sellers paid $2.8 million for the building in 2005, records show, and renovated it in 2007.

The restaurant recently extended its lease and now has 10 years remaining. Fogo de Chao has operated there since 2008.

Baskir Capital Management, led by Turkish investor Cengiz Baskir, buys single-tenant type assets nationally. The firm has about $1 billion in assets under management, D’Alba said.

Metro Mall – Yair Levy | $14.5M

Levy’s Time Century Holdings paid $14.5 million for the Metro Mall building, a development site in the heart of downtown Miami’s jewelry district, at 1 Northeast First Street.

Levy plans to renovate the 225,000-square-foot building into a luxury jewelry center. The building, built in 1926, sits on a 33,750-square-foot corner lot that’s zoned for 810,000 square feet, 774 units and at least 80 stories of development. Levy acquired the building’s master lease and 84.2 percent of the land.

Colliers International South Florida’s Mika Mattingly, Gerard Yetming and Linn Ahsberg represented the seller, Metro Mall Limited, which was led by Stanley Goldberg, Judith Jaffe and Joyce Goldberg. Wedad Saad-Anderson of New Capital Realty represented the buyer.

Levy rose to real estate prominence through several high-profile residential condo conversions in Manhattan, but his real estate empire unraveled during the recession. In 2011, he was permanently banned by the New York state Attorney General’s office from selling condos and co-ops in the state, and has largely stayed under the radar since then.

Hialeah shopping center – Cervera Real Estate Ventures | $11M

Cervera Real Estate Ventures paid $11.3 million or $150 per square foot for a shopping center at 3800 West 12th Avenue in Hialeah, with plans to reposition and renovate the property.

The seller is an affiliate of Leon Medical Centers, which paid $11 million for the 74,350-square-foot building in 2015. The seller originally intended to convert the property into a medical center, Javier Cervera said.

The two-story retail plaza, built in 1984 on a 3-acre site, sold at about 85 percent leased.

Cervera’s company owns and manages a number of retail shopping centers, apartment buildings and warehouses throughout South Florida. He’s part of the Cervera family’s second generation, along with his sisters Alicia Cervera Lamadrid and Veronica Cervera Goeseke.

from The Real Deal Miami https://therealdeal.com/miami/2018/07/24/south-floridas-largest-retail-sales-deals-in-june/ via IFTTT

[presidentclaireunderwood]

2018 Emmy Wishlist

I think this is my third time doing this? Anyway if you’re a new follower I watch too much tv so this is where I can compose all my thoughts. Nominations are tomorrow and I’ll do predictions too. Highlighted in bold is my winner.

Best Comedy Series:

Atlanta (FX)

Barry (HBO)

The Good Place (NBC)

GLOW (Netflix)

Insecure (HBO)

The Marvelous Mrs. Maisel (Amazon)

Unbreakable Kimmy Schmidt (Netflix)

Outstanding Lead Actor - Comedy:

Ted Danson as Michael on The Good Place (NBC)

Larry David as Himself on Curb Your Enthusiasm (HBO)

Zach Galifianakis as Chip & Dale Baskets on Baskets (FX)

Donald Glover as Earnest “Earn” Marks on Atlanta (FX)

Bill Hader as Barry Berkman on Barry (HBO)

Timothy Olyphant as Joel Hammond on Santa Clarita Diet (Netflix)

Outstanding Lead Actress - Comedy:

Rachel Bloom as Rebecca Bunch on Crazy Ex-Girlfriend (The CW)

Alison Brie as Ruth Wilder on GLOW (Netflix)

Rachel Brosnahan as Midge Maisel on The Marvelous Mrs. Maisel (Amazon)

Ellie Kemper as Kimmy Schmidt on Unbreakable Kimmy Schmidt (Netflix)

Justina Machado as Penelope Alvarez on One Day at a Time (Netflix)

Issa Rae as Issa Dee on Insecure (HBO)

Outstanding Supporting Actor - Comedy:

Louie Anderson as Christine Baskets on Baskets (FX)

Tituss Burgess as Titus Andromedon on Unbreakable Kimmy Schmidt (Netflix)

Brian Tyree Henry as Alfred “Paper Boi” Miles on Atlanta (FX)

Dan Levy as David Rose on Schitt’s Creek (Pop)

Marc Maron as Sam Sylvia on GLOW (Netflix)

Henry Winkler as Gene Cousineau on Barry (HBO)

Outstanding Supporting Actress - Comedy:

Alex Borstein as Susie Myerson on The Marvelous Mrs. Maisel (Amazon)

D’Arcy Carden as Janet on The Good Place (NBC)

Donna Lynne Champlin as Paula Proctor on Crazy Ex-Girlfriend (The CW)

Betty Gilpin as Debbie Eagan on GLOW (Netflix)

Sarah Goldberg as Sally Reed on Barry (HBO)

Rita Moreno as Lydia Riera on One Day at a Time (Netflix)

Outstanding Guest Actor - Comedy:

Bryan Cranston as Dr. Templeton on Curb Your Enthusiasm (HBO)

Donald Glover as Host on Saturday Night Live (NBC)

Jon Hamm as Reverend Richard Wayne Gary Wayne on Unbreakable Kimmy Schmidt (Netflix)

Derek Klena as DJ Fingablast on Unbreakable Kimmy Schmidt (Netflix)

Lin-Manuel Miranda as Himself on Curb Your Enthusiasm (HBO)

Katt Williams as Willy on Atlanta (FX)

Outstanding Guest Actress - Comedy:

Gail Bean as Nadine on Atlanta (FX)

Tovah Feldshuh as Naomi Bunch on Crazy Ex-Girlfriend (The CW)

Tiffany Haddish as Host on Saturday Night Live (NBC)

Jane Lynch as Sophie Lennon on The Marvelous Mrs. Maisel (Amazon)

Busy Philipps as Sheba Goodman on Unbreakable Kimmy Schmidt (Netflix)

Maya Rudolph as Judge Jen on The Good Place (NBC)

Outstanding Drama Series:

The Crown (Netflix)

The Deuce (HBO)

The Handmaid’s Tale (Hulu)

Mr. Robot (USA)

Stranger Things (Netflix)

This Is Us (NBC)

Westworld (HBO)

Outstanding Lead Actor - Drama:

Jason Bateman as Marty Byrde on Ozark (Netflix)

Sterling K. Brown as Randall Pearson on This Is US (NBC)

Ed Harris as William on Westworld (HBO)

Rami Malek as Elliot Alderson on Mr. Robot (USA)

Milo Ventimiglia as Jack Pearson on This Is Us (NBC)

Jeffrey Wright as Bernard Lowe on Westworld (HBO)

Outstanding Lead Actress - Drama:

Claire Foy as Queen Elizabeth II on The Crown (Netflix)

Maggie Gyllenhaal as Candy on The Deuce (HBO)

Laura Linney as Wendy Byrde on Ozark (Netflix)

Mandy Moore as Rebecca Pearson on This Is Us (NBC)

Elisabeth Moss as June Osborne on The Handmaid’s Tale (Hulu)

Evan Rachel Wood as Dolores Abernathy on Westworld (HBO)

Outstanding Supporting Actor - Drama:

Joseph Fiennes as Fred Waterford on The Handmaid’s Tale (Hulu)

David Harbour as Jim Hopper on Stranger Things (Netflix)

Justin Hartley as Kevin Pearson on This Is Us (NBC)

Zahn McClarnon as Akecheta on Westworld (HBO)

Noah Schnapp as Will Byers on Stranger Things (Netflix)

Matt Smith as Prince Philip on The Crown (Netflix)

Outstanding Supporting Actress - Drama:

Portia Doubleday as Angela Moss on Mr. Robot (USA)

Ann Dowd as Aunt Lydia on The Handmaid’s Tale (Hulu)

Lena Headey as Cersei Lannister on Game of Thrones (HBO)

Vanessa Kirby as Princess Margaret on The Crown (Netflix)

Thandie Newton as Maeve Millay on Westworld (HBO)

Yvonne Strahovski as Serena Joy Waterford on The Handmaid’s Tale (Hulu)

Outstanding Guest Actor - Drama:

Joey Bada$$ as Leon on Mr. Robot (USA)

Ben Barnes as Logan Delos on Westworld (HBO)

Matthew Goode as Tony Armstrong-Jones on The Crown (Netflix)

Gerald McRaney as Dr. K on This Is Us (NBC)

Peter Mullan as James Delos on Westworld (HBO)

Jimmi Simpson as William on Westworld (HBO)

Outstanding Guest Actress - Drama:

Jodi Balfour as Jackie Kennedy on The Crown (Netflix)

Joy Brunson as Shauna Andrews on This Is Us (NBC)

Rinko Kikuchi as Akane on Westworld (HBO)

Diana Rigg as Lady Olenna Tyrell on Game of Thrones (HBO)

Marisa Tomei as Mrs. O’Conner on The Handmaid’s Tale (Hulu)

Samira Wiley as Moira on The Handmaid’s Tale (Hulu)

Outstanding TV Movie:

Black Mirror: USS Callister (Netflix)

Electric Dreams: The Commuter (Amazon)

Paterno (HBO)

The Tale (HBO)

Tour de Pharmacy (HBO)

Outstanding Limited Series:

Alias Grace (Netflix)

American Vandal (Netflix)

The Assassination of Gianni Versace: American Crime Story (FX)

Patrick Melrose (Showtime)

The Sinner (USA)

Outstanding Lead Actor - Limited Series/TV Movie:

Darren Criss as Andrew Cunanan on The Assassination of Gianni Versace: American Crime Story (FX)

Benedict Cumberbatch as Patrick Melrose on Patrick Melrose (Showtime)

Al Pacino as Joe Paterno on Paterno (HBO)

Evan Peters as Kai Anderson on American Horror Story: Cult (FX)

Jesse Plemons as Robert Daly on Black Mirror: USS Callister (Netflix)

Jimmy Tatro as Dylan Maxwell on American Vandal (Netflix)

Outstanding Lead Actress - Limited Series/TV Movie

Jessica Biel as Cora Tennetti on The Sinner (USA)

Laura Dern as Jennifer Fox on The Tale (HBO)

Rosemarie DeWitt as Maria Sambrell on Black Mirror: USS Callister (Netflix)

Sarah Gadon as Grace Marks on Alias Grace (Netflix)

Cristin Milioti as Nanette Cole on Black Mirror: USS Callister (Netflix)

Sarah Paulson as Ally Mayfair-Richards on American Horror Story: Cult (FX)

Outstanding Supporting Actor - Limited Series/TV Movie

Jeff Daniels as Frank Griffin on Godless (Netflix)

Brandon Victor Dixon as Judas on Jesus Chris Superstar: Live (NBC)

Cody Fern as David Mason on The Assassination of Gianni Versace: American Crime Story (FX)

Tahar Rahim as Ali Soufan on The Looming Tower (Hulu)

Jason Ritter as Bill on The Tale (HBO)

Jimmi Simpson as James Walton on Black Mirror: USS Callister (Netflix)

Outstanding Supporting Actress - Limited Series/TV Movie

Penélope Cruz as Donatella Versace on The Assassination of Gianni Versace: American Crime Story (FX)

Jennifer Jason Leigh as Eleanor Melrose on Patrick Melrose (Showtime)

Judith Light as Marilyn Miglin on The Assassination of Gianni Versace: American Crime Story (FX)

Isabelle Nélisse as Jenny Fox on The Tale (HBO)

Merritt Wever as Mary Agnes McNue on Godless (Netflix)

Letita Wright as Nish on Black Mirror: Black Museum (Netflix)