#Mark Berry

[hermannco]

Lots of Psyches for @crocojaws + Mark and death

[randomrichards]

TEMPLE OF LOVE: THE ERROLL STARR STORY

R&B Singer

Lives the facade of a star

Walks away from fame

[c-40]

A-T-4 071 Solo Dub Girls (Ah-Ah-Hi)

Personally I think this sounds like a precursor to NY freestyle from 1987 by the likes of Todd Terry, or Frankie Bones and Tommy Musto, all it needs is a good edit (or maybe not!)

There is clearly a Trevor Horn playing in the studio with new toys influence but Mark Berry (Solo) had a more experience than Horn. Berry is from Brooklyn but moved to London in the early 1970s, he got work at Air Studios and his first engineering credit is on No Secrets by Carly Simon. Moving back to the USA in the second half of the 1970s Berry becomes Staff Engineer and in-house A&R/producer for Vanguard Records. This means Poussez!, The Players Association, Frisky, Carol Williams, Rainbow Brown, and early Bobby Orlando productions for Free Expression, Lyn Todd, and Roni Griffith. He carries on working with Roni Griffith and Bobby Orlando but is also in the room when Arthur Baker and John Robie are making Funky Soul Makossa and when Man Parrish is making Hip Hop, Be Bop (Don't Stop), he mixes C-Bank, C.O.D., all the Two Sisters records, Junior Byron's Dance To The Music, crazily he engineers Swans first two albums Filth and Cop, and mixes Stephanie Mills' The Medicine Song - that's just the tip on the iceberg

Dub Girls (Ah-Ah-Hi) sounds well ahead of its time but Mark Berry was at the cutting edge of things in New York. After Dub girls comes out Berry would remix some of the big names in mainstream popular music

[harveyguillensource]

Full (mad scientist) character portraits for WWDITS Season 6, shared by TV Insider!

[nadjasnandor]

No, I don't think that's gonna happen. I mean, we could. We still have 7 floors to go.

[paperlignes]

WHAT WE DO IN THE SHADOWS (2019-) SEASON 5, EPISODE 6: URGENT CARE

crazy bitch, horny bitch, boring bitch, queen bitch.

[lowkeloki]

[redeyeyuna]

They look much like a Heavy Metal Band here and Mark is the badass lead singer

[deliciousnecks]

wwdits II 6.01

[beansprean]

AND THAT'S A WRAP ON WWDITS FILMING...[wails loudly]

I hope these actors know how much they have done for me, specifically. And how many times I have drawn their dumb faces dkjfhk.

Please consider donating to Medical Aid for Palestine! It's what Kayvan would want. :) 🍉🍉🍉🍉🍉🍉

(ID in alt and under cut)

ID: 1. Waist up of Guillermo and Harvey Guillén on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Harvey!' Harvey's skin is slightly tanner than Guillermo's, his hair is sun-bleached and curling freely over his forehead, and he is wearing a blue knit crop top and denim overalls. He is hugging Guillermo from behind with his chin on his shoulder, grinning up at the viewer. Guillermo, wearing a white shirt and brown patterned cardigan, is cupping Harvey's hands with his own over his chest and looking at him with a fond smile, cheeks pressed together.

2. Waist up of Nandor and Kayvan Novak on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Kayvan!' Kayvan's skin is a rich brown against Nandor's vampire pallor and his half-up hair and slightly longer beard are graying; he is wearing a dangly gold earring in his left ear and is wearing a lime green button up tee with a red watermelon pattern. He has picked Nandor up in a hug with his arms wrapped around his waist. Nandor, wearing a long brown kaftan under a orange diamond-patterned coat with short furred sleeves, has his right hand braced on Kayvan's shoulder and the other wrapped around his back. They are both grinning widely and looking at the viewer.

3. Waist up of Nadja, Nadja doll, and Natasia Demetriou on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Natasia!' Natasia is lightly tanned and has chest wavy length hair with bangs, dark brown at the roots with honey brown and blonde highlights throughout. She is wearing a periwinkle skirt and bandeau top with an outer layer of translucent chiffon in the same color, along with poofy off-shoulder chiffon sleeves, several rings, and a thin chain necklace with her name on it. Nadja and Dolly are matching in dark blue v neck gowns with a gold pattern and front buttons, their hair half up in twin horns. Nadja is grinning at the viewer, fangs out, and leaning heavily into Natasia's side, pressing their shoulders together. Dolly sits on their shared shoulder space, perched directly between their heads with her arms around them, smiling up at the viewer. Nadja's right arm is up under Dolly to support her legs. Natasia's right arm is bent upward like one might do to support a perching bird and her left is palming Dolly's knees to keep her in place. She is smiling over at the Nadjas, half bent over from their weight leaning on her.

4. Waist up of Laszlo and Matt Berry on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Matt!' Matt is pale (but clearly more alive than Laszlo), with wavy shoulder length hair streaked with gray and a graying beard that has been allowed to grow a bit further past his chin. He is wearing a plain white tee shirt, denim jacket, and silver chain necklace. Laszlo is wearing a red button up dashingly open at the collar under a dark blue waistcoat and lighter blue jacket with a darker damask pattern. They are standing mirrored, back-to-back with their arms crossed and shoulders pressed together, looking back over their shoulders at each other. Matt smiles at his character lazily while Laszlo offers him a mildly salacious smirk.

5. Waist up of Colin Robinson and Mark Proksch on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Mark!' Mark is standing facing the viewer with squared shoulders, wearing a blue and white plaid shirt with a chest pocket, only the top button undone. Were it not for the color and a slight shape change to his glasses, you wouldn't be able to tell him from his character. Colin is standing directly behind and to the right of him, wearing a brown v neck sweater over a beige collar and dull red tie. His head is tipped back and his mouth is open in a wide grin, eyes glowing bright blue behind his glasses. Mark glances at him from the corner of his eye with a slightly amused smirk.

6. Waist up of the Guide and Kristen Schaal on a white background with small yellow polka dots. Cursive red and gold script in the top left corner says 'Thank you, Kristen!' Kristen is pale in a human way with chin length curly brown hair and is wearing a loose empire waist black tank top under a translucent yellow chiffon top with a frilled neckline and elbow length balloon sleeves. The Guide is smiling open-mouthed at Kristen and wearing her usual black square cap, jacket, skirt, and gloves. They are back to back, elbows linked together to keep each other close, with Kristen leaning backward into the Guide so she stoops forward slightly. Kristen's far hand flashes a peace sign as she grins over at the Guide, tongue between her teeth. /end ID

[mikesapienza]

My "What We Do In The Shadows" tv poster.

Now available in my shop:

[thatonequeeraunt]

Gonna tell my future kids this was System of a Down

[harveyguillensource]

Harvey spreading a lovely holiday message from the Shadows family.

[nadjasnandor]

What We Do in the Shadows | 6.04. - "The Railroad"

[paperlignes]

WHAT WE DO IN THE SHADOWS (2019-) SEASON 5, EPISODE 5: LOCAL NEWS

[colinrobinsonlover69]

Killing myself, look AT THESE PICTURES😭

Colin my beloved, he looks so pretty and THE GUIDE?? HOLY MOLY🫶🏻💕