#Marina Zec

[edsonjnovaes]

Marina Abramovic de Rhythm 0

Marina Abramovic, uma artista destemida, uma vez deixou espectadores fazerem o que quisessem com ela por seis horas, chamando a peça de ‘Rhythm 0’. Imagine ficar parada, deixando estranhos aleatórios terem controle total sobre você com 72 objetos à disposição, pense em flores, perfume, maçãs, mas também navalhas e facas. Pois é, ficou louco. Vivimetaliun – 2024 out 07 No começo, tudo foi suave,…

[mariavematei]

Marina Abramovic on Rhythm 0 (1974) from Marina Abramović Institute on Vimeo.

Join us in creating MAI by clicking the “Tip This Video” button below!

Directed, Produced, and Edited by Milica Zec

[rabbitcruiser]

As Catedrais Beach, Spain (No. 3)

The beach is attended by a lifeguard team; there are daily cleaning services, and less than 500 m. in the area there are restaurants, hostels, hotels and other public services (bridges, car parks etc...). Other services on the beach are showers and toilets, as well as signs of the state of the sea. Very close to it are the marinas of Ribadeo and Foz . And in the case of accidents, the Costa-Burela Regional Hospital is in charge of attending to them.

What stands out most about this beach are the 300 meters of cliffs pierced by the tide that form arches similar to the arched arches of Gothic cathedrals (origin of its current name), and that can only be seen at low tide . The beach is protected by those of San Miguel de Reinante ( Barreiros ), Esteiro, As Illas, Os Castros, Areosa and Olga (all from Ribadeo), which, in turn, give their name and make up the ZEC As Catedrais, a protected natural area.

Source: Wikipedia  

[sobakaisti]

Predstavljamo vam zvaničnu SoundCloud stranicu litero-igre Sobakaisti. Ovde ćemo objavljivati intervjue, snimke iza scene, govorancije, uzdahe i sve audio fajlove koje želimo da podelimo sa vama. Za početak delimo sa vama audio snimak gostovanja na Radio Beogradu 202 u emisiji Kaži Dragička. Naš gejm dizajner u ulozi Astora Lajke govori o kreativnom procesu stvaranja pesama, radu sa bendom, uzorima koje ima i iskustvima sa festivala.

This is the link to official SoundCloud profile of our litero-game. If you want to hear some audio files from our archive, be sure to follow us. The first audio file is recording of radio broadcast on Radio Beograd 202 in show “Kaži Dragička”. The guest of show was our game designer in role of Astor Lajka. 

[yo-sostenible]

Aportaciones a la Red Natura 2000 Marina

📎 En las aportaciones hechas por Ecologistas en Acción a la consulta pública de las Zonas de Especial Conservación (ZEC) se incluye el bajo Patíbulo, un área donde se alimentan los rorcuales a su paso hacia el Atlántico

En las aportaciones hechas por Ecologistas en Acción a la consulta pública de las Zonas de Especial Conservación (ZEC) se incluye el bajo Patíbulo, un área donde se…

[cerrajerosrapidtecnic]

Cerrajeros en #fuerteventura abriendo puertas e instalando cerraduras entre la #oladecalor y la brisa marina en Ajuy, Antigua, Betancuria, Caleta de Fuste, Casillas de Ángel, Casillas de Morales, Castillo Caleta de Fuste, Corralejo, Costa Calma, Costa de Antigua, El Caletón, El Cotillo, El Matorral, El Roque, El Time, El Vergel, Antigua, Esquinzo, Geafond, Giniginamar, Gran Tarajal, Guisguey, Jandia, La Ampuyenta, La Asomada, La Lajita, La Matilla, La Oliva, La Pared, Lajares, Las Playitas, Las Rocas, Antigua, Llanos de la Concepción, Llanos de la Mareta, Los Estancos, Los Lagos, Majanicho, Mal Nombre, Morro Jable, Nuevo Horizonte, Pájara, Parque Holandés, Playa Blanca, Playa del Cotillo, Playa del Moro, Polígono Industrial Risco Prieto, Polígono Industrial Zec, Pozo Negro, Puertito de los Molinos, Puerto de la Cruz. #ajuyfuerteventura #antiguafuerteventura #betancuria #caletadefuste #casillasdeangel #casillasdemorales #castillocaletadefuste #corralejo #costacalmafuerteventura #costadeantigua #elcaletonfuerteventura #elcotillo #elmatorralfuerteventura #fuerteventura #cerrajeros #locksmiths #fontaneros #serrurier #desatascos https://rapidtecnic.com (en Cerrajero Fuerteventura) https://www.instagram.com/p/BzQSTkxIsni/?igshid=lh3fx7urjk8l

[grupoefeverde]

WWF trabaja en la conservación del Cabo Roche

See on Scoop.it - EFEverde

Este espacio es crucial para lograr la continuidad ecológica de la Red Natura Marina, al conectar los siguientes espacios ZEC: l

[enviroocom]

Andalucía y Aragón, las comunidades con más espacios en la red Natura 2000

http://nvi.ro/2sJpzMG

Andalucía y Aragón son, con 198 lugares cada una, las comunidades con más espacios incluidos en la red Natura 2000, el principal instrumento de conservación de la UE y con el que se pretende asegurar la supervivencia a largo plazo de los hábitats y las especies más valiosas del continente.

La de Andalucía es además la comunidad autónoma con una mayor superficie incluida en esa red, ya que sus 198 espacios suman un total de 2,6 millones de hectáreas, que representan el 29,7 por ciento del territorio de la región.

Y Canarias destaca en esa tabla por ser la que tiene un mayor porcentaje de su superficie incluida en esa red, ya que las 361.327 hectáreas que pertenecen a Natura 2000 representan casi la mitad de la superficie terrestre del archipiélago (el 46,74).

Los datos correspondientes a la red Natura 2000 por comunidades autónomas -con datos actualizados en mayo de este año- aparecen publicados en el último

Vista del Teide desde el Parque Nacional de La Caldera de Taburiente, en la isla de La Palma. FOTO: Raúl Casado/EFE

número de la revista “Ambienta” que edita el Ministerio de Agricultura y Pesca, Alimentación y Medio Ambiente, y que se ha dedicado de forma monográfica a los 25 años que ha cumplido esta red de espacios.

La red Natura 2000 constituye la apuesta por la conservación de la biodiversidad más importante de Europa y forma en su conjunto el área protegida más extensa del mundo y España es el país con más superficie (terrestre y marina) incluida en ella, ya que suma 223.368 kilómetros cuadrados que representan el 27,3 por ciento de la superficie del país.

25 años de red Natura 2000 

La red Natura 2000, que ha cumplido este año 25 años, se sustenta sobre dos directivas comunitarias: la de “Aves” ampara la declaración de Zonas de Especial Protección para las Aves (ZEPA) y la de “Hábitats” regula los Lugares de Interés Comunitario (LIC) y su posterior declaración, cuando se aprueban los planes de gestión, como Zonas de Especial Conservación (ZEC).

En total España suma un total de 1.864 espacios en la red, y las comunidades con un mayor número de lugares protegidos son Andalucía (198) y Aragón (198), seguidas de Canarias (184 espacios), Castilla y León (177), Baleares (159), Extremadura (151), la Comunidad Valenciana (127) y Cataluña (123).

A diferencia de otras figuras de protección (como los Parques Nacionales o Naturales) que sí están concebidas como santuarios de la naturaleza y de la conservación, la característica principal de los espacios de la red Natura 2000 es que la protección del entorno y de los recursos naturales tiene que ser compatible con la actividad humana y el desarrollo económico.

De los 1.964 espacios que España aporta a la red, casi la totalidad corresponden a las comunidades autónomas, aunque en 94 de ellos la gestión depende directamente del Ministerio de Agricultura y Pesca, Alimentación y Medio Ambiente, por tratarse de espacios marinos cuya gestión recae en la Dirección General de Costas o en el Organismo Autónomo Parques Nacionales.

El siguiente cuadro refleja, por comunidades autónomas, el número de espacios incluidos en la red Natura 2000, la superficie total que ocupan y el porcentaje que supone en cada región:

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Sobre LIFE+ INFONATUR 2000

Difundir el significado y los valores de la Red Natura 2000 es el objetivo del proyecto Life+ “Infonatur 2000”, cofinanciado por la UE y que coordina la Junta de Extremadura, y en el que participan la Diputación de Lérida, el Patronato de Turismo Costa Brava y @EFEverde de la Agencia EFE.

Imagen tomada desde la Montaña de Alinyá, un espacio natural incluido en la Red Natura 2000.                                                          Foto: Raúl Casado/EFE

[justaporpitaporpitaporpitin-blog]

Overdetermination

 “Even the most trivial behaviours are the focus and expression of most plural and deep psychological complexity…its only presence in the conscious mind can be in the trivial impulses and surprising disjunctions that we live with each day.” (Mansfield, 2000 pp.29)

 Marina Abramović challenges the roles of artists, and the audience through performance works, requiring interaction with viewers. Rhythm Zero (1973-74) provided the audience with a chance to act upon their deep psychological desires during a six-hour long performance piece, where Abramović was subject to increasingly cruel acts from the public. Once Abramović’s performance ended, the audience “[ran] away. People could not actually confront with me as a person”.

  ~~~~~~~~

Mansfield, N 2000, ‘Freud and the split subject’, in subjectivity: theories of the self from Freud to Haraway, New York University Press, New York.

Marina Abramović On Rhythm 0 (1974). Marina Abramović Institute: Milica Zec, 2014. video. [Accessed 22 March]

[rabbitcruiser]

Mojácar, Spain (No. 9)

It has six blue flag beaches (2021): El Cantal, El Descharger, Lance Nuevo, Marina de la Torre, Piedra Villazar and Venta del Bancal-Ventanitas. In this way, together with Roquetas de Mar, it is the municipality with the largest number of beaches awarded with the blue flag in the province of Almería.

The Specially Protected Area of ​​Importance for the Mediterranean (ZEIPIM) of the Levante Almeriense Seabed consists of a wide coastline 50 km long off the coast from Mojácar to Pulpí . It is characterized by the naturalness of its rich and diverse seabed, with an important presence of the most extensive oceanic posidonia meadows in Andalusia and the existence of loggerhead turtles . 

The Sierra de Cabrera is considered ZEC (Special Conservation Area), it stands out for the influence of the proximity of the coast. In coastal areas, note the magnificent cornicales , rock and dune flora , as well as the endemic species of the Mojácar Immortellem (Limonium estevei). 

Source: Wikipedia

[rabbitcruiser]

Mojácar, Spain (No. 4)

The city of Mojácar is located in the eastern part of the province of Almería within the Levante Almeriense region at an altitude of 152 meters above sea level. Its municipal area has a surface area of ​​72 km² and is bordered to the north by the municipalities of Garrucha and Vera , to the east by the Mediterranean Sea , to the south by the municipality of Carboneras and to the west by Turre. 

It has six blue flag beaches (2021): El Cantal, El Descharger, Lance Nuevo, Marina de la Torre, Piedra Villazar and Venta del Bancal-Ventanitas. In this way, together with Roquetas de Mar, it is the municipality with the largest number of beaches awarded with the blue flag in the province of Almería. 

The Specially Protected Area of ​​Importance for the Mediterranean (ZEIPIM) of the Levante Almeriense Seabed consists of a wide coastline 50 km long off the coast from Mojácar to Pulpí. It is characterized by the naturalness of its rich and diverse seabed, with an important presence of the most extensive oceanic posidonia meadows in Andalusia and the existence of loggerhead turtles. 

The Sierra de Cabrera is considered ZEC (Special Conservation Area), it stands out for the influence of the proximity of the coast. In the coastal areas, note the magnificent cornicales, rocky and dune flora , as well as the endemic species of the Mojácar Immortelle (Limonium estevei). 

Source: Wikipedia

[justaporpitaporpitaporpitin-blog]

CAVA102 REFERENCE LIST

References

Anon, (n.d.). [image] Available at: http://data.whicdn.com/images/53476344/original.jpg [Accessed 23 Mar. 2017].

Anon, (n.d.). [image] Available at: https://timenewsfeed.files.wordpress.com/2013/11/koons-monkey.jpg [Accessed 23 Mar. 2017].

Big Hit Entertainment, (2016). 방탄소년단 (BTS) ‘피 땀 눈물 (Blood Sweat & Tears)’ MV. [video] Available at: https://www.youtube.com/watch?v=hmE9f-TEutc [Accessed 20 Mar. 2017].

BTS talk about 'WINGS', the lead-up to its release, & their hopes in new interview. (2016). [Blog] SBS. Available at: http://www.sbs.com.au/popasia/blog/2016/10/11/bts-talk-about-wings-lead-its-release-their-hopes-new-interview [Accessed 17 Mar. 2017].

Byrns, K. (1998). A Summary of Hermann Hesse's Demian. 1st ed. [ebook] Available at: http://www.gss.ucsb.edu/projects/hesse/works/demian.pdf [Accessed 22 Mar. 2017].

Dali, S. (1933). The Enigma of William Tell. [Oil on Canvas].

Edvard-munch.com. (2017). Edvard Munch Gallery > Lithographs > Jealousy. [online] Available at: http://www.edvard-munch.com/gallery/litho/jealousy_litho.htm [Accessed 22 Mar. 2017].

Hsieh, T. (1981). Time Clock Piece. [Documentative Photograph] Beijing, China: Ullens Centre for Contemporary Art.

Jeff Koons. (2017). Jeff Koons Artwork. [online] Available at: http://www.jeffkoons.com/artwork/balloon-monkey [Accessed 22 Mar. 2017].

Kagerou Project Wiki. (2017). Yobanashi Deceive. [online] Available at: http://kagerouproject.wikia.com/wiki/Yobanashi_Deceive [Accessed 23 Mar. 2017].

Kalseth, L. (2017). The Sick Child I 1896. [online] Gundersencollection.com. Available at: http://gundersencollection.com/index.php/gundersen-collection-munch-articles/20-munch-the-sick-child-1-3 [Accessed 21 Mar. 2017].

Mapplethorpe, R. (1980). Smutty. [Photograph, gelatin silver print on paper] TATE/National Galleries of Scotland.

Marina Abramović on Rhythm 0 (1974). (2014). [video] Marina Abramović Institute: Milica Zec.

Marks, K. (2014). Tehching Hsieh: the man who didn't go to bed for a year. [Blog] The Guardian. Available at: https://www.theguardian.com/artanddesign/australia-culture-blog/2014/apr/30/tehching-hsieh-the-man-who-didnt-go-to-bed-for-a-year [Accessed 21 Mar. 2017].

Modernity: An Introduction to Modern Societies. (n.d.). 1st ed. [ebook] Blackwell Publishers. Available at: http://faculty.georgetown.edu/irvinem/theory/Hall-Identity-Modernity-1.pdf [Accessed 23 Mar. 2017].

Neri, C. (2017). AUTHENTICITY AS AN AIM OF PSYCHOANALYSIS. 1st ed. [ebook] Available at: http://lnx.claudioneri.it/wp-content/uploads/2013/05/authenticity-as-an-aim-of-psychoanalysis.pdf [Accessed 23 Mar. 2017].

Portraits of artistic self: Parsing creative influence through prompted Artstor searches. (2016). [Blog] The Artstor Blog. Available at: https://artstor.wordpress.com/2016/06/21/portraits-of-artistic-self-parsing-creative-influence-through-prompted-artstor-searches/ [Accessed 21 Mar. 2017].

TATE, (2014). Smutty (1980). [image] Available at: http://www.tate.org.uk/art/artworks/mapplethorpe-smutty-ar00188 [Accessed 21 Mar. 2017].

Tate.org.uk. (2017). ARTIST ROOMS: Theme: Cultural Identity. [online] Available at: http://www.tate.org.uk/artist-rooms/collection/themes/artist-rooms-theme-cultural-identity [Accessed 20 Mar. 2017].

The Collective Origins of Valued Originality: A Social Identity Approach to Creativity. (2013). 1st ed. [ebook] The Society for Personality and Social Psychology, Inc., p.385. Available at: http://www.bbcprisonstudy.org/includes/site/files/files/2013%20PSPR%20Creativity.pdf [Accessed 22 Mar. 2017].

The Art Story: Modern Art Insight. (n.d.). Salvador Dali Bibliography. [online] Available at: References Anon, (n.d.). [image] Available at: http://data.whicdn.com/images/53476344/original.jpg [Accessed 23 Mar. 2017]. Anon, (n.d.). [image] Available at: https://timenewsfeed.files.wordpress.com/2013/11/koons-monkey.jpg [Accessed 23 Mar. 2017]. Big Hit Entertainment, (2016). 방탄소년단 (BTS) ‘피 땀 눈물 (Blood Sweat & Tears)’ MV. [video] Available at: https://www.youtube.com/watch?v=hmE9f-TEutc [Accessed 20 Mar. 2017]. BTS talk about 'WINGS', the lead-up to its release, & their hopes in new interview. (2016). [Blog] SBS. Available at: http://www.sbs.com.au/popasia/blog/2016/10/11/bts-talk-about-wings-lead-its-release-their-hopes-new-interview [Accessed 17 Mar. 2017]. Byrns, K. (1998). A Summary of Hermann Hesse's Demian. 1st ed. [ebook] Available at: http://www.gss.ucsb.edu/projects/hesse/works/demian.pdf [Accessed 22 Mar. 2017]. Edvard-munch.com. (2017). Edvard Munch Gallery > Lithographs > Jealousy. [online] Available at: http://www.edvard-munch.com/gallery/litho/jealousy_litho.htm [Accessed 22 Mar. 2017]. Hsieh, T. (1981). Time Clock Piece. [Documentative Photograph] Beijing, China: Ullens Centre for Contemporary Art. Jeff Koons. (2017). Jeff Koons Artwork. [online] Available at: http://www.jeffkoons.com/artwork/balloon-monkey [Accessed 22 Mar. 2017]. Kalseth, L. (2017). The Sick Child I 1896. [online] Gundersencollection.com. Available at: http://gundersencollection.com/index.php/gundersen-collection-munch-articles/20-munch-the-sick-child-1-3 [Accessed 21 Mar. 2017]. Mapplethorpe, R. (1980). Smutty. [Photograph, gelatin silver print on paper] TATE/National Galleries of Scotland. Marina Abramović on Rhythm 0 (1974). (2014). [video] Marina Abramović Institute: Milica Zec. Marks, K. (2014). Tehching Hsieh: the man who didn't go to bed for a year. [Blog] The Guardian. Available at: https://www.theguardian.com/artanddesign/australia-culture-blog/2014/apr/30/tehching-hsieh-the-man-who-didnt-go-to-bed-for-a-year [Accessed 21 Mar. 2017]. Modernity: An Introduction to Modern Societies. (n.d.). 1st ed. [ebook] Blackwell Publishers. Available at: http://faculty.georgetown.edu/irvinem/theory/Hall-Identity-Modernity-1.pdf [Accessed 23 Mar. 2017]. Neri, C. (2017). AUTHENTICITY AS AN AIM OF PSYCHOANALYSIS. 1st ed. [ebook] Available at: http://lnx.claudioneri.it/wp-content/uploads/2013/05/authenticity-as-an-aim-of-psychoanalysis.pdf [Accessed 23 Mar. 2017]. Portraits of artistic self: Parsing creative influence through prompted Artstor searches. (2016). [Blog] The Artstor Blog. Available at: https://artstor.wordpress.com/2016/06/21/portraits-of-artistic-self-parsing-creative-influence-through-prompted-artstor-searches/ [Accessed 21 Mar. 2017]. TATE, (2014). Smutty (1980). [image] Available at: http://www.tate.org.uk/art/artworks/mapplethorpe-smutty-ar00188 [Accessed 21 Mar. 2017]. Tate.org.uk. (2017). ARTIST ROOMS: Theme: Cultural Identity. [online] Available at: http://www.tate.org.uk/artist-rooms/collection/themes/artist-rooms-theme-cultural-identity [Accessed 20 Mar. 2017]. The Collective Origins of Valued Originality: A Social Identity Approach to Creativity. (2013). 1st ed. [ebook] The Society for Personality and Social Psychology, Inc., p.385. Available at: http://www.bbcprisonstudy.org/includes/site/files/files/2013%20PSPR%20Creativity.pdf [Accessed 22 Mar. 2017]. Ullens Centre for Contemporary Art (UCCA), (2013). Ullens Center for Contemporary Art (UCCA) announces Tehching Hsieh One Year Performance 1980–1981. [online] Available at: http://museumpublicity.com/2013/06/17/ullens-center-for-contemporary-art-ucca-announces-tehching-hsieh-one-year-performance-1980-1981/ [Accessed 20 Mar. 2017]. Yagi, T. (n.d.). Beyond Subjectivity: Kierkegaard’s Self and Heidegger’s Dasein. 1st ed. [ebook] Dublin: University College Dublin, pp.61-62. Available at: http://www.ucd.ie/philosophy/perspectives/resources/TBen%20Yagi.pdf [Accessed 20 Mar. 2017]. [Accessed 23 Mar. 2017].

Ullens Centre for Contemporary Art (UCCA), (2013). Ullens Center for Contemporary Art (UCCA) announces Tehching Hsieh One Year Performance 1980–1981. [online] Available at: http://museumpublicity.com/2013/06/17/ullens-center-for-contemporary-art-ucca-announces-tehching-hsieh-one-year-performance-1980-1981/ [Accessed 20 Mar. 2017].

Yagi, T. (n.d.). Beyond Subjectivity: Kierkegaard’s Self and Heidegger’s Dasein. 1st ed. [ebook] Dublin: University College Dublin, pp.61-62. Available at: http://www.ucd.ie/philosophy/perspectives/resources/TBen%20Yagi.pdf [Accessed 20 Mar. 2017].

Yobanashi Deceive 【夜咄ディセイブ】. (2015). [video] Available at: https://www.youtube.com/watch?v=8fAr4OBZRGk [Accessed 20 Mar. 2017].