#Marie-Claude Marquis

[visual-poetry]

by marie-claude marquis

[floral-grunge]

Marie-Claude Marquis

[analimona]

Yes, I cry a lot - Marie-Claude Marquis

[umass-digiturgy]

Photos of cast members at rehearsal's

[douvaqueenmarieheard]

Loving this new work by Marie Claude Marquis

[blistexenthusiast]

Marie Claude Marquis, decorative transfer plates

[grunisment]

Marie-Claude Marquis

[handfuloftime]

(A while ago @apurpledust mentioned wanting to know more about Duroc's children, so here's what information I have)

Duroc and his wife, Maria de las Nieves Martínez de Hervas, had two children, both of whom died tragically young. (Hervas left instructions that her gravestone should be engraved with "To the unhappiest of mothers".)

Their first child, Napoléon Louis Sidoine Joseph Duroc, was born on 24 February 1811 in Paris. Named for the emperor and his two grandfathers (Claude Sidoine de Michel du Roc and José Martínez de Hervas), he lived for just over fourteen months. The infant’s health was never good; Duroc wrote to Bertrand in March 1812 that “[Hervas] is doing well but her son has been and always is ill”. (As Duroc’s biographer Danielle Meyrueix notes, when writing of his wife and child he habitually referred to “her son” rather than “our son”. Perhaps not the most engaged of fathers.) Napoléon died on 6 May 1812 at Maidières in Lorraine. The architect Pierre Fontaine, noting in his journal that Hervas had asked him to design a tomb for her lost son, wrote that the child had been “a few days older than the King of Rome and destined to enjoy at that prince’s side all the favor with which the Emperor honored his father.”

Their daughter Hortense Eugénie Nieves Duroc was born on 14 May 1812, eight days after the young Napoléon’s death. (In a letter, Duroc implied that the news of the boy’s death had been kept from Hervas, who was in Paris, to avoid imperiling her health.) Named for her godmother, Hortense de Beauharnais, she was baptized in January 1813 alongside the duke of Bassano's daughter. After Duroc’s death in May 1813, Napoleon transferred the duchy of Friuli to her, writing to Hervas that Hortense would be “assured of my constant protection”. He also remembered her in his will, leaving her a large sum of money and recommending, in one last attempt at matchmaking, that she marry Bessières’s son, the duke of Istria. Hortense’s aunt wrote in 1823 that “Hortense is perfectly sweet, she’s a rare child for her spirit and intelligence, who her poor father would have been happy to see so fine in all respects”. She died of pneumonia on 24 September 1829 after three days of illness, aged seventeen.

A 1933 biography of Charles-Nicolas Fabvier (Hervas’s second husband) identifies this painting by Jeanne-Elisabeth Chaudet as a young Hortense Duroc. It was sold at an auction a few years ago with the title “Young Embroideress”, so either the sitter’s identity has been lost since then or it may never have been Hortense at all.

Duroc’s long liaison with the dancer Emilie Bigottini may also have resulted in at least one child. Felix Bouvier, writing a biographical sketch of Bigottini in 1909, claimed that “children were born of this irregular union, a daughter and a son named Odilon”. However, Odilon (full name Pierre Dominique Jean Marie Odilon Michel du Roc), born in 1801, was the son of Duroc’s cousin Géraud Pierre Michel du Roc, the marquis de Brion. On Duroc’s death, Napoleon made Odilon a page in the imperial household. (This may have given rise to Bouvier’s claim, as it seems to have confused people at the time. Caulaincourt had been tasked with sorting out Duroc’s affairs, including a substantial amount of money for Bigottini, and Duroc’s sister Jeanne implied that he had gotten the wrong impression from one of Duroc’s requests: “On the subject of the allowance for little Odilon, M. the duke of Vicenza was misled…he took a step which pained me very much”.) As for the daughter, all I’ve been able to find so far is a remark from Laure Junot that “It was known that the count Armand de Fuentès had had a daughter with Mademoiselle Bigottini, and that Duroc was in the same position”.

[teecupangel]

I come bearing Unity thoughts. How about Yew Branch style Desmond, but in Revolutionary France? And to just make things interesting... As one of the children of Marquis de Sade

Now, I am merely doing Sequence 5 so I have no idea if they show in the game. But! Consider Desmond low-key having fun at the expense of others. Even if it is only because he is bored, he knows who his father is (historically) and modern time sense of modesty does not measure up to those of his now-contemporary France

In short: Desmond finds Cafe de Theatre and has fun making Arno blush. By using modern style innuendo

Before we start, I will confess that I do plan to write a Yew Branch for August 26, Arno’s birthday, but it’s more or less set before Unity because… uuuhhh… plot reasons? XD

Anyway, I will say AC Unity has the easiest time to just kick Desmond anywhere we want because you can pick anyone from the Nomad Assassins in the companion app and bam, you have Desmond’s new identity.

Also, here’s Desmond being reborn as either Arno’s brother or Élise’s brother/twin and, while this is more focused on AC3, here’s Desmond being reborn as Marie Antoinette.

Okay, let’s set up Desmond’s life as Marquis de Sade’s son.

Now, we actually have two options for this (according to wiki):

Louis Marie de Sade (1767) would be a year older than Arno

Donatien Claude Armand de Sade (1769) would be a year younger than Arno

If you wanna go down the ‘Desmond gets a pussy’ route, there’s Madeleine Laure de Sade (1771) as well, but if we’re gonna give Arno some dick, then I like the idea of Madeleine being a secret fangirl who totally ships her brother (and maybe even her father) with that sexy hooded man.

(As far as I remember, they don’t show Marquis de Sade’s children in the game so we’re good to go)

Regardless of who we pick as Desmond’s new identity (an older man showing Arno the ‘ropes’ or a younger man who Arno believes to be the most dangerous of all… in a very different way), Arno’s in for a very… well… informative time of his life.

The de Sade Family:

Marquis de Sade doesn’t formally invites his children to his ‘new kingdom’ but he will welcome them nonetheless if they do join. He and his wife don’t really have a good relationship so he’s not that close to his children. Desmond would definitely be his favorite and, even if Desmond is reborn as his second son (if we’re going for the younger man route), he would still name Desmond as his heir and successor because, as far as he knows, Desmond is his ‘true child’.

Desmond doesn’t want any title or riches or whatever. He does, however, like Marquis de Sade. As a father? Far better than William Miles, hands down. But honestly? Desmond saw how the Marquis was lonely as not many people understood his ‘true self’. Desmond gets it though since he experimented a lot when he left the Farm and learned how sex could be quite enjoyable. Desmond actually knows more than Marquis de Sade and sorta-kinda acts as his proofreader.

In public, Desmond is considered to be polite and as noble as one gets, heavily leaning on Haytham Kenway’s remaining bleeds. In his father’s new kingdom though… total dom. Known to be the bored prince and there’s a lot of people that try to get his attention in any way they can. Desmond is usually just there to make sure his father doesn’t do anything actually illegal or every ‘depravity’ he does would be done with consent on all sides. He does disappear as soon as his father starts… really going because, yeah, he doesn’t have a kink for that one.

The brother we don’t choose will have an inferiority complex against Desmond and think that Desmond is a depraved sick bastard. But he will also remember how kind and understanding Desmond was to him when they were children. Hell, he was still kind to him even when it’s clear that he was trying to bully him (Desmond just thinks it’s cute he thinks he could bully Desmond). This conflicting feelings make him ignore everything that Desmond does in their father’s kingdom while trying to protect both him and their father as much as he could. He would insist he’s protecting the family name though. (His kink is definitely a form of cuckolding)

Desmond’s mother would be distant and ignore all of her children (except maybe her daughter) because the whole relationship was just to keep the power among the nobles so there’s no love lost anywhere. Desmond doesn’t feel anything for her and, yeah, there’s some childish pain there, but he’s good at ignoring his unresolved feelings for his parents at this point anyway.

Madeleine is Desmond’s favorite sibling and she’s quite spoiled. Desmond’s influence makes her more open to their father’s preferences but she’s quite reserve about it, blushing whenever she tries to open up and ends up just going ‘never mind’. Desmond gives her a more clinical explanation to these kinds of things in a form of a notebook of some sort because he thought she would be too embarrassed and awkward if he directly talked to her. This leads her to the path of voyeurism and enjoying erotica so… well… you win some, you lose some. She joins her brother in visiting their father in secret though, because if words got out that the young de Sade girl was a deviant, she’ll be ruined in the eyes of the nobility. Their father and Desmond just go “it’ll be fine.” because they’re actual deviants (by 17th~18th century standard anyway)

His father and sister are the main reason why Desmond stayed in France. He could have gone to America as soon as he turned 13 (maybe even 10 if he was really determined enough) but he didn’t because he didn’t want to leave his little sister and someone has to look after his father without judgmental eyes.

Desmond does, however, send money and supplies to Davenport manor, disguising it as an investment or some sort although the American Brotherhood knows he’s an ally of some kind. He is also Ratonhnhaké:ton’s pen pal.

Arno and Desmond’s Relationship

Arno would see Desmond as a beautiful mysterious man tempting him at every chance. The way he moves, the way he speaks, the way he looks at Arno. It makes Arno feel a lot of things that he had never felt before and he is torn between remaining loyal to Élise who is always running (not from him, Arno doesn’t think that, she’s not… is she?) or finally taking a bite of the fruit the devil keeps dangling in front of him.

Desmond… knows Arno has a crush on him but he actually doesn’t act all that different. He might have a soft spot for Arno because he’s an Assassin who clearly needs help and maybe he pays more attention to Arno than the men and women throwing themselves at the bored prince but, let’s be clear, Desmond isn’t trying to lead him on. He’s flirting with him but it’s more on the side of “I’ve been a bartender far too long that flirting on an easy mark is more of an unconscious choice because I might get more tips” than actual serious flirting.

Unfortunately, Desmond doesn’t know that Arno is having a very confusing bisexual awakening that’s only amped up by all the usual 17th~18th century repression thing soooo, yeah, Desmond doesn’t know he’s affecting the young man more than he was thinking.

Marquis de Sade definitely wants Arno to join in. With him or with his son, he doesn’t care, Arno is just a wonderful specimen to be left in that uptight boring world. He also knows Arno’s ‘crush’ on his son, he keeps pushing him to his son though because that would be fun.

In other words, Desmond is unintentionally creating a love triangle that he honestly have no time or desire to be part of. He doesn’t know about Élise! He honestly thought Arno is single (“He has that pathetic wet virgin kitty vibe to him.” “I don’t think he’s a virgin, my boy.” “Oh, definitely not. Maybe it’ll be better to say he’s ‘pure’?” “Ah. Well then, have fun corrupting him.” “We’ll see, father.”)

Once Desmond learns of Élise, he’ll back off (and even feel a bit icky because he was unintentionally becoming the ‘hoe who the asshole cheated on’) and it’s… it’s gonna get messy, especially considering Desmond’s inclusion in Arno’s life makes Arno wonder if he and Élise are even still together or if… his love for Élise was true and not something twisted by his lonely childhood and his ‘abandonment’ issues.

Oh shit. I just turned this smutty fic idea to angst, abort, abort, abort.

If Desmond and Arno will have a relationship, it’ll be after Dead Kings DLC.

You know what would be funny?

If Arno realized he wasn’t just sexually attracted to Desmond but was in love with him during the ending parts of Dead Kings when he finally accepts Élise’s death.

Then when he returned to Paris?

He learned that Desmond had taken his sister to America and now…

Arno thinks Desmond is the one who got away.

(“Arno, I can’t believe I’m saying this… you can follow him to America. He’s literally living with the American Brotherhood. We know where he is.” “I have missed my chance. There is nothing left for me to do.” “Oh my god. Someone just chokes this drama queen unconscious so we can ship his ass to America!”)

[tournevole]

Marie-Claude Marquis

[supersonicart]

Untamed Splendor 2023.

"Untamed Splendor" is a small group exhibition currently on view at Antler Gallery in Portland, Oregon and features work by Lou Benesch, Josh Keyes, Marie-Claude Marquis and Katrina Haffner.

THE SUPERSONIC ART SHOP | FOLLOW ON INSTAGRAM

[visual-poetry]

by marie-claude marquis

[ilistentogirlinred]

ok so de sade yeah? domi and louis. they share a last name with the irl guy who sadism is named after (he fucking sucks btw) and i think that has to serve some plot relevance.

marquis de sade had a son named louis marie de sade. this feels important as there is a character called louis de sade in vnc. he had two other kids (Donatien Claude Armand de Sade and Madeleine Laure de Sade) btw and in vnc there are three de sade siblings.

anyway i feel like this has to have some kind of relevance to the plot.

[churchofattraction]

Marie-Claude Marquis

[umass-digiturgy]

Portraits of each character in the play. Each quote is either from the pictured person, or Emilie Du Chatelet.

[eahostudiogallery]

Stocking Stuffers

AKA odds and ends...

Natalie Häusler - LA notebook, HONEY

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Colorized photo of Vincent van Gogh

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Francis DiFronzo - Roadside Prophecy

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Oliver Coran

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Marie-Claude Marquis

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Andoni Beristain - “The Cure” from the Mediterranean Diet series

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Switzerland has issued a stamp that celebrates concrete, and it has been printed using cement pigments.

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Virgil Abloh Handbagfor YSL

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Wednesday: the last show, pt.1

& Sunday: the last show, pt. 2