#Marie von Kleist

[majestativa]

... to find an abyss deep enough to leap into with her.

— HEINRICH VON KLEIST ⚜️ from a letter to Marie von Kleist, written c. November 19, 1811, on Henriette Vogel, featured in An Abyss Deep Enough: Letters of Heinrich Von Kleist, transl by Philip B. Miller, (1982)

[robtopus]

Having lots of fun with the current WIP, a story about three friends who form a loose polycule; one of them is working on a study about the suicide of Heinrich von Kleist and the narrator is staging a play by Kleist. They have to deal with various forms of grief as people close to them have committed suicide, which strains their relationship as well, and the narrator also falls in love with a woman named Mary (named for the woman who committed suicide with Kronprinz Rudolf of Habsburg, do you sense a theme?). It's influenced by Thomas Bernhard, my favorite author and not as heavily influenced by Gothic fiction as I'd probably like at least not in the finished project (but I have a Gothic novel on the back burner).

It's presented as Notes written by the unnamed narrator and I am literally keeping a notebook that I handwrite into which is the closest to role-playing as my characters I've ever gotten.

[caremobile]

1/7/2024

.

C.

I got your message -- in most cases I've found that I'd been paying palimony through my company and my ex's don't even have custody and frankly neither do I.

News that you and Mary Ella have decided to live in the Tuscany house at Johns Hopkins is welcoming news --they're givingg me a porche apprantly and the Provost is the driver -due3in part he needs my protection as an SRR Ghurk.

And so do you and Mary Ella. La vida en la grande fin exito luchar par qual quier vivir en paz de la mente silencio --en la issue

no mi obtene mi respeto de mi padre en mi joven escrito con peqeno pocketas --estudiar computense mi amor un torturado missionare

quien madre (step) morir

con ella son joven

Not much was expected of a poor hungry writer studying computers who was engaged to a raped teacher nun!.

I was 5'9 175-180 Lb and in secret-- my grandmother wouldnt let us in the house after our date to the movies nor did she leave a will.

I have a secret -- That was all I needed that was every motivation that that i needed to fight for for my honour and the one I'd marry.C- the question brought to light --what possesses me to fight much larger foes --I am only at this point 6'3.25 177 Lb

Its because she was a nun she was first true love and she was molested and raped and had herpes and chlymedia --and it made a man of me.

As for you -I have three children with you --Justine/ Durrell and Peter

Salazar. Francisco Salazar the Portugues Dictator was my grandfathers best friend who was his Auctioneer/Antiquing partner he gave my grandfather a gift --an 17 th Century French Imperial Vanity Table which was a family heirloom until my grandfather the Ambassador Emilio Dimayuga Bejasa died in 2014.

After my grandmother died of a stroke in Jaffa Israel at the tender age of 42 having had to raise 13 children one died not long after he was born his name was Pee Wee --my grandfather had a new post in Bonne and he met Baroness Monique Von Kleist who made a wonderful Duck Ala Orange.

And they'd go t Operas and Orchestras together she was the sister of Eric Von Kleist the ring leader of Operation Valkery the attempted Assassination of Hitler. Monique was married to a CIA USAF intelligence officer who died in a car crash before she met the Ambassador.

They moved to New York for his new post in the UN where he was also stationed with the World Heallth Organization they lived at 73rd and York in a White Apartment Complex.

My mother and her sister Gina worked at Bank of New York which ws their first job out of Boarding School from Fribourg Switzerland and studied for a time at Hunter.

[thebookcoverollector]

The Best Book Covers of 2020 for The New York Times

Red Pill by Hari Kunzru - Designed by John Gall

You Will Never Be Forgotten by Mary South - Designed by Alex Merto - Embroidery by Alex Stikeleather

Love by Roddy Doyle - Designed by Sarahmay Wilkinson

The Art of War by Sun Tzu - Designed by Jaya Miceli

Indelicacy by Amina Cain - Designed by June Park

Pew by Catherine Lacey - Designed by Thomas Colligan

Michael Kohlhaus by Heinrich von Kleist - Designed by Paul Sahre

True Love by Sarah Gerard - Designed by Joanne O’Neill

Ain’t I a Woman? by Sojourner Truth - Designed by David Pearson

Cool for America by Andrew Martin - Designed by Rodrigo Corral - Photo by Jason Fulford

[ulrichgebert]

Coalhouse Walker regt sich ein bisschen zu sehr über den unrechtmäßig erhobenen Wegzoll auf. Wären alle Klassikerverfilmungen meiner Schulzeit so aufregend und glamourös gewesen wie Milos Formans Ragtime, hätte ich mich vielleicht auch mehr für Kleist interessiert.

[bluebeardsbride-archive]

Hannibal: A Reading List

will be continuously updated as I find (or realized I’ve forgotten) more readings; enjoy!

Novels

The Blind Assassin by Margaret Atwood

The Eye of the Beholder by Marc Behm

The Wendigo by Algernon Blackwood

Wuthering Heights by Emily Brontë

Jane Eyre by Charlotte Brontë

Ма��тер и Маргарита (The Master and the Margarita) by Mikhail Buglakov

Carmilla by Sheridan le Fanu

Things as They Are; or, The Adventures of Caleb Williams by William Godwin

This Sweet Sickness by Patricia Highsmith

Strangers on a Train by Patricia Highsmith

Là-bas (The Damned) by Joris-Karl Huysmans

À rebours (Against Nature) by Joris-Karl Huysmans

Der Tod in Venedig (Death in Venice) by Thomas Mann

The Marquis de Sade by Rachilde

Frankenstein: or the Modern Prometheus by Mary Shelley

Dracula by Bram Stoker

Das Parfum (Perfume: The Story of a Murderer) by Patrick Süskind

Deathless by Catherynne M. Valente

Fingersmith by Sarah Waters

The Picture of Dorian Gray by Oscar Wilde

Gut Symmetries by Jeanette Winterson

Мёртвые души (Dead Souls) by Nikolai Gogol

채식주의자 (The Vegetarian) by Han Kang

Short Stories

The Bloody Chamber and Other Stories by Angela Carter (specifically ‘The Bloody Chamber’ ‘The Erl-King’ and ‘The Lady of the House of Love’)

Gli amori difficili (Difficult Loves) by Italo Calvino

Under the Jaguar Sun by Italo Calvino

‘Вий’ (‘Viy’) by Nikolai Gogol

‘Delicate Edible Birds’ by Lauren Groff

‘The Bloody Countess’ by Alejandra Pizarnik

‘Apollo in Picardi’ by Walter Pater

Epics and Classics

The Bible (specifically The Song of Solomon, The Book of Revelation, and The Book of Genesis)

The Oresteia by Aeschylus

Divina Commedia (The Divine Comedy) by Dante Aligheri

La Vita Nuova (The New Love) by Dante Aligheri

The Decameron by Giovanni Boccaccio

Metamorphoses by Ovid

The Symposium by Plato

Poetry

Power Politics by Margaret Atwood

Les Fleurs du Mal (The Flowers of Evil) by Charles Baudelaire

The Complete Poems of William Blake

The Beauty of the Husband by Anne Carson

Glass, Irony, and God by Anne Carson

Mouth of Hell by María Negroni

In The Pines by Alice Notley

Nonfiction

The Sexual Politics of Meat by Carol J. Adams

L'Erotisme (Eroticism: Death and Sexuality) by Georges Bataille

La littérature et le Mal (Literature and Evil) by Georges Bataille

Les larmes d'Éros (The Tears of Eros) by Georges Bataille

Holy Feast and Holy Fast by Caroline Walker Bynum

Eros the Bittersweet by Anne Carson

‘L’amour du loup’ (‘The Love of the Wolf’) by Hélène Cixous

‘Das Unheimlich’ by Sigmund Freud

Identification Papers: Readings on Psychoanalysis, Sexuality, and Culture by Diana Fuss

La violence et le sacré (Violence and the Sacred) by René Girard

Dark Museum by María Negroni

The Art of Cruelty by Maggie Nelson

The Red Parts: Autobiography of a Trial by Maggie Nelson

‘On Love and Death’ by Patrick Süskind

The Routledge Companion to Literature and Food

Theatre

Faust by Johann Wolfgang von Goethe

Penthesilea by Heinrich von Kleist

The Tragical History of the Life and Death of Doctor Faustus by Christopher Marlowe

Othello by William Shakespeare

Richard III by William Shakespeare

Salomé by Oscar Wilde

[diemedime1980-blog]

In 2002 another scandal rocked the figure skating community during the Winter Olympic Games in Salt Lake City. During the pairs skating event, the Russian pairs team Yelena Berezhnaya and Anton Sikharulidze narrowly beat the Canadian pair Jamie Sale and David Pelletier. Such controversy erupted over the perceived error that an investigation eventually revealed that the French figure skating judge Marie Reine Le Gougne had been pressured into a vote swapping deal with the Russians to vote in favor of the Russian pair. Should I try one more time to reach out and educate or is it a lost cause?? Help!!o feel like I should let her know paparazzi is an mlm bc it's worked in the past. I'm also going to offer to help her with a resume and try to find her a clerical part time gig within my network. I also think the library is hiring so that's worth a shot??. I understand your unhappiness with the overly performative "wokeness", obsessive focus, brash "canceling", and polarizing 포항출장마사지 threads. Some of that is just the internet/Reddit, but let not forget where all this increasing awareness stems from the good and the bad. For many POC, racism is something we face everyday, whether blatant or in the form of a more subtle microaggression. You are her mother, not the other way around. She made the decision to have you and with that comes caring for, raising and supporting you, not to have someone who can support her. She shouldn't expect you to take care of her 포항출장마사지 and you shouldn't feel guilty for going off on your own now that you're an adult. Then take the defective part in for a side by side comparison with the replacement part to double check the match before you purchase it. As a last resort, you can write to the manufacturer. In most cases, they will refer you to an area appliance parts dealer.. 2 points submitted 1 month agoI have tried to do so, it is possible to drop the box in the back but it not feasible, from my point of view, especially as a starter ship. The Aurora (and 300 series) got the climb ladder fix awhile ago but the Mustang never did. If they used a fix that utilizes the Beta spin chair to set it behind, that would be good OR a simple.16 SCU (or whatever the delivery box capacity is) lift would be fine also. Scientists even built jars to hold this fluid and study its effects. The Dutch instrument makers Ewald von Kleist and Pieter van Musschenbroek created what is now known as a Leyden jar, a glass jar containing water and a nail that could store an electrical charge. The first time Musschenbroek used the jar, he received a massive shock.. Many children happen to create stuffed animals covered in mud in their backyards all the time. The difference between mud daubed toys in a San Francisco museum and dirty stuffed animals in your backyard comes down, essentially, to intent and effort. The creator of the San Francisco exhibit intended the work as an artistic expression (we hope). Took me about 6 months to work up the courage to go in and tell them I had a similar name to their business and to please not sue me, LOL. The manager was like YOU! You are the reason I fight with customers about not having cement pots in stock, hahaha. She was very nice about it.. Useless. There was also a big flashy TV constantly playing science stuff, I think. Like yeah, science is very important, but all of this was so shallow and ridiculous.

[x00151x]

Efemérides literarias: 18 de octubre

Efemérides literarias: 18 de octubre

Acontecimientos 1775: en los Estados Unidos, la poetisa afroestadounidense Phillis Wheatley es liberada de su estado de esclavitud.1851: en los Estados Unidos, Herman Melville pública por primera vez Moby-Dick. Nacimientos 1587: Lady Mary Wroth, poeta inglés (f. 1651).1701: Charles le Beau, historiador y autor francés (f. 1778).1777: Heinrich von Kleist, autor y poeta alemán (f.…

[der-eilige-kleist]

Letzthin saß ich auf einer Bank im Jard, einer öffentlichen, aber wenig besuchten Promenade, und es fing schon an finster zu werden, als mich jem(a)nd den ich nicht kannte mit einer Stimme anredete, als ob sie P.. aus der Brust genommen gewesen wäre. Ich kann Ihnen die Wehmuth nicht beschreiben, die mich in disem Augenblik ergriff. Und sein Gespräch war auch ganz so tief und innig, wie ich es nur, einzig auf der Welt, kennen gelernt habe. Es war mir als ob er bei mir säße wie in jenem Sommer vor 3 Jahren wo wir in jeder Unterredung immer wieder auf den Tod, als das ewige Refrain des Lebens zurük kamen.

Heinrich von Kleist an Marie von Kleist, Châlos-sur-Marne, Juni 1807

(den Sommer 1804 hat Kleist mit Pfuel in Berlin verbracht)

[majestativa]

Her grave is more precious to me than the beds of all the empresses of this world.

— HEINRICH VON KLEIST ⚜️ from a letter to Marie von Kleist, written c. November 21, 1811, on Henriette Vogel, featured in An Abyss Deep Enough: Letters of Heinrich Von Kleist, transl by Philip B. Miller, (1982)

[semizotukultur]

STEFAN ZWEIG

Ülkemizde Satranç adlı kısa öyküsüyle ve psikolojik tahlillerle desteklediği muhteşem biyografi eserleriyle tanınan Avusturyalı roman, tiyatro, biyografi yazarı ve gazeteci Stefan Zweig, 28 Kasım 1881 yılında Viyana’da doğdu. Zweig, edebiyatla küçük yaşlarda tanıştı ve bu alanda son derece üst düzey eğitimler aldı. İngilizce, Fransızca, İtalyanca, Latince ve Yunanca öğrenen yazar aynı zamanda felsefe eğitimi de aldı. Başlangıçta şiirle ilgilenen yazar, büyük ölçüde Prag doğumlu büyük Alman şair Rainer Maria Rilke’den etkilenmişti. Charles Baudelaire’nin ve Verlaine’nin şiir çevirilerini Almancaya kazandıran Zweig, daha sonra Güney Asya’ya ve Amerika kıtasındaki birçok ülkeyi gezdi. I.Dünya Savaşı’nda gönüllü olarak arşiv memurluğu yaptı ve savaşın ardından ülkesine dönüp Salzburg’a yerleşti. Burada ilk eşi Frederike Von Winternit ile evlendi ve uzun bir süre burada yaşadı. Zweig, burada edebiyat alanındaki en üretken dönemini geçirdi. Birçok ünlü isimle tanıştı. Bu isimler arasında Thomas Mann, James Joyce gibi büyük realist ustaların yanında bilim-kurgunun babalarından biri sayılan Zaman Makinesi kitabıyla ünlü H.G Wells ve Also Sprach Zarathustra adlı muhteşem bestesiyle tanınan Richard Strauss da vardı. Stefan Zweig kitapları birçok türde kendilerinden söz ettirmektedir. Zweig; öykü, roman, ve tiyatro oyunu dışında biyografi ve deneme kitapları da yazdı. Stefan Zweig eserleri arasında ayrıcalıklı bir konumda olan biyografilerde yazar; edebiyat, felsefe ve siyaset alanında öne çıkan isimlerin hayatını kaleme aldı. Bu biyografiler arasında “Üç Büyük Usta: Balzac, Dickens, Dostoyevski”; “Kendi İçindeki Şeytanla Savaşanlar: Hölderlin, Kleist, Nietzsche”; Marie Antoinette, Magellan, Amerigo, Fouche, Erasmus, Stendahl eserleri dikkat çekmektedir. Stefan Zweig’ın öykü ve roman türünde en bilinen eserleri Satranç, Acımak (yeni baskıyla birlikte “Sabırsız Yürek” ismini almıştır), Olağanüstü Bir Gece adlı kitaplarıdır. Özellikle Satranç, artık yazarın ismiyle bütünleşmiş bir eser olarak dünya çapında büyük ilgiyle okunmuştur. Olağanüstü Bir Gece 1922 yılında yayımlandı ve burjuva olarak dertsiz bir yaşam sürdüren bir adamın giderek duyarsızlaşmasını konu edindi. Acımak (1939) veya güncel adıyla Sabırsız Yürek, merhamet duygusunun insanlara ne denli felaketler getirebileceğini anlatır. 1942 yılında yayımlanan Satranç özet olarak Dr. B adında bir adamın hikayenin anlatıcısına oyunu satranç tahtası olmadan kendi kafasında oynayarak öğrenmesiyle ilgili olay örgüsüyle okuyucuları etkilerken II. Dünya Savaşı yıllarındaki Gestapo zulmünü de okuyucuya yansıtmaktan geri kalmaz. Yazarın en sevilen diğer kitapları arasında Amok Koşucusu, Bir Kadının Yaşamından 24 Saat, Bilinmeyen Bir Kadının Mektubu bulunmaktadır. Stephen Zweig, II. Dünya Savaşı yıllarında Avusturya’nın İlhakı (Anschluss) neticesiyle Yahudi asıllı olması nedeniyle ülkesinden sürüldü. Sürgündeki ilk hayatına İngiltere’deyken başlayan yazar daha sonra Brezilya’ya gitti ve 2. Evliliğini yaptığı Lotte Altman ile Rio de Janeiro’ya yerleşti. Yazar, Hitler’in getirdiği faşist dünya düzeninin değişmeyeceğini sanarak büyük bir kedere ve umutsuzluğa kapıldı ve eşiyle birlikte intihar etti.

eserleri

Olaganüstü Bir Gece

Satranç

Mecburiyet

Bir Çöküşün Öyküsü

Bir Bilinmeyen Kadının Öyküsü

Amok Koşucusu

Ay Işığı Sokağı

Korku

Lyan’da Düğün

Bir Kadının Yaşamından Yirmi Dört Saat

Geçmişe Yolculuk

Rahel Tanrıyla Hesaplaşıyor

Kızıl 

Yakıcı Sır

Mürebbiye

Üç Büyük Usta

Gömülü Şamdan

Karmaşık Duygular

Bir Kalbin Çöküşü

Amerigo

Olaganüstü Bir Gece

Dünün Dünyası

O Muydu?

Kendileriyle Savaşanlar

Bilinmeyen Bir Kadının Mektubu

[19thcentlit]

1800-1819

1800 Maria Edgeworth – Castle Rackrent

1801 Novalis - Heinrich von Ofterdingen

1802 François-René de Chateaubriand - René

1803 Jean Paul – Titan

1804 Amelia Opie – Adeline Mowbray

1805 Count Jan Potocki - The Manuscript Found in Saragossa

1806 Sydney Owenson, Lady Morgan – The Wild Irish Girl

1807 Charles & Mary Lamb – Tales from Shakespeare

1808 Heinrich von Kleist – The Marquise of O

1809 Johann Wolfgang von Goethe – Elective Affinities

1810 Percy Bysshe Shelley – Zastrozzi

1811 Jane Austen – Sense and Sensibility

1812 Jacob & Wilhelm Grimm - Children's and Household Tales

1813 Adelbert von Chamisso – Peter Schlemihl

1814 Frances Burney – The Wanderer

1815 ETA Hoffmann – The Devil’s Elixirs

1816 Benjamin Constant – Adolphe

1817 Walter Scott – Rob Roy

1818 Mary Shelley – Frankenstein

1819 Washington Irving - The Sketch Book of Geoffrey Crayon, Gent

Jane Austen (1775-1817)

[aidastraum]

Ich schwöre Dir, es ist mir ganz unmöglich länger zu leben; meine Seele ist so wund, daß mir, ich möchte fast sagen, wenn ich die Nase aus dem Fenster stecke, das Tageslicht wehe tut, das mir darauf schimmert.

Heinrich von Kleist, Brief an Marie von Kleist am 10. November 1811

[polysprachig]

How are your autodidact studies going? :)

Pretty well! Since I’ve gone abroad I’ve been focusing on some interesting biographies I brought with me (Mary Stuart and Heinrich von Kleist), but recently I’ve also discovered some excellent transliterations of Babylonian and Assyrian literature with full translations so I can continue my Mesopotamian studies online (:

[hollymcghee]

“But what is your imagination for if not to people your solitude with your distant friends?” —Kleist, writing to Marie von Kleist

[ecoreader]

Perception Function Development (and Disney Character Arcs) (and also one reason why Frasier is fantastic)

Let’s talk about Disney. Or at least, let’s talk about Disney in a moment. First, let’s talk about post-modern German literature.

A while ago, I read Christa Wolf’s No Place on Earth. Taking place in the early 19th century, it describes the fictional meeting of two Romantic writers: Karoline von Gunderrode and Heinrich von Kleist. There’s very little to it, honestly: the two main characters circle around each other at a fairly boring party, have a few minutes of intense conversation, then go their separate ways.

It really stuck with me, as it is easily one of the best portrayals of Ni that I have ever read. Gunderrode is portrayed as an INFJ (something that can be gleaned from her poetry as well) and the anguish she describes is specific and abstract in ways that are extremely familiar to anyone with high Ni. Her understanding of herself, the world, and Keist (a Fi-dom) is accurate without being omniscient, and it’s woven into her own abstract understanding of her fate and her identity. This, specifically the idea of only seeing the world as it is reflected in and through the self, is the essence of Introverted Perception.

In general I feel that there’s often a bit of a bungling going on when it comes to representing dominant Introverted Perceivers character arcs (or high-users of Pi, for that matter). Introverted perception translates to action fairly badly, which is why we get such terribly overblown clichés as the omnipotent, inflexible Ni-user and the by-the-book high-Si user. When we do get portrayals of Si and Ni, it tends to be from the perspective of high-Pe users, mainly through the development of their lower functions (i.e. Life is grand and great and I’m trapped here there must be more to it than this! There may or may not be a Disney song or two dedicated to this idea).

Disney frequently has its energetic Pe-doms running around looking for a meaning in life, or  a home, or the sort of conceptual resting spot that Pi loves to perch on. Pe generally gets a fairly obvious arc: finding a cause to fight for, a home, a family, discovering some fundamental truth about themselves that gives their world meaning.

Obviously there’s some understanding of  what Pi does here. But why, then, are Pi character arcs so off-center? Frozen is a good example of a Si-dom character arc, but Elsa spends the better part of the story in the mountains reveling in the freedoms of being alone. Moana, an INFJ, has a greater understanding of the world around her but her arc revolves around her using her dominant function: there’s no Se development. On the other hand, The Princess and the Frog’s Tiana (as a high-Pi user) spends the movie learning what’s important in life, a spin on the usual Pe arc.

This is tragic. We need to see better representations of Pi in media. And not just more wonderfully polished and absurd abstract conversations (though I’m sure we all miss Hannibal), but other visions of Ni.

Specifically, we need more Frasier: a show dedicated to the ramblings of high-Ni but consistently exposing the absurdity of over-conceptualizing the outside world. It did a great job of making high-Pi users human and relatable without diminishing their use of their higher functions. In particular, Niles Crane’s character arc is an excellent example of low-Se development over time, explored through both his subjugation to Maris (Ni cowed by a repressed and neglected inferior Se) and his pursuit of Daphne (acknowledgement and embrace of healthy Se development). Not only are there a couple episodes where Niles clearly falls into the grip, but David Hyde Pierce’s wonderful portrayal also underlined the bizarre and awkward physicality that not-infrequently emerges in high-Ni users.

So, yeah. More of that.