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tyforthevnm · 2 years ago

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Interview With Gerard Way Taken From Black Velvet 44 - Feb 2005

Conquering Planet Earth

(Interview With Gerard Way Taken From Black Velvet 44 - Feb 2005)

By Shari Black Velvet

Link to interview: x

There are bands… and then there are bands. And then there's a band called MY CHEMICAL ROMANCE who are almost unlike any other band ever. They're different, which is quite rare these days. They stand out. They do things their way. And they AIM to make a difference. A difference for them and a difference for you. We're at the Birmingham Academy and it's really early. Well, it's midday. Which is early for an interview anyway. It turns out the band haven't yet arrived. "Maybe go away and come back in a couple of hours time," the girl at the box office says. Hmm. I don't think so. Luckily, two minutes later Gerard Way, Mikey Way, Ray Toro, Frank Iero and Bob Bryar AKA My Chemical Romance arrive. Gerard Way, the band's captivating frontman and I find a place to sit on the sofa in the balcony area. I have a lot that I want to ask. We start by discussing that difference they want to make…

Black Velvet: You've talked about being inspired to be in a band by Geoff Rickly of Thursday. You once said 'it seems like he's actually making a difference and he's doing something'. Frank has also said: 'our major goal was to make a difference'. What exactly do you want to make a difference in? Gerard Way: When you want to play music or play live; we saw it as playing live, we didn't realise you could help people by actually making music too. Well, I didn't realise. When you play live it immediately responds in people. What you're singing about connects with them and it helps them like it's helping you. We're the kind of band that it was very much like group therapy live. And then I realised that when we made records it helped people too. We didn't always have to be playing shows to help people. That's the kind of difference; that kind of immediate response from people. You're helping them in their day to day life get through some really tough shit.

BV: Do you think not enough bands do that? GW: I don't know, I think a lot of bands do. I think a lot of bands aren't interested and are interested in other things be it chicks, having fun, rocking out or whatever it is, money and shit like that. But I think there's a good number of bands that actually want to do some good.

BV: The band has great charisma and stage presence. Even on the Mariah Carey Christmas cover, 'All I Want For Christmas Is You' the band's personality and charisma comes through. Where does that charisma come from? Do you think you have the same aura and personality offstage and away from music or does it stem back to wanting to make a difference? GW: That's what it is. It stems back to really wanting to make a difference. There's a certain kind of change that occurs, with everyone in the band, from about 20 minutes before we go on, while we start getting dressed, putting crap on our faces. There's something that happens and you get in the game, and it's this kind of reckless level of good-natured arrogance, just like a real passion, a desire and that kind of all just comes out live. I'm not like that at all. I'm not really a show-off in person. I'm not really over-the-top like that. I think we all have a really crazy black sense of humour. But on stage it really comes out, cranked up to 20. That's really what it is. We're all how we are on stage but it's cranked up so much.

BV: Why did you choose the Mariah Carey cover? GW: One of our first tours in the US in a band in the winter, we really weren't going to be home for holidays. We weren't depressed but it was the first kind of wake-up call as to what touring was like. We were freezing cold in the van and the Mariah Carey song came on the radio and this was back when we used to carry knives and weapons and stuff 'cause you needed to. And there was something about that song because it would get me so excited, but it was really violently excited, and I just remember swinging a knife around and freaking out because the song made me so God damn happy. So instead of covering a classic song or instead of writing a new song, we decided to pick this ridiculous song and see what we could make of it.

BV: You've said about being onstage; 'it erases everything I hate about myself'. What do you hate about yourself? GW: That's kind of hard to answer. Various stuff, everyone hates about themselves. I think what's more important is coming to grips with what you hate about yourself as opposed to what you hate about yourself and accepting it and being willing to change that stuff, or if you can't change it just be willing to accept it. The fact that I'm an alcoholic, I hate that about myself. The fact that I like drugs, I hate about myself. Those are the main things I hate about myself.

BV: Are you still off the alcohol? GW: Yeah, I'm off everything still, but it's something that had taken me over for so long. It's a drag that the desire is still there. Well, it's always going to be - if you're an alcoholic that doesn't change, so…

BV: On a regular concert day, what emotions do you most often go through? What's the rest of the day like to you? GW: I'm always mentally preparing. I think the other guys are too. If we have a day off we'll act very differently to if it's a show day. Even if we have 15 hours before we're playing. Like today, we have a lot of time, something like nine hours now. I'm always trying to keep my head in that space, or at least trying to prepare myself for what's about to happen at night. You can't do certain things, because certain things will take your head out of place. I won't go an amusement park. Let's say there's an amusement park a block away… I won't go there. I'll avoid stuff like that. It'll fuck with my head all day. I can't do anything that will really boost my serotonin level that much, or make me too happy or too upset. I avoid movies. I'll occasionally watch movies on the TV but we won't go to a theatre, we won't do stuff like that. We just generally walk around and be bored.

BV: What would happen if you did go to see a movie? GW: I think the movie would affect my brain too much. I think walking around and always starting to think about the show, you constantly build this bored-ass nervous energy and it's boredom to the point that you're ready to tear something off the wall and I think we all need that to do what we do live.

BV: How do you feel when you get off stage? Does it feel like a release? GW: Yeah. It feels like you've just sweat and yelled every good and bad thing out of your body. You really feel like a blank slate offstage. Unless something disastrously goes wrong or something breaks, like that night when the water hit the thing (when the band played Birmingham Academy 2 in September someone threw water over the PA), then you're kind of bummed on that so you focus on that and that's a drag. You sit there and go 'oh God, I can't believe that happened' and usually you'll joke about it with the guys. That sucks 'cause it's out of your control and you're not used to something spiking your momentum. We weren't too bummed; we actually had fun that night. We could've taken that a lot worse I think than we did, but instead we were like 'let's have fun. Whatever, we'll fix this. If we don't fix this, we'll still make it through the set'.

BV: Frank said 'when listening through this record we want you to go through different emotions like a ride'. What sort of emotions? Do you want listeners to experience sad emotions when listening to the album? GW: Yes. 'Cause there are a lot of emotions, there's happiness, sadness, anger…

BV: Wouldn't you rather them just feel happiness? GW: No, 'cause they can feel happiness from a lot of different records I think. I think with our records you can feel everything. Maybe not everything, but… you can feel a lot of things. The most present feelings on the record are sadness and hope. I think there's a lot of hope on the record so it doesn't matter to us that there's so much sadness or depression or violence or anger, as there's so many other things on there.

BV: And you like getting a range of emotions from someone else's music yourself? GW: Yeah.

BV: Name an album by another band that has allowed you to experience a wide range of emotions. GW: Probably the 'Murder Ballads' by Nick Cave. Because that's got all kinds of crazy shit. It's got really sad songs. It's got songs like 'Stagger Lee' on it which are just brutal. It's got really ironic ones. I don't think I felt happy at any one point of that album. No, definitely at the end, 'Death Is Not The End' with all his friends singing with him. That song makes me happy. But that's about the only one that makes me happy on the record.

BV: Kyle Bishop of Black Maria once said 'to me, a song is never finished, it always takes a new direction every time it is performed'. Would you agree and which of your songs would you say has grown and taken new directions since it was originally recorded? GW: That's interesting that he said that. I would agree that the songs take on new directions for sure. I'll tell you which ones I feel. You never know how the song's going to be until you play it live. Sometimes it takes on a whole new life and you're just 'woah, that isn't what we thought it was going to be'. It's mostly good. I think they're finished. I see what he's saying so I do agree with his point. A song like 'Prison' is really super rowdy live and that's taking a kind of trashy, cabaret live, it's more punk than it is on the record. 'It's Not Okay' has gone from being this cry for help set to pop music to being this total freak-out, all these kids' bodies flying over the barricade and losing their shit. It's been really cool.

BV: Frank's been in bands since the age of 11. You only a few years ago decided to be in a band. How has the difference amount of time in bands worked? Has Frank got all the experience from being in bands previously while your outlook is maybe fresher? GW: He does, he does. But the beauty of it is that everybody in this band was all part of the same musical community from a young age, so while we weren't in bands he was on the other side being in a band. We were always supporting by going to the shows, meeting the bands, being part of the community that way. He was always in the bands. So was Ray from probably about the age of 16 or even earlier. He was also in bands. It's interesting because he brings in those perspectives. I bring in an interesting perspective as being an outsider in a way, as someone who hasn't been in bands. Sometimes there's a fresher way of looking at things, while a lot of times he has really good insight too. Even stuff he learned at 11 years old. 'I've seen this shit happen in bands'. He's seen shit go down in bands, emotionally, how a band's structure works and all that.

BV: What's Bob brought to the band since his addition? GW: Bob is an extremely unique and special individual. Bob's kind of a constant. Bob has your back. We all have each other's backs but Bob's a really strong person too. You know getting up that you can always count on him. You know that no matter what happens, he's going to make it work. I've seen the kid play sets with half a drum set. I've seen him play sets on other people's kits. I've seen him play on rented, broken kits. I've seen Frankie take out most of his cymbals and bass drum on national TV by accident and he's managed to finish the song. There's nothing I'm ever worried about with him. He makes us all feel very comfortable. There's a level of comfort that comes with him. There's a kind of love we have for him, it's just very exciting to turn around… It's gotten to the point where we look at him and it doesn't look weird to us anymore. It's Bob, he's in the band. He's been in the band but it's only been a few months, so that takes time, but it's gotten to the point now where we look around and we expect to see Bob. We're not surprised to see him. He's also someone that on an emotional level makes you feel so good and makes you laugh and it carries over live.

BV: 'Three Cheers For Sweet Revenge' was a part concept album in which you incorporated yourselves as you went along. If you were told right now to finish the story, or write the song that would serve as 'the end' what would the ending be like? GW: I just figured out the ending to the story yesterday. This is the total truth too. I was doing an interview and I didn't say it during the interview but I actually figured out the end of the story. It's weird because I never came up with an ending to this story. It's really bleak though, but it would have to end this way if it was a movie, right? So the guy has to bring the devil the souls of a thousand evil men to be united with the woman he loves. I'm sure a lot of people saw this coming but I never realised it. So obviously he kills 999 evil men and then he realises the last evil man he has to kill is himself. I thought of that and was like 'man, why didn't I think of that before?!' But at the moment I don't know what it'd be like as a song.

BV: Celebrity Big Brother recently graced UK TV screens. If you had to share a house with six celebrities, who would you choose and why? GW: I wanna mix it up. I don't want to pick obvious. What would be interesting? See, they all used really interesting people already though. I met Ron Jeremy in person. They have this kind of Big Brother in the US. Have you seen it? In the second series they had Ron Jeremy in it and I actually got to meet him and he was really cool in person. Probably Rip Taylor, Liza Minelli… let's see who else… This is tough… Ashlee Simpson and Lindsay Lohan, 'cause they probably wouldn't get along very well. Let's pick some actors… Edward Norton… because I'd need someone to hang out with in that house… he'd probably be the only one I could hang out with. That's five… I just need one more. I dunno, any MTV VJ or something like that. That'd probably be funny.

BV: How would you get on living in a house with six others? Are you easy to live with? GW: Yeah, I think I'm easy to live with. I think all the guys in the band are too. We never have any problems. We all have our moments of complainingness or bitchiness and stuff like that.

BV: Is there anything that might annoy you living with celebrities? GW: Oh yeah, I'm sure a lot. I'm sure that they're all used to being pampered and taken care of, none of them probably wash dishes, none of them probably clean the toilet, they probably leave scum in the shower, they probably have crazy fans trying to meet them all the time so there's no privacy, that kind of stuff.

BV: Richey Edwards of Manic Street Preachers has been missing for 10 years. Do you think someone could run away and go missing for ten years and still be alive? GW: Yeah. Me and Mikey love the Manic Street Preachers. I didn't know it was that long. That's crazy. I think he's missing. Once you develop a persona that carries over into getting any sort of fame or recognition, it's very easy to reverse the process, and it's very easy to change who you really look like. For me, very simply if I cut my hair it'd be very easy. And if you move somewhere where people really don't give a shit about music, which is actually a lot of places in the country and in the US too. A lot of places in the Midwest or the Northeast you could just vanish. You'd have to move away from everybody you know but you could do it.

BV: Some musicians think of music as salvation. You've said that the next album is more about 'damnation and salvation'. Can you comment more on that? GW: Sure. It's just all the feelings that we've gone through from the rise of the band and the introduction of sobriety to my life. It brings up a lot of subjects of damnation and salvation. It's not religious in terms of Jesus Christ or organised religion of the church, but it's more like the band is your salvation and the music is, and you start looking at it that way and the band takes on a whole new light. The songs feel obviously more mature, obviously more evolved, but they all feel more honest, more direct, more desperate, a little less poetic, but only from the standpoint of brutal honesty and from a need to really be direct with people.

BV: Prior to the UK tour you were on TRL. How was that? GW: It was really weird. It was really interesting. Kind of like a science experiment is the best way to describe it. They introduced us and brought us out. It was probably one of the scariest things ever because not only is it live television, but you are literally thrust into this TRL world. Forget everything you know about the normal world. They bring you out and there are all these kids screaming. There are these bright colours everywhere and Times Square is right out the window and you're like 'oh my God'. You look outside and there are hundreds of people, there's NYPD, there are signs, and screaming and cars whizzing by almost hitting all these people, and you're like 'oh man, this is not normal'. I think I said it on the air, I felt like we were from Mars. Frank had said he'd asked if they were sure they had the right band. And all I heard from people who watched it was that we just looked very mean… which we weren't trying to do on purpose, I think we were just a little overwhelmed. Yeah, it felt like we'd come from another planet and people were like 'welcome to planet earth!' and we were like 'wow'.

BV: Did you feel like you conquered it? GW: Definitely. We at least gave a performance that had never been given on TRL. It felt like it. It's a victory just to have a band like us on TRL I think. A lot of people could view it in a negative way, but I think those are people that like to view anything in a negative way. They could view it as 'oh, it's going to change for them now, there are little girls that like them, they're going to sell out' and all this stuff. If our band doesn't do that, doesn't go on TRL… not selling out - 'cause we wouldn't do that… if our band doesn't go on TRL, if a band like ours that comes from our community doesn't step up the plate and make people aware of them and our scene, you're just going to see the same shit on TV and the radio and it's going to be this endless cycle of garbage. So whether we sink or swim on commercial television, like TRL, that's neither here or there, the point is to be on there.

BV: It's almost like bringing salvation to the world! GW: That's kind of a big thing to say! In a way it feels like bringing a little more honesty to the world, to music at large. There are so many honest, passionate, sincere bands out there but you don't see them on TRL. There are some that you see on there, but not so many bands that come from such an underground place, that literally come from the basements and refuse to do things like showcase for major labels. There are a lot of things we would refuse to do, like pander ourselves in any way. For the first three months we wouldn't even say our band name live or give out stickers. When we finally had a website we felt a little apprehensive about it. So yeah, we decided it was important, that it was necessary in a way that we were on TRL.

BV: Some of your long-time fans on one of your fan site message boards were saying they didn't like you being on there and seem threatened and worried that all the trendy kids will start liking you. GW: Yeah, it's understandable. Our fans from the beginning have been going through that forever. What a lot of people don't realise is that they got into us because they felt alienated and they were the only people who were into us. And a lot of these kids, despite the fact that they may be 14 years old, female and at high school, it doesn't mean they're any less alienated. There's a lot of sexism, racism and homophobia that these kids all have to face at high school and that's something that we connect with. Just because them and their ten friends like the band and you just liked it alone doesn't make it any different. I understand, it makes sense that they feel threatened; I get it. It doesn't bum us out that bad. It's kinda par for the course.

BV: Do you have a message for fans who've been around right from the beginning - and also a message for any new fans. GW: Yeah. Definitely what I just said to the old-time fans. We were just as alienated as you which is why you got into the band and a lot of these kids that are new are just as alienated as us. There's nothing that's going to change about the five guys in the band. We may make videos that cost more money and we may really get to execute our vision, which is all we really use money for, to make a live show better or really execute something that we bought, 'cause we've always wanted bigger things in terms of production. That's the only thing that's going to really change. You're going to see more lights and cooler stuff on stage hopefully as the band gets more income to do that. For the new people, I really ask them to look into the band, but don't even go by what you read on message boards. The internet is a really evil place. Go by what you hear on the CD and what you see live. That's really all there is to it. And when you meet us in person, if we have the time, and it's a safe condition in which to talk to you, then we'll always try and make that time, and maybe you'll find out a little bit more about the band that way. But the best way to find out about the band and make assumptions is by listening to that CD because it's all right there. The old fans we have always loved and we're always going to love to the end, and we know they're the people that will be there to the end and we don't forget that kind of thing. But the thing is we're one of those unique bands where the newer fans that we attract will also be there at the end 'cause of what this band will do for them and what we do for ourselves, and what we try and do for society.

BV: On 'I Brought You My Bullets, You Brought Me Your Love' there's a song called 'This Is The Best Day Ever'. What's been the best day ever so far? GW: It's hard to say, we've had so many amazing things happen… I think the best day at least from my perspective was hearing that we got the Green Day tour. A lot of really great things happen to your band and you get so used to it and then when something like that happens you go 'wait a minute, a lot of that stuff didn't really matter as much as this'. To have recognition from a band that's done it their way for so long and cares so much about their music and their fans and their integrity, to be acknowledged by that kind of band is the biggest thing that could happen to a band. To be accepted by that band. It's kinda like being lead in, it's kinda like being made in the mafia. We haven't been made yet, but we've been given a chance and that's rad. A chance to prove ourselves by our heroes.

BV: What would be your best day ever in the future? G: Playing Times Square outside on New Years. That would probably be the best day ever. That would be nuts… especially if we had pyro. That'd be pretty cool.

Indeed. Black Velvet's always wanted to go to Times Square for New Years. If My Chemical Romance played we'd be there like a shot. Sounds like a plan. Visit www.mychemicalromance.com for more info.

#black velvet #bv44 #february 2005 #2005 #shari black velvet #gerard way #interview #rica.archive #mariah carey mention #homie was swinging knives to all i want for christmas #what a mood #revenge lore #revenge era

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sourb0i · 19 days ago

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Whumptober: Day 18

Mariah knelt in the dust long after Jane and her gang had left. The wind carried with it the smell of blood and charred meat. Apart from the crackle of flames, Alamoosa was completely silent. Smoke and dust billowed around her, obscuring the burned-out buildings and corpses strewn across the street like Sofia’s dolls.

Mariah stirred. Sofia was back at the ranch, safe and far from the danger. Now, she raised her head. On the distant horizon, another black cloud smeared across the sky. It was coming from the direction of the ranch.

The horse she leaped onto wasn’t Partner, but she didn’t have time to go looking. She dug her spurs into its side, heedless of the blood she drew. The horse reared into a flat out gallop. She pressed herself low to its neck, eyes fixed on the horizon. Maybe it wasn’t anything. Maybe one of her cousins had knocked over a lantern into a hay bale, and even now they were putting it out and teasing the culprit. Maybe Sofia was waiting at the gate, pulling anxiously on her braids. Mariah prayed harder than she’d prayed for anything in her life, but she knew it her heart it wouldn’t mean anything. She’d told Annie to say at the house while she went to investigate the plume of smoke rising from the distant town. But now Annie was gone, along with Jane and her posse, and there was only one reason she would have left the ranch to begin with.

As she drew up to the gate, Mariah slowed. She could hardly breathe for the smoke and her heart in her throat. In the distance, horses screamed wildly. The stench of burning horseflesh filled her nose. But those weren’t what drew her attention.

There was a body lying in the road by the gate. It was small; a child’s body. The body wore a frilly blue shirt and a pair of jeans, with one pant leg rolled higher than the other. Its feet were bare. It lay stretched out on its face, one arm trapped under its body.

Mariah dismounted and approached the body. Black braids were splayed wide on the other side of the head, sitting in a dark pool of blood. She dropped to her knees, and rolled the body over onto its back. Sofia’s blank eyes stared wide up at the sky. Between them was a jagged, dark, round hole.

The sound of grief started low in Mariah’s chest. There was no keeping it in. It built and built until it escaped her in a raw howl. Everyone was dead. Sofia was dead. The howl rose again, long and loud. There wasn’t anyone left to hear. Collapsing in on herself, Mariah’s chest hitched as the grief burst free. She clutched her sides and howled until nothing was left but a low keen. The wind tousled her hair in a poor facsimile of comfort.

At some point, she finally stood again. Her whole body felt numb, as though she was walking through some horrible dream.

The entire house was nothing more than a heap of ash and blackened walls. Even now, fire licked out of the topmost windows. As Mariah rode up, something inside collapsed with a loud crackle. She dismounted, unable to take her eyes from the house. To do so would be to acknowledge the rest of it.

Bodies lay strewn about the porch and the yard. Most of them had bullets in their backs. There was Uncle Hector, and cousin Isacc, and Mirabel with her arm thrown protectively over little Gabriel. Mariah stared at the house for a long time, letting the tears run freely down her cheeks. She had no more breath to give her grief voice, but her lungs squeezed tight in her chest for the absence of it.

She didn’t remember finding the shovel. She didn’t remember driving the edge deep into the earth beneath the great cottonwood tree that stood at the back of the house. She didn’t remember digging until she couldn’t see the shovel in front of her; she didn’t remember finding a lantern and resuming the dig. She didn’t remember her hands swelling with blisters, or the sweat drenching her back, or the burning ache in her arms.

The first body she laid out was one of the stablehands, Charlie. He’d sat slumped in front of the burning barn doors with three holes in his chest and a pitchfork in his hands. Mariah lowered him gently into the hole, crossed herself, and then went to find the next body.

In total, she dug two graves: one for the ranch hands, and one for her family. They spread out from under the cottonwood tree in opposite directions, protected by the expansive green branches. At the head of each grave she planted a cross made of charred wood.

All that time, all that work, gave her plenty of time to think. In the blink of an eye, Jane Doe had taken everything from her. She’d taken Mariah’s home, her family, the woman she loved. If she’d been left with even one of those things, Mariah might have been able to rebuild. To move on with her life. But she had nothing left, except the pistol strapped to her hip. So she had only one path before her: Mariah would hunt Jane down, to the ends of the earth if needed, and make her pay.

#whumptober2024 #no.18 #revenge #OC #only the good die young #writing #child death #graphic descriptions of violence #blood mention #my writing #my original work #mariah cervantes

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chiraltalkswrestlez · 2 months ago

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Toni Storm unable to finish her revenge on Mariah May because she still loves her, even though Toni herself regularly twisted that love by ignoring and manipulating Mariah (while Mariah was in turn manipulating and using Toni), costing herself her championship. All while the third wheel in their relationship watched on.

#aew #all elite wrestling #aew all in #aew spoilers #toni storm #mariah may #timeless toni storm #mina shirakawa

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galaxy-brain-rasslin · 3 months ago

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It's really great how the two biggest feuds in AEW, in terms of plot and/or presentation are:

Swerve Strickland and "Hangman" Adam Page. A literal blood feud between the demonstrably immoral and malicious face of the company, and a man focused on revenge to the point of obsessive madness.

"Timeless" Toni Storm and "The Glamour" Mariah May. Two bisexual women breaking up. This is also a blood feud. Both women are, in their own way, well into the depths of madness. This feels like heartbreak, and malice.

Both of these are great feuds.

Hangman and Swerve has the potential to be one of those "fight forever" rivalries. Swerve broke into Hangman's home, and threatened Hangman's child. Hangman has literally every reason to hate Swerve for as long as the both of them live (in kayfabe obviously). Beautiful shit. I could go on, but I gush about this all the time.

Toni and Mariah are amazing too. I don't know if it has (or should have) the staying power of Swerve/Hangman. But I love that it's 100% a breakup, without them outright saying "Mariah and Toni were dating." Toni outright said she loved Mariah this past Wednesday-- you could argue contextually what she meant, but come on, we all know. This isn't just a "Mariah turned heel" situation. Toni didn't throw herself through the window like Marty Jannetty. Toni *wept*, covered in blood. Mariah didn't just turn. She *betrayed* Toni. Seeing Mariah as this calm, calculated woman who did everything she could to earn Toni's trust and love and deliberately use that against her? I fucking love it. Seeing Toni become more "unstable", ready to kill Mariah? Beautiful.

Women should have more feuds where you're convinced one side is going to actually try to kill the other.

#pro wrestling #aew #swerve strickland #hangman adam page #timeless toni storm #toni storm #mariah may #i genuinely dont know if the adam cole and mjf feud could really reach this level #but i think thats partially because everyone i discuss wrestling kept waiting for mjf or cole to turn on the other #nobody really expected such a brutal turn with mariah

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popawritter12 · 7 months ago

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Amo tus escritos! Estaba buscando algo así desde hace mucho.

Quería preguntarte- ¿A qué yanderes les importaría tu consentimiento y a quienes no?

Si te hace sentir incómodx escribir algo así, puedes ignorarme.

Author's note: Anon, ¿puedo decirte que te amo?

ADORO ESTA IDEA, Y SIEMPRE LA QUISE HACER PERO NO ENCONTRABA UN BUEN CONTEXTO, PERO ¿EL CONSENTIMIENTO? DIOS QUE BUENA IDEA.

/english: Anon, can I tell you that I love you?

I LOVE THIS IDEA, AND I ALWAYS WANTED TO DO IT BUT I DIDN'T FIND A GOOD CONTEXT, BUT CONSENT? GOD WHAT A GOOD IDEA.

Also, thank you so much for your very original request <3<3<3!!!

So, with your amazing idea, let me open a new series of posts that I have long needed to do.

It will be called

“In each situation, how would this Yandere react?”

In this case, let's start with 5 archetypes: -Is not interested in your consent. -It's important, but in an extreme case may not need it. -Thinks it is important only in sex. -Without your consent doesn't even touch you with a stick. -Does not understand what consent is

And, since you didn't specify which fandom, I'm going to list some of the ones I'm in! <3

Let's start with the soft.

Without your consent doesn't even touch you with a stick.

League of Legends

Alistar, Bardo, Blitzcrank, Braum, Ivern, Kalista, Kassadin, Maokai, Nautilus, Rakan, Shen, Soraka, Taric, Wukong, Yone, Karma.

Kengan Ashura

Yoshinari Karo, Haruo Kono, Jun Sekibayashi (<3<3), Mikazuchi Rei, Mokichi Robinson, Suekichi Kaneda, Agito Kanoh.

Stardew Valley

Krobus, Willy, Linus.

Team Fortress 2

Engineer.

Jojo's Bizarre Adventure

Part 1: Erina, Jonathan Joestar, Speedwagon, William Zeppelin.

Part 2: Smokey, Wamu.

Part 3: Joseph Joestar

Part 4: Tonio, Reimi Sugimoto, Koichi,

Part 5: Doppio.

Part 6: Foo Fighters

Part 7:Lucy Steel.

Demon Slayer

Ozaki, Genya, Nezuko, Mitsuri, Tanjiro, Gyutaro, Gyomei, Tamayo and Yushiro

TMNT: MM

Mikey (<3) April.

Mortal Kombat 1

Liu Kang, Geras, Smoke, Baraka, Asharh,

Metal Gear Rising Revengeance

BladeWolf.

Thinks it is important only in sex

League of Legends

Akshan, Aphelios, Camille, Ekko, Ezreal, Darius, Hwei, Illaoi, K'sante, Leona, Nilah, Pantheon, Pyke, Riven, Ryze, Yoeick, Yasuo, Xhin Zhao, Sarah Fortune, Taliyah, Ornn, Tryndamere, Nami, Janna, Kai'sa, Kindred (sheep), Senna, Udyr, Varus, Garen, Lee Sin, Master Yi.

Kengan Ashura

Kaolan Wongsawat, Saw Paing Yoroizuka, Gensai Kuroki, Ryo Inaba, Seishu Akoya, Takeru Kiohzan, Jerry Tyson, Niko Tokita, Adam Dudley, Ren Nikaido, Takeshi Wakatsuki, Ryo Himuro, Marvelous Seki, and Ichiro Nakata.

Stardew Valley

Maru, Emily, Marnie, Sandy, Caroline, Harvey, Robin, Marlon, Rasmodius, Clint.

Team Fortress 2

Heavy, Scout, Soldier and Spy.

Jojo's Bizarre Adventure

Part 2: Lisa Lisa, Joseph Joestar,

Part 3: Kakyoin, Avdol, N'doul, Mariah, Hol Horse.

Part 4: Shigechi, Jotaro, Okuyasu.

Part 5: Bucciarati, Giorno, Fugo, Risotto Nero, Pesci, Trish Una, Squalo, Tiziano

Part 6: Hermes, Weather Report.

Part 7. Gyro, Hot Pants, Funny Valentine, Pocoloco.

Demon Slayer

Giyu, Yorichi, Kyojuro, Urokodaki, Kanae, Kagaya Ubayashiki, Kanao, Muichiro, Obanai, Akaza, Sabito, Murata.

TMNT MM

Leonardo and Donatello.

Mortal Kombat 1

Kung Lao, Raiden, Syzoth, Johnny Cage, Kenshi, Sindel, Li Mei,

Metal Gear Rising

Armstrong, Boris, Sam, Raiden, Courtney, Kevin.

It is important, but in an extreme case could “forget” about it

League of Legends

Ahri, Akali, Azir, Caitlyn, Fiora, Irelia, Jarvan IV, Jayce, Kayle, Kayn, Morgana, Quinn, Rell, Sett, Shyvana, Sona, Swain, Sylas, Twisted Fate, Luxana, Vayne, Victor, Xayah, Zeri, Alune, Olaf, Seraphine, Ashe, Diana, Lucian, Nasus, Sivir, Talon.

Kengan Ashura

Cosmo Imai, Tokita Ohma, Muteba Gizenga, Sen Hatsumi, Naoya Ohkubo, Keizaro Sawada, Julius Reinhold, Sen Hatsumi,

Stardew Valley

Abigail, Alex, Elliot, Gunther, Haley, Leah, Kent, Jody, Penny, Sebastian, Sam and Shane.

Team Fortress 2

Demoman and Sniper.

Jojo's Bizarre Adventure

Part 1: Straizo.

Part 2: Stroheim, Esidisi. Caesar Zeppelin

Part 3: Polnareff, Jotaro, Vanilla Ice.

Part 4: Josuke, Yuya Fungami, Rohan,

Part 5: Mista, Ghiaccio, Narancia, Abaccio, Prosciutto.

Part 6: Anasui, Jolyne, Pucci.

Part 7: Dio, Jhonny Joestar.

Demon Slayer

Zenitsu, Kokushibo, Sanemi, Uzui, Daki, Shinjuro.

TMNTMM

Raphael.

Mortal Kombat 1

Kitana, Mileena, Kuai Liang and Rain.

Metal Gear Rising Revengeance

Sundower, Moonson.

Is not interested in your consent

League of Legends

Aatrox, Bel'veth, Brand, Cassiopeia, Draven, Elise, Evelynn, Gangplank, Graves, Jhin, Katarina, KKhartus, Le Blanc, Lissandra, Mordekaiser, Nidalee, Quiyana, Renata Glasc, Renekton, Sejuani, Singed, Syndra, Thresh, Urgot, Vi, Virgo, Vladimir, Xerath, Zyra, Tham Kench, Malzahar.

Kengan Ashura

Karla Kure, Raian Kure, Setsuna Kiryu, Hajime Hanafusa and Yohei Bando.

Stardew Valley

Mr. Qi and Morris.

Team Fortress 2

Medic.

Jojo's Bizarre Adventure

Part 1: Dio .

Part 2: Kars.

Part 3: Dio, Mariah, D'Arby,

Part 4: Yoshikage Kira, Yukako, Akira Otoishi,

Part 5: Cioccolata, Melone, Formaggio, Illuso.

Demon Slayer

Douma, Enmu, Muzan, Shinobu, Gyokko, Hantengu, Sekido, Karaku, Urogi, Zobakuten, Uzami, Nakime and Kaigaku,

TMNTMM

(none)

Mortal Kombat 1

Bi Han, Shao Kang, Quan Chi, Shang Tsung, Nitara, Reiko and Havik.

Metal Gear Rising Revengeance

Mistral

Don't know the concept of consent

League of Legends

Briar, Dr.Mundo, Galio, Gwen, Hecarim, Jinx, Lillia, Neeko, Orianna, Rek'sai, Rengar, Shaco, Sion, Skarner, Trundle, Vel'koz, Volibear, Warwick, Zac, Aurelion Sol.

Kengan Ashura

(none)

Stardew Valley

(none)

Team Fortress 2

(none)

Jojo's Bizarre Adventure

Part 2: Santana.

Part 4: Mikitaka.

Part 5:Secco.

Demon Slayer

Inosuke,

TMNTMM

(none)

Mortal Kombat 1

(none)

CON ESTO TERMINAMOS

Fue hermoso, espero que les haya gustado leer esta pequeña lista salida d mi creatividad y del pedido de este anon ;)

/ english

WITH THIS WE END

It was beautiful, I hope you liked reading this little list from my creativity and this anon's request ;)

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jjspina · 3 months ago

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Summer Reading for 18+!

View On WordPress

#An Angel Among Us #Book trailers #books #Branyrd the Angel Book 4 coming #crime/thriller/suspense/mystery #Historical fiction/romance #How Far Is Heaven #Hunting Mariah #In A Second #Lubelia Alycea #Mariah’s Revenge #Mission of Love: Branyrd the Angel Series Book 3 #Mission of Mercy: Branyrd the Angel Series Book 2 #mystery/romance/suspense/clairvoyance #Mystery/suspense/paranormal #Novels for 18+#Reading #Summer Reading for 18+#The Misunderstood Angel (Branyrd the Angel Series Book 1)

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ultrainfinitepit · 1 year ago

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Second batch of attacks and revenges for Art Fight. Artists under the cut.

[ Find me on Art Fight! ]

Demonina Lich belongs to Cosmicvoid143.

Harlow Stormender belongs to @chenkingart.

DeWitt belongs to Ellian.

Sallygale belongs to tenbirds.

Sgt. Siobahn Martin belongs to @claiborneart.

Antares belongs to @memento--moray.

Bandit Blue belongs to @yo-yo-yoshiko.

Caesnig belongs to Vassago.

Mariah belongs to HappilyWrathful.

Zipporah belongs to @wyrmzier.

#artfight #art fight

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tisamustdie · 1 month ago

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"Three Cheers For Sweet Revenge" lyrics 🫀

Lyrics masterlist

☆࿐ཽ༵༆༒��༒༆࿐ཽ༵☆

"Can we pretend to leave, and then/ We'll meet again/ When both our cars collide?" Helena

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"(You're beautiful)" Give 'Em Hell, Kid

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"Well don't I look pretty walking down the street/ In the best damn dress I own?" Give 'Em Hell, Kid

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"What'd you call me?/ Well, there's no way I'm kissing that guy" Give 'Em Hell, Kid

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"He's not around, he's always looking at men/ Down by the pool, he doesn't have many friends/ As they are face down and bloated/ Snap a shot with the lens" To The End

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"You said you read me like a book/ But the pages are all torn and frayed now" I'm Not Okay (I promise)

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"And for the last night I lie/ Could I lie with you?" The Jetset Life Is Gonna Kill you

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"Black is the kiss, the touch of the serpents son/ It ain't the mark or the scar that makes you one" Thank You for the Venom

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"The angels just cut out her tongue, call her black Mariah/ Would I lie to you? That girl's not right in the brain" Hang 'Em High

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"This hole you put me in, wasn't deep enough/ And I'm crawlin' out right now/ You're running out of places to hide from me" It's Not a Fashion Statement, It's a Fucking Deathwish

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"Another knife in my hands, a stain that never comes off the sheets/ Clean me off, I'm so dirty, babe/ It ain't for the money and it sure as Hell ain't just for the fame/ It's for the bodies I claim and those" I Never Told You What I Do for a Living

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"Black skies, we'll douse ourselves/ In high explosive lies/ Just give us war-worn/ I've been calling you all week for my shotgun" Bury Me In Black

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"And what I'm going through/ Shot lip gloss through my veins" Bury Me In Black

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"I wanna see your eyes/ I wanna see what your insides may be like" Bury Me In Black

☆࿐ཽ༵༆༒𖤐༒༆࿐ཽ༵☆

"We hold in our hearts/ The sword and the faith/ Swelled up from the rainclouds/ Move like a wrath" Desert Song

#mcr #my chemical romance #gerard way #frank iero #mikey way #ray toro #three cheers for sweet revenge #three cheers era #tcfsr #lyrics #fucking around and across

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slippinninque · 1 month ago

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🎤Songbird's Blues🐦

Shigeru Kimura x BlackFemReader

In which your cry is heard and admired.

warnings: none much, cursing, fluff, heartbroken!reader, long fic, prt 1

"God, what a racket that one is making..."

Shigeru didn't even answer as he took in the foreigner pouring her heart into every empty glass in the bar.

He supposed that it was only right for Saturday night. The young and heartbroken often frequented this little bar he'd meet his old friend at.

Over the years it got better with a renovation and then aged again, a variety of memories tucked between seasons and familiar faces.

Now he frequented to check in Kage, who's just entered retirement. Shigeru still kept his distance after his revenge, yes, but he could never turn away from his old friend. Who clearly needed more help acclimating than he originally thought.

Shigeru was teaching him, it was all in the little things. Taking your grandson to lunch, meeting your son for dinner, checking in on a friend over drinks.

Though Shigeru still proved to be a bigger fan of the karaoke machine that was installed a year prior than Kage.

"Ah, they're having barbeque tonight! Always goes good with beer, y'know!"

Kage chattered on happily as he lit his 2nd cigarette of the nigh tand Shigeru was glad to see his friend in better spirits than when he called earlier in the evening. His eyes wandered back to the stage as Kage flagged down a waitress.

She was pretty, very drunk and clearly heartbroken. The microphone stand was the only shoulder she had in the world from how she rambled on about finding a good song.

From this part of town, Shigeru would bet he and Kage were the only two who could understand her as she rambled on I'm English.

"You guys have a nice line up, I-I know alooot of songs but..." to "The Wakage Goutaru album? Alright, ya'll are cooking!"

She rambled on long enough that the mocking stares turned more and more irate. From the back corner of the VIP booth, a hand waved with purpose. A waitress was already stalking the stage as she waited for the right moment to intervene.

Through it all, the foreigner had no clue as her stumbling brought her further into the overhead light--illuminating her sad face. Shigeru hoped she would at least get a few more tears out before she was chased off...

"There-there's a song I wanna sing but you don' have it...Mariah Carey..." A small belch into the mic led a series of words that made no sense to Shigeru but got a laugh out of Kage.

/Each day of my life

I'm filled with all the joy I could find

You know that I

I'm not the desperate type /

Her voice swelled, loud and aching as she recalled the song. The waitress lingered before shrugging and returned to her patrons who now looked at the woman on stage with more curiosity. than annoyance.

Shigeru found himself leaning forward himself enraptured by her expression. He has never heard such a voice.

/ If there's one spark of hope

Left in my grasp

I'll hold it with both hands

It's worth the risk of burning

To have a second chance /

She started crying and when she wiped her face, the mic muffled and whined with a little feedback. It wasn't enough to dampen her, though as she put a balled fist to her heart,

/ No, no, no, no, no, no, I need you, baby

I still believe that we can be together

Whoa, oh, no, no, no, ooh

If we believe that true love never has to end

Then we must know that we will love again, mmm

Ohh /

She swayed on her feet as she appealed to blinding lights when there was a burst of commotion from the front of the bar.

"She's here! I found her!"

A trio of young adults--two men and a woman. While the woman stopped to apologized to management that gathered to spectate. The two men went to the stage and tried to coax the woman down.

"I know, I know, c'mon and let me get you down!"

"Hey--Down here! Ah, don't cry like that--come on down and let's have another drink, huh?"

She moved away from them and continued to sing, her voice ringing clear and mournfully,

/ I still believe

Someday you and me

Will find ourselves in love again

I had a dream

Someday you and me

Will find ourselves in love again /

Kage said something at the same time one of the coaxing men had enough. He picked her up and put her over his shoulder. Much to the amusement of the spectators, she continued singing.

The speakers held true even after the group hustled out of the bar, still trying to calm down their friend against the wireless microphone's impressive range.

All he could see in his mind was her beautiful, tear streaked face. Turned to in Shigeru's direction, desperately wanting to be seen by someone.

/ I miss your love /

The last words before the microphone fully spirited away. Shigeru thought it was a shame that he had no name for the voice that lingered in his ear, but focused on his friend once more....

------------

Featured song:

💜ending notes💜: I couldn't get this out of my head thanks to Bullet Train's amazing soundtrack! Definitely have a prt 2 brewing! Tell me what you think with a comment and like!! Thank you for reading!!! Also, the spicy is coming soon swear lmao

✨taglist✨: @megamindsecretlair @sageispunk @astoldbyaja @miyuhpapayuh @kindofaintrovert

@ms-angiealsina @queenandkingofthedragons

#Shigeru Kimura x BlackFemReader #shigeru kimura x blackfemreader #Shigeru Kimura x Black Reader #Shigeru Kimura #The Elder x BlackFemReader #the elder x blackfemreader #Bullet Train (film)#The Elder #Bullet Train #Hiroyuki Sanada #hiroyuki sanada #Spotify

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