#Marcus Hunter

[meattiramisu]

OMAGAD I forgot i have THIIISSS

When you drink booze at night, but the uncle's duty is calling

[tasket]

Marcus!

[peichialin]

[angry-brony]

somebody had to post this so it might as well be me.

if you wanna get into series this from here's the playlist.

[chaoticcatbehaviour]

I personally think it's Lucius because it would be ironic that he tried to stab his own father but oh well...(Also Lucius means 'light' so that's another factor)

I'm so unwell about them someone Help me please

Ignore my ranting in the tags

[liliwoohoo]

Disventure guys!!!

[jack-doohan]

HAVE SOME MORE INDYCAR VINES FOR THE OLYMPIC BREAK! (indy vines part 3)

HERE’S A PART 3 OF MY INDYCAR AS VINES SERIES! i’m very happy that this series is so popular because I MISS VINE and this is how i’m coping with the fact that it’s been gone for a while :(( and this is also how i’m coping with the olympic break (along with watching the olympics themselves lmao)!!! enjoy friends :D

[mighteenyx]

I forgot to post her here but MY LEILAAAAA my leilaaaa

[oldschoolfrp]

A house hunter is a gigantic relative of the mimic, capable of imitating an entire building (Bryan Cook, from "The Vanishing Village," AD&D adventure by Marcus L Rowland, Dungeon magazine 19, Sept/Oct 1989)

[voxmortuus]

Hello. Vox here. 30's. She/They. Married. Requests are OPEN!

↝I write all types of fanfiction. Dark toned, smut and kink, super dark and possessive, the list goes on. You can find various themes ↝here↜. That is my new masterlist, my old one is attached. ↝What will I not write? Underage reader! Won't do it. I will call you out for it. I have a strict policy will not write minor readers so please respect that. Other than anything is really a go. ↝I ask that you please not steal my work and post it elsewhere. I cannot emphasize enough to please not do that. I do not consent to you taking my work in any way shape or form and posting it elsewhere. Reblogs are always welcomed and appreciated. Comments and loves are always welcomed as well! ↝I do not consent to minors reading or interacting with my blog or my works. ↜ ↝You can pretty much guarantee anything you click on to read here has smut so treat it as NSFW. Always read the trigger warnings before you read. Again. I do not consent to posting my work anywhere. Do not steal my work. And again, no minors interacting or anything with my work. You will find yourself blocked and I won't be nice about it. ↝Characters I will write for Aaron Taylor-Johnson.↜ ✭ Sergei Kravinoff - Kraven The Hunter ✭ Sergeant Allen "Ize" Isaac - The Wall ✭ James Frey - A Million Little Pieces ✭ Ford Brody - Godzilla ✭ Count Aleksey Vronsky - Anna Karenina ✭ Ray Marcus - Nocturnal Animals ✭ Ben Leonard - Savages ✭ Tangerine - Bullet Train ✭ Divider & Header Credit to @nyxvuxoa

↬Quiver - Smut Prompt ↬Kitchen Quickie - Smut Prompt

↬A Solitary Love ↬Honeymoon ↬NSFW Alphabet

↬The Taste of You - Smut Prompt

↬"Use My Thigh" Smut Prompt

↬I Think It's Time

↬NSFW Alphabet ↬Netflix & Chill

↬Heat Waves ↬Where You Belong ↬The Taste of a Virgin - DARK FIC. PLEASE READ TRIGGERS ↬Right here. Right now - Anon Smut Prompt

↬Eat Spit Get Dicked ↬U-Turn

↬Begging You! - Smut Prompt

[meattiramisu]

D knows the deal with the REAL food

[orivoros]

Merry Christmas to Zelda! I hope you enjoy this gift!!^^

[eldritchwatcher]

All I need to be happy is to ship Grove Marcus and Great One, because human x eldritch being is most blessed ship dynamic in this world.

And I. Am. So. Happy. Now.

(Disclaimer for those familiar with canon: fuck book Grove, but movie Grove deserves all tentacled hugs he can get)

Also I made DnD character based on this ship and now I am double happy.

[bumblesimagines]

i've been in love with you since the day we met. there. i said it. happy now?

Ginny Miller

i've been in love with you since the day we met. there. i said it. happy now?

Pronouns: He/Him/His, M!Reader

Ginny hated the crushing weight of realizing her crush would never like her back. It was a feeling she'd grown accustomed to since the moment her little mind had been able to process things like attraction. She couldn't help her feelings, always getting a crush on some guy just because he smiled, was kind, or just showed her the smallest bit of attention. It was frustrating, and embarrassing, watching them choose girls who looked like her polar opposite: tall, blonde, skinny, married parents, stable household, suburban white picket fence lifestyle. The pretty popular girls who looked perfect at every given moment. They didn't have to worry about struggling to control their hair or having to deal with their mom disrupting their life by moving from place to place or not getting to see their dad as often as they wanted. 

For a split, brief moment, she thought Wellsbury would be different. Sure, the residents were painfully white and looked too upbeat to be real people, but she'd found a group of friends that made her feel at home and had managed to land her first boyfriend. Sweet, considerate, attentive Hunter Chen. The perfect guy. He came from a good family, shared mutual friends, and was everything anyone could ever need or want in a boyfriend.

Except... Hunter wasn't the guy who'd first caught her eye when she arrived at Wellsbury High School and made her stomach turn to mush.

That spot had been taken up by (Y/N) Sanchez, the longtime friend of the Baker twins and brother to Sophie, the so-called 'hottest girl in school'. Ginny had the pleasure of meeting him at lunch when he'd gone back and forth in playful banter with Max and made Ginny feel more than welcome at their table. Hunter had been there too and while she blushed when he brushed off Max's semi-insensitive rambling, the spark just hadn't been the same.

She thought she'd get over it when Hunter asked her out but with her nearly always over at Max's place and (Y/N) and Marcus practically joined at the hip, her crush only worsened. And it absolutely didn't help that (Y/N) enjoyed being affectionate with his friends. An arm over Jordan's shoulders, piggyback rides with Abby, letting Max use his lap as a seat, playful drunk flirting with Brodie and Marcus. It'd taken a couple weeks before it started with Ginny. Hugs from behind, casual arm around her shoulder, the playfights and wrestling over snatched phones or beer bottles.

And then, it happened. 

M.A.N.G had gathered together at Max's place for a get-together with just the girls to gossip, chit-chat, and relax without the rowdy boys interfering with their stupid jokes or teasing. Ginny had settled down comfortably on Max's bed with a laptop resting over her outstretched legs as she searched for a movie they could watch. Nora and Abby arrived looking extremely pleased and an excited Nora couldn't help but spill out the news. 

(Y/N) had officially asked Abby out after years of flirting. 

Ginny had been crushed, to say the least, and barely paid any attention to the movies chosen while she thought back on each interaction he and Abby shared throughout her time knowing them. She'd never seen their closeness as something with flirtatious undertones but she supposed (Y/N) always teased Abby more than the others. 

From then on, her mood had considerably soured and it was beginning to be noticeable. She couldn't help it. Jealousy bubbled up in her chest and spread throughout her body whenever she saw the two together. She became snappier and standoffish, especially whenever the relationship was brought up and cooed over. Even Hunter had begun lightly questioning her, asking if everything was alright at home with Georgia and Austin. 

Ginny groaned softly under her breath and slammed the locker closed. She almost flinched at the person whose face had been hidden by it but her surprise was quickly washed away by a fluttery feeling in her stomach. (Y/N) flashed his pearly whites at her and arched a brow as he glanced between her and the locker. 

"What'd the locker do to you?"

"Nothing," She answered, slipping her backpack strap over her shoulder and shrugging. "Just... woke up on the wrong side of the bed." 

"Think you need to put your bed against the wall then, Gin and tonic. You've been bitchy all week and it's making Hunter think he pissed you off." (Y/N) pushed himself off the lockers and slipped an arm around her shoulders, tugging her close to his side as they headed down the hall. Ginny tried not to think about how perfectly she fit against him, like the last piece in a puzzle slotting right in. "What's going on, my little cocktail? Did Hunter try giving you a private tap dance class?"

Ginny giggled and lifted her hand to stifle it, the uneasiness that'd settled in her muscles slipping away. "No, he didn't. It's not him. I just..." She trailed off, the nerves flooding her system making her feel as if her guts were being twisted violently. She cleared her throat. "It's nothing, I swear. Having a bad day is all."

"You're a shit liar, Gin." 

"I'm not lying-"

"Yeah, you are. You can tell me what's going on, you know. I won't tell anyone if you don't want me to, I promise." He assured her, giving her arm a reassuring squeeze. Ginny dug her teeth into the inside of her cheek and shook her head, brushing his arm off her shoulder and quickening her pace.

Before she could round the corner and try making a subtle break for it, a hand clamped around her forearm and dragged her into an empty classroom. (Y/N) planted himself in the doorway and crossed his arms, staring at her expectantly. Ginny pursed her lips and took a deep breath through her nose. Now or never.

"I've been in love with you since the day we met. I like Hunter but only as a good friend and- and I don't think you and Abby should date. She's a great friend but she can be mean and aloof and- and I hardly see you dating someone like her. I thought I could break up with Hunter and confess to you but then you got with Abby and I just- I... I can't handle it. I can't handle seeing you with her. I'm sorry, I can't..." She blurted out. "There. I said it. Happy now?"

[nyxvuxoa-writes]

ATJ Masterlist

Anything and everything under the cut is possibly mature in some way. It's best to always read any warning in my posts before reading the story. People under 18 are not welcome and I will not be nice about it. I do not consent to my stories being taken and posted elsewhere.

A Side Note: I am aware of how some people feel about sexualizing or "idolizing" bad guys. I am going to tell you now before you inbox me: I don't care, I have heard it before. You are entitled to your opinion and free to have it, but I don't have to agree with it. There is a block button, and you are free to use it or you can scroll on and go about your day.

Dating Ray Marcus would Include

Mine

Hot Sugar in the Afternoon

It Beats for You [WIP] - Anon Request, Moved to Drafts

Leather black and Eyes of Blue [WIP] - Anon Request, Moved to Drafts

We Are Meant to Be [WIP] - Yandere!Veronsky, Request, In Drafts

Dating Tom Ryder would Include

Love Bites

[espumado]

Guys, you don't know what just happened to me!! I love soundtracks so I stopped to listen to The Bear's, i found the official FX playlist on Spotify and was listening to it when suddenly a podcast starts and I was like???? So i looked and it was about a horror film??? I, tring to understanding, went to the FX site to see the playlist and the episodes and saw that it was the song from the beginning of the ep5- Children (the lullaby) with our beloved Natalie💖...So what happened was that the music is from a horror film and instead of putting the soundtrack they put on this podcast!!! And I don't know if it was on purpose or just a mistake!!! (And all this reminded me of the people here who started a tag, I don't know who, about The Bear being a haunted/ghost story💀)

It's this scene, with this song:

And the Playlist has this podcast:

But i was like Nat why you have a horror movie song playing in your head??? And cause I'm curious, I went to find out more about the film, cause I didn't know the movie (horror isn't really my thing) and I discovered that: 

The Night of the Hunter is a 1955 American film noir thriller directed by Charles Laughton. Despite receiving negative reviews upon its original release, it has been positively re-evaluated in later decades and is now considered one of the greatest films ever made. “The movie is best known for Robert Mitchum's extraordinary performance as serial-killer-posing-as-priest Harry Powell, a menacing religious misogynist who marries widows for their money and kills them off in the name of the Lord. Having been jailed for stealing a car, he shares a cell with father-of-two Ben Harper, soon to be hanged for murder and the theft of $10,000. Before his arrest Harper hides the money in a rag doll belonging to his little daughter Pearl, making her and his 10-year-old son John swear never to tell where the money is hidden. The plot hinges on Powell's pursuit of the money and John's determination to protect his sister and escape from a psychopath whom others assume is virtuous. Hiding his past, Powell woos, then marries Harper's widow Willa (Shelley Winters). When she discovers his motives he murders her, and the children escape on a boat down the river. A tense chase ensues. The film exists in that cinematic no-man's-land of fairy tales for adults, is a children's fairytale – strange and idiosyncratic – but also a noir thriller, laced with the darkest elements of both genres: death, guilt, greed, poverty, cruelty, biblical references and a terrifying pursuit by the scariest of bogeymen. Laughton described it as "a nightmarish sort of Mother Goose tale". John, played superbly by the steely eyed Billy Chapin, is pivotal as the boy who is alone in perceiving Powell's true motives. In a tale of innocence and experience, he must quickly grow up in the most sinister of circumstances; he must resist adult hypocrisy and stupidity, and a new "father" who pretends to be loving, but is secretly abusive. Gripping in its narrative, the film is also frequently and darkly humorous.”

“Thinking of The Night of the Hunter in terms of its visual impact on other filmmakers, there’s a striking echo to be observed between its unseen presence in films by Scorsese, Spielberg, the Coens, even Ari Aster, and the influence of silent cinema on Laughton’s own filmmaking choices.”

“We can notice the importance of one particular scene: the escape of the children in a boat (they are running away from the killer). This scene, being so important, is also one of the most memorable of the entire film. The components that make it so memorable are: setting, lighting, framing, blocking and music. In the river sequence, the usual realistic environment of the film disappears, giving place to such an artificial setting that it seems that we are watching a whole new film.[...] Again, we feel that the children are safe again in the boat, as they run away from their hunter.

“The river symbolise safety – it is what separates (even temporarily) John and Pearl from Powell. In a way, it is a metaphor for the transformation of a past full of terror into a brighter future¹ with Rachel.”

About the music: “Composer Walter Schumann called the heavy four brass chords that often accompany Preacher a “‘pagan motif, consisting of clashing fifths in the lower register,’” which cede to the lullaby “Dream, Little One, Dream” with a shot of Gish. This celestial lullaby foreshadows her adoption of the children after they escape downriver. In the opening and river sequences especially, audio-visions juxtapose fantasy and reality, and good and evil, to propel the children to safety.[...] In these sequences, Laughton’s visual constructions and Schumann’s score establish abstract contours that take root in spectatorial memory. When the overture transitions from Preacher’s pagan motif to a tranquil lullaby, celestial sounds and Gish’s presence seem to safeguard the children from Preacher’s tyranny.[...] Schumann’s pagan motif, Miz Cooper’s lullaby, and the sounds of the children’s river journey mix realistic tropes and emotional flourishes in the manner of 1950s melodrama films, which especially employed music to articulate these opposing poles. For Peter Brooks, music punctuates the wordless gestures of the melodramatic “text of muteness”: its sweeping rhythmic motions render space and time tangible to imbue characters—especially muted victims—with emotional depth².[...] Analyzed through a motivic model that binds characters to themes, Hunter’s river lullabies foreshadow the children’s eventual safety with Miz Cooper even though maternal figures are not visible.”

So there is this important and well-known scene in the film when the song plays. When the kids are finaly safe in a boat on the river (the part of the song they use in the series starts at around 3:55):

So basically: there's a father who hid some money in the kid's toy (which reminded me of the money in the cans of tomatoes- KBL); an orphaned brother and sister; children looking for shelter; during the escape they are they feel safe in a boat on a river (when the lullaby plays) and in the end they are adopted and everything is fine.

I wanted to understand what this means for Nat, what it has to do with her. When the scene starts the song says "fear is just a dream…" then she thinks about her fears: her brother, mother and a mom's funeral (Marcus), then the song continues "so dream, little one, dream", like, it's not real, no need to fear it!

So…this is ep5 called Children, where: 1-Syd and Marcus take his mother's stuff out of the house and talk about their family 2-we find out that Ever is going to close (a funeral will happen) 3-Marcus and Nat talk about his mother and to start a new project to honor her while Nat is resting from pregnancy discomfort 4- it's the ep The Computer appears and Nat defends Marcus 5- there are the Faks, including John Cena, talking about their family and the hauntings 6- Syd and Uncle Jimmy talk and he says he wishes he had done more for the kids (she reminds him that he is there for them) and finally 7- Carmy goes to the basement and finds a box with photos of the family (Donna and Mike and himself too and a baby that could be Nat?!!!) then some riffs of the song Mixed Emotions by Rolling Stones start and it cuts to the credits with the lyrics right in the part: You're not the only one, You're not the only ship, Adrift on this ocean. And that's it! Just these lyrics and then just instrumentals. They cut the song to fit the scene and without any other part of the lyrics!!!

Carmy my man, Nat needs you! And she was the one who reminded him in the first season: "did you know i recently had a brother die too?" She's trying. She wants help, she already told him, "the thing that pisses me of is that you never ask her how i am doing!!!" but he can't ask her that "because he feels trapped, because he can't describe how he feels, so asking someone else how they're feeling seems crazy to him" (like, he literally told her that in S1). They need to talk, they need each other, they need family (a new one probably...the restaurant...uncle Jimmy too?? She talked with him about be a parent last season and he is always there for them, saving them). Nat managed to talk to her mother, even asked for help (it’s not a solution for everything, but it was a start)...but Carmy...there's still a long way to go, a next season thing. But I think it may be a thing they need to do together somehow, i dont know...

Nat is afraid of her past, motherhood and knows family is complicated, she is looking for a brighter future¹. She and Carmy (and Mike) are children of a abusive/alcoholic parent and live with the consequences of that (some people here have already talked better about the subject). So they are like the kids from the movie, who are muted victims—with emotional depth², in a complicated family, going throught the river until they reach a safer place with better people.

And also, last seasons they showed the "pyromaniac tendencies" of the Berzatto brothers, there were these references to setting the restaurant on fire as if that was the solution to their problems...and now in season 3 I thought that had been forgotten...instead, the ep1 already starts with (first a train, and then) a lake, which appears other times throughout the season... Copenhagen Carmy living in a boat on a river!!!, and all happy and safe, drawing on a bridge over a river!!!

We also had a scene with water being thrown on the kitchen countertop and "flooding" the space (with a song by Trent Reznor and Atticus for a war doc! that the director describes as profound, haunting, unsettling and deeply moving!!!) in a moment that the crew is cleaning the kitchen and everyone is tired and overwhelmed; there is Donna talking about the fish tank that breaks in a dream that takes place in a place she doesn't know that looks gray except for the tank (surreal, like a noir thriller maybe). These don't seem so safe, but they seem to be about the past, something to be overcome... And there's even a scene of Syd reflecting in front of a lake... Several water references...and I have no idea if that really means anything...or if i am going to deeper into this?😅

...but Nat, dear, are you okay?!...you feel like in a horror movie with your remaining brother seeking safety together somewhere or with someone, running away from a curse, a haunting in your family??? (in S1 Carmy talks about how she blames the restaurant, not her mother or Mike, she says the place sucks up all the work, money and time and all they get back is chaos and resentment) But seriously, someone help her!!!...and Carmy...She must have felt very lonely this season with Carmy like that...But I guess this all means that everything will be fine in the end, like in the movie!

Seriously, I couldn't come to a better conclusion about this but it left me curious and confused... And of course, it might mean nothing and just be an interesting song from an amazing movie that director Chris Storer likes because he likes great movies and that's all 🙃 But with all the movie references, great directors and hauntings...maybe I'm not so crazy😅 <<<I tell myself to feel better🫠