#Malik Burbank

[theuniverseawakens347]

1:53 am… so again LAPD detectives two who didn’t fuck Kimora aaja or promised sex w India love ..

Ian why do you have a tracker on my car since you stole my plate at Paul Mitchell’s

Why yall got me homeless again why was that a “cool” plan

Ian why you got ur lil thug friends ( black guy grey hoodie white suv) “dared” to touch my car in the middle of the night …

Why you follow me to the hotel Halloween night

“Cashay knows too much”

- been knew too much ur sucking at ur fucking job 1:56 Burbank pd just rolled by but again WHY AM I FUCKING HOMELESS. NICE BUTterflies

2 squad cars … again the point of ur experiment!? 2:03 thank you officer perez w partner at house young male.

2:05 second squad car pull off .. so no matter where I sleep bc Ian has a tracker put on my car for Lee GARLINGTON to say I’m Kimora aaja ur breaking into house or causing a disturbance in the neighborhoods .. why is Kimora Jay here steaking out for you AFTER I LEAVE - uncle John GARLINGTON Lee GAVE UR ADDRESS AWAY .. AND ITS BEEN REPORTED YOU FUCKTARD LEE.

Thanks for the name dropping talk Perez and wave second cop. 🙂🫂

Paula Barton Kimberly Taylor sr.. Justin of London whatever this lil grey white sweater man doing at my car to see if I’m actually sleeping in it bc YOU PAULA point the finger at Lee BUT had Malik talk to my dmh worker and Brandon sleep w her then pay her off shhh money for under age KEYS TO AN APARTMENT YOU GOT FOR JUSTIN OF LONDON - ART IE UP THE STREET SUNSET TRAILS .. and say it was Tristan pimping n talking to Taylor jr… but figure put it all in lees name to cover up YOU BEING RESPONSIBLE FOR IAN KING SUICIDE*.. drugs OD .. why YOU STALK DARNIECE HOMELESS W ME AT 1-2 .. EMINEN WHY YOU RAPE ME KIDNAP ME USING BUSTA RYTHMS … for some got damn music but who ID remy ma bc why you here two ho.. YANDY SMITH.

PAULA FUCK YOU IN FULL .. she a fat black lady look like Mae Payne but pretty .. JYNYVY .. WHY SHE RELATED TO YOU!?? PAULA YOU A MASS MURDERED doing the GOT DAMN MOST for some fucking money in a family that DONT WANT YOU .. trysha how many restraining orders Brandy Norwood house the blue one when I was how old!?? 2/3 THE REASON I GOT TAKEN NTO FOATER CARE. YOU BITCH FUCKED UP DARNIECE TO FUCK ON CELEBRITY MEN AND GOT POPS SO YOU FUCK ON HIS BROTHERS … THATS weird ho. NUMBER ONE STALKER A AMBER OF CLARITY KENDRICK LAMAR.

[andramsimming]

Bowling

It’s not only the girls that are getting to have some fun. Malik and Callum have - just like Patzy and Anna-Maria - been inseparable lately. They normally head over to the arcade, instead of the park. Both of the guys are extremely competitive, so they can easily spend hours upon hours playing each other and battling it out. Normally Patzy has to call Callum and remind him what time it is and that it’s getting late. Whenever she works evenings, Callum loses track of time. He gets so caught up in the games and atmosphere. Luckily he’s rather disciplined, so he has never missed a day of work, even while staying out late... but... there are days, where he’s running on only a couple of hours of sleep.

“You know?... Umm...” Malik said as he spun around to face Callum after sending his bowling-ball down the lane, hitting the last standing bowling pin.  “Hmm?...” Callum answered back not really listening to what Malik was saying, as he was trying to figure out, how he should curve the ball in order to get a strike. “That girl... Um, Anna-Maria... She and Patzy have been quite close lately, right?” Malik kept going, as Callum’s ball hit a perfect strike.  Callum yelled out a little cheer and turned toward Malik, “Yeah, what of it?” he asked and scratched his neck, sending Malik a questioning stare. Malik picked up his bowling-ball and readied himself for his turn. “Well... Um... You know... She’s kinda hot...” Malik finally muttered and Callum couldn’t help but laugh out loud. Seeing the usually calm and suave Malik struggle was rather amusing. “Yeah, she’s smoking! But what does that have to do with anything?” Callum asked grinning, sending Malik a smug look. Malik turned red around his ears and tried to focus on his shot.  “Well, do you know whether or not she’s single?” Malik finally asked, as his ball hit the pins. Callum could tell Malik was a little annoyed over the fact he felt somewhat embarrassed. Callum smiled and patted Malik on the shoulder before grabbing his own bowling-ball, “I think so. Patzy has never mentioned anything about a boyfriend before and I know for a fact that Anna-Maria lives alone - I mean, no man can endure that much tone-deaf BTS karaoke” He laughed, “But you already know that, you live in our building too right?”. Malik didn’t answer at first, he then sighed as if he was preparing to do a bungee jump. “Well, do you think Patzy can do a fella a solid and slide Anna-Maria my number or better yet... give me hers”. Callum tried his best not to burst out in laughter, Malik looked hillariuous all red in the face like a littel schoolboy asking his first crush to be his valentine. “Sure, dude... but whay don’t I do you one better! Why don’t I throw a party this weekend and invite the both of you. I mean, there’s no icebreaker better than a little juice, pizza, and music” Callum asked and send Malik a cheeky grin.

[only-johnny-deppp]

Johnny Depp, Lily-Rose and the One Direction, 9 years ago, on this day (November 9), at Johnny’s house, in Los Angeles, California. 

Although the precise information it’s unknown, on that day, the band was in Burbank, California, to make and film their first appearance and performance on The Ellen DeGeneres Show. Later, Johnny invited them to his house and made a private jam session with Johnny, as the 5th member, playing for Lily-Rose and her friends. Some said that Niall Horan, Liam Payne, Harry Styles and Louis Tomlinson (for some reason, Zayn Malik was absent) were invited after Lily-Rose had lost a show, but some says that Johnny got aware that the band was in the city and invited them once Lily-Rose was a huge fan. Later, after the show, Lily-Rose shared the photos on her old (now deleted) Twitter.

[i-asifeq]

The Supplication of a Person Performing Hajj

Imaam Ibn Maajah -rahimahullaah- reported in his “Sunan” [The Book of the Rites of Hajj: chapter (5): The Virtue of the Supplication of the person performing Hajj: (no.2893)]:

“Muhammad ibn Tareef narrated to us, saying: `Imraan ibn `Uyainah narrated to us: from `Ataa· ibn as-Saa·ib: from Mujaahid: from Ibn `Umar: from the Prophet sallallaahu alayhi wa sallam, that he said:

The fighter in Allaah’s cause, and the person performing Hajj, and the person performing `Umrah are Allaah’s deputation: He called them, and they responded to Him; and they ask of Him, and He gives to them.”

Shaikh al-Albaanee -rahimahullaah- said: “Hasan”; and he said in “as-Saheehah” (no.1820), having quoted a supporting narration reported by al-Bazzaar (no.1153) as a hadeeth of Jaabir: “The hadeeth, when the two chains of narration are gathered is “Hasan”.”

And Imaam Ibn Maajah -rahimahullaah- reported (no.2895): “Aboo Bakr ibn Abee Shaybah narrated to us, saying: Yazeed ibn Haaroon narrated to us: from `Abdul-Malik ibn Abee Sulaymaan: from Abuz-Zubayr: from Safwaan ibn `Abdillaah ibn Safwaan, who said:

“I was married to a daughter of Abud-Dardaa·, so he came to her and he found Ummud-Dardaa·, but he did not find Abud-Dardaa·. So she said to him: “Do you intend to perform Hajj this year?” He said: “Yes.” She said: “Then supplicate to Allaah for good for us, since the Prophet sallallaahu alayhi wa sallam used to say:

The supplication which a person makes for his brother in his absence is responded to. There will be an Angel by his head saying: ‘Aameen’ [O Allaah! Grant it], to his supplication, ‘and may you receive the like of it’.

He said: Then I went out to the market place, and I met Abud-Dardaa·, and he narrated the like of that to me from the Prophet sallallaahu alayhi wa sallam.”

Shaikh al-Albaanee -rahimahullaah- said: “Saheeh.”

[Compiled by Aboo Talhah Daawood ibn Ronald Burbank rahimahullaah]

In Sha Allah please do share! (Lives of the Salaf)

Dhul-Qadah 23, 1441/July 14, 2020

[drmaqazi]

AUTHENTIC DU’A AND DHIKR #11

AUTHENTIC DU’A AND DHIKR #11

Allaahumma laa maani’a limaa a’tayt (O Allaah no one can hold back what You give)

AL-BUKHARI reported (no.844): “Muhammad ibn Yoosuf narrated to us, saying: Sufyaan narrated to us: from `Abdul-Malik ibn `Umayr: from Warraad-the scribe of al-Mugheerah ibn Shu`bah who said: al-Mugheerah dictated to me in a letter to Mu`aawiyah that the Prophet  صلى الله عليه و سلم  used to say after every Obligatory Prayer:

لَاإِلهَإِلَّااللهُوَحْدَهُلَاشَرِيكَلَهُ،لَهُالْمُلْكُوَلَهُالْحَمْدُوَهُوَعَلَىكُلِّشَيْءٍقَدِيرٌ،اللَّهُمَّلَامَانِعَلِمَاأَعْطَيْتَ،وَلَامُعْطِيَلِمَامَنَعْتَ،وَلَايَنْفَعُذَاالْجَدِّمِنْكَالْجَدُّ

Laa ilaaha illAl-lahu wahdahu laa shareeka lah, lahul-mulku walahul-hamdu, wahuwa ‘alaa kulli shay��in qadeer, Allahumma laa mani’a limaa a’tayta, wa laa mu’tiya limaa mana’ta, walaa yanfa’u dminkal-jadda

None has the right to be worshipped except Allaah, alone, having no partner. Sovereignty is His and all praise is for Him, and He has full power over everything. O Allaah no one can hold back what You give, and no one can give what You hold back, and no one’s riches can benefit them against You.

Translated by Dawud Burbank rahimahullaah

Authentic Adhkaar (Remembrance) after the Obligatory Salaah (Prayer) – Dawud Burbank

Listen and Memorize this Du’a: (by Dawud Burbank Rahimahullaah)

Du'a: O Allaah no one can hold back what You give, and no one can give what You hold back

[annieboltonworld]

Juniper Publishers- Open Access Journal of Environmental Sciences & Natural Resources

To Study the Bud Take Success and Budding Growth of Plum Cultivators on Peach Swat Local Root Stock

Authored by Jalal Amin

Abstract

The experiment was carried out at Agricultural Research Institute Tarnab, Peshawar, during the year, 2015, under the internship program. This project dealt with two plum scion cultivars i.e. Fazal-e-Manani and Santa Rosa that were budded on Swat local peach rootstock. The experiment was laid out in Randomized Complete Block Design with one factor and four replications. The parameters studied were Bud take success (%) and Budding growth (cm).Both cultivars on Swat local peach rootstock showed non-significant effect to Budding growth, while it had significant variation in Bud take success. The bud take success (76.42%) was recorded in Santa Rosa and (71.10%) in Fazal-e-Manani cultivar and budding growth of Fazal-e-Manani was 55.29 cm and in Santa Rosa Plum was 47.75 cm.

Keywords: Budding; Growth; Cultivars; Plums

Introduction

Plum (Prunus aomestica) belongs to the genus prunus, subgenus Prunphora (plum and apricot) ofthe family Rosaceae Malik. It is a deciduous fruit commonly known as stone fruit. It is a true fruit and is characterized by having a distinct three-layered peri carp-an exocarp, mesocarp and a stony endocarp, which enclose the seed). It is a major fruit of Pakistan and is grown mostly in temperate regions, while some low chilling varieties may be grown in the milder parts of sub-tropical regions of Khyber Pakhtunkhwa and in Quetta and Qallat divisions of Baluchistan, and there is some acreage in the Muree hills of Rawalpindi District in Punjab Malik. The plum includes several species whose native habitats are widely separated. The most important species is domestica; it was presumably from the area between the black and Caspian seas and the adjoining regions of Persia and Asia Miner that this species spread westward. Apparently it was not domesticated as early as other fruits. According to the earliest record in which the plum is mentioned, the species dates back over 2000 years. The native America plums are assumed to have been used as food by the Indians. Dissatisfied with quality of these native species, the colonists imported plum seeds and varieties from Europe [1].

There are about 15 cultivated species of plum, of which Prunus domestica (European plum) and Prunus salica (Japanese plum) are the most common. Important varieties produced in the various regions of Pakistan are European plums (Fazal- e-Manani, Grand Duke, Gauzles and Formusa) and Japanese plums (Burbank, Wickson and Methley).Plum is very tasty fruit and is available in green and in red color. Green plum is picked from the orchards for long distance shipment while red colored plum is used in immediate markets as a finished consumer’s product. Usually, red, tended and fresh looking plum high price in the market. Plum is very tender and perishable, having high percentage of water content (86.6%), calories (48g), protein (0.5g), fats (0.2g), carbohydrates (12.3g), Vitamin A,B,C (2.5, 0.03 and 6mg respectively), Niacin (0.5mg), Riboflavin (0.03mg), Ca (12mg), P (18mg), Fe (0.5mg), Na (1.0mg) and K (170mg) per 100 g of edible portion [2-6]. All this composition makes plum a good nutritious fruit (Westwood, 1978). In Pakistan plum is a popular fruit usually grown in the temperate regions and can also be grown in sub-tropical regions.

A number of rootstock such as peach (Peshawar and Swat Local), Bitter almond, Desi plum (Myrobalan) are used for different soil and climatic conditions, but the most important rootstock in Khyber Pakhtunkhwa (KP) is the peach (Swat local), and in Baluchistan, Bitter almond is used as a rootstock for plum. The different counties are using different rootstock according to (2017) their prevailing agro-climatic conditions. In Peshawar, plum is commercially propagated by T-budding using rootstock of the same genus Prunus. Budding practice usually starts from mid of May to end of July. Peach rootstocks can tolerate a wide range of soils performed well in soil fertile, well drained soil with pH range of 6.7-7.0. In nursery production the common procedure, to grow rootstocks from seed to get the seedling [6-10]. In this part of the world plum are usually budded on peach rootstock. The growth of plum is very good on peach root stock. In the view of as or facts in experiment is designed to study the bud take success and budding growth of plum cultivars on swat local peach rootstock with the following objectives.

Objectives

This research work is carried out with the following specific objectives: To study the bud takes success of plum varieties on (peach swat local) rootstock. To study the budding growth of plum varieties on (peach swat local) rootstock [10-14].

Materials and Methods

The experiment on "To study the bud take success and buddling growth of plum cultivars on peach rootstock" and was carried out at Agricultural Research Institute Tarnab Peshawar during the year 2015. There were two plum scion cultivars i.e. Fazal-e-Manani and Santa Rosa in experiment. The experiment was designed as Randomized Completely Block Design with one factor.

Experimental Protocol

The land was ploughed in the month of October. Five tractor of well rotten Farm Yard Manure (FYM) were applied per hectare. Then the land was leveled and divided into the required experimental plots. The seed of rootstocks peach 'Swat local' were treated with Diathane M-45 @2g/lit before sowing and were sown in the month of November. The row-to-row distance was kept 75cm and Seed to seed 1-2cm. Di-Ammonium Phosphate (DAP) and Urea were applied with 1:1 parts at the rate of 50kg per acre each. Weedicide i.e., Stamp was applied as pre-emerged Weedicide. The seed germinated in the month of February (15th Feb to 20th March). When the seedlings attained a pencil size thickness (10-15mm), then 2nd dose of Urea @ 1bag per acre was applied and plots were immediately irrigated after fertilizer application. All the cultural practices were done accordingly and uniformly in all plots. The budding was practiced in the last week of June. Budding was done at a height of 20cm from the ground level and opposite position from the sun light. After budding the budded portion of the stock was wrapped with polyethylene plastic in a way that the bud remains uncovered and easy to sprout [14-17]. The experimental plants were regularly inspected and when the budding union was seen successful, then wrapping materials were removed. The terminal parts of seedlings were bent down in opposite direction of the bud. When the buddlings attained 15-20cm height, the stock above union was removed. The experimental plot was kept clean regularly from weeds. The following data were recorded during the experiment.

The following parameters were studied in the study:

Bud takes success (%)

After complete sprouting and success growth of scion the percent bud take success was calculated at the end of growing season by following formula.

Buddling growth (cm)

The length of the budded (scion for each varieties) of thirty (30) randomly selected plants was taken with the help of measuring tape from the bud union to the tip of the budding and then mean was calculated.

Statistical Analysis

The data were statistically analyzed as Randomized Completely Block Design on factor by using Statistics 8.1 software.

Results and Discussion

The data were collected on the following results were obtained for bud take success percentage and budding growth.

Bud Take Success (%)

The data pertaining to bud take success are given in (Table 1) while (Table 1a) indicates the analysis of variance. The analysis of variance showed that there was significant variation in bud take success existed between cultivars. However, the mean of percent bud take success for cultivars revealed that comparison higher bud take success (76.42%) was recorded on Santa Rosa cultivar than Fazal-e-Manani which was (71.10%). Santa Rosa was superior than Fazal-e-Manani in term of bud take success. This may be due to the variation in genetic make of variety [2]. These results are in line with [2] who reported that plum varieties budded on swat local peach rootstock significantly responded to bud take success (%).

***highly significant

Buddings Growth

The data regarding buddings growth are given in (Table 2) while (Table 2a) represents the analysis of variance. The analysis of variance indicated that different cultivars on the same rootstock exhibited non-significant difference with respect to budding growth. This mean that both scion cultivators showed equal budding growth responses on swat local peach rootstock, similar finding was reported by. Inayat Ullah Khan (2014) who reported that effect of budding growth of peach cultivars and found non-significant result.

N.S=Non-Significant

Grand Mean= 51.524, CV =6.97

Conclusion

In this experiment two scion cultivars of plum were budded on Swat local peach rootstock. There was significant variation in bud take success but non-significant for budding growth. Santa Rosa performed better in bud take success.

For more articles in Open Access Journal of Environmental Sciences & Natural Resources please click on: https://juniperpublishers.com/ijesnr/index.php

[davebanksmedia]

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A continuation from Life in the City of Angels: When You Can’t Get Published, Fuck It, Give It Away!

Chapter One link:https://davebanks.wordpress.com/2020/06/10/life-in-the-city-of-angels-when-you-cant-get-published-fuck-it-give-it-away/

Jimi Hendrix’s version of ‘All Along the Watchtower’ was blasting out from Mark Hufnail’s BMW stereo, fuelling our adrenalin and chest-beating machismo. During Jimi’s solos, I strummed the invisible strings of my air guitar and glanced over at Mark, catching him head-banging to the beat.

Two middle-aged white guys, reminiscing about hippie living and experimental drug days, we were now living on the highs adventure brought. Potential ‘fixes’ dangled from the grueling schedule before us to shoot three documentaries throughout Middle Egypt, along the Nile. With some security concerns, Mark and I drove from his Burbank office to the west side of Los Angeles, for one last advisory meeting with the only Muslim we knew, Attallah Shabazz.

After directing Discovery Channel’s ‘Eco-Challenge, Australia’ – Mark was the Executive Producer – we’d gained a reputation for productions in remote and hostile locations under adverse conditions. We’d delivered a five-hour adventure race on time and on budget to the Discovery Channel and now we were ready for our next big challenge. Mark’s company, MPH Entertainment, had been contracted to produce three documentaries: ‘Akhenaten, Egypt’s Heretic King’, the ‘History of Sex’ for the History Channel, and ‘Tutankhamen, Egypt’s Boy King’ for A&E Network.

All three had to be shot simultaneously in sixteen days, to produce seven hours of programming. Before any overseas assignment, it was my responsibility to budget for and rent the cameras, audio gear, and small lighting package, as well as estimate how many cases of videotape we needed to take for the shoots. Before leaving the States my anxiety started, not from the threat of kidnapping by terrorist or being shot at, but due to the hell of red tape: the filling out of the carnet form or Merchandise Passport. A ‘carnet’ is an international customs and temporary export-import document that’s used to clear customs in foreign countries. Successful completion means you don’t incur duties and import taxes on your gear, or ‘tools of the trade’, if they’re to be re-exported within twelve months.

With ten anvil cases of gear, cross-referencing serial numbers and descriptions of each piece of gear was a tedious and daunting task. If just one serial number was off by one digit it could mean spending precious time and baksheesh (bribe money) in a foreign Customs office, sorting things out. The last thing I wanted to explain to a burly, foreign custom agent is why my boxer shorts had yellow smiley faces on them, having packed them in the equipment cases along with my other clothes.

Being a boy scout taught me to ‘be prepared’; if you know that there are no McDonald’s in the Sahara desert and little time during the day to stop and eat, you pack away enough food for an army. The most important thing to take, however, when shooting in exotic locations, is toilet tissue and baby wipes.

Having spent time in the Middle East previously, I took it upon myself to research the locations, assessing any potential risk. I was well aware of the current affairs in the Middle East and I was able to identify and assess a number of specific threats, not only to our production but also to us.

Beneath the massive limestone cliffs near Luxor is one of Egypt’s most popular tourist attractions: the Mortuary Temple of Hatshepsut. This was the site of the Luxor Massacre; on November 17, 1997, 62 people were killed – mostly tourists – by Islamist extremists and the Jihad Talaat al-Fath (Holy War of the Vanguard of the Conquest).

As we went into preproduction for the three documentaries – on February 23, 1998 – Osama bin Laden and Ayman al-Zawahiri, a leader of the Egyptian Islamic Jihad, along with three other Islamist leaders, co-signed and issued a ‘fatwa’. This called on Muslims to kill Americans and their allies, saying it was their duty. The declaration was made seven months prior to our scheduled departure to Egypt.

I’d also read somewhere that Osama and Zawahiri hated Americans so much that they wouldn’t even drink a Pepsi. On top of all that, there was rumored to be a bounty of $16,000 for every American’s head in Egypt. I found this a bit insulting: why couldn’t they round it out? I thought I was worth at least $20,000.

Since the Luxor Massacre, tourism had been pretty much void there. To capture or kill a western film crew like us would have been equivalent to bagging a top prize. Protocol suggested that I went through specific official channels. I presented my assessment and ‘deal memo’ to one of the producers. In my deal memo it specifically requested that MPH accepted financial responsibility to have my body shipped back to the States, should anything have happened to me.

To my surprise and shock the producer said, ‘No deal’.  I can only assume that she was ignorant of current affairs and only perceived the rest of the world as a studio back-lot. Unfortunately for me, her world revolved around recreational television, celebrities and Hollywood gossip. This was a serious issue that couldn’t be handled by a mid-level producer so I gave the assessment to Mark. That is how we got to be on our way.

We were meeting Attallah Shabazz at a kosher Italian restaurant. Ms. Shabazz is the eldest daughter of El-Hajj Malik El-Shabazz, better known as Malcolm X, the powerful civil rights activist of the ‘60s. Mark and Attallah have worked together on several television productions and have become very good friends over the years, to the point that Mark’s daughter, Megan, refers to Ms. Shabazz as ‘Aunty Attallah’. I’d also worked with Ms. Shabazz on various television shows in the past, but I hadn’t had the opportunity to get properly acquainted.

We walked into the restaurant. Sitting at a table alone, in the middle of the busy eaterie, we could not help but notice Ms. Shabazz immediately. Strikingly beautiful, tall, and wearing her trademark African print pillbox hat, she acknowledged our arrival with a broad smile that seemed to light up the room.

Mark set the stage to our trip, telling Attallah that we would be the first American crew to travel by vehicle through Middle Egypt in ten years, according to our fixer in Egypt. Our security was our foremost concern; we’d be two unmistakably-American white guys shooting at various locations

Attallah interrupted Mark. ‘You know, I don’t thing you have anything to worry about, traveling through Middle Egypt,’ she reassured us. ‘The Egyptian government cannot afford another massacre, it would be devastating to their economy. You will be well protected. Think of it as an adventure, don’t let the threat of a small group of extremists hold you hostage.’

We placed our orders for our meal and our conversation turned to shop talk and a bucket full of scuttlebutt. It’s traditional amongst our staff and crew to collect the best pithy quotes during production which we then use as a catchphrase during shooting when things get a little too heated. Over our kosher pasta with meatless sauce, we told Attallah that we’d collected three favorite quotes for the History Channel’s documentary, the ‘History of Sex’:

‘Does the composer actually see the show he’s composing?’

‘Regardless of their academic achievement and expertise, try not to use any male or female archeologist over forty years of age’.

But the killer quote, and my favorite when shooting ancient Egyptian statues, was: ‘You can shoot as many penises as you want, as long as they don’t move’.

*****

We landed in Cairo around mid-afternoon. I was still a bit spaced-out from the residue of the Ambien still in my system and I gave off an odor like fermented Gouda cheese. It had taken us close to eighteen hours to get there, not including the ten hours we’d took to prep our gear before departure. In customs, with all ten anvil cases of equipment, we started the tedious process of cross-referencing the serial numbers of the gear against our carnet. A short, oval-shaped Egyptian customs official, in a blue shirt with wet stains under each arm, raised an eyebrow. There was a bead of sweat resting on the top of his pencil mustache that I couldn’t stop staring at.

              The larger gray camera case he found to be empty of the Betacam camera. I was holding it in my hands after carrying it on the plane with me. Inside the case, in place of the camera, were a dozen or so boxer shorts bearing acid-yellow smiley faces, which prompted a smirk from the agent. ‘My underwear,’ I said, pointing at the shorts.

‘Yes, yes, very nice,’ the agent said.

‘Jesus, Dave, can’t you wear regular underwear, like ‘tighty-whities’?���  Mark asked.

‘I, er, have a problem with chafing. I’ve big thighs. Boxers really help with that problem.’

‘But couldn’t you just buy regular boxers?’

‘These were on sale,’ I protested, ‘besides, I’m going to throw them away after I wear them.’

Pointing at the camera case then the carnet, in broken English, the oval-shaped agent asked, ‘Where is this item, the camera?’

‘This is the camera,’ I said, holding the camera up further and pointing to it.

‘But it’s not in the box. The carnet says ‘camera and case’. I need the camera in the case.’

Standing before him, with the camera case at my feet, I pointed again to the camera I was holding. ‘This is turning into a Monty Python skit,’ I thought. ‘This is the camera,’ I repeated, ‘I carried it on the flight so that I could use the camera case to store my clothing.’

‘I understand. But I need the camera in the box.’ This time, his voice was raised.

‘Do I understand you? That if I put the camera in the box, you’ll be satisfied?’

Opening the camera case, I pulled out my boxer shorts and all the other items I’d put in there and placed the camera into its case. I smiled at the inspector who remained stony-faced. It suddenly hit me: Cha-ching, cha-ching, cha-ching.

              In my mind I heard Pink Floyd’s ‘Money’. The signs for baksheesh were simple – how had I missed them? The term ‘baksheesh’ describes tipping or, as the local authorities call it, ‘a charitable donation’. I call it ‘bribery’.

The government officials could have held the camera gear in protective custody until an ‘understanding’ was reached. Other signs of baksheesh could be: incorrect stamps in your passport or ink of the wrong color; your visa looking forged because the official emblem is smudged, usually after a government official has rubbed his thumb across the stamp, purposely smudging it. My favorite was the palm extended with a smile: simple, to the point and immediately recognizable for what it was. Baksheesh is a common practice across most of the Middle East; it’s common for western film crews to carry large sums of cash, just for these ‘unseen expenses’. Especially American film crews – it seems that we Americans have a reputation for throwing money at any problems we encounter. Good old American know-how.

Once our payment had been graciously accepted we cleared Egyptian customs. Porters loaded the gear onto a flatbed dolly and wheeled it out to the curb. By the time we’d finished loading the van we’d spent about $350.00 – and one carton of Marlboro cigarettes – in baksheesh…I mean, ‘charitable donations and tips’.

On the way to the hotel I decided to ride on the roof of the van with the cases of gear, to shoot B-roll of as we traveled from the airport to downtown Cairo. The driver of the van sped across El-Galaa Bridge that crosses the Nile and an insect the size of a ping-pong ball smacked me between the eyes, leaving little red blotches on my left cheek that looked like a target. I hoped that wasn’t a sign of things to come.

Our schedule was grueling and left so little opportunity for rest and recuperation that I was confused as to what day of the week it was as we rushed from the Pharaonic Village, Giza, to the Cairo Museum. Just like all shoots, we hit the ground running, apportioning no time to acclimatize. With pressure to shoot three documentaries there was no time to appreciate Egypt and its culture, it was just ‘wham, bam, thank you, ma’am’.

For two sweltering days we’d been inside the Cairo museum shooting Paranoiac antiquities, artifacts, and ancient stone penises (but not the moving kind). Alone, and in a rare moment of quiet, I was on the second floor of the Cairo Museum framing the camera to shoot an artifact belonging to the most iconic of all Egyptian pharaohs: the solid gold mask of King Tutankhamen. The 11kg gold mask sat behind protective glass on a high pedestal and I’d found just the right angle to shoot the mask which didn’t also capture my reflection in the glass. I had King Tut all to myself as I began my work.

Then, from nowhere, hordes of tourists from Germany swarmed in, surrounding me and the exhibit. The lens of the camera blocked the tourists’ view; there was much pushing and shoving as they tried to get closer – so much so that the camera and tripod were nearly sent flying. I stepped back from the gaggle of Germans and could not believe my eyes when I noticed several wearing lederhosen. It was freaking hot – at least 28°C – with high humidity and no ventilation.

One man, in the shortest shorts I’d ever seen, started to pick up the tripod and camera to move it. ‘Sir, don’t move the camera,’ I warned.

In a thick German accent, he turned and snapped, ‘You shouldn’t be here! This is for tourists!’

‘I understand, sir. We’ve all come a long way to see King Tut. Just leave the camera alone. Okay?’

He persisted, putting his hands on the tripod. I stepped forward and removed his hand, which is when he elbowed me on my left cheek. It was bang on the place where the kamikaze insect had whacked me several days before.

                  ‘Ouch!’ I muttered, before tensing, ready to defend my space. Sanity prevailed for just a moment as I thought about Mark, and that the last thing he needed was me being thrown out of the Cairo Museum for fighting with a tourist. Luckily, at that moment, a woman – also in leather lederhosen and thigh-high white stockings – grabbed the man’s arm and started scolding him in German. None of the other tourists seemed interested in our struggle for territory as they snapped pictures and left. Now, at least, I was alone with the king, sporting a painfully bruised cheek.

Eventually, we’d shot every stone penis in the museum – erect and non-erect. Our work was over in Cairo and now it was time for our road trip through Middle Egypt.

Attallah was right: we were escorted by seventeen Egyptian bodyguards as we traveled south along the Nile Delta to Luxor in Middle Egypt. Our caravan was made up of several vehicles, including a sky-blue armored personnel carrier complete with fifty-caliber machine gun, and a black 4×4 Mercedes-Benz SUV that carried our four bodyguards. They sat in comfort, in their polyester suits and sunglasses. Except for the front windscreen, the side and rear windows were bulletproof glass, tinted almost black. In the middle of each passenger window were gun ports that looked like small, black puckered lips, ready to give any adversary a stinging kiss of death. On occasion you would see copious amount of smoke stream from the gun ports; most of the time the bodyguards sat in their SUV with the air conditioning on full blast as they played their favorite Egyptian pop music. As a result, the SUV vibrated with a ‘thump, thump, thump’. Jimi Hendrix, it was not.

In contrast, we were stuck in a white minibus, with painted hieroglyphic symbols and a giant portrait of a pharaoh on the hood. The interior seated roughly ten passengers; it would have held more but our camera gear filled the back of the coach. With our security so obviously in tow, this bus shouted ‘tourist on board!’

Driving in Egypt is not for wimps or the faint of heart, which is why I was happy to let Mohammad, our driver, take the challenge. I’d assumed we were safe outside the city of Cairo, where car horns blast continually, insults are spat and universal hand gestures given at the slightest provocation; little did I realize just how dangerous the road to Luxor was. Most roads had two lanes of tarmac, but the condition of the ground varied greatly. The scariest part was when giant trucks frequently passed other trucks already passing cars. I lost count of my ‘sphincter twinges’ during the day but they went off the scale when we drove in the dark. It was a Mad Max movie in reality; the Egyptians didn’t use their headlights until they thought they saw an oncoming vehicle – then they’d flash their lights. Thank God we were in an official convoy, with an armored personnel carrier leading the caravan.

We made numerous stops along the way, shooting B-roll to enrich our documentaries. I shot video and still photographs at each location for ‘cut-away footage’ that could be added to scripted voice-overs or expert interviews. This adds greater dimension to the storylines in our productions, an alternative to the traditional ‘talking head’ pieces. As we continued our trek to Luxor day turned to night. Suddenly, our motorcade came to a complete stop. We were near our destination of Al Minya, at a goat crossing.

I grabbed the camera and jumped out of the van. I started shooting the goat herder and his goats against the van’s headlights when four tourist police intervened. With their Uzi machine guns they hustled us back into the van.

‘Jesus! What was that all about? It’s just goats,’ said Mark.

‘Maybe someone just got his goat?’ I chuckled at my own joke.

One of the security men from our convoy came into the van, still wearing his sunglasses. ‘Keep down! Keep down!’ he said. ‘A madrasa is down the road: the most radical of Islamic schools in Egypt. We believe Osama Bin Laden is inside. The goats are a way to stop people, so they can see who approaches. Just stay down.’

There was a lot of movement outside the van and raised voices. The goats still surrounded us. A second bodyguard came to the door. ‘The local authorities and the village elders fear retaliation from Islamic fundamentalists at the madrasa for hosting you Americans. We cannot stay here or in Al Minya. We have to find another place to stay the night. Please, stay down, and do not get out of the van.’

We waited, keeping a low profile as our security team herded the goats out of the way. The goat herder had disappeared. After traveling south for half an hour, our security team found an abandoned hotel outside an unnamed village. Oddly, there was a flickering light-bulb several floors up. Despite our hesitation, we had been at it for sixteen hours and we were dead tired. We carried the cameras and battery chargers up the dark, shadowy, concrete stairs that offered no handrail. I was so dazed from lack of rest that when I plugged in the charger for the camera batteries I forgot that Egypt’s electrical current was 220v. I neglected to plug in the transformer and the charger blew like an indoor firework display. As the sparks flew, I grabbed the plug and pulled it out of the socket, only to get a jolt. ‘Crap! Crap! Crap!’ I shouted.

‘Are you okay?’ said Mark.

‘Yeah, I’m okay. I just feel like a complete idiot.’

‘You’re tired, Dave, don’t beat yourself up. We’ve another charger,’ said Mark.

As I moved away from the socket I heard a loud crunch. Lifting my boot, I saw the largest cockroach I’d ever set eyes on. The floor of the building was concrete and it was cold; the walls looked to be peppered with bullet holes and the windows didn’t bear glass but iron rods shooting up from the windowsill.

Mark looked out. It was deadly quiet outside. ‘Hey, Dave, there are guards outside, on the ground. I think this is serious.’

The flickering light was a beacon to a frenzy of moths, unidentified flying insects, cockroaches and five-legged bugs, the like of which I’d never seen. We were too exhausted to care and slept on the floor, only to have the creepy-crawlers roam freely on and around us. ‘Mark, are you awake?’ I asked.

‘Not really. It’s difficult when you have creatures crawling on your face. Shit! One just tried to crawl up my nose! Jesus H Christ.’ Mark was now sitting up. He was pale with bags under his eyes and desperate for some sleep.

‘Hey, why don’t we use the djellaba I picked up in Cairo?’ I suggested. ‘We could wrap it around ourselves like the Shroud of Turin. We could wrap our kefflyehs around our faces too, to keep the marauders away.’

‘Great idea. Let’s do it,’ said Mark.

So, there we were: two guys from California in Middle Egypt, beneath a winking light on a concrete floor, shoulder to shoulder and draped under a makeshift shroud. Neither Mark nor I remembered much of the drive from the abandoned ‘roach’ hotel; we slept most of the way. We eventually pulled up at a deserted parking area. Before us was the Temple of Queen Hatshepsut, which sat atop a series of colonnaded terraces, accessed via long ramps that were once graced with gardens. Built into the limestone cliff face that towered above the temple, there were three layered terraces reaching 29m high.

It was midday, and at least 40°C. Walking up the ramp in the scorching heat was going to be challenge. I drank my last bottle of hot orange Fanta, grabbed the camera and started shooting Arab workmen breaking up the limestone walkway to the temple. It seemed to me to be perfect B-roll for the documentary, but what I didn’t realize at that moment was that they were replacing the bloodstained path where the 62 people had been massacred nearly a year before.

Hot, hot, hot! The tripod legs burnt if touched; the metal of the camera was sizzling and I could feel the heat of the scorching sand through my Doc Martin boots. I took off my kefflyeh, soaking it with water and placing it over the camera, so as not to burn up the electronics. Our Egyptian crew stayed in the van with the air conditioning on and with the hood up to keep the engine cool. Our four bodyguards sat in the comfort of their Mercedes-Benz SUV, smoking and listening to music. Mark and I continued to shoot for two hours, taking breaks in the shade of the Temple’s columns. The Sahara heat was unrelenting and oppressive, though, and I gave up when the glue on my boots began to melt. Because my kefflyeh was on the camera, the back of my neck was naked to the sun. It was now horribly blistered. Back in the van, a sunburned Mark took a long drink from a Fanta he’d kept hidden.

‘You bastard!’ I said. The sun’s heat lost its grip as I stepped into the van. Mark leaned over and pulled out another warm Fanta, handing it to me. ‘Cheers, Dave. You ready to go home?’ he said.

I’d lost all reference to time. I had no idea what day it was or how long we’d been in Egypt. This often happened to us when documenting fragments of time long since gone – you lose your own place in time.

We barely made our flight back to the States and had to sacrifice taking a shower and changing into clean clothes. I wasn’t too upset; there’s something magical about carrying the sands of the Sahara in your boots with you as you arrive home.

Days later, I was back at the NBC Studios. The guests that night were David Spade and Kate Capshaw, the musical element provided by Deana Carter. I was still painfully sunburned and therefore moved slowly; I could continually smell the odor of fermented Gouda and, during rehearsals, I found a strip of bubble wrap that seemed to resemble the blisters on the back of my neck.

During lunch at the NBC Commissary I told my cousin, Hank Geving, who was also a cameraman on the show and dedicated reader of Ancient Egyptian history, about Queen Hatshepsut and her temple. She was the first great woman in recorded history, the forerunner of such figures as Cleopatra and Catherine the Great, and female pioneers of our own age, such as Madonna. He listened intently, and it gave me a huge glow of satisfaction to have stood where she had, centuries before. Many people living there don’t acknowledge that there’s life outside Hollywood. How wrong they are.

Cue The Camels: Chapter Two, Al Minya, Bed Bugs and Sex. A continuation from Life in the City of Angels: When You Can't Get Published, Fuck It, Give It Away!

[marketprdaily]

Morning Wrap: Damien basketball advances to championship of Burbank tournament

Morning Wrap: Damien basketball advances to championship of Burbank tournament

For the second time this season, the Damien boys basketball team will have a chance to enhance their resume against a top-caliber program.

The Spartans advanced to the finals of the Burbank Tournament with a 66-50 win over Village Christian in a semifinal game. The Spartans will take on Harvard Westlake in the tournament final on Saturday at 7:30 p.m.

Malik Thomas, a returning San Gabriel Valley…

[latesthollywoodnews]

Zayn Malik WEDS Gigi Hadid, Pregnancy Around the Corner Too?

Zayn Malik WEDS Gigi Hadid, Pregnancy Around the Corner Too?

William Flynn - Latest News - My Hollywood News

Zayn Malik WEDS Gigi Hadid, Pregnancy Around the Corner Too?, New Hollywood Celebrity News 2017

Online Hollywood Celebrity News, Hollywood Latest Story Moana, Zayn Malik WEDS Gigi Hadid, Pregnancy Around the Corner Too?.

Hollywood Celebrities 2017 Best Celebrity Latest Story & The Walt Hollywood Company, commonly known as Hollywood, is an American diversified multinational mass media and entertainment conglomerate, headquartered at the Walt Hollywood Studios in Burbank, California.

What Hollywood Celebrity has both parents alive?

Mulan, Sleeping beauty, Lady and the Tramp, The Incredibles,One Hundred and One Dalmatians,Peter Pan, Brave, The Lion King 2 and Frozen, but their parents die.

How old was Walt Hollywood when he started Hollywood?

Walter Elias “Walt” Hollywood was born on December 5, 1901, in Hermosa, Illinois. He and his brother Roy co-founded Walt Hollywood Productions, which became one of the best-known motion-picture production companies in the world.

Who runs Hollywood World?

Robert A. Iger is Chairman and Chief Executive Officer of The Walt Hollywood Company. As Chairman and CEO, Mr. Iger is the steward of one of the world’s largest media companies and some of the most respected and beloved brands around the globe.

Zayn Malik and Gigi Hadid, are the two getting married now? More in the video here! Reporter: Alice Peter Editor: Mahesh Mote Footage Courtesy: Splash News, …

Celebrity Latest Story, Hollywood Celebrity Rating, Hollywood Celebrity News 2019, Latest Celebrity Releases, Zayn Malik WEDS Gigi Hadid, Pregnancy Around the Corner Too?.

Walter Elias Hollywood was an American entrepreneur, animator, voice actor and film producer. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. Hollywood Latest Story Moana, Zayn Malik WEDS Gigi Hadid, Pregnancy Around the Corner Too?.

https://www.myhollywoodnews.com/zayn-malik-weds-gigi-hadid-pregnancy-around-the-corner-too/

#LatestNews

[andramsimming]

Boys Night Out

Patzy has been working overtime lately, in order to advance herself career wise. She’s in the sports career and most games take place in the evening.  This means Callum has a lot of long lonely evenings, just him and Cookie. And although he loves to cuddle on the sofa with the cat, it can be rather boring for an energetic young man.

But fret not dear Callum, right next door lives an young man who can rescue you from the dreaded boredom! Malik Burbank is Callum and Patzy’s nextdoor neighbor. He’s often quiet and they don’t really hear much from him, unlike their other neighbor Anna-Maria Bloomberg - she’s the loud one in the building. But Malik is golden, and although Callum has only met Malik a couple of times in the hallway while taking out the trash. He and Malik just hit it off straight away and it didn’t take long for them to connect over their shared love of arcade-games and sports. Soon they were two peas in a pod.

[myhollywoodnews-blog]

Zayn Malik NEW SONG With Gigi Hadid Lookalike

Zayn Malik NEW SONG With Gigi Hadid Lookalike

William Flynn - Latest News - My Hollywood News

Zayn Malik NEW SONG With Gigi Hadid Lookalike, New Hollywood Celebrities 2017

Watch Latest Celebrity News, New Hollywood Celebrity News 2017, Zayn Malik NEW SONG With Gigi Hadid Lookalike.

New Hollywood Celebrities Coming Out Animated Celebrities 2019 next Walt Hollywood Studios The Walt Hollywood Studios is an American film studio, one of the four major businesses of The Walt Hollywood Company and the main component of its Studio Entertainment segment. The studio, best known for its multi-faceted film division, which is one of Hollywood’s major film studios, is based at the eponymous Walt Hollywood Studios in Burbank, California.

Who was Roy to Walt Hollywood?

Roy O. Hollywood. Roy Oliver Hollywood (June 24, 1893 – December 20, 1971) was an American businessman, becoming the partner and co-founder, along with his younger brother Walt Hollywood, of Walt Hollywood Productions, since renamed The Walt Hollywood Company.

How can I watch Celebrities on my phone without using data?

Download videos to your Android device, iPhone, or iPad 1. Make sure your device is connected to Wi-Fi or your mobile network. 2. Open the Google Play Celebrities & TV app . 3. Tap Menu Library. 4. Next to the Celebrity or TV episode you’d like to download, touch the download icon.

Who is the president of Hollywoodland?

With Meg’s transition complete, George A. Kalogridis is named president of the Walt Hollywood World Resort, and Michael Colglazier is named president of the Hollywoodland Resort.

Zayn Malik’s new song has a Gigi Hadid lookalike and possibly more revelations about their break up! WATCH the full video here! Reporter: Alice Peter Editor: Sunil Dhanve Courtesy: Splash…

Latest Hollywood English Celebrities 2017 New English Films, Zayn Malik NEW SONG With Gigi Hadid Lookalike.

Walt Hollywood has since created corporate divisions in order to market more mature content than is typically associated with its flagship family-oriented brands. The company is best known for the products of its film studio, Walt Hollywood Studios, which is today one of the largest and best-known studios in American cinema. Hollywood’s other three main divisions are Walt Hollywood Parks and Resorts, Hollywood Media Networks, and Hollywood Consumer Products and Interactive Media. Hollywood Latest Story Moana, Zayn Malik NEW SONG With Gigi Hadid Lookalike.

https://www.myhollywoodnews.com/zayn-malik-new-song-with-gigi-hadid-lookalike/

#LatestNews

[sofunsd]

這周很多學校都在放春假，有些家庭安排了幾天的出遊行程出遠門去，有些家庭則留在城裡替孩子們安排些小活動，不論您有沒有在放春假，一樣可以趁這週末到鄰近的橙縣和洛杉磯走走喔～！這個週末活動依舊相當豐富，在Santa Monica有隨風飛舞的奧蒂斯風箏節、在長灘有一年一度的Toyota Grand Prix ���車盛事、更不用說在Indio上場的2018 科契拉( Coachcella) 音樂節！您也可以帶孩子們去坐湯瑪士小火車、來一場維多利亞時代的下午茶、或去洛杉磯市中心看看200多件的街頭藝術展…..還有一些一直在持續進行的特展，都會是很好的體驗喔～！

週末去哪 Fun？SOFUN 帶您漫遊OC & LA~

Otis 7th Annual Kite Festival(4/14)(OC)

這個週末在Santa Monica Pier 您的視線將隨風飄揚～！由奧蒂斯藝術與設計學院(Otis College of Art and Design)所舉辦的第七屆奧蒂斯年度風箏節，這活動結合了藝術和STEAM (Science, Technology, Engineering, Art, and Math)，非常適合有學齡兒的家庭闔家參與。除了有來自全過和當地的風箏藝術家展示他們的飛行藝術風箏、雕塑和充氣玩具，在Santa Monica Pier創造一個「天空中的畫廊」，現場還有沙雕工作坊、色彩理論課和水彩繪畫工作坊、太陽能藝術家的作品分享、更棒的是每個孩子都可以有一個免費的風箏材料包喔！整個活動是免費的，停車費為12～15美元，但建議乘坐Metro Expo Line到會場。

時間:   April 14 Sat,  11:00 am  – 4:00 am

地點:  200 Santa Monica Pier A, Santa Monica, CA 90401

網站:  https://www.eventbrite.com/e/otis-7th-annual-kite-festival-tickets-43219846725?aff=Redtri

Day out with Thomas @ Orange Empire Railway Mesuem(4/15-16)(Riverside)

深受小朋友喜愛的湯瑪士 (Thomas) 與他的好朋友佩西 (Percy)列車，將於4月初於橘縣的Orange Empire Railway Meseum進站囉！事實上這個列車已經開遍美國數十個州，還曾經開到加拿��呢！乘坐湯瑪士時間約二十五分鐘，列車長 Topham Hatt也在車上，車上會聽湯瑪士故事、看影片、勞作著色遊戲等。想與可愛的湯瑪士與他的好朋友近距離接觸的朋友，一定不要錯過這班車喔！由於參加的人數眾多，買票的捧油們記得要提早一個小時到達。

時間:  April 15 Sat & April 16 Sun

發車時段: 頭班車為上午9點，約每個小時一班列車，最後一班車至下午4點。

地點: 2201 South A Street, Perris, CA 92570

費用:$16-$25, 兩歲以下免費

網址: http://www.oerm.org/thomas/

購票網站:  ticketweb.com

 Toyota Grand Prix (4/13-15)(LA)

Toyota Grand Prix 是長灘一年一度的盛會，每年四月的第二個週末都會聚集了15萬名觀眾，在市區的賽道上觀看世界級的賽車盛會，除此之外還有多達150多家展商的生活娛樂博覽會、可以攀岩、玩賽車的兒童遊樂區、兩場戶外的演唱會等精彩活動，朋友們趕緊去感受一下呼嘯而過的刺激吧！記得帶上耳塞還有防曬配備喔！

時間:   April 13 Fri to April 15 Sun

地址: 3000 Pacific Ave, Long Beach, CA 90806

票價: $33-$147

活動網址：www.gplb.com

March for Science Los Angeles 2018: Rally and Science Expo(4/14)(LA)

還記得去年在地球日發起的「科學大遊行(March for Science)」活動嗎？全球共有500多個城市響應、可說是史上規模最大的支持科學遊行。而在今年呢，March for Science 洛杉磯倡議團體發起的是Rally and Science Expo，透過科展提供現場互動的展示、同時也向更人們呼籲支持科學學習、支持以證據為基礎的政策。現場有許多重量級的洛杉磯科學家到場，如天體物理學家和館長Laura Danly博士、YouTube的Malik Ducard、生物多樣性中心的John Fleming博士、Cal State LA化學教授Carlos G.Gutiérrez、Mona Patel博士、洛杉磯兒童醫院和神經生物學家Tepring Piquado博士等都將到會場支持。現場除互動展示外、也會有science-inspired music，還會有許多專題演講，如公民需要了解的科學知識、公民如何參與決策、對於環境正義：您能否有所作為？要鼓舞洛杉磯下一代STEM世代等議題，歡迎有興趣的朋友到場支持。

時間: April 14 Sat, 9:00 am – 4:00pm

地點:  530 S Olive St, Los Angeles, CA 90013

網站:  https://www.facebook.com/events/2427085674183121/

Downtown Burbank Arts Festival(4/14-15)(LA)

藝術手工愛好者和動漫迷們都會在 Burbank 市中心舉辦的藝術節中找到自己喜歡的藝術作品。這個Burbank Arts Festival已經進入到第15個年頭了，每年都會有來自全國各地200多位原創藝術家帶來他們獨特的藝術展示，這個藝術展特別將特效動畫製作和傳統的手工藝形式融合在一起，成為獨一無二的街頭藝術節。現場包括迪士尼動畫師的書籤、塗鴉接龍和青少年藝術比賽得獎者的作品，也會有名人簽名會和其他娛樂活動。活動地點將在San Fernando Blvd，與 Angeleno Ave 和 Magnolia Blvd 之間舉行。

時間: April 15 Sat & April 16 Sun,  10:00 am –5:00 pm

地點: San Fernando Blvd, Burbank, CA 91504, USA

網站: https://dtnbur.com/event/downtown-burbank-arts-festival/

Annual Victorian Tea & Fashion Show(4/14)(LA)

這週六來洛杉磯文化遺產廣場博物館(Heritage Square Museum…)參加維多利亞時代的下午茶和時裝表演吧！這場復古的時尚活動讓帶你看近三百年的時尚史，也會展出美國歷史上第一夫人在當時引領風潮的衣飾，讓訪客似乎坐上時光機，重新回到19世紀末20世紀初的南加街頭。在復古的時裝走秀後還有自助式下午茶可以吃到飽喔！菜單包括散葉茶，甜味和鹹味三明治，蛋塔和蛋糕等。門票為每人55美元，HSM會員45美元，6～12歲兒童15美元，6～12歲HSM兒童會員10美元。

時間: April 14 Sat 11: 00 pm-4:30 pm

地點: 3800 Homer St, Los Angeles, CA 90031, USA

網址:  http://heritagesquare.org/

Coachella Valley Music and Arts Festival(4/13-15, 4/20-22)

眾所期待的The Coachcella Valley Music and Arts Festival 終於將在這週末登場！！舉辦地點一樣是在南加印地奧市（Indio，California）的帝國馬球俱樂部（Empire Polo Club），將連續兩週末（4/13-15、4/20-22）領全球樂迷在南加沙漠中放肆搖擺狂歡！今年挑大樑的是節奏藍調歌手威肯（The Weeknd）、流行樂天后碧昂絲（Beyonce）與饒舌歌手阿姆（Eminem），其他知名樂手如SZA、Haim、ODESZA、Tyler、the Creator、Portugal、 The Man、 Kygo、 St. Vincent、the War on Drugs、Fleet Foxes、Alt-J、Migos 和Miguel也將擔任演出嘉賓，陣容相當堅強！！現在早已一票難求，能去現場的粉絲朋友們好好享受難得的音樂、說不定還能見到喜歡的明星身影喔～！

時間：April 13-15, Apri 20-22

地點：Empire Polo Club     81-800 Avenue 51, Indio, CA 92201

網站:   http://live.coachella.com/

Movie of the week 週末電影推薦！

毀滅大作戰 Rampage

大金剛、大怪獸一直是好萊塢不敗題材，也深獲影迷喜愛，經常創下亮眼票房成績。全新電玩改編巨獸電影《毀滅大作戰Rampage》，將帶來什麼樣驚心動魄的刺激場面呢？觀眾拭目以待～

靈長類動物學家戴維斯奧克耶（巨石強森 飾）不喜與人親近，卻與一隻智商極高的銀背大猩猩喬治形影不離，牠從出生後不久就一直由奧克耶照顧。沒想到一次失控的基因實驗出錯，讓這頭溫馴的大猩猩突變成為身形巨大的兇猛野獸，而且禍不單行的是，很快又發現其他類似的變種動物。這些新生的掠食怪物在北美各地肆虐，所到之處都被破壞殆盡，於是戴維斯與一位名聲不佳的基因工程師合作，設法取得解藥，並在瞬息萬變的戰場殺出一條活路。他不只要終止這場災難，也要拯救那個曾是他朋友的可怕怪獸。

斯塔比中士：一個美國英雄 Sgt. Stubby: An American Hero

本周上檔可愛動畫片，根據真實���例改編的動畫電影《斯塔比中士：一個美國英雄》(Sgt. Stubby: An American Hero)。故事描述一周流落街頭的斯塔比垂頭喪氣地在街上遊蕩，一次偶然它被一名美國士兵救起，神奇的故事就此展開。一戰期間，有一批特殊的「戰士」奔赴前線，這群「戰士」包括狗、馬、鴿子、驢、駱駝、大象以及各種各樣的動物。其中最著名的當屬滿載榮譽的「斯塔比中士」～一隻在一戰中服役的波士頓牛頭梗。戰爭期間，斯塔比中士作為一隻戰鬥犬，不僅用來警醒前線的士兵以防毒氣襲擊，還幫助尋找受傷的戰士，甚至還抓住了一名正在試圖畫下盟軍戰壕的德國間諜。

ONgoing！ OC /LA Fun不停

Museum of Selfie (now-5/31)(LA)

甚麼？自拍也有博物館？而且，在40000年前的祖先們就已經開始自拍囉？從四月初到五月底在洛杉磯Glendale將有一個「Museum of Selfies-自拍博物館」的限時展覽，不只是讓人們可以和展品互動拍出些搞怪、獨特的照片，更會告訴訪客自拍文化的歷史與發展。從古老的洞內壁畫、到讓人眩暈的天花板自畫像、再到浴室洗手間的自拍和現今幾乎人手一隻的自拍棒，博物館將從歷史、文化、藝術、科技的各種面向探討現今的自拍文化，當然，每個展區也都有許多互動式的特殊道具和設計者的擺設巧思、您一定會跟這些互動展品拍到停不下來！！

時間: Now to May 31 Thur, 週二到週四 12: 00 pm– 8:00 pm, 週五週六12:00 pm – 10:00 pm,  週日12: 00 pm – 8:00 pm, 週一閉館

地點: 211 N Brand Boulevard Glendale, CA 91203

網站: themuseumofselfies.com

票價:25, 4歲以下免費

Art lessons in the wild contest(1/27-4/28)(OC)

若您家裡有個喜歡畫畫、又喜歡海洋生物的小朋友的話，可別錯過這週六開始在橙縣Dana Wharf 的野外藝術課程！一位知名海洋環境保護專家暨藝術家Robert Wyland 特別針對3到12歲兒童設計了此項結合藝術和戶外賞鯨的課程。藝術課程每週六於上午9點在Dana Pride的寬敞的沙龍內進行，每週僅限20名兒童；然後從10點到12點會進行2小時的賞鯨之旅，不只講解生態也教孩子們如何用眼���察、用畫筆畫下來。最後這些畫還會進入比賽，優勝作品除了有機會獲得Wyland 提名、表框外，還有機會獲得價值2000美元的獎品喔。整個活動希望鼓勵人們以全新的方式看待奧蘭治縣沿岸的海洋生物，並將下一代引入這個美麗的生態系統。

時間  Jan 27 Sat to Apr 28 Sat,  every Sat at 9 a.m. to noon

地點:  Dana Wharf Sportfishing & Whale Watching, 34675 Golden Lantern, Dana Point, CA

網站: https://danawharf.com/wyland-art-in-the-wild/

票價:   成人$45 ; 小孩免費但建議捐贈5元給art program

Rainforest Adventure (1/20-9/9)(OC)

橙縣 Santa Ana 的 Discovery Cube 又有新展覽囉！！這次的雨林探險主題展除了介紹地球上的主要熱帶雨林區、裡頭常見的動植物、該地居民所面臨的挑戰以及我們能提供怎樣的援助等等。裡頭有超過40個互動組件、2個專門設計的電腦學習遊戲，還有大量的探險道具喔，小朋友們穿上背心、手電筒、望遠鏡等、扮演生態研究員進入雨林中完成各項任務，任務如攀爬9英呎左右的木棉樹、低身鑽過空心樹洞、建立昆蟲標本、探索大猩猩的家、分辨哪些是瀕臨絕種的物種等等，讓孩子們透過遊戲探索的方式認識雨林種種概念。展覽時間將一直展到九月初，聖地牙哥的媽媽朋友們記得找時間上Cube去好好探索一下喔！

時間: Jan 20  Sat to Sep 9 Sun,  10:00 am to 5:00 pm

地點: Discovery Cube Orange County,2500 N Main St, Santa Ana, CA

網站: https://oc.discoverycube.org/rainforest-adventure/

Very Eric Carle @ New Port Beach (now-5/13)(OC)

知名童書作家Eric Carle 的「非常」系列相信很多家長們都念給孩子們聽過吧，他擅長用鮮明的色彩、豐富的圖象，融合自創一格的拼貼，表現兒童純真且充滿幻想的世界。特別是”非常”系列作品深受孩子們歡迎，五種昆蟲的故事都證明了他對大自然的熱愛和對兒童情感生活的尊重。更讚的是，深受小小孩喜愛的橙縣Santa Ana 的Discovery Cube ，目前正在進行知名童書繪本作家Eric Carle 的特展喔！ 當孩子們看到好餓好餓的毛毛蟲、好忙好忙的蜘蛛就在自己的眼前出現時又會是怎樣的反應呢？ 此特展特別適合2到6歲的學齡前兒童，孩子們會在比自己還高的野草堆裡穿梭體驗、與好忙好忙的蜘蛛一起織網、幫非常寂寞的螢火蟲找到他們的光….透過各式各樣的互動式展示刺激孩子們的五感，讓孩子們浸淫在Eric Carle 豐富炫麗的童書世界裡！！

時間: now to May 13 Sun, every day 10:00 am- 5:00 pm

地點: 2500 N. Main Street, Santa Ana, CA 92705

網站: https://la.discoverycube.org/eric-carle/

Pirate’s Dinner Adventure: Legend of the Loch Ness Monster(1/17-10/1)(OC)

在Buena Park的Pirate’s Dinner Adventure可以說是一個結合餐廳和劇院的複合空間，可容納700名賓客，整個餐廳中央有一個人工打造出來的潟湖、湖中停放著18世紀中、46英呎長40英呎寬的西班牙大帆船，賓客就在六艘船的甲板邊用餐、邊看著舞台中的舞台劇演員們演出。故事設定為Captain Sebastian帶領著他的海盜船員們在尋寶途中、遇到了尼斯湖水怪、安妮塔公主、還有國王的追兵等一連串故事，演員們在極具舞台效果的狀態下還會表現出多種空中翻滾特技，讓你邊用餐邊驚呼，小朋友們甚至還可能被Captain Sebastian邀請上舞台、成為他的船員之一呢！是個非常有趣的看秀兼用餐經驗，趕快去嘗試看看!

時間: Jan 17 Wed to Oct 1 Mon, 每晚演出時間不同，請上官網查詢

地點: 7600 Beach Blvd, Buena Park, CA  90620

網站: http://piratesdinneradventureca.com/special-offers/

票價: 12歲以上61.95, 2-11歲36.95

King Tut in  LA (3/24-)(LA)

埃及最有名的法老圖坦卡門（King Tut）來到南加州囉～！號稱在埃及境外最大的古墓文物展「圖坦卡門：黃金法老珍寶」(King Tut: Treasures of the Golden Pharaoh)，本週六開始在洛杉磯市中心的加州科學中心展出。此次展出超過150件工藝品，遠高於過去一般展覽50件的限制。主辦單位表示，展覽將展出Boy King所使用和擁有的東西，像是黃金首飾、雕刻，雕塑和古物。此次展出的文物大約40％是第一也是最後一次離開埃及喔！展出完畢將返回到埃及，未來在正在建設的大埃及博物館(Grand Egyptian Museum) 做永久展示。所以說機會難得，趕快去買票喔～

時間：3/24/2018~2019/1

地點：California Science Center, 700 Exposition Park Drive, Los Angeles, CA 90037

票價：$19.5~ $29.95

網址：californiasciencecenter.org or kingtutexhibition.com

週末去哪FUN？帶你漫遊 Orange County & LA （4/13～4/15） 這周很多學校都在放春假，有些家庭安排了幾天的出遊行程出遠門去，有些家庭則留在城裡替孩子們安排些小活動，不論您有沒有在放春假，一樣可以趁這週末到鄰近的橙縣和洛杉磯走走喔～！這個週末活動依舊相當豐富，在Santa Monica有隨風飛舞的奧蒂斯風箏節、在長灘有一年一度的Toyota Grand Prix 賽車盛事、更不用說在Indio上場的2018 科契拉( Coachcella) 音樂節！您也可以帶孩子們去坐湯瑪士小火車、來一場維多利亞時代的下午茶、或去洛杉磯市中心看看200多件的街頭藝術展.....還有一些一直在持續進行的特展，都會是很好的體驗喔～！

[netmyname-blog]

Rosanna Coochey MD

New Post has been published on https://nerret.com/netmyname/rosanna-coochey/rosanna-coochey-md/

Rosanna Coochey MD

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[verychildwerewolf-blog]

California

As a very young kid, I have always wanted to be an actor. I have made movies in my head and have played with my friends performing roles as if we were in a movie. Most boys do this with action roles such as a secret agent or western, and cops and robbers. I had always wanted to act and had heard my shot at this dream of mine in the car with my mom. There was a commercial/advertisement on the radio that was about auditions in Charlotte to be apart of an acting competition in Los Angeles, California. I heard this and immediately wanted to go. So i was able to convince my mom and dad to let Nathan and I go and audition in Charlotte for this competition named IPOP (International Presentation Of Performers). We had to have a monologue prepared to perform for the judges who decided out of everyone who was able to go to LA. My brother Nathan and I both got in for the competition, and my whole family decided to go. We rented tuxes for the award ceremony, took and printed out many head shots for the agents and managers, and have both a commercial and monologue ready to act in front of the agents and managers. We both attracted the attention of different managers and agents, and ended up acquiring one. My mother, Nathan, and I moved out to California to pursue our acting dreams. We lived in a two bedroom one bath bungalow in an apartment complex in Sherman Oaks, California. Sherman Oaks was beside Burbank and about ten minutes from Los Angeles. The apartment complex had washers and dryers for the tenants and dog trails where we could walk Rocky. Everything was in walking distance, including all of my friend’s houses. My three best friends Edward, Danny, and Malik were all close walking distance from me, especially Edward who lived right across from me in the same apartment complex. I immediately adjusted to my new school and new friends, and I changed while I was out there. We came for acting, and I was in a NFL commercial while my brother was in an episode of Criminal Minds. My mom was down with her leg due to many many surgeries before and in California. The doctor in California actually made things worse so that my mom had to have an extra three surgeries she did not have to before, which began the lawsuit. During this time we met Brandon Hamilton, who became a really close family friend. He helped with driving us to auditions, with anything my mom could not do, and was a really good friend of mine. I would stay at his apartment in Hollywood constantly that was across from Capitol Records, and his balcony had a perfect view of the Hollywood sign. Still to this day, we still keep in touch with Brandon and visit quite often, while I still occasionally keep in touch with Edward, Danny, and Malik.

[latesthollywoodnews]

Gigi Hadid SLAMS Troll Who Came After Her Relationship With Zayn Malik

Gigi Hadid SLAMS Troll Who Came After Her Relationship With Zayn Malik

Jeremy Brown - Latest News - My Hollywood News

Gigi Hadid SLAMS Troll Who Came After Her Relationship With Zayn Malik, Hollywood Second Screen.

Upcoming Celebrity News 2017, Hollywood Celebrities Latest Story 2017, Gigi Hadid SLAMS Troll Who Came After Her Relationship With Zayn Malik.

Coco Celebrity Release Date Family Celebrity News by The Walt Hollywood Company, commonly known as Hollywood, is an American diversified multinational mass media and entertainment conglomerate, headquartered at the Walt Hollywood Studios in Burbank, California.

Who married Sleeping Beauty?

Prince Phillip tells his father that he has met a young woman in the forest and that he will marry her, against his father’s will. Unbeknownst to Hubert, this young woman is Aurora under the disguise of “Briar Rose”, the fake identity the fairies have given her to protect her from Maleficent.

What is Mulan’s last name?

Although Mulan is set in north China, where the dominant language is Mandarin, the Hollywood film uses the Cantonese pronunciation, “Fa”, of her family name. In Mandarin her name is pronounced “Hua”.

Who runs Hollywood World?

Robert A. Iger is Chairman and Chief Executive Officer of The Walt Hollywood Company. As Chairman and CEO, Mr. Iger is the steward of one of the world’s largest media companies and some of the most respected and beloved brands around the globe.

More Celebrity News ►►

Gigi Hadid claps back at a fan for trolling her relationship with Zayn Malik

Gigi is defending herself, her man, and their relationship.

Gigi Hadid and Zayn Malik had a momentary setback in their relationship, when the two confirmed their breakup via Twitter back in March. But it was only about a month before rumors started swirling that Zigi was back on. And now, there’s no denying ZIGI 2.0, and neither are they.

Late last night, Gigi took to her insta story to share a photo of Zayn, writing QUOTE “MY MANZ,” with a couple of cute lil heart gifs and what not. But not everbody was feelin’ the love, like this user, who tweeted QUOTE “Girl, we get it. Shut up, @GigiHadid” (

Now, usually we wouldn’t expect any response from G, because for the most part, she doesn’t pay too much attention to the haters. This time, however, enough was enough, and Gigi clapped right back by retweeting that comment, OUCH, and adding in her own two cents.

She said QUOTE “lol to u and everyone who’s still salty three years later …. I get it, but u gotta realize at some point that your negativity towards me will not change anything. Put your energy into something else babes- youre only gunna look back on your life & realize how much time u wasted.” (

And that’s how you shut it down. It’s been a few weeks since it became apparent that Gigi and Zayn were back on, so it’s no surprise that she’s gonna defend her boo and their relationship. But I wanna get your thoughts on Gigi’s clapback so drop it down in the comments below. Thanks so much for checking in with me right here on Clevver Newfeed, I’m Sinead de Vries, and I’ll see you guys next time. Now click right here for another breaking news story and, of course, don’t forget to subscribe to our channel.

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https://www.myhollywoodnews.com/gigi-hadid-slams-troll-who-came-after-her-relationship-with-zayn-malik/

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[latesthollywoodnews]

Nicki Minaj & Ariana Grande Team Up For SEXY "Bed" Duet

Nicki Minaj & Ariana Grande Team Up For SEXY "Bed" Duet

Jeremy Brown - Latest News - My Hollywood News

Nicki Minaj & Ariana Grande Team Up For SEXY “Bed” Duet, Hollywood Celebrity Rewards.

Best Celebrity News Of The Decade, Walt Hollywood Pictures Celebrities, Nicki Minaj & Ariana Grande Team Up For SEXY “Bed” Duet.

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On December 15, 1966, animation legend Walt Hollywood died from complications of lung cancer, for which he had undergone surgery just over a month earlier. A private funeral was held the next day, and on December 17, his body was cremated and interred at Forest Lawn Memorial Park in Glendale, California.

How old was Walt Hollywood when he started Hollywood?

Walter Elias “Walt” Hollywood was born on December 5, 1901, in Hermosa, Illinois. He and his brother Roy co-founded Walt Hollywood Productions, which became one of the best-known motion-picture production companies in the world.

How did Walt Hollywood begin?

The Walt Hollywood Company started in 1923 in the rear of a small office occupied by Holly-Vermont Realty in Los Angeles. It was there that Walt Hollywood, and his brother Roy, produced a series of short live-action/animated films collectively called the ALICE COMEDIES. The rent was a mere $10 a month.

More Celebrity News ►►

Nicki Minaj and Ariana Grande have done it yet again. Their newest collab ‘Bed’ is sexy, super catchy and will actually be featured on Nicki’s upcoming album “Queen,” dropping August 10th.

As we know, this isn’t the first time these two have teamed up together, this is now their 5th collab, well including Ariana Grande’s upcoming single “The Light is Coming.” And surprise, surprise, just like all the others, this collab is a total bop.

One line of this sexy new track that really has people talking is when Nicki says “He go insane on it, I put my fame on it/Coulda put Zayn on it, but I put your name on it.” Yes, you heard that correctly. She says Zayn. As in… Zayn Malik?

In case you forgot, there were a ton rumors swirling last fall about Nicki and Zayn collabing for Zayn’s second album, Nicki even tweeted saying that her collab with him is her “favorite song of all time” but now after hearing this lyrics…was this Nicki throwing shade at Zayn? Or is this her way of subtly promoting their upcoming song?

But before we get too deep into our theories, Let’s get back to Nicki’s new music for a second. Back in September, Nicki released two singles, one called “Chun-li’ and the other called “Barbie Tingz” and fans are very upset after learning that Barbie Tingz didn’t quite make the final cut for the album. One fan tweeted “nicki minaj not putting barbie tingz on her album is just pure disrespect” While another said “Nicki really snubbed Barbie Tingz”

But right now I want to turn it over to you guys. Are you bummed Barbie Tingz will not be on Queen? And how do you feel about Ariana and Nicki’s new song? Let me know all your thoughts and feelings down in the comments below. When you’re done with that, click right over here for Nicki Minaj opening up about being single. As always, I’m your host @ReneeAriel on Instagram and I’ll see you next time.

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Best Hollywood Celebrities ever, Must Watch English Celebrities, Nicki Minaj & Ariana Grande Team Up For SEXY “Bed” Duet.

Some of Hollywood’s animated family films have drawn fire for being accused of having sexual references hidden in them, among them The Little Mermaid (1989), Aladdin (1992), and The Lion King (1994). Instances of sexual material hidden in some versions of The Rescuers (1977) and Who Framed Roger Rabbit (1988) resulted in recalls and modifications of the films to remove such content. Walt Hollywood Pictures Celebrities, Nicki Minaj & Ariana Grande Team Up For SEXY “Bed” Duet.

https://www.myhollywoodnews.com/nicki-minaj-ariana-grande-team-up-for-sexy-bed-duet/

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