#Magnet Release

[rpfofficial]

the only girl i ever loved was michael in drag (for @fortheturnstiles)

[sioneve]

Today marks the 10th anniversary of Nicomaki duet song "ずるいよMagnetic today" release! 🩷❤️

At this point I treat the song’s release date like nicomaki couple anniversary 💀 i mean!! a duet song!! WITH VERY PERSONALIZED LYRICS ABOUT THEM TOO….. pls let me have a long life so i can make it every year 😇🙏

the last time i made anniversary art for zurui yo magnetic today was in 2019! It’s getting the biggest number i’ve ever posted on tumblr lol (but that is definitely cuz of the wild almost-to-kiss-tension-pose lol)

enjoy the meal for every nkmk shipper if you’re still breathing?? nicomaki will be forever my top, it surpasses all my ships across the universe. I love you both my dumbass magnet 🩷❤️

imagine applying physics reference to your art

process (lots of skipped parts i forgot to save)

[bartholomew-junior]

gravity falls au concept: in stan’s mindscape at the end of weirdmageddon, bill gets a glimpse of his future and sees the theraprism and decides that he should just curse the pines family instead of resurrection. the curse goes wrong because he’s dying, and he ends up accidentally bestowing (or cursing) near godlike power (or a fourth of it) on dipper, mabel, stan and ford.

the au is called pines pantheon.

[xxplastic-cubexx]

not to be myself on main but im still here

[fearsmagazine]

TERRORGRAM - Filmmaker Jason Yu discusses his feature film debut, SLEEP, with FEARS Magazine's executive editor, Joseph B Mauceri.

In Jason Yu’s feature film debut, SLEEP, he introduces us to Newlyweds Hyun-su, an aspiring actor, and Soo-jin, a successful executive, who have their domestic bliss up-ended when Hyun-su begins speaking in his sleep. He sits up in bed and ominously states, “Someone’s inside.” From that night on, whenever he falls asleep, Hyun-su sleepwalks doing bizarre things, with no recollection of what happened the night before. Overwhelmed with anxiety that he may hurt himself or their young family, Soo-jin can barely sleep because of this irrational fear.

Is Hyun-su’s behavior a result of a medical condition or a more sinister underlying cause? Despite treatment and taking precautions, Hyun-su’s sleepwalking intensifies, and Soo-jin begins to feel that her unborn child may be in danger. With her options running out, she turns to her mother and her shaman to look into alternative causes and solutions.

Director Jason YU was not a film major. He storytelling as part of a literary writing course in college. After his military service, he immersed himself in films, watching building a true passion for the cinema. Jason joined a film club and began creating short films, among his 8 short films his film VIDEO MESSAGE that was screened in the competition sections of the Seoul Independent Film Festival and IndieForum Film Festival. His short film THE FAVOR won the Fantastic Short Film Award at the Bucheon International Fantastic Film Festival. His short film work lead to him working as one of the assistant directors on films like SECRETLY, GREATLY and OKJA, as well as translating English subtitles for BURNING. His desire to create genre films that audiences could enjoy, as well as his fascination sleepwalking, inspired by real cases of patients with the disorder, YU wondered about the daily lives of those around the affected individuals, including their families.

FEARS Magazine's joseph B. Mauceri spoke with Jason YU shortly before the films US release on September 27th, 2024, from Magnet Releasing.

[commsroom]

eiffel is really, really into the idea of birthday sex, but he's got basic taste and doesn't even want to try anything different; hera is happy to indulge him, but she's like. i don't get it. i have sex with you all the time anyway. what makes it birthday sex. and he's like, um. it's my birthday?

[brutalfantasytarot]

money manifestations for ya'll 💸💰

[freshthoughts2020]

[xycuro-illuminati]

Trick or Treat! :3

ILNP- Moonlit!

(send me a trick or treat to get a nail polish!)

[iron-bullogna]

y'all I spilled a chocolate protein drink in my keyboard and now the temp one I'm using has a sticky space bar wtf I can't live in these conditions

[sheyshen]

kitchen table and desks and computer setups have been moved around so most of the heavy lifting is done for the time being. but i'm also tired!

more cleaning tomorrow, mostly regular basic stuff like vacuuming and the stove and then next week some more rearranging stuff but less moving furniture and more organizing things! I also need to rearrange my pin board but am tempted to hold off because i got a keychain of nathaniel i can add to it that should be here in a couple weeks...

[darksouls2yuri]

i went on a hunt for that little blue cat bc i havent seen it before. very interesting.

[all-naruto-polls]

Favorite Kekkei Genkai (excluding dojutsu)?

Mokuton (Wood Release)

Hyoton (Ice Release)

Shikotsumyaku (Dead Bone Pulse)

Juugo's clan's Kekkei Genkai

Bakuton (Explosion Release)

Yoton (Lava Release)

Futton (Boil Release)

Jiton (Magnet Release)

Ranton (Storm Release)

[fearsmagazine]

LORD OF MISRULE - Review

DISTRIBUTOR: Magnet Releasing

SYNOPSIS: Rebecca Holland, along with her husband, Henry, and their 9-year-old daughter, Grace, has now spent a full year in their new home, the small British village of Berrow, where Rebecca is the vicar of the local church. Berrow’s annual four-day autumn festival approaches, a time when villagers dress up in strange costumes and a masked figure known as the Lord of Misrule leads them in casting out the evil spirit Gallowgog. For this year’s reenactment Grace has been chosen to play the Harvest Angel. As dusk falls, Rebecca loses track of Grace in the throng of villagers in a ceremonial field where bonfires burn. Rebecca searches for her in vain, but Grace has disappeared. A desperate search begins and Rebecca uncovers secrets from the town’s dark past. Soon, she must decide how much she is willing to sacrifice to rescue her daughter from the grip of the evil that dwells in Berrow.

REVIEW: The director of “The Devil Inside,” “The Boy,” and “Orphan: First Kill,” comes a haunting folk tale of a secluded community in the British isles that practices a pagan ritual steeped in a horrific truth. The film is an excellent marriage of narrative and visuals to craft a terrifying tale.

I love Tom DeVille’s narrative. He does a superb job of mixing this pagan tale with contemporary themes and adds in a supernatural element with an evil spirit, Gallowgog, to create a horrifying fairy tale that is every parent’s worst nightmare. The Lord of Misrule is a tale that is found in European cultures, with its origin being traced back to the Roman celebration of Saturnalia, that took place from the 17th to 23rd December. In the film, De Ville anchor’s the legend as part of a harvest celebration. He brings in some of the background of how the Catholic Church and the Church of England forced their religion onto the local people and replaced their festivals with Christian ones. Clearly there is a troubled past brewing at the Holland household. Rebecca and Henry are having issues, and when we first meet Grace we get an idea that something is wrong. Is that a result of the darkness that resides in the town or something the family is trying to escape. Rebecca tightly holds onto her beliefs as she is confronted by the town’s grim history; she demonstrates a strength through her logic that leaves the viewer feeling she might survive this encounter. There is just so much here for the sophisticated genre fan to sink their teeth into given everything DeVille weaves into the story.

Filmmaker William Brent Bell, as with several of his previous films but more so here, has an excellent location that permits him the opportunity to create a visually arresting fairy tale nightmare for De Ville’s story to play out in. Add to that excellent productions designs, costume designs, with arresting visual and special effects that make for a hypnotic tale. He does an excellent job of pacing the film as to allow the viewer to feel Rebecca’s becoming disoriented in the horrors that develop without slowing the film down. Brett Detar’s score adds so much to the film. There is a particular moment in the film when the town folks show up with food and start setting up for dinner where the score underpins Rebecca’s mental state and the insanity of everything that is going on around them. Itadds depth to the visuals and enhances the build ups of terror and suspense.

LORD OF MISRULE features an exceptional ensemble cast. There is an aspect to the supporting cast that I found reminiscent of Rosemary Woodhouse’s neighbors in Polanski’s film. I loved actor Ralph Ineson’s performance as Jocelyn Abney. It is grounded more in a character that feels lifted from today’s news feeds like a Brexiteer or Maga Republican. It makes for a new kind of sinister. Evie Templeton does not have much screen time as Grace, but what she delivers is enchanting and horrifying at times. Tuppence Middleton is someone who you’ll know that you’ve seen before, and clearly her performance here demonstrates why she has appeared in so many projects, from episodic shows to big studio features. Her portrayal of Rebecca is an emotional rollercoaster ride that conveys the intense emotional journey of the character as she navigates this cinematic nightmare.

Filmmaker William Brent Bell and screenwriter Tom DeVille, along with a marvelous cast headed by Tuppence Middleton and Ralph Ineson, tell a rich and haunting tale that is as much an epic horror tale as it is social commentary. This spellbinding cinematic tale is a complex visual and narrative experience that feels like it could be based on a bestselling novel from a master of the genre. LORD OF MISRULE is a film worth going to the cinema to experience. Bell and DeVille are an impressive team who I’d welcome an opportunity to take in something they might again unite on.

CAST: Tuppence Middleton, Ralph Ineson, Matt Stokoe, Evie Templeton, Rosalind March, Jane Wood, Luc Ineson, & David Langham. CREW: Director - William Brent Bell; Screenplay - Tom DeVille; Producers - Nik Bower, Deepak Nayar, Jason Newmark, Laurie Cook, William Brent Bell, James Tomlinson, &Alison Brister; Cinematographer - Simon Rowling; Score - Brett Detar; Editor - Andrew Leven; Production Designer - Alison Butler; Costume Designer - Libby Irwin; Hair & Make-up Designer - Haelwyn Adams; SFX Supervisior - Sean Harland; Visual Effects - KOALA FX; Character Design & Illustrator - Zsombor Huszka; Special Effects - Matter FX. OFFICIAL: N.A. FACEBOOK: N.A. TWITTER: N.A. TRAILER: https://youtu.be/j8MqDwHEPxA?si=6WZFLifU_JUXIGBz RELEASE DATE: In theaters and on VOD December 8th, 2023

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)

Reviewed by Joseph B Mauceri

[nururu]

maintenance better be over soon I am shaking in my boots.... I only have enough for 1 MAYBE 2 scouts ATM but I'll have more later once I get paid 😎 hell yeah baby everyone use all the magic in your body to help me get Hinata Norton....

[mikurulucky]

Up until I went traipsing around youtube for random logo vids in middle school/early high school, I didn't know just HOW LONG good ol F.H.E. was in business. I had two christmas special tapes back then that were released around the late 80s and another one from the early 90s, so my kid self only saw the yellow 80s variant and the 90s paintbrush one.

Yeah, you can tell this was made on a real low budget like a LOT of vhs company logos in the early 80s. It's sometimes called the soda pop variant and for good reason imo. The big computer generated ball of light makes me think of fizzy pop and the popping bleeps and bloops sound almost exactly like the sound a glass of ginger ale would make immediately after pouring it, only with the audio increased by a lot.