#Madson wines

[wine-porn]

The Waiting is the Hardest Part

Ridiculously light, a pale green frost to barely-yellow with definite temporary suspended spritz. Opaque and tight in the nose, ever-so-slight greenery herbaceousness and wisps of apple and melon carrying the fruit. It does gather some rich varietal, smoky depth with considerable air, but this is definitely a delicate drop. In the mouth–at 60°–equally light and un-charasmatic, a watered-down…

[the-speedster-god]

Hello hello, Hermes here. Kinda busy right now, but leave a message after that beep, would ya?

📨¹

🅽🅰🅼🅴: Hermes

🅰🅶🅴: Too old for you.

🅿🅰🆁🅴🅽🆃🅰🅶🅴: Zeus and Maia

🆁🅴🅰🅻🅼 🅾🅵 🅲🅾🅽🆃🆁🅾🅻: boundaries, roads, travelers, merchants, thieves, athletes, shepherds, dreams, commerce, speed, cunning, language, oratory, wit, messages, wrestling and many more things. But I think you get the point. Also work as a psychopomp by the way.

🅲🅷🅸🅻🅳🆁🅴🅽: Evander, Pan, Hermaphroditus, Abderus, Autolycus, Eudoros, Angelia, Myrtilus, Palaestra, Aethalides, Arabius, Astacus, Bounos, Cephalus, Cydon, Pharis, Polybus, Prylis, Linus and Saon. Love my kids 🫶

(PJO children of Hermes included)

People I know (I know many people, actually, I just want to know who else is here-):

@cloak-of-ares some guy/j

@hebe-star GUYS IF SHE LEARNS SOMETHING SHE SHOULDN'T, IT'S ALL YOUR FAULT

@heraaaaaaaa my step-mom (what do you see in him??? 🤢🤮)

@madson-of-hermes-notluke my child :DD (who likes me!!)

@green-child-of-aphrodite one of my Champions, Alex!

@apollo-phoebus haha got your cattle >:)

@dionysus-god-of-all-things-wine moody dude I used to babysit :/

@xolues-child-of-aelous another champion of mine, Xolues!

@muscalfoxes child of said moody guy I babysat that I give Moly to! :D

@flower-of-my-eye My sweet, sweet daughter <3

(OOC- Hey there! This is a RP blog. Hermes is basically based on my view of him, how he would act, greek mythology wise. Though PJO and Epic RP blogs are welcome to interact! Peace out ✌️)

Tag: Hermes ran by tho

[askthingone]

MADISON: Kitty... MADISON: We're on a team. We should be friends. And honestly we'll be an even better team and probs win more if we really like each other. Also what doesn't sound fun about getting a little wine drunk and watching OTH or playing Never Have I Ever with all the girlies. MADSON: A ZOOM CALL? No! MADISON: Just because you have a boy toy you wanna have sexy sleepovers with doesn't mean you can trade in one night a month for sisterly sleepovers. Fully of fun and booze and early 2000's hotties.

KITTY: I’m sorry, the purpose of me being on a team is to look hot, win, and yell at people. All of which I do really well.

KITTY: You want to do this more than once? Madison…

KITTY: Can’t we just have a 15 minute Zoom call every few weeks? Some of us have shit we like to do at night that’s not a slumber party with our glee club.

[acsversace-news]

**MAJOR SPOILERS FOR EPISDOE 6**

As we enter the back half of "The Assassination of Gianni Versace," it's becoming clear that this is the Andrew Cunanan story. The show is less an examination of how the fashion designer was murdered but why he was murdered, putting the spotlight on his killer, marvelously portrayed by the dynamic Darren Criss. This is another week where we don't see the Versace crew, including Penelope Cruz, Edgar Ramirez (Ramirez's Gianni does appear in one scene but as a figment of Andrew's imagination) and Ricky Martin.

In the sixth episode of the season "Descent," directed by Gwyneth Horder-Payton and written by Tom Rob Smith, the show travels further back in time - a year before Andrew went on his cross-country murdering spree. The episode opens with Andrew celebrating his birthday in San Diego where he's living with an older, wealthy man named Norman (Michael Nouri) in a fabulous seaside house. But it's all a show, an attempt to woo and impress David Madson (Cody Fern). Andrew explains to his best friend Elizabeth Cote (the wonderful Annaleigh Ashford), that he's staying with Norma "curating" his home and designing its decor. Andrew goes on to say he sees a "future" with David and that he's trying to be "someone he can love."

Also at the birthday party is Jeff Trail (Finn Wittrock), dressed in blue jeans and sneakers. Andrew hands Jeff a pair of fancy loafers to wear for the party. Jeff has brought a gift for Andrew, but Andrew gives him another gift to pass him in its place.

"I want [David] to see I have really good friends," Andrew tells Jeff. "...I need you to look the part."

"What does a good friend look like?" Jeff asks. "How is this going to help?"

"I need him to know [that you love me]," Andrew says.

Jeff finally agrees but before Andrew tells him that he told David he is still serving in the Navy. He reluctantly agrees.

As the episode goes on, it continues to dig into Andrew's compulsive lying as well as his drug addiction. Not only does he lead David to believe Norman's house is actually his, but he tells him he used to design clothes with Gianni Versace. Later in the episode, we see Andrew doing hard drugs.

"We'll have a house like this one day. Maybe this very one," he tells David. Shortly after, Jeff hands Andrew the gift Andrew gave him, which turn out to be a pair of Ferragamo shoes.

That's when Jeff and David meet for the first time - and seemingly make a connection, upsetting Andrew.

"Descent" also features one of the few characters in the series who acts as a direct foil to Andrew. One of Norman's friends, played by "Saturday Night Live" alum Terry Sweeney, is fully aware of Andrew's lies and act, giving him a hard time throughout the episode, letting Andrew know he's on to him.

"I have a birthday present for you, it's a piece of advice. You think Norman is the lucky one. You're wrong, you're the lucky one," he tells Andrew. "Norman is a conservative old queer... most men would make it clear you're an employee, but he wants you to feel like you're an equal. But you're not an equal."

He goes on to say Norman was vulnerable when he met Andrew and that his partner died of AIDS, suggesting Andrew preyed on his friend during a difficult time.

"What a mix you are," he tells Andrew. "Too lazy to work, too proud to be kept."

"I need to get back to my party that room is full of people who love me," Andrew says.

"Then that room is full of people who don't know you," Norman's friend responds.

As the party continues, Andrew grows more concerned about Jeff and David getting closer and he attempts to balance out his lies. Later on, Lee Miglin (Mike Farrell) shows up at the party, adding to the episode's fever dream quality - like at the end of "Alice in Wonderland," where Alice confronts all the characters she's met throughout her bizarre journey.

After the party, Norman confronts Andrew about his lies, his past, and his current behavior. He says he won't be taken for a fool, and if Andrew can't share his life with him then he has to leave Norman's multi-million-dollar home. This upsets Andrew, who smashes Norman's glass table with a chair and announces he's leaving but "expect[s Norman] to call me."

Andrew indeed leaves, moving into a crummy studio apartment. Jeff then visits Andrew, and the two fight about Andrew sending Jeff's father a postcard that suggested Jeff is gay. During their argument, Jeff tells Andrew he's moving because he's unhappy, and Andrew contributed to that unhappiness.

Andrew then invites David to Los Angeles, where he arranges a five-star hotel stay, rents a sports car and wines and dines David, continuing his unhealthy, lying lifestyle. Despite all his attempts to impress David, which includes buying him a new suit, David still isn't connecting with Andrew and tells him so.

A desperate Andrew tries to impress David even more but it doesn't work and David says the two can't take the next step in their relationship. He says he wants to get to know the real Andrew and get to the truth. But Andrew can't help himself and he continues to lie about his family, saying his dad was a wealthy stockbroker and his mother ran a successful publishing house. David, however, sees through Andrew's lies; an excellent Cody Fern plays the moment so well you can see David's face drooping in disappointment.

"David, I'm a good person, who wants to be good to you," Andrew says.

"One day you're going to make someone very happy. I know you will," David responds.

After things dissolve with David, Andrew is left feeling helpless and spiraling out of control. Parts of "The Assassination of Versace" have had a dreamlike quality, as writer Tom Rob Smith had to create a number of moments. "Descent" features one of the most vibrant and creepy scenes in the series, where a drugged-out Andrew envisions himself meeting Gianni Versace; the scene is cloaked in a crimson red glow as Andrew debates with Gianni about the life he should have had and that Gianni stole it from him.

"People have taken from me and taken from me... now I'm spent," he tells Gianni, as he measures him for a suit. "This world has wasted me while it has turned you, Mr. Versace, into a star."

"You think you're better than me? You're not better than me. We're the same - the only difference is you got lucky," Andrew adds.

"It's not the only difference, sir," Gianni says.

"What else you got?" Andrew asks.

"I have love," the designer responds.

After the nightmare, Andrew, disheveled, high and desperate, tries to break into Norman's house late at night, pleading with him to take him back. Of course, Norman doesn't and threatens to call the police.

The next morning, Andrew goes to his mother's home, who lives in a sad one-bedroom apartment. The end of "Decent" is completely devastating, as it's the first time we see Mary Ann Cunanan (Joanna P. Adler), who is a sad and unhinged woman.

"I'm unhappy," Andrew tells his mother, who ignores him and launches into a story about how she ran into a friend and bragged about Andrew working with Versace, traveling the world - of course, none of this is true and only adds to Andrew's self-hate in the moment.

"I wish you could stay with me," Andrew's mother says, holding her son. "But I have to share you with the world."

As Andrew leaves, he tells his mother he is going to visit Minneapolis - where David lives and where Jeff eventually moves.

"Descent" gives more context to Andrew and why he is the way he is, but it's only scratching the surface of what's to come.

[evewine101]

From Paso: During the vineyard walk at @OsoLibreWinery with manager Jeanine Madson we learned that of their 4,000 to 5,500 cases produced annually most are sold direct to consumer, the don’t harvest until mid to late October, there were about thirty wineries in Paso when they bought the former cattle ranch in 1996 and they use all the grapes they grow. Besides hillside vineyards we also saw their cows, cute alpacas and pretty cherry blossom trees! . . Of their current wines we enjoyed all: 2016 Nativo Estate Primitivo (They are using an Italian root stock so though the American name for this grape is Zinfandel theirs is rightly named a Primitivo) 2015 Rojo del Patron Red Estate Blend that spent a lot of time in oak, 2014 Reserva Bordeaux Style Blend that spent four years in barrel and was just bottled last fall, and then we finished up with the Azucar Late Harvest Primitivo that had not been fortified. 🍷🍷♥️♥️😁😁 . . . #EveBushmanWhatsInYouGlass #OsoLibreWine #PasoWine #PasoRobles #Vineyard #Primitive #RedBlend #EstateWine #Alpaca #CherryBloosom #WineLover #WineLovers @OsoLibreWinery (at Oso Libre Winery) https://www.instagram.com/p/B9W5HVfg5sA/?igshid=ckqub3v300iu

[dutzervonmezzenbrau]

At the head of the group, there was an amphora filled with wine, mixed with honey and a vine branch, followed by a basket of figs, followed by the virgins who carried the phallus which with the fields were irrigated.

~ Plutarch Πλούταρχος (De cupiditate divitiarum, VIII, 527 D)

photo by luke madson of a Krater by the Pan Painter, vase-painter of the Attic red-figure style (c. 470 BCE)  hetæra carrying phallus. 

collection: Antikensammlung, Staatliche Museen zu Berlin.

[wineweirdos]

2017 Madson Wines Anderson Valley Pinot Noir Santa Cruz, California https://www.madsonwines.com/

[barrygaudy]

BLACK PEOPLE LOVE THIS WINE #OHENE #June28 #contentcreator #actor #visionary #moment #blackbard #winery #wineup #drinkresponsibly #momentintime #Blacktor #music #download #upload #tagafriend #underground #indie #viral #kings #queens #artisan (at Madson Square Garden)

[the-speedster-god]

(OOC - so, uhh, I actually wanted to make this a 50 followers special, but since I'm bored, here ya go. Ladies and gentlemen, I present to you-)

~~ Hermes without context!~~

(OOC - If you want to join, you're free to do so! Or not, yolo. Idk dude, I'm trying to avoid my studies atp LMAO)

---

"You preposterous, short-dicked chimpanzee."

-

"Your mother should have swallowed."

-

"Dude, I'm eepy, I don't wanna commit war crimes-"

-

"A pope has a better chance at reading Haunting Adeline than you being straight."

-

[Hermes, standing naked and covering himself his his hat.]

"... Funny story, my clothes ran away."

-

[singing]

"Let's vandalize the white house, and talk shit about my spouse-"

-

"What kind of porn have you been watching?"

-

"Whaddup, papi?"

-

"Drake, drake, go away, rizz up kids another day-"

---

@cloak-of-ares @hebe-star @heraaaaaaaa @dionysus-god-of-all-things-wine @muscalfoxes @the-hottest-olympian @green-child-of-aphrodite @flower-of-my-eye @xolues-child-of-aelous @madson-of-hermes-notluke

[acsversace-news]

As we enter the back half of "The Assassination of Gianni Versace," it's becoming clear that this is the Andrew Cunanan story. The show is less an examination of how the fashion designer was murdered but why he was murdered, putting the spotlight on his killer, marvelously portrayed by the dynamic Darren Criss. This is another week where we don't see the Versace crew, including Penelope Cruz, Edgar Ramirez (Ramirez's Gianni does appear in one scene but as a figment of Andrew's imagination) and Ricky Martin.

In the sixth episode of the season "Descent," directed by Gwyneth Horder-Payton and written by Tom Rob Smith, the show travels further back in time - a year before Andrew went on his cross-country murdering spree. The episode opens with Andrew celebrating his birthday in San Diego where he's living with an older, wealthy man named Norman (Michael Nouri) in a fabulous seaside house. But it's all a show, an attempt to woo and impress David Madson (Cody Fern). Andrew explains to his best friend Elizabeth Cote (the wonderful Annaleigh Ashford), that he's staying with Norma "curating" his home and designing its decor. Andrew goes on to say he sees a "future" with David and that he's trying to be "someone he can love."

Also at the birthday party is Jeff Trail (Finn Wittrock), dressed in blue jeans and sneakers. Andrew hands Jeff a pair of fancy loafers to wear for the party. Jeff has brought a gift for Andrew, but Andrew gives him another gift to pass him in its place.

"I want [David] to see I have really good friends," Andrew tells Jeff. "...I need you to look the part."

"What does a good friend look like?" Jeff asks. "How is this going to help?"

"I need him to know [that you love me]," Andrew says.

Jeff finally agrees but before Andrew tells him that he told David he is still serving in the Navy. He reluctantly agrees.

As the episode goes on, it continues to dig into Andrew's compulsive lying as well as his drug addiction. Not only does he lead David to believe Norman's house is actually his, but he tells him he used to design clothes with Gianni Versace. Later in the episode, we see Andrew doing hard drugs.

"We'll have a house like this one day. Maybe this very one," he tells David. Shortly after, Jeff hands Andrew the gift Andrew gave him, which turn out to be a pair of Ferragamo shoes.

That's when Jeff and David meet for the first time - and seemingly make a connection, upsetting Andrew.

"Descent" also features one of the few characters in the series who acts as a direct foil to Andrew. One of Norman's friends, played by "Saturday Night Live" alum Terry Sweeney, is fully aware of Andrew's lies and act, giving him a hard time throughout the episode, letting Andrew know he's on to him.

"I have a birthday present for you, it's a piece of advice. You think Norman is the lucky one. You're wrong, you're the lucky one," he tells Andrew. "Norman is a conservative old queer... most men would make it clear you're an employee, but he wants you to feel like you're an equal. But you're not an equal."

He goes on to say Norman was vulnerable when he met Andrew and that his partner died of AIDS, suggesting Andrew preyed on his friend during a difficult time.

"What a mix you are," he tells Andrew. "Too lazy to work, too proud to be kept."

"I need to get back to my party that room is full of people who love me," Andrew says.

"Then that room is full of people who don't know you," Norman's friend responds.

As the party continues, Andrew grows more concerned about Jeff and David getting closer and he attempts to balance out his lies. Later on, Lee Miglin (Mike Farrell) shows up at the party, adding to the episode's fever dream quality - like at the end of "Alice in Wonderland," where Alice confronts all the characters she's met throughout her bizarre journey.

After the party, Norman confronts Andrew about his lies, his past, and his current behavior. He says he won't be taken for a fool, and if Andrew can't share his life with him then he has to leave Norman's multi-million-dollar home. This upsets Andrew, who smashes Norman's glass table with a chair and announces he's leaving but "expect[s Norman] to call me."

Andrew indeed leaves, moving into a crummy studio apartment. Jeff then visits Andrew, and the two fight about Andrew sending Jeff's father a postcard that suggested Jeff is gay. During their argument, Jeff tells Andrew he's moving because he's unhappy, and Andrew contributed to that unhappiness.

Andrew then invites David to Los Angeles, where he arranges a five-star hotel stay, rents a sports car and wines and dines David, continuing his unhealthy, lying lifestyle. Despite all his attempts to impress David, which includes buying him a new suit, David still isn't connecting with Andrew and tells him so.

A desperate Andrew tries to impress David even more but it doesn't work and David says the two can't take the next step in their relationship. He says he wants to get to know the real Andrew and get to the truth. But Andrew can't help himself and he continues to lie about his family, saying his dad was a wealthy stockbroker and his mother ran a successful publishing house. David, however, sees through Andrew's lies; an excellent Cody Fern plays the moment so well you can see David's face drooping in disappointment.

"David, I'm a good person, who wants to be good to you," Andrew says.

"One day you're going to make someone very happy. I know you will," David responds.

After things dissolve with David, Andrew is left feeling helpless and spiraling out of control. Parts of "The Assassination of Versace" have had a dreamlike quality, as writer Tom Rob Smith had to create a number of moments. "Descent" features one of the most vibrant and creepy scenes in the series, where a drugged-out Andrew envisions himself meeting Gianni Versace; the scene is cloaked in a crimson red glow as Andrew debates with Gianni about the life he should have had and that Gianni stole it from him.

"People have taken from me and taken from me... now I'm spent," he tells Gianni, as he measures him for a suit. "This world has wasted me while it has turned you, Mr. Versace, into a star."

"You think you're better than me? You're not better than me. We're the same - the only difference is you got lucky," Andrew adds.

"It's not the only difference, sir," Gianni says.

"What else you got?" Andrew asks.

"I have love," the designer responds.

After the nightmare, Andrew, disheveled, high and desperate, tries to break into Norman's house late at night, pleading with him to take him back. Of course, Norman doesn't and threatens to call the police.

The next morning, Andrew goes to his mother's home, who lives in a sad one-bedroom apartment. The end of "Decent" is completely devastating, as it's the first time we see Mary Ann Cunanan (Joanna P. Adler), who is a sad and unhinged woman.

"I'm unhappy," Andrew tells his mother, who ignores him and launches into a story about how she ran into a friend and bragged about Andrew working with Versace, traveling the world - of course, none of this is true and only adds to Andrew's self-hate in the moment.

"I wish you could stay with me," Andrew's mother says, holding her son. "But I have to share you with the world."

As Andrew leaves, he tells his mother he is going to visit Minneapolis - where David lives and where Jeff eventually moves.

"Descent" gives more context to Andrew and why he is the way he is, but it's only scratching the surface of what's to come.

[acsversace-news]

We go further back in time with the fourth episode in "The Assassination of Gianni Versace," "House by the Lake," written by Tom Rob Smith and directed by Dan Minahan. Specifically, a week before Andrew Cunanan (Darren Criss) murdered Chicago real estate mogul Lee Milgin in last week's fantastic episode.

The episode focuses on Andrew's first two murders - his friend Jeff Trail, a former U.S. naval officer and propane salesman, and David Madson, Andrew's friend and former lover. This is also the second episode in a row not to feature the show's main crew Edgar Ramirez, who plays the titular Versace, Ricky Martin, as the designer's partner Antonio D'Amico, and Penelope Cruz, as Versace's sister Donatella.

"House by the Lake" opens with Andrew staying with David, a rising architect, (played by Australian actor Cody Fern) at his Minneapolis loft. In the tense opening scene, Andrew invites their mutual friend Jeff (Ryan Murphy regular, Finn Wittrock) over unbeknownst to David. "It'll give you two a chance to talk about me," Andrew says.

When David goes to the apartment lobby to let Jeff in, he tells Jeff Andrew proposed to him, saying he was "His last chance at happiness."

"How did you get out of it?" Jeff asks.

"I told him it was illegal for us to get married," David replies, adding Andrew believes he's in love with Jeff.

"He knows about us," David tells Jeff. "He has this feline intuition."

As the men enter David's loft, Andrew is waiting by the door and strikes Jeff, his first victim in what would become a murdering spree, in the head several times with a hammer in front of David.

After the murder, Andrew uses it as leverage to convince David they should be together. Understandably David is freaking out, and though Andrew isn't locking him in the apartment, a sort of Stockholm syndrome takes over David and he rationalizes the murder.

Andrew cleans up the body and the two men talk about running away together - exactly what Andrew wants. As they're packing up, David's coworker Linda stops by his home to check in on him since he didn't show up to work. As the apartment manager gets the keys to his home, David and Andrew escape and his coworker and the manager discover Jeff's body, rolled up in a rug - except they believe it's David's body.

Once Minneapolis police are involved, the episode highlights the authorities' views on the LGBTQ community in the 90s.

"Does he have a girlfriend, a wife?" a detective asks Linda.

"No, he's gay," she says. He response sparks the two detectives to give each other a disconcerting look.

As the detective search David's home, they come across some porn left on the bed.

"It's a gay thing," one of them says and then starts to put together a scenario that couldn't be further away from the events that took place.

"A guy shows up. They did what they do...all this "extreme" stuff. It goes wrong. David ends up in a rug; the other guy runs - doesn't steal a thing," he says.

Linda later tells one of the detectives about Andrew staying with David, saying something seemed off about him as he described himself as a "Jewish millionaire New Yorker" and that he was building sets for the "Titanic" in Mexico. She also tells the authorities David has blond hair - different from the body in the rug. Now they believe the body is Andrew and since they believe David is still alive, they realized they've entered his home without a search warrant and illegally.

The authorities pack up and tell Linda David is the killer.

The episode later cuts to David and Andrew on the run - Andrew couldn't be happier as David is sick to his stomach.

"I'm so glad you decided to come with me," Andrew tells David, who can't stop thinking about his situation. He's also concerned about the world finding out he's gay, especially those in his small hometown in the midwest.

"Did you hear? That boy is a suspect - there was always something about him - that boy!" David says, later adding that he's worried about his parents and how the small community will treat them. "No one will buy from my dad's shop."

"Am I afraid of the disgrace? The shame of it all? Is that what I'm running from?" David asks himself.

David also tells Andrew he thought Andrew was going to kill him.

"I told you, I could never hurt you," Andrew says. "Know that."

Back with the cops, they finally learn the victim is Jeff Trail. They visit David's parents and tell them David is the killer.

"We're telling you, he didn't do this," David's father tells the authorities. The detectives tell them "there's a lot you don't know about your son."

Andrew and David stop by a hole in the wall bar, where a woman is playing an acoustic cover of The Cars' "Drive," causing Andrew to burst into tears. Meantime, David attempts to escape by breaking a window in the bathroom but ultimately decides against it, returning to Andrew's side, where Andrew embraces him. The scene shows Andrew's loneliness - his misguided perception of love and relationship - he's willing to kill to get what he wants; it's a twisted view that "The Assassination of Versace" later digs into.

After that scene, the episode shows David's flashback where he comes out to his father. He tells his dad he's graduated college at the top of his class and then blurts out that he's gay.

"You mind if I take a moment? I don't want to say the wrong thing," his father replies. "I won't lie, saying it won't make a difference. You know what I believe."

His father remains honest, saying he doesn't have a problem with his son's sexuality but adds, "What I can say is that I love you more than I love my own life."

Later, at breakfast, Andrew and David reminisce the first time they met - Andrew wined and dined David, pretending to be an affluent socialite.

"It was all a lie," David tells Andrew, his demeanor souring. "You've never worked for anything. It was an act."

"What's wrong with you?" Andrew asks.

"Is that why you killed Jeff. You loved him. It was so obvious but he figured you out in the end...he finally saw the real you," David says.

Andrew completely ignores David, tell him he's going to have a fabulous life when they go to Mexico.

"You can't do it can you?" David asks.

"Do what?" Andrew asks back.

"Stop," David replies.

Back on the run, David questions Andrew about the murder - how Andrew planned Jeff's murder and wanted David to see the killing.

"I don't want to talk about it, David!" Andrew yells.

"I'm nothing like you," David says, before taking the wheel from Andrew.

A delusional Andrew then pulls his gun out and, yelling at David they "had a future" together over and over. He pulls the car over by a lake house, drags David out and points the gun at him, execution style.

"We still have a plan!" David pleads. Andrew demands he convinces him.

"We'll visit Lee Miglin in Chicago and he'll give us some money, then we'll drive across the country; it'll be an adventure!... We'll find a place to live!" David says while he's kneeling on the ground, gun pointed to his head.

"You don't believe that," Andrew says.

As David is nervously planning their life together, but Andrew isn't buying it.

"Why couldn't you run away with me? If it was Jeff you would have run away with him. You would have gone to prison," Andrew says.

"It's not real," David says.

"It could have been," Andrew says.

"No, it couldn't," David says as Andrew turns his back away from him.

David attempts to run away, hiding in an abandoned lake house. There, he sees a vision of his father who hands him a cup of coffee and the two sit in a warm silence. The episode flashes back to show that David never really made it inside the lake house, and Andrew shot and killed him as he ran away.

The final eerie moments of the episode show Andrew cuddling with David's body, who has a large bullet wound in his head. Andrew then gets up, calmly walks back to the car and drives away.

[wineweirdos]

2017 Madson Wines Ascona Vineyard Syrah Santa Cruz, California Red Wine