#MY FAVORITE ALBUM IS HIS SELF TITLED ONE

[missedyour21st]

heyyy new mutual your blog is so gorgeous!!! also your music taste is fire, its so good!!

omggg hiiiii !!!!!

ahh i was thinking the same about you lol my favorite part of your entire blog is how at the start of your intro post you say “the most important thing is that i’m a hozier stan, pls talk about him” CAUSE THAT IS SOOOO REAL ITS LIKE YOU DESCRIBED ME

SO LETS TALK HOZIER. WHATS YOUR FAVORITE ALBUM AND FAVORITE SONGS

[sugudoe]

── ✎ CHERRY SODA, 𝘴𝘩𝘰𝘬𝘰‧₊˚ ୨୧

✶ 𝐬𝐮𝐦𝐦𝐚𝐫𝐲: June has arrived with a constant presence of heat waves, which your hot self is happy about — after all, now you have an excuse for your red cheeks and sweaty hands whenever 𝙨𝙝𝙤𝙠𝙤 𝙞𝙚𝙞𝙧𝙞 is near you.

✶ 𝐚. 𝐧𝐨𝐭𝐞: happy pride month! i love loving woman. at the end, i got heavenly inspired by gatsby’s love for daisy, if you’ve seen the movie with leo, you will understand which scene i’m referring too. fun fact: the movie they are watching is bodies bodies bodies, and i wanted to explore more of reader’s ct, but i couldn’t, cus is all fluff. there is always gojo slander in my fics where he is not the love interest lmao. I ALSO LEARNED HOW TO MAKE DE DEGRADE TITLE MWAHHH. divider by: @cafekitsune

✶ 𝐬𝐲𝐥𝐥𝐚𝐛𝐮𝐬: fem!reader / pure fluff / modern!au / curse!au / crackfic! / all are minors so no smut or sexual innuendo / everyone is gay / english is not my first language / too many swear words / lesbian!shoko / reader’s sexuality is shoko, and only that.

✶ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 3.4k

The happiest day of your life in Jujutsu Tech was the day you found out your upperclassmen, Shoko Ieiri, was lesbian.

That’s it, it was a simple statement made by her when you heard Gojo Satoru flirting with the girl and receiving the news as an answer. You nearly fell to your knees thanking whatever deity is taking care of this universe and you, the sky was clear of clouds, but you could hear perfectly the fireworks of celebration in your head and heart.

“And then, she said ‘Gojo, I’ll rather eat raw liver than be dating a man, specially you.’” You recall the talk while walking from side to side in your room, while Haibara and Nanami are seated in your bed, one with a enchanting smile and the other completely bored. “And…”

“And what?” Haibara bounces on his crossed legs, hands gripping your sanrio plushie of Cinnamonroll, his favorite of your vast collection.

“And she is vegetarian!” You clap your hands, Yu following your movement. “So, Gojo turned to me, and he said ‘and what about you, hot stuff?�� ”

“What did you answered?” Nanami is the one to ask, although his eyes are fixated on the album cover of the vinyl in his hands, disco playing in the background, his ears are all focused on the gossip.

“So, you see…” Scratching your head, you sighed. “I fumbled for real, just went back to you guys.”

Haibara happy expressions morph into disappointment.

“You’re so stupid, with all respect.” He offends you, though. “This was your chance, it’s not everyday we can be going around telling people we are gay, specially our crush.”

“You do all the time.” Both you and Nanami answers the boy.

“Yeah, ‘cause I’m me, Yu Haibara, the one that can’t shut his mouth. No one tells me their secrets, Kennie had to bodyslam me multiple times because I was always about to tell everyone, when we fist stared going out.” Although he said with energy, the boy had his lips in a pout.

“That’s not true, you haven’t told anyone I’m sapphic or about my crush on Shoko.” Your pacing has stopped, as you tried your best to comfort him.

“Not yet, at least.” Nanami snorts his small comment, before whipping the smirk of, and groaning. “Listen, I’m not in the mood to have you two whining, one is already hard enough to deal with, and I’m dating him! So you need to fix this, Y/n.”

“Huh? Fix what? What did I do?” You stare at Haibara, but he seems as confused as you.

“You need to make sure Shoko knows you’re into women as well. Make this your plan of life or whatever, soon as she knows, then comes plan b: get her on a date, it’s not that hard.”

“Yes it is!” You argue your friend’s really good plan. “She is Shoko Ieiri, pretty and popular and strong, and I’m little old me.” You dramatically falls on your carpet, hands on your forehead like a damsel.

“Girl, be for real, this school does not have that many people to be calling her popular. It’s just that you both are the only girls.” Haibara throws the sanrio plush at your face after his statement. “And you are as strong as her, in fact you are stronger than her, you literally are the strongest at the school.”

“So close! That’s the albino with the blinding eyes, actually.” Says Kento, coming to sit on the floor by your side. Both of you with large doe eyes staring at an energetic Haibara.

“She knows what I mean, your cursed technique is literally the more fucked you get, the more stronger you become. If Gojo bitch slapped you, you would break this world with your energy.”

“What are you saying, baby?” You stare agape at Nanami, is not always he uses the pet names, but the boy is as shocked as you with Haibara’s statement, so it slipped.

“Yeah, what’s with you and this weird coach talk? I don’t wanna be slapped by Gojo.” You mumble awkward, thoughts going straight into the cursed image of having Satoru’s large hands slapping your face — goosebumps follow your disgust in your skin.

“You need to shoot your shot, make her see you as not a school friend but as a potential future girlfriend.” The brunette gets up from the bed and points to your calendar. “It’s june, time to proud!”

You are proud and extremely hot, days later when summer has made its presence everyone’s problem. The students at school discards the purple jackets of their uniforms to only wear the white shirt underneath. You have to do a double take when you see Shoko and her classmates coming your way at the vending machine.

Ieiri looks so beautiful. She always does — but there is something about the short box braids she has, or how she tied her blouse on her waist, the way her skin is glowing with sweater, or the way she is smiling and right in front of you — glossy lips tinted pink moving. Oh shit, she is talking to you.

“I’m sorry what?” You catch yourself saying before staring at her eyes, she is smiling and they are almost closing. Adorable. “My brain is melting, it’s so hot.”

Lame excuse, but she buys it, you think.

“I was asking if you bought your soda yet.” You can sense her eyes on your empty hands, and smiles more when you sign no with your head.

“No..No! I was about to, you want some? I can buy for you.” You cringe at your own desperation, but Shoko sweetly laugh.

“No! I want to buy for you. I’m you senpai, it’s my job.” She goes for the machine and presses the number for cherry coke twice, before paying with her card. Shoko gives you your can before saying her goodbye and moving back to her waiting friends, both males smirking at you.

Walking back with a maniac smile before sprinting to your bedroom, you where once again greeted by Nanami and Haibara in there, startled by your sudden entrance of nearly breaking the door down.

“SHE KNOWS MY SODA!” You scream before falling to your knees, the cold can pressed against your hand reliving you.

“What does she mean?” Haibara asks to his boyfriend, but Nanami simply shrugs, annoyed.

“Don’t know, but clearly you don’t know ours. I’m thirsty and melting.” The blond whines before leaving the room to grab his and his boyfriend’s beverage.

“Hai, you don’t understand.” It’s a second after the door closes, you are in front of the boy, happy expressions in contrasts to his alarmed one. “She payed for my soda, and she knew what was my favorite.”

“SHE KNOWS YOUR SODA.”

When Nanami returns, minutes later, he is appalled to see you and his boyfriend screaming happily and jumping on your carpet, while on the background, wedding bells are heard from your music box. He sighs desperate.

Friday comes quickly, and luckily for you, it’s the first of the month, therefore, movie nights in your room: the perfect hangout spot, as always. It’s been a tradition since your friendship with Haibara started, and Nanami shows up whenever he was bored, which pretty much was all the time — specially now that he has his own boyfriend to cuddle.

You love them both to a crazy extent, is true! But no one in their right minds enjoy third wheeling, so you keep mumbling while setting your room up with the help of Yu while Nanami is out buying the snacks. It’s in the middle of your one person rant while adjusting fairy lights on your bed, small couch and plushies’s shelf, you feel something being throw to your head.

“Ow! What was that for?” You turn around to a pissed of Yu, hands on his hips and scowling face.

“I’m so tired of you, Y/n.” The boy comes closer to you, you fear he is going to throw any other thing, but instead he hugs you. “Please, don’t be stupid. Shoko likes you, everyone can see as much as we see you like her. So stop wasting time.”

It’s not supposed to work, because after all, you are the second most dramatic person in this school — coming after Satoru. For some reason, you might blame the summer heat waves that burn your skin much like Shoko’s attention does, and your brain has always been fogged with thoughts of only her. The thing is, Haibara is partly right. You like her lots and lots, and she likes girls lots and lots, and you are a girl, a pretty girl that can make Shoko laugh and feel comfortable — a pretty girl she knows what’s the favorite soda flavor.

Haibara is startled when you leave his embrace to move out of the room, he follows you after a few second of astonishment, and when the boy notices where you are going, a large smile is plastered on his face. He is so proud of you.

Both of you stop in front of a black door decorated with a cat rug and painted with flowers and vines, handmade by Shoko herself. You take three long breaths before knocking the door, and nearly jump back when it’s opened less than a second later by a six foot tall white haired freak with devilish smile. Gojo doesn’t have his glasses. Bitch knew you were coming.

“Shoko, your girlfriend is here.” Satoru sings before opening the door more, giving you a sight of Shoko’s perfectly cleaned room and minimal decorated, a total contrast to your own.

“Y/n?” Ieiri jumps from her bed besides Geto and comes your way at the door, pink cheeks much like yours. “Hi!”

“Hi…” Your soft voice you have reserved only for her comes out, before you scratch your throat and looks at everyone. All eyes are on you. “Uh, the boys and I are doing a movie night. We- - we thought of inviting you guys, if you want.”

“We would love to, we were so bored, actually.” Shoko answers right away, before turning to her friends.

“Huh? Weren’t we going to the mall?” Gojo asks turning towards Geto, but the black haired only shakes his head. “Oh, oh! Yeah, yeah, we are totally bored, no mall! Just movies with friends sounds amazing.”

“Great!” You smile triumphantly. “Nanami is getting snacks. Hai, can you send him a message asking to buy more?” You turn to your friend, but he is already with his phone in hand, texting, one of his hand making a positive sign. You turn back to face Shoko, shivering while noticing she is already staring at you. “So, see you… You guys, in fifteen minutes?”

“Yeah, see ya.” She whispers back.

It takes Haibara hands on your shoulder, much like Gojo’s on Shoko, for you to realize both of you had been quietly staring at each other. You wave her goodbye before moving back to your dorm. While in there, you and Haibara prepare the room for the others. The sofa would be for him and Nanami and your bed for you, as always. Your friend goes to his room before returning with his inflatable neon pink couch, which prompt you to change your neon lights to pink, as well.

The room is cutely decorated before you both fall on the bed to rest, and then a knock come. You don’t get up, Nanami just bursts into the room before dropping his bags on your coffee table. He scoffs.

“Why did you had to invite them?” Is all he says before falling on his sofa. “I mean, I like her, Geto I can handle…” Kento moves his face to stare at you two before whining. “But Gojo?!”

“Damn, I thought this was going to be a good time, not an offending me time.” The three of you jump at hearing Gojo’s voice, he is by your door, annoying smile decorating his face. Besides him, is Geto and Shoko.

“Every hour is a offending Gojo time, sorry bud.” Geto taps his friend head before moving inside your room, his eyes scan the place before deciding to fall on the neon sofa. “Nice room, Y/n, very you.”

The “thank you” is at the tip of your tongue, barely leaving through your voice, before stagnating when you look at the door, where she is. And fuck, you don’t think you’ve said anything in this world before, words become nothing in your mind in that very moment, all you can think is compliments and her name — Shoko is wearing a different outfit than earlier, she discharged the shorts and shirt for a flourished sundress, and two strands of her hair are braided. You can also catch glitter on her eyelids and her signature pink gloss on her lips.

“Shit.” Someone say, and you quickly realize it’s your voice. You cough before shifting your face to the boys, all again staring at you. “Uh, than… Fuck, thank you, Geto.” You say before moving towards the coffee table and grabbing two sodas of cherry coke and twizzlers. You go towards Shoko, who is still by your door, and you handle her the soda with a happy smile she copies.

“Am I going to have to share the pink couch with them giants?” Shoko whispers, motioning her head towards Satoru and Suguru, both playing fighting in the inflatable couch.

“No, no.” Couching again to refrain the embarrassment of answering so quickly, you sigh after, containing your nervousness. “You can share the bed with me.”

You close the door behind her, and soon your hand is in her back, moving both of you towards your comfortable bed and sitting on it, legs sprayed all over while your backs are resting on your comfortable headboard. Shoko is near the wall, caged by your body.

You toss the controller to Haibara, and he starts to go through the movies in the playlist showed on your wall, by your projector. You are not interested in movies anymore, if you could you would move everyone away and be with only her. You can sense her face moving towards the boys and you, but you keep staring at your soda. The cold in it keeps you in check.

Taking a gulp, tasting the faint cherry, you wonder what kissing Shoko would taste like. You could bet it would be like strawberries with sugar sprinkled on them, maybe a spoon of honey as well. And obviously, a tinted bitter of the cigarettes she smokes from time to time — it used to be worse, until you commented on the bothering of the smoke, and now she never smokes whenever you are near.

Maybe, you head and heart wonders, she likes you. There is nothing wrong with you, after all. You are pretty, smart, strong and sometimes funny. You could be liked by her as much as you like her, right?

The movie is already playing when Shoko pokes your arm, your mind goes blank and you move to her, tilting your head.

“Can I have a licorice?” She quietly asks. You want to give her anything, in fact.

“Yeah, here.” You open the package, giving her one of the red tubes. Trying not to, but failing, your eyes focused on the way her lips closed on the candy, wetting part of it with her gloss.

“Hey! No snoggin in there, I’m already third wheeling these two.” Gojo’s voice makes you realize how close you were to Shoko’s face, you grunt before staring at Nanami and Haibara, and they are just holding each-other.

“You’re bitter ‘cause Suguru won’t cuddle you.” Shoko answers after biting harshly her licorice, Nanami laughs at her answer when an offended gasp comes from Gojo. He doesn’t deny.

You laugh at Gojo’s offended face, and to add more fire to his bitterness, you move your arm to Shoko’s shoulder, she goes stiff for a moment before resting her head to your neck.

“Traitors.” Gojo mumbles and goes back to staring the movie, you see Suguru smirk before doing the same you did to Shoko to his friend.

After more minutes of the movie, in a particularly funny scene, you sense Ieiri’s head moving, you look down and she is already facing you. You grab another licorice and give it to her, straight to her mouth, she bites it before you take a bite on the other end.

If that’s the closest your mouth would come to hers, you would take it. By the gods, anything she would give you, would be precisely loved by you. Her presence, her scent, her glittery eyes staring solely at you. You would trade anything for her in that moment, if only to keep her attention on you and yours on her. What’s heaven to a woman’s love anyway?

You want to kiss her when the licorice is devoured eagerly. You almost do, lips reaching closer, and her eyes flattering shut, but a bombing laugh of Suguru takes you both apart. No one noticed, all eyes on your wall. You sigh gulping, groaning once more, but smiling while hearing her quiet giggles.

When the movie ends, everyone but you two get up, cracking their bones and talking loudly.

“Y/n, what was your favorite scene?” Haibara is the one who asks you, smirk in his face he shares with Gojo. “My favorite was the cruise one with the bananas’s costume, so funny.”

“Oh, yeah! Yeah, my favorite as well.” You answer while caressing Shoko’s arms, she starts to giggle more and you smile as well. “There was no cruise scene, right?”

“No, there wasn’t.” Shoko moves her head up, laughing sweetly now.

The gods really took their time with her, appreciating every little detail, from her laughs she emanated such good feelings, your insides would go warm and butterflies would rip your ribcage. But truthfully, you felt the weight of all your emotions while staring lovingly at her. Someone coughed.

“Well, I don’t know ‘bout you guys, but I’m tired. Should we go?” Gojo says and everyone agrees, they all say goodbye to you before stopping at the door, Nanami moves towards your music box, playing a calm song he knows you listen to before sleeping.

“Aren’t you coming, Shoko?” Suguru asks with malicious in his voice. She yawns, but doesn’t move.

“I’ll walk her to her room, don’t worry.” You say, making her nod and soon all the boys are gone. Is just you and her, in your bed.

Shit. Shoko Ieiri is in your bed. The perfect girl, the one you adores, the most beautiful human being is laying on you in your bed and she is not complaining, she even hugs your waist tighter when the door closes.

“Ieiri.” It’s rare for you to call her by her name, and she always seems happier when you do, this time is no different, she moves her head up with that cute smile you adore. “I like you.”

You always wondered how to confess to someone — her — in the most majestic and perfect way. In your mind, much like Haibara did to Nanami, you should give her plenty of her favorite food and flowers to match her sun kissed cheeks. It’s not something you planned, because you’ve never thought this day would come. Although it all changed with her in your arms, like she was always meant to be, you were designed to hold her.

So, in the pink and yellow lights of your room, under a shelf of dozens of plushies and Novo Amor playing in the background, your eyes focus shifting from her glitter eyeshadow to the gloss in her lips, that was heaven to you. That was the perfect place. She smiles, and you know you did the right thing.

“I like you too, Y/n.” Her sweet voice is melody to your ears, you barely register what she says, but is nothing to worry about, her lips are quickly on yours by the end of her sentence.

It’s cherry.

Shoko Ieiri tastes like cherry, in fact, she tastes like your favorite soda, a part of you who loves the beverage, unknowingly already choosing her. Her gloss is passed to your lips, giving you more of her taste, and when the kiss gets deeper, you feel like heaven has been given to you. In that moment, you know you are lost.

You separate yourselves for a second, finding yourself hovering over her, and stare at the her pretty crimson face, for just a moment appreciating that after her you would never be the same again. And how happy you were for that. So you go back for a second kiss, and a third, and more, more. All the kisses she wants, you will give to her, for the whole eternity you’ll have by her side — you are hers, and she is yours.

[mildlyannoyingtheaterkid]

Self-ish, Will Wood

Jesus Christ, this album is so fucking powerful. Every song somehow intertwines with one another. One common theme is the 'Hand me my shovel, I'm going in!' chorus in the two songs leading up to it. The repetitive nature of this really built it all up, and I LOVE how the chorus of every song works with one another. They all have a common sound.

Another theme in this album is mental illness. Capgrass syndrome is a rare mental illness that leads you to think that a loved one or friend is an imposter. Cotards syndrome is another name for "walking corpse syndrome". This is yet another rare disorder in which the patient believes they are dead or not existing, and are (hence the name) a walking corpse. There is many more references in the other titles of his songs that I could get into but If you're really curious you can look them up.

Those two songs I mentioned both relate to the illness.

Mr Capgrass: "Damn, I thought you're not your imposter!" "somebody to replace yourself" etc.

At the beginning of Cotards Solution (live) on The Real Will Wood album, Will introduces the song as "This is a song written by a dead guy."

Among these, the album also delves into a lot of religion. 'Give me that old time religion' in Song with five names and part of the name of the song itself 'Checkmate Atheists!" In 2012, a variety of different religions are mentioned. "My dreams were shattered like a stained glass window, Jesus in Pieces! I believe I threw a brick right through Him" in 'Hand me my shovel' etc.

This is personally my favorite album. The songs hold so much meaning and the whole thing is so fleshed out. I could make this essay go on for 10 pages if I wanted to, but I'll save you the time. I didn't even mention Dr Sunshine is dead.

[morganeactually]

Pet Shop Boys' Impact on Queer Culture

Pet Shop Boys, the synth pop pioneer duo consisting of Neil Tennant and Chris Lowe, have long been acclaimed for their contributions to queer culture through their music. They are considered icons within the queer community since their songs often contain subtle and clear references to LGBTQ+ themes.

As a big fan of Pet Shop Boys (indeed, my pseudonym is an allusion to one of my favorite albums of them named Actually), I would like to introduce you to them by tackling this fundamental aspect of their musical identity.

Let's start with "It's a sin" and "The Sodom and Gomorrah Show", two songs that address queerness and criticize the role of religion in perpetuating homophobia.

"It's a sin" is a critique of Neil Tennant's Catholic education. It tells a real-life story based on his personal experience of queerness in a Catholic family. So, the question of authenticity is beyond doubt. The song uses religious imagery, denouncing how the church's teachings made him feel guilty and ashamed of his desires. The lyrics mirror his internal conflict between faith and sexuality : respecting his religious beliefs means betraying one's true self. They also suggest that anything pleasurable, including queerness, is labelled as sinful. The stuttering effect in the chorus in "It's a, it's a, it's a, it's a sin" amplifies through the repetitive, almost hesitant delivery, the inner struggles faced by the victims of religious condemnation for their identity. This stylistic choice reinforces the impression of a speaker being trapped in a loop of guilt and confession imposed by societal norms. In the music video directed by Derek Jarman, the characters engaging in rebellious acts against religious constraints such as tearing pages of the Bible and smashing religious statues illustrate Neil Tennant's response to stay true to himself, no matter what the church's teachings say.

"Father, forgive me I tried not to do it Turned over a new leaf Then tore right through it Whatever You taught me I didn't believe it Father, You fought me 'Cause I didn't care And I still don't understand"

The bridge highlights the pressure to resist actions deemed sinful by religious beliefs. It epitomizes, through the apostrophe to God and the metaphor of “a new leaf”, the cycle of sin and repentance Neil Tennant and many queer people are subjected to. By asking God for forgiveness, Pet Shop Boys deliver a poignant commentary on how religious teachings can induce shame and remorse, even when all they do is trying to accept the parts of their true identity.

"The Sodom and Gomorrah Show" takes a more satirical approach to critique how society often demonize and sensationalize queer lives turning them into spectacles. Indeed, the introduction describes a fictional show whose promise of "Sun, sex, sin, divine intervention", "Death and destruction" is repeated throughout the song. Presenting the story as a show insists on the absurdity of such moral condemnation. The theatrical atmosphere is used to mock how religious institutions portray queerness. The title itself refers to the biblical cities of Sodom and Gomorrah which are often mentioned in religious texts to condemn homosexuality. Hence, Pet Shop Boys defie traditional interpretations and utilize them to oppose homophobic attitudes. The lyrics underscore the importance of embracing one's true self, even if it goes against religious and societal norms, to live a fulfilling life. The message they convey is to embrace and celebrate queer identity.

Both songs challenge the negative perceptions and moral judgments on queer individuals and encourage defiance against oppressive religious narrative.

Moreover, Pet Shop Boys incorporate disco elements into their music like high-energy disco sounds, lush orchestration, celebratory lyrics, pulsing beat, and danceable, upbeat feel. Their songs "New York City Boy", "Domino Dancing" and "Always on My Mind/In My House" are perfect examples of that. The synth pop duo pays homage to disco which was historically associated with the LGBTQ+ community and alligns with its values : freedom, self-expression and rebellion against societal norms. Their use of disco music highlights their identity as artists who proudly advocate LGBTQ+ rights while making timeless pop music.

Pet Shop Boys' collaborations with queer artists show their commitment to support and celebrate them. Neil Tennant and Chris Lowe teamed up with Dusty Springfield for the hit "What Have I Done to Deserve This?", produced Boy George's song "Crying Game" and have songs featuring Elton John ("Alone Again, Naturally", "Believe / Song for Guy" and "In Private"). In 1996, they also remixed David Bowie's track "Hallo Spaceboy" adding their own disco flair and additional lyrics. The result pleased Bowie a lot, so that he invited them to perform live with him at the BRIT Awards. In their lattest album Nonetheless, "Dancing Star" is even inspired by the queer ballet legend Rudolf Nureyev.

[redisveryyummy]

Late night modern hotd music headcanons :D

Rheanyra loves Beyonce so fucking much dude

She feels like she would have one playlist and it's just called boss bitch or something

Reputation is the only Taylor Swift album she constantly listens to and evermore but we won't talk about that

Former theater kid, if you disagree argue with the wall

I am a strong believer that she is a fan of musicals/romcoms and her and her boys have a movie night where they watch their favorites and sing every song word for word

(Daemon does not participate)

ESPECIALLY MAMMA MIA

Rheanyra singing "Slipping Through My Fingers" to Jace and/or Luke has me sobbing my eyes out dude

Jace, Luke, and Joffery singing "Honey Honey" omg

JACE AND (INSERT S/O OF YOUR CHOICE PROBABLY CREGAN) SINGING "LAY YOUR LOVE ON ME" TO EACH OTHER AGHSBSUDBHD

Daemon listens to dad rock and dubstep exclusively, nothing else

Bro is literally the cbat guy

Daemon is really the kind of guy that would be like "there's this band but you probably wouldn't know it because it's so underground" and it's literally Weezer

Alicent loves her yearning music

Phoebe Bridgers, Frankie Cosmos, Laufey, Mitski, Conan Gray

Two words. BOY. GENIUS.

Her and Rheanyra have TOTALLY gone to many boy genius concerts together

folklore folklore folklore

Aegon 😐😑😐

Cbat guy 2.0

Listens to WAY to much house music

No real music taste

Whatever is on the radio, but like the radio in 2016 you know?? Or like late 2000's

1989 (Taylor's Version) he's not a monster lol

Usher (that's the only person I can think of rn lol)

Aemond only listens to classical music or weird experimental jazz because he thinks it makes him different

Activity hates on Taylor Swift for all the wrong reasons

Secretly likes her a little and is way too excited for The Tortured Poets Department

Helaena is so whimsical I love her sm <3

Very much into indie stuff with down to earth vibes

Hozier, The Crane Wives, Noah Kahn, Everybody's Worried About Owen, Bears in Trees, Maya Hawk

"Why Am I Like This" by Orla Gartland...iykyk

Jacaerys Velaryon is an Arianna Grande FAN I don't make the rules

Him, Beala, and Rheana definitely have little dance parties whenever they come over

Loves Ari and Brittany

Also enjoys country music

He gets it from his daddy 🥰

Taylor Swifts Self Title is his everything

LUCERYS VELARYON IS A THEATER KID I REPEAT LUCERYS VELARYON IS A THEATER KID

It's all his mom's fault

His playlists are all just musical soundtracks

Little Shop of Horrors, Heathers, The Falsettos, RIDE THE CYCLONE, BE MORE CHILL, Dear Evan Hansen, Hamilton

Same with the Hazbin Hotel soundtrack y'all don't even know

Luke loves "Hell is Forever"

Also bro has a HORRIBLE singing voice

Anyway I will probably have more tomorrow but that is what I got for tonight :))

[artist-issues]

idk anything about 21 pilots, but you talk about them a lot and they seem cool!! Who are they and what are they about and where do i get started in their music 😁

GIRL

These kinds of questions make me so happy. People who know me in real life organically ask me to talk about movies and stuff sometimes, but never bands, and when they find out I like twenty one pilots, never them 😂

Anyway,

Twenty one pilots is a roughly 15 year-old band led by Tyler Joseph, who used to be an intern at Five14 Church (New Albany Church) in Columbus, Ohio, and a rising basketball star in his schooling. Then, my understanding is, he taught himself how to play piano, got interested in/wrote songs during his senior year of high school, and then eventually dropped out of college to pursue making music full time. The band is named after a play by Arthur Miller called “All My Sons.” Tyler Joseph studied it in school—he was inspired by the plot of having to make a hard decision that ultimately costs lives…and you can hear through all the songs the sense of urgency, and the way the lead singer is convinced that every single choice you make can have dire consequences.

At the start of the band, it had him and two other members. Their first album is called “Twenty One Pilots,” and it has sick album art that everybody loves:

The band played local shows (like in literal houses and backyards and stuff) and were mostly performing songs from this album. My favorite twenty one pilots song is on this album: it’s called Addict With a Pen.

(Specifically, my favorite is this version of him performing it live several years after its release, which I saw after returning from the camp where I got saved.)

In those early years, twenty one pilots performed songs off of Self-Titled. But they also did a few that Tyler Joseph wrote independently, the ones not featured on the album.

One of the songs that he wrote that isn’t on this album was written when he was in high school before he had a band. It’s called “Save.” He probably recorded it in the early 2000s, but if I don’t have my years mixed up, I didn’t hear that song until I was 14-turning-15 in the year 2011. And it, along with another song of his called “Clear,” played with it, was the first song I ever heard by twenty one pilots. I heard it the week I gave my life to Christ. Save is a gut-scream song about the need to be saved. It’s hard to listen to. But in the context I heard it in, I needed to be hearing the idea of “needing salvation” in that extreme and real of a voice. So I love it.

Clear is about Tyler Joseph’s struggle with trying to figure out if it’s better to get people thinking with cryptic lyrics about their need for a savior—OR should he just come out and say, “I’m a Christian, I believe Jesus Christ is what you need, please believe in Him like I did?” He winds up settling on the first option (sometimes I wish he hadn’t) and “telling the audience what he can,” and not pushing it on them when they “let him know when they’ve had enough.”

Clear planted the germs in my brain that led to me considering art, and then storytelling as a tool to deliver hard truth “under the eyes of watchful dragons.” He talks about the concept of Romans 7 using the philosophy of disguising his words, like in Clear, in this interview, which, when I saw the part at about 9 minutes, made me start paying attention to Tyler Joseph as a person instead of just listening to his music.

Anyway. Back to the band.

One of these independent songs, NOT on the original album of the band, was called “Time to Say Goodbye,” and it has a pretty intense ‘cycle of knowing you’re messed up (like really messed up. suicide attempt and purposeless darkness levels of messed up) -> unable to fix it on your own -> trying anyway -> failing -> driven to accept Christ’s ability to kill the old you so you can live for something bigger than your messed-up self’ concept in the lyrics.

That whole progression, the “Romans 7 Progression,” I think of it as, winds up being one of the strongest recurring themes in every album afterward.

But I bring it up because the legend is, when performing that song, Time to Say Goodbye, at a little venue, Josh Dun, who already had some experience drumming in a different Christian band, saw twenty one pilots for the first time. And he thought the song and Tyler were brilliant. The current drummer of the band introduced him to Tyler, and when everybody in the band except Tyler quit, Josh Dun quit his job with no fallback plan and became the drummer of twenty one pilots. Since then, they have been a two-man band.

They have their own genre, because they’re both self-taught, and one of the identifying factors of the band is that both Josh Dun and Tyler Joseph are intensely opposed to giving in to the draw of “Fame” or “Success.” They stubbornly insist that they just make music they like. Whatever, that’s not unique, lots of bands are punk rock and go “fight the power, we don’t care what anybody thinks, etc.”

But then you listen to Tyler Joseph adding screamo and ukulele and rap over…like, church-piano, and you hear him say things like, “I just rap because I needed to fit a lot of words in, and also my brother likes fast rap.” and you go, “oh. They meant it. They don’t know how any of this works and they just do what they like.”

Especially in their early stuff.

I “got into” twenty one pilots in the year 2011. That’s the same year they signed to a record label. They produced what I think is their best album, “Vessel,” (nobody agrees with me.)

I could break down every song on the album but nobody wants that and nobody would read it, so I’ll just say; it has deeper exploration of the band’s same themes:

Be Introspective - All the time, the lead singer is writing lyrics that urgently explore the dark corners of his own fear, doubt, and insecurity—and then he flips it around and begs his listeners to be introspective, too, because “there’s something you desperately need.” It’s this idea of not running from your emotions, but letting them drive you to what you need. (He’s never clear about what that is, though, beyond the general word “faith.”)

Focus on Your Purpose - They insist that being introspective should lead to picking what you believe, and living it out to make the most of your time.

What Music Should Be For - The lyrics are all about how music should be used to fight darkness, because it can be exorcism of your inner demons, and a rallying cry to gather around and show you that you’re not the only person who has demons. With that in mind, the band is consistently opposed to “heartless,” “mindless” music that’s just there to make you dance or indulge.

Peace Wins, Fear Loses - This theme is where they usually get closest to their Christian roots. The pattern, like I said, is the Romans 7 Cycle: I’m afraid of who I am because the digger I deep, the darker and crazier I am…but I don’t have to act on that fear. I can just throw myself at the mercy of…._____ which brings peace. Peace wins, fear loses. (After signing to the record label, Tyler Joseph went full-on into the idea in Clear of never saying point-blank that Jesus is the answer. He hints and alludes. But from that moment on, he disguises Biblical principles in zombie-and-darkness metaphors. And he hasn’t stopped doing that since 2011.)

Doubt - A recurring theme that actually has nothing to do with the audience is “doubt.” Tyler Joseph exorcises his issues with not being able to physically see God, and doubting His existence (usually because of a lack of feeling), or doubting His ability to wash Tyler clean, in his songs. All the time. Just…constantly. He sings about it so often. Which, on the one hand, is cool, because many Christian artists sing about the resolve to have faith in the face of doubt. They don’t sing so much about the feeling and the addiction to doubt that comes with doubt. If that makes sense. But on the other hand, that’s not cool—because when you only talk about the fact that you have doubts, but you don’t ever resolve them, then what you’re doing is you’re constantly rolling around in the problem without ever introducing the solution.

It’s worth noting that I think their very best song of all time is on this album, and it’s “Holding Onto You.”

It’s their full Romans 7 Cycle in a way that addresses doubt, too. The imagery is everything I love about twenty one pilots, which I would sum up as:

“Use dark imagery to prove how defeatable darkness can be.”

I like that kind of imagery for the same reasons I like Halloween.

People started noticing the band, mainstream, worldwide, in 2015, though. When they released “Blurryface.”

They did it in such a cool way. The band loves giving their fans a sense of “uncovering” what they’re doing next. That gives the fans a sense of ownership—like they’re a part of what the band is creating. And, it makes them want to investigate the concepts in the songs—which is one step closer to examining what they believe. Organically.

Anyway. They accomplished this before Blurryface, is I remember correctly, by making a Twitter account for this mysterious character. They’d livestream Tyler and Josh from the perspective of an unseen, loudly breathing third person. Or the feed would just be a dark shot of the woods. No explanations. At one point I think I remember “he” even started “hacking” popular fans’ accounts and making posts in-character. He always spells things in all caps, with words misspelled or smashed together. And he’d tease new songs that would be on the new album.

And then, BAM, Blurryface the album drops, and it’s a smash hit. Every single song. The band had never seen that level of success before, and all of it is very ironic, because the album concept is this: “Tyler Joseph puts a name to his Insecurities, who want him dead, and battles them.”

So the whole “album cycle,” and all through tour, Tyler Joseph wears inky black paint on his hands and throat, because anxiety gives him the feeling of suffocating. Red is also the signature color of the character representing his dark side, his insecurity: “Blurryface.”

Twenty one pilots have been very intentionally deciding what shirts they wear and what visuals they use from the beginning. Josh was always wearing something alien-associated, and Tyler was always something undead, for example. But this was a whole other level of performance art. During concerts, Tyler Joseph would start out wearing his black paint thick around his neck and hands. But as the live show went on, naturally because of sweat, the paint would get thinner and thinner. So by the end of the show, the feeling is that “Blurryface” has been defeated.

I made a huge post about ranking the Blurryface songs, if you ever have nothing to do for an absurd amount of time and feel like listening to the songs. But those songs are what most people know twenty one pilots by.

Then they took an intensely long hiatus, (I mean. One year of no public appearances.) after the success of Blurryface. I remember wondering if they were ever going to make music again, and thinking “maybe they’re the perfect band” because in my high-school-entering-college opinion, they’d never written a bad song or done anything remotely uncool or worth hating from 2009-2016, so if they never made music again they’d have gone out on top. Plus, at that point, Tyler had married, and, feeling a Christian kinship with him, I had a vague biased opinion that maybe he’d want to settle in with his family and quit the fame game.

But NO. They weren’t done! In 2018, the fans discovered this hidden website associated with the band, and you could read letters written by a new character named Clancy. They were about this whole new world Tyler Joseph created, called “Trench,” which consequently became the name of their next album. This was a full-blown concept album. It was a deeper exploration, not of the Romans 7 Cycle that always made me love their lyrics…but more like an exploration of “how do suicidal thoughts and self-focus captivate you, and what lies do they use…and can you ever really escape them?”

There was also a much tighter focus on suicide being the big idealogical villain, the antithesis, of the band. “Stay alive” and the topic of suicide were always discussed in the rest of the band’s songs. But the momentum of this album seemed very, very specifically targeted at the issue this time. There’s a whole song dedicated to it called Neon Gravestones in the smack middle of the album.

Which is great. I’m glad. It’s awesome. But it’s like…”what’s the answer?” Way back in “Time to Say Goodbye,” the answer is “replace physical life-taking with spiritual self-sacrifice and rebirth.” But Trench, and its whole concept, was specifically engineered to leave you with no clear answer to the problem presented.

Worst of all, Tyler Joseph mentioned, in his vague noncommittal way, that this album saw him flirting with the idea of “a world with no God” and “loss of faith.” But he never really said he wasn’t a Christian anymore, and songs like Morph seem to suggest the opposite.

Anyway. The album’s excellent “story,” with its notes of Shawshank Redemption and The Village and 1984 ended on a cliffhanger. The character Clancy kept trying to escape with the help of a rebellion, and kept getting captured, but he always had this sort of confused resolve to “keep going.”

The next album was weird. They flipped all of their usual imagery on it’s head, from marketing style choices to the literal clothes they wore to tiny things, like whether or not Tyler was standing on Josh’s left or Josh’s right in promotional material. And all of that was intentional. Which is why I’m obsessed with them.

I love this album because I love them and their intentionality. I don’t love it for any other reason; there’s nothing about this album that is “twenty one pilots” aside from what I just said; they are doing all of that reverse-psychology stuff intentionally. In-story, this is still a continuation of Trench; the idea is that Clancy has been captured and the whole album is propaganda from the villains. So that’s neat. But anyone who didn’t know that, and just remembered twenty one pilots from Stressed Out and punk rock were like, “what happened to twenty one pilots? What’s wrong with them?”

The album does this thing that they used to do a lot as like a meta-nod at music—they would make songs with upbeat melodies and happy sounds, but the lyrics would be about insecurity and darkness and doubt. They did that on purpose. But Scaled and Icy took that tongue-in-cheek style and made it the whole album. Plus, it released during COVID. So on top of all the chaos going on in the world, this band that usually releases music that slaps you upside the head and says, “THINK. THINK ABOUT HOW SELF-CONTRADICTORY YOU ARE. THINK ABOUT THE DARKNESS AND HOW TO GET OUT OF IT.” suddenly releases an album that’s more like, “Hey everything is fiiiine.”

This album is pretty godless. But again, this was also the album that has nothing to do with anything serious or real—on purpose—except in a reverse-psychology way. It was all on purpose.

Fast-forward to today. Clancy just released. It’s supposed to be the end of this “story” that started with Blurryface overtly, and the concepts that started in Vessel. Musically, concept-wise, it’s a return to form. They do that thing where they switch up the tempo when you’re not expecting it. You can’t pin it down to any one genre. There’s deep, dark imagery. And the story is back, not with hidden clues, but with in-your-face costumes and a music video for every song.

But the problem is, it won’t end. They said this was the end, and I thought, “if anything forces an artist to use clarity, it’s the end of a story. You have to commit to an ending. You have to say what you believe.” And that’s all I’ve been wishing would happen since 2017, when I started feeling less like “I relate to those dark thoughts and doubts,” and more like, “I’m worried about them.” Because clarity denotes security in what you believe. And the whole “battle” has been against insecurity. And to that extent, doubt.

It’s not happening, though. They released the last music video, and it really looks like the end of the story is, “and the cycle continues.” Now, there’s been hints that they’ll end the story after tour season, maybe by releasing an additional single, or some wishful thinkers are even saying “DELUXE ALBUM!!” But for now, it’s another cliffhanger-maybe-unsatisfying-ending.

The further away they’ve gotten from releasing the song “Clear,” the further away the focus seems to get from “darkness is defeatable.” And they left “it’s defeatable specifically by God” in the rear view mirror first.

And the thing is…I worry about that. Because it really looks like he’s just playing the field. That he started off with the intent to share Christ with people very genuinely, through the gift he was given in writing and music and even the gift he was given in struggling through darkness. And his strategy was, “I’ll use art to help people trust me, and then I’ll share what I’ve learned about the Truth (Jesus.)” But then…I mean, from the outside, it looks like they got popular. And they got popular by talking about their struggles. So how do I know he hasn’t just slipped into a cycle of doubting, then instead of letting brokenness and doubt drive him back to Christ, and pull others along with him, he sits in brokenness and doubt because he’s relying on the people who relate? He’s choosing to lean on crowds of people who feel the same way he does, cheering his songs back at him, as his support, when he used to lean on Christ?

And now he can’t even see his way back to what looked like (to me) the original intent—he says things like “I don’t think I’ll ever come out and say, ‘hey I found the answers, here they are, follow me,” in interviews. He skirts. He says, “stay alive, find your purpose, decide what you believe,” but he doesn’t say “here’s why you should stay alive, here’s what your purpose is, here’s what’s worth believing in, here’s where genuine life comes from.”

So now he gets to tell all his original (and several largely Christian) fans, “I haven’t abandoned Christ, I just struggle with doubt and I don’t want to alienate my friends (the point of the song Heathens.)” But he turns right around and says to his non-believing fan base, “I’m not telling you what to believe—in fact, maybe I’m not even sure of what I believe.”

And at some point, that stops being genuine. I think. I don’t think he’s reached the point where he’s not genuine yet. I don’t believe that of Tyler Joseph. I think he’s still not sure he wants to sing, with all the conviction it would take, about how Jesus is the ONLY way, when he himself feels like he struggles so much with doubt. How do you lead people where you’re imperfectly going? He has a handle on not committing suicide. So he leads them there, as far as he can. But…still. There’s life beyond this life. There’s EITHER life or death beyond this death. At some point, does he believe that, or not? Is he going to keep using his gift to supply bandaids to cannonball wounds, or not?

But I have basically been a nervous wreck whenever I think about them, the backing soundtrack of my growing years, since 2017.

I have enormous amounts of respect and this familial loyalty-feeling for both Tyler Joseph and Josh Dun (Tyler more so, because of his impact on me through his individually-released songs when I was in high school and then up through college.) I look at them on like, MTV and junk and have the same familiar, adoring, well-wishing feeling I did when a friend I knew went on to be moderately famous.

And all that to say, I love them, I don’t think any other band can do what they do or has done what they’ve done, and they’re my unmatched favorite. But I can acknowledge that there’s something that might be rotting in there, now. Something that didn’t used to be this way. And you just can’t keep going so long, claiming you’re talking about hope, without standing up for the Source of Hope. That’s all probably way more than you wanted to know. But thank you for letting me vent it all, even if you didn’t get to the bottom!

[prac-ticalproblems]

suggestion based off your post asking for suggestions: what do you think all their favorite albums would be. mind you they’re in the late 1960s so like it would be an album they liked so much they would save up and buy the record. lord knows music was an arm and a leg for 10 tracks. I’m thinkin engie might be into Johnny Cash, definitely bein into At Folsom Prison and probably also Townes Van Zandts self titled album when they came out in 1969. Scout would probably be a Chuck berry fan. I can also see him knowing how to dance to 40s big band music because his ma used to dance with him in his brothers in the living room as kids but he would be embarrassed about that one. Soldier would HATE the Beatles. and I have no idea about everyone else.

You. You get it. I’m gonna squeeze you. /pos

I love this ask so much I am going to do 60’s AND make it regional and Historical! Because we are syncing brain waves rn. (With a little bit of karaoke headcanonz)

1960’s music w the mercs

Medic - I believe that Medic is a very chaotic music lover. He has a background of classical in some way, with his fascination for it in the game and it’s bled outward into loving loud booms and the thrill of it speeding up.

So maybe some early forms of rock? Especially if it’s Peggy Peter’s. He sings like shit though.

Heavy - I’m not going to lie, this immediately came to me. Heavy loves pop. Heavy loves a bouncy little jig that he can play while cleaning Sasha. He probably got it from his sisters. I also believe that he has a very strong sense of political beliefs about his country so pop that has a message.

Definitely Edita Piekha. 100%. Lovely vocals from the gods. A little rattling, but He is a perfect bass.

Scout - HE WOULD LOVE CHUCK BERRY. That man hums ‘My Ding-a-ling’ as he showers. Absolutely.

He has Sex Bomb tattooed, but I’m sure his favorite Tom Jones song is actually It’s Not Unusual. He screeches when he sings instead of singing higher.

Demo - I see him being into much older songs for his age (he’s like nearly 30) just because of the way his mother raised him. I think he’s got an older soul than he thinks. So 1940’s swing and soul. Strong believer that he has more than a few albums that he cherishes, but most of them are from his mom.

He cries every time he puts it on though, just to let the feelings out. When he’s drunk, he sings terribly, when he’s sober? Probably still a little bad but he doesn’t know his range and doesn’t care if he’s tone deaf.

Pyro - I have personal ideas about Pyro that makes me think he is a huge Jimi Hendrix fan. I refuse to explain or elaborate as I will be here all day.

All Along the Watchtower. He bounces whenever it’s played.

Sniper - Jazz. I know it’s an easy answer, but it’s also THE RIGHT ONE. I think he’s very much a “nod his head and listen” type of music lover as a posed to “can’t stop moving” sort of guy.

He also probably prefers wordless music, for focus, and lyrics in music when he’s alone. (He is dancing in his room when no one’s around.)

Soldier - FUCKING HATES THE BEATLES. I’m almost tempted to say the only thing he listens to is music about WAR. But he’s probably into punk music. But I’m sure he fucks up and listens to anti war songs instead of actual war songs. So he’s accidentally listening to ‘hippie music’. No one has the will to explain it to him.

His favorite song is probably Gene Stridel - What do you win when you win a war. But only when he’s more self aware, more aware of his situation. It comes and goes. Soldier refuses to sing the song, ever. But it’s close to his heart, even if he sometimes doesn’t know why.

Spy - secretly a hippie. Definitely into Yé-yé, a type of french-ized version of British pop/exotica (like THE BEATLES.) He shows Soldier his music taste and it sends him into a rage. I think he takes pleasure in it.

Especially Baroque Yé-yé. Very Spy feely. Also Scout’s mom has probably shown him some Josephine Baker, and he likes it. Sings in a snooty little voice but it sounds pleasant enough. He thinks he’s the best singer in the team. (it’s heavy)

Engineer - GOD, you’re so right. Johnny Cash is the most fitting for him. I feel like he’s definitely a music sharer and taker. He carries songs from the people who he loves around with him. I think his mom loves Tammy Wynette and it’s crossed over to him.

Rip, you stupid fuck, you would have loved Poor Man’s Poison. He probably does that thing where they end off words in country with like a howl, instead of just ending the sentence.

[fcble]

Post format inspired by Dulce @almostyours and JJ @chcrryade. Thank you to everyone who let me mention their OCs!

"I stopped my pace and wanted to shout. / Wings, spread out again! / Fly. Fly. Fly. Let me fly once more. / Let me fly just once more." — The Wings by Yi Sang, translated by Ahn Jung-hyo

깃털 (FEATHER) is the debut mixtape of INTAK, of fictional boy group FABLE. It was released digitally through streaming services and SoundCloud on August 16, 2024, seventy-nine years and one day after the liberation of Korea from Japan's colonial rule. Unlike his work as a member of Fable, he released it under his previous SoundCloud username WND3QUD, from the phrase 중3병 typed out on the Korean keyboard. Deriving from the somewhat derogatory Japanese term "chuunibyou," his recent usage of the name is meant to be an acknowledgement and greater understanding of the person he was at fourteen when he identified strongly with it. With the album's themes of the self and the meaning of money, it is also loosely inspired by Yi Sang's 1936 novel The Wings.

The record boasts an impressive array of features from other idol groups, surprising fans who were previously unaware that Intak "knew people like that." In line with Fable's concept and what Intak sees as his due diligence as member of the group, a few of the songs contain Fable's signature traditional instrumental sound. This was a decision that went over well with the majority of the group's fans. The vocal minority are a few Haksu solo stans, who realized that the teased solo debut of this year went to Intak, and not Haksu.

There was little promotion prior to the album's release, aside from a few social media posts with the title and release date, and one Weverse post from Andrew almost two months in advance spoiling the eventual release.

▶ PRESS PLAY

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TRACK 001. 한국 (KOREA)

"@1:32 ik he was mad as hell in the recording studio. andrew count your days?" ─── A comment on the official music video, August 16, 2024

"Intak released his mixtape a couple of days ago and to say I'm obsessed is an understatement. For everyone else who missed their old sound, this is for you. KOREA is obviously the most Fable song of them all. Between the lyrics and the instrumental, the song posits Intak, Fable, and their music as representatives of Korea. I was under the impression that was their goal from the beginning. These past couple of years haven't shown that, but Intak is bringing it back." ─── 'Old Fable is back and I'm living for it' by bangchanslefttoe on r/kpopthoughts, August 18, 2024

"Ah… isn't it too much? How can he call the song KOREA and then release it under a Japanese name? He should know better. Really, it's disappointing. He said the album was inspired by Yi Sang too. Doesn't that just make it more embarrassing? F*ck I want Haksu's solo album instead." ─── '[enter-talk] WHAT CULTURE IS FABLE REPRESENTING, ANYWAY?' by pannchoa on pannchoa.com, August 19, 2024

TRACK 002. 꼴통 (BASTARD) ft. NOAH of DEEPDIVE @bluwavez

"[checking calendar] ya we still have time for BASTARD summer" ─── @kcdjification on Twitter, August 16, 2024

"I think BASTARD had a lot of potential. I wish there was a little more in the lyrics. One Yi Sang pun in this song and it's in Noah's verse? Come on, Intak, you're better than that." ─── A comment on the album's official discussion post on r/kpop, August 18, 2024

"I know Intak's 'Feather' flew under a lot of people's radars, but I tuned in. 7/10 if I'm being generous. My favorite song is definitely BASTARD. Is it because Noah is there? Um. No comment." ─── 'ranking every kpop comeback (august 2024),' shineesback on YouTube, September 1, 2024

TRACK 003. CASH

"just listened to CASH. close enough welcome back karl marx!" ─── @h4nd__dr4wn on Twitter, August 17, 2024

"What did I write? Nothing. This is Intak's solo album. He's always written our music. [pause] If he asked, I would have. If not, it's patronizing. If I wanted to release a solo album, would you expect Intak to write one of the songs? [pause] Rhetorical question. Let's listen to CASH." ─── Andrew via Weverse Live, August 17, 2024

"For my solo album, I want Andrew-hyung and Intak-hyung to both write it. They're both important to Fable, and I can't image what we'd be like without them." ─── Haksu via Weverse live (immediately after Andrew's comments), August 17, 2024

TRACK 004. GOAT ft. CYRUS of XPLOIT @ripsoff, JC of LITTLE HOUSE @okmgi

"did anyone else have flashbacks to 2013 goat remixes or was that just me" ─── @yjuntual on Tumblr, August 17, 2024

"Let's talk about the worst song by far. GOAT was certainly a choice. It's the most generic track on the album. Any rapper can call themselves the goat. It's a jarring disappointment right in the middle of an otherwise decent album. And of course I can't forget the worst part. What on earth possessed Intak to make him think it would be fun to make goat noises on the track? Easiest 0/10 I've ever given." ─── A Rate Your Music review, August 19, 2024

"i know it says ft jc in the title but tell me why i still jumped when i finally heard his voice at the end 😭😭" ─── @GOLDFlNCHS on Twitter, August 20, 2024

TRACK 005. 태권도 (TAEKWONDO) ft. ANGEL of LUCKY @lvcky0ne

"Did everyone listen to 'Feather' yet? If you didn't, go listen to it now and then come back and tell me what your favorite song is. I like TAEKWONDO. Eolssu~~~~" ─── Byeonghwi via Weverse, August 16, 2024

"not to be overly parasocial or anything but intak and andrew's arguments in the fable dorms must go crazy bc andrew would never write a song like this. open discussion does andrew even know what TAEKWONDO is." ─── @kkotcheoreoms on Twitter, August 17, 2024

"promotions for this album are literally so bad if i wasn't locked in to literally everything lucky does i would've missed out on angel content 😔" ─── @.cheonsarang on Twitter, August 19, 2024

TRACK 006. BUCK ft. HERO @anqelblccm

"🔥🔥🔥" ─── Mingeun via Instagram stories, August 16, 2024

"you guys don't understand how badly i need a live performance of BUCK hero would eat that shit UP please please please please please" ─── @hrts4hero on Twitter, August 17, 2024

"Ever since Fable's Intak released his mixtape earlier this month, I've been hooked on a handful of the songs. I know everyone likes Fable for their traditional concept, but they have some extremely solid b-sides in their discography. Enter BUCK. Went platinum on my Spotify last week." ─── 'recent underrated bg b-sides you should listen to,' evvnemoon on YouTube, August 27, 2024

TRACK 007. 무리야 (FLAKER)

"3. FLAKER. Introverted king. He's so me. #intakforpresident2k24." ─── 'ranking every feather song! (nothing to do with sabrina carpenter lol),' @flwrble on TikTok, August 17, 2024

"everyone is clowning intak for putting a song about introversion on an otherwise deep album but i think there's a deeper meaning here where he's trying to be a different person except this is his nature and he can't escape that and anyway it ties back to the wings bc that protagonist is in a pit of self-deception so deep he might as well be six feet under and intak's interpretation moves past that to the slightest glimmer of self-realization like bro looked in the mirror so yes i've connected the dots" ─── @cyb3rn1ghts on Threads, August 18, 2024

"'You're Intak's token extrovert.' I see everyone's listened to FLAKER. You mean his friend. That's how friendship works." ─── Kiyoung via Instagram live, August 20, 2024

TRACK 008. 날개 (FLY) ft DIAZ of VARSITY @ncrdyboyz and EUNJUN of ARM CANDY @hearthr0b

"idk why but this part of the song always makes me tear up 🥹🥹 fable ur sooo important to me" ─── @berryseop at 1:42 on SoundCloud, August 17, 2024

"Another Feather factoid: The Korean title of FLY is the same as the original title of Yi Sang's novel that inspired the album." ─── @prodbyfable on Twitter, August 17, 2024

"FLY is a dreamy collaboration between Fable's Intak, Varsity's Diaz, and Arm Candy's Eunjun. The trio delighted us with the back-and-forth narrative between Intak and Diaz, paired with Eunjun's smooth vocals. Although a b-side, it definitely has title track potential." ─── '10 of Our Favorite Recent Kpop Collabs' by S Kim for Soompi, August 31, 2024

TRACK 009. 풍각쟁이 (PUNGGAKJAENGI) ft. JAESEOP and EUNSU of FABLE, ???

"he credited eunsu as eunsu of fable. brb i'm gonna break down NO ONE TALK TO MEEEE 😭😭😭😭" ─── @twosuluvr on Twitter, August 16, 2024

"PUNGGAKJAENGI is a really fun song because every verse is in a different dialect. Jaeseop's uses the Gyeongsang dialect. Although he was raised in Seoul, he was born in Gyeongsan, in North Gyeongsang. Intak's is Jeolla's dialect, given that he considers the South Jeolla province home. Eunsu's uses his Gangwon dialect. As a side note, this might be the first time Eunsu has so openly spoken satoori. If I didn't know he was from Taebaek, I would have thought he was born and raised in Seoul." ─── @prodbyfable on Twitter, August 17, 2024

"crediting the pansori singer as a bunch of question marks is certainly a decision! not sure what they were thinking there" ─── @haksubak on Twitter, August 17, 2024

[fitgirlfemdom]

whats your favorite nine inch nails album

The Downward Spiral is not only my favorite NIN album, but my favorite music project of all time. I've listened to it cover-to-cover probably a couple dozen times over the past few years. The storytelling, the songwriting, the instrumentals, the backstory to each track, the fact Trent Reznor got sent to court for it, the music videos, everything--I love that album so much. I wish Hurt wasn't such a meme song because I honestly think it fully encapsulates the post-suicide regret that many people experience after surviving. My favorite tracks on it are Ruiner, Mr. Self Destruct, Hurt, and I Do Not Want This, but I can't skip any tracks. It's probably the only album I've listened to where EVERY song is a hit, even the more subdued/abstract tracts like A Warm Place or the title track.

With Teeth is an incredibly important album to me--it's what I listened to after my OD, and also leading up to my OD. I remember I was having a seizure at a get-together after doing something, and my friend asked what album I should put on to calm me down after, and I said groggily, "With Teeth, Nine Inch Nails." My final OD before I got sober, I listened to With Teeth in the hospital, and realized I couldn't keep putting my body, my family, and my friends through it, and I went stone-cold sober. That was back in 2022. I'm planning on getting the With Teeth logo text tattooed on my wrist sometime, because the title track would always play in my head whenever I was offered anything else.

I enjoy Pretty Hate Machine, but I haven't listened to it as frequently as TDS, mainly because it's more new-wave/synth heavy and that just isn't my vibe. Certain tracks, though, like Sin or Something I Can Never Have are still in my constant rotation. Other tracks, though, like Sanctified are unlistenable for me. PHM was my first CD for my car, and while my mom was teaching me how to drive, Sanctified came on--"If she says 'come inside' / I'll come inside for her"--and I could never listen to the song the same. Down In It was one of my first NIN tracks, so it has a special place in my heart, even if it's directly ripped from a Skinny Puppy song. The Fragile has some of Trent's best tracks, but it's such a bloated record with so many filler tracks, I wish it was split up into two projects (especially since some songs like Starfuckers make no sense on the project). I don't think I've ever listened to The Fragile all the way through, because I can only take Trent's ambient droning for so long.

The post WT stuff, like Year Zero and The Slip, haven't garnered that much of my attention. Of course, certain songs like Discipline are unavoidable, but I was much more interested in the lore and mystery of Year Zero than the actual music. Some songs on Hesitation Marks still hit, like All Time Low, Copy of A, and Came Back Haunted. All in all, though, I hold the pretty common belief that after Trent got clean, his focus drifted more to his family and writing scores for films, which I support a lot more than his current NIN projects. The Soul soundtrack is fantastic, and I'm glad Trent wasn't one of those 90s male idols that died young, and if that means I gotta listen to his saxophone solos on his new albums, then so be it.

Also, thank you for asking me a question outside of fetish-content. It's nice to know people see me as human.

[optionalblue]

Album ranking!! I’ve never really done this, but I wanted to cuz I was bored.

Trench will always be my fave for reasons I don’t really understand. I love everything about the era too, the introduction to the Banditos, the real kind of start to the lore side of it all. It’s so so hard to pick a favorite song, but my current one is Levitate.

Despite what anyone says about evil propaganda, SAI is so so magical, and I love the aesthetic. Takeover tour also has my favorite Tyler looks. My favorite song is Choker.

Regional at best is a new one for me, but I’ve decided it goes on #3 because I really like the style of music it is. Honest and pure, young and afraid, and just really danceable. My favorite song is Forest.

I love love love love love Clancy, it’s the album I joined the clique for, it’s the album with a music video for every song which is amazing, it’s just really relatable also. My favorite song is Routines In The Night.

People say Blurryface is overrated, but the reason it’s so popular is because it’s so good. It’s iconic to the band, and the representation of mental health in this album is probably why I like it. My favorite song is Fairly Local, (which is also my fave tøp song ever)

Vessel was actually my introductory album to the band, the first song I ever added to my playlist from them was semi-automatic. I love how it sounds, I love how Tyler sounds (his voice oughh) and I love the memories it has for me. My favorite song is Holding Onto You.

And finally, Self Titled. (I really didn’t want to put any of these at the bottom of the ranking tbh) I will always regret how long it took @snekthedemonnoodle to convince me to listen to it, because it might be the most lyrically amazing album. The metaphors give me chills, along with the amazing amazing musical part of it. My favorite song is Air Catcher.

Anyways, very sorry about my rant, I just wanted to share!! Y’all don’t have to put this much detail into it, but what is your ranking? Peace out, Jules <3

[kalibabysworld]

Tennis Players as THE TORTURED POETS DEPARTMENT Track list

(Based purely on the title not the content)

1. Fortnight

- Novak Djokovic: He breaks a new record every two weeks (at least it feels like it)

2. The Tortured Poets Department

- Iga Swiatek: She's a Swiftie and I really want one know her reaction to the album announcement and her first listen

3. My Boy Only Breaks His Favorite Toys

- Andrey Rublev: *montage of broken racquets here*

4. Down Bad

- Alex de Minaur and Katie Boulter: He flew to San Diego to watch her final after he won the title in Acapulco. I've never felt so single in my life

- Taylor Fritz and Morgan Riddle

Again. I've never felt so single in my life.

5. So Long, London

- Andy Murray: He's English. And we're saying goodbye to him😭

6. But Daddy I Love Him

- Casper Ruud: My heart hurts every time he loses

- also: me whenever a player is injured

7. Fresh Out the Slammer

- Simona Halep: drug testing and trial

8. Florida!!!

- Ben Shelton: University of Florida alumni

9. Guilty as Sin?

- Alexander Zverev: Self explanatory

10. Who's Afraid of Little Old Me?

- Jannik Sinner: idk what was in the bottom of that trash bin hut I don't think anyone wants to play him now

11. I Can Fix Him (No Really I Can)

- Andrey Rublev: (sorry for the repeat) I don't like his temper but he's hot. I could fix him.

12. loml

- Roger Federer: The love of my life my first tennis idol. Also the loss of my life

13. I Can Do It With a Broken Heart

- Rafa Nadal: He's doing it with a broken body right now. And it breaks his heart to leave

14. The Smallest Man Who Ever Lived

- Diego Schwartzman: For a tennis player, he's really short (I'm so sorry Diego)

15. The Alchemy

- Juan Carlo Ferrero, Darren Cahill, and Simone Vagnozzi: They have made gold in Carlos Alcaraz and Jannik Sinner

16. Clara Bow

- Maria Sharapova: It girl of Hollywood and it girl of tennis

[mamawasatesttube]

hiiiii i am looking to start reading superman comics… do u have a recommendation on where to start? any good storylines? there’s just SO MUCH

gosh i completely understand, there is SO much superman!!!! i have pretty much only read postcrisis-era superman stuff, so i'll be talking about that era only, but i HAVE also heard good things about n52 superman (and of course there are some great precrisis supes comics, i just haven't read them myself yet!)

for starters, some short and more self-contained superman stories: superman: birthright, which is basically his backstory reframed for the 21st century. superman: up in the sky is also one of my favorite superman titles ever - it really gets that core kindness and refusal to give up that make him who he is. superman for all seasons is more backstory and about clark and his family! and then superman smashes the klan is a comic adaptation of a 1946 superman radio show, about superman going up against the kkk. it is DEAR to me.

those are some of my personal favorite stories to establish superman as a character! here's a list of some other good introductory superman stories.

as for what i've been reading lately: so postcrisis superman comics run across four main titles for the most part. that's superman vol. 2 (1987), the adventures of superman, superman: the man of steel, and action comics, in that order. yes it's kind of confusing to get into, but once you get the hang of it, it goes fast!

i got into reading these by reading steel (1994) for john henry irons, but in issue #22 the superfam story arc "the trial of superman" began, so i just kinda jumped in there. i really enjoyed that arc! would recommend. clark is relentlessly good, the superfam loves him, kon is being annoying, what more can you ask for.

i also really loved the clois wedding and honeymoon arc, in these issues: superman (1987) #118, superman: the wedding album, adventures of superman #541 (kon is in this one!), action comics #728, and superman: the man of steel #63. clark gets kidnapped by a man who wants revenge on lois, and lois goes on the warpath about it. 10/10 would recommend.

in general i SOOO feel you, there are so many superman comics and even though i've read about three years' worth of them now (from the trial of superman through the y2k event jksdf) i still feel like i've barely scratched the surface!!! but superman is my best friend and i'm having a great time and that's what really matters <3 i hope this helps and i hope you have fun reading too!!!

[mirasantidotes]

Dance With Me

Summary: You've known Pedro since you were teenagers, and you two have grown up into adulthood together. He's always liked you, but never said anything to you about it until one day, he wakes up on the wrong side of the bed and finally confesses to you.

Content Warnings: self-doubt, fear of rejection, interrupted make-out sessions, fluff

Word Count: 1.8K

A/N: I think this is going to be the last fic I write about Pedro himself, I don't want to make him uncomfortable if he were to ever read it, so I will only be doing fanfics of his characters, either with them in character or slightly ooc! Also, sorry for any grammar / spelling / or Spanish mistakes I may have missed when proofreading!

All of my posts with an * in the title contains smut or at least mentions of it.

—

You met Pedro when you were both teens, and you hit it off instantly. The two of you had met when you and your parents had moved to NYC; you both had so much in common— you listened to the same music, liked the same shows, and both were active in wanting to make it in the arts; you singing, and him acting. You would sing him songs, and he would practice his lines for you. Your friendship blossomed unlike any other you had before. It was apparent to you throughout your friendship he may have liked you, but after some time, he seemed to have moved on, or so you thought— he just became better at hiding it. Even as teens, he would compliment you every day, and say you were beautiful, as you would say to him back. 

He was so afraid of rejection, he’s never said anything to you about his crush, even after all these years. You two have now lived together for 5 years; both of your careers have become successful, he’s been in several big-hit HBO projects, which you knew he grew up on and meant so much to him. You, a successful singer with a Grammy trophy for album of the year sitting on a shelf in your room. 

As you do once per week, you wake up earlier than the sleeping birds outside to cook him some breakfast in bed; he loved your cooking— he always complimented it, and never disliked anything you made, even if he was picky with what he ate. You couldn’t find your earbuds to listen to music, so you opted to just play your playlist on the radio on the lowest volume. Though, once your favorite song came on, you came a little too excited to dance around your kitchen while cooking and had turned it up just a tad too loud for sleeping Pedro’s comfort. 

While you’re lost in your thoughts, cooking a large breakfast for the two of you and swaying around your kitchen, you don’t even hear Pedro walk up behind you until you feel his hands on your hips, spooking you. You yelp in surprise, “What the hell, Pedro!” you raise your voice through soft chuckles, hitting his chest playfully, as he smiles brightly and his rich laugh escaping his lips at your reaction; he was always good at sneaking up behind you when you didn’t realize it, making your bones jump out of your skin. The sun through the window lightly illuminated his bed hair and scruffy beard— his strong nose casting a shadow on his face; you get lost in his features, before clearing your throat and turning back around to continue cooking, with a small smile on your face. 

A few minutes pass, and you’re still cooking, but causing small shenanigans to get back at Pedro; when he isn’t looking, you grab the whipped cream from your fridge, you ask him to look at you, and spray some of it on his nose, letting your laughs escape your mouth, as he starts smiling. He takes his finger and cleans his nose off with it, before shoving it in your face, getting some on your nose too, before he licks the remaining of it off of his finger and cleans the rest off his nose with a paper towel. Laughter fills your early morning home, the sun beaming through your curtains, to cast rainbow lights into your shared apartment, the smell of bacon, pancakes, and the making of scrambled eggs in the pan below you as you’re back at the stove, trying to focus on cooking through Pedro’s nonsensical actions, trying to make you laugh. How he loved that sound more than anything and would do anything to hear it— and he always knew how, no matter what you were going through, he was able to be the light that would shine through your darkest times. 

As he leans on the kitchen counter next to you, watching you cook, arms crossed. He stares at your face, your features causing him to almost fall into a trance. He opens his mouth to speak, “You look beautiful today, querida (darling),” he murmurs, still looking at your face, shifting his focus from your eyes to your nose, and your soft, rosy lips. Your eyes slightly widen at his words— sure, he compliments you often, but he never calls you nicknames like that, so it took you by a slight surprise. 

“Thank you, querido (darling),” you giggled back at him, sneaking a small smile in his direction before returning your gaze to the eggs below you, continuing to cook. You don’t see it until it’s happening, he steps closer to you, and strings some of your hair behind your ear, so he can see your soft features. You glance up at him, once more— his hand laying softly on your jaw. Once more, he scans your face, for any sign of discomfort. His smokey, kind eyes look into yours, then to your nose and lips, and finally back up to your eyes. A light flush of pink creeps up his neck and into his cheeks, as does yours. He steps closer slightly, still worried he’s going too far— but you don’t move back, and he takes it as an initiation to move even closer.

He leans in and rests his forehead on yours, both of your eyes closed, and just before his lips touch yours, a soft “Can I?” escapes his mouth, and you just slowly nod, granting his permission. And with that, he lifts his hand to your cheek, slightly tangled in your hair— he presses his lips against your own. You kiss him back, tasting the bitterness of his coffee from earlier on his lips. He lifts his other hand to hold your neck, pulling you closer to him. Sparks fly all over your body with the way he touches you. 

Though you didn’t want this moment to end, you pull away abruptly when you smell the scent of burning eggs and light smoke filling your lungs. You two start laughing as he quickly opens up a window to let some of the smoke out the window before turning back around swiftly to start chuckling at your panicked face. You turn off the stove, and once you finish throwing out the now unrecognizable eggs into the trash can and airing out as much of the smoke as you can, you press your back against the counter, crossing your arms, looking at Pedro— “So what was that kiss about?” you say gently, looking into his eyes, the corners of your lips upturning slightly at the thought of it. 

“Are you that oblivious?” he asks, smiling at you while stepping forward a few steps in your direction before finally leaning next to you on the countertop, his eyes never leaving the sight of you as he crosses his arms.

“Possibly, or maybe I just want to hear you say it,” you speak softly, the smile growing on your face before you turn toward him. 

He pauses for a moment, before finally speaking— “I like you, I always have,” he replies quietly, as he looks down at your feet, pinching his lips together, his cheeks glistening a sheer pink in embarrassment. You catch him off guard when he’s lost in thought, you step in front of him, and you reach your hand up to his face and cup his cheek— his light stubble prickling you in your hand, your other hand pressing lightly on his broad chest— the heat rushing to your cheeks as you lean in to kiss him once more; his arms uncrossing, and wrapping around your waist, pulling you closer to his body.

Before you realized it, he was turning you both around and lifting your body, and setting you on the counter, still not breaking the kiss. He pulls away soon after however, and looks you in your eyes before lifting his hands to your cheeks— “This okay?” he whispers, scanning your face with his soft eyes, as he lifts his hands back up to cup your cheeks. You nod, and you glance at his lips and back to his eyes, full of love, as always. You wrap your hands around his neck, pulling him closer to you— his body between your legs that dangle off the edge of the counter. 

Just before your lips touch, foreheads resting against each other once more, you whisper sweetly to him, “I like you too, siempre lo hice (I always have),” both yours and Pedro’s lips are lightly brushing against each other as you feel him smile slightly. He runs his hands down your sides and finally lets them rest on your hips. He leans back in and places another soft kiss on your lips— but before too long into your next kissing session, the two of you feel a fluffy feeling separating the two of you from each other, and you both look down simultaneously after breaking the kiss— you see your cat finally awake from his early morning nap, only to cause another disruption between you and Pedro. 

The sight makes the two of you burst into giggles before Pedro rests his head into the crook of your neck before mumbling a gentle “We keep getting interrupted, huh?” into your ear, sending a slight chill up your spine. 

A light chuckle escapes your swollen lips, “Guess so,” you say before tangling one hand in his salt and peppered hair, the other still wrapped around his neck, hugging him closer to you. Though he doesn’t want to, he pulls back from your gasp and picks up your cat— giving him a few kisses before finally setting him down, causing him to run back, presumably to take a nap once more. He looks back up at you, giving you a small smile before walking back between your legs, with his honey-toned eyes full of kindness,  he cups your jaw sweetly, while brushing a few lost strands of your hair behind your ear once more. He kisses your forehead, making you blush for the millionth time today. 

In one swift motion, he picks you back up off the counter and lays one hand on your waist, and the other reaches for the radio to play your favorite playlist, which had ended hours ago. His hands slide down your body, to reach for your hands. He holds your hands gently in his— he starts dancing slowly to the sound of the music, “Dance with me, mi amor (my love),” he grins at you. You chuckle at his not-so-impressive dance moves, before finally giving in and swaying your hips with his, beginning to slow dance. 

The two of you spend the day listening to the sweet sounds of the radio, sharing kisses once and a while, and dancing throughout your apartment, forgetting about the cold food you cooked earlier that morning.

[frokenkeke]

Dissection of the unfinished piece "Venus"

I have long held that you should be proud of everything you make and allow it to exist despite imperfections. Most of what I make gets shared despite my feelings about it. Exceptions are rare, but they happen. I find those occasions interesting, so today we will look at a piece tentatively titled "Venus".

This is my initial idea sketch dated 20th of May 2018. It depicts a hilltop scene of people encountering a mysterious object inhabited by ethereal beings. If I recall this was one of those ideas that had simmered around in my head for years without ever being put to paper. Hilltops are one of my favorite places to be, providing not only a impressive views, but a closeness to the sky and a certain solitude. Even in suburban areas, the hilltop is a bit too remote and inaccessible. Climbing it I typically find myself alone. I lie down at the top and face the sky. I see nothing but the sky and I feel nothing but the sky. A strange sensation.

I found some night time footage of a nearby hill from May 14th the same year, which I took for an unrelated project. The connection to my unfinished piece is not coincidental. At night, the hilltop not only borders the sky, but the cosmos. It allows us to feel a little bit closer to the universe. When I made the initial sketch for "Venus" the following week, this threshold was in my mind. I wanted to express it.

The 1969 self-titled David Bowie album (later retitled Space Oddity) ends with the track Memory of a Free Festival. It's one of my all-time favorite Bowie tracks, which reminds me of warm summer evenings and moments of long-gone happiness. I've sung it with friends, it's special to me. A lovely lengthy piece chronicling a gathering of joy and love, the titular Free Festival.

However, halfway through, the lyrics begin detailing fantastical events:

"We scanned the skies with rainbow eyes and saw machines of every shape and size. We talked with tall Venusians passing through. And Peter tried to climb aboard but the captain shook his head. And away they soared. Climbing through the ivory vibrant cloud. Someone passed some bliss among the crowd. And we walked back to the road, unchained."

The festival is visited by extra-terrestrial beings from Venus, seemingly instilling a feeling of relief and fulfillment. This inverts the album's famous opening track Space Oddity with its Major Tom spacecraft disaster, and together they form neat bookends; in Space Oddity man meets space, in Memory of a Free Festival space meets man.

My unfinished piece "Venus" pertains to some mental image of listening to Memory of a Free Festival. The tall Venusians pass by the hilltop, the joyful people are bewildered and overjoyed. Some want to board their craft and go with them, but are denied. Above is a cleaner sketch done within an hour of the first one. I still think the idea is good and find it a beautiful visual. I have no memory of my inspirations for the ethereal beings, they certainly have some inherent Tove Jansson-isms that basically all my work has, but still, I maintain they're quite imaginative takes on aliens. I enjoy their fancy evening wear dresses that are all unique, I adore the captain's little cap and how she uses a strange floating orb for navigation, I like that the leftmost creature has asymmetrical eyelashes and apparently is maneuvering some sort of old-fashioned rudder.

Generally a sketch like this would pretty straight-forwardly lead to a finished piece within the same day. I sit down and work until I'm done. Not this time.

In hindsight, this next step should've sent off warning signs. Usually I pick a handful of colors before I start working, sometimes I need to fiddle with their distribution a bit if I limit myself, but I don't need to think TOO hard on it. Rarely do I luxuriate with all kinds of colors to the degree where I need to pre-paint the entire piece beforehand. Here I've done exactly that, over-indulged myself with all primary colors in a hearty blend. Still, that can happen sometimes, it has worked in the past, so I kept on.

Above is the latest state of the piece. The Venusians and the environment are instated, the people are yet to be done. I remember coming back to "Venus" in this iteration once or twice, hesitating and stepping away it. Eventually I abandoned it. Ultimately, I think the colors were too chaotic. They have a slight subdued pastel tone, but they also look quite flat. In 2018 I had long since grown tired of shading, so this would've reflected my intended finished state. I can conclude that it simply didn't look good enough, it didn't feel worth it to continue. If I went back today I would probably fiddle with the palette; removing the cold hues and introducing some darker values, more contrast!

However, that was over 6 years ago, I don't fully remember all my thoughts and intentions, I don't know how I envisioned the final result, I have no idea what I would've even called the finished piece. "Venus" was just a convenient short filename. Going back now I would have to adapt and reinterpret myself, because whoever started making "Venus" no longer exists. What it would've been can never be realized.

To respect myself, I will instead celebrate the piece as I left it. This feels more truthful and honest than trying to "fix it". Maybe this will make me more comfortable to actually try my hand at this idea again some other time in the future. Who knows? It's not impossible.

This is an amalgamation of the finished and unfinished parts of the piece, the most "complete" iteration I can cobble together with what's there. It should probably give you a good enough idea of what I would've posted at the time.

Knowing myself, I can't help but make some observations.

The second human from the left is absolutely a self-portrait, I drew myself with these people longing for escape. The Venusian I connect with shares my colors, reaching out a hand and smiling. Conversely, the other person reaching out is turned away from our view, his colors don't match the green Venusian, who seems more resigned in their rejection. I see that this is also a self-portrait, vaguely resembling myself pre-transition. The contrast between the two encounters suggests to me hesitation, I feel like I might be trying to convince myself that I'm worthy of leaving the past behind. The Venusians favor my current self, yet both are ultimately left behind on Earth. My desires are left unfulfilled.

In 2018 I was in a pretty bad place, I realize I usually am and that I reflect this through my art in different ways depending on what I'm dealing with. I make art to express myself, to communicate abstract feelings I can't put to word. I believe "Venus" attempts to paint a pleasant warm scene that carries an underlying somberness. However, sadness has value too, it can teach us strength. As ethereal beings, the Venusians represent some impossible ideal of happiness that we may strive toward. But can we ever truly reach such bliss? We must be able to exist beyond such perfection and achieve happiness despite it. Perhaps the piece depicts the moment where such a lesson would be learned? When the Venusians depart, I will be left with friends, I will be okay. I am not alone.

As Memory of a Free Festival ends in chanting:

"The sun machine is coming down and we're gonna have a party."

[alogeminiss]

Hi everyone :)

In this first post u want to tell you my opinion of all the albums by twenty one pilots. They have seven albums in this moment, a couple weeks ago they released their new album.

First, we have the called "self titled" this is my favorite album from this band and I really like all the songs, the songs are very sad and nostalgic and make me feel and anxious. The lyrics are the best and tells so many good stories. Also, the cover is gorgeous and magnificent. I really can't choose my favourite song.

10/10

The second one is "regional at best". This is not the big thing because many of these songs are in the next album but with a better sound and littles changes. But songs like "glowing eyes" and "forest" are so great and are just in this album. I wish the album was in the platform, but is not.

7/10

Next one "vessel" this album has many song of the last one, but better. The songs are really nice and sad (obviously) It has different sounds, maybe more happy (to me) but the lyrics are very sad too. I love all the songs but "ode to sleep" and "migraine" are gods. I think this album have one of the best experimental sound and lyrics so deep. I really recommend it.

10/10

"blurryface" is the most popular for their songs like "ride" and "stressed out" (good song but honestly I had enough). I think it's a good album but not the best one. Have more sound like rap and trap and it's good but the songs aren't my favourites. In this album began the lore of their own story.

8/10

Another one, follow the story deeply with lyrics and the videos. Has incredible sounds and a baddie energy like "you are not like the other people" or "you don't understand" lol. I really enjoyed when I listened for the first time and I appreciate it so much. But some songs are just a NO (like "bandito" I can't listen it) otherwise I love "cut my lip" best song.

9/10

"the unique and different" : "scaled and icy" at first time I was so confused about the fact that the music sound so different and the lyrics are so happy. I mean, in all the albums are really deep and dark but in this one...

But then I understood was made on purpose because also follow the lore of them. I like all the song but "redecorate" is a feeling.

9/10

And the last one, they just released a couple weeks ago and I still in shook. I REALLY LOVE ALL THE ALBUM. The lyrics, the sounds, the emotions...

I am impressed with the album, and the most important: I WILL GO TO THE CONCERT. I'm so excited to see them and listen the new songs in live.

I don't have my favourite one yet.

10/10

[doodling-doodle]

So I like Just Dance

I don't normally make other content but @wainmfis decided to bring this up and give me an excuse to talk about this so thank you :)

Jack Rose with his own Eras Tour, along with many-a-headcanons for Jack and Wanderlust (Wanderrose tee hee) and the aftermath of JD2024

Buckle up, y'all, this is a long ride. I put this post into a word counter and it's almost 3,000 words. So, if you just want The Era's Tour stuff, I marked it in italic, bold, red, ALL CAP LETTERS

Alright, so, I'll get my Jack headcanons first

He started making music when he was fifteen and was allowed to release albums (With songs only approved by Night Swan on the album) when he was sixteen. He was allowed to choose his own genres though, as long as she fully wrote some of the songs.

His debut Album was Self Titled (So it was called Jack Rose)

annnd this is where that most of my inspiration on Jack comes from Taylor Swift and I have zero shame.

So all of his albums are mostly the same as hers, titles, songs, etc. (Except for 1989... how old is Jack right now? 28?? Lets say 28, it would be titled 1996)

However... there is one extra album, that happened between Speak Now and Red.

When he was around seventeen, that's when he finally used his slightly later curfew, when he was allowed to be wandering in Eternyx until eleven o'clock at night, which was insane for him because he used to only be out until nine-thirty at the latest.

He would wander around the streets for hours, running back to Swan Tower when he had about an hour and a half left.

Until the day that he found an abandoned bar turned hidden rap club in the small part of the city that Night Swan didn't go around often.

He had wanted to try putting out rap for a while, but Swan never allowed him, she said he wasn't good at it, it wasn't good music and it wouldn't do well under his name.

He would watch and listen from the outside, scurrying back home just in time for his curfew.

Until the night he decided to go in there. He had paid the servants (Hehe, serve) to not tell Night Swan he was out past curfew, and he went out to the little club in the city.

He would hide in the corner, in a hoodie to hide his face and in the dark. No one could now that he was there.

People came up to talk to him, eventually realizing who he was and quickly swearing that no one would tell a soul. That was the first time he really told anyone about his mothers ways.

They all welcomed him with open arms, and he had real friends for the first time in his life.

He would sneak back into his room through his unlocked window, the servants would fake pictures of him being in his room, either at his desk writing or in his bed on his laptop or asleep.

He eventually started fully making his raps, rather then just keeping them on paper, and he starting singing them at his little club, much to everyone's joy.

To his mother's horror.

He was under an alias (Not sure what to call him yet), and she made him not only drop it, but scaled back his curfew again and made him cancel plans to tour for months.

But she "punished" him by making him release an album full of his raps. That made him so happy, and it ended up becoming his favorite album, cover and all.

Lose Yourself. (So this is where Eminem inspiration comes in, plus NF)

When he got to tour for that album at the age of twenty, dressing how he wanted to dress, he saw his friends from the club, screaming in support. it ended up being his most successful tour before 1996's Danceverse Tour, where he finally got to leave Eternyx for the first time. That was when he was twenty-four. Even then, his mother still made him perform songs that she wrote for him. (Locked out of Heaven and Treasure for 1996)

That was the last album before the events of JD 2023. After that, it got out what Swan Army was doing, and while he wasn't blamed for what happened, he was partially questioned if he had any part in what she did to coaches.

After that, he fully detached himself from her, left nearly everything to his name in Eternyx and started a new life in Dancecity. He had an apartment and everything, he wrote songs but hadn't put out an album. Night Swan was still around, so he was scared about putting out the music that he was writing. He figured he could just get it out of his system and then write the things he'd normally write and put that out.

He got to keep in touch with his new friends, went to explore Danceverse's with all of them and was finally able to let loose- even managed to get back in touch with his old rapping friends.

But... Wanderlust was the one that was around the most, always coming around at some point, even if they just walked through the city together, running across the rooftops, or went to another Danceverse, or something, but Wander was determined to be around him. Maybe to prove a point to his father.

But months went by, writing songs together and going to Scarlet's Palace together...

Until Jack asked him on a date. And he said yes. And they kissed. They started dating about three months after the whole battle in Eternyx.

(Also saying this now, I always thought Jack was the taller one until realizing that Wander was... so I'm just gonna throw canon out the window, Jack is taller now, fight me-)

They kept it hidden, fully hidden, from Wander's parents and their friends, and any media attention.

Then... Well the thing happened.

My explanation for Jack being in Swan tower is that he 1. wanted to try and get some of his things while he knew Night Swan wasn't around, and 2. try and free some of the poor servants. He couldn't hear Wanderlust calling out to him.

So now he has to go on an adventure to free his friends and his lover.

Now... how do I go about describing Jack's powers/magic? Said powers were lying dormant after Swan tried to take it from him when he was young, but she did it wrong, and he still has them, and managed to re-awaken them. Not sure what song he would be dancing to for it, (kinda leaning towards Hope by NF, with the right imagery and maybe a few lyric changes it'd be perfect. Like imagine Jack having a battle with Mirror Jack?? Hell yeah!) but it would be right after Tainted Love when he watched the ship leaving.

So... said powers include, the same thing that Swan did with the water in the pond in the tower, visions, but also memories. Also with that, kind of what Mihaly did with the signal they sent Jack. Another thing is swan wings (Lets be honest Night Swan just jumping to the top of the top of the ship looked a little... weird. So now Jack can look cool while doing it) another thing with water!... I guess you could call it water manipulation? He's able to control waves, and storms to an extent.

I could go on about the adventure he went on, but that's for another time (maybe)

Long story short, Eternyx was collapsed, Jack found out the truth about why his brother (Yes, Cygnus) left, and why his father was never around (Vester), Wanderlust was drug out of Eternyx by The Traveler, screaming for Jack, Brezz and Mihaly ran out of there through a portal Jack made for them before he went to leave a parting shot to Night Swan. Si'ha took him out of there before it collapsed, took him to her palace and tried to help him as much as she could.

Wanderlust had a fight with The Traveler in the SpaceTime Hotel, was essentially disowned by him, and Wander went back to Eternyx to try and find Jack, shit happened, he found a crown that Jack had made for him, found out he was alive but he didn't know where he was, and left to Dancecity.

Like a month goes by, people realize what happened, and Jack is blamed for his friends being in danger (He also blamed himself) and a lot of shit Night Swan did, and Wander is trying to both find him and defend Jack, to no avail.

So Wander, of course, tries to go to Jack's apartment, to their favorite places, to other Danceverse's, to no luck.

Discoball is actually the one to find Jack at Si'ha's palace, and they go to him, show him just how bad Wanderlust was doing while searching for him. Jack immediately goes to find Wanderlust, and he does, taking him back to the palace, where Si'ha was waiting for them to get back so Wander could tell her exactly what his father did.

Anyway, time passes, Jack is still being hounded by media and everyone else other then his friends.

So... Yes, this leads to Reputation and his first tour in four years. No one knows that he and Wanderlust are dating still, have no clue who the person he's singing about in some of the songs are.

While still hounded during it, he managed to actually get the proof of him not being involved in Night Swan's schemes, which finally put a stop to some of the massive hate he was getting. He also got his first proper award from it, that he got to keep instead of Night Swan taking it from him.

A year later, when he finally feels safe to go out, he's seen with Wanderlust a little too much, leading to rumors and eventually, them saying that, yes, they'd been dating for about three years.

That's when Lover came out.

I could go on about headcanons for award shows, but not today.

He just never went on tour for Lover, and his albums went on, and there was something going on in the Danceverse's that stopped everything (Basically the equivalent of the pandemic) So by that point, Jack and Wanderlust had their own home, and they were stuck there. (Their social medias were unhinged during this time) So both of them were writing a lot of songs, leading to the first album of that year, Folklore. He and Wanderlust wrote it together, which was special to him.

But because of how insane they both were going, Jack kept making more music and put out a second album, Evermore, while Wanderlust actually made his own EP with music that he wrote about his dad and about Sara (I may elaborate about it another time)

So, now, lockdowns are lifting, and people are going on tour again but Jack didn't because he now had three albums that he would tour for...

So then two years later, Midnight's comes out, and the next year, he announces his tour.

The Jack Rose Era's Tour.

This is where I mention that... Jack re-recorded his albums, so there's "Jack's Version" Albums. When Eternyx collapsed, so did everything in it, which meant the record label he was under (Night Swan's, which meant she also had the royalty rights to his songs because she's an absolute bitch) was also gone, which meant his old albums existed, but weren't under his name. This is where he got to do all the vault tracks and even some of Wanderlust's music that he never put out.

THIS IS WHERE THE ACTUAL ERA'S TOUR HEADCANONS START HOLY SHIT I DIDN'T MEAN TO RANT THAT MUCH

So!

Let's start with the outfits.

Most of the bodysuits are the mostly same as the real Era's Tour, but I can't really see him wearing heels, at least not the type that Taylor wears, but I can see him in wedged shoes, not full heels but something. As for the dresses, those are replaced with suits and/or jumpsuits (Maybe he could pull off a dress... maybe)

As for songs/lyrics, some have been changed for the sake of context

For the Lover setlist, I'm replacing Miss Americana & The Heartbreak Prince with I Forgot That You Existed (If I can figure out good lyric changes to make it fit, that might change) and The Man with ME!

Fearless setlist is the same, though. (I love Love Story too much, I want to change lyrics/context for it, but if I can't, I'll replace it with something but not sure what yet) He also has something similar to the Junior Jewels shirt for You Belong With Me because it's so cute, and he has variations in the main outfits.

Evermore setlist is the same (MAN do I have headcanons about Champagne Problems, I'm putting Jack through the ringer. And for Marjorie, Oh this poor man.) However, while looking into it, some things said that Evermore's set had 'Tis The Damn Season, while others said it was No body, no crime? so for now, it's No body, no crime. The outfit is a flowy and long Jumpsuit, same color as the dress, and he gets the cape for Willow. (I might make drawings of all the outfits at some point, but don't expect them to be flawless designs because this guy seems hard to draw for some reason)

Reputation is the same, so is the outfit, BUT! This is where Wanderlust comes on stage with him too, singing all the songs with him, plus songs from his EP that fit (A lot of the songs on that EP were written around the time Reputation was written). Wander is wearing the mirror image of the outfit, the asymmetrical sleeve and pant leg on the opposite side. Wander sings the second verse and chorus of every song, except his own, which he sings most of them completely on his own.

Speak now is the same, with the dress(es) replaced with a full suit (That would match the dresses, so there would be one with flowers at the end of the sleeves and the pant legs, a purple one that matches the ballgown, etc.) And Wander is back! Similarly in a suit that would match Jack's, and he sang Enchanted with him, first verse and the bridge.

The extra era, Lose Yourself! His outfit here is basically the outfit from the actual Lose Yourself beta map. Songs would be Not Afraid, (Em, but this one may change) Hope, (NF) 'Till I Collapse, (Em) and of course, Lose Yourself with a slight outfit change. Wanderlust isn't here for this one

Red set is the same, and the outfit, shirts, 22 hat and the coat for All Too Well. No Wanderlust here :(

Folklore set is the same, dress replaced with a long jumpsuit with a vest, plus a bit of a cape (there's been multiple dresses for Folklore, right? I feel like there has been. So there'd be multiple suits) Wanderlust is on stage for Cardigan, singing the first verse and chorus, part of the bridge and the last chorus with Jack. He's in a similar suit to Jack's, just more of sleeves.

1996 set! songs are the same, but the outfit(s), while still a two piece, the skirt is more like shorts. Wanderlust is there for Shake It Off because it's cute. He sings part of each chorus with Jack, plus most of the background vocals and part of the second verse.

Surprise song set, most of the time it's both he and Wanderlust on stage, both in similar full suits, just different colors.

Midnights set, all the shirts, coats and body suits are the same, so are the songs. Lavender Haze and Anti-Hero are performed with Wanderlust. Wander does the first verse and chorus for Anti-Hero, and the second verse, chorus and bridge for Lavender Haze.

The Tour itself goes one for nearly two years, with breaks occasionally. Of course, Brezz and Mihaly are always in VIP seats in stadiums with Wanderlust's parents (It's a little awkward for The Traveler, which Wanderlust kinda enjoys knowing. Has he forgiven him? In the process of it. Not something to elaborate on now)

Jack and Wander are only slightly unhinged on stage together, more during the surprise songs when they normally just talk a little bit and have fun.

The Era's Tour chants are also here, because I love them (so Fearless Heart Hands, 123 Lets Go Bitch, Jack you'll be fine/ Wander you'll be fine, etc.)

But whenever Wanderlust and Jack are seen in public together on breaks, it's normally on a rooftop together on a "date" (COUNTLESS pictures of them just eating together on a rooftop in Dancecity, or writing songs together) Or in Sun Horizon, or in a mall, or a restaurant, Scarlets, just having fun together. Seriously, if their seen somewhere public, there will be multiple times where they are laughing their asses off over the smallest things

There is a new album, but I don't think it's going to be The Tortured Poets Department, since it's not even out as of this post, but maybe another rap album?

Buuuut... the end of the tour?

The very last show, there was an extra segment at the end of the show, after Midnights was over and they were supposed to just go backstage, instead, Jack added like an extra ten minutes to the end... to propose to Wanderlust.

Which he, of course, said yes.

And that concluded The Jack Rose Era's Tour.

JUST A QUICK ASIDE, IF YOU WANT TO STOP READING HERE YOU CAN

I'm honestly not sure if I will do more Just Dance content, at least not consistently. I will probably not make a full out fic, unless people really want it. This was fun to do, I want to do more, I just don't know when I will.

Anyway, hope y'all enjoyed this!