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perfectlysanexd · 2 months ago

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I haven't done one of these kind of posts in a while, but the expressions in Rebirth were top notch, and I wanted to talk a bit about and analyze Sephiroth's different smiles, both pre and post Nibelheim.

Nibelheim itself is difficult to gauge, because SOLDIER Cloud is actually Zack, and furthermore, some of it is definitely his own wishful thinking. But one thing you can say for sure, is that they portray that Sephiroth, despite being so emotionally weary, still summons up the energy to smile at his friend.

As soon as he turns away from Zack, his smile falls, and he doesn't give one to the Mayor at all.

However, when he turns back to inform the men that they're free until sundown, he summons up another smile for them. I don't think that he's just attempting to keep their morale up, he genuinely has affection for Zack, and cares for the others. He respects them for their service, putting their lives on the line for what they think is a good cause, and Sephiroth—as we saw in Ever Crisis—learned to be a compassionate person, who cares about the lives of others, even enemies.

Of course, he's deeply distressed during this time, the despair is eating him alive. Even Cloud acknowledges(despite having not known Sephiroth on a personal level) that he just wasn't himself once they arrived. But I'm not going to talk about my theories on all the Jenova stuff right now, that's not the focus here. Even at the window, you can tell he's feeling off, but when he turns to Zack, he attempts to smile again.

Sephiroth has never enjoyed his fame, and as we learned in Ever Crisis, he didn't choose it; Shinra made up bogus achievements and declared him to be a hero before even his first field assignment, as part of their recruitment campaign. Can't argue with results, I guess—it certainly got Cloud to join up out of hero worship, right? In EC, Sephiroth admits that all he ever wanted was to be normal, something that he knows he can never have. How sad...

So when this man wants to take his picture, it's no wonder that he's over it by then, and tells him no. And rather politely, too, all things considered. But even before that, he smiles and tells Zack that as long as he does his job, their young tourguide will be safe.

But as soon as he turns his back and walks away? Yeah, that smile immediately fades.

Which certainly doesn't change when the guy takes his picture. But of course, when Zack asks Sephiroth to pose for one, he just can't say no, even though he's not super happy about it. Anyway, he continues to smile at Zack for the duration of their journey up Mt. Nibel, making an effort to talk and even cracking a couple jokes, just trying to be a good leader and keep them in good spirits.

And of course, there's the very sad bridge part, where you can tell that he's genuinely upset that he failed to save the other infantryman that got washed away. He searches for him, but comes up empty-handed. Still, he smiles for Zack and teases him about a performance assessment, since their morale is quite low now, but they need to keep going.

Honestly, the Nibelheim part of Rebirth really did an excellent job of portraying Sephiroth's inner struggle. For reference, there are only 3 points in Remake, I think, when Sephiroth drops his ever-present, sometimes affectionate(towards Cloud) and often unhinged, smile: First, it's replaced with sheer rage as he kills President Shinra.

Second time, is when Aerith has a Cetra moment and suggests that his entire existence is "wrong".

And the third time is when he holds out his hand to Cloud at the Edge of Creation, and is rejected by him.

Anyway, back to Rebirth. Ignoring the bizarre smiles he showed us as Nibelheim was burning, as if he was in a trance and just not all there(that's a subject for a different chat), post-Nibelheim Sephiroth's smiles are interesting, too, if we consider what kind they are, depending on who he's dealing with.

For people he hates, like Tseng, it's much more unhinged looking, and very cold. You can tell there's a certain measure of satisfaction from shanking him, haha...

For someone like Aerith, who...I wouldn't exactly say that he hates her, but she's definitely in the way. I would almost say that he considers her to be actively preventing Cloud from recovering his true memories, leading him to remain as merely Sephiroth's "puppet", but that's a theory for another day. He looks at her coldly, as well, but it's a bit different. There's a bit more respect there than there was for Tseng.

And then there's Zack. Actual Zack. I feel like, deep down, he still cares about him, and has no intention of killing him. I almost sense a little...regret? Maybe? Hm. It's definitely a bit warmer of a smile. And of course, although he had many opportunities to get rid of Zack, he doesn't. Instead, he sends him off into the space between worlds safely.

And of course, last but certainly not least, is the way he smiles at Cloud. I know, I know. "But Sane, you like sefikura, so you're biased!" Look, I won't deny that. However, when you really look at it and compare his smiles, which is what this is all about, his truest smiles are always saved for Cloud. He has 2 different "flavors": pure affection and cruel affection. (There are also a few pity smiles, I think.) The former is used most of the time, whenever Cloud is in his sight, and the latter is used during moments when he's trying to control/influence him. I would almost say that he's...satisfied, yet regretful at the same time?? Like these:

And now, let's contrast that with his more genuine, affectionate smiles for Cloud... (The first shot here ⬇ can be contrasted with the shot 2 up from the bottom there ⬆, as the one above is when he's calling Cloud his puppet, and the one below is when Cloud goes to attack him and he opens his arms wider for the incoming uh...embrace.)

Remake had many interesting smiles from him, too, but that will have to be a different post, as this already has 30 screenshots. Anywho, you're free to draw your own conclusions, and not everyone reads faces in the same way, so maybe I'm nuts. Who knows? Either way, I hope you enjoyed this random, indulgent, very long post, haha. If you made it to the end, you're awesome. 💕

All screenshots were taken by me on my PS5. I won't ask for credit on them, since literally anyone can take an identical shot if they pause at the right second. (The exception are the 3 Remake shots, which were taken on PC with mods and the freecam. For those, I would appreciate credit if you use them anywhere, since I don't watermark them.)

#sephiroth #final fantasy vii #cloud strife #sefikura #rebirth

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tiffanys-aus-and-headcanons · 8 months ago

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Appendix D: Some Pig/One More Final

The first three posts in this series are here.

Undertale was a slightly postmodern children's fantasy movie produced by Jim Henson's Creature Shop in the '80s. Noah Hathaway played the protagonist, Frisk, who went on a long quest to escape from a magical prison inside Mt. Ebott; Frisk's father had thrown them into the mountain, known to be full of monsters, in an attempt to kill them. However, it's suggested that as a human, Frisk is inherently more of a protagonist than a monster can be, and has a vague sort of magical power over them. Toriel's death, which Frisk accidentally causes early in the movie, is commonly listed as a Peak Sad Childhood Moment.

George Orwell wrote The Writing In The Web, a political fable about a cult started by a well-meaning spider. E. B. White wrote Snowball's Farm, a whimsical children's tale about a farm whose animals decide to take over.

Infamously, Emmanuel Goldstein's monologue fills dozens of pages, takes at least three hours to read aloud, and brings the plot of Ayn Rand's 1984 to a screeching halt.

Short story collections and anthologies often keep the same title, author, and spirit, it's just the stories that are swapped out. For example, classic episodes of Rod Serling's The Twilight Zone include A Wonderful Life, The Secret Life Of Walter Mitty, Miracle On 34th Street, and The Sixth Sense. 1983's The Twilight Zone Movie includes segments based on classic episodes Eternal Sunshine of the Spotless Mind (directed by John Landis and given anti-war themes), Cocoon, The Poltergeist, and In Search of the Twelve Monkeys (the original starred a young William Shatner). Candle Cove is an episode of Black Mirror.

League of Extraordinary Gentlemen was a 1999 Ben Stiller comedy about a team of low-rent superheroes who theme themselves after public domain characters because they cannot afford licensing fees. The film was well-reviewed, but a box office bomb. It was actually the first film to use Smash Mouth's One Week - the One Week music video is actually cross promotion with League of Extraordinary Gentlemen - and it would remain the film most associated with the song until Dreamworks' Happily N'Ever After hit theaters two years later.

The Amazing Digital Circus was a virtual pet game and toy line that struck when the iron was hot on that niche, before being bought out by Hasbro and rebooted a few times in different forms and mediums. Lauren Faust created a long-running television cartoon of it that was a huge smash hit with fandom culture despite the show's clearly very young target audience. The property's canon is all very light kiddie fare; the scariest thing about The Amazing Digital Circus is that for a brief and touchy stretch of time in the early 2000s, it was owned by the Peoples Temple, which was seriously considering turning it into a recruiting platform.

Your cringe unpublished works that you gave up on were almost certainly swapped around with other people's cringe unpublished works that they gave up on. There's lots of upwards and downwards mobility to the scramble, but not usually that much. Exceptions are very rare - like a beggar suddenly being made king, or a god being reincarnated into an ant - but they do occasionally happen. For example, what you know as the land of Oz exists only in the head of a young Milwaukee stoner, who suddenly came up with the idea for an epic graphic novel one day in the 2010s while sitting on the bus, and spent a couple of years absolutely convinced she would eventually make it. (She cannot draw.) Conversely, L. Frank Baum's children's fantasy series, Enormia, which has been adapted and reimagined many times, most notably as audiences' introduction to color film, exists in your world only as a different Milwaukee stoner's overly elaborate backstory for his jerkoff sessions. This kind of thing is much more the exception than the rule, and even such exceptions are almost always much smaller in scope - an obscure stillborn project getting swapped around with an obscure out-of-print novel, or an obscure direct-to-video z-movie.

The True Detectives forum and its many schismatic spinoffs, all of which are devoted to discussing mystery fiction, host literally thousands of Wind fanfics. Many of the writers - perhaps most of them - have never actually read Wind, just other fanfiction of it; next to none of the fics are worth reading. Most Wind fics reuse the original protagonist, Rorschach, but treat him as a generically relatable blank slate. The most common fic format by far is the "altdunnit", a form of what-if scenario in which the mystery that sets off Wind's plot is different in some way.

Rorschach is held by a substantial portion of the fandom to be an egg (a trans woman who has not realized it yet). Wildbow has never endorsed this interpretation, and it doesn't seem to be much on his radar. In recent years, the trans Rorschach portion of the fandom has grown; they don't tend to look especially kindly on Warn, much of which Wildbow wrote as a response to fans (like those on the True Detectives forum) he felt had been too inclined to take Rorschach's side in Wind. Flame wars over Warn's content were constant throughout its serial publication, and made it easily the rockiest experience of Wildbow's writing career.

Some noteworthy and relevant podcasts include Jonathan Sims' The Dresden Files, the Ranged Touch Network's Scott Pilgrim Made The World, Doof Media's Winding Down (later Warning Down), and the McElroy family's The Adventure Zone (an actual play podcast which has currently had three major campaigns, two anthology series, and various one-shots). Film Reroll is still an actual play podcast that runs the basic setups of movies (and occasionally other media) as short tabletop campaigns; occasionally, their version of a movie will be much closer to ours than it is to the version of the movie in their own universe.

Xenobuddy was an early childhood public access show, originally created for the BBC in the late 1990s but later aired internationally. The title character is a small alien puppet who lives on a futuristic spaceship staffed by children (who speak a vague conlang akin to a dollar store Esperanto). At the end of every episode, it gets lost and is found, usually by (harmlessly) bursting out of one of the children. It was very popular with its target audience and much loathed by parents. Edgy ironic fanart depicting the titular Xenobuddy as some kind of dangerous parasite abounds.

Static is a supernatural slasher franchise created by Wes Craven, with the first film, also simply titled Static, released in 1984. The movies concern a group of gibbering neotenous ogre-fae who wake up in the modern day after a long sleep, incorporate televisions into their bodies, and start eating people by sucking them into hellish pocket dimensions. The Screen-Guts collectively are probably in the top five antagonists most people think of when they think of slasher horror.

Toby Fox's ROSEQUARTZ is especially known for its meta take on video game morality systems. The game has a mission-based structure; throughout it, the player is encouraged to take on a pacifist playstyle, championed by the player character's late mother, the title character. However, the Crystal Gems give the player enough autonomy that you are entirely able to take a much more violent tack; doing so has a rippling effect on the game's writing in countless immersively-integrated ways. If the player goes out of their way to be as murderous as possible - the so-called "genocide route" - the differences from the main route grow much more extreme, and rather than gaining allies, you start to lose them, as the Crystal Gems realize what you're doing and one by one turn against you. If you manage to shatter Garnet - it's the hardest and most iconic fight in the game, Megalovania is playing, her Future Vision gets used for all it's worth - then you use your knife to slash at the cosmos, erasing Earth, Homeworld, and everything else. This, Toby Fox is saying, is apparently all you want out of a video game - another toy to break.

Warner Bros still did Space Jam with Michael Jordan and the Looney Tunes, it's just that the Looney Tunes in question were Mickey Mouse and friends. They also still did a second one with LeBron James, which was, by God, somehow worse. They put Ms. Frizzle in it.

Walt Disney made his squeaky clean reputation on the back of adaptations of things like Rudyard Kipling's adventure novel The Call of Cthulhu, P. L. Travers' Thomas the Tank Engine, and Erich Kästner's feel-good coming-of-age kidnapping tale about the power of perseverance, Lolita, originally done with Hayley Mills and later remade with Lindsay Lohan.

Nabokov's extremely controversial literary classic that has defined the idea of the unreliable narrator is Father's Trap, from the perspective of a man who plots to obtain custody of both of his daughters for nefarious purposes. Most publishers ignored Nabokov's instructions not to depict the twins, Lisa and Lottie, on the cover. Stanley Kubrick and Adrian Lyne have directed mediocre film adaptations, and songwriting team Lerner and Loewe did a musical that was a legendary flop.

The Japanese fashion movement is Gothic Pollyanna, after an otherwise-forgotten series of penny dreadfuls about a cute, cheery, rules-minded young girl who is, despite appearances, an insane criminal. Minor character Bonesaw in Alan Moore's Worm Turns also clearly hearkens back to the Pollyanna stock character.

The DEA was a prime-time soap opera about the ongoing "war on drugs"; it ran for eleven seasons from 1982 to 1993. Its plot focused on federal agents working at the Drug Enforcement Administration office in Albuquerque, New Mexico, and especially partners Hank Schrader and Steve Gomez and their families. It is mostly remembered today for its downer ending (in which the treachery of late-show villain Walter White, or "Heisenberg", gets the leads killed, and he escapes from justice), and for its far-more-acclaimed spinoff series Better Call Saul, which also ran for eleven seasons from 1993 to 2004, functioning as a prequel, midquel, and sequel to The DEA.

Between The DEA and Better Call Saul, Kelsey Grammer played crooked lawyer Saul Goodman for twenty consecutive years of primetime TV, first as featured comic relief and later as a leading man. (He also guest-starred on the mostly-forgotten Mall Cop, establishing that it, too, was set in the world of The DEA and Better Call Saul.) Better Call Saul won more than a dozen Primetime Emmys. Peri Gilpin received several of these for her performance as Kim Wexler.

St. Elsewhere was a film written and directed by M. Night Shyamalan in the late 1990s; it was highly acclaimed and successful, and established Shyamalan in the public eye as a skilled auteur with an affinity for twist endings. The film's final scene reveals that its main setting, St. Eligius Hospital, exists entirely within the imagination of an autistic boy, Tommy Westphall, as he gazes into a snowglobe. The so-called "Tommy Westphall Universe Hypothesis", which posits that this same twist applies to most of fiction due to a network of crossovers, was invented by a Saturday Night Live sketch shortly postdating the film's release, in which an amnesiac Charles McGill (from Better Call Saul) wakes up in St. Eligius, attended to by a cast of characters who are more concerned with their own nonexistence.

After rising to prominence as a writer, storyboarder, and composer for Pendleton Ward's Science Time (where she established the Summer/Jessica relationship that would come to define later seasons), Rebecca Sugar got to make her own cartoon, Henry Ichor. Set in a recently post-apocalyptic but strangely cheerful world, Henry Ichor concerns a young teenage boy who is conscripted as a mech pilot due to his rare and innate ability to link to the powerful Evangelion mecha. (His preferred Evangelion is eventually revealed to be a form of his late mother, the reason he can do this in the first place.) Henry turns out to be a vital asset in protecting humanity from the monstrous "Angels" that frequently threaten it, and is surprisingly emotionally mature for his age. However, the adults around him (especially his father, Gennady) frequently push him too far, especially considering his generally noncombative and pacifistic nature. There is much interpersonal drama and much singing about it, with a very vocally trained cast. After several seasons of slow buildup, the show was forced to suddenly rush to its ending in only a few (infamous) episodes after an arc where Henry had a romance with an Angel in male human form. Henry Ichor The Movie and an ensuing miniseries, End Of Henry Ichor, helped bring the show to a more thematically satisfying conclusion.

Although he has played a creative or consultant role in many animated projects, Alex Hirsch is best known for the one he was actually the showrunner for, Disney Channel's smash hit Sunnydale. Focusing on a small California town constantly plagued by supernatural threats, Sunnydale generally followed a simple monster-of-the-week format, but kept audiences on the hook with teases at a deeper underlying mystery. The show almost didn't get a season two, as Hirsch found working with Disney very tiring, but he was eventually persuaded; season two ran through the rest of Hirsch's ideas at a faster pace, and concluded the show with the leads graduating from Sunnydale High.

For a brief historical moment, Daron Nefcy's show, Ender vs. the Space Bug Army, looked like it would become the successor to Sunnydale, keeping Disney Television Animation prestigious after Sunnydale ended. However, though Ender drew in a big crowd, and lasted almost twice as long as Sunnydale, it was not ultimately as well-received. EvtSBA is a children's space opera, wearing its Starship Troopers (Joss Whedon) inspiration on its sleeve, but also clearly copying some (superficial) notes from Philip Pullman. Set in a future where mankind has come into violent conflict with bug-like aliens, the show follows unbearably smug boy supergenius Ender as he is sent to military school to prepare for interstellar warfare. The show has an extremely cutesy and hyperactive tone; typical filler episodes include the one (generally taken as meta about fandom drama) in which Ender's siblings' futuristic internet arguments prove instrumental to the survival of the human race. Later seasons get a bit more serious, but focus heavily on shipping. The show is infamous for its ending, in which Ender, for his final exam, destroys the Formics' home planet and releases a psychic signal that eradicates the Formic race. Although the show explicitly notes that this includes many individual Formics who we have previously known as sympathetic characters, it is nonetheless played as a happy ending in which a hostile colonial power is defeated. Ender has ended the war; he has beaten the Space Bug Army.

"Meugh-Neigh. 'Meugh' like the cat, 'neigh' like the horse." "Does it mean something?" "No answer; none at all."

Orson Scott Card is an extremely prolific author of speculative fiction. Although it isn't as close to his heart as the Steel Gear series, in which he got to flex his military sci-fi muscles and allegorically retell stories from his faith, he is undoubtedly best known for Ishtar's Curse. Initially a short story and later expanded into a full novel, the plot concerns young Princess Ishtar, or Star, heir to the heathen fairy kingdom of Meugh-Neigh. (In later novels, she changes her name to Bethlehem Diaz, or Beth.) Spoiled and destructive but magically talented, Star is sent to twentieth century Earth so she can develop the wits and the strength of character to be a viable wartime leader for her people - or at least so she can be kept out of the way. After several years of personal growth and magical misadventures with companions she met on Earth, a more grounded Star devises a spell to erase the magic that makes up the bodies of most of her throne's enemies. This plan works, and merges Meugh-Neigh into the Earth as a small and ordinary European country. However, though her subjects are eager to celebrate her for this, Star is devastated when she realizes that she has killed trillions of innocent spirits, and, seeking to atone, she takes on the title of Speaker for the Dead (also the title of the book's first sequel). Although it's frequently ranked highly in lists of fantasy novels of the twentieth century, Ishtar's Curse has received some harsh criticism, with the standard line being that Star is an idealized fantasy of a repentant Hitler figure, and that the text presents excessive justifications for her actions. The story has also been called a reactionary response to Wilde's The Little Mermaid. After more than twenty years, a film adaptation of Ishtar's Curse was released in 2009, starring Dakota Fanning, to mixed reviews. The box office took a further hit due to a boycott campaign, after Card's views on homosexuality (and, relatedly, his membership in the LDS Church) became widely known. In the end, it lost the studio a lot of money.

Hideaki Anno is best known for the classic smash hit anime he made for Studio Gainax, Einstein Goliath Nestorian, a psychologically intense deconstruction of martial arts shonen like Yoshiyuki Tomino's Dragon Ball. Einstein Goliath Nestorian concerns a mystery man known only as Saitama, who finds that he has become dissatisfied with life and alienated from the world after only three years of training have enabled him to easily surpass any physical challenge. The original series is known for its sudden, surreal, and clearly budget-driven ending, although this was quickly alleviated with a similarly surreal but more definitive finale movie. Although many Western anime fans often think of Einstein Goliath Nestorian as pretentious and ultra niche, it was actually a huge mainstream hit in Japan, with a colossal franchise of adaptations, merch, and spinoffs (notably including a series of Retrain films, which began as extremely close shot-for-shot remakes of the original series but wound up spiraling into a very different updated timeline).

Previously most noteworthy for his 2003 visual novel Oreimo, Gen Urobuchi was tapped by Shaft for their extremely successful and acclaimed anime Ohayou Hana!, hailed as a deceptively dark deconstruction of the teen idol genre. The plot concerns a girl, Saionji Mayuri, who leads a double life, being of little note at school, out of costume, but spending much of her time as #1 idol Hana. Her mental stability begins to deteriorate as she realizes that the adults in her life - especially her father, himself a former idol - have groomed her to serve as a drugged and hypnotized propaganda mouthpiece for a shadowy conspiracy. She winds up in the worst of both worlds as her ensuing breakdown, and her handlers' response to it, destroys both of her lives and brings ruin to those she cares about. In addition to the popularity of the actual anime, many of its songs became decontextualized J-Pop hits. The idol anime genre would then receive a glut of edgy lesser imitators, like Love Live: School Idol Project, Cheetah Girls, and magical girl fusion Symphogear. Although the original Ohayou Hana! was a self-contained twelve-episode story, it received a sequel movie shortly thereafter, Ohayou Hana! Rebel!, which ended on a cliffhanger that has still not been resolved over a decade later. The upcoming Ohayou Hana! MK Ultra! is expected to get things back on track. An abridged series originating on 4chan, focusing on cropped screencaps from Ohayou Hana!, called the title character "Miss Ohio", producing the memetic tagline "being Ohio is suffering".

Zack Snyder first came up with the idea for Madoka around 2000, a long time before he'd actually get to make it; he put the project on hold in 2006 to make his adaptation of Worm Turns. He developed the idea with his wife Deborah and a cowriter, Steve Shibuya. Inspired by the Disney Princess phenomenon, as well as Naoko Takeuchi's Pretty Cure (one of the few anime that had already become a hit in the States), Snyder wanted to tell a coherent story about fights between magical girls who could make anything happen, who could make any fantastical world or visual appear. In Snyder's film, we follow Madoka Kaname, a teenager attending a Catholic school in Los Angeles. Madoka and her friends are approached by a strange young woman who goes only by "Mommy", and her animal companion (a CGI-ed up squirrel-cat thing), QB. They offer to make the teens into "magical girls", granting them one wish each in exchange for a life devoted to spiritual warfare. (Another mysterious new girl, Lilly, urges them not to take the deal in the strongest possible terms.) This turns out to be a scam; QB is pitting the magical girls against one another for his own reasons, and in the end, every magical girl and her wish gets corrupted. Despite much of the film's plot being a horrific bloodbath - the MPAA demanded a lot of cuts to get it down to a PG-13 rating - there is a happy ending; Madoka finally makes her own wish and uses it to topple QB's whole system. Madoka isn't often discussed nowadays but it was a major discourse bomb when it came out in 2010, alternately being called misogynistic Orientalist trash and a subversive feminist masterpiece. Snyder, for his part, often notes that QB is intended as an allegory for exploitative forces within the entertainment industry that treat young women as disposable resources with an expiration date; this is already clear to anyone who's watched the film, which is not exactly subtle in its symbolism. He also explains that the film sexualizes the girls in an effort to shame the audience, to get people to understand that they are objectifying the characters in the same way that QB does. The soundtrack's got a really cool ethereal cover of Nine Inch Nails' King Nothing on it, which is probably the most remembered part of the film today.

Selena Gomez became a star by playing Violet Parr on Disney Channel's superhero sitcom The Incredibles. While the show was initially a very throwaway villain-of-the-week affair whose leads had to keep their powers hidden from the public and their caped escapades secret from the government for self-explanatory comes-with-the-genre reasons, it would eventually unfold that the show was set in something of an X-Men-style dystopia where superheroism had been outlawed and supers oppressed by the government as a potential societal fifth column.

Brad Bird directed one of Pixar's most celebrated films, Wizards of Waverly Place; it was Pixar's first film with a predominantly human cast. Disney was hungry for a fantasy property after losing a bidding war for the Luz Noceda rights. It had strong populist anti-eugenic themes, with an elaborate wizarding hierarchy of antagonists who seek to remove the Russo family's magic as part of an effort to curb wizard overpopulation. The sequel came more than a decade later, and wasn't nearly as good.

In addition to Worm Turns, Alan Moore is notable for the heavily metafictional comic Pagemaster, about a boy, Richard, who finds a magical library that contains all stories that have ever been or could ever be told; he becomes lost and imperiled in assorted pieces of historically noteworthy literature (initially ones in the public domain, though later volumes would start using legally safe serial-numbers-filed-off versions of modern stories). The 2003 film, in which Sean Connery played the librarian in one of his last film roles, is widely regarded as a terrible, deeply-toned-down adaptation that didn't grasp the tone or themes of the original story at all; it only covered the first half of the first volume, in which Richard meets "genre spirits" who wish to sort all stories into rigid categories. In a later volume, Pagemaster Millennium, an aged Richard Tyler, who has since taken on the mantle of librarian himself, meets a teenage girl, heavily implied to be Luz Noceda, who has also become lost in the library. She has become corrupted by an eldritch book, or "Necronomicon", written by "the Wrong Author", heavily implied to be the devil (and/or Hugo Astley, an Aleister Crowley caricature from W. Somerset Maugham's The Winged Bull). Flushed with demonic power and enraged by what she's become, a monstrous Luz tears through the library in a blaze of hellfire, seeking to destroy all of literature and the world. It is only through the intervention of the Fat Controller - heavily implied to be God - that Luz is defeated; he mercifully erases her by hitting her with a train, and laments what she became.

#queued post #the scrambled timeline #I tinkered around with the ordering of these entries so much that I guess this is a scrambled post for the scrambled timeline #credit to hieronymous-botch for the Alex Hirsch's Sunnydale idea #credit to Lorelei for the Orson Scott Card's Steel Gear idea

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jebbaks · 3 months ago

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so. Larssen! he is Certainly a guy!

(aka my wynncraft oc/repurposed oc from another universe who i've occasionally posted scribbles of here)

heres the rest of the scribbles. Mostly old art.

i have like a LOOOOOT to say abt him but basically

hes pretty much a living weapon type character. or rather he regards himself as one. being around other soldiers who fully believe in their cause and a failed attempt to recover his memories (rtp moment), he internalizes this over time and fully believes that the only thing he was born/made for was to fight, to be used as a weapon against the corruption. he can be thrown away at any moment, he can be replaced

this subsequently damages his ability to form relationships with other people; he thinks he has no business doing so. he consciously puts up walls in the beginning but he eventually almost becomes unable to strike up *anything* at all with another person. from rtp onwards everybody he meets, no matter how attached the other becomes — they all become fleeting figures in his mind. BUT he cannot deny that he very much desires connection. the root of the reason why he even internalized the role of the soldier in the first place is so he can fit in better with tasim and aledar!! he just . unfortunately loses sight of this as he progresses. to the point where he cannot even recognize his humanity

so his entire arc is him struggling internally w both sides, the one that is nothing but a soldier and the other that is very much undeniably human. pretty much. Yeah

some other things

secret library enthusiast. despite everything he'll still go out of his way to dig around and find more hidden spots to simply vibe in and forget about the world for a little bit. his personal favorites are the lusuco hidden library and the cinfras grand archive (which. he may or may not have yoinked a book or two from)

perhaps one of such books ft. rusty bartender

music guy!! he frequents mt wynn a bunch bc of the performances there. this is also smth i wanna get into at a later date. all yall gotta know 4 now is that he sings pretty nicely and he is prone to rambling/infodumping about whatever cool obscure ballad hes just heard/read about in the libraries

like dare i say atp he finds it easiest to connect w other ppl thru music and even then he still feels out of place among tasim and aledar after this.

he often frequents the rusty recruit just to talk to the rusty bartender about whatever he's been up to. it started as a one-off thing until he noticed after a while that the bartender actually *does* care about his adventures. so he just kept coming back. on and on and on until one thing led to another and now we're um. here. shoves aside barssen drawings

cat person. massive cat person. he will pet u like u are a cat. he will dump a cat in your lap out of nowhere and start spitting cat facts out of nowhere or something

id yap more but thats for another post

for now thank u for coming to my oc yapping session

#wynncraft #wynncraft oc

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undertale-yellow-halloween-hack · 2 months ago

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Welcome to Undertale Yellow Halloween Hack!

youtube

Greetings! I am Daniel Movie Productions, the Head Manager of Undertale Yellow Halloween Hack's development. I will be posting our content here on Tumblr! So, what exactly is Undertale Yellow Halloween Hack (UTYHH)? As our bio states, we are a small group of people working on a crossover series that combines the characters and worlds of Undertale Yellow (by MasterSwordRemix) and Undertale Halloween Hack (by Lunaxis/Luna) and combines the both of them in one universe, while also putting our own neat twist on certain aspects such as new characters and areas! In UTYHH, the main character of the story is Varik, a wandering swordsman who works as a bounty hunter by trade. After he returns to his hometown of Twoson from a dangerous and psychological mission, Varik is called by his employer to investigate the disappearances of two kids: A "gunslinger" named Clover, and a young girl named Raine. Varik jumps into the underground cavern that Mt. Ebott welcomes him to, and the swordsman must traverse these new lands to find his bounties and return them to the surface alive, but it won't be easy, as the monsters in the underground have a grudge against humanity, and will stop at nothing to claim the next human SOUL and use it as power to break the magical barrier that seals them from the surface world. Five SOULS have been captured already, meaning that Varik, Clover, and Raine must tread lightly in order to not get captured. The story divides the perspectives of the trio, showing everyone their different paths each of them take in the underground. The trio also have their own monster companion as well--Clover teams up with the bright and cheerful Flowey, Raine meets the reclusive vampire Dalv, and Varik recruits the eccentric magician "Mysteryman" to travel with him. Together, they all have the goals of reaching the surface peacefully. Episode 1 of UTYHH has already been released as well, and you can watch it here on our YouTube channel! Expect to see more posts from us very soon. We also have Twitter, SoundCloud, our own Discord server, and an official website on Neocities! Please check those out as well!

#earthbound halloween hack #undertale #undertale halloween hack #undertale yellow #Youtube

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ryin-silverfish · 6 months ago

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This question may sound very silly, but when you refer to the exam, do you mean that the fox must pass the exam in order to cultivate and have a human form? So before said exam, the fox spirit is still just an ordinary fox?

they already have the ability to transform into a human by the time they can take the exam?

(One of) The original story, from 子不语, doesn't really go into details. It was implied that the fox in question had already become fully sapient and could comprehend human language, but nothing was said about whether they could transform into humans at that point.

(The story also said that a fox that passed the exam was called a 生员, basically "scholar", the lowest ranking literati in the imperial examination system, while the ones that failed were just 野狐, "wild foxes" who were not permitted to cultivate.)

(Oh, and at the end of the story, the human storyteller regretted not asking the fox about what the exam questions were!)

However, since the story was basically this fox scholar talking about fox cultivation stuff, he also mentioned that, for a fox to become a cultivator, they had to:

Learn how to transform into a human,

Learn the tongue of birds from all over the four seas and nine continents,

Then, they are finally ready to learn the human language.

The exact sequence is a little unclear: first he said that the "learning how to transform" part took place before the language-learning part.

Then, literally in the next sentence, he said that after learning the languages of birds, an aspiring fox cultivator would be able to "speak the human tongue and take human shape", and the whole process took 500 years or so.

So basically, it's very much up to your HCs.

My own HC is that a fox has to master the transformation arts first (if only to shift their vocal cords into one suitable for human language), before they are ready for the reading, writing and speaking parts.

The two skills kinda aid each other, and though the test has a heavier emphasis on literary skills and understanding of human society + morality, there is also a minimum requirement for mastery of the transformation arts, and the ones that have a full human form are favored by Mt. Tai when it came to post-examination recruitments.

#chinese folklore #fox spirits #fox spirit #huli jing

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silver-wield · 9 months ago

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Final Fantasy VII Rebirth Review Chapter 6 & 7

Okay, this collection of posts will be filled with spoilers, including clips and screenshots, so if you don't wanna see things, then don't look. Some of the things I'm gonna highlight will include references to Remake and other sources to link with the overarching plot. This is a straight path playthrough with no sidequests or extra content.

Time to hit the beach!

But first we run into some friends. Johnny's been scammed into running a hovel of a hotel but he gives us rooms for free.

The whole Johnny bit was kinda much, but it could've been worse.

Literally can't go to the beach unless it's in the right clothes, so Cloud does a few fun activities to earn tickets and then joins sailor Barret. Boi gets in his feels over soldiers degrading and then it's time for a pov change.

As fun as all the other possible scenes are, I think this is the most plot relevant. Aerith and Red talk about the white materia, the whispers and what was stolen from her.

And then it's right back to the fun doing stuff to earn swimwear! Tifa gets to play her theme in a concert at one of the hotels and we hear how the original person ran off with their lover. You can find them both at the Cosmo Canyon hotel.

After everyone's changed, Cloud indirectly calls Tifa hot and there's some mild flustered flirting.

And then Hojo shows up. Honestly this still seems so freaking random having him lie on a lounger while girls fawn over his wrinkled skanky ass.

Eventually we hit a boss fight, and weirdly enough it's Yuffie and Johnny to the rescue!

After that comes some conversation where Tifa speaks the line in her profile.

After a night's sleep we meet Yuffie again and you can choose how to answer her a bit like her OG recruitment, but no matter what she's coming with.

And it's a trek up the mountain. Literally.

Aerith is the slowest. Literally.

The party splits into two. Yuffie, Barret and Tifa go first. Yuffie leaves drawings on the cliffs to direct us and tell us a lil story.

Yuffie winds up Barret, who yells at her and makes her cry. Tifa tells Barret off and makes him cry. They all make up and become good friends.

Anyway, while we're climbing we get a moment with Rufus, who tells off the board for letting Midgar get ruined and not stopping his crazy father from dropping the plate. The weapons are talked about briefly, but overall, Rufus has different priorities than his dad.

Then we get another interlude with Zack. Elmyra comes to take Aerith home, and Zack comes along with Cloud.

Then it's back to Mt Corel and Yuffie explains the interim government in Wutai and we see more hints about Glenn and his team.

They find a weapon in the reactor, then head to the bridge, which needs lowering. Cloud has a funny turn so it's left up to Yuffie, Tifa and Barret to do the thing.

Yuffie's level is mostly swinging and throwing her star at stuff, and culminates in a boss battle to protect three baby chocobos. There's a super cute part after where Tifa says the baby bird looks like Cloud but cute 🤭

We take a trip on a minecart with more throwing star and shooting things and reunite with the group at the bridge.

And in Corel, Barret finds a less than warm welcome.

Cloud has another funny turn. Sephiroth can't have Cloud feeling confident about Tifa having a scar, so distracts him when Tifa finds doc Sherain, who saved her life after Sephiroth's attack. He says someone from Shinra helped too, so maybe we'll find out in part three.

Barret gives us a brief history of Corel and the reactor and his part in it. We're heading into the start of one of the most emotional character arcs of the game.

If you don't cry over Barret's story you have no soul!

Honestly, Costa del Sol has always been filler material. And I seem to be saying that about a lot of chapters so far. Tbf Corel and the prison give us true meaty storytelling and Barret's arc has always been one of my faves and remains one of my faves. John nailed every line ❤️😭

#FF7Rebirth spoilers

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makeste · 2 years ago

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BnHA Chapter 340: Now Where Were We

Previously on BnHA: Deku and Iida were all “hey Mei, I know you don’t have a lot of spare time in between constantly launching yourself at people boob-first, and singlehandedly MacGuyvering U.A. into the fucking Death Star, but we were wondering if you could lend us a hand in fixing our costumes.” Mei was all, “sure thing, here’s an upgraded pair of Movie 1 Gloves for you, anyways off you go and have fun saving the world!” Mt. Lady was all, “can you kids keep a secret?? so uh, just between you and me, I’m not a real teacher, and I’m not actually sure what I’m doing here hanging out with you guys right now.” Class 1-A was all, “don’t worry, your secret is safe with us Mt. Lady, well anyways time to assemble our CLASS 1-A SEARCH SQUAD!” The chapter ended with A BUNCH OF DIFFERENT PEOPLE getting ready to DO and/or TALK about A BUNCH OF DIFFERENT THINGS. Classic cliffhanger ending. lol this chapter really did not hold up on a re-read. I’m so sorry BnHA 339. You meandered so that future chapters could hopefully get to the damn point already.

Today on BnHA: All Might is all “time to reveal our shocking and completely unpredictable battle plan of splitting up all the villains for more easily digestible mini-boss battles, using our newly acquired trump card, the handy dandy U.A. traitor!” Aizawa is all, “[cracks knuckles] time to drop some motherfucking love and compassion onto my traumatized student in order to talk him into doing this INSANELY DANGEROUS TASK for us, except that somehow I manage to do it in a way that’s genuinely moving and heartfelt and somehow not manipulative at all lol.” Shinsou is all, “hello, it’s me, making my miraculous return after three whole years of plot inactivity, so anyway what have I missed.” Well shit. Glad I’m not the only one, Shinsou.

---

(just a handful of quick notes here since it’s been a while! (1) as always, these are my completely blind first-time-reading reactions to the chapter. (2) as of today, I am very much NOT caught up with the manga, but will keep you posted on my progress. currently I have read up to chapter 340, a.k.a. this chapter right here lol. and (3), I have been spoiled about one major thing (explained more in depth here) which will happen later in the series, and while there are no detailed references to said spoiler in this post, there ARE a couple of vague throwaway lines because I have absolutely no self-control. so just giving you guys a heads up for that! if you absolutely don’t want to risk getting spoiled, I would highly recommend catching up with the manga first before reading any further.

anyways, onward!)

OH MY GOSH IT’S SOME BUILDINGS!!!

WHAT A THRILLING WAY TO KICK OFF MY FIRST NEW CHAPTER OF BNHA IN ELEVEN MONTHS. TRULY HIT THE GROUND RUNNING

lol they literally just thumbtacked a handwritten “LOV/PLF COUNTER-FORCE HQ” sign on a wrinkled piece of paper next to the door. how far we have fallen from the days where the heroes were holding their war councils in huge NASA ground control rooms filled with hundreds of TV screens

okay good, at least they went out and recruited Hawks to be one of the people presumably planning this whole thing

one of only two people (the other being Momo) whom I actually trust to be able to come up with a reliably smart plan. fingers crossed this turns out better than his last big Ultimate Hero Final Battle Plan, though!

interesting! I assume they do still know about the whole Aoyama situation though, seeing as they even told Mt. flippin’ Lady lol

OH MY GOSH, RAGDOLL? heck yeah. great to see her finally back in the thick of things again. even if she can’t participate in the actual battle, she’s still a fucking hero goddammit

wow this entire next page sure is something

“every pre-cat-ion” breaking news, we’ve just been informed that there is a warrant out for Caleb Cook’s arrest

MEOW

MYEAH?

NOT YOU TOO, HAWKS

EVIL MEOW

I know that last part is just her randomly tacking her cute dattebayoisms onto the end of this entirely unrelated sentence, but unfortunately the damage has already been done. now all I can think about is the League of Villains out there rampaging in the streets and meowing menacingly at people

anyway, so on to the planning and stuff

lmao wait, what

DID YOU PAINT THESE BY HAND, ALL MIGHT?? DID YOU BUY THEM LAST MINUTE ON ETSY AND PAY A FORTUNE IN EXPEDITED SHIPPING. surely it must be the latter. but can you just imagine All Might sitting at his kitchen table at 3am, hand-painting a refrigerator magnet to look like an adorable chibified version of HIS MOST HATED ENEMY

hmmmmmmmmmmmm

I’m actually on the fence about this lol. I mean, it makes sense on paper. lord knows they had enough trouble taking on just one massively overpowered final villain, so who even knows what would happen if they added a second one to the mix

but the problem with the “just take them down separately” plan is that it means they’ll also have to split up their OWN forces, which are already heavily depleted. not to mention that the BnHA heroes are always at their best when they’re all fighting together. so anyways, yeah, I’m not too sure about this

so blah blah blah, Tomura is now stronger than crusty!potato!AFO, big surprise. and they’ve also figured out that the two AFOs can communicate with each other via radio waves or whatever. okay yeah, but doesn’t that mean that even if you do split them up, they’ll still have a big advantage? unless you figured out some way of jamming their telepathy somehow

“should they attack together, we have no hope of victory” lol if you say so. I’m pretty sure all of the U.A. kids combined with all of the remaining A-list heroes could hold their ground fairly well, but clearly I’m not supposed to be questioning the authority of this statement so ALL RIGHT THEN

OKAY BUT DOESN’T THIS JUST PROVE MY POINT THOUGH

“if they’re so powerful together then why didn’t they team up against S&S?” “because they definitely would have definitely lost.” ????????

anyway so now All Might is saying that they need to separate TomurAFO and Potato AFO (PotAFO, if you will) by at least 10km. so is that the max range of their telepathy or something then? that’s so oddly specific though

“oh and we also need to split up Dabi from them as well” ah okay lol, I see where this is going. it’s finally time for the final battle, meaning we need to assign each of the main characters to their personal final villain, yeah? great. awesome. except that they only JUST got reunited all together as a class again sob. you’re really going to do this to me again now?? just like that?? goddammit

LMAO I completely forgot that Nao’s right hand man is an actual literal fucking cat

oh my god. what I wouldn’t give to have seen his reaction to all of those puns and MEOW shenanigans from a few minutes earlier. just standing there in the corner with a disapproving frown. “I’ll have you know I find this all very demeaning and culturally insensitive” sorry about that Sansa

anyway so now All Might is all “YEAH EXACTLY, WE HAVE TO DIVIDE AND CONQUER ALL OF THE VILLAINS ONE ON ONE! WHAT DO YOU THINK WE SPENT ALL THAT TIME PAINSTAKINGLY BUILDING THEM UP FOR?? IT’S THE FINAL BATTLE FOR FUCK’S SAKE, WHAT ELSE WOULD YOU HAVE US DO, MAKESTE” okay okay fine I’ll shut up now, geez

oh shit lol

somehow I momentarily forgot all about Aoyama. possibly because I haven’t seen him in eleven months!! so this is where we’re finally going to get into the nitty gritty of that “let’s use Aoyama to set a trap” plan that Aizawa shamelessly stole from Kaminari all those moons ago

All Might is all “it’s actually pretty messed up of us to be using this poor boy when he’s already basically spent his entire life being exploited and manipulated by people” and he’s not wrong though, damn

but Nao is all “very true, but to be fair this is the literal apocalypse, and he did technically make his own bed, and also our backs are REALLY against the goddamn wall here,” which is also true. still leaning more toward All Might’s side in spite of that, though. poor Yuuga

OH SHIT, SPEAKING OF???

OH DANG

do they really have to keep him tied up like that?? he’s just a kid for fuck’s sake. and it’s not like they aren’t capable of handling things if he does try to escape, I mean this is Aoyama we’re talking about here, he’s not exactly an all-powerful criminal mastermind

man they both look so fucking sad. Yuuga looks so ashamed. this is every 1-A child’s worst fear. they can go toe to toe with the scariest villains out there and not be fazed. but a disappointed dad??? have mercy, sweet jesus

“so after going back and forth on it a bunch, we finally decided that he’s probably not going to blow up.” thanks for the update, doc. meanwhile I just had a completely unrelated thought about certain spoiler related things, oh fuck. but now is not the time to start speculating about that! not when we have the world’s saddest detention session unfolding right before our eyes

Aizawa Shouta is sitting here wearing an eyepatch and a hospital gown and probably hasn’t showered in like three days, and despite all this he is STILL somehow the hottest character in BnHA and it’s not even close

okay but there are like a thousand reasons why the threat of imminent murder would be infinitely more useful than an actual murder, though. like this doesn’t really make any sense. “why would AFO bother to threaten Aoyama if he could simply blow him up if and when he betrayed him?” uh, gee, maybe because he would much prefer if Aoyama didn’t actually betray him in the first place?? what, do you think U.A. traitors are so fucking easy to come by? in this economy??

awwww

I mean, of course he is? :( man, and now I’m wondering if there’s been a single day since his enrollment at U.A. that Aoyama has not spent being constantly terrified about a whole damn slew of things. this poor fucking kid. Horikoshi please be kind to him oh my god

oh my god, yes, exactly

he’s afraid that deep down he’s a bad person. he’s afraid that AFO will kill him. but interestingly, what he’s most afraid of, is BEING afraid. he’s afraid that if the others put their trust in him again, that when push comes to shove he’ll still be too cowardly to do what’s right

talk about ironic though. because to me, that’s a sentiment that basically confirms that he does have the heart of a hero deep down. I’m telling you guys, every single time you show me a character who is flawed and afraid, but is trying so hard to overcome their fears, and trying with all their might to become better, you will reel me in hook, line, and sinker every. single. time. seriously, how could you possibly not root for this kid now

OH MY GOD YUUGA NO

holy shit. hey Horikoshi, this is me, a certified angst-lover, asking you to tone it down just a little here, goddamn. yes we get it, he is tormented by years’ worth of accumulated fears and regrets and feelings of worthlessness and he doesn’t see any way that things can possibly get better, holy shit, we get it okay??? THIS IS MY FIRST CHAPTER IN ELEVEN MONTHS! THIS SHOULD BE AN OCCASION OF TRIUMPH, SO WHY THE HELL ARE YOU OUT HERE MAKING ME CRY

HOLY SHIT

somehow I forgot just how utterly ruthless this man is capable of being for the sake of his students. this is a dude who literally expels kids on a regular basis just to put the fear of god into them. also he is seriously so goddamn hot. it’s straight up ridiculous

oh wow this whole page just came straight for my heart

Yuuga’s fear as he tries to talk himself into what he fully believes is a suicide mission. Aizawa’s blunt assessment of the heroes being no less ruthless than the villains when their backs are to the wall. but then the way he just HITS him with that “you’re still my student and I’m still your teacher” line, and how he says it with such finality. and then the face Aoyama makes in response!!

OKAY, WOW

ABSOLUTELY NONE OF THIS IS FAIR YOU KNOW!! YOU CAN’T JUST HIT ME WITH THIS BRUTALLY SIMPLE PANEL OF THE TWO OF THEM JUST SITTING THERE WITH ALL OF THE OTHER VISUALS STRIPPED AWAY SO THE FOCUS IS ENTIRELY JUST ON THEM, AND WITH THE WALL BETWEEN THEM ALSO SYMBOLICALLY REMOVED JUST LIKE THAT

AND YUUGA BEING SO SMALL. AND AIZAWA BEING SO STRONG AND SAFE AND STABLE AND FIRM, AND HIM HAVING SUCH UNCONDITIONAL LOVE AND COMPASSION FOR HIS STUDENT DESPITE EVERYTHING. “FUCK THAT, YOU’RE GONNA HAVE A HAPPY ENDING BECAUSE I FUCKING SAID SO AND I’M YOUR SENSEI AND THAT’S FINAL.” okay yep. tears coming now. thanks a lot, Horikoshi. wow. just wow

lol I truly believe that if Horikoshi ever did truly try to kill off one of the 1-A kids, Aizawa would literally come to life and emerge from the pages and straight up murder him

welp. there you have it. absolutely no room for argument there. SENSEI SAID YOU’RE GONNA LIVE, YUUGA, SO I GUESS YOU’LL JUST HAVE TO DEAL WITH IT!

fsdljkf

yep. that’s right. deal with it. dlfkj don’t mind me I’m just gonna sit here dissolving into sobs again

WHAT THE FUCK IS THIS WARM FOND EXPRESSION GODDAMMIT

I AM ALREADY A PILE OF MUSH, HOLY HECK!! CAN I LIVE. CAN YOU JUST LEAVE ME BE HERE ALREADY HOLY SHIT

wait what

uh. the path of “none of you problem children are allowed to die on my watch, are we fucking clear on that”? that path?? or the path of marching headfirst into very real danger because they have no other choice, because they’re one of the lynchpins in the heroes’ desperate plan? because that latter path is one that I’d prefer to have as few children walk as possible, ngl

-- OH MY GOD

“HELLO, SHINSOU HERE” UH, EXCUSE ME, MISTER, DON’T YOU HAVE ANYTHING TO SAY TO ME? AFTER BEING MIA FOR LIKE A HUNDRED AND TWENTY CHAPTERS AND FOUR AND A HALF ARCS?? YOU’RE JUST GONNA HANG HERE FROM THIS FUCKING TREE ALL NONCHALANT, WITH YOUR FANCY NEW HERO COSTUME AND YOUR SPIDER-MAN POSE THAT YOU STRAIGHT UP RIPPED OFF FROM YOUR DAD?? WHILE SAID DAD SITS THERE CHUCKLING OVER HIS “NEVER FEAR, WE’RE TOTALLY PUTTING SHINSOU IN AMPLE DANGER AS WELL” REVEAL? “DON’T WORRY AOYAMA, WE’RE NOT JUST RISKING YOUR LIFE, WE’RE RISKING MULTIPLE CHILDREN’S LIVES, BUT WE’RE DOING IT ALL TOGETHER AS A FAMILY” truly the most heartwarming of sentiments lmao

well damn. that hype and anticipation is definitely starting to build now. I am so damn fearful for all of these fictional kids’ safety, especially now that I’m watching the War arc play out again in the anime and remembering just how brutal it was. but at the same time I can’t deny that I’m super excited to see the culmination of everything. like, this is IT, though. this is THE moment, THE battle. no more safety arcs. no more training. we are done holding back, and that is as terrifying as it is exhilarating. I am so not ready for any of this, but IT IS HAPPENING WHETHER I LIKE IT OR NOT, so I guess I’ll just do my best to enjoy the ride

-- oh and lastly, I almost forgot. before we wrap up, there’s just one last thing I wanted to add here...

so it begins.

#bnha 340 #aoyama yuuga #aizawa shouta #shinsou hitoshi #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #pleasantly surprised to see that tumblr's image limit is still generous enough to allow me to do my thing here #'preciate it tumblr

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