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Votive Mass Of Our Lord Jesus Christ, Supreme And Eternal Priest - Propers
(Missa de D. N. Iesu Christo summo et æterno Sacerdote) 
Missa ‘Juravit Dóminus’
White
3rd Class +++++ INTROIT (Ps. 109. 4) Juravit Dóminus, et non pœnitébit eum: Tu es sacérdos in ætérnum secúndum órdinem Melchísedech. – Psalm. Dixit Dóminus Dómino meo: Sede a dextris meis. Glória Patri …– Juravit Dóminus… The Lord hath sworn, and He will not repent: Thou art a priest for ever according to the order of Melchisedech. Ps. ibid. 1. The Lord said to my Lord: Sit thou at my right hand. Glory be to the Father … – The Lord … +++++ COLLECT Deus, qui ad majestátis tuæ glóriam et géneris humáni salútem, Unigénitum tuum summum atque ætérnum constituísti Sacerdótem: præsta; ut quos minístros et mysteriórum suórum dispensatóres elégit, in accépto ministério adimpléndo fídéles inveniántur. Per eúmdem Dóminum … Glória in excélsis… O God, who for the glory of Thy Majesty and the salvation of the human race, didst establish Thine only begotten Son as the supreme and eternal Priest: grant that those He has chosen to dispense His mysteries may prove loyal in carrying out the ministry they have received. Through the same … +++++ EPISTLE
From Blessed Paul the Apostle to the Hebrews, 5. 1-11.
[The Epistle of the Mass reminds us that Christ is a Priest
and the example of all Priests and Bishops.] Fratres: Omnis Póntifex ex homínibus assúmptus, pro homínibus constituítur in iis, quæ sunt ad Deum, ut ófferat dona, et sacrifícia pro peccátis: qui condolére possit iis, qui ignórant, et errant: quóniam et ipse circúmdatus est infirmitáte: et proptérea debet, quemádmodum pro pópulo ita étiam et prosemetípso offére pro peccátis. Nec quisquam sumit sibi honórem. sed qui vocátur a Deo, tamquam Aaron. Sic et Christus non semetípsum clarificávit ut póntifex fierret, sed qui locútus est ad eum: Fílius meus es tu: ego hódie génui te. Quemádmodum et in álio loco dicit: Tu es Sacérdos in ætérnum secundum órdinem Melchísedech. Qui in diébus carnis suæ preces supplicationésque ad eum, qui possit illum salvum fácere a morte, cum clamóre válido et lácrymis ófferens, exaudítus est pro sua reveréntia. Et quidem cum esset Fílius Dei didicit ex iis, quæ passus est obediéntiam: et consummátus, factus est ómnibus obtemperántibus sibi, causa salútis ætérnæ, appellátus a Deo póntifex juxta órdinem Melchísedech. De quo nobis grandis sermo, et ininterpretábilis ad dicéndum. 
Bretheren: Every high priest taken from among men, is ordained for men in the things that appertain to God, that he may offer up gifts and sacrifices for sins; who can have compassion on them that are ignorant and err: because he himself also is compassed with infirmity. And therefore he ought, as for the people, so also for himself, to offer for sins. Neither doth any man take the honour to himself, but he that is called by God, as Aaron was. So Christ also did not glorify himself, that He might be made a high priest: but He that said unto Him: Thou art my Son, this day have I begotten Thee. As He saith also in another place: Thou art a priest for ever, accordingto the order of Melchisedech. Who in the days of his flesh, with a strong cry and tears, offering up prayers and supplications to Him that was able to save Him from death, was heard for His reverence. And whereas indeed He was the Son of God, He learned obedience by the things which He suffered: and being consummated, He became, to all that obey Him, the cause of eternal salvation. Called by God a high priest according to the order of Melchisedech. Of whom we have to say, and hard to be intelligibly uttered. +++++ GRADUAL (Luke 4. 18) Spiritus Dómini super me, propter quod unxit me: Evangelizáre paupéribus misit me, sanáre contrítos corde. The Spirit of the Lord is upon me, wherefore He hath anointed me: he hath sent me to preach the Gospel to the poor, to heal the contrite of heart. +++++ TRACT (Ps. 9. 34-36) Exsurge, Dómine Deus, exaltétur manus tua: ne obliviscáris páuperum. Vide quóniam tu labórem et dolórem consíderas: Tibi derelíctus est pauper: órphano tu eris adjutor. Arise, O Lord God, let Thy hand be exalted: forget not the poor. See, for Thou considerest labour and sorrow: To Thee is the poor man left: Thou wilt be a helper to the orphan. +++++ GOSPEL
Continuation of holy Gospel according to
St. Luke, 22. 14-20. In illo témpore: Discúbuit Jesus, et duódecim Apóstoli cum eo. Et ait illis: Desidério desiderávi hoc Pascha manducáre vobíscum, ántequam pátiar. Dico enim vobis, quia ex hoc non manducábo illud, donec impleátur in regno Dei. Et accépto cálice, grátias egit, et dixit: Accípite, et divídite inter vos. Dico enim vobis, quod non bibam de generatióne vitis, donec regnum Dei véniat. Et accépto pane, grátias egit, et fregit,et dedit eis, dicens: Hoc est Corpus meum, quod pro vobis datur, hoc fácite in meam commemmoratiónem. Simíliter et cálicem, postquam cœnávit, dicens: Hic est calix novum testaméntum in sánguine meo, qui pro vobis fundétur. 
At that time: Jesus sat down, and the twelve Apostles with Him. And He said to them: With desire I have desired to eat this pasch with you, before I suffer. For I say to you, that from this time I will not eat it, till it be fulfilled in the kingdom of God. And having taken the chalice, He gave thanks, and said: Take, and divide it among you: for I say to you, that I will not drink of the fruit of the vine, till the kingdom of God come. And taking bread, He gave thanks, and brake; and gave to them, saying: This is my Body, which is given for you. Do this for commemmoration of me. In like manner the chalice also, after he had supped saying: This is the chalice, the new testament in my Blood, which shall be shed for you. +++++ OFFERTORY (Hebr. 10. 12-14) Christus unam pro peccátis ófferens hóstiam, in sempitérnum sedet in déxtera Dei: una enim oblatióne consummávit in ætérnum sanctificátos. Christ offering one sacrifice for sins, for ever sitteth on the right hand of God: For by one oblation He hath perfected for ever them that are sanctified. +++++ SECRET Hæc múnera, Dómine, mediátor noster Jesus Christus Tibi reddat accépta: et nos, una secum, hóstias tibi gratas exhíbeat: Qui tecum vivit et regnat in unitáte Spíritus Sancti… O Lord, may our Mediator Jesus Christ make these offerings agreeable to Thee: and along with Himself may He offer us to Thee as a thank-offering: Who liveth and reigneth… +++++ PREFACE
Common Preface Vere dignum et justum est, æquum et salutáre, nos tibi semper et ubíque grátias agere: Dómine sancte, Pater omnípotens, ætérne Deus: per Christum, Dóminum nostrum. Per quem majestátem tuam laudant Angeli, adórant Dominatiónes, tremunt Potestátes. Coeli coelorúmque Virtútes ac beáta Séraphim sócia exsultatióne concélebrant. Cum quibus et nostras voces ut admitti jubeas, deprecámur, súpplici confessione dicéntes: 
It it truly meet and just, right and for our salvation, that we should at all times, and in all places, give thanks unto Thee, O holy Lord, Father almighty, everlasting God, through Christ our Lord. Through whom the Angels praise Thy Majesty, the Dominations worship it, the Powers stand in awe. The heavens and the heavenly hosts together with the blessed Seraphim in triumphant chorus unite to celebrate it. Together with them, we entreat Thee, that Thou mayest bid our voices also to be admitted, while we say in lowly praise: +++++ COMMUNION (1 Cor. 11. 24-25) Hoc Corpus, quod pro vobis tradétur: hic calix novi testaménti est in meo sánguine, dicit Dóminus: hoc fácite, quotiescúmque súmitis, in meam commemoratiónem. This Body which shall be delivered for you; this chalice is the new testament in my blood saith the Lord: this do for the commemoration of me. +++++ POSTCOMMUNION Vivificet nos, quæsumus Dómine, divína quam obtúlimus et súmpsimus hóstia: ut perpétua Tibi caritáte conjúncti, fructum, qui semper máneat, afferámus. Pér Dóminum nostrum… We beseech Thee, O Lord, may the divine host which we have offered up and received, quicken us; that, bound to Thee by an eternal love, we may bear fruit that will abide forever. Through our Lord…

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Soll der neue SEAT SUV Alboran, Aranda, Avila oder Tarraco heißen?

Soll der neue SEAT SUV Alboran, Aranda, Avila oder Tarraco heißen? #SEATseekingName #iaa2017

Wie soll der neue SEAT SUV heißen: Alboran, Aranda, Avila oder Tarraco ?

Alboran, Aranda, Avila oder Tarraco. Nach einem dieser vier spanischen Ortsnamen wird der neue SUV von SEAT benannt werden, der 2018 auf den Markt kommen wird. Diese Namen gab Luca de Meo, Vorstandsvorsitzender der SEAT S.A., bei der SEAT Pressekonferenz auf der Internationalen Automobil-Ausstellung (IAA) in Frankfurt am…

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Marine engineering courses

We all know that Marine engineering courses include the engineering of boats, ships, oil rigs, and any other marine vessel or structure, as well as oceanographic engineering or ocean engineering. Specifically, marine engineering is the discipline of applying engineering sciences, including mechanical engineering, electrical engineering, etc to the development, operation, and maintenance of on-board systems and oceanographic technology.

Euro Tech Maritime Academy is your spot to find the best B.tech Marine Engineering Colleges in India. They offer a range of highly- professional sea training and courses that help you build a strong career.

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Euro Tech was awarded the Seafarers Choice Awards by Offing for the Best Maritime Institute for Basic and Modular Courses in the South and East Zone of India. Search here for the best Marine engineering colleges and stcw courses in India with Euro Tech.

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Garante in sciopero della fame per la situazione delle carceri

Uno sciopero della fame per accendere i riflettori sulla situazione delle carceri toscane e una proposta di legge che il Consiglio regionale dovrà inviare al Parlamento per affermare, a 19 anni dalla prima richiesta, il diritto all’affettività e alla sessualità dei detenuti. Sono le due iniziative con le quali Franco Corleone, Garante dei diritti dei detenuti della Toscana, intende…

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Federal regulation of cocaine was first begun in December 1914 with the passage of the Harrison Act. This act banned any non-medical use of cocaine. It also prohibited the importation of the substance. The criminal penalties for cocaine users were set the same as those users of substances such as opium, heroine, and morphine. The Harrison Act also led to a strict guideline and accounting system for medial prescription use of cocaine. A-PVP Crystal for sale cheap

Once strictly an illegal drug in all areas, as of Apr. 2006 there are eleven states that have legalized certain marijuana use. Arizona, Alaska, California, Colorado, Hawaii, Maine, Montana, Nevada, Oregon, Rhode Island, Vermont and Washington are all states which have decriminalized certain marijuana use. In all other areas, there are still strict penalties for the use, production, or trafficking of marijuana in plant form or ready to be used.

Under the Comprehensive Drug Abuse Prevention and Control Act of 1970, methamphetamine (crystal meth) is a Schedule II narcotic under the Controlled Substances Act. Meth labs are popping up in neighborhoods all across the country and it is easier than ever for the illegal substance to be obtained. The legislation against crystal meth expanded the controls on the listed chemicals used in the production of methamphetamine and increased the penalties for trafficking, manufacturing, and possessing the drug. MDMA Crystals for sale

In February of 1991, federal legislation put anabolic steroids in Schedule III of the Controlled Substances Act making the possession or sale of anabolic steroids illegal without a prescription. Lately the news has been filled with stories of the latest scandal of professional athletes confessing to steroid use. With their "hero's" continuing to use this substance, young people all over will likely continue to take risks by using this drug. Simple possession of illegally obtained anabolic steroids carries a minimum $1,000 fine if it is a first offense. Maximum penalties include prison time and fines up to $250,000. With a second offense, prison time and fines will double making this a certain life changing situation for the user.

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Butylone can be synthesized in a laboratory via the following route: 3,4-methylenedioxybutyrophenone dissolved in dichloromethane to bromine gives 3′,4′-methylenedioxy-2-bromobutyrophenone. This product was then dissolved in dichloromethane and added to an aqueous solution of methylamine (40%). HCl was then added. The aqueous layer was removed and made alkaline by using sodium bicarbonate. For the extraction of the amine ether was used. To get butylone a drop of ether and HCl solution was added. 4-EEC Crystals for sale

There are three major metabolic pathways of bk-MBDB as shown in the figure. As result of demethylenation followed by O-methylation bk-MBDB metabolises into 4-OH-3-MeO and 3-OH-4-MeO metabolites in human urine. The second pathway is a β-ketone reduction into β-ketone reduced metabolites. The third pathway is a N-dealkylation into N-dealkyl metabolites. The first two pathways occur more than pathway three. The most common metabolite is the 4-OH-3-MeO metabolite. The metabolites containing a hydroxyl-group would be excreted as their conjugates in urine.

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EAT Vorstandsvorsitzender Luca de Meo hat die Bedeutung von komprimiertem Erdgas (CNG) als nachhaltiger Antriebsalternative unterstrichen. In seiner Rede zur Eröffnung des 6. GASNAM-Kongresses in Madrid hob de Meo die Innovationskraft von SEAT im Hinblick auf diese besonders umweltschonende Antriebstechnologie hervor. Zugleich bekräftigte er, dass der spanische Automobilhersteller bei der…

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The Most Remarkable Art-Historical Discoveries of 2017

Art history is, by definition, primarily a thing of the past—but each year, some small portion of it is rewritten by those in the present. In 2017, we gained new insight on the early years of Leonardo da Vinci and the final ones of Andy Warhol; amateur archaeologists were rewarded with major finds; and several masterpieces were discovered, simply hiding in plain sight. From newly mapped Venezuelan petroglyphs to a long-lost Magritte, these are 10 of the most notable art-historical discoveries of the year.

A slew of ancient tombs and artifacts have been uncovered this year in Egypt, in a concentrated effort to promote tourism.

Photo by Ibrahim Ramadan/Anadolu Agency/Getty Images.

Earlier this month, the country’s ministry of state for antiquities announced the discovery of two roughly 3,500-year-old tombs in the necropolis of Draa Abou Naga in Thebes, near the southern city of Luxor. Although the deceased occupants have yet to be identified, researchers have dated the structure to the 18th dynasty (1550–1292 B.C.) and have found a number of artifacts, including funerary furniture, painted wooden masks, and approximately 450 statues. Perhaps the most impressive find is a remarkably well-preserved wall painting. “It looks like it was painted yesterday,” Egyptologist Zahi Hawass told the Independent. “In my opinion, this could be the best painted wall discovered in Draa Abou Naga in the last 100 years.” Another 3,500-year-old tomb in the same necropolis—this one constructed for a royal goldsmith named Amenemhat—was revealed in September. And in March, pieces of a 26-foot statue of a pharaoh (likely King Psammetich I, who ruled between 664 and 610 B.C.) were pulled from a muddy ditch in a working-class neighborhood in Cairo.

Andy Warhol’s untimely death was the result of long-running health problems, not a routine surgery gone wrong.

AW in a Bullet Proof Vest, NYC 1981, 2015. Robert Levin Maison Gerard

When the famed Pop artist died in 1987 at age 58, newspapers were shocked that a simple operation like a gallbladder removal could have spurred the heart attack that killed him. And, in the three decades since, that’s remained the prevailing view. But new research, presented in February by medical historian and retired surgeon Dr. John Ryan, indicates that Warhol had actually suffered gallbladder problems for almost 15 years. (Ryan has been researching the artist’s death since his retirement four years ago, encouraged by his brother-in-law, the prominent art historian Hal Foster.) Warhol’s condition was so severe that, during the 1987 surgery, the doctor found Warhol’s gallbladder full of gangrene—so full, he said, that the organ fell apart during removal. The artist’s health was worsened by an addiction to speed, severe malnourishment and dehydration, and the long-term effects of a 1968 gunshot wound at the hands of Valerie Solanas. That final gallbladder operation, it seems, was ultimately too stressful for his fragile body; Warhol’s heart gave up hours after he appeared to be recovering from the surgery.

A team of amateur archaeologists dug up one of the most significant Roman mosaics ever discovered in Britain.

The discovery was made in a field outside of Boxford, in southern England, by a group of local volunteers supervised by professional archaeologists. Although the project began in 2011, it wasn’t until August of this year—during the final two weeks of the scheduled dig—that organizers realized they’d found something extraordinary. As it turned out, they’d uncovered a remarkably well-preserved mosaic, built as part of a Roman villa that dates to roughly 380 A.D. Not only is it a rare find for the country—experts have labeled it the most exciting of its kind unearthed in 50 years—the subject and style of the artwork is highly unusual for the area. The work illustrates the story of Bellerophon, a Greek mythological hero tasked with killing the Chimera. Anthony Beeson, a board member of the Association for Roman Archaeology, told the New York Times that he couldn’t think “of another Roman mosaic in this country that is as creative as this one.”

A Vatican fresco, once attributed to Raphael’s followers, contains two figures painted by the Renaissance master himself—both of which have now been identified.

The allegory of Justice in the Room of Constantine. Photo via Wikimedia Commons.

The discovery was made in the Room of Constantine, a reception room in the papal apartments decorated with episodes from the life of the first Christian emperor. This space was one of four grand halls that Raphael had been commissioned to paint by Pope Julius II in the early years of the 16th century. Although the artist sketched out a design for the room, his unexpected death in 1520 at age 37 left his workshop to complete the project. Contemporary sources did note that Raphael had painted two figures in the hall shortly before he died, but until a recent restoration project, it had been impossible to identify which ones. In June of this year, the Vatican revealed that two painted women—allegorical representations of friendship and justice—had the mark of the master’s hand. “By analyzing the painting, we realized that it is certainly by the great master Raphael,” restorer Fabio Piacentini said. “He painted in oil on the wall, which is a really special technique.”

A major work by Auguste Rodin was found gathering dust in a New Jersey borough hall.

Auguste Rodin with his sculpture of Napoleon Bonaparte. Courtesy of the Hartley Dodge Foundation/Musée Rodin.

The marble bust of Napoléon Bonaparte (c. 1908) had been sitting in the Madison, New Jersey, town hall committee room for 75 years. It wasn’t until a private foundation hired an archivist—a 22-year-old graduate student in art history—that the work’s creator was properly identified as the famed Rodin. Further research revealed that the sculpture had been purchased by Geraldine Rockefeller Dodge, an enthusiastic art collector and the daughter of William D. Rockefeller, in 1934. Also the owner of a 300-acre estate in Madison, Dodge often selected artworks from her personal collection to decorate the borough hall. This Rodin was evidently one of them, but the transfer process was clearly informal; no paperwork or documentation accompanied the bust, and after Dodge’s death, its provenance was forgotten—until now. The rediscovered sculpture has been valued on the range of $4–12 million. Due to security concerns, it has been loaned to the Philadelphia Museum of Art.  

A Leonardo da Vinci scholar may have solved a long-standing mystery concerning the artist’s biography.

It was a big year for Leonardo. Not only did a rediscovered painting by the Renaissance polymath sell for a record-shattering $450 million at auction, but experts may also have determined the identity of the artist’s mother. For centuries, historians have only had a potential first name—Caterina—to go on. But a new book, based on previously overlooked financial documents from Vinci and Florence, pinpoints a poor orphan named Caterina di Meo Lippi. Seduced by a 25-year-old lawyer when she was just 15, she probably received a small dowry from his family and was soon married off to another man: Antonio di Piero Buti, a local farmer. New research in the book also contests the site of Leonardo’s birth, long believed to be the Casa Natale in Anchiano.

A portrait by Peter Paul Rubens, missing for almost 400 years, was discovered hanging in a historic Glasgow house.

Peter Paul Rubens, Portrait of George Villiers, First Duke of Buckingham, ca. 1625. Photo via Wikimedia Commons.

Dr. Bendor Grosvenor, host of the BBC4 television series Britain’s Lost Masterpieces, spotted the painting while vacationing with his family in Scotland. “This picture just seemed to stand out,” he told Artsy in October. “I could see from the bits that were visible and not overpainted that some of it looked very Rubensian.” Although the portrait had previously been dismissed as “merely a copy,” after two months of cleaning and conservation work, it was determined to be an original work by the 17th-century Flemish painter. (It is, however, a study for a larger painting, not a final version of the portrait.) The subject, George Villiers, was the first Duke of Buckingham—and, some have surmised, the male lover of Scottish king James VI and I. Glasgow Museums, which maintains the art collection of the Pollok House (where the portrait was first discovered), has placed the rediscovered work on display in its main gallery.

A miniscule carving recovered from a Bronze Age tomb revealed detailed handiwork centuries ahead of its time.

Although the 1.4-inch-long etched gemstone was found two years ago in southwest Greece, it was initially set aside for later study; researchers assumed it was nothing more than a simple bead. But after a careful, almost year-long cleaning, a tiny work of art etched onto the surface of the agate was discovered: a warrior stabbing an enemy in the neck, with another slain man at his feet. The full details are only visible through a microscope or heavy-duty camera lens, although no tools for magnification have been ever been found from the corresponding time period. Researchers have wondered if, perhaps, the ancient artist was nearsighted. A professor from the University of Cincinnati who aided in the discovery noted that it would be another millenia before other artworks displaying that level of detail begin to appear in ancient Greece.

Eighty-five years after it went missing, the last piece of a lost René Magritte painting was found in Belgium.

René Magritte, The Enchanted Pose, 1927. © Succession René Magritte. Courtesy of SABAM © ULiège.

In November, the Royal Museums of Fine Arts of Belgium announced that researchers had discovered the fourth and final section of Magritte’s work The Enchanted Pose (1927). X-ray imaging revealed that the Surrealist artist had painted over it to create a later work, God is not a Saint (1935–36), today owned by the Magritte Museum in Brussels. Historians suspect that a penny-pinching Magritte cut the original work into four parts and painted over each one in an effort to reuse canvas and save money. This discovery completes an art-historical jigsaw puzzle that researchers began to piece together in 2013, when the first section of the lost painting was discovered during conservation work at New York’s Museum of Modern Art. The second piece was found in the collection of Moderna Museet in Stockholm, and the third in the collection of Norfolk Museums Service in eastern England.

Thanks to drone technology, researchers have mapped massive, 2,000-year-old petroglyphs in Venezuela for the first time.

Although archeologists have known about the carvings for years, their size and their location—a group of islands within the hazardous Atures Rapids—have historically made them difficult to photograph in their entirety. These images are part of a larger project examining how pre-Columbian cultures dealt with each other, with evidence suggesting that there were indigenous trading networks for thousands of years before European colonization. Many of these newly-mapped petroglyphs represent rituals, including what may be a “rite of renewal” ceremony, as well as humans and animals—such as a roughly 100-foot-long snake.

from Artsy News

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[jamesgraybooksellerworld]

Susanna Centlivre     1667?-1723

The Gamester: A Comedy. As it is Acted at the New Theatre In Lincolns-Inn Fields By Her Majesty’s Servants. The Prologue Spoke by Mr. Betterton. Written by N. Rowe, Esq; The Third Edition.

London: Printed for J. Knapton, in St. Paul’s Church-Yard, E. Curll at the Dial and the Bible, R. Gosling at the Mitre and Crown, both against St. Dunstan’s — Church in Fleetstreet, and A. Bettesworth on London-Bridge, 1714                                                    $1,950   

Duodecimo       6.3 x 3.75 inches       A4, B-D12, E2. 75 pages.   Third edition.             This copy has been recently rebound in full parchment over boards.

Susanna Centlivre was born Susanna Freeman and also known professionally as Susanna Carroll, was an English poet, actress, and

“the most successful female playwright of the eighteenth century”

“A sad lot were all these early feminine intruders into the field of letters, —Aphra Behn, Mrs. Manley, Mrs. Pilkington, and the rest. Mrs. Centlivre was the best of them. Almost the first of her sex to adopt literature as a calling, she may well be regarded as an unconscious reformer, the leader of a forlorn hope against that literary fortress which was so long defended by the cruel sneers of its masculine garrison. She fell upon the glacis. But over her body the Amazons have marched on to victory.” (H. A. Huntington, “Mrs. Centlivre,” Atlantic Monthly, 1882, vol. 49, page 764.

“[Centlivre’s] plays have a provoking spirit and volatile salt in them, which still preserves them, from decay. Congreve is said to have been jealous of their success at the time, and that it was one cause which drove him in disgust from the stage. If so, it was without any good reason, for these plays have great and intrinsic merit in them, which entitled them to their popularity, and besides, their merit was of a kind entirely different from his own.” (William Hazlitt, 1818, “Lectures on the English Comic Writers,” Lecture viii.

The original source for the plot line was Jean Francois Regnard’s “Le Joueur.” The prologue was written by Nicholas Rowe (1674-1718).     The dedication signed: S. Trotter, i.e. Susanna Centlivre.

See  By Elisabeth J Heard   Experimentation on the English Stage, 1695-1708: ‪Routledge, ‪Sep 30, 2015 

ESTC T26857; NCBEL II, 781.

147F         Titus Carus        Lucretius  95-52

B.C.  T.Lucretius Carus His Six Books Of Epicurean Philosophy, Done into English Verse, with Notes. The Third Edition. Demetri, Teq; Tigelli Discipulorum inter jubeo plorare Cathedras; i, Puer, atque meo citus hœc subscribe libello.   

London: Printed for Thomas Sawbridge at the Three Flewer-de-luces in little Britain, and Anthony Stephens Bookseller near the Theatre in Oxford, 1683      $2800

Octavo, 7 1/4 x 4 3/4 inches (π1), A4, b-e4, f2, A-E4, (a)-(g)4, h2.         Third edition.

This copy is bound in original full calf its front joint is cracked at the foot, up to the second band, the rear joint is beginning to crack at either end, but it is completely sound and still quite appealing. The leaves are very clean and fresh, with deep impressions of the type.

This translation was prepared by Thomas Creech (1659-1700). The prefatory material contains commendatory poems by John Evelyn, Nahum Tate, Thomas Otway, and Aphra Behn {Her long poem (7 pages) To the unknown Daphnis appears here for the first time} among others, many of which were added after the first edition. Creech’s Lucretius first appeared in 1682, with certain portions of the text, notably those in the fourth book about the nature of love, left untranslated.

Both Pope and Evelyn praised the translation, and Dibdin says that the editor’s erudition, research, and correctness in this excellent and scarce work are acknowledged by every critic. The influence of Lucretius can be seen in Pope’s ‘Essay on Man.’ Lucretius was also favorite reading of Shelley, Wordsworth, and Tennyson.

“Creech’s translation of Lucretius vied in popularity with Dryden’s Virgil and Pope’s Homer. The son of one of his friends is reported to have said that the translation was made in Creech’s daily walk round the parks in Oxford in sets of fifty lines, which he would afterwards write down in his chamber and correct at leisure. […] When Dryden published his translations from Theocritus, Lucretius, and Horace, he disclaimed in the preface any intention of robbing Creech ‘of any part of that commendation which he has so justly acquired,’ and referred to his predecessor’s ‘excellent annotations, which I have often reprinted in the last century, and was included in the edition of the British poets which was issued by Anderson.” (DNB)               Wing L-3448 Gordon: Lucretius 311c; O’Donnell (Behn) # BB11 ; Keynes (Evelyn) p.258; T.C. II: 6; see Grolier W-P #237 for the first edition.273F

453F         John Dryden     1631-1700

Lucretius a poem against the fear of death. With an ode in memory of the accomplish’d young lady Mrs. Ann Killigrew, excellent in the two sister arts of poetry and painting.

London: H. Hills, 1709.      $980

Octavo      6 1/2 X 4 1/4 inches         Hills’s pirate edition .A8

First edition in this form            Price from imprint: Price One Penny. This copy is bound in full reversed calf.

Killigrew died of smallpox on June 16, 1685, when she was only 25 years old so the question has frequently been raised: is Killigrew so deserving of such an immortalizing Ode by Dryden? Had he even read her poetry to properly determine her skills? Some say Dryden defended all poets as teachers of moral truths, and therefore Killigrew, despite her lack of experience, deserved his praise. However, evidence shows that she might not have been ready to see some of her work published, such as the unfinished poem “Alexandreis,” about Alexander the Great. At the end of the poem, she expresses the feeling that the task was too great for her to take on and she would try to finish it at another time. Then, there is the question of the last three poems that were found among her papers. They seem to be in her handwriting, which is why Killigrew’s father added them to her book. The poems are about the despair the author has for another woman, and could possibly be autobiographical if they are in fact by Killigrew. Some of her other poems are about failed friendships, possibly with Katherine Philips or Anne Finch, so this assumption may have some validity.              Foxon, D458 English Short Title Catalog, ESTCT76294.

  852F         Thomas Halyburton  Edited by Mrs. Janet Halyburton.       1674-1712

Memoirs of the life of the Reverend Mr. Thomas Halyburton. Professor of Divinity in the University of St. Andrews; digested into four parts, whereof the first three were written with his own hand some years before his death, and the fourth is collected from his diary by another hand; to which is annex’d some account of his dying words by those who were witnesses to his death.     

Edinburgh : printed by the heirs and successors of Andrew Anderson, 1715   1150         Octavo      4   6 1/4 in      [8], A O8, P2.     Second edition           Bound in early 19th century full leather with gilt trim and maroon leather title label.Contemporary ownership inscription of Archibald Craw on verso of title page and dated 1729.     This book is Edited by Halburton’s wife Janet Watson and Dedicated to Henretta Campbell.

Halyburton has been regarded as one of the most distinguished Scottish theologians. Hugh Martin described Halyburton and Cunningham as “the two greatest theologians that Scotland has ever produced”. John Duncan regarded him as “a minor John Owen” and classed his Memoirs with Augustine’s Confessions and Bunyan’s Grace Abounding. Obviously much indebted to the English Puritan, John Owen, Halyburton is more plain and popular in style. Among those beyond Scotland who benefited from and highly recommended the Memoirs and other published works of Halyburton are such significant (and varied) figures as George Whitefield and John Wesley, John Newton and Isaac Watts, and Archibald Alexander, first principal of the Princeton Theological Seminary.

Thomas Halyburton was born on December 25th 1674, the son of George Halyburton, minister of Aberdalgie and Dupplin in Perthshire until he was ejected from his charge in 1662 for his adherence to the Covenanted religion of Scotland. In 1676 George Halyburton was denounced by the Privy Council for keeping conventicles and was effectively silenced and in 1682 he died. Mrs. Halyburton and her two surviving children — her married daughter Janet and her son Thomas — fled to Rotterdam, to escape the persecution of the Covenanters. In the changed circumstances brought about by the Revolution, Thomas Halyburton was ordained and inducted to the ministry at Ceres in Fife in May of 1700. In April 1710 he became Professor of Divinity in the New College (St Mary’s), St Andrews. A struggle with ill health characterised most of his ministry and on September 23rd 1712 he died, leaving his wife with six surviving children. The impact of Halyburton’s sermons and theological writings is largely explained by the description given of him in the Preface to one edition of his The Great Concern of Salvation : “one that had the contents of the book written upon his own heart before he preached them to his people and was a living and lively witness and example of the great and grave truths now exhibited to public view”. Even his most technical and controversial work, Natural Religion Insufficient and Revealed Necessary to Man’s Happiness in his Present State, a refutation of Deism [which taught that all that needs to be known of God can be discovered by human reason in the light of nature without special revelation], found much of its impetus in his own spiritual struggle with the atheism of his carnal mind strengthened by Deistic reasonings and in his pastoral concern for others who might be subject to similar conflicts. His other major work, An Essay concerning the Nature of Faith; or, The Ground upon which Faith assents to the Scriptures, is an explanation of the apostle’s determination to preach in such a way “that your faith should not stand in the wisdom of men, but in the power of God” (1 Corinthians 2: 5). The English philosopher John Locke only accepted aspects of the Christian faith which were “above reason” on the basis of authority verified by reason. For him “reason must be our last judge and guide in everything”. Against Locke Halyburton contends that a God-given faith “looks only at the Lord’s authority…it leans only on the testimony of God, approving itself such to the souls of believers by its own glorious power, whereby, without borrowing help from any other signs, it evidences itself to be the Lord’s word, with a light so strong as carries the soul into an assent”.                 ESTC T148531, shows only one copy in the US

122F         Mary de la Rivière Manley        1663-1724

Secret memoirs and manners of several persons of quality of both sexes. From the New Atalantis, an island in the Mediteranean. 

London: Printed for John Morphew, and J. Woodward, 1709    $4500

Octavo      7 1/2 X4 3/4 inches I. A4, B-Q8, R4.  Second edition.          This jewel of a book is expertly bound in antique style full paneled calf with a gilt spine. It is a lovely copy indeed.

The most important of the scandal chronicles of the early eighteenth century, a form made popular and practiced with considerable success by Mrs. Manley and Eliza Haywood.

Mrs. Manley was important in her day not only as a novelist, but as a Tory propagandist.

Her fiction “exhibited her taste for intrigue, and impudently slandered many persons of note, especially those of Whiggish proclivities.” – D.N.B. “Mrs. Manley’s scandalous ‘revelations’ appealed immediately to the prurient curiosity of her first audience ; but they continued to be read because they succeeded in providing certain satisfactions fundamental to fiction itself. In other words, the scandal novel or ‘chronicle’ of Mrs. Manley and Mrs. Haywood was a successful form, a tested commercial pattern, because it presented an opportunity for its readers to participate vicariously in an erotically exciting and glittering fantasy world of aristocratic corruption and promiscuity.” – Richetti, Popular Fiction before Richardson.

The story concerns the return to earth of the goddess of justice, Astrea, to gather information about private and public behavior on the island of Atalantis. Delarivier Manley drew on her own experiences as well as on an obsessive observation of her milieu to produce this fast-paced narrative of political and erotic intrigue.   New Atalantis (1709) is an early and influential example of satirical political writing by a woman. It was suppressed on the grounds of its scandalous nature and Manley (1663-1724) was arrested and tried.   Astrea [Justice] descends on the island of Atalantis, meets her mother Virtue, who tries to escape this world of »Interest« in which even the lovers have deserted her. Both visit Angela [London]. Lady Intelligence comments on all stories of interest. p.107: the sequel of »Histories« turns into the old type of satire with numerous scandals just being mentioned (e.g. short remarks on visitors of a horse race or coaches in the Prado [Hyde-Park]). The stories are leveled against leading Whig politicians – they seduce and ruin women. Yet detailed analysis of situations and considerations on actions which could be taken by potential victims. Even the weakest female victims get their chances to win (and gain decent marriages) the more desperate we are about strategic mistakes and a loss of virtue which prevents the heroines from taking the necessary steps. The stories have been praised for their »warmth« and breathtaking turns.

Manley was taken into custody nine days after the publication of the second volume of Secret Memories and Manners of several Persons of Quality of Both Sexes, from the New Atalantis, an island in the Mediterranean on 29 October 1709. Manley apparently surrendered herself after a secretary John Morphew and John Woodward and printer John Barber had been detained. Four days later the latter were discharged, but Manley remained in custody until 5 November when she was released on bail. After several continuations of the case, she was tried and discharged on 13 February 1710. Rivella provides the only account of the case itself in which Manley claims she defended herself on grounds that her information came by ‘inspiration’ and rebuked her judges for bringing ‘w woman to her trial for writing a few amorous trifles’ (pp. 110-11). This and the first volume which appeared in May 1709 were Romans a clef with separately printed keys. Each offered a succession of narratives of seduction and betrayal by notorious Whig grandees to Astrea, an allegorical figure of justice, by largely female narrators, including an allegorical figure of Intelligence and a midwife. In Rivella, Manley claims that her trial led her to conclude that ‘politics is not the business of a woman’ (p. 112) and that thereafter she turned exclusively to stories of love.

Delarivier Manley was in her day as well-known and potent a political satirist as her friend and co-editor Jonathan Swift. A fervent Tory, Manley skilfully interweaves sexual and political allegory in the tradition of the roman a clef in an acerbic vilification of her Whig opponents. The book’s publication in 1709 – fittingly the year of the collapse of the Whig ministry – caused a scandal which led to the arrest of the author, publisher and printer. The book exposed the relationship of Queen Anne and one of her advisers, Sarah Churchill. Along with this, Manley’s piece examined the idea of female intimacy and its implications. The implications of female intimacy are important to Manley because of the many rumours of the influence that Churchill held over Queen Anne.                  ESTC T075114; McBurney 45a; Morgan 459.

  684G         John Sheffield, Duke of Buckingham WITH   Wharton, Anne 1648-1720 and Anne Finch  (1661-1720) 

A Collection of Poems: Viz. The Temple of Death: By the Marquis of Normanby. An Epistle to the Earl of Dorset: By Charles Montague, Lord Halifax. The Duel of the Stags: By Sir Robert Howard. With Several Original Poems, Never before Printed, By The E. of Roscommon. The E. of Rochester. The E. Orrery. Sir Charles Sedley. } { Sir George Etherege. Mr. Granville. Mr. Stepney. Mr. Dryden, &c.     

London:Ralph Smith 1702                 $2250

Octavo      7 1/2 X 4 1/2 inches         A4, B-U8, W4, X-Z8; Aa-Ee8, Ff4.    Second edition.                  Bound in contemporary panelled calf, raised bands, rebackd, morocco label. a VG copy, being internally very crisp and clean .       A revised and enlarged edition of A Collection of Poems by Several Hands, published in 1693, this itself being an expansion of the first edition of 1672.

In this miscellany are seven Poems by  Anne Wharton .

Anne Wharton, née Lee (born 20 July 1659 at Ditchley Park, Oxfordshire, died 29 October 1685 at Adderbury, Oxfordshire)  She was the posthumous younger daughter of Sir Henry Lee, and a member of a wealthy family. Her mother died not long after her birth. She and her sister Eleanor were brought up at Adderbury House, where they lived with the mistress, mother and grandmother of its owner, the poet and libertine John Wilmot, 2nd Earl of Rochester, who was Anne Wharton’s uncle. In 1673 she married Thomas Wharton (1648–1715). She paid visits to Paris for her health in 1678 and 1680, as she suffered from eye troubles and convulsions, possibly linked to syphilis. Her husband soon neglected her and they had no children. After her death, Anne Wharton’s brother-in-law, Goodwin Wharton claimed in his autobiography that he had had an affair with her, and that she had had three other affairs – with Charles Mordaunt, 3rd Earl of Peterborough before her marriage (he bribed a servant to let him into the girl’s room at night) and with “Jack Howe” (probably the Whig politician John Grubham Howe, 1657–1722) in the 1680s – as well as being “lain with long by her uncle, my Lord Rochester.” Her letters to her husband from Paris seem devoted, but when visited her again in Paris, to obtain her signature on some documents to do with her £8000 estate, her ardour seems to have cooled. Anne Wharton’s death, in her sister Eleanor’s house at Adderbury in 1685, was very painful. The poet Robert Gould in an eclogue to the memory of Eleanor, who died in 1691, observes that hers was peaceful one by comparison:

“Think how her sister, dear ‘Urania’ [i. e. Anne], fell, When ev’ry Arte’ry, Fibre, Nerve and Vein Were by Convulsions torn, and fill’d with Pain…”[4]

  A modern critical edition of 34 known works by Anne Wharton was published in 1997

Greer, Germaine; Hastings, Susan, eds. (1997). The Surviving Works of Anne Wharton. Saffron Walden: Stump Cross Books. p. not cited. ISBN 1-872029-25-6.

but at least eleven other poems have been discovered in manuscript since then.[9] Her “Elegy on the Earl of Rochester” appears in the New Oxford Book of Seventeenth-Century Verse (1991)

A Song How hardly I concealed my Tears? How oft did I complain? When many tedious Days, my Fears Told me I Loved in vain.

But now my Joys as wild are grown, And hard to be concealed: Sorrow may make a silent Moan, But Joy will be revealed.

I tell it to the Bleating Flocks, To every Stream and Tree, And Bless the Hollow Murmuring Rocks For Echoing back to me.

Thus you may see with how much Joy We Want, we Wish, Believe; ‘Tis hard such Passion to Destroy, But easy to Deceive.

Greer & Hastings, The Surviving Works of Anne Wharton, 1, 3, 4, 8, 9, 10(a), 20. 182.

Also in this miscellany arms a Poem to Katherine Philips by Roscommon ” an Ode to Orinda”

and an Anonymous “Prologue to Oroonoko”(by A Behn)

and Ann Finch’s  (1661-1720) The SPLEEN

“The physical disability and psychological perturbations of melancholy were well known to one of the foremost women poets of the eighteenth century, Anne Finch, Countess of Winchilsea. As a victim of the malady, her description of its effects were firsthand and specific, with none of the generalities born of vague knowledge […] Lady Winchilsea begins her best-known poem on the subject, ‘The Spleen’ (1701), by describing the malady as ‘Proteus to abus’d Mankind.’ No one can find the cause of the affliction, she writes, nor can one ‘fix thee to remain in one continued Shape.’ By speaking of melancholy in these terms, Lady Winchilsea is echoing the sentiments of contemporary physicians who frequently compared the disease to Proteus, the shape-changing god of the sea, because its manifestations were always changing, continuously shifting from one part of the body to another, while constantly mimicking other diseases. Underlying its various forms, however, was the notion expounded by the Countess and contemporary physicians alike that melancholy was a mixed malady of body and mind, causing the sufferer physical pain and the psychological disorders of anxiety, grief, and fear without cause.” (Melancholy in Anne Finch and Elizabeth Carter, by John F. Sena) “‘Spleen’ is for Finch both triumph and failure. It is only once the spleen has affected the speaker that she describes her poetry as fallen, decayed failure. But, at the same time, the spleen allows her to assert that she does not wish to be a genteel woman artist, one who makes safe, insipid domestic arts or uncritically draws the monarch’s ‘undistinguish’d Face.’ ‘The Spleen’ returns to the overlap of political religious, and emotional failure in its closing lines with a description of Richard Lower, a physician to Charles II who supported the Whigs in the Popish Plot, sinking beneath the weight of the spleen.” (English Women’s Poetry, 1649-1714, by Carol Barash)

Also in this wonderful book are  among other poems …

The miscellany’s title-poem is a translation by the Earl of Mulgrave of Philippe Habert’s elegy ‘Le Temple de la Mort,’ in spite of the scorn expressed in the publisher’s preface for the French nation, and ‘the Servile way of following their Modes’. An essay on poetry, by J. Sheffield, 1st duke of Buckingham.–Horace: of the art of poetry, by Horatius Flaccus.–An essay on translated verse, by the earl of Roscommon.–Coopers hill, by J. Denham.–The duel of the stags, by R. Howard.–The temple of death, by P. Habert.–Macflecknoe, by J. Dryden; with Spencer’s ghost, by J. Oldham–Lecretius.–The plague of Ahtens (!) by T. Sprat.–The spleen, by A.K. Finch, contess of Winchilsea.–A letter from Italy, by J. Addison together with The mourning muse of Alexis, by W. Congreve.–The Kit-Cats, by R. Blackmore.–The campaign, by J. Addison.��Pastorals, by A. Philips.–Faction display’d, by W. Shippen.–Baucis and Philemon, by J. Swift; as also An ode upon, by W. Dillon, 4th earl of Roscommon.–Muscipula, by E. Holdsworth.            Case 151 (f); Greer & Hastings, The Surviving Works of Anne Wharton, 1, 3, 4, 8, 9, 10(a), 20. 182.   Prinz (Rochester) VII,21.*

    767G         Katherine Philips       1631-1664

Letters from Orinda to Poliarchus

London: printed by W.B. for Bernard Lintott, 1705                $4,500

Octavo      6 3/4 X 3 3/4 inches         A-R8 First edition               This copy is bound in original full calf with a coat of arms stamped in gold on the boards,recently rebacked with new spine label.         This is a collection of 48 ( XLVIII) actual letters written by Philips to her patron Sir Charles Cotterell published several decades after her death, there is quit a bit of discussion of the literary culture of the seventh century in Britain. Including insite to Philips writing and reading habits. she often mentions books she is reading and plays which she is working on.

Philips was interested in the epistolary form, she founded the Society of Friendship in 1651 until 1661 was a semi-literary correspondence circle made up of mostly women, though men were also involved. The membership of this group, however, is somewhat questionable, because the authors took on pseudonyms from Classical literature (for example Katherine took on the name Orinda, in which the other members added on the accolade “Matchless.”) It is interesting to see the relations between the female members of the circle, especially Anne Owen, who is known in Philips’s poems as Lucasia. Half of Katherine’s poetry is dedicated to this woman. Anne and Katherine seem to have been lovers in an emotional, if not in a physical, sense for about ten years. Also significant as correspondents and lovers were Mary Awbrey (Rosania) and Elizabeth Boyle (Celimena). Elizabeth’s relationship with Katherine, however, was cut short by Philips’ death in 1664.

In “The Sapphic-Platonics of Katherine Philips, 1632-1664”   Harriette Andreadis

Source:Signs: Journal of Women in Culture and Society 15, no. 1 (autumn 1989): 34-60.

Ms Andreadis, in this essay nicely gives a view of Orinda’s live (and Loves) in relation to her writing by using excerpts from her poems andThese letters;

Early Feminist writing… Susanna Centlivre     1667?-1723 The Gamester: A Comedy. As it is Acted at the New Theatre In Lincolns-Inn Fields By Her Majesty’s Servants.

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Arbeitsteilung: SEAT entwickelt CNG-Technologie für den Volkswagen Konzern

Arbeitsteilung: SEAT entwickelt #CNG-Technologie für den #Volkswagen Konzern

EAT Vorstandsvorsitzender Luca de Meo hat die Bedeutung von komprimiertem Erdgas (CNG) als nachhaltiger Antriebsalternative unterstrichen. In seiner Rede zur Eröffnung des 6. GASNAM-Kongresses in Madrid hob de Meo die Innovationskraft von SEAT im Hinblick auf diese besonders umweltschonende Antriebstechnologie hervor. Zugleich bekräftigte er, dass der spanische Automobilhersteller bei der…

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Welcome to Sea Career Consultancy & Training, your gateway to a successful maritime career. As a leading Maritime Training Center in Navi Mumbai, we are dedicated to providing top-notch Maritime Courses and Maritime Education designed to equip you with the skills needed for a thriving career at sea. Our Offerings Include MEO Class II, ETO Course, IMU CET, Maritime Courses, Maritime Education, Nautical Training, Maritime Certification, Seafarer Training, Maritime Institute, Marine Career Opportunities, Ship Training Programs, Deck Officer Training, Engine Room Training, Navigation Courses. At Sea Career Consultancy & Training, we are committed to providing high-quality education and training that opens doors to marine career opportunities. Our expert instructors and state-of-the-art facilities ensure you receive the best possible maritime training. For more information on our programs and to start your journey in maritime excellence, visit our website or contact us today.

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Sea Career Consultancy & Training Academy - Maritime Training Center in Navi Mumbai - Seacareer.org

Welcome to Sea Career Consultancy & Training, your gateway to a successful maritime career. As a leading Maritime Training Center in Navi Mumbai, we are dedicated to providing top-notch Maritime Courses and Maritime Education designed to equip you with the skills needed for a thriving career at sea. Our Offerings Include MEO Class II, ETO Course, IMU CET, Maritime Courses, Maritime Education, Nautical Training, Maritime Certification, Seafarer Training, Maritime Institute, Marine Career Opportunities, Ship Training Programs, Deck Officer Training, Engine Room Training, Navigation Courses. At Sea Career Consultancy & Training, we are committed to providing high-quality education and training that opens doors to marine career opportunities. Our expert instructors and state-of-the-art facilities ensure you receive the best possible maritime training. For more information on our programs and to start your journey in maritime excellence, visit our website or contact us today.