#M. E. Hilliard

[its-suanneschafer-author]

BOOK REVIEW: Three Can Keep a Secret by M. E. Hilliard

Like M.E. Hilliard’s debut novel, The Unkindness of Ravens, the newest in her Greer Hogan Mystery series, Three Can Keep a Secret, grabbed me from the onset. The first person narration rapidly pulls the reader in the the thought processes of amateur sleuth, Greer Hogan, a former New York City high-powered executive who becomes a small town librarian after the death of her husband. Greer’s…

[bookwyrmshoard]

Books Read, February 2023

Books

Of Manners and Murder (Anastasia Hastings) The Bride Wore White (Amanda Quick) Artfully Yours (Joanna Lowell) Murder at Half Moon Gate (Andrea Penrose) Three Can Keep a Secret (M. E. Hilliard) Bound for Perdition (Celia Lake) How to Keep House While Drowning (KC Davis) – reviewed Eclipse (Celia Lake) – reread Tea & Meetings (Celia Lake) – reread (no cover available) Magician’s Hoard (Celia Lake) – reread Wards of the Roses (Celia Lake) – reread Pastiche (Celia Lake) – reread Carry On (Celia Lake) – reread Partners In Crime (Agatha Christie) – reread; review scheduled

 Audiobooks

Hounded (Kevin Hearne) The Return of the King (J. R. R. Tolkien) – finished story; currently listening to appendices

 Full post (including challenge updates) here.

[dogmomwrites]

URL Music Tag

It's been way too long since I was tagged for this one, so a very heartfelt apology to you, @k--havok, alongside a very heartfelt thank you for tagging me!

Rules—spell out your url with song titles, then tag as many people as there are letters in your url

I have 12 letters in my url, so the 12 people I'll be passing this along with a soft tag to are @writingpotato07, @memento-morri-writes, @writewithfire, @wildjuniperjones, @moonscribbler, @ghost-town-story, @marinesocks, @midnight-and-his-melodiverse, @bardic-tales, @pandawriterstuff, @crypticcodexcreations, and @mr-writes, as well as an open tag for anyone who wants to join!

Putting my playlist on shuffle and letting it pick these songs at random cuz it's more fun that way!

D—Dancing with the Dead by Powerwolf O—Of Michael the Archangel and Lucifer’s Fall by Luca Turilli’s Rhapsody G—(The) Goose Steps High by George Bruns / Give and Take by Poor Man’s Poison M—Memento Mori by Feuerschwanz O—Ódinn by Skáld M—Mama by Shaman’s Harvest W—Waiting on the Sun by Citizen Soldier R���Robots by Flight of the Conchords I—In the End by Black Veil Brides T—Turkish Rondo by Mozart (cover by Aubrey Hilliard) E—Everybody Loves Me by OneRepublic S—Sonatorrek by Wardruna

[ulkaralakbarova]

Beverly is the perfect happy homemaker, along with her doting husband and two children, but this nuclear family just might explode when her fascination with serial killers collides with her ever-so-proper code of ethics. Credits: TheMovieDb. Film Cast: Beverly Sutphin: Kathleen Turner Eugene Sutphin: Sam Waterston Misty Sutphin: Ricki Lake Chip Sutphin: Matthew Lillard Detective Pike: Scott Morgan Detective Gracey: Walt MacPherson Scotty: Justin Whalin Birdie: Patricia Dunnock Carl: Lonnie Horsey Dottie Hinkle: Mink Stole Rosemary Ackerman: Mary Jo Catlett Mr. Stubbins: John Badila Betty Sterner: Kathy Fannon Ralph Sterner: Doug Roberts Carl’s Date: Traci Lords Marvin Pickles: Tim Caggiano Howell Hawkins: Jeff Mandon Father Boyce: Colgate Salsbury Mrs. Jenson: Patsy Grady Abrams Herbie Hebden: Richard Pilcher Timothy Nazlerod: Beau James Judge: Stan Brandorff Luann Hodges: Kim Swann Suzanne Somers: Suzanne Somers Gus: Bus Howard Sloppy: Alan J. Wendl Juror #8: Patricia Hearst Jury Forewoman: Nancy Robinette Rookie Cop: Peter Bucossi Policewoman: Loretto McNally Press A: Wilfred E. Williams Court TV Reporter: Joshua L. Shoemaker Court Groupie A: Rosemary Knower Court Groupie B: Susan Lowe Carl’s Brother: John Calvin Doyle Book Buyer: Mary Vivian Pearce Mean Lady: Brigid Berlin Police Officer: Jordan Brown Vendor: Anthony ‘Chip’ Brienza Flea Market Boy: Jeffrey Pratt Gordon Flea Market Girl: Shelbi Clarke Macho Man: Nat Benchley Dealer: Kyf Brewer Baby’s Mother: Teresa R. Pete Church Baby: Zachary S. Pete Doorman: Richard Pelzman Kid A: Chad Bankerd Kid B: Johnny Alonso Kid C: Robert Roser Joe Flowers: Mike Offenheiser Girl: Lee Hunsaker Burglar A: Michael S. Walter Burglar B: Mojo Gentry Mrs. Taplotter: Gwendolyn Briley-Strand Reporter: Jennifer Mendenhall Joan Rivers: Joan Rivers TV Serial Hag: Catherine Anne Hayes Lady C: Susan Duvall Press: Valerie Yarborough Kid: Jordan Young Camel Lips: Jennifer Finch Camel Lips: Suzi Gardner Camel Lips: Demetra Plakas Camel Lips: Donita Sparks Husband A: John A. Schneider Court Clerk: Lyrica Montague Eugene Sutphin’s Nurse (uncredited): Bess Armstrong Birdie’s Father (uncredited): Greg Coale Video Store Customer (uncredited): David L. Marston Stage Diver (uncredited): Kim McGuire Cop (uncredited): John Poague Club Kid (uncredited): Al Sotto Ted Bundy (voice) (uncredited): John Waters Film Crew: Art Direction: David J. Bomba Sound Re-Recording Mixer: Mark Berger Executive Producer: Joseph M. Caracciolo Jr. Thanks: Paul Reubens Original Music Composer: Basil Poledouris Writer: John Waters Production Design: Vincent Peranio Editor: Janice Hampton Producer: Mark Tarlov Supervising Sound Editor: John Nutt Thanks: Don Knotts Editor: Erica Huggins Director of Photography: Robert M. Stevens Associate Producer: Pat Moran Costume Design: Van Smith First Assistant Director: Robert Rooy Property Master: Brook Yeaton Art Department Production Assistant: Jeffrey Pratt Gordon Carpenter: Thomas Turnbull Thanks: Harry H. Novak Set Decoration: Susan Kessel On Set Dresser: Lianne Williamson Sound Editor: Ernie Fosselius Thanks: Arthur Machen Utility Stunts: G. A. Aguilar Sound Mixer: Rick Angelella First Assistant Director: Mary Ellen Woods Sound Editor: Frank E. Eulner Casting: Paula Herold Set Dresser: Michael Sabo Second Unit Director: Steve M. Davison Sound Editor: Robert Shoup Hairstylist: Kathryn Blondell Sound Re-Recording Mixer: David Parker Stunt Double: Cheryl Wheeler Duncan Assistant Makeup Artist: Janice Kinigopoulos Makeup Artist: Debi Young Makeup Artist: E. Thomas Case Post Production Supervisor: John Currin Assistant Property Master: R. Vincent Smith Music Supervisor: Bones Howe Draughtsman: Rob Simons Additional Hairstylist: Howard ‘Hep’ Preston Assistant Makeup Artist: Barbara Lacy Art Department Coordinator: Sarah Stollman Utility Stunts: Michael Runyard Unit Production Manager: Margaret Hilliard Hairstylist: Ardis Cohen Assistant Production Design: John Lindsey McCormick Makeup Artist: Betty Beebe Sound Recordist: Philip Rogers Producer: John Fiedler Secon...

[bwitzenhausen]

#NetGalley #BookReview Smoke and Mirrors (A Greer Hogan Mystery #4) by M. E. Hilliard #Mystery

Review Smoke and Mirrors A Greer Hogan Mystery #4 by M. E. Hilliard Release date: June 4th, 2024 ⭐⭐⭐⭐ I received a complimentary ARC copy of Smoke and Mirrors, A Greer Hogan Mystery #4 by M. E. Hilliard from NetGalley and Crooked Lane Books in order to read and give an honest review.  …Well-written, cleverly plotted and with quirky characters who I really enjoy. In general, I love…

[aic-american]

Hanging Head Dragonfly Shade on Mosaic and Turtleback Base, Tiffany Studios, 1901, Art Institute of Chicago: American Art

In the 1890s Louis Comfort Tiffany began using his opalescent Favrile glass to produce lamps, the decorative form for which he would become most famous. As the artistic director of Tiffany Studios located in Corona, New York, he approved all patterns but created relatively few lamps himself. Clara Driscoll, head of the Women’s Glass Cutting Department, was likely responsible for this shade and base. Driscoll began working for Tiffany in 1888, and she designed the majority of the firm’s lamps before she left the company in 1908 or 1909. Driscoll created at least eight dragonfly shades. This example is distinguished by its large size, glass cabochons, and the placement of insects’ bodies along the lower edge. While Tiffany Studios mass-produced these shades and bases, the firm varied the color scheme of each object to heighten the sense of handcraftsmanship. This daring design became one of Tiffany’s most popular and was made through 1924. Roger and J. Peter McCormick Endowments, Robert Allerton Purchase Fund, Goodman Endowment for the Collection of the Friends of American Art, Pauline S. Armstrong Endowment, Edward E. Ayer Endowment in memory of Charles L. Hutchinson; restricted gift of the Antiquarian Society in memory of Helen Richman Gilbert and Lena Turnbull Gilbert, Sandra van den Broek, Mr. and Mrs. Henry M. Buchbinder, Quinn E. Delaney, Mr. and Mrs. Wesley M. Dixon, Jamee J. and Marshall Field, Celia and David Hilliard, Elizabeth Souder Louis, Mrs. Herbert A. Vance, and Mr. and Mrs. Morris S. Weeden Size: H.: 86.4 cm (34 in.); diam: 57.2 cm (22 1/2 in.) Medium: Favrile glass and bronze

https://www.artic.edu/artworks/185905/

[youngfcs]

ooooi cib!!! voltando aqui pra encher seu saco de novo, bom dia KKKKKKK gostaria de saber se você tem alguma indicação pra filho ou filha da winona ryder, de tipo 7-9 anos, e de preferência que tenha gifs. obrigada desde já :)

Olá, anon! Então, é um problema isso de gifs, porque aqui no tumblr é meio que proibido fazer gif packs de menores de idade, especialmente crianças. Pode ser que você encontre gifs deles em algum gifset do filme/seriado que tiver participado!

Por isso que sempre aviso para caso utilizar algum desses fcs, não utilizar com assuntos maduros, certo?

F:

Abby Ryder Fortson (08-13)

Brooklynn Prince (07-11)

Erica Tremblay (07-12)

M:

Azhy Robertson (08-12)

Benjamin Evan Ainsworth (09-13)

Julian Hilliard (07-10)

(cib)

[papermoonloveslucy]

MURDER AT THE VANITIES

May 18, 1934

Director: Mitchell Leisen 

Producer: E. Lloyd Sheldon for Paramount Pictures

Writers: Carey Wilson and Joseph Gollomb, based on the play by Earl Carroll and Rufus King

Synopsis ~ Shortly before the curtain goes up at Earl Carroll's Vanities, someone is attempting to injure leading lady Ann Ware, who wants to marry leading man Eric Lander. Stage manager Jack Ellery calls in his friend, policeman Bill Murdock, to help him investigate. They find the corpse of a murdered women. Bill suspects Eric of the crime, especially, after the second female lead Rita Ross told him she saw the women leaving from Eric's room. Rita is shot onstage with Eric's gun. 

PRINCIPAL CAST 

Carl Brissson (Eric Lander) was a Danish-born actor and singer making his only appearance with Lucille Ball. He would only make two more films before leaving film acting. 

Victor McLaglen (Bill Murdock) would win an Oscar in 1936 for The Informer. He would be nominated again in 1953 for The Quiet Man. This is his only appearance with Lucille Ball. 

Jack Oakie (Jack Ellery) would be seen with Lucille Ball in That Girl From Paris (1936) as well as both Annabel films (1938). 

Kitty Carlisle (Ann Ware) made her film debut in this movie. She later married playwright Moss Hart and became an arts advocate.  She was also frequently seen on talk, quiz, and panel shows. This is her only appearance with Lucille Ball. 

Dorothy Stickney (Norma Watson) was a stage and screen actress making her only appearance with Lucille Ball. 

Gertrude Michael (Rita Ross) was also seen with Lucille Ball in Hold That Girl, released two months earlier. 

Jessie Ralph (Mrs. Helene Smith) was also seen with Lucille Ball in the 1934 films The Affairs of Cellini and Nana. In 1936 they appeared together in Bunker Bean. 

Charles Middleton (Homer Boothby) was also seen with Lucille Ball in The Bowery (1933), followed by Nana and Broadway Bill, both in 1934. 

Gail Patrick (Sadie Evans) would also be seen with Lucille Ball in 1937′s Stage Door. 

Donald Meek (Dr. Saunders) appeared with Lucille Ball in The Whole Town’s Talking and Old Man Rhythm (both in 1935), as well as Having Wonderful Time (1938), and Du Barry Was A Lady (1943). 

Toby Wing (Nancy) makes her only appearance with Lucille Ball. 

Duke Ellington (Himself) was a composer, orchestra leader, and one of music’s most legendary personalities. This is his only time performing with Lucille Ball. 

UNCREDITED CAST 

Lucille Ball (Earl Carroll Girl) makes her ninth film since coming to Hollywood in 1933. Although she started out as a Goldwyn Girl at RKO, here she is a Earl Carroll girl at Paramount. 

Ann Sheridan (Lou, Earl Carroll Girl) went on to a successful acting career known for her roles in the films San Quentin, Angels with Dirty Faces, They Drive by Night, The Man Who Came to Dinner, Kings Row, Nora Prentiss, and I Was a Male War Bride.

Virginia Davis (Earl Carroll Girl), as a child actress, was Walt Disney’s original Alice in Wonderland in a series of silent shorts from 1923 to 1925. 

Other Earl Carroll Girls: Ernestine Anderson, Lona Andre, Marion Callahan, Nancy Caswell, Marguerite Caverley, Juanita Clay, Helen Curtis, Virginia Davis, Dorothy Dawes, Winnie Flint, Barbara Fritchie, Nora Gale, Zumetta Garnett, Gwenllian Gill, Ruth Hilliard (film debut), Inez Howard, Billie Huber, Diane Hunter, Constance Jordan, Evelyn Kelly, Patsy King, Iris Lancaster, Blanche McDonald, Leda Nicova, Wanda Perry, Rita Rober, Laurie Shevlin, Gwynne Shipman (film debut), Anya Taranda, Beryl Wallace (film debut), Dorothy White, Vivian Wilson, Gladys Young

Alan Ladd (Chorus Boy) found success in film in the 1940s and early 1950s, particularly in Westerns, such as Shane and in films noir. He was often paired with Veronica Lake in films such as This Gun for Hire, The Glass Key, and The Blue Dahlia.

Shep Houghton (Chorus Boy) also appeared with Lucille Ball in such films as Too Many Girls (1940), Lured (1947), Easy Living (1949), and Critic’s Choice (1963). On TV he appeared on two episodes of “The Lucy Show” and one “Here’s Lucy.”  He was one of the Winkie Guards in The Wizard of Oz  and a Southern Dandy in Gone With The Wind, both in 1939.

Other Chorus Boys: Dave O'Brien, Dennis O'Keefe, Frank Sully

Dancers in Ebony Rhapsody: Lucille Battle, Mildred Boyd, Gladys Henderson, Cleo Herndon, Ruth Scott, Carolynne Snowden

The King's Men (Lovely One Quartet)

OTHERS

Colin Tapley (Stage Manager)

Roy Crane (Assistant Stage Manager)

William Arnold (Treasurer)

Arthur Rankin (Assistant Treasurer)

Betty Bethune (Charwoman)

Howard M. Mitchell (Detective)  

Mike Donovan (Police Sergeant)

Stanley Blystone (Policeman)

Mary Gordon (Assistant Wardrobe Woman)

Mildred Gover (Pearl)

Hal Greene (Call Boy)

Otto Hoffman (Walsh)

Mitchell Leisen (Orchestra Leader)

Charles McAvoy (Ben)

Ted Oliver (Murdock's Chauffeur)

Teru Shimada (Koto)

Cecil Weston (Miss Bernstein)

Many of the Earl Carroll Girls featured in the film were authentic cast members from Carroll's stage show, which ran on Broadway from November 1933 to March 1934. These cast members were brought out to Hollywood from New York especially for this film, and many stayed to pursue film careers.  Earl Carrol Girls who appeared in the stage version of Murder at the Vanities, but not this film version, included Dudone Blumier, Eunice Coleman, Muriel Evans, Evalyn Knapp, Helene Madison, Lorna Rode and Marion Semle. Also in the cast was a Ruth Mann, who was probably Helen Mann.

The film was based on a Broadway production of the same name, but completely rewritten for the screen and with all new musical numbers.

In “The Audition” (ILL S1;E6) aired on November 19, 1951 Lucy says to Ricky:  “I’ll bet if Ziegfeld or Earl Carroll had seen me, they’d sign me up like that!” She then puts a lampshade on her head and struts about the room in a moment recycled from the (then) unaired pilot. 

This film contains a song and dance number called “Sweet Marijuana”. It got past the censors because at the time the film was made, the drug was not illegal. Today, many prints omit this production number all together.

The film also introduced the standard “Cocktails for Two” by Arthur Johnston and Sam Coslow. 

Gimbels in New York did a promotion in connection with the film, selling Mojud Clari-phane stockings using images of some of the Earl Carroll Girls. Sadly, Lucille Ball is not among them!

The film was a box office disappointment for Paramount.

[nemesisbinxartifactseries]

Artifact Series J

J. Allen Hynek's Telescope

J. Edgar Hoover's Tie

J. McCullough's Golf Ball

J. Templer's Wind-Up Tin Rooster *

J. C. Agajanian’s Stetson

J.T. Saylors's Overalls

J.M. Barrie’s Swiss Trychels

J.M.W. Turner's Rain, Steam and Speed-The Great Western Railway *

J.R.R. Tolken's Ring

Jack-in-the-Box

Jack's Magic Beanstalk

Jack Daniel's Original Whisky Bottle

Jack Dawson's Art Kit

Jack Duncan's Spur *

Jack Frost's Staff

Jack Kerouac's Typewriter

Jack Ketch's Axe

Jack LaLanne's Stationary Bike *

Jack London's Dog Collar

Jack Parson's Rocket Engine

Jack Sheppard's Hammer

Jack Sparrow's Compass

Jack Torrance's Croquet Mallet

Jack the Ripper's Lantern *

Jackie Robinson's Baseball

Jackson Pollock's "No. 5, 1948"

Jackson Pollock's Pack of Cigarettes

Jackson Pollock's Paint Cans

Jack's Regisword

Jack Vettriano's "The Singing Butler"

Jack's Wrench

Jacob and Wilhelm Grimm's Kinder- und Hausmarchen

Jacob "Jack" Kevorkian's Otoscope

Jacob Kurtzberg's Belt *

Jacqueline Cochran's Brooch

Jacques Aymar-Vernay’s Dowsing Rod

Jacques Cousteau's Goggles

Jacques Cousteau's Diving Suit

Jacques-Louis David's Napoleon Crossing the Alps *

Jade Butterfly

Jadeite Cabbage

Jalal-ud-Din Muhammad Akbar's Smoke Pipe

Jamaica Ginger Bottle

Jaleel White's Hosting Chair

James Abbot McNeill Whistler's Whistler's Mother *

James Allen's Memoir

James Bartley's Britches

James Ben Ali Haggin's Leaky Fountain Pen

James Bert Garner’s Gas Mask

James Bett's Cupboard Handle

James Braid's Chair *

James Brown's Shoes

James Bulger's Sweater

James Buzzanell's Painting "Grief and Pain"

James Buzzanell’s Survey Books

James C. McReynolds’ Judicial Robe

James Chadwick's Nobel Prize

James Clerk Maxwell's Camera Lens

James Colnett's Otter Pelt

James Condliff's Skeleton Clock

James Cook's Mahiole and Feather Cloak

James Craik's Spring Lancet

James Dean's 1955 Prosche 550 Spyder, aka "Little Bastard"

James Dean's UCLA Varsity Jacket

James Dinsmoor's Dinner Bell

James Eads How’s Bindle

James Earl Ray's Rifle

James Fenimore Cooper's Arrow Heads

James Gandolfini's Jukebox

James Hadfield’s Glass Bottle of Water

James Hall III’s Shopping Bags

James Henry Atkinson's Mouse Trap

James Henry Pullen’s Mannequin

James Hoban's Drawing Utensils

James Holman’s Cane

James Hutton's Overcoat

James Joyce’s Eyepatch

James M. Barrie's Grandfather Clock

James M. Barrie's Suitcase

James Murrell's Witch Bottle

James Philip’s Riata

James Prescott Joule's Thermodynamic Generator

James Smithson's Money

James Tilly Matthews’ Air Loom

James Warren and Willoughby Monzani's Piece of Wood

James Watt's Steam Condenser

James Watt's Weather Vane

James W. Marshall’s Jar

Jan Baalsrud’s Stretcher

Jan Baptist van Helmont's Willow Tree

Jane Austen's Carriage

Jane Austen's Gloves

Jane Austen's Quill

Jane Bartholomew's "Lady Columbia" Torch

Jane Pierce's Veil

Janet Leigh's Shower Curtain

Janine Charrat's Ballet Slippers

Jan Janzoon's Boomerang *

Janis Joplin's Backstage Pass from Woodstock *

Jan Karski's Passport

Janus Coin *

Jan van Eyck’s Chaperon

Jan van Speyk's Flag of the Netherlands

Jan Wnęk's Angel Figurine

Jan Žižka's Wagenburg Wagons

The Japanese Nightingale

Jar of Dust from the Mount Asama Eruption

Jar of Greek Funeral Beans

Jar of Marbles

Jar of Molasses from The Boston Molasses Disaster

Jar of Sand

Jar of Semper Augustus Bulbs

Jar of Shiva

Jar of Sugar Plums

Jascha Heifetz's Violin Bow

Jason Voorhese's Machete

Javed Iqbal's Barrel of Acid

Jay Maynard's Tron Suit

Jean II Le Maingre's Gauntlets

Jean Baptiste Charbonneau’s Cradleboard

Jean-Baptiste-Siméon Chardin's Bubble Pipe

Jean Chastel's Silver Gun

Jean Eugène Robert-Houdin's Pocket Watch

Jean Fleury's Aztec Gold Coins

Jean-François Champollion’s Ideographic Dictionary

Jean Froissart's Mirror *

Jean-Frédéric Peugeot's Pepper Mill

Jean Hilliard’s Earmuffs

Jean Parisot de Valette’s Sword Sheath

Jean-Paul Marat's Bathtub

Jean Paul-Satre’s Paper Cutter

Jean-Pierre Christin's Thermometer

Jean Senebier's Bundle of Swiss Alpine Flowers

Jean Valnet's Aromatherapy Statue

Jean Vrolicq’s Scrimshaw

Jeanne Baret's Hat

Jeanne de Clisson's Black Fleet

Jeanne Villepreux-Power's Aquarium

Jeannette Piccard's Sandbag

Jeff Dunham's First Ventriloquist Box

Jefferson Davis' Boots

Jefferson Randolph Smith's Soap Bar

Jeffrey Dahmer's Handkerchief

Jeffrey Dahmer's Pick-Up Sticks

Jemmy Hirst's Carriage Wheel

Jenny Lind's Stage Makeup

Jeopardy! Contestant Podiums

Jerome Monroe Smucker's Canning Jars

Jerry Andrus’ Organ

Jerry Garcia's Blackbulb *

Jerry Siegel's Sketchbook

Jesse James' Saddle

Jesse James' Pistol

Jesse Owens' Hitler Oak

Jesse Owens' Running Shoes

Jesse Pomeroy's Ribbon and Spool

Jester's Mask

Jesus of Nazareth's Whip

Jesús García's Brake Wheel

Jet Engine from the Gimli Glider

Jet Glass Cicada Button

Jethro Tull's Hoe

Jeweled Scabbard of Sforza

Jiang Shunfu’s Mandarin Square

Jim Davis' Pet Carrier

Jim Fixx's Shorts

Jim Henson's Talking Food Muppets

Jim Jones' Sunglasses

Jim Londos' Overalls

Jim Robinson's Army Bag

Jim Thorpe's Shoulder Pads

Jim Ward's Piercing Samples

Jimi Hendrix's Bandana

Jimi Hendrix's Bong

Jimi Hendrix's Guitars *

Jimmie Rodgers Rail Brake

Jimmy Durante's Cigar

Jimmy Gibb Jr's Stock Car

Jimmy Hoffa's Comb

Jin Dynasty Chainwhip

Jingle Harness

Joan II, Duchess of Berry's Dress

Joan of Arc's Chain Mail

Joan of Arc's Helmet (canon)

Joan Feynman's Ski Pole

Joanna of Castile's Vase

Joan Rivers' Carpet Steamer

Joan Rivers' Red Carpet

Joe Ades's Potato Peeler

Joe Girard’s Keys

Joe Rosenthal's Camera Lens

Joel Brand's Playing Cards

Joséphine de Beauharnais' Engagement Ring

Johan Alfred Ander’s Piece of Porcelain

Johann Baptist Isenring’s Acacia Tree

Johann Bartholomaeus Adam Beringer's Lying Stones

Johann Blumhardt's Rosary

Johann Dzierzon’s Beehive Frame

Johann Georg Elser's Postcard

Johann Maelzel's Metronome *

Johann Rall's Poker Cards

Johann Tetzel's Indulgence

Johann Wolfgang von Goethe's Prism

Johannes Brahms' Coffee Creamer

Johannes Diderik van der Waals' Gloves

Johannes Fabricius' Camera Obscura

Johannes Gutenburg's Memory Paper *

Johannes Gutenburg's Printing Press *

Johannes Gutenberg's Printing Press Keys

Johannes Kepler's Planetary Model

Johannes Kepler's Telescope Lense

Johannes Kjarval’s Landscape Painting

John A. Macready's Ray-Bans *

John A. Roebling's Steel Cable

John A.F. Maitland's Musical Brainnumber *

John André’s Stocking

John Anthony Walker's Minox

John Axon's Footplate

John Babbacombe Lee’s Trapdoor

John Bardeen's Radio

John Bodkin Adams’ Stethoscope

John Brown's Body *

John Brown's Machete

John C. Koss SP3 Stereophones

John C. Lilly's Isolation Tank Valve

John Cabot's Map

John Carl Wilcke's Rug *

John Crawley's Painting

John Croghan's Limestone Brick

John Dalton's Weather Vane

John Dee's Golden Talisman

John Dee's Obsidian Crystal Ball

John Dee’s Seal of God

John DeLorean's Drawing Table

John Dickson Carr's Driving Gloves

John Dillinger's Pistol *

John D. Grady’s Satchel

John D. Rockefeller's Bible

John D. Rockefeller, Sr. and Jr.'s Top Hats

John Dwight's Hammer

John F. Kennedy's Coconut

John F. Kennedy's Presidental Limousine

John F. Kennedy's Tie Clip *

John Flaxman's Casting Molds

Sir John Franklin's Scarf

John Gay's Shilling

John Gillespie Magee, Jr.'s Pen

John H. Kellogg's Bowl

John H. Kellogg's Corn Flakes

John H. Lawrence's Pacifier

John Hancock's Quill

John Harrison’s Longcase Clock

John Hawkwood’s Lance

John Hendrix's Bible

John Henry Moore's White Banner

John Henry's Sledge Hammer

John Hetherington's Top Hat

John Holland, 2nd Duke of Exeter's Torture Rack

John Holmes Pump *

John Hopoate's Cleats

John Howard Griffin's Bus Fare

John Hunter's Stitching Wire

John Hunter's Surgical Sutures

John J. Pershing's Boots

John Jacob Astor's Beaver Pelt

John Jervis’ Ship

John Joshua Webb’s Rock Chippings

John Kay's Needle

John Keat's Grecian Urn *

John, King of England's Throne

John L. Sullivan's Boots

John Langdon Down's Stencils

John Lawson's Mannequin Legs

John Lennon's Glasses

John "Liver-Eating" Johnson's Axe

John Logie Baird's Scanning Disk *

John M. Allegro's Fly Amanita

John Macpherson's Ladle

John Malcolm's Chunk of Skin

John Malcolm's Skin Wallet

John McEnroe's Tennis Racket *

John Milner's Yellow '32 Ford Deuce Coupe

John Moore-Brabazon’s Waste Basket

John Morales' McGruff Suit

John Mytton’s Carriage

John Pasche's Rolling Stones Poster Design

John Paul Jones's Sword

John Pemberton's Tasting Spoon

John Philip Sousa's Sousaphone

John Rambo's Composite Bow

John Rykener's Ring

John Shore's Tuning Fork

John Simon's Mouthwash

John Simon Ritchie's Padlock Necklace

John Smith of Jamestown's Sword

John Snow's Dot Map

John Snow’s Pump Handle

John Stapp’s Rocket Sled

John Steinbeck's Luger

John Sutcliffe's Camera

John Sutter's Pickaxe

John Tunstall's Horse Saddle

John Trumbull's "Painting of George Washington"

John von Neumann's Abacus

John Walker's Walking Stick

John Wayne Gacy's Clown Painting *

John Wayne Gacy's Facepaint

John Wesley Hardin's Rosewood Grip Pistol

John Wesley Powell's Canoe

John Wesley Powell’s Canteen

John Wilkes Booth's Boot *

John Wilkes Booth Wanted Poster

John William Polidori's Bookcase

Johnny Ace's Gun

Johnny Appleseed's Tin Pot *

Johnny Campbell's University of Minnesota Sweater

Johnny Depp's Scissor Gloves

Johnny Smith's Steering Wheel

Johnny Weismuller's Loincloth *

Joker's BANG! Revolver

Jon Stewart's Tie

Jonathan Coulton's Guitar

Jonathan R. Davis' Bowie Knife

Jonathan Shay's Copy of Iliad/Odyssey

Jonestown Water Cooler

Jorge Luis Borges' Scrapbook

José Abad Santos' Pebble

José Delgado’s Transmitter

Jose Enrique de la Pena's Chest Piece

Jōsei Toda’s Gohonzon Butsudan

Josef Frings’ Ferraiolo

Josef Mengele's Scalpel

Josef Stefan's Light Bulbs

Joseph of Arimathea's Tomb Rock

Joseph of Cupertino's Medallion *

Joseph Day's Sickle

Joseph Ducreux's Cane

Joseph Dunninger's Pocket Watch

Joseph Dunningers’ Props

Joseph E. Johnston Confederate Flag

Joseph Force Crater's Briefcases

Joseph Fourier's Pocket Knife

Joseph Glidden’s Barbed Wire

Joseph Goebbels' Radio *

Joseph Jacquard's Analytical Loom

Joseph Bolitho Johns’ Axe

Joseph Kittinger's Parachute

Joseph Lister's Padding

Joseph McCarthy's List of Communists

Joseph Merrick's Hood

Joseph-Michel Montgolfier's Wicker Basket

Joseph Moir’s Token

Joseph Pilate's Resistance Bands *

Joseph Polchinski’s Billiard Ball

Joseph Stalin's Gold Star Medal *

Joseph Stalin's Sleep Mask *

Joseph Swan's Electric Light

Joseph Vacher's Accordion

Joseph Vacher's Dog Skull

Joseph Valachi's '58 Chevrolet Impala

Josephus' Papyrus

Joseph Wolpe's Glasses

Josephine Cochrane's Dishwasher

Joshua's Trumpet *

Josiah S. Carberry's Cracked Pot

Joshua Vicks' Original Batch of Vicks Vapor Rub

Josiah Wedgewood's Medallion

Jost Burgi's Armillary Sphere *

Jovan Vladimir's Cross

Juana the Mad of Castiles' Crown

Juan Luis Vives' Quill Set

Juan Moreira’s Facón

Juan Pounce de Leon's Chalice

Juan Ponce de León's Helmet

Juan Seguin's Bandolier

Jubilee Grand Poker Chip *

Judah Loew ben Belazel's Amulet *

Judas Iscariot’s Thirty Silver Coins

Judson Laipply's Shoes

Jules Baillarger's Decanter

Jules Leotard's Trapeze Net

Jules Verne's Original Manuscripts

Julia Agrippa's Chalice

Julia Child's Apron *

Julia Child's Whisk

Julian Assange’s Flash Drive

Julie d’Aubigny's Sabre

Julius and Ethel Rosenberg's Wedding Rings

Julius Asclepiodotus’ Shield Boss

Julius Caesar's Wreath

Julius Wilbrand's Lab Coat Buttons *

Jumanji

Jumper Cables

Junji Koyama’s Vegetables

Jure Sterk's Ballpoint Pen

Jürgen Wattenberg's Leather Provision Bag

Justa Grata Honoria’s Engagement Ring

Justin Bieber's Guitar

Justinian I's Chariot Wheel

Justin O. Schmidt's Wasp Mask

Justus von Liebig's Fertilizer Sack

Justus von Liebig's Mirror

[its-suanneschafer-author]

My November 2022 books read. Best thrillers: Dark of Night and At First Light by Barbara Nickless. Best cozy mysteries: Shadow on the Glass and Three Can Keep a Secret by M. E. Hilliard.

[bookwyrmshoard]

My Most Anticipated New Releases for January–June 2024

Emily Wilde’s Map of the Otherlands by Heather Fawcett (Jan. 16, 2024)

The Lily of Ludgate Hill by Mimi Matthews (Jan. 16, 2024)

Just Stab Me Now by Jill Bearup (Feb. 5, 2024)

Perfect Accord by Celia Lake (Feb. 9, 2024)

The Lantern’s Dance by Laurie R. King (Feb. 13, 2024)

Speculations in Sin by Jennifer Ashley (Mar. 5, 2024)

A Grave Robbery by Deanna Raybourn (Mar. 12, 2024)

A Midnight Puzzle by Gigi Pandian (Mar. 19, 2024)

The Hidden City by Charles Finch (May 6, 2024)

People in Glass Houses by Jayne Castle (May 7, 2024)

Mind Games by Nora Roberts (May 21, 2024)

The Magic of Four by Celia Lake (May, 2024 — date TBD; no link or cover available. Cover shown is just a placeholder.)

Smoke and Mirrors by M. E. Hilliard (June 4, 2024 — slipped from Feb. 2024)

A Collection of Lies by Connie Berry (June 18, 2024)

Honorable Mention (or) Already Read

A Fragile Enchantment by Allison Saft (Jan. 2, 2024; currently reading)

The Night Island by Jayne Ann Krentz (Jan. 9, 2024; read and reviewed)

Always Remember by Mary Balogh (Jan. 16, 2024; read and reviewed)

The Bright Spot by Jill Shalvis (Jan. 16, 2024)

Of Hoaxes and Homicide by Anastasia Hastings (Jan. 30, 2024)

The Tainted Cup by Robert Jackson Bennett (Feb. 6, 2024)

The Book of Doors by Gareth Brown (Feb. 13, 2024)

Floating Hotel by Grace Curtis (Mar. 19, 2024)

Dragon Rider by Taran Matharu (Apr. 2, 2024)

A Letter to the Luminous Deep by Sylvie Cathrall (Apr. 25, 2024)

Twelfth Knight by Alexene Farol Follmuth (June 18, 2024)

[djbcadventures]

 November/December 2019 Networking Calendar

Tis the Season to not let the holidays distract you from networking.  We’ve got you covered for the rest of 2019, taking you to the end of the year and decade.  And a special Thank You to GETDOT Networking for your years of donations to local charities.  In December, we bid farewell to GETDOT Networking, which will be replaced by Arch City Engagements in 2020.

November 2019

November 1 - Coffee With a Cause: Veterans Services (7:30AM; M+A Architects: 775 Yard St., Suite 325, Grandview Heights; http://www.cypclub.com) (Bus - # 3, 22, or 31)

November 5 - Election Day - VOTE! (Polls Open from 6:30AM to 7:30PM; COTA will be offering FREE Fares) - Morning Perk (8AM; Expert Office Furniture: 1080 W. 3rd Ave.; 5th by Northwest; http://chamberpartnership.org) (Bus - # 3) - Grow Your Business Expo (2PM; The Estate at New Albany: 5216 Forest Drive, New Albany; http://www.columbusbusinessfirst.com) - Dublin Area Networking Group (6PM; Dublin Entrepreneurial Center: 565 Metro Place South, Dublin; http://www.chrisborja.com) (Bus - # 33)

November 6 - Start Your Own Business Workshops - “Marketing & Social Media” with Joshua Wagner (6:30PM; St. John Center - Campion Hall; 640 S. Ohio Ave. Old Oaks; http://stjohnlearning.wordpress.com) (Bus - # 1 or 22)

November 7 - Bexley AfterHours (4:30PM; Gerber: 580 N. 4th St. - Smith Brothers Building, Short North; http://www.bexleyareachamber.org) - AMA Happy Hour (5:30PM; B*ckeye Bourbon House: 36 E. Gay St., Downtown Columbus; http://www.amacolumbus.org) (Bus - Various)  - Gahanna AfterHours (6PM; Redwood Living: 1101 Pin Oaks Lane, Blacklick; http://www.gahannaareachamber.com)

November 9 - The Free Press Second Saturday Salon (6:30PM; The Columbus Free Press: 1021 E. Broad St., Olde Towne East; http://www.columbusfreepress.com) (Bus - # 10) 

November 12 - Dublin Business After-Hours (5:30PM; First Federal Lakewood: 6601 Dublin Center Drive, Dublin; http://www.dublinchamber.org) (Bus - # 33)  - Diversity Columbus Tuesday Edition (6PM; Seventh Son Brewing: 1101 N. 4th St.; http://www.diversitycolumbus.org) (Bus - # 4 or 12) 

November 13 - CYP Entrepreneurs & Innovators (6PM; Serendipity Labs Short North: 886 N. High St. - 4th Floor, Short North; http://www.cypclub.com) (Bus - # 1, 2, 5, or CBUS)  Postponed

November 15 - Breakfast with Columbus Business First (7AM; Bartha: 600 N. Cassady Ave., Bexley; http://www.columbusbusinessfirst.com) (Bus - # 7) - Creative Mornings: Lost (8:30AM; Smart Columbus: 170 Civic Center Drive, Downtown Columbus; http://www.creativemornings.com/cities/clb) (Bus - # 4, 5, 7, or 11) - Hilliard Chamber Luncheon: Hilliard Economic Development Update (11:30AM; Heritage Golf Club: 3525 Heritage Club Drive, Hilliard; http://www.hilliardchamber.org)

November 19 - CYP Coffee Talk: The Art of CBus (7:30AM; Crimson Cup Innovation Lab: 700 Alum Creek Drive, Near East Side; http://www.cypclub.com) (Bus - # 2 or 11) - Network Dublin! Business Breakfast (7:30AM; CostCo Northwest Columbus: 7300 State Route 161, Plain City; http://www.dublinchamber.org)  - Standing Out In the Job Candidate Crowd (6:30PM; Improving: One Easton Oval, Suite 175, Northeast Columbus; http://www.amacolumbus.org) (Bus - # 7, 23, or 32)

November 21 - CSCA Creative Best (6PM; Vue Columbus: 95 Liberty St., Brewery District; http://www.cscarts.org) (Bus - CBUS, # 5 or 8)

December 2019

December 3 - Dublin YP Coffee Connections (9AM; Barry’s Bagels: 5760 Frantz Rd., Dublin; http://www.dublinchamber.org) (Bus - # 21)  - Dublin Area Networking Group (6PM; Dublin Entrepreneurial Center: 565 Metro Place South, Dublin; http://www.chrisborja.com) (Bus - # 33)

December 5 - GETDOT: The Series Finale (5PM; Scene 75 Entertainment Center: 5033 Tuttle Crossing Blvd., Dublin; http://www.facebook.com/archcityengagements) (Bus - # 21)  - AMA Happy Hour (5:30PM; Location TBD; http://www.amacolumbus.org)  - Westerville Business After Hours (5:30PM; Elevate Office Westerville: 670 Meridian Way, Westerville; http://www.westervillechamber.com) (Bus - # 102 or CMAX)

December 6 - Breakfast with Columbus Business First (7AM; Legoland Discovery Center: 165 Easton Town Center, Easton; http://www.columbusbusinessfirst.com) (Bus - # 7, 9, 23, 31, 32, or 34) - Coffee With a Cause: Disability Awareness (7:30AM; M+A Architects: 775 Yard St., Suite 325, Grandview Heights; http://www.cypclub.com) (Bus - # 3, 22, or 31)

December 9 - Westerville Quarterly Membership Luncheon - “Business in Ohio” with Congresswoman Joyce Beatty & Congressman Troy Balderson (11:15AM; Crowne Plaza Columbus North: 6500 Doubletree Ave., Northland; http://www.westervillechamber.com)

December 10 - CYP Speed Networking (6PM; Serendipity Labs Short North: 886 N. High St. - 4th Floor, Short North; http://www.cypclub.com) (Bus - # 1, 2, 5, or CBUS) 

December 14 - The Free Press Second Saturday Salon (6:30PM; The Columbus Free Press: 1021 E. Broad St., Olde Towne East; http://www.columbusfreepress.com) (Bus - # 10)

December 17 - CYP Coffee Talk: The Art of CBus (7:30AM; Crimson Cup Innovation Lab: 700 Alum Creek Drive, Near East Side; http://www.cypclub.com) (Bus - # 2 or 11) - Network Dublin! Business Breakfast (7:30AM; Carlile, Patchen, & Murphy: 535 Metro Place South, Dublin; http://www.dublinchamber.org) 

December 19 - Dublin Business After-Hours (5:30PM; Brookside Golf & Country Club: 2770 W. Dublin-Granville Rd., Northwest Columbus; http://www.dublinchamber.org) 

December 20 - Creative Mornings: Silence (8:30AM; Land-Grant Brewing Company: 424 W. Town St., Franklinton; http://www.creativemornings.com/cities/clb) (Bus - # 3, 6, or 9)

[theculturedmarxist]

Fred Hampton - It's A Class Struggle Goddammit!, November, 1969

Speech delivered at Nothern Illinois University, November, 1969

What we're going to try to do, is we're going to try to rap and educate. We're glad to try to throw out some more information. And it's going to be hard to do. The Sister made a beautiful speech as far as I'm concerned. Chaka, the Deputy Minister of Information, that's his job--informing. But I'm going to try to inform you also.

One thing Chaka forgot to mention that Brothers and Sisters don't do exactly the same. We don't ask for any Brother to get pregnant or anything. We don't ask no brothers to have no babies. So that's a little different also.

After we get through speaking, for those people of you who don't think you understood all of the ideology exposed here so far, and the ideologies that I will espouse, we will have a question and answer period. For those people who have their feelings hurt by niggers talking about guns, we'll have a cry'in after the question and answer period. And for those white people that are here to show some type of overwhelming manifestation of guilt syndromes, and want people to cry out that they love them, after the cry-in, if we have time, we'll allow you all to have a love-in.

So now we'll get down to business. First of all, about what some people call the TRIAL. We call it a HECATOMB, we call it a hecatomb. That's spelled h-e-c-a-t-o-m-b. And I know there's enough dictionaries floating around up here to probably fill the room up, so you can check that out. It means a sacrifice. It usually means a sacrifice of an animal. So we'd like you, if you'd like to do that, so people ask you "Have you been to the trial," tell them that you've been down or heard about the hecatomb, because that's what it is. It's a public sacrifice. It's a situation where they're trying to unjustly, illegally try our Chairman.

We look at it as a 1969 manifestation of the Dred Scott Decision. We look at Chairman Bobby as being the manifestation of Dred Scott in 1857. And we look at Judge Hoffman as being a manifestation of Judge Taney in 1857. Because in 1857 Dred Scott was a negro, a former slave--he was still a slave, because we're slaves--who went into court and evidently had some type of misunderstanding about what he was in American society, where he fit in.

So he went to the Supreme Court to have Judge Taney answer him and try to clear up some mistaken ideas that he had floatin' around in his little old head. Ang Judge Taney did just that. Judge Taney explained to him very clearly that, "Nigger, you're nobody, you're property, you're a slave. That the systems--the legal system, the judicial system--all types of systems that are functioning in America today was set up long before you got here, brother. Because we brought you over to make money to keep what we've got going, these avaricious, greedy businessmen, to keep what we've got going, going on."

And Dred Scott couldn't understand this. There was a big rebuttal. And at that time, Judge Taney made a statement that has become famous. And that statement, maybe not in the same words but through actions ant through social practice, is being manifested down at the New reigstag Building at Jackson and Dearborn. It's being manifested through Judge Hoffman by saying the same thing that Judge Taney said in 1857. When he told Dred Scott that "Nigger, a black man in America has no rights which a white man is bound to respect." And that's the same thing that Judge Hoffman is telling our Chairman every day.

And we understand. You know a lot of people have hang-ups with the Party because the Party talks about a class struggle. And the people that have those hang-ups are opportunists, and cowards, and individualists and everything that's anything but revolutionary. And they use these things as an excuse to justify and to alibi and to bonify their lack of participation in the real revolutionary struggle. So they say, "Well, I can't dig the Panther Party because the Panthers they are engrossed with dealing with oppressor country radicals, or white people, or hunkies, or what have you. They said these are some of the excuses that I use to negate really why I am not in the struggle."

We got a lot of answers for those people. First of all, we say primarily that the priority of this struggle is class. That Marx, and Lenin, and Che Guevara end Mao Tse-Tung and anybody else that has ever said or knew or practiced anything about revolution, always said that revolution is a class struggle. It was one class--the oppressed--those other class--the oppressor. And it's got to be a universal fact. Those that don't admit to that are those that don't want to get involved in a revolution, because they know that as long as they're dealing with a race thing, they'll never be involved in a revolution. They can talk about numbers; they can hang you up in many, many ways, but as soon as you start talking about class, then you got to start talking about some guns. And that's what the Party had to do.

When the Party started to talk about class struggle, we found that we had to start talking about some guns. If we never negated the fact that there was racism in America, but we said that when you, the by-product, what comes off of racism, that capitalism comes first and next is racism. That when they brought slaves over here, it was to take money. So first the idea came that we want to make money, then the slaves came in order to make that money. That means that capitalism had to, through historical fact, racism had to come from capitalism. It had to be capitalism first and racism was a by-product of that.

Anybody that doesn’t admit that is showing through their non-admittance and their non-participation in the struggle that all they are, are people who fail to make a commitment; and the only thing that they have going for them is the education that they receive in these institutions—education enough to teach them some alibis and teach them that you’ve gotta be black, and you’ve gotta change you name. And that’s crazy.

The minister of education of the Party, Raymond “Masai” Hewitt, and Chief of Staff, David Hilliard, just got back from Africa visiting Eldridge Cleaver. And they said niggers over there never will be wearing the type of garb that some of these Africanized fools over here wear. They’re wearing rags or either they’re wearing nothing. And if you want to dress like some African people, then you oughta dress like the Angolans or the people in Mozambique. These are the people that are doing something. You need to dress like people that are in liberation struggles. But nah, you don’t want to get that Africanized, because as soon as you have to dress like somebody from Angola or Mozambique, then after you put on whatever you put on, and it can be anything from rags to something from Saks fifth Avenue, you got to put on some bandoliers and some AR-15’s and some 38’s; you’ve got to put on some Smith and Wessons and some Colt 45’s, because that’s what they’re wearin’ in Mozambique. And any nigger that runs around here tellin’ you that when your hair’s long and you got a dashiki on, and you got bubus and all these sandals, and all this type of action, then you’re a revolutionary, and anybody that doesn’t look like you, he’s not—that man has to be out of his mind.

Because we know that political power doesn’t flow from the sleeve of a dashiki. We know that political power flows from the barrel of a gun. And that’s true. It has to be true. We know that in order to be able to talk about power, that what you’ve got to be able to talk about is the ability to control and define phenomena and make it act in a desired manner. That means that if you can’t control and define phenomena and make it act in a desired manner, then you don’t even have any dealings with power, you don’t know and you probably never will know what power is. And we know what power is, and we know who’s doing harm to the people—the enemy.

And everybody wants to talk about…the pork chops will tell you in a minute “The pigs don’t want you to get black. They don’t want you to get no black studies programs. They don’t want you to wear dashikis. They don’t want you to learn about the motherland and what roots to eat of the ground. They don’t want that—because as soon as you get that, as soon as you go back 11th century culture, you’ll be alright.”

Check the people who went back to 11th century culture. Check the people that are wearing dashikis and bubus and think that that’s going to free them. Check all of these people, find out where they’re located, find out the addresses of their office, write them a letter and ask them if in the last year how many times their office been attacked. And then write any Black Panther Party, anywhere in the United States of America, anywhere in Babylon, and ask them how many times the pigs have attacked them. Then when you get your estimation of both of them, then you figure out what the pigs don’t like. That’s when you figure out what the pigs don’t like.

We’ve been attacked three times since June. We know what pigs don’t like. We’ve got people run out of the country by the hundreds. We know what pigs don’t like. Our Minister of Defense is in jail, our Chairman is in jail, our Minister of Information’s in exile, our Treasurer, the first member of the Party, is dead. The Deputy Minister of Defense and the Deputy Minister of Information, Bunchy, Alprentice Bunchy Carter, and John Huggins from Southern California, murdered by some pork chops, talking about a BSU program. We know what the pigs don’t like.

We said nobody would shoot a Panther but a pig, because Panthers don’t pose a threat to anybody but pigs. And if people tell you that Panthers pose threats, then ask them what kind of sense it would make, unless it’s to get up at 5 o’clock in the morning to feed somebody’s son and then at 3 o’clock that afternoon shoot him—save a meal. We don’t need to do that. What sense does it make for us to open up a free health clinic where the only prerequisite that you got to have to receive free medical aid is the prerequisite that you be sick. And we’ve got students who jiving themselves and running around playing, talking about they doin’ something for the struggle, and I want to know what more could you do? And you all people come from Chicago.

People talking about the Party co-opted by white folks. That’s what that mini-fascist, Stokely Carmichael said. He’s nothing but a jackanapes. As far as I’m concerned, he’s a jackanapes, cause I’ve been knowing him for years, and that’s all he could be, if he go around murder-mouthin’ the Black Panther Party.

If we’re co-opted by white people, then check the locations of our offices, our breakfast program, our free health clinic is opening up probably this Sunday at 16th and Springfield. No does everybody know where 16th and Springfield is at? That’s not in Winnetka, you understand. That’s not in Dekalb. That’s in Babylon. That’s in the heart of Babylon, Brothers and Sisters.

And that free health clinic was put there because we know where the problem is at. We know that black people are most oppressed. And if we didn’t know that, then why the hell would we be running around talking about the black liberation struggle has to be the vanguard for all liberation struggles? If there’s ever going to be any liberation in the mother country, ever gonna be any liberation in the colony, then we got to be liberated by the leadership of the Black Panther Party and the black liberation struggle. We don’t negate that fact.

We’re not hung up in anybody’s not a Panther. We don’t want to get you thinkin’ that, because we can dig Fred, I mean Everett, we can dig him. But we can’t dig Ron Karenga and LeRoi Jones. We can’t dig that. We can’t see any social practice on the part of them Brothers. We know that they both have names longer than my arm. And both of them supposed to be so intelligent and so smart. And that’s the problem right now.

We’re talking about destroying the system, and they have hang-ups doing that because they’re constantly buying property within the system. And it’s kind of hard to burn up on Tuesday what you bought last Monday. Because they’re a bunch of unrepentant capitalists. They’ll never repent. And they know better. We try to make excuses for them—“Maybe they’ll have to go through stages, Fred.” No, that’s not it. Because they’re much older than we are—I’m 21. We’re all young. So stages, they don went through them. Ron Karenga has more degrees than a thermometer. That’s right, he has more degrees than a thermometer and he continues to do what he’s doin’. And how do they fool you? Because they pick the leaders they want. And they put those people up there and portray them as being your leaders when, in fact, they’re leaders of nobody.

…we call the oppressed apologists. Because after something’s happened, all they can do is apologize for it. Look in the papers. Now they’re drawing pictures of the Chairman chained and gagged. Don’t you know that if the news media, the established press, had moved before this, that they could have stopped this rising tide of fascism years ago. But they endorsed, they joined, they supported what fascists were doing at the time. And now it’s being heaped down upon all of the people.

And a lot of people think now that their hands are getting dirty. We call them ideological servants of United States fascism. And that’s what they are, because they serve fascism by doing nothing about it until the law goes over and then they apologize for it, they get apologetic. But we say it’s the same press that we’ll look at and believe and think is bona fide; the same press that talked us into believing that we was somebody when in fact we were nobody.

I don’t think there’s anything more important. I think that what Malcolm says is important. Now think back. Those students were laughing at Malcolm. Can you dig it? They were laughing at Malcolm. Why? Regis Debray, he says the revolutionaries are in the future. That militants and pork chops and all these people, radical students, are in the present, and that most of the rest of the people try to remain in the past. That’s why when somebody comes that’s in the future of a lot of us can’t understand him. And the same thing that you don’t understand Huey P. Newton now, you didn’t understand Malcolm when he was living. But we know that when Malcolm left, the well almost ran dry. You don’t miss the water til the well runs dry, and it almost ran dry.

Huey P. Newton got to reading, and he’s not like a lot of us. A lot of us read and read and read, but we don’t get any practice. We have a lot of knowledge in our heads, but we’ve never practiced it; and made any mistakes and corrected those mistakes so that we will be able to do something properly. So we come up with like we say more degrees than a thermometer, but we’re not able to walk across the street and chew gum at the same time, because we have all that knowledge but it’s never been exercised, it’s never been practiced. We never tested it with what’s really happening. We call it testing it with objective reality. You might have any kind of thought in your mind, but you’ve got to test it with what’s out there. You see what I mean?

They talked us into buying candy bars and throwing the candy away and eating the wrapper. They’re the only people in the world, you understand, that’s right, that can sell ice boxes to Eskimoes. They can sell natural wigs to niggers that’s got natural hair already. And see, this is a shame. They can sell a one-legged man probably 24 tickets in a asskicking contest, and he knows he has no business being there. See, these are the things they can do to us and then they have us believe that what they’re tellin’ us is right, it’s bona fide, it’s justified. We say that’s wrong, that’s incorrect, that Malcolm, when he spoke to students, and you probably heard that record, he speaks to some Jews, some slick people, and he told them.

You might say, “Well, the way I feel, people ought to be able to walk around naked because rape is love.” That’s idealism. See what I mean? You’re dealing in metaphysics. You’re dealing in subjectivity, because you’re not testing it with objective reality. And what’s really wrong is that you don’t go test it. Because if you test it, you’ll get objective. Because as soon as you walk out there, a whole lot of objective reality will vamp down upon your ass and rape you of whatever you have. So whenever this happens, this is when people get a whole lot of mistaken ideas. That’s why a lot of you can’t understand and can’t agree with a lot of what we said. You’ve never tried it.

You don’t know whether people relate to the breakfast program, because you’ve never fed anybody. You don’t know anything about the free health clinic because you never asked anybody. You don’t know anything about the good that a gun does you, because you never tried one. And we say that if you was born and if you said you didn’t like pears and you never tasted pears, you’d have to be a liar. You don’t know whether you like pears, but you can’t claim that you don’t like pears. The only way that anybody can tell you the taste of a pear is if he himself has tasted it. That’s the only way. That’s the objective reality. That’s what the Black Panther Party deals with. We’re not metaphysicians, we’re not idealists, we’re dialectical materialists. And we deal with what reality is, whether we like it or not.

A lot of people can’t relate to that because everything they do is gagged by the way they like things to be. We say that’s incorrect. You look and see how tings are and then you deal with that. We runnin’ around talking about “We gonna love all black people. We have an undying love for all black people.” And you know what? That if Malcolm came back, he’d walk pas a million Klansmen to get to Stokely and whoop his motherfuckin’ ass. Because Malcolm was standing right like this in a room, where white people weren’t even allowed. You hear me? They wouldn’t allow no white people in there. But Malcolm’s dead. Now what happened? What’d that fool’s name, James Whitmore. Didn’t he do his little skin?

Because they had names with 37X, 15X, blacker than black, and they were able to sneak in because of this ignorant potient #9 that these maniacs are trying to whoop on us—“We gonna love all black people because every Negro is a potential black man.”

The man that testified against Chairman Bobby in the Conspiracy Trial down in Chicago was a black man. The man that has Chairman Bobby on a murder trial in Connecticut is a black man. The man who murdered Malcolm X is a black man. The judge that denied Eldridge Cleaver bond after a white man had granted him bond—a nigger who investigated on his own and said, “Nigger, I don’t think you ought to be on the street,” was a black man, Thurgood Marshall, Thurgood NOGOOD Marshall, that the NAACP put in. That’s one of the things about sittin’ in and dyin’ in and waitin’ in and cryin’ in got us. If Thurgood Marshall hadn’t been there, then Eldridge Cleaver would probably still be here with the people.

He’s a nigger, a bootlicker, a tonto, a jackanapes. You understand? Goin’ “I don’t think you should be on the streets.” And we runnin’ around lettin’ niggers tell us we got to love all black people.

You heard about the conspiracy trial on the West Side that they were able to win, with Doug Andrews and Fat Crawford, when they had the big burn on the West Side in the Martin Luther King riot? Ask ‘em! Brothers, what’s wrong with you, Brothers and Sisters? Ask ‘em was that a white man. No! Because Doug and them they criticized us for our liberal stand. They call it liberal. So they let nobody in their hood but black people. But they didn’t know. Anybody ever hear about Gloves on the South Side of Chicago? He’s not white. [Glove Davis was later on one of the Chicago policemen that participated in Fred’s assassination.] Did you think Buckney was white? Buckney, who’s taking all of your Brothers and all of your little Sisters and all of your little cousins and nephews, and he’s gonna continue to take ‘em. And if you don’t do anything, he’s gonna take your sons and your daughters. And a lot of niggers is going to school now trying to make a name. We don’t hear nobody running around talking about “I’m Benedict Arnold, III,” because Benedict Arnold’s children don’t want to talk about they his children. You hear people talking about they might be Patrick Henry’s children—people that stood up and said “Give me liberty or give me death.” Or Paul Revere’s cousin. Paul Revere said, “get your guns, the British are coming.” The British were the police.

Huey said “Get your guns, the pigs are coming.” Same thing. There’ll be a lot of Newtons running around. A lot of your kids will be calling themselves Huey P. Newton, III. They won’t be calling themselves Ooga-Booga or Karangatang Karenga, or Mamalama Karenga—none of that shit. They won’t be calling themselves that. You see, ask the pigs in California. Ask them! You see that? Hand me one of them posters, Brother. The one right there. Now if you think I’m lying, look at this. Take a look at this. Now all you Sisters here, tell me what looks better—a nigger runnin’ around in a robe and a staff pole, lookin’ like Moses, or these bad—these are the baddest lookin’ …. You might think, you might say you’re chauvinistic, organizational chauvinistic you might call it. You might call me wrapped up in the Party’s own ego. But I’m wrapped up in the truth. And I think the Sister can verify that these are the baddest. These are the movie stars for Babylon, Godamnit. Huh? Fuck John Wayne and all this other shit.

Alright. But you see, if you look at that, that’s what we look good in. We don’t care if niggers wear dashikis. You understand? That’s not gonna mean anything in the final analysis. But we’re saying that you need some tools.

You ever had the occasion to have a doctor come to your house, or a plumber comes to your house? Suppose a plumber came to your house, he opened up his bag and he had stethoscopes and thermometers and hypodermic needles and syringes. You’d say “You came to fix the plumbing? Brother, you got the wrong tools. Something suspicious is going on because you don’t even have the proper tools.” Ain’t that right?

Suppose somebody came to deliver your baby and he had plumber's tools? I know you Sisters would scream bloody murder. No but you’d say, “This is not right, Brother. We can’t have this. You got to, you understand, you gotta come a little easier, you got to show me something better. You got to have some tools that are more appropriate for the occasion, you understand, because I don’t have any runny faucets or anything.”

So when people come into our community with tanks, when they come into Babylon or Warsaw, or whatever you want to call it, like they did into Henry Horner Projects—and that’s a manifestation of, a very clear manifestation of what’s happening in Babylon. When they do that, when they come in there with tanks and those tanks are tools, those tanks are tools of war, they’re declaring war on the community. And if you, when they come into the community with tanks, you come out with dashikis and nothin’ but dashikis, bubus and nothin’ but bubus, sandals and nothing but sandals, then you’re in the wrong place at the wrong time with the wrong people. You’d better go back in the house, if you have to strip buck naked, if you got to get asshole naked, put you on even if it ain’t nothing but a holster and a gun and some ammunition. Take your bear ass, you understand, and they won’t consider you being naked. Nobody will try, you understand, to whistle at you, or anything. Cause this will be gone from the minute …any kind of sexual attraction you had will be gone. Cause they will be looking at Mr. and Mrs. Colt .45, Mr. and Mrs. .357 Magnum. And the shapes on them are the best shapes we have in Babylon to deal with. And you Brothers holdin’ a .357 Magnum in your hand, there ain’t nothin’ that feels like a .357 Magnum, except one of these beautiful black Sisters. But we need them.357 Magnums also.

When we go out there, we’ll be able to protect ourselves. Huey P. Newton issued a mandate a long time ago. It was executive Mandate #3. It said we need to draw the line of demarcation. And when pigs move on our cribs, we have to protect our crib with gun force. Pigs don’t move on Panther cribs. When they move on Panther cribs, they make sure the Panther’s out of town. We had a situation where they moved on a Panther crib and they had three helicopters above his crib. I’m serious, I’m serious. See, they come prepared. Because they know when they comin’ to a Panther’s crib that we might talk a lot of rhetoric, but we deal with the same basic jargon that the people in Babylon deal with. It takes two to tango, motherfucker. As soon as you kick that door down, I have to kick it back to you. We don’t lock our doors. We just get us some good guns and leave them motherfuckers open and when people come in there we put something on them that will make them go to the hardware, buy a lock, come back, pull the door closed, lock it and stay their ass outside!

We’re gonna move as quickly as we possibly can for the people with the questions and answers and the people with the guilt syndrome and the people that have been embarrassed and shamed and disgraced. And we’ve talked about their leaders like LeRoi Jones and Mamalama Karangatang Karenga, a big bald-headed bazoomie as far as we’re concerned. That’s what he is. And we think that if he’s gonna continue to wear dashikis, that he oughta stop wearin’ pants. Cause he’s look a lot better in miniskirts. That’s all a motherfuckin’ man needs in Babylon that ain’t got no gun, and that’s a miniskirt. And maybe he can trick his way out of somethin’. Cause he not gonna shoot his way outta nothin’. He won’t fight temptation, but he never killed anybody but the Black Panther member. Name somebody. Name me a time you read about Karangatang’s office being attacked. The only time he ever had the occasion to use a gun was on Alprentice Bunchy Carter, a revolutionary. This Brother had more revolutionary poetry for a motherfucker than anybody. Revolutionary culture. John Huggins. The only time they lifted a gun was against these people.

As Huey says in prison when they lifted their hands against Bunchy and when they lifted their hands against John, they lifted their hands against the best that Babylon possesses. And you should say that. You should feel anytime when revolutionary Brothers die. You never heard about the Party going around murdering people. You dig what I’m saying? Think about it. I’m not even gonna tell you. You think about it for yourself.

We started the Black Panther Party in 1966. I’m gonna tell you the whole story in a minute. We started dealing with pigs. You think we scared of a few karangatangs, a few chumps, a few male chauvinists? They tell their women “Walk behind me.” The only reason a woman should walk behind a faggot like that is so she can put his foot knee deep in his ass.

We don’t need no culture except revolutionary culture. What we mean by that is a culture that will free you. You heard your Field Lieutenant talking about a fire in the room, didn’t you? What you worry about when you got a fire in this room? You worry about water or escape. You don’t worry about nothin’ else. If you say “What’s your culture during this fire?” “Water, that’s my culture, Brother, that’s my culture.” Because culture’s a thing that keeps you. “What’s your politics?” Escape and water. “What’s your education?” Escape and water. When people ask us about our culture, we say our culture’s guns, baby. Our culture’s revolutionary art, like that. And when you see those two Brothers who picked up them guns and went out into Babylon in ’66 when a lot of us were scared to do anything except lock ourselves up in the closet and listen to Coltrane—ain’t that something for woopin’ a motherfucker’s ass. And this turned us on and this made us black enough that we were bad. Then this made us black enough to get out and launch a blanket indictment at the murder-mouthin’ rest of the black people. Nigger, you ain’t got no natural. Nigger, how come your name ain’t changed? Ask the pigs in California. Ask ‘em. “Who do you fear most? Ron Mamalama Karenga, or Huey P. Newton, who is named after a demagogic, lyin’ politician, Huey P. Long?” And pigs don’t care about that. Because you don’t have to call, if your shotgun’s a Browning, you don’t have to give it no African name, because believe me, it shoots the same. You understand? It shoots the same….

Changing your name is not gonna change our set of arrangements. The only thing that’s gonna change our set of arrangements is what’s gotten us into this set of arrangements. And that’s the oppressor. And it’s on three stages, we call it the three-in-one: avaricious, greedy businessmen; demagogic, lyin’ politicians; and racist, pig fascist, reactionary cops. Until you deal with those three tings, then your set of arrangements will remain the same. The only difference will be that you’re still under fascism, but instead of Fred being under fascism, I’ll be Oogabooga under fascism. But I’ll feel the same. Instead of me goin’ to the gas chamber, I’ll go to an African section of the gas chamber. We so Africanized over here that if Africans came over here, you’d have to give them a catalogue to find out what the fuck they were buyin’. That’s right, you’d have to give them a catalogue to find out what the fuck they were buyin’. You got posters and pictures and names, we’re namin’ things and namin’ ourselves names they never even heard of. And we call ourselves Africanized. And ain’t that somethin’? You understand?

If you’re racist, let me tell you somethin’. Or if you’re a reactionary nationalist. White folks run it. Go to south Africa and ask ‘em. Go ahead. If you want an example of cultural nationalism, the best one I can give you is Papa Doc, Duvalier. In Haiti, all the black people, “We need some black-ness” Papa Doc—naw, Duvalier said “Right on, we need some blackness. Let’s get all the white folks out of here.” Got all the white folks out, and now he’s oppressing all the black folks. When the black folks complain about it, he says, “Well, godamn; what you all complainin’ about now? I’m black. I can’t do nothin’ wrong brother. We already qualified that.” That’s why these apologists like Wesley South come on the air, and to rap that sophistry that the Sister was talkin’ about. Talkin’ about, they’re ballyhooing, really. Just rappin’ about nothin’ because they’re jackanapes in our community allowed to remain there only because of their skin complexion. And we ought to drive them out. Think about it.

You’ve got Bobby Seale chained and gagged at the Federal Building. You’ve got James and Michael Soto who was murdered in two days. By the way, for all you white folks who claim you’re radicals, that claim you’re gonna support the Party. We move in and we’re saying that there’s no better, there’s no higher Marxist than Huey P. Newton. Not Chairman Mao Tse-Tung or anybody else. We’re saying that unless people show us through their social practice that they relate to the struggle in Babylon, that means that they’re not internationalists, that means that they’re not revolutionaries, truly Marxist-Leninist revolutionaries. We look at Kim Il Sung. We look at Comrade the Marshall, Marshall Kim Il Sung of Korea as towering far and high above in his social practice as Mao Tse-Tung. If you can relate to that, cool. If you can’t relate to that, walk out with your as picked clean like the chickens do, you dig? If you can’t relate to that. And we’re tellin’ you that.

And you motherfuckers who think you’re so radical that you’re trying to radicalise everything in Washington. And I don’t know what the fuck you could radicalise, because you ain’t gonna do nothing but walk between the bodies of two dead men, Lincoln and Washington. And I know you’re not gonna stand up and gain no redress. And there’s just as much chance for Nixon giving you some redress. If you can’t get 200,000 people to march on Washington for something that’s in Vietnam, why the fuck can’t you get 200,000 people to come to Jackson and Dearborn, the Federal Building, and march for the Chairman of Babylon, the man who did more for Babylon, and more for Vietnam than you marchin’ maniacs will ever do. Because you’re not doin’ nothin’ for nobody but Florsheims and Stetsons or Stacy Adams and anybody else, because you’re gonna wear your soles out—your metaphysical souls and the soles on your shoes. And we say if you can’t relate to that, then fuck you.

Because our line’s been consistent. We know the Marxist-Leninists. People who might not want to dig on it, they say Marxist-Leninist they don’t curse. This is something we got from slave masters. We know niggers invented the word motherfucker. We wasn’t fuckin’ nobody’s mother. It was the master fuckin’ people’s mothers. We invented the word, you dig? We relate to that. We Marxist-Leninist niggers, and we some Marxist-Leninist cussin’ niggers, and we gonna continue to cuss, godamnit. Cause that’s what we relate to, that’s what’s happening in Babylon. That’s objective reality. Don’t nobody be walkin’ around in Babylon spoutin’ out at the mouth about a whole lot of academic bullshit, intellectually masturbating, catching diarrhea of the mouth. We say to those motherfuckers if you want to catch a mouth disease, you come and talk that shit in a community where the Panthers are at, and you’ll get a mouth disease alright. You’re gonna get hoof-in-mouth; Panther hoof-in-mouth. So if you radicals can’t relate to that, then fuck you, because we know what Chairman Bobby did for the struggle.

And we know that the people in Vietnam, they know that peace, just like Huey P. Newton tells about our motto, that we are the advocates of the abolition of war. We do not want war, but we understand that war can only be abolished through war. That in order to put down the gun, make a man get rid of the gun, it’s necessary to pick up a gun. And you motherfuckers that’s for peace in Vietnam, the Black Panther Party is for victory in Vietnam. We say that they’re aggressors, they’re a bunch of lackey running dogs, that they’re imperialists. They’re a bunch of Wall Street warmongers. And they need to be driven out of there.

And the only way that the liberation of the oppressed people Vietnam or the oppressed people of Babylon’s freedom can be founded, it has to be founded on the land that is fertilized by the bones and blood of these aggressive pig dogs that come into our communities and occupy our communities like troops occupy a foreign territory and go into Vietnam and fight and struggle relentlessly against the people in Vietnam to have a right to self-determination. We don’t care whether anybody likes it or not. That’s our line. It’s a Marxist-Leninist line. It’s consistent. It’s going to remain that way, and it’s been that way.

If you can’t get 200,000 people to come see about Bobby, then we say you’re counter-revolutionary. That what you’re doing is you’re taking some kind of route from DeKalb where you’re going to get to Vietnam without even passing the Henry Horner Projects on the West Side of Chicago. That’s impossible. You think Vietnam is bad? Check the laws. In Vietnam if you lose one son they allow you to keep the other one. They say, “Here, mother dear, hold him—hold him tight.” He can stay at home, you understand. If you have two in there and one dies, they’ll ship him back. They’ll ship him back and get him out of the war where there’ll be no chance of him dying, because “Miss, this war is not going to take both of your sons.” And then you’re marchin’ on this cruel war in Washington, all you radicals, and what about Mrs Soto, who lost two sons in one week? That proves to us through historical fact that Babylon is worse than Vietnam; we need to have some moratoriums on the black community in Babylon and all oppressed communities in Babylon.

And Charles Jackson, from Altgeld Gardens. Last week a 14-year-old boy throwing rocks. The pigs told him to halt, and the motherfucker shot and murdered him. Murdered him in cold blood. And then you motherfuckers got the nerve to go tramping off to Washington, marching between two dead motherfuckers. The Panther Party is going to criticize you motherfuckers. We gonna criticize you out open because we believe in mass revolutionary criticism. We’re gonna tell you that you’re wrong, because we done had a lot of criticism levelled at us for fucking around with you. You will either be part of the problem or you’re gonna be part of the solution. And if we find out you motherfuckers is part of the problem, we’re gonna start turning the guns on you crazy motherfuckers.

We’re gonna have some questions and answers. We’re gonna do one thing, too. And this is another thing out of sight to show the people where we come from. We come from Babylon. The Black Panther Party’s ran solely by black people. If you get a chance—I don’t think it’s gonna be this Sunday, but we taped this Sunday and shown next Sunday, I’m almost sure. It’s gonna be taped this Sunday and shown next Sunday. There’ll be a big round table discussion that’s gonna be on “For Blacks Only”, any you can check the thing and see what it is. And either myself or Chaka will be there. We’ll be presenting the Black Panther Party. And if you get a chance, why don’t you look at it.

If you wanna do something for me, we’d like to do something for Chairman Bobby, if you just clap your hands for me. This is what we call—you don’t have to clap to loud—this is what we call the people beat. It’s a beat that was started in 1966 by Huey Newton and Bobby Seale. It’s a beat that never stops because it’s the beat they got because they knew it couldn’t be stopped. It’s the beat that manifested in you, the people. Chairman Bobby Seale says that as long as there’s black people, there’ll always be the Black Panther Party. But they never can stop the Party unless they stop the beat. As long as you manifest the beat, we can never be stopped. You think the beat is dangerous? We know it’s dangerous. Because when the beat started out on the West Coast, the chief pig out there, Mafioso Alioto, said to the rest of his people that helped him with his fascism out there, he said, “Listen to those people beat. Hey, they’re beating much to fast. Why don’t they go back home where they belong.” When that beat started last November a year ago in Chicago, Illinois, at 2350 W. Madison, when me and Chaka and Bobby Rush and Che and some more Brothers and Jewel got together and said we’re gonna start a Black Panther Party right here. Because this is part of Babylon; the Party exists tight here too. That we might be in school now, might think we’re on the mountain top, but we’re gonna come down to the valley, because people in the valley, commitment’s in the valley, oppression’s in the valley, aggression, repression, fascism, all exists in the valley. No matter how nice it might be on the mountain top, we’ve got a commitment, so we’re going back. We got to go back to the valley.

And when we did that, even Daley and Hanrahan and Judge—we call him Adolph Hitler Hoffman—the chief fascist who knows the art of tapista, the art that Mussolini was supposed to have mastered. We say that Hoffman is better at the art of tapista than Mussolini ever was, because we know what the art of tapista is: it’s an art of good timing. And when we started that beat, Judge Hoffman and Mayor Daley and hammerhead Hanrahan said, “Hey, listen to the people. It’s Chicago beat. Politically they are even beating beating much too fast. Why don’t they go back home?” To live with all black people where they belong, to live in dashikis and bubus and to be porkchop nationalists and cultural nationalists. Why don’t they go back home to thinkin’ what you’re wearin’ is going to change you? Why don’t they go back to “Political power flows from the sleeve of a dashiki.” And we said, No!” As long as that beat continues, we continue, because it gives us in the Party a type of intoxication, that it let’s us understand… we’re so revolutionary proletarian intoxicated that we cannot be astronomically intimidated.

Don’t worry about the Black Panther Party. As long as you keep the beat, we’ll keep on going. If you think that we can be wiped out because they murdered Bobby Hutton and Alprentice Bunchy Carter and John Huggins, you’re wrong. If you think that because Huey was jailed the Party’s gonna stop, you see you’re wrong. If you think because Chairman Bobby was jailed the Party’s gonna stop, you see you’re wrong. If you think because they can jail me you thought the Party was gonna stop, you thought wrong. Because they can “Rage”, Eldridge Cleaver out of the country…you’re wrong. Because we said it before we left and we said it today. That you can jail a revolutionary, but you can’t jail the revolution. You can lock up a freedom fighter like Huey P. Newton, but you can’t lock up freedom fighting. You might hire some pork chops like Mamalama to murder Alprentice Bunchy Carter, a liberator, but you can’t murder liberation, because if you do, you come up with answers that don’t answer, explanations that don’t explain, conclusions that don’t conclude.

We say that if you dare to struggle, than you dare to win. If you dare not to struggle you don’t deserve to win. We wouldn’t go into the ring with Muhammad Ali and not fight and wonder why we lost, would we? If you don’t fight, then you don’t deserve to win. If you don’t move on these fascists, then you’re crazy. We say it’s no longer a question of violence or non-violence. We say it’s a question of resistance to fascism or non-existence within fascism. We say let’s stop the war in Vietnam. Let’s stop it by acquiring victory for the spirit of Ho Chi Minh. We say let’s stop the war in Babylon. Let’s initiate the decentralization of the police….

The only real thing is the people, because pigs bite the hand that feeds them and they need to be slapped. And like Chaka said, when you catch them in you’re house, hit ‘em with anything. You shouldn’t argue about whether to hit ‘em with a chair or a table, because they’re out of order from the start. We say that the oppressor—fuck Judge Taney—the oppressor has no rights which we, the oppressed, are bound to follow.

If you get a chance, come see about Bobby. You oughta come see about Bobby because Bobby came and saw about you. You oughta come see about Bobby because in 1966, when we didn’t even think we were important enough to protect ourselves, Bobby and Huey got their guns and went into the community. They left college. They where pre-engineer students, that was Bobby, and Huey was a pre-law student. And what they read they put into practice. You oughta come see about Bobby because Bobby came and saw about you. I’m gonna see about Bobby and if you have anything to say you’ll come see about Bobby. Come down to Jackson and Dearborn and see about our Chairman, because he’s the Chairman of Babylon. He’s the father and the founder of the breakfast programs and the free health clinics, and there’s nothing wrong, nothing in the world wrong with that.

All power to the people. Northern Illinois power to the people that go here to Northern Illinois University.

We say that we need some guns. There’s nothing wrong with guns in our community, there’s just been a misdistribution of guns in our community. For one reason or another, the pigs have all the guns, so all we have to do is equally distribute them. So if you see one that has a gun and you don’t have one, then when you leave you should have one. They way we’ll be able to deal with things right. I remember looking at T.V. and I found that not only did the pigs not brutalize the people in western days, they had to hire bounty hunters to go arrest them. They shoot somebody with no intention of arresting them. We need some guns. We need some guns. We need some force.

Thank you. I’m going to call Chaka end Sister Joan back up here to deal with any questions that you want answered, because we have plenty of time to spend; we don’t have any time to waste. As the sister said, “Time is short, let’s seize the time.”

Thank you.

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💾 ►►► DOWNLOAD FILE 🔥🔥🔥🔥🔥 Get everything you need to prepare for your fantasy football drafts here, including rankings and analysis from ESPN's team of experts. The weekly fantasy football cheat sheet provides a rundown of the best tips Draft a league now and start fresh with a record and a. Cheat Sheet - ESPN. fantasy football rankings. Table Draft Board Our full cheat sheets are reserved for RotoWire subscribers. Get a single Cheatsheet for Fantasy Rankings from dozens of experts with rankings that are updated regularly. 9 BUF 7 2 Jackson,L. BAL 10 3 Herbert,J. LAC 8 4 Mahomes,P. KAN 8 5 Murray,K. ARI 13 6 Hurts,J. PHI 7 7 Brady,T. TB 11 8 Wilson,R. DEN 9 9 Burrow,J. CIN 10 10 Prescott,D. DAL 9 11 Stafford,M. LAR 7 12 Rodgers,A. GNB 14 13 Lance,T. SFO 9 14 Carr,D. LVR 6 15 Cousins,K. MIN 7 16 Tagovailoa,T. MIA 11 17 Fields,J. CHI 14 18 Ryan,M. IND 14 19 Lawrence,T. JAC 11 20 Jones,M. NWE 10 21 Tannehill,R. TEN 6 22 Winston,J. NOR 14 23 Wentz,C. WAS 14 24 Goff,J. DET 6 25 Wilson,Z. 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HOU 6 32 Smith,J. NWE 10 33 Howard,O. HOU 6. IND 14 2 Henry,D. TEN 6 3 Harris,N. CAR 13 5 Ekeler,A. LAC 8 6 Mixon,J. CIN 10 7 Cook,D. MIN 7 8 Fournette,L. TB 11 9 Kamara,A. NOR 14 10 Conner,J. ARI 13 11 Swift,D. DET 6 12 Williams,J. DEN 9 13 Chubb,N. CLE 9 14 Elliott,E. DAL 9 15 Jones,A. GNB 14 16 Barkley,S. NYG 9 17 Akers,C. LAR 7 18 Dobbins,J. BAL 10 19 Mitchell,E. SFO 9 20 Etienne Jr. JAC 11 21 Hall,B. NYJ 10 22 Jacobs,J. LVR 6 23 Montgomery,D. CHI 14 24 Dillon,A. GNB 14 25 Harris,D. NWE 10 26 Singletary,D. BUF 7 27 Gibson,A. WAS 14 28 Penny,R. KAN 8 30 Patterson,C. ATL 14 31 Pierce,D. HOU 6 32 Sanders,M. PHI 7 33 Hunt,K. CLE 9 34 Edmonds,C. MIA 11 35 Stevenson,R. NWE 10 36 Robinson,J. SEA 11 38 Pollard,T. DAL 9 39 Gordon,M. DEN 9 40 Henderson,D. WAS 14 42 Carter,M. NYJ 10 43 Cook,J. BUF 7 44 Hines,N. IND 14 45 Williams,J. DET 6 46 Pacheco,I. KAN 8 47 Ingram,M. NOR 14 48 Edwards,G. BAL 10 49 Mattison,A. MIN 7 50 Mostert,R. MIA 11 51 Allgeier,T. ATL 14 52 Gainwell,K. PHI 7 53 Robinson Jr. WAS 14 54 Wilson,J. SFO 9 55 Foreman,D. CAR 13 56 Williams,D. ATL 14 57 Johnson,D. CLE 9 58 Haskins,H. TEN 6 59 Abdullah,A. LVR 6 60 White,Z. LVR 6 61 Drake,K. BAL 10 62 Hilliard,D. TEN 6 63 Hubbard,C. CAR 13 64 Michel,S. LAC 8 65 Scott,B. PHI 7 66 Bernard,G. TB 11 67 Warren,J. PIT 9 68 Evans,C. CIN 10 69 White,R. TB 11 70 Spiller,I. LAC 8 71 Herbert,K. CHI 14 72 Williams,D. SFO 9 74 Burkhead,R. HOU 6 75 Badie,T. KAN 8 77 Kelley,J. LAC 8 78 Breida,M. NYG 9 79 Jones,R. KAN 8 80 Perine,S. CIN LAR 7 2 Jefferson,J. MIN 7 3 Chase,J. CIN 10 4 Adams,D. LVR 6 5 Diggs,S. BUF 7 6 Samuel,D. SFO 9 7 Lamb,C. DAL 9 8 Evans,M. TB 11 9 Hill,T. MIA 11 10 Pittman Jr. IND 14 11 Allen,K. LAC 8 12 Brown,A. PHI 7 13 Higgins,T. CIN 10 14 Moore,D. CAR 13 15 Johnson,D. PIT 9 16 Waddle,J. MIA 11 17 Metcalf,D. SEA 11 18 Cooks,B. WAS 14 20 Sutton,C. DEN 9 21 Mooney,D. CHI 14 22 Williams,M. LAC 8 23 Godwin,C. TB 11 24 St. DET 6 25 Jeudy,J. DEN 9 26 Moore,E. NYJ 10 27 Brown,M. ARI 13 28 Robinson,A. LAR 7 29 Thomas,M. NOR 14 30 Bateman,R. BAL 10 31 Cooper,A. KAN 8 33 Smith,D. PHI 7 34 Renfrow,H. LVR 6 35 Davis,G. BUF 7 36 London,D. ATL 14 37 Thielen,A. MIN 7 38 Lockett,T. SEA 11 39 Burks,T. TEN 6 40 Kirk,C. JAC 11 41 Hopkins,D. ARI 13 42 Aiyuk,B. SFO 9 43 Lazard,A. GNB 14 44 Gage,R. TB 11 45 Parker,D. NWE 10 46 Olave,C. NOR 14 47 Woods,R. TEN 6 48 Claypool,C. PIT 9 49 Wilson,G. KAN 8 51 Watson,C. GNB 14 52 Hardman,M. KAN 8 53 Landry,J. NOR 14 54 Gallup,M. DAL 9 55 Pickens,G. PIT 9 56 Moore,R. ARI 13 57 Chark,D. DET 6 58 Moore,S. KAN 8 59 Doubs,R. GNB 14 60 Meyers,J. NWE 10 61 Boyd,T. CIN 10 62 Toney,K. NYG 9 63 Pierce,A. IND 14 64 Hamler,K. DEN 9 65 Jones,Z. JAC 11 66 Dotson,J. WAS 14 67 Shepard,S. NYG 9 68 Williams,J. DET 6 69 Palmer,J. LAC 8 70 Davis,C. NYJ 10 71 Anderson,R. CAR 13 72 Jefferson,V. LAR 7 73 Golladay,K. NYG 9 74 Jones,M. JAC 11 75 Tolbert,J. DAL 9 76 Green,A. BUF 7 78 Pringle,B. CHI 14 79 Collins,N. HOU 6 80 Agholor,N. NWE CIN 10 3 Gay,M. LAR 7 4 Bass,T. BUF 7 5 Carlson,D. LVR 6 6 Succop,R. TB 11 7 Butker,H. KAN 8 8 Prater,M. ARI 13 9 Blankenship,R. IND 14 10 Sanders,J. MIA 11 11 Koo,Y. ATL 14 12 Folk,N. NWE 10 13 Elliott,J. PHI 7 14 Gould,R. SFO 9 15 Myers,J. DEN 9 17 Crosby,M. GNB 14 18 Boswell,C. PIT 9 19 Lutz,W. NOR 14 20 Zuerlein,G. NYJ 10 21 Hopkins,D. LAC 8 22 Gano,G. NYG 9 23 Santos,C. CHI 14 24 Joseph,G. MIN 7 25 Bullock,R. TEN 6 26 York,C. CLE 9 27 Fairbairn,K. HOU 6 28 Gonzalez,Z. CAR 13 29 Pineiro,E. CAR 13 30 Maher,B. DAL 9 31 Santoso,R. FA 0 32 Garibay,J. ARI WR Smith Jr. Etienne Jr. Walker III,K. Robinson Jr. Pittman Jr. Tampa Bay. Kansas City. San Francisco. New Orleans. Los Angeles Rams. Los Angeles Chargers. New England. Green Bay. New York Giants. New York Jets. Las Vegas.

[yahoo-fantasy-football-chni]

yahoo fantasy football cheat sheet 2022 working NC0J!

💾 ►►► DOWNLOAD FILE 🔥🔥🔥🔥🔥 Our fantasy football draft kit has all the resources you need to prepare for draft day, from complete position rankings to sleepers and. Fantasy Football Draft: Cheat sheet for last-second strategy tips for NFL season · Tips to follow · For Salary Cap League Players. Scoring Cheat Sheet Rankings, Yahoo! scoring and league starting lineup rules, using Fantasy Football Diehards rankings. @YahooFantasy. Don't forget to have this tiers cheat sheet handy for your draft! PM · Sep 3, ·Twitter Web App. View weekly RB projections & top value picks for this week's fantasy football contests at Yahoo. BUF 7 2 Jackson,L. BAL 10 3 Herbert,J. LAC 8 4 Mahomes,P. KAN 8 5 Murray,K. ARI 13 6 Hurts,J. PHI 7 7 Brady,T. TB 11 8 Burrow,J. CIN 10 9 Wilson,R. DEN 9 10 Prescott,D. DAL 9 11 Stafford,M. LAR 7 12 Rodgers,A. GNB 14 13 Lance,T. SFO 9 14 Carr,D. LVR 6 15 Cousins,K. MIN 7 16 Tagovailoa,T. MIA 11 17 Fields,J. CHI 14 18 Lawrence,T. JAC 11 19 Ryan,M. IND 14 20 Jones,M. NWE 10 21 Winston,J. NOR 14 22 Tannehill,R. TEN 6 23 Wentz,C. WAS 14 24 Goff,J. DET 6 25 Wilson,Z. NYJ 10 26 Jones,D. NYG 9 27 Mills,D. HOU 6 28 Mayfield,B. CAR 13 29 Mariota,M. ATL 14 30 Brissett,J. CLE 9 31 Trubisky,M. PIT 9 32 Smith,G. SEA 11 33 Flacco,J. NYJ 10 34 Pickett,K. PIT 9 35 Watson,D. CLE 9 36 Taylor,T. NYG 9 37 Lock,D. SEA 11 38 Darnold,S. CAR 13 39 Ridder,D. ATL 14 40 Huntley,T. BAL 10 41 Garoppolo,J. SFO 9 42 Bridgewater,T. MIA 11 43 Corral,M. CAR 13 44 Willis,M. TEN 6 45 Dalton,A. KAN 8 2 Andrews,M. BAL 10 3 Pitts,K. ATL 14 4 Kittle,G. SFO 9 5 Waller,D. LVR 6 6 Schultz,D. DAL 9 7 Knox,D. BUF 7 8 Goedert,D. PHI 7 9 Hockenson,T. DET 6 10 Smith Jr. MIN 7 11 Henry,H. NWE 10 12 Freiermuth,P. PIT 9 13 Gesicki,M. MIA 11 14 Ertz,Z. ARI 13 15 Njoku,D. CLE 9 16 Okwuegbunam,A. DEN 9 17 Tonyan,R. GNB 14 18 Fant,N. SEA 11 19 Higbee,T. LAR 7 20 Kmet,C. CHI 14 21 Engram,E. JAC 11 22 Uzomah,C. NYJ 10 23 Brate,C. TB 11 24 Thomas,L. WAS 14 25 Everett,G. LAC 8 26 Hooper,A. TEN 6 27 Hurst,H. CIN 10 28 Trautman,A. NOR 14 29 Jordan,B. HOU 6 30 Otton,C. TB 11 31 Arnold,D. JAC 11 32 Woods,J. IND 14 33 Likely,I. BAL IND 14 2 Henry,D. TEN 6 3 Harris,N. PIT 9 4 Mixon,J. CIN 10 5 Ekeler,A. LAC 8 6 Cook,D. CAR 13 8 Conner,J. ARI 13 9 Chubb,N. CLE 9 10 Kamara,A. NOR 14 11 Akers,C. LAR 7 12 Williams,J. DEN 9 13 Fournette,L. TB 11 14 Dobbins,J. BAL 10 15 Elliott,E. DAL 9 16 Mitchell,E. SFO 9 17 Jones,A. GNB 14 18 Swift,D. DET 6 19 Harris,D. NWE 10 20 Etienne Jr. JAC 11 21 Hall,B. NYJ 10 22 Penny,R. SEA 11 23 Barkley,S. NYG 9 24 Dillon,A. GNB 14 25 Montgomery,D. CHI 14 26 Jacobs,J. KAN 8 28 Gibson,A. WAS 14 29 Singletary,D. BUF 7 30 Stevenson,R. NWE 10 31 Patterson,C. ATL 14 32 Pierce,D. HOU 6 33 Sanders,M. PHI 7 34 Hunt,K. CLE 9 35 Robinson,J. JAC 11 36 Gordon,M. SEA 11 38 Henderson,D. LAR 7 39 Edmonds,C. MIA 11 40 Edwards,G. BAL 10 41 Pollard,T. DAL 9 42 Cook,J. BUF 7 43 Carter,M. NYJ 10 44 Ingram,M. NOR 14 45 Pacheco,I. KAN 8 46 Williams,J. DET 6 47 Foreman,D. CAR 13 48 Mostert,R. WAS 14 50 Wilson,J. SFO 9 51 Hines,N. IND 14 52 Allgeier,T. ATL 14 53 Mattison,A. MIN 7 54 Robinson Jr. WAS 14 55 Gainwell,K. PHI 7 56 Johnson,D. CLE 9 57 Haskins,H. TEN 6 58 Williams,D. ATL 14 59 Abdullah,A. LVR 6 60 White,Z. LVR 6 61 Scott,B. PHI 7 62 Michel,S. LAC 8 63 Hubbard,C. CAR 13 64 Hilliard,D. TEN 6 65 Drake,K. BAL 10 66 Bernard,G. TB 11 67 Warren,J. PIT 9 68 White,R. TB 11 69 Herbert,K. CHI 14 70 Spiller,I. SFO 9 72 Evans,C. CIN 10 73 Badie,T. BAL 10 74 Williams,D. KAN 8 76 Jones,R. KAN 8 77 Burkhead,R. HOU 6 78 Murray,L. BAL 10 79 Breida,M. NYG 9 80 Kelley,J. LAC 8. LAR 7 2 Chase,J. CIN 10 3 Samuel,D. SFO 9 4 Jefferson,J. MIN 7 5 Adams,D. LVR 6 6 Evans,M. TB 11 7 Diggs,S. BUF 7 8 Lamb,C. DAL 9 9 Hill,T. MIA 11 10 Metcalf,D. SEA 11 11 Higgins,T. CIN 10 12 Pittman Jr. IND 14 13 Brown,A. PHI 7 14 Williams,M. LAC 8 15 Allen,K. LAC 8 16 Moore,D. CAR 13 17 Johnson,D. WAS 14 19 Moore,E. NYJ 10 20 Mooney,D. CHI 14 21 Cooks,B. HOU 6 22 Jeudy,J. DEN 9 23 Sutton,C. DEN 9 24 Waddle,J. MIA 11 25 Godwin,C. TB 11 26 St. DET 6 27 Davis,G. BUF 7 28 Cooper,A. CLE 9 29 Brown,M. ARI 13 30 Smith,D. PHI 7 31 Lockett,T. SEA 11 32 Thomas,M. NOR 14 33 Thielen,A. MIN 7 34 London,D. ATL 14 35 Lazard,A. GNB 14 36 Renfrow,H. KAN 8 38 Robinson,A. LAR 7 39 Aiyuk,B. SFO 9 40 Burks,T. TEN 6 41 Bateman,R. BAL 10 42 Kirk,C. KAN 8 44 Hopkins,D. ARI 13 45 Olave,C. NOR 14 46 Claypool,C. PIT 9 47 Parker,D. NWE 10 48 Woods,R. TEN 6 49 Gage,R. TB 11 50 Wilson,G. NYJ 10 51 Watson,C. GNB 14 52 Gallup,M. DAL 9 53 Pickens,G. PIT 9 54 Landry,J. NOR 14 55 Chark,D. DET 6 56 Hardman,M. KAN 8 57 Moore,S. KAN 8 58 Doubs,R. GNB 14 59 Hamler,K. DEN 9 60 Toney,K. NYG 9 61 Boyd,T. CIN 10 62 Pierce,A. IND 14 63 Dotson,J. WAS 14 64 Jefferson,V. LAR 7 65 Davis,C. NYJ 10 66 Williams,J. DET 6 67 Palmer,J. LAC 8 68 Moore,R. ARI 13 69 Meyers,J. NWE 10 70 Anderson,R. CAR 13 71 Shepard,S. NYG 9 72 Cobb,R. GNB 14 73 Pringle,B. CHI 14 74 Jones,Z. JAC 11 75 Green,A. ARI 13 76 Tolbert,J. BUF 7 78 Callaway,M. CLE 9 80 Agholor,N. NWE CIN 10 3 Gay,M. LAR 7 4 Bass,T. BUF 7 5 Carlson,D. LVR 6 6 Succop,R. TB 11 7 Butker,H. KAN 8 8 Prater,M. ARI 13 9 Blankenship,R. IND 14 10 Sanders,J. MIA 11 11 Koo,Y. ATL 14 12 Folk,N. NWE 10 13 Elliott,J. PHI 7 14 Gould,R. SFO 9 15 Myers,J. DEN 9 17 Crosby,M. GNB 14 18 Boswell,C. PIT 9 19 Lutz,W. NOR 14 20 Zuerlein,G. NYJ 10 21 Hopkins,D. LAC 8 22 Gano,G. NYG 9 23 Santos,C. CHI 14 24 Joseph,G. MIN 7 25 Bullock,R. TEN 6 26 York,C. CLE 9 27 Fairbairn,K. HOU 6 28 Gonzalez,Z. CAR 13 29 Pineiro,E. CAR 13 30 Maher,B. DAL 9 31 Santoso,R. FA 0 32 Garibay,J. TB WR 11 56 St. ATL WR Smith Jr. Etienne Jr. Walker III,K. Robinson Jr. Pittman Jr. Tampa Bay. Kansas City. San Francisco. New Orleans. Los Angeles Rams. Los Angeles Chargers. New England. Green Bay. New York Giants. New York Jets. Las Vegas.

[aic-american]

Hanging Head Dragonfly Shade on Mosaic and Turtleback Base, Tiffany Studios, 1901, Art Institute of Chicago: American Art

In the 1890s Louis Comfort Tiffany began using his opalescent Favrile glass to produce lamps, the decorative form for which he would become most famous. As the artistic director of Tiffany Studios located in Corona, New York, he approved all patterns but created relatively few lamps himself. Clara Driscoll, head of the Women’s Glass Cutting Department, was likely responsible for this shade and base. Driscoll began working for Tiffany in 1888, and she designed the majority of the firm’s lamps before she left the company in 1908 or 1909. Driscoll created at least eight dragonfly shades. This example is distinguished by its large size, glass cabochons, and the placement of insects’ bodies along the lower edge. While Tiffany Studios mass-produced these shades and bases, the firm varied the color scheme of each object to heighten the sense of handcraftsmanship. This daring design became one of Tiffany’s most popular and was made through 1924. Roger and J. Peter McCormick Endowments, Robert Allerton Purchase Fund, Goodman Endowment for the Collection of the Friends of American Art, Pauline S. Armstrong Endowment, Edward E. Ayer Endowment in memory of Charles L. Hutchinson; restricted gift of the Antiquarian Society in memory of Helen Richman Gilbert and Lena Turnbull Gilbert, Sandra van den Broek, Mr. and Mrs. Henry M. Buchbinder, Quinn E. Delaney, Mr. and Mrs. Wesley M. Dixon, Jamee J. and Marshall Field, Celia and David Hilliard, Elizabeth Souder Louis, Mrs. Herbert A. Vance, and Mr. and Mrs. Morris S. Weeden Size: H.: 86.4 cm (34 in.); diam: 57.2 cm (22 1/2 in.) Medium: Favrile glass and bronze

https://www.artic.edu/artworks/185905/