#Lutz Bacher

[federer7]

Playboys (Feminist Movement) 1993

Painting: Lutz Bacher

[mentaltimetraveller]

Lutz Bacher, Boyfriends, Frieze Los Angeles 2019

[jokeanddaggerdept]

[collectionarchive]

Lutz Bacher

“Skyscraper”, n.d. paint on wood

2 panels, connected with hinges 185 x 76 x 2.5 cm &

181.5 x 76 x 2.5 cm

source: collectionarchive.tumblr.com

[fabienneaudeoud]

Lutz Bacher

[thebeatifulones]

[play-bills]

Lutz Bacher, The Lee Harvey Oswald Interview, Galerie Buchholz, NYC (December 9, 2021 - February 5, 2022)

[abelsonarchive]

[evidentmistunblurred]

[ineffableclassics]

“So this is the famous Alpha Centauri you wanted to go to. And it’s two stars.”

“It’s a star system, actually. But generally you can only see the two.” Crowley keeps talking like he’s reading from a book. “Those two are a binary star. That’s two separate stars that share a barycentre and orbit around it. One single gravitational unit.”

Aziraphale feels a tug in his chest. Crowley’s tone is detached, matter-of-factly, and it does not fool him one bit. He turns back slowly, with the same grace he’s used throughout history not to scare particularly spooky horses.

~~~

Heaven and Hell have another try at destroying Aziraphale and Crowley. In the meantime, the two of them develop a relationship, passing through various stages of intimacy.

Words: 20,852

Status: Complete

Rating: Explicit

By @chamyl

Art Credit: Alpha Centauri, Appropriated Celestial Photographs by Lutz Bacher, 2012

[celebrityworshipsyndromee]

Crush Theory. 

My honours exegesis has been published by Discipline. Available to purchase online (http://www.discipline.net.au/) or at Melbourne Art Book Fair at NGV this weekend. 

“Designed by Dennis Grauel.

Gemma Topliss’s paper examines crushing as both an intensely desiring psychic state as well as a violent force, with applications for post-conceptual sculptural, painting, and installation practice. It draws on an eccentric array of sources, from Anne Carson’s Eros the Bittersweet to “Bifo” Berardi’s Heroes: Mass Murder and Suicide, and features an extended meditation on crushing in the work of Lutz Bacher.

8 pages, 210 × 297 mm, Softcover, 1 colour risoprint on Envirocare 80gsm, Edition of 50″

[noguitarsnosejobs]

I'm Yours, 2015 and Wham, 2016 by Lutz Bacher at Galerie Buchholz 2016

[mentaltimetraveller]

Lutz Bacher FIREARMS Galerie Buchholz, Cologne August 30 – October 26, 2019

[megabif]

Lutz Bacher

Kms, 2016

More

(via Al Raven Row riecheggia Lutz Bacher - - Il Giornale dell'Arte)

[eahostudiogallery]

suspended animation

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Fred Eversley - Cylindrical Lenses

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Jarg Geismar

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Lutz Bacher - Rope

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Marceil Ruth Delacy - Wall of Dreams

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James Nitsch - Razor Blade, 1976

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Joseph Beuys

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Ken Unsworth - Suspended Stone Circle

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Mikael Christian Strøbek

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Monica Bonvicini

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Martin Eder

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Antonio Bokel

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Dominic Palarchio

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Carl Cauer

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One Minute Sculptures ( tribute to Erwin Wurm )

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SpY - Cones, 2023

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Sam Durant - Model for a Mediterranean Barricade

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Armand Pierre Fernandez - Long Term Parking. 1982

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Thomas Barbey

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[neotenous-agency]

Lutz Bacher, Closed Circuit (1997-2000)