#Lucien Guillaume
Explore tagged Tumblr posts
Text
Little Art things I'm obsessed with pt 1
Portraits of absent figures:
David Hockney - A Bigger Splash, 1967
Hockney originally visited California in 1963 and was won over by the sunlight and laid-back lifestyle, especially the luxury and ubiquity of the swimming pool. He described it as his "promised land" The splash is about freezing a moment in time, but it is also empty of human presence but implying a human. The male figure is present in some of David's other works from this time period, especially his muse and then-partner Peter Schlesinger. These paintings are about a hedonistic gay lifestyle, and the swimmers, the divers, are often the subject of voyeurism and desire. But in this painting, we just missed the diver, which makes the object of desire more private and personal. Who was the painter looking at, lusting after, etc. I like the contrast of the incredibly sharp and graphic suburban neighborhood, and the chaotic, organic splash. So again, if the divers represent this homosexual desire, we have this contrast of an orderly heterosexual world, and the queerness that joyfully disrupts it.
And then of course, with the absent figure, there is this massive sense of loss and loneliness. And so much of loneliness is about concealment, hiding in shame. This is a private space, but its also an exposed space, enhancing the loneliness. The figure is isolated, alone, invisible. Its a sadness that contrasts with the setting, the activity, and saturated lighting.
Felix Gonzalez-Torres - Untitled (billboard of an empty bed), 1991
These billboards were exhibited in the streets of Manhattan during the AIDS crisis. This piece was created the same year Felix Gonzalez-Torres's boyfriend Ross died. This portrait is a celebration of love and a memorization of loss and the emotions between intimacy and publicity. In the artist's own words:
“What I’m trying to say is that we cannot give the powers that be what they want, what they are expecting from us. Some homophobic senator is going to have a very hard time trying to explain to his constituency that my work is homoerotic or pornographic, but if I were to do a performance with HIV blood — that’s what he wants, that’s what the rags expect because they can sensationalize that, and that’s what’s disappointing. Some of the work I make is more effective because it’s more dangerous. We both make work that looks like something else but it’s not that. We’re infiltrating that look.“
The work intentionally uses the matching, identical depressions to imply a same-sex couple. The image itself is extremely intimate, but its being displayed in public spaces.
Felix Gonzales-Torres became known for his absent bodies.
And then, a little different, this painting by Jacques Guillaume Lucien Amans (1837) commissioned by Frederick and and Coralie Frey, depicts the three Frey children, with the faint shadow of a figure. There was a legend that there was a fourth figure in this painting. In 2005 a private collector, Jeremy K Simien, purchased the painting and it underwent conservation.
The painting revealed Bélizaire, a fifteen year-old enslaved domestic owned by the children's father. The picture captures the complex relationship between the boy and the children, the family that was keeping him captive. For one thing, the way he is set back from the others. There is this sort of intimacy between them along side the psychological trauma of forced bondage.
Here is a great Tiktok about the painting, to quote "What I'm struck by is what a sensitive portrait this is of this young man who was living in an inhumane society where he, despite being a human being, was bought and sold."
A few years after this painting was created, the three Frey children died, and Bélizaire was the only one who survived into adulthood.
The painting stayed in the Frey family. At some point, likely in the late 19th or 20th century, Bélizaire was intentionally painted over. In 1972, the great-granddaughter of Coralie Frey donated the painting to a Louisiana museum, informing them that a figure was painted over. During the course of the painting's life at the museum, no effort was put into restoring the figure.
Jeremy Simien's, who bought and restored this painting, said on his instagram "Bélizaire, they know your name now. Tell the ancestors to let me sleep for a minute."
And shout out to the picture that make me want to write this, Hyde Park Flowers, London by Tumblr user @kimironside I won't re-post it so check out the link.
#art#art history#felix gonzalez torres#belizaire#david hockney#Jacques Guillaume Lucien Amans#Jacques Amans#Jeremy K Simien#tw slavery#tw aids
1K notes
·
View notes
Text
Lucien Bonaparte contemplating his mistress, Alexandrine de Bleschamp Jouberthon by Guillaume Guillon-Lethière
#lucien bonaparte#bonaparte#art#guillaume guillon lethière#alexandrine de bleschamp jouberthon#alexandrine de bleschamp#madame jouberthon#portrait#france#french#napoleonic#neoclassical#neoclassicism#europe#european#antiquity#antique#dress#venus#roman#greek#history#incense burner#sofa#chair#busts#romantic#romanticism
114 notes
·
View notes
Text
Creole in a Red Headdress (c. 1840) by Jacques Guillaume Lucien Amans
(more info)
#Creole in a Red Headdress#Jacques Guillaume Lucien Amans#art#1840#painting#Miss Cromwell#portrait#1840s
19 notes
·
View notes
Text
Jacques Guillaume Lucien Amans (French, 1801 - 1888), Portrait of the three Frey children, commissioned by Frederick and Coralie Frey, 1837. (Top) restored after having been painted over in the late 19th or early 20th century. The cleaning "revealed Bélizaire, a fifteen year-old enslaved domestic owned by the children's father."
@jeremy.k.simien
More on Hyperallergic
157 notes
·
View notes
Text
Jacques Guillaume Lucien Amans (French, 1801-1888) The Frey Children and Bélizaire, ca. 1840
Jacques Guillaume Lucien Amans was a French neoclassical portrait painter working in New Orleans in the 1840s and 1850s. He is famous for his New Orleans Creole portraits.
The term Creole was first used on the Gulf Coast to refer to the first generation of French or Spanish people who were born in the colonies.
In 1837 New Orleans, the Frey family lived in an elegant three-story townhouse in the French Quarter on the current site of the Carousel Bar in the Monteleone Hotel.
In this painting, a Black teenager stands beside a trio of White children. A recent historical discovery found that the young New Orleanian was an enslaved household servant named Bélizaire.
#Jacques Guillaume Lucien Amans#french art#american art#art#fine art#fine arts#1800s#classical art#european art#europe#european#oil painting#mediterranean#europa#creole#creoles#black history month#french#france#Bélizaire#new orleans#america#american
37 notes
·
View notes
Text
Napoleon at the signing of the Treaty of Leoben
C. 1804-1805
Guillaume Guillon-Lethière
About the artist:
According to the Dallas Museum of Art, he was one of the “first major artists of African descent in the history of European art” as he was the son of a French diplomat and an emancipated African slave. He is known for his large neoclassical paintings.
He became friends with Louis Bonaparte, and also the artistic advisor to Lucien Bonaparte, two of Napoleon’s brothers. Lucien helped Lethière get a pardon when he killed a man in a fight. Lethière obtained the coveted position of director of the Académie de France in Rome in 1807, which he held for 9 years.
His loyalty to Napoleon and the Bonaparte family caused the restored Bourbon monarchy to look unfavorably on him, but he was eventually restored to good graces in Restoration France as the years went by.
Besides Napoleon, the other members of the Bonaparte family he painted include Josephine, Lucien and Elisa.
(Source) (Source) (Source)
#Napoleon#Guillaume Guillon-Lethiere#Guillaume Guillon-Lethière#Guillon-Lethière#Lethière#napoleonic era#napoleonic#French empire#first french empire#Bonaparte#19th century#history#art history#France#frev#french revolution#lucien bonaparte#louis bonaparte#Lucien#Napoleon’s brothers#black history#art#painting#napoleonic wars#Treaty of Leoben#Leoben#Guillaume Guillon Lethière#napoleon bonaparte#Versailles
26 notes
·
View notes
Text
If George R. R. Martin ever wrote a short novel about Nettles📖
#nettles#house of the dragon#hotd#hotd spoilers#netty#nettles asoiaf#nettles f&b#asoiafedit#hotdedit#bnedit#no weapon formed against nettles shall prosper 🗡️#Jacques Guillaume Lucien Amans Creole in a Red Headdress#where is she hbo🙃#and she better be her beautiful black self ✊🏽#penguin classics
33 notes
·
View notes
Text
"Ève" par Lucien Levy-Dhurmer, 1896. ©Getty - Photo by DeAgostini/Getty Images.
Guillaume Apollinaire.
"Nous voulons explorer la bonté contrée énorme où tout se tait
Il y a aussi le temps qu'on peut chasser ou faire revenir
Pitié pour nous qui combattons toujours aux frontières
De l'illimité et de l'avenir
Pitié pour nos erreurs pitié pour nos péchés
Voici que vient l'été la saison violente
Et ma jeunesse est morte ainsi que le printemps
O Soleil c'est le temps de la raison ardente".
Guillaume Apollinaire, La jolie rousse
2 notes
·
View notes
Text
Royal Family Triple Threats
Guillaume - Flynn, Fleur, Florence Mountbatten-Windsor - Evelyn (written by thewcllingtons), Edwina, Edwin Grimaldi - Lucien, Victor, Luciana Victoria
7 notes
·
View notes
Photo
Jacques Guillaume Lucien Amans (French , 1801 – 1888) - self portrait
10 notes
·
View notes
Text
Painting that covered up enslaved boy restored, set to hang in Met
New York Post By Alex Mitchell August 21, 2023 2:46pm Updated A 19th-century family portrait that was altered to cover an enslaved teenager has been restored to its original version. The painting, initially etched on canvas, is now set to hang in the Metropolitan Museum of Art this fall after half a century in hiding. The Jacques Guillaume Lucien Amans attributed work from 1837, titled “Bélizaire…
View On WordPress
2 notes
·
View notes
Text
Rose Pamphyle lives with her widowed father and is destined to marry a son of the local mechanic. When she travels out of town and applies for a secretarial job with an insurance agency run by Louis Échard, he learns that Rose can type with extraordinary speed – using only two fingers. He tells her to compete in a speed-typing competition if she wants the job. Credits: TheMovieDb. Film Cast: Louis Échard: Romain Duris Rose Pamphyle: Déborah François Marie Taylor: Bérénice Bejo Bob Taylor: Shaun Benson Annie Leprince Ringuet: Mélanie Bernier Gilbert Japy: Nicolas Bedos Madeleine Échard: Miou-Miou Georges Échard: Eddy Mitchell Jean Pamphyle: Frédéric Pierrot Lucien Échard: Marius Colucci Jacqueline Échard: Emeline Bayart Léonard Echard: Yannik Landrein Evelyne Échard: Nastassja Girard La vamp: Caroline Tillette Françoise: Jeanne Cohendy André Japy: Féodor Atkine Madame Shorofsky: Dominique Reymond Le crooner: Joan Mompart Mme Teyssier, propriétaire de la pension de jeune fille: Serpentine Teyssier Susan Hunter: Sara Haskell Championne R.F.A.: Béatrice Guéritaud Le groom: Romain Compingt Simone Taylor: Pauline Morro Joe Taylor: Hugo de Sousa Madame Blaiseau: France Darry Monsieur Blaiseau: Louis Merino Contremaître Bob: Bernard Fructus Contremaître Bob: Jean-Pierre Pivolot Le jeune homme aux roses: Martin Loizillon Candidate agence Echard: Manon Kneusé Candidate agence Echard: Hortense Belhôte Candidate agence Echard: Jeanne Lepers Film Crew: Screenplay: Régis Roinsard Screenplay: Daniel Presley Screenplay: Romain Compingt Producer: Alain Attal Director of Photography: Guillaume Schiffman Costume Design: Charlotte David Set Decoration: Jimena Esteve Production Design: Sylvie Olivé Casting: Nicolas Ronchi Editor: Sophie Reine Editor: Laure Gardette Original Music Composer: Emmanuel d’Orlando Original Music Composer: Robin Coudert Co-Producer: André Logie Co-Producer: Gaëtan David Executive Producer: Xavier Amblard Movie Reviews:
0 notes
Text
Digital sketch study of Jacques Guillaume Lucien Amans “Creole in Red Headdress” 1840 New Orleans
1 note
·
View note
Text
Jacques Guillaume Lucien Amans (French, 1801 - 1888), Creole in a Red Headdress, c. 1840, oil on canvas, 28¾ × 23⅝ inches; Historic New Orleans Collection.
85 notes
·
View notes
Text
The Metropolitan Museum of Art Acquires Important Painting Attributed to Jacques Amans
Image: Attributed to Jacques Guillaume Lucien Amans (Franco-American, Maastricht (then under French rule) 1801–1888 Paris). Bélizaire and the Frey Children, ca. 1837. Oil on canvas. 47 1/4 × 36 1/4 in. (120 × 92.1 cm). The Metropolitan Museum of Art, Purchase, Acquisitions Fund, Brooke Russell Astor Bequest, Friends of the American Wing Fund, Muriel J. Kogan Bequest, and funds from various…
View On WordPress
0 notes
Text
The Sleep of Venus by Guillaume Guillon-Lethière (1802)
Alternatively known as Lucien Bonaparte contemplating his mistress, Alexandrine de Bleschamp
#lucien bonaparte#Alexandrine de Bleschamp#Bonaparte#napoleonic era#neoclassical art#Venus#neoclassicism#neoclassical#19th century#art#French#French art#France#Ancient Rome#mythology#myths#greek myths#greek mythology#Guillaume Guillon-Lethière#1802#1800s#empire style
48 notes
·
View notes