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#Louis “Louie” Walters
wei-smiler · 1 year
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I really think the goons or the wise guys from the Simpsons would be very great in your art style just a request :)
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I tried it. I hope you like it_(:з」∠)_
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sillystringsimpsons · 4 months
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saw this screenshot and instantly was like yeah thats them
interactions hugely appreciated!!!!! <3
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werewolfpirate · 1 year
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byneddiedingo · 2 years
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The Man With the Golden Arm (Otto Preminger, 1955) Cast: Frank Sinatra, Eleanor Parker, Kim Novak, Arnold Stang, Darren McGavin, John Conte, Doro Merande, George E. Stone, George Matthews, Leonid Kinskey, Emile Meyer. Screenplay: Walter Newman, Lewis Meltzer, based on a novel by Nelson Algren. Cinematography: Sam Leavitt. Production design: Joseph C. Wright. Film editing: Louis R. Loeffler. Music: Elmer Bernstein. Under the Production Code, alcohol flowed freely, giving us lots of glamorous or lovable drunks. But drug use was strictly taboo, even when it was depicted as a road to degradation, until Otto Preminger thumbed his nose at the Code with The Man With the Golden Arm. Preminger's film is very much about the degradation, but he deftly avoided making it into a "problem picture" with a "just say no" moral tacked on, mainly by focusing on the character of Frankie Machine, played superbly by Frank Sinatra. When we first meet Frankie he's just gotten out of prison rehab and is determined to go straight and get a job as a drummer with a band. But he's saddled with a clinging wife called Zosh, played (and sometimes overplayed) by Eleanor Parker. She wants him to resume his old underground life as a card dealer rather than risk it as a musician, and couldn't care less if that life involves resuming the drugs provided by Louie (Darren McGavin). Zosh is, or so it seems, confined to a wheelchair after an auto accident in which Frankie was the driver, and after which he married her out of pity. In fact, she's just milking the supposed disability for all it's worth, and when no one's around she gets out of the chair and walks. The marriage to Zosh also put an end to Frankie's involvement with Molly, a b-girl in a strip club. She's played by Kim Novak, an actress whose beautiful blankness always allows us to project whatever the script wants us to see in her, as in her greatest film, Vertigo (Alfred Hitchcock, 1958), in which her role is all about the male gaze and its effects. In this film her preternatural beauty seems out of place in the drab urban setting of the film, like an orchid in a junkyard. Anyway, as you can guess, Frankie gets hooked again and has to go cold turkey with Molly's help. The Man With the Golden Arm sometimes feels dated: Sam Leavitt's camerawork is often too bright and flatly lighted, showing up the artificiality of the soundstage sets. But the film works anyway, thanks to the solid dramatic effect produced by Sinatra's performance and the fine support from McGavin and character actor Arnold Stang, who gives a touching performance as Sparrow, a hanger-on devoted to Frankie. Elmer Bernstein's score is a classic, too, as is the  opening title sequence designed by Saul Bass.
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moenrus · 2 years
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Content: Moe Szyslak, Louis Walters, My and Evan's self-insert.🥰
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A collab/art trade with Evan from Lofter🥰 It was so much fun and I love Evan's art!!!
Here's the link to Evan's page:
https://e994977125.lofter.com
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louiethemobster · 3 years
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Hello world!! Louie comin’ right at ya!!!!!!!!
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shiny-shantante · 3 years
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Okay ahahaha
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1: why....
2: Fuck important, dick paper))
Ahahahhaa
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80siconic · 3 years
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louis “louie” walters my beloved <3
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ilonacho · 4 years
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y’know, like, mafia men
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wastebustersinc · 2 years
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Hiiiiiiiiiiii Elon my darling [hic] sweet angel~~ It's Louie
I missed you so that's why I called. It's so lonely in my apartment all alone and I [hic] miss you so much... with your indigo eyes and your soft golden hair...
Do you wanna maybe come [hic] over? I just want to see you again really. I loooooove yoooouuuuuu. Mwwwah
(@louistully1)
Oh ... ! L-Louis, I wasn't expecting a call so late!
I miss you too, my love ... it's getting harder and harder to be apart from either of you, I'm not sure what to do with myself all alone nowadays.
⠀⠀⠀⠀⠀                ⠀⠀m-my indigo eyes?
Come over ... ?
Louis ... I'm not sure coming over right now would be a good idea. I've had a terrible allergy attack since coming back from Walter's the other night and ... w-well ...
⠀⠀⠀⠀⠀                ⠀⠀he shouldn't be all alone like this, should he?
I love you too, so very much. I love you so much it hurts sometimes. We can talk on the phone all night tonight if you want, though, I don't mind at all ... I love hearing your voice ...
( @louistully1 )
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Masculine Names
Aaron  Abdul Abe  Abel Abraham  Abram Ace Achilles  Adair Adam Adonis Adrian Adriel  Ahmed Ajax Ajay Aiden Alan Albert Alejandro Alex Alexander Alfonso Alfred Alistair Alister Allen  Alonzo Amadeo Amadeus Amani Amari Ambrose Amir Anders  Anderson Andre Andreas Andrew Andy Angel Angelo Angus Ansel  Anson Anthony Antonio Apollo Aries Archer Archie Aristotle Arlo  Arnaldo Arnold Arsenio Arthur Arturo Arwin Asa Asher Aslan Atlas  Atticus Aubrey August Augustin Augustine Augustus Aurelio Aurelius Austin Axel  Aziz
Balthazar  Bane Barnabas  Barnaby Barney Baron  Barrett Basil Bastian  Bear Beau Beck Ben Benjamin  Benji Bentley Bernard Bertram Bertrand  Blake Blaze Blue Bobby Bodhi Booker Boris  Boston Bowie Boyd Brad Bradford Bradley Bram  Bramwell Bran Brandon Brandt Braxton Braylen Brayden Brendon  Brent Brett Brian Briar Brick Bridge Bridger Brock Brody Brogan  Bronx Brook Brooks Bruce Bruno Brutus Bryce Bryson Buck Bud Buddha  Buddy Buck Burt Burton Buster Buzz Byron 
Cade  Caden Cain  Cairo Caius Calder  Caleb Callum Calvin Cam  Cameron Camillo Campbell Carl  Carlisle Carlito Carlo Carlos Carlton  Carmine Carson Carter Casper Caspian Cassian  Cassias Cato Cecil Cedar Cedric Cesar Chad Chadwick  Chance Charles Charlton Chase Chauncey Chester Chidi Chip  Christoff Christoph Christopher Christian Chuck Cian Cillian  Clarence Clark Claud Clay Clayton Cliff Clifford Clint Clinton  Clyde Coby Cody Colby Cole Collin Colt Colton Conan Connor Conrad  Constantine Cooper Copper Corbin Cornelius Cory Cosmo Cosmos Costas Craig Crispin Cruz Curt Curtis Cyrus
Dale  Dallas  Dalton Damien  Damon Dan Dane Daniel  Dante Darius Darrel Darren  Dash Dashiell Davey David Dawson  Dax Daxton Deacon Dean DeAndre Declan  Demetrius Denali Dennis Denny Denzel Derek  Derrick Des Desmond Dewey Dex Dexter Diego Diesel  Dion Dirk Dixon Dmitri Dominic Donatello Donovan Dorian  Doug Douglas Draco Drew Duke Duncan Dustin Dusty Dwayne Dwight  Dylan Dyson 
Earl  Easton  Edgar Edmund  Eduardo Edward Edwin  Egon Eli Elijah Elias  Elliott Ellis Elroy Elton  Emanuel Emeric Emerson Emery  Emil Emiliano Emmett Emrys Enrique  Enzo Eric Ernest Ernesto Ernie Esteban  Ethan Eugene Eustace Euvan Evan Evander Everett  Ezekiel Ezra 
Fabian  Fabio Falcon  Faustus Felix Ferdinand  Fergus Ferguson Fernando Fidel  Fido Finbar Findlay Finn Finnley  Fionn Fisher Fitz Fletcher Flint Florence  Florian Ford Forrest Fort Foster Fowler Fox  Francesco Francis Francisco Franco Frank Frankie  Franklin Fred Freddy Fredrick Frederico
Gabe  Gabriel  Gael Gage  Gale Galen Garfield Garrett Gaston Gatsby  Gavin Geoffrey Geordie George  Gerald Gerard Gideon Gil Gilbert  Gilberto Giovanni Glenn Gordon Gordy  Grady Graham Grant Gray Grayson Gregg  Gregory Grey Griffin Griffith Grover Gunner  Gunther Gus Gustavo Guy 
Hades  Hal Hamilton  Hank Hans Harley Harrison  Harry Hawk Hayden Hayes Heath Hector  Henrik Hendrix Henry Herb Herbert Herbie  Hercules Hermes Hershel Hiram Holden Howard  Howie Hudson Hugo Humphrey Hunter Hux Huxley 
Ian Igor Iker Irvin Isaac Isaiah Ivan 
Jace  Jack Jackson  Jacob Jaques Jaden  Jake Jalen Jamal James  Jameson Jared Jason Jax  Jay Jed Jedidiah Jefferson  Jeffrey Jeremiah Jeremy Jerome  Jerry Jesus Jethro Jett Jim Jimmy  Joe Joel Johan Johannes John Johnny Jonah  Jonas Jonathan Jones Jordan Jose Joseph Joshua  Josiah Juan Juanito Judah Judas Judd Jude Jules Julian  Julien Julio Julius Junior Jupiter Jurgen Justice Justin Justus 
Kaden  Kai Kaiser  Kale Kaleb Kane  Keane Keanu Keaton  Keegan Keenan Keith  Kellen Kenan Kendrick  Kenneth Kenzo Keoni Kevin Khalid  Kian Kieran Kiernan Kingsley Kingston Killian  Kip Kwan Kyle
Lachlan  Lake Lamar  Lance Lancelot  Landon Lane Larkin  Larry Lars Laurence Laurent  Lawrence Lawson Lazlo Legend Leif  Leith Leland Leo Leon Leonardo Leopold  Leroy Levi Liam Lincoln Linden Logan Loki  London Lonnie Lonny Lorcan Lorenzo Lou Louie  Louis Luc Luca Lucas Lucian Lucky Luke Lupe Luther
Maddox  Maksim Malachi  Malachy Malakai Malcolm  Malik Manfred Manny Marcel Marcello  Marcellus Marcio Marcius Marco Marcos  Marcus Marian Marino Mario Marius Mark  Marlin Marlon Marmaduke Marques Mars Marshall  Martin Marty Marvel Marvin Massimo Mason Matt Matteo  Matthew Maurice Maverick Max Maximilian Maximus Maxwell  Melvin Mercury Meredith Merritt Micah Michael Miguel Miles  Milo Mitchell Moe Monte Montgomery Murdoch Murphy Murray Murtagh  Murtaugh Myles
Nathan  Nathaniel  Ned Nelson  Nemo Neo Neon  Neptune Neville  Newt Newton Nick  Nicky Nicola Nicolai  Nicholas Niko Noah Noel Nolan  Norm Norman Novak 
Obadiah  Octavio Octavius  Odin Olaf Oleg Oliver  Olivier Omar Orion Orlando  Orville Osborn Oscar Oso Osvaldo  Oswald Ottis Otto Owen Oz Ozzy
Pablo  Palmer Panther  Parker Pascal Patrick Paul  Paxton Pedro Penn Percival Percy Perseus  Peter Peyton Phil Philip Phineas Phoenix Pier  Pierce Pierre Pilot Pluto Porter Poseidon Preston  Prince Prosper
Qadir  Quincy Quinn  Quinton 
Raiden  Ralph Ramone  Ramses Randall Randolph  Randy Raphael Ravi Ray Raymond Red  Reece Reggie Reginald Regis Reid Remington  Reuben Rex Reynald Reynaldo Reynard Rhett Rhys  Ricardo Richard Richie Richmond Rick Ricky Rico Ridge  Riley Rio Riordan River Robert Roberto Robbie Rocco Rocky  Rodney Rodrigo Roger Ricky Riley Rod Rodrick Roger Roland  Roman Romeo Ross Rowan Rudy Rufus Russell Ryder Ryker Rylan Ryland 
Salem  Salvador  Salvator Sam  Samir Sampson Samson  Samuel Sander Sandford Sanjay  Santiago Saul Sawyer Scott Sean Sebastian  Septimus Serge Sergio Seth Seus Seymour Shane  Shawn Shayne Sheldon Shepherd Sherlock Sherman Shin Sidney  Sigmund Silas Silver Silvester Simon Sinclair Sinjin Sirius  Slade Slate Sol Solomon Sonny Sparrow Spartacus Spencer Spike  Soren Stan Stanford Stanley Steele Stephen Steven Stevie Stone Sven Summit  Sullivan Sully Sylvester
Tad  Tag Talon  Tanner Tate  Ted Teddy Teo Teodor  Teodoro Terence Terrell  Terry Tex Thad Thaddeus Thane  Thatcher Theo Theoden Theodore Thomas  Thor Thorn Tiberius Tiger Tito Titus Timothy  Titus Tobias Toby Tommy Tony Topher Trace Travis  Trent Trenton Trev Trevor Trey Tristan Troy Truman Tucker  Tudor Tullio Tullius Tully Tycho Tyler Tyrell Tyrese Tyrone  Tyson
Uberto  Ulric Ulrich  Ulysses Uriah Urban Urijah  Uriel
Van  Vance  Vaugn Victor  Vince Vincenco Vincent  Vinny Virgil Vlad Vladimir 
Wade  Walden  Waldo Walker  Wallace Wally Walt  Walter Warner Warren  Watson Waylon Wayne Wendall  Wesley Westley Weston Wilbert  Wilbur Wilder Wiley Wilfred Will William  Winston Wolf Wolfe Wolfgang Woodrow Wyatt 
Xander  Xavier Xavion  Xenon
Yael  Yahir York Yosef  Yousef Yusef
Zac  Zach Zachariah  Zacharias Zachary Zack  Zander Zane Zayden Zeke  Zeus Ziggy Zion Zoltan
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kwebtv · 3 years
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Lucky Louie - HBO  -  June 11, 2006  - August 27, 2006
Sitcom (13 episodes - 1 unaired)
Running Time:  30 minutes
Stars:
Louis C.K. as Louie
Pamela Adlon as Kim
Kelly Gould as Lucy
Mike Hagerty as Mike
Jim Norton as Rich
Laura Kightlinger as Tina
Rick Shapiro as Jerry
Jerry Minor as Walter
Kim Hawthorne as Ellen
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adultswim2021 · 3 years
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Home Movies #35: “Storm Warning” | November 3, 2002 - 10:00 PM | S03E09 
There’s a reason I think so highly of season three, even when I scrutinize for the sake of this blog. Here’s one of the episodes that cements season three as the best season of Home Movies.
Paula finally finishes her novel and a literary agent agrees to read it. She’s so excited that she tries to rush the manuscript over to his office during a tornado warning. Also: McGurk is trying to coax Paula into posing as his significant other to impress his sister (which Paula agrees to so he’ll babysit the kids), Brendon and his friends are making a one-joke mockumentary about a director who has renamed his film “Movie History” so he can say that he’s “making Movie History”, and Walter and Perry are trying to save a tree from being cut down because they peed on it.
This episode has so many hilarious, memorable scenes. Even the best episodes of Home Movies have their peaks and valleys, but this one is just relentlessly hilarious. It’s just one terrific scene after another. Hell, the weakest element of the show is the sitcommy story of McGurk wanting Paula’s help deceiving his sister, but not much is made of it at all, and the opening scene of the show has a really funny bit where McGurk relishes in the fact that he knew a vocabulary word that Paula didn’t.
Other bright spots include: McGurk trying to calm Josie down but it leads him to just start listing different ways you can die. Jason revealing that his call home included a lengthy discussion about who Brendon is and that they make movies together, a fact that he had never shared with her until now. Brendon questioning “why?” when told that a tornado’s force is strong enough to nail a nail into a tree (as in, why would a tornado want to drive nails into a tree), and one of the all-time hilarious moments: Walter and Perry inexplicably winding up in Paula’s car after she’d driven it into a ditch and CURSING, bleeped out of course. It’s a joyous moment of improvisation, and you sense that their busting up is genuine laughter from Brendon and H. Jon. To top it all off, Mitch Hedberg’s cop character returns; though he doesn’t have any lines. He hadn’t died at this point, but in 2021 is almost seemed like an accidental posthumous tribute to him.
MAIL BAG
Anonymous writes:
If you are getting into Louis I would start with Shameless. Then I would his FX show first and then intersperse it with Lucky Louie when you need a vibe change. Then I would watch Sincerely after you finish the FX show. Then go back and watch Chewed Up/Beacon Theater/Hilarious. I forget if I'm missing something else big but I would save the 2017 special last after you've come around to fully sympathize with him and what to destroy his accusers.
Thank you for this. I’ve made the mistake of trying to get into Louis by reading reddit posts on the Opie and Anthony subreddit, specifically the megathread where they try to determine the exact racial makeup of each one of his accusers
Anonymous writes:
I log in almost everyday to see what nutty thing you have to say about adult swim shows from almost 20 years ago. I may just be nuttier than you for reading it.
Us nuts gotta stick together! ^_^ LOL!
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wikitopx · 5 years
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Finding the perfect name for your newborn baby may take some time and careful consideration, but it can also be very interesting.
In fact, it's one of the first and biggest decisions you have to make as a new parent. Are you looking for a son to speak of a family tradition or celebrate a cultural tradition? Whatever your approach, you'll find lots of great options on the following list of the 1,000 most popular boys, according to Social Security Administration (SSA). Take a look to help you narrow down your favorites list (or inspire new ones) and enjoy the experience of finding your favorite name for your new son.
[toc]
1. Top 1,000 Baby Boy Names
Liam
Noah
William
James
Oliver
Benjamin
Elijah
Lucas
Mason
Logan
Alexander
Ethan
Jacob
Michael
Daniel
Henry
Jackson
Sebastian
Aiden
Matthew
Samuel
David
Joseph
Carter
Owen
Wyatt
John
Jack
Luke
Jayden
Dylan
Grayson
Levi
Isaac
Gabriel
Julian
Mateo
Anthony
Jaxon
Lincoln
Joshua
Christopher
Andrew
Theodore
Caleb
Ryan
Asher
Nathan
Thomas
Leo
Isaiah
Charles
Josiah
Hudson
Christian
Hunter
Connor
Eli
Ezra
Aaron
Landon
Adrian
Jonathan
Nolan
Jeremiah
Easton
Elias
Colton
Cameron
Carson
Robert
Angel
Maverick
Nicholas
Dominic
Jaxson
Greyson
Adam
Ian
Austin
Santiago
Jordan
Cooper
Brayden
Roman
Evan
Ezekiel
Xavier
Jose
Jace
Jameson
Leonardo
Bryson
Axel
Everett
Parker
Kayden
Miles
Sawyer
Jason
Declan
Weston
Micah
Ayden
Wesley
Luca
Vincent
Damian
Zachary
Silas
Gavin
Chase
Kai
Emmett
Harrison
Nathaniel
Kingston
Cole
Tyler
Bennett
Bentley
Ryker
Tristan
Brandon
Kevin
Luis
George
Ashton
Rowan
Braxton
Ryder
Gael
Ivan
Diego
Maxwell
Max
Carlos
Kaiden
Juan
Maddox
Justin
Waylon
Calvin
Giovanni
Jonah
Abel
Jayce
Jesus
Amir
King
Beau
Camden
Alex
Jasper
Malachi
Brody
Jude
Blake
Emmanuel
Eric
Brooks
Elliot
Antonio
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Timothy
Finn
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Elliott
Edward
August
Xander
Alan
Dean
Lorenzo
Bryce
Karter
Victor
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Miguel
Hayden
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Grant
Zion
Tucker
Jesse
Zayden
Joel
Richard
Patrick
Emiliano
Avery
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Brantley
Dawson
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Matteo
River
Steven
Thiago
Zane
Matias
Judah
Messiah
Jeremy
Preston
Oscar
Kaleb
Alejandro
Marcus
Mark
Peter
Maximus
Barrett
Jax
Andres
Holden
Legend
Charlie
Knox
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Paxton
Kyrie
Kyle
Griffin
Josue
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Enzo
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Paul
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Colt
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Colin
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Clayton
Simon
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Nash
Derek
Rafael
Zander
Brady
Jorge
Jake
Louis
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Karson
Walker
Maximiliano
Amari
Sean
Chance
Walter
Martin
Finley
Andre
Tobias
Cash
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Iker
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Jayceon
Romeo
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Kayson
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Jaxton
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Caiden
Dakota
Major
Keegan
Sergio
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Kade
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Tyson
Wade
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Nasir
Conner
Adonis
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Reed
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Clark
Erik
Lawson
Trevor
Gage
Nico
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Quinn
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Johnathan
Sullivan
Solomon
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Fabian
Pedro
Frank
Shawn
Malcolm
Khalil
Nehemiah
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Mathias
Jay
Ibrahim
Peyton
Winston
Kason
Zayne
Noel
Princeton
Matthias
Gregory
Sterling
Dominick
Elian
Grady
Russell
Finnegan
Ruben
Gianni
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Kendrick
Leland
Pablo
Allen
Hugo
Raiden
Kolton
Remy
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Damon
Emanuel
Zaiden
Otto
Bowen
Marcos
Abram
Kasen
Franklin
Royce
Jonas
Sage
Philip
Esteban
Drake
Kashton
Roberto
Harvey
Alexis
Kian
Jamison
Maximilian
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Avi
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Reuben
Jaxx
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Yehuda
Imran
Yael
Alexzander
Willie
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Heath
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Davion
Elon
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Maddux
Ephraim
Ignacio
Vivaan
Aries
Vance
Boden
Lyle
Ralph
Reign
Camilo
Draven
Terrence
Idris
Ira
Javion
Jericho
Khari
Marcellus
Creed
Shepard
Terrell
Ahmir
Camdyn
Cedric
Howard
Jad
Zahir
Harper
Justus
Forest
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Deangelo
Genesis
Harlem
Kalel
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Lian
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Markus
2. Top 10 beautiful Middles names for baby Boys
Ace
Abe
Beck
Blake
Dean
Grant
Hugh
James
Charles
George
More ideals for you: Top 1000 baby Girl names
From : https://wikitopx.com/name-meanings/top-1000-baby-boy-names-711929.html
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louiethemobster · 3 years
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Are you the same person who run Legsthemobster account?
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Do you have problems with short term memory, anon?
I'm the original and official LOUIE, the one and only <3
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biofunmy · 5 years
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The best TV of the decade? It’s a lot to sort out.
Impossible, really — and, at first pass, my picks for best shows of the 2010s wouldn’t look much different from most other critics’ lists: “Breaking Bad,” “The Americans,” “Game of Thrones,” “Twin Peaks: The Return,” “Veep,” “The Good Wife,” “Transparent,” “Atlanta,” “Fargo,” “The Crown” — that’s 10, right? Hit “send” and let’s get on with life.
But perhaps there’s another way to approach this stretch of much-too-much TV, and instead categorize the shared qualities that separated the decade’s very best shows from the heap of mediocre ones. That way, we can talk about this extraordinary period of scripted dramas and comedies without starting one last argument about where they rank.
I know readers only have time anymore to read lists, but bear with me. Here are the best kinds of shows we watched over the last 10 years. Many of them belong to more than one category — a sign of their greatness.
Anxiety-makers
These would be your nail-biters, seen mainly on prestige cable, often on Sunday nights.
Why we gorge on these cliffhanging, often upsetting dramas on the night we most need to rest up for the week ahead, I’ll never know, but we went to bed desperate over characters and story lines we couldn’t control: In AMC’s “Breaking Bad,” probably the decade’s finest work of story engineering and execution (and yes, I’m aware it premiered in 2008), when will Hank Schrader (or Skyler White) finally catch on that Walter White is the meth kingpin of New Mexico? Some of those close calls (the train episode!) and slow-building conflicts were almost too hard to take.
The decade’s other great adrenaline-producer, FX’s “The Americans,” aired on Wednesday nights, where the panic attacks seemed more manageable. How long would it take FBI agent Stan Beeman to figure out that his friendly neighbors, Philip and Elizabeth Jennings, were deeply embedded KGB spies? How much does Paige know? Will they outlast the Cold War? Showtime’s “Homeland,” meanwhile, neatly bundled our post-9/11 anxieties with the mental problems of a CIA agent who thought she could save the world.
These are but three shows that gave America’s TV addicts a strong case of the jitters. Others tried and sometimes came close. I started out the decade worrying way too much about Rick and the other doomed survivors of AMC’s “The Walking Dead” (until I gave up on them entirely a few years ago), but the show’s success is notable for its stress-inducement, which was so strong that the network started an aftershow, “Talking Dead,” to help audiences cope with the latest gory developments.
Immersive portraits
These were some of my favorite shows, broadly defined by the word “dramedy” (because they were sometimes intensely funny), but better described as character studies, portraiture — of characters I’ll never forget: Amy Jellicoe in HBO’s “Enlightened,” followed by Hannah Horvath in “Girls.”
Many shows in this category can in some ways be regarded as selfies. Louis C.K., who quickly became persona-non-grata, nevertheless triumphed with “Louie,” which made it possible for similar shows to act as a mirror that not only reveals a personal nature, but a universal quality that potentially can be shared by the audience. I’m thinking here of Donald Glover’s “Atlanta” (FX), Aziz Ansari’s “Master of None” (Netflix), Phoebe Waller-Bridge’s “Fleabag” (along with “Catastrophe”) and Pamela Adlon’s “Better Things” (FX).
This genre also, at long last, helped television achieve the diversity it had for too long failed to produce. Issa Rae’s “Insecure” (HBO) is a triumph in the way it both inhabits its creator’s viewpoint as millennial black woman, yet welcomes viewers of any sort.
To that list add Hulu’s “Ramy” and “Pen15,” HBO’s “Looking” and Comedy Central’s “Broad City” — any show where a viewer potentially discovers someone unlike themselves: different age, different background, different race. Or, more importantly, a viewer at long last sees themselves in the main character.
Washington certainly saw its uglier self in Armando Iannucci’s gloriously foul-mouthed “Veep” (HBO), the true definition of comic relief and on-point satire at a time when politics grew unfathomably absurd.
Metaphorical profundity
The best dramas in the 2010s reflected a larger message about the society that watched them — sometimes obliquely, sometimes bluntly. Despite its notably weakened final season, HBO’s “Game of Thrones” has proper claim, I think, to be deemed the show of the decade, but not just because it grew so popular. It’s because how much of it seemed to eerily echo our surroundings: Climate change (and denial of it); shocking acts of violence; widespread social collapse; galling politics; extreme disparities in class and wealth; weapons of mass destruction . . . I could go on.
Timing is everything. Hulu took a 1985 dystopian novel — Margaret Atwood’s “The Handmaid’s Tale” — revved it up and released it just as the Trump administration began detaining, locking up and banning immigrants, appointed conservative judges and looked the other way at nationalist fervor. The metaphor there was almost too applicable; fortunately, the show was strong enough to withstand the hype.
Viewers learned how to find meaning in just about any show — the betters ones made it more compelling: AMC’s “Mad Men” was a beguiling search for the soul of the 20th century; CBS’s “The Good Wife” was a wicked running commentary on politics, technology and modern relationships; NBC’s “This Is Us” was (and still is) a fascinating rumination on the essence of what makes a family. (Note to all you Ancestry genealogy nuts: It’s not just DNA.)
Happy-snarky-sweet
Certain comedies just make us feel better (and also sharper, wittier — empowered, even) no matter how many times we re-watch old episodes. It’s in the camaraderie aspect, the life lessons, the archetypal arrangements, the snarkiness glossed over by group cohesion. It’s a continuation of what began in the best multicamera, studio-audience, ersatz-family sitcoms (“Cheers,” “Seinfeld”), rejiggered for a wired generation. Most of them aired on NBC: “Parks and Recreation,” “30 Rock,” “Community,” “The Office,” “The Good Place,” “Superstore” — now joined by “Brooklyn Nine-Nine.” A few others aired on other networks, giving viewers a similar satisfaction: “The Big Bang Theory” on CBS; “Modern Family,”“Happy Endings,” “Cougar Town” and “Black-ish” on ABC.
Transformative tellings
In addition to finding new narrative styles and (quite belatedly) focusing on overlooked demographics, TV turned out to be an excellent venue for recasting an old story from a fresh perspective or enlightened distance.
I’m thinking here of FX’s “American Crime Story: The People v. O.J. Simpson,” a compelling departure from the way we popularly regarded that murder trial. It inspired others to dramatize previous events with a corrective, even courageous new viewpoint — such as Netflix’s “When They See Us,” about the unjustly imprisoned teens who were wrongly coerced into confessing to a 1989 Central Park attack on a female jogger.
Crime wasn’t the only subject in need of a remix. Both “Downton Abbey” (PBS) and “The Crown” (Netflix) succeeded because of the way they re-examine extreme privilege, without preventing us from enjoying the luxurious roll in it.
Some shows were revelatory in more subtle ways: Jill Soloway’s “Transparent” (Amazon Prime) masterfully wove a woman’s journey with the entirety of modern American Judaism, enlightening its audience to more than just the trans experience. And Showtime’s “The Affair” played with the very nature of truth, telling the story of marital infidelity from competing — and crucially different — perspectives.
Impossible puzzles and true art
If the decade in TV will be remembered for anything, it will likely be the complexity of some shows. The weirdness. The unexpected swerves. It turned its viewers into perpetual puzzle-solvers and conspiracy theorists. After beginning the decade with an unsatisfying wrap-up of ABC’s “Lost,” co-creator Damon Lindelof returned on HBO with a confounding take on “The Leftovers,” finally mastering the balance between befuddlement and momentum with “Watchmen.”
There are, finally, two standouts — and they challenged my ceaseless harangue about reboots. One was Noah Hawley’s expanded and wholly reimagined take for FX on “Fargo,” a Midwestern crime saga first seen in Joel and Ethan Coen’s 1996 film classic.
The other was David Lynch’s long-delayed but staggeringly beautiful sequel to his 1990 TV sensation “Twin Peaks.” Critics argued, somewhat pointlessly, whether “Twin Peaks: The Return” (Showtime) was a very long film or a strangely protracted TV series.
I can settle that: It was nothing short of pure art — unexpected, absolutely original and layered with deep, trippy meaning. Of all the TV I slogged through in the 2010s, it’s the show I most look forward to someday watching again.
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