#Losing Sense of My Morality

[zonatcannibalism]

Idk about you but one of my favorite things about Lottienat is them absolutely keeping life and work separate until they cant anymore. They might be absolutely opposing each others philosophies and everything the other stands for at day but the moment theyre alone they act like nothing is wrong. Lottie can hurt nat so much with the decisions she makes as the prophet and nat can hurt her just as much with the decision she makes as antler queen/ hunter but the moment theyre given privacy none of it matters. No, it dosent mean that the decisions they make arent actually hurting the other. No, they dont discuss it. Theres a huge gap between how they fulfill their roles in the team and how they treat each other when theyre apart from the team, and its absolutely toxic and hurting them and killing them both a little from the inside. And no, they dont discuss it unless they absolutely have too, and no, the way they act in each scenario is not pretend. And they will only stop to bring their feelings towards each other into the way they fulfil their roles in the team if the other is in actual danger.

This is why nat being the antelr queen didnt work out- it put them on the same side, and theyre doomed to always be enemies by day and lovers by night.

(help i actually hit 30 tags😭😭😭)

[rivilu]

One side effect of the autistic sense of justice for me is going insane over justice and vengeance as concepts in themselves whenever applicable in media.

Which unfortunately means that thinking about justice dragon age for too long (especially with the post inq takes on spirits) makes me want to rip my hair out.

[anonymous-ace72]

I don't wanna cosplay Caligula.

But the p a r a s i t e s in me want to cosplay Caligula.

I feel like it's a little weird, even though this is a fictionalized version, he was still a historical figure that actually lived.

But the parasites, the D E M O N in me... it wants to cosplay Caligula

[twilightcunt]

I’ve been rewatching Person of Interest and I’ve finally reached that episode in season 3. I can’t believe they fucking kill her 😭😭😭😭😭 It’s been haunting my mind since halfway through season 2 and now I’m gonna have to see it all over again.

[ruidusmoon]

i absolutely lack the brainpower to put my admiration for this mini arc into words but holy shit this was beautiful.

i love how complex the gods are, the relationships between them are so deeply loving and so broken. their family is prioritized over many things, mortals, promises and other families. even though they hurt each other that family tie is more important than almost everything else. they didn't want to hurt their children but they did it anyway for each other. at the end of the day they will cast aside their children in favor of their kin. the line is between those who matter and those who do not.

[seventh-district]

.

[dykesapphics]

IT'S ALL SO FUCKED

[autisticcole]

Heheheheheho I have gotten some of the Dragon Age books (🏴‍☠️) and this is gonna really let me dig into some stuff, especially my favorite guy Cole, cause now I can read his OG appearance, I want to see how much stuff Cole says, especially during his quest actually makes sense, and how much is in-universe "both sides are right"ing about not listening to what Cole wants to do.

I am mainly talking about Spirit!Cole thanking Inky for not making him change... Despite the fact that thoughout Cole's quest Solas ignores what Cole wants (Like being binded) & wants to do (Kill the guy who beat beyond beating a 12 (at most) year old (most likely, it isn't outright stated (to my memory) the Templar who fucked up the paperwork was also one of the ones who physically abused him, but I feel it's a pretty safe assumption) & got that child killed due to neglect & faced no consequences) but ultimately the choice that causes Cole to thank the player for not changing him is the one where you listen to Solas over Cole (Or well Varric, who also doesn't let Cole do what he wants but is closer to what Cole would have done if he had went alone for the confrontation) & in this route I would say Cole's character changes a lot more, especially as he forgets the original Cole, which... Rubs me wrong, but I'll save my more detailed thoughts for 1. After I fully read Asunder & 2. Either a full Cole analysis or a detailed post about my thoughts on his quest & routes (& maybe how I'd rewrite them, as a Autistic person & a ally to the aroace community)

Anyways my point is that I want to see how true it is characters rejected or wanted to change Cole, I want to see what leads him to feel that having two men argue & tell him who he is supposed to be & do only to have a third person decide out of those two's options for what he should do is remotely a situation where he's been accepted.

[lith-myathar]

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[mikkolas]

i’m confused by your last posts — nick cousins is not on the team? he’s an unrestricted free agent and there’s no reports he’s in talks for a new contract with the panthers… even if we wanted to being him back, we spent the cap? there’s no money to resign him, that’s why we couldn’t bring tarasenko back either (obviously he’s more expensive tho)

no, like. functionally I don't expect him to come back, obviously, but it's just deeply frustrating to see so many good people leave and for him to still not be signed somewhere else yet. it's upsetting! so I'm mindlessly complaining about it, lol. basically getting the last jokes I can out of him to make myself have some sort of mild comfort as everyone I hold dear is being taken out back and shot, yanno?

[quantomeno]

The Gilded 7 Casino

This song is clearly influenced by Take 5. Or at least I want to think it is. I discussed time signatures in my previous song analysis, but like I said then the most common time signature is 4 4 (it's even called common time). It's 4 crotchet beats per bar. If you can dance the Macarena to it, it's 4 4 time. If you can dance a waltz to it, it's 3 4 time. Take 5 uses a very unusual time signature: 5 4 (5 beats per bar). Take 5 also always makes me think of casinos, even before I played this game.

Now, the Gilded 7 Casino also has a relatively uncommon time signature, but it sadly hasn't got the number 7 in it. This felt like a massive missed opportunity but it would have also been quite odd to write so I can accept it.

Anyway, to the actual analysis: the song is written in 6 8 time. Note that both numbers are different from usual. The unit beat is different: instead of a crotchet (quarter note) it's a quaver (eighth note). This is known as compound time. It's the time signature used for songs such as Greensleeves or INXS' Never Tear Us Apart.

It is my favourite time signature.

A waltz has the accent repeating every three beats (1, 2, 3, 1, 2, 3 for an example see this video at 1:22), and so does 6 8 (but it's more like 1, 2, 3, 4, 5, 6). You have to imagine it like two beats played per bar, and those two beats are split into thirds.

The easiest way is to say 'coventry' two times a bar.

Take a listen. Note that the tempo is quite slow relative to each 'coventry' (it's almost one coventry a second, I think it's 48 a minute), but because it's three little beats per each two big ones, it feels quite fast.

(Note that I've seen people write sheet music for it using 3 4 time. I think this wrong, but if you change the tempo the two time signatures are virtually indistinguishable, so who knows.)

So, why 6 8 (or 3 4 even)? What does this bring?

Let's take a step back and look at the rest of the song first.

It's rich. The piano feels weighty, with nice, heavy chords punctuated by deep, low notes which anchor us to the beat. You have that warm, arco violin paired with that husky-voiced saxophone. We have that constant heartbeat of the piano along with a walking bass in the back that fills out the sound nicely. It is a thick texture that is veritably thrumming with life, yet... there is still something not quite wholesome about it, isn't there?

My sources tell me it is written in D minor. This accounts for part of the discomfort it engenders. The minor key brings a sinister atmosphere to the piece; you feel like something bad is happening, if not evil than at least something dodgy. Exactly how it feels to be in a casino, surrounded by all the money being thrown around and the shady dealings going on. The casino is a Family-run business after all.

(D minor to me is also an elegant and rich key, that evokes deep purples with touches of crimson. It's because of the D being the tonic. It just is OK.)

The dynamics are decidedly loud, again creating a bustling atmosphere. I feel it is pertinent to note here that the first time we hear this song (correct me if I'm wrong but I distinctly noticed this last time I played) is during the slot machine gun scene. Unless you voluntarily choose to go back to the casino afterwards, this cutscene is the only time you'll hear the song. This piece is designed to evoke a sense of chaos and thrill.

And now, we reach the rhythm.

6 8 time. It evokes a waltz or a ballroom dance, which aids in building that elegant, luxurious vibe, but, being 6 8, it is notably quicker than a normal waltz would be. It gives the piece a briskness, but since each fundamental beat (the 1 and the 4 I pointed out earlier) is quite slow, it doesn't lose that languid, almost bloated feeling.

Then we have the violin and sax. The violin tends to jump between playing short, detached, strongly accented notes (e.g. at 0:52) and longer, smooth notes, but never really losing any intensity (e.g. 0:41). The saxophone is much the same (listen from 1:20 to 1:43). Again we have this contrast between the stateliness, the weighty feeling of wealth, and the buzz of the casino. It's a bit like the ostentatiousness of the nouveau-riche compared to old money: the casino has cash and it's showing it off. The elegance here is all bought and as a result it ends up feeling tawdry. It also helps with the action-packed scene that it features in. This is further evoked by the sax's tendency to add ornamentation to its longer notes: little flitterings of notes at the start of the drawn-out ones. It feels like it's trying to impress you.

Also, big shout out to the percussion: that cymbal crash really brings out the bam! and could be a bit of a play on the sound of coins falling. The drum beat enters quite late, at the same time as the sax. It doesn't quite work to keep the beat, however, if anything it seems to land on off beats, opposing the regularity and pacing of the piano. Once again, we have a song that brings out unease but also bewilderment and hustle and bustle. The song feels fun, it just has a dark undercurrent.

Exactly how the casino should feel.

It is not Layton-esque, and it highlights how future London has become a seedy city ruled by criminals. Recall that Layton, a man of simple elegance and refinement, who appreciates the craftmanship of a simple lacquered stool, is now (supposedly) the owner of this den of iniquity.

It evokes all the things Layton patently isn't and in doing so encourages a sense of revulsion that things could become so bad. The whole casino makes me feel sad, because it stands opposed to everything Layton believes in, and the thought he has changed so completely he would forgo those values hurts.

[franeridan]

nearly done with my op reread and for the longest time my theory was that the d marked the descendants of the people native of the island that eight hundred years ago fought the twenty nations, but rereading the part about lili I thought maybe it's more lax and it marks everyone who opposed the current government in general, not just those from the island - she was the queen of one of the twenty kingdoms after all, and imu didn't seem to know the nefertaris had a d in the name as well, but before the war there would have been no reason to hide it? so i think it's something they added to their names later, maybe to recognise each other as allies? or something? the kozuki were obviously allied too and don't have a d though, so I can't say this theory makes a hundred percent sense. also i find interesting how law is hiding the water part of his name too together with the d, i wonder if that has any further meaning? another interesting thing is that there seems to have been some form of prophecy or prediction about what's currently happening in the manga, since oden knew he had to wait twenty years and the sea monsters in the oden flashback on fishmen island were talking about it too... maybe a prediction about a war? since oden wanted to unleash pluton. I wonder what exactly they found out on laugh tale that made them all laugh when the events the wg is keeping secret seem to be this tragic... also, i think i never even noticed during my first readthrough of egghead but there's someone offshore with blackbeard's flag? a small boat, it seems, but I think atm we know all blackbeard pirates are either on the pirate island or fighting against the hearts (;;;) so I wonder who exactly that is? also, I didn't catch this either first time around but I feel like the germa might just be heading there as well right now lmao the thing with kuma returning to mariejois happening so soon after vp talked about the ancient robot attacking mariejois and no one knowing why is also suspicious to me, I wonder if vegpunk used data from that robot to turn kuma into a cyborg and that's tied to why he returned there for apparently no reason...?? anyway I thought rereading would help me clear up some questions but instead it left me with even more kkkk should have figured

[fakecrfan]

I know most people on here don't like to go to the gym because you're all gay nerds. I like to go to the gym. For the purpose of understanding this post please try to imagine that you, too, enjoy going to the gym so that you can empathize with my point here.

Anyway, so imagine you are going to the gym. You're pumped about the concept of getting some muscle on you. Plus, the gym has this "lift weights every day!" challenge with a feasible plan to slowly and safely increase the amount of weight you can lift by the end of the month. Cool!

So anyway you go there, and you're having a good time. But then you notice something. Some people are coming in with these guys in shirts that say LIFT FOR HIRE. You're curious, and you notice over time that some people are actually paying these guys to come in and do the lifting challenge for them.

"Huh," you say to your mega hot, muscled gym buddy. "That's so weird. What's in it for the people paying these guys?"

"Dunno," says your friend, mid bicep curl.

"Um, actually!" says the gym owner. "Some people are disabled, so the only way they can lift weights it to pay LIFT FOR HIRE, inc."

"But wait," you say. "They still aren't lifting the weights though? Paying someone else to lift for you doesn't mean you've lifted the weights."

The gym owner gasps. "How could you SAY that?"

"Because... it's true?" you say. "Uh, if you pay guys to lift your weights, that's probably really good for the guys you are paying. But it's not going to develop your ability to lift at all. Your muscles aren't going to grow, you're just going to lose money and get no results."

"That's ABLEIST," they say. "How DARE you! Some people are LITERALLY paralyzed, did you think of that?"

"Well, yeah, some people are, and that means definitionally they can't lift weights," you explain. "And paying someone else doesn't change that. Maybe if they wanted to like, move something in their house it would make total sense to hire these guys! But if you hire them to do your workout you get nothing, because the purpose of a workout is personal development. I'm not morally condemning people who do it, but it seems like a waste of money when this event is, again, about improving one's personal abilities."

"This is absolutely DISGUSTING, CLASSIST rhetoric!" the gym owner roars, and then turns to one of the LIFT FOR HIRE guys, "Pay no attention this disgusting person, dear sponsor, we support your business and we totally want you to keep funding our gym!"

"Sponsor?" says your hot muscled friend who was way too busy actually doing their workout and getting gains to engage in dumb discourse. "Oh, now it makes sense."

"Shut up, you don't understand our love!" says the gym owner, before sloppily making out with a LIFT FOR HIRE guy in front of you.

Anyway, that's what learning about the whole AI nanowrimo controversy was like for me.

[luckyashes]

having music be a muse/motivation to draw is so silly because sometimes it makes one tweak out and violently need to draw the most insane shit ever

[redjennies]

me talking to Martin Bauer in Act III:

[freakova]

Got made redundant champs