#Lil Picard

[abwwia]

‘Women Artists – Seventy Plus’ panel, Brooklyn Museum, 1975, l to r: June Blum (moderator), Alice Neel, Isabel Bishop, Sari Dienes, Lil Picard, Lilly Brody, Lois Mailou Jones – photo Maurice C. Blum x

[droctavius]

[slashere]

this picture is just pure chaos

we got smol wesley trying to hide himself from bald man in the turbolift(and failing)

bald man doing that sassy pose with his hands on his hips and u don’t even have to look at his face to know he’s disappointed

Data in the corner LAUGHING

And is that a floating head in the left??

[annikasevenshots]

Seven + her lil smirk when given her own command 🥺

(S02E10 vs S03E01 vs S03E08)

[cicaklah]

sorry I was thinking about seven of nine and remembered the end of picard s3 where she gets to be captain of the enterprise with her girlfriend as her XO and then they ruined it by making baby picard be there as well as her special lil guy and the FLAMES on the SIDE OF MY FACE.

[blondie-drawings]

So I've been going through the next generation and I need you to know every time troi is on screen all I can think of is her going "captain why am I the only bitch serving cunt here"

i'm in your head now

[what-happens-to-the-heart]

And finally some weekend time to go through and read and comment on the beautiful fanworks that have been posted for Cohen Fest so far!

If you are enjoying the angsty delights in this years Cohen fest, remember if you can to give the author/artist a comment or reblog 😉🥳

[rhaenella]

Ed Speleers: Filmography 2010-2023 🎥

Deathless (2010) ��� John Ray

A Lonely Place to Die (2011) — Ed

“It was certainly a physical experience, definitely. I think from a stunt element, I try to do as much as producer jurisdiction would allow me to do. But you can’t take any credit away from a fantastic stunt team, and Jamie Edgell was a brilliant stunt coordinator. […] Wherever possible I tried to be as hands-on and do as much as Julian [director] wanted me to do.” [x]

The Ride (2011) — Student

Metamorphosis: Titian (2012) — Actaeon

“I was very excited to get involved. I think the initial reaction was to see Luke and Remi [directors] and seeing some of their previous work was what really drew me in at first. And then you start looking at the National Gallery, and then you start realising that Titian is, obviously, a fantastic artist. To be able to recreate one of the great paintings was a fantastic opportunity for me.” [x]

Love Bite (2012) — Jamie

“My mum told me I was always comfortable with nudity as a kid, but I think as I got older I’ve become rather uncomfortable with it. It’s one of those things where the director just comes up to you ‘right, Ed, today you’re naked, and you will be running through the streets of Glasgow’ – ‘alright, okay, let’s do it, yeah fine’. And the cameras are rolling, and whilst they’re rolling you think nothing of it. But it’s when the cameras go off and cut, you suddenly look around and there’s fifteen men in North Face coats with cigarettes and big, burly beards just staring at you, and you think ‘yeah, I’m definitely naked, alright then, wicked’.” [x]

Turncoat (2013) — Nathan Reece

Plastic (2014) — Sam

Downton Abbey (2012-2014) — Jimmy Kent

“It was a very special time working on the show. But the character himself wasn’t at the forefront. When you’re downstairs, and Julian Fellowes, the writer, his emphasis is on the upstairs – that’s the world he knows very well. And the downstairs characters quite often bridge the gap between upstairs and downstairs, but you’re not always front and centre, which is fine. You’re part of an ensemble, part of the process. And actually, there I had to learn how to be a part of an ensemble, or learn how to be a part of the big scene, maybe not having to say a great deal all the time but learning how to be present. Learning how to be on the ball. Learning how to respond to others, whether it be very subtle looks or whether it be just learning how to play a little bit.” [x]

Wolf Hall (2015) — Edward Seymour

Howl (2015) — Joe

Partners in Crime (2015) — Carl Denim

Interview with Ed for BBC’s Saturday Kitchen hosted by James Martin. James: Your character is like a playboy character, would that be right? Ed: I wouldn’t say playboy… James: Rides a motorbike? Ed: He rides a motorbike, yeah… He rides a motorbike. [Audience laughs] James: I know this cause he [Ed] didn’t ride a motorbike. Ed: No, no… I unfortunately couldn’t ride the motorbike. I’m really rock ‘n roll, clearly. It was a beautiful bike as well, a Triumph Tiger. So, I think, at some point, you will see a shot of me riding off on the bike and then it’ll cut to a slightly wider back. [x]

Remainder (2015) — Greg

Alice Through the Looking Glass (2016) — James Harcourt

“Getting to work with some of the people that are involved was a key element, and knowing I was gonna get scenes with Mia Wasikowska was a massive drawcard. I think as a young actor, it’s not just about scripts sometimes, it’s who you might be able to be rubbing shoulders with and in the sense of who you might be able to bounce off with. And also, working with James, it was a real delight to work with James Bobin. I thought he was a wicked director, really in touch with comedy and comedic timing. For me, it was a nice opportunity to get together with some really good people so, it made sense to me to do it.” [x]

Beowulf: Return to the Shieldlands (2016) — Slean

Interviewer: Slean is very angsty and frustrated when we meet him. Do we discover any new layers to him as well? Ed: I hope so. I suppose that depends on how well I play him, really. But I think characters – good characters always have some sort of light and dark anyway, and I don’t think it’s a clear-cut case of him being a bad guy. Yes, he’s angsty, but he’s got a lot to be angry about. [x]

Breathe (2017) — Colin Campbell

The House That Jack Built (2018) — Ed

“It was like being on a stage. There was nothing to worry about. […] We were allowed to do whatever we wanted, and we kind of tore the place apart. You could feel the camera coming in close, you could feel it going wide. It was such a liberating way to work. […] He [von Trier – director] gave me one note: ‘can you get some chewing gum?’ Not because my breath stank by the way, it wasn’t because of that. It was because he just wanted the detail of the chewing gum, he said, ‘try that’. And a mate and I went to go and watch it, because I was curious to see how the whole film had turned out, and he was like ‘mate, you chewing gum, what a great move’, and I was like, ‘yeah, yeah, I thought that’d be good’. [Laughs] No, I did go on to tell him it was Lars von Trier’s idea. But I thought, that tiny detail, I was a small supporting role but to have little ideas like that, they are minute details and behaviour things, I suppose. But it shows someone who’s got great attention to detail to be able to offer that up.” [x]

Zoo/Death Do Us Part (2018) — John

For Love or Money (2019) — Johnny

Outlander (2018-2020) — Stephen Bonnet

“His physicality is immensely important. I looked at a lot of rockstars. Because I think a lot of frontmen and rockstars, don’t quote me, they have sociopathic/psychopathic tendencies. [Laughs] There’s something about a frontman, like Liam Gallagher or Mick Jagger, and all of those… I’m not saying I took directly from them, but I think I did try and play with the notion of Stephen Bonnet being this 18th century rockstar. I mean… I just did. [Laughs] I thought with the piracy thing and everything, but then you intertwine that with the fact he also considers himself a gentleman, that to me just sounds like a modern-day rockstar. That sort of confidence that they exude, that’s where a lot of the swaggering element came from.” [x]

Against the Ice (2022) — Bessel

You (2023) — Rhys Montrose

“The difficulty was how to place myself, mentally, in that state of being tortured. What that would be like, what substitutions I could find and what power of imagination I could use. […] But I think we [Penn Badgley and I] had a really strong respect for one another and what one another was trying to do. And actually, we just trusted each other. So, when you get to a scene like that, it all comes down to trust. And he’s so great to act against – it’s not minimum requirement because that’s lazy and I don’t think that’s true. But if you offer yourself over to someone who is going for it inherently, something is gonna work, something is gonna happen.” [x]

Star Trek: Picard (2023) — Jack Crusher

“I think the time period is one thing, and obviously you have to adapt to that, but I feel that the skillset is still the same. You need to be applying to what’s the script telling me? What’s the character telling me? What am I feeling, what am I thinking? ‘How am I gonna get out of this situation?’ is normally what Jack’s thinking. […] But what I did feel early on in some of those scenes was: I can’t let other people down here. I’m stepping up to the plate with some big heavy hitters who know this inside out and they’re not gonna, even if they’re the nicest people in the world, which they are, they’re not gonna take prisoners or suffer fools gladly. So, you’ve got to match them and you’ve got to surpass that as well, I felt. I relish that because I felt it tuned into Jack as well. So, it was a lovely little way for me to step into something that was like, ‘Okay, come on there, guys. What have you got? I’m gonna bring you this. Let’s see what you guys have got. Let’s have some fun and let’s play.’ And I love that.” [x]

[the-qalankhais-sweetheart]

He's here.

And he is

Delightful ✨

Going to sleep extra well tonight with both of my cutie pies to snuggle 🥰

[striderhead]

crossovers can work in both directions right

[qsupremacy]

As much as I enjoy the qcard dynamic I’m also like “oh q you can do better”. Mainly bc Picard is so consistently and aggressively dismissive and disrespectful. Like yeah q sucks major ass and is a miserable asshole to know but 1. There’s not a galaxy in which I would so actively antagonize someone like q like fr fr Picard your hubris is showing and it got EIGHTEEN PEOPLE KILLED 2. I can’t tolerate how pm everyone treats q during deja q on the basis these assholes are always smugly touting their own moral superiority n ethics n shit but they’re happy to leave this guy out to hang just bc they think he’s an annoying person.

[wingsofhcpe]

Cristobal "will everyone please STOP TAKING OVER MY DAMN SHIP" Rios, reporting for duty ig

[droctavius]

um excuse me star trek picard but why would this random changeling have the same style bucket as odo when odo never knew his people until much later in his life and had his bucket long before that point?????????

i always assumed that odo’s bucket was a bajoran style of vessel

[kelev9]

AHHHH OKAY I'M GOING TO MY FIRST EVER DOG SHOW LATER THIS MONTH I'M SO EXCITED!!!!!!!!!!!!!!!!!!!

[sincosma]

just finished picard and boy, that was nice. i have plenty of issues with some of it, but honestly? it was so nice seeing all my beloveds (tng/voy crew) back together and healing, i kinda don’t care about the issues. the easter eggs were subtle enough to just give me warm fuzzies, not annoyed recoil.

[allmyandroids]

my friends/family: Lore is an asshole!

Me (a Lore admirer): HE DID NOTHING WRONG AND I WILL CHERISH HIM FOREVER! U ARE JUST MEAN, HE JUST WANTED TO LIVE!!