#Life happened and I got busy

[petitelepus]

[rattlung]

again idk if this has been said before but i love the lucanis approval when you're going after zara and illario meets you half way. lucanis is trying to get him to fuck off but illario ignores him and addresses rook, flirts w them, tells them that they should let him give them a tour. and when they also tell him to fuck off cause their honey said so, lucanis likes it. he follows up with "this isn't your job, there's no one you can charm into dropping their guard". and idk it kind of reminds me of the comment lucanis makes during the coffee date cutscene where he says smth along the lines of "even before i was captured, most things were determined for me" and adding that w the implication of illario absolutely hating when attention isn't on him paired with his resentment toward lucanis for being their grandmother's favorite AND lucanis telling emmerich that he "doesn't have illario's gift for flirting" like idk i imagine illario poaching any person he sensed lucanis had even a passing interest in just cause he's a spiteful mf

so here "there's no one you can charm" = "this one is mine, they won't fall for it"

i just think the mutual possessiveness is neat :)

[lumiereswig]

I'm still seeing a lot of angry takes in the tags about how excessive Watcher's current costs are and how all fans really want, apparently, is "just shane and ryan sitting in a basement" back again. While I do think Watcher is probably spending over budget and that's a real issue, a lot of the takes I'm seeing show a fundamental misunderstanding of how video production works and where costs actually lie. So a few quick things that I just keep seeing that are bothering me:

It was never just Shane and Ryan in a basement. BFU did a great job selling that conceit and making sure you never saw anyone beyond them and maybe TJ, but they absolutely had other crew members with them on ghost hunts and they didn't do all the work on BFU themselves. This Q&A from Season 2 lists 36 people on staff for Buzzfeed Unsolved. It's fair to make arguments that Watcher may or may not need 25 people, but those arguments should not be coming from a place of "before it was just Shane and Ryan and nobody else."

If you don't know how many people are needed to make a professional video from a TV/film standpoint, you will not have a reasonable grasp of why Watcher wants to keep 25 people on staff. Sure, some YouTubers get by with a ring light and a contracted editor. The Watcher team have stated repeatedly that they do not want to work as just YouTubers and see themselves more as a production studio—so why do people keep referencing the YouTube model to understand their business? This is like asking the local shake shop why it doesn't function like the kids' lemonade stand down the block. The item category is similar but they're not trying for the same products or process.

The "gold dusted food" is not the big budget sink you think it is. On most TV shows I've worked on it's normal to partner with businesses that are shown onscreen and work out a deal where the price of the product (in this case the gold food) is reduced or eliminated in exchange for the free publicity. Watcher very likely made a deal with every restaurant it worked with to make the Korea trip affordable for the company. The real budget spends are on things you're probably not seeing but that still matter: camera and lighting equipment is expensive, insurance for that equipment is expensive, business overhead and paying your staff are expensive. So again—it's fine to critique Watcher for the streaming plan and the perceived budgetary issues, but go into this knowing the costs might not be coming from the things you see onscreen.

My source is that I work in TV and film and actually have a clue on how the industry functions. Again, 36 people worked on Unsolved (and those were the people mention in Season 2—who knows how big the team blew up past that in later seasons). Entertainment work is real work, and demands decent equipment, competent staff, and the same types of business and budget problems you'd find in any other business (overhead, staffing, etc.). Feel free to critique Watcher's business model, but first try to understand where that model is coming from and what goals it's attempting to serve.

[frobby]

Nothing is stronger than the bond between a girl and a piece of media they brushed off 10 years ago that they now realized is the greatest thing ever made

[daily-smol-silm]

Day #101 - Brainstorm

Fëanáro scheming plotting planning for his next project.

[mulders-too-large-shirt]

s5 episode 14 thoughts

we left off on some pretty high stakes last episode: bridges burning, eyeballs oozing, etc. now we must jump back in!

this episode is called “the red and the black”, huh… (les mis starts playing in the distance)

post episode thoughts: damn. this episode was full of twists and turns. the CSM lore goes CRAZY. krycek is your problematic bisexual representation. i do not believe that genes determine someone's capacity for evil, but i am going to have to ask this spender fellow to please back tf away from our agents. marita, you must defeat the ratboy in combat. please increase your studies of the blade. and perhaps most importantly, i love when mulder is written first and foremost as scully's loverboy and partner. yeah.

we begin with a recap of last episode, and ewww, those poor boy's eyes are soooo drippy and gross.

WHO IS THIS WRITING TO THEIR SON??? and who is this little boy in the winter snow, forced to be the mailman?

this mystery man is typing up a letter mentioning war gods, while this young child is out in the woods. someone go fetch this small child. he is wandering about. knocking on someone’s door and receiving a letter and dollar bill 

the mystery man is sending this red enveloped letter to the FBI???

wait hold on… it's a man living deep in the woods… writing a letter to his son in the FBI… is this CSM playing on the bastard mulder allegations…? because the typewriter… it’s CSM coded…

a bold swing and likely an equally bold miss, but we shall see

(i was so close and yet so far from the truth)

YOOO THE INTRO WAS SHORT *AND* WE GOT DIFFERENT WORDS THIS TIME!!! it says “resist or serve”! it has been a while since those have gotten changed up. hmm. "resist or serve" i do not care for that!!

back to the bridge slash dam area where we last saw many people gathering, including cassandra and scully. the burning has taken place!!! it was in pennsylvania?! that’s a bit of a drive from DC!!!

the medical personnel are arriving, and so is mulder!!! he’s running on his absurdly long legs while his coat billows behind him!!! does he know scully was here????

look at these bodies, they’re burned beyond any recognition!! it's horrible.

is that scully he finds??? no, and thank god for that.

skinner is here!!! mulder is yelling at him, asking if she was here, and he says she is!! and she is alive!!!

she was huddled in the woods… with a bunch of other survivors… and she had burns, but strangely all her fluids and electrolytes were gone!! the nurse tells these two men to gtfo because she is in vasogenic shock, which is not a term i know the meaning of 

look at mulder touching her hair while she is unresponsive...

(god, getting in those medical devices for a scene must be the worst)

they’re taking her away and he’s trying to follow!!! but they’re taking her in the helicopter. i thought for a second he would try and hop on and cause a scene, but he actually didn't do this.

(gruff skinner voice) “what happened here, mulder?” “the answer just got loaded onto that chopper!”

omg… are krycek’s people going to be after her, too?!? like they were after that poor boy dmitri??

agent spender is here, too. he wants to know if his mother has been found. :(

jump to a wildly different scene. is the well-groomed man a surgeon?? we see that marita is intubated!!! she was found on the roadside after her cryptic call with mulder, and it doesn’t look good for her survival. nooo, she has to live so she can backstab krycek. please hear me, queen.

OHHH he opens her eyeball and sees it covered in that nasty black oil stuff… and the syndicate is watching from above?!?! what will they do!! can they run some trials??

MULDER BRUSHING SCULLY’S HAIR TO WAKE HER UP IN THE HOSPITAL BED AND THEN SMILING GENTLY AT HER…. OH MY GOD I NEED TO LAY DOWN

if you could HEAR the noise that just came out of my throat….

LOOK AT HIM LOOKING AT HER, OH MY GOOOOOD

she asks what time is it and he LAUGHS!! oh my god, she nearly died and she just wants to know the hour... scully, you are so precious

he laughs at this question and she asks “why are you laughing?” <-OH SHE’S SELF-CONSCIOUS. STOP. I’LL CRY!!!

“i’m not laughing at you. i’m just very happy to be standing here talking to you, that’s all” <- OH MY GOD HE LOVES HER SO BAAAAAAAD he was so gentle in that explanation

(god. rereading these notes is killing me all over again. he loves her, he loves her, he loves her, a million times over. the way he explained to her that he's not making fun of her, he's just relived she's okay... oh mulder. you sweet man. absolute pathetic wet cat of a guy. you are so dear to me)

((SEE, WRITERS? see what mulder can be?! this is the man i recognize! jot that down! he's a lover!))

she asks him what she is doing here, suddenly panicked. and he gently explains, raising her bed so she can sit up while taking a seat next to her. oh my god. the tenderness. it will kill me a thousand times.

(there is something addictive stored in hospital scenes. the relief of realizing that someone is still with you, the terrible possessiveness it provokes after you almost lost them, realizing how lucky you are to have them in your life, loving someone at their most vulnerable, and the person in the hospital bed allowing themselves to be loved and cared for......... bottle it up. let it sit in the cellar and i'll pour it out only on the most special of occasions)

she can’t remember what happened. oh my god, she’s so scared :( the report on the incident is playing in her room.

she has no memories of what went on at the dam, but at this time a nurse comes in and lays her back down, saying she needs her blood pressure to come back up, and shooing mulder out. oh, i paused to write this down and she looks like a deer in the headlights. so trapped.

he says he’ll come back, but she has something to say!!! he’s out the door with a thumb’s up, though, trying to reassure her it'll be okay as she has no idea wtf is going on 

i’ve said it once i’ll say it again: poor scully :(

agent spender is here!! they didn’t find his mother, and he wants to know what mulder was “doing with her”. she hasn’t driven in a long time, and he knows scully was meeting with her!!! he wants them to leave her alone :( but now scully is wrapped up in this, too. so his mother might be the key to getting answers. agent spender, you may not get your wish.

oh, back to the russian ship in the new york harbor. krycek is chained up!!! well-groomed man is here… is some torture about to go down??

he says that the ship is heading back to russia tomorrow, and he is (sarcastically) sure that krycek's gulag pals will be happy to see him after his whole cutting and running deal. well-groomed man is dripping water into his mouth, and it’s making me thirsty.

OHHH get him for me: “your alliance with her was as misguided as ours, but it appears she was unaware of the consequences of her deception” marita... you are so mysterious...

omg, so krycek infected the boy so that anyone who betrayed him would also get infected!!!!

damn. did not wanna see krycek taking the W here. marita, you NEED to get better NOW and get some revenge.

but dmitri is dead!!! he died in the pennsylvania incident. 

krycek says that well-groomed man has to make a deal with him… but well-groomed man is no fool!

NOOOO I GOOGLED THE WELL-GROOMED MAN TO MAKE SURE I WAS USING THE RIGHT NAME (and i WASN’T, it’s “WELL-MANICURED MAN” and i got a SPOILER💔)

this is why i should not do these things. if i call someone by the wrong name, y’all are just gonna have to let me know in the replies and cringe through my mistaken posts.

damn. 

well. it’s been 2 seasons. i might as well keep calling him the wrong name.

okay, so he put together that if krycek was willing to infect the boy, he also must have had a cure for him, developed by the russians. krycek is silent at this. 

AND THIS WOULD MEAN RESISTANCE TO THE COLONISTS IS NOW POSSIBLE ‼️‼️

OHHH well-groomed man is YELLING AT HIM!!!! “DO YOU HAVE THE VACCINE?” damn, it's very echo-y place to yell, in the bottom of a soviet ship. 

hmm… well-groomed man leaves. i hope he finds the vaccine and it is not copyrighted by anyone and the whole world can become immune to oil aliens. this is the good ending.

okay, what the hell is going on now! a plane just exploded? where did this take place?? someone is dragging a body away. and a ton of military personnel are moving in. 

OMG THE BODY DRAGGER IS THE NO FACE GUY FROM BEFORE!!! who was lighting the people on fire in the last episode!! is he an alien?? was that his spaceship??

back to more important matters at hand: scully. she’s looking through the photos of the incident at the dam that she was in attendance of, but cannot recall anything. and she is sitting up now, so that means improvement!

she cannot tell you where this place even is- but none of the other survivors have been able to give an account, either. very interesting that they felt called there but cannot recount it.

mulder found more implants in the bodies, which would explain how she and the others got there. must be her new implant that cured the cancer also inspires the feelings of restlessness that brought the others abductees to the dam. but it doesn’t explain why they wanted those people dead, or why she lived.

“all comes down to a question, scully, one that hasn’t been answered or… i don’t even think honestly addressed: who made that chip in your neck?” <- OH SHOOT... HE’S (finally) GOING THERE!!!

it was found in a military research facility… he’s convinced it was the government that did all this, to do biological experiments and warfare

“the truth i’ve been searching for? the truth is in you” <- oh my god… the truth being her… hold on, i need a moment for that one.

the truth being something that is physically within someone, and as a result, being able to hold The Truth; the truth being the forceful result of autonomy being stripped away; the truth being an act of violence; the truth being the north star that guides you; all of these things being in contradiction and embodied in dana scully. i am getting ideas for poetry out of this line. everybody say thank you mulder for making me want to pick up a pencil.

oh shoot. i sense some stuff is about to go down.

“mulder, when i met you five years ago, you told me that your sister had been abducted… by aliens” (he smiles, as if thinking his past self is foolish, or recalling that first night together, or both of these things)

“that that event had marked you so deeply that nothing else mattered. i didn’t believe you, but i followed you, on nothing more than your faith that the truth was out there, based not on facts, not on science, but on your memories that your sister had been taken from you. your memories were all that you had”

(faith being a motif in scully's life... faith not in what he thinks, but in him as a person... belief being a motif in both of their lives in opposite directions... her faith placed in him and in science, and his in her and in the unknown... man, hold on...)

“i don’t trust those memories now”, he points out.

“well, whether you trust them or not, they’ve led you here. and me. but i have no memories to either trust nor distrust, and if you ask me now to follow you again, to stand behind you in what you now believe, without knowing what happened to me out there, without those memories, i can’t. i won’t”

oh my god. ohhhh my god. is this the end? do they travel no further upon this twisted road together? and if it is the end, can we even blame her?

he gets up and looks out the window, probably to conceal the inner turmoil

he wants to give her those memories, to prove that what he believed for so long was wrong… but she asks if that is really what he wants

:( :(

this has the sort of emotional weight that makes me think i'll be unpacking it for decades. i will give it room to nestle into my soul, break my heart, and then dissect it in detail at a later time.

back to the syndicate. according to their reports, the guy with no face seems to have lost his facial features in self-mutilation done as protection (??). no facial features is protection against infection by the black oil!!! omg!!!

he’s an alien rebel!!!! omg!! that is what the boy saw last episode! so this alien rebel was the one that did the torching!! he’s fighting against the alien colonists!!!

a war has begun!!! 

OH SHIT!!! well-groomed man HAS the vaccine!! it was what was in that bottle that krycek stole last episode! do you think he’s telling the truth, or just bluffing to try and inspire resistance against the colonists?! well, we can find it out if we inject marita...

well-groomed man wants to side with the rebel, but the other dude says that the alien colonists will squash them! a terrible dilemma. reminds me of the civil war plotline in skyrim. you must take a stand against the aliens!!!!

so they inject marita….

but before we can learn if that mystery liquid krycek snatched from the gulag has any effects on marita, we cut to dr. werber’s office!!! he asks if scully is okay with this, and she quietly says she is. mulder is playing with his tie on the other end of the couch.

oh my god, so even though he didn't trust his own memories, he's going to bring her to his doctor to undergo the same process? he must really want to prove she experienced what she did.

the doctor is laying her down, and she’s watching mulder before she closes her eyes and tries to relax everything…. is it going to work??

OH!! she’s screaming!!! and mulder is freaked tf out as she does so!!!

she’s recalling the ship flying over…

and she’s groaning, tapping the couch next to mulder, wordlessly asking for him to hold her hand as she relives the awful moments (oh my GOD???)

she’s remembering the people with no faces lighting the others on fire. and there’s another ship!! and the rebels are burned up by the ship!! 

and then the second ship TAKES cassandra!! from right next to her!! they all lift their hands in supplication and she rises up out of her wheelchair!!! the aliens beam her up!!

she’s still yelling when the doctor tries to get her to come back, and it takes three tries to do so. she finally does, and she’s still panting when she turns to look at mulder and asks him if he was there the whole time. and he nods.

so that means that her body knew she needed to hold his hand despite her not being mentally present at all... the way they need each other...

holy fuck, we have never seen scully screaming in that level of distress before. and we have seen some CRAZY scully distress!! like when she lost her father, or when she confronted her sister’s killer. but this was SO out of body, the whole thing, like watching her worst nightmare.

and what is mulder thinking right now?? is he back in his alien era?? how does it feel to watch your best friend scream and scream in terror, knowing you can do nothing to stop it because the terrible things already happened??

please just cuddle for a bit, you two. take a breather.

SKINNER LISTENED TO THE TAPE OF HER BEING HYPNOTIZED!!! oh my god. imagine your boss listening to your worst memories…

despite sitting through scully having her own experience, mulder still refers to the memory of his sister’s abduction as false. so does he think this didn’t really happen to scully, either? i mean, they found her body there, and like 50 dead people! if i’m mulder i’d be thinking gee, maybe i was wrong about the memories of my youth being false!! this seems a little suspicious!! what is this man thinking...?

skinner clarifies that he needs to make a REPORT and this is nothing to go on. well. this is not unusual. 

mulder says the whole thing was staged by the government, and cassandra was taken by a military aircraft. but i ask: how would the government manage to kill 50 people and embed false memories in the others??

i mean, false memories through repeated hypnotherapy sessions for just mulder seems possible. it would take a while, but maybe they could convince him of the nature of his sister's disappearance being supernatural. but how could they do that so suddenly, and to so many people at once? i'm not buying it.

this explanation does not seem to please the pensive skinner

“over the past five years, i’ve doubted you, only to be persuaded by the power of your belief in extraterrestrial phenomena. and i’m doubting you now not because of that belief, but… because extraterrestrial phenomena is, frankly, the more plausible explanation” <- ohhh, we are allowed some insight into the enigma that is skinner’s mind…

(it is actually really interesting to see how skinner views mulder and the nature of his work and beliefs. i've wondered where he falls on the spectrum of believer to non-believer for a while; i guess i thought he was somewhere in the middle, not committed to anything beyond catching the bad guy of the day. if using secret psychic thwarting tricks helps get a killer off of the streets, by all means, he'll let mulder give it a go. but i think his skepticism on the authenticity of his claims makes sense. sure buddy, you can go buy a ghost detecting machine if it makes the public safer. just... get things done)

“then i suggest you put that in your report”, snaps mulder, who gets up to leave. BRO IS ALWAYS SO SNIPPY WITH SKINNER. HE IS ON YOUR SIDE. BE NICE TO HIM. meanwhile scully is sitting here in immense pain trying to figure out wtf is going on….

back to marita. the other syndicate guy is proclaiming that the vaccine does not work. he wants to turn the alien rebel over!!

but well-groomed man says they have to hold onto him- if they turn him in, they lose all chance of resistance!! i’m lowkey with him here. like, through the power of friendship everything is possible. consider that.

NOOO, this other guy says he already turned the alien rebel back over, and well-groomed man is left in shock! how wild our narrative is that i had come to root for him for a brief moment, and now feel sad that his ideas have been shot down!!

why is agent spender down in the basement office... did he let himself into the office of our agents? i do not like this one bit. he is not visually intimidating, but his aura is unsettling.

what is this dude doing…? he says he’s here about his mother. but he’s asking scully weird questions…

he wants to know what scully and his mother talked about. then he starts playing a video of baby him!!! and it seems he is doing regression hypnosis, and he’s recalling cassandra going up into the sky. but he says none of it happened!!! he said his mom told him to say those things!!!

he claims she told the story over and over again to make up for the fact that his dad left them and it drove his mother insane. which. doesn't really explain everything, but i guess it's a start.

he thinks dr. werber indulged in his mother’s fantasies and that his methods are dangerous and unsound, and she ought to question anything she experienced in his office

“well i appreciate your opinion, agent spender,  but i don’t have a mother feeding me abduction stories” <- GET HIM ‼️

“you’ve got agent mulder, don’t you?” <- OHHH, DON’T GO THERE YOU BRAT. and besides, he doesn’t even BELIEVE IN THAT STUFF ANYMORE. get lost.

(editing these notes and this pissed me tf off again. because how dare he imply that mulder is manipulating her psychologically instead of being her partner and seeing her as an equal? god forbid the two of them respect each other. no, clearly it MUST be that the man is taking advantage of the woman, tricking her into thinking alien thoughts in the same way spender's mother did to him. right?!? (heavy on the /s, btw) don't piss me off, buddy. implying their relationship is not built on mutual respect is going to piss me off EVERY time, no matter who is comes from!!!)

he tells her not to let herself be used, and there are tears in her eyes :( well right now, mr. spender, you seem like the one doing the using

when mulder gets home, he finds a note on the floor: “things are looking up” OH SHIT, SOMEONE IS ATTACKING HIM

“you must be losing it, mulder. i can beat you with one hand” GTFO KRYCEK I’M SERIOUS!!! I’LL CALL PEST CONTROL

“isn’t that how you like to beat yourself?” <- LMAOOOOO mulder may be on the ground with a gun in his face, but that man ALWAYS has a one liner 

“hear this, agent mulder, because what i’m telling you is deadly serious: there is a war raging, and unless you pull out of the sand, you and i and about five billion other people are going to go the way of the dinosaur” <- oh shit… he has to pick a side… between the colonists and the resistance!!

is the whole fate of the world really in his hands? can he not share that responsibility with his friends?

mulder is laughing at his claims of alien colonization. 

“one rule: resist or serve” <- KRYCEK SAID THE WORDS ON THE SCREEN

he calls krycek a murder and a liar and a coward, and asks how is he supposed to trust him!!! points were made!!

the mass incinerations were to disrupt the colonization… and one man is being held captive. if he dies, so does the resistance. hmm. how do you know all this, krycek? source: trust me bro

DID HE JUST KISS MULDER???

krycek is your problematic bisexual representation… wow. who would have guessed?

(been 3 days now since i watched this episode and i am STILL shocked. yeah yeah i KNOW he's russian, and european people smooch sometimes when they say hello, but that is NOT what happened here. at all. he was pinning mulder to the ground, filled with fury, and then lust overtook, as it so often does)

he gives his gun to mulder…. and says good luck in russian, leaving a very angry and sad agent on the floor. damn. i also need a moment to process that. 

let us take some time together to ponder.

okay.

HEY! i know this guy from the air force base! he’s the alien bounty hunter!! and he’s breaking in!!!

mulder is sitting on his couch in despair when in comes scully.

“what are you doing sitting here in the dark?” “thinking” “about what?” “oh the usual- destiny, fate, how to throw a curveball… the inextricable relationships in our lives that are neither accidental nor somehow entirely in our control, either” <- poetic!!

the intimacy of knocking on your bestie's door and he is just sitting there pondering with all of the lights off... wow.

she comes to tell him she’s reconsidered her experiences with dr. werber!! nooo, do not let spender get to you!! and mulder has also done some reconsidering of his own… 

has his alien era returned??

krycek’s note left the name of an air base on the back!! they must go to find answers!!

no mention of the kiss to scully, which is fine i guess. but i would have been curious to see her reaction. she's pretty unflappable, although maybe she'd say he's unfolding like a flower again. and he’s out the door. 

they’re being let into the base at night. poor scully looks very sleepy. 

OHHH THE GUY DOESN’T WANT TO LET THEM IN…. and he says his name wrong (lmao), so mulder says there is a leak and that someone inside requires immediate medical aid.

HE CALLS THE GUY “SON”? “why don’t you go check on that, son. i’d hate for somebody to die because you were uninformed” <- woah. that was very weird. him calling someone that feels off and strange.

mulder wants to gun it to get into the facility while the gate guy is investigating his claims, but scully is surprised to know that she recognizes the driver of the truck across from them!!!

while the guard is being told he needs to place our agents under military arrest, mulder has hatched onto the back of the other truck!! scully is just sitting there like wtf, and is now being arrested. he loves to jump on a moving vehicle. 

so he’s inside this tented area on the back of the truck and finds a locked box with the faceless alien rebel inside!!!! but the truck is stopping; have they been caught??

OH!! the guy driving IS THE SHAPESHIFTER!!! and he’s coming to go get the faceless rebel. what is mulder to do???

alien bounty hunter is coming to get the rebel; he pops out the needle…. but something is afoot! everything is bathed in light and shaking!!! 

the faceless man is being lifted up… but mulder screams “noooooooo” and fires his gun??? THAT WAS VERY BLURRY AND CONFUSING!! what just happened!!!!

are we back to marita now?? yes, we are!!! she seems to be free of oil in her eyes!!!

meanwhile, mulder is being arrested, but the rebel alien isn’t there!!! WHERE DID HE GOOOO?!

the agents are going on a date to jail. he’s covered in sweat and he doesn’t know what happened while he was out there….. she grabs his hand…. so romantic

spender is arriving into skinner’s office. what is going on here? he shared there is no news about his mother. oh, mulder has opened a xx file on the case…

skinner clarifies that this has no effect on spender's position in the FBI. and mentions that he has a patron who thinks highly of him??? WHO??? no one knows??? someone with a high level of influence??? oh, that is concerning. 

IS IT HIS DAD???

when he walks out her gets a letter from quebec… and it’s in a red envelope!! the same as that kid was holding at the very start of the episode!!!!

up in quebec, that kid is delivering another letter to the mysterious cabin…. and the letter was returned.

IT’S CSM??????? 

I KNEW HE WASN’T DEAD!!!!!!!!!!!!!!!!!!!!!!

CSM has a son and a family he left…. omfg…. and he’s hiding out in CANADA???? 

THIS ANSWERED NO QUESTIONS. AND EVEN RAISED NEW ONES.

okay, after seeing the whole episode, here are my thoughts:

still losing it at krycek kissing mulder’s cheek. i just KNOW the slash girlies were losing their MINDS. as they had every right to do! i felt your joy across time and space.

so, the vaccine against the alien oil works! if we can simply inject every single person in the world, we should be able to put up a resistance fight!! and also we will need to get a lot of those green needles that kill the shapeshifting aliens. which probably also come from outer space. so we'll need a mass scale smuggling. no biggie. /s

what happened to the resistance fighter??? did he get out?? was he taken away by the evil colonist aliens?? 

and who bailed these two out!!!

is mulder back in his believer era?? he has to be!!! 

marita is alive… you have to stop the ratboy, queen. you need to lock in. idgaf if he’s the one who knows about the aliens. wait until the alien stuff is sorted out and then stab him. for me. train hard to complete the task you have been assigned.

CSM HAD A FAMILY!!! HOLY HELL, LET’S CIRCLE BACK TO THAT SHALL WE?? and he left them!!! but he kept writing letters!! that is CRAZY!!!

rip my boy dmitri :(

i watched this episode 3 days ago and there is still SO much to process. it might take a long time. typical jam-packed sort of episode. is this what we refer to as the "myth arc"? because it establishes the mythology and main plot? am i using this term correctly? please do share. and also please tell me if the following things gagged you:

CSM alive reveal, CSM family reveal, alien rebel reveal, marita knowing krycek reveal, krycek smooching mulder reveal, scully screaming under hypnosis, mulder gently brushing her hair out of her face, etc etc. thank you very much.

[alinelie]

sheet for kian

victor's sheet

[sonic-palooza]

[wavesoutbeingtossed]

Call Swifties cult members or whatever but I was thinking about travelling this summer and the Eras Tour and how there was something kind of beautiful about showing up at the airport and seeing a smattering of travellers in past merch on their way to adventures, or the day after a concert seeing fans in tour merch hauling their suitcases through train stations and subways and airports and knowing that all these strangers heading to all these other places all collectively experienced this moment of time together and have all these similar yet disparate memories but everyone kind of Gets It and has these tokens to remember it.

Years from now I’m sure this whole phenomenon is going to be studied as a unique cultural moment and it’s wild that it happened in my lifetime. It just struck me that it’s so unusual to have such a rallying figure people love and come together to celebrate that love in such a welcoming, positive way. This summer feels like it’s going to be one for the books.

[kinseis]

Heard there's a new cowboy in town 💥

[electricfied-wolf]

So... you've been reblogging a lot of Starlight Express onto my dash and I feel like it's about time I ask what it's about? What I'm picking up is that it's... humanoid trains?

Whatever it is I must admit it's piqued my curiosity

OHHHH BOY YOU'VE ACTIVATED MY AUTISM CARD I LOVE TO TALK ABOUT STARLIGHT EXPRESS. Ooookay, there's a lot to talk about, especially because a new non-replica production like JUST opened in London. I feel like I'm gonna ramble a lot so we're gonna put it under the cut and I'm just gonna blab until I feel I've explained it well enough. First of all I should note that I am explaining just off the top of my head, if you'd like more info the Starlight Express wiki is run by some very committed folks and as far as I know every word on that wiki is true. Also if you'd like more photos you're gonna have to go there bc GUESS WHO LEARNED THE LIMIT FOR PHOTOS IN A SINGLE TUMBLT POST IS 30? ANYWAY ONTO MY RAMBLE!!!! And be warned, it WILL BE VERY LONG. CLICK AT YOUR OWN RISK.

What is Starlight Express?

Starlight Express (often abbreviated to Stex by the fans) is a musical produced by Andrew Lloyd Webber (yes the CATS guy) that revolves around a child's toy trains "coming to life" and having a big ol' dramatic race. They've got an underdog, a couple bad guys, train god and romance. Pretty much everything. Most productions are more song filled than dialogue filled. It has its roots in Thomas & Friends and some of the earliest stuff had a Cinderella type of thing going on (not surprising I'm sure), the plot is actually pretty easy to follow once you get used to it. Starlight Express is performed SOLELY on roller skates (not counting lndn24's scooters for the Trax and Control) for the entire duration! And in such heavy costumes too! The show has been performed since 1984 and has absolutely ZERO signs of stopping as the Bochum, Germany production is still being performed and as I stated above, there is now a non-replica production running at the Troubadour Wembley Park Theatre in London. And if you don't know what that term (non replica) means, it essentially means they are not using the traditional costumes for the show that John Napier designed and are taking quite a few liberties with a newer plot and characters to make the show something much more unique as compared to its replica counterparts.

An older version of Rusty and Pearl in the John Napier style (left) VS. Rusty in the style of the London 2024 production standing with ALW (right) _ I specify 2024 London as the show was originally produced in London but also got revised so there's like three London Stex productions I could be talking abt lol, though the costumes have gone through some pretty drastic changes even in the replica productions.

Electra's more recognizable costume (aka the more compact mohawk version of red/blue Electra) used up until the rehaul in 2018, and the one currently used in Bochum's performance of the show (aka used from 2018-now). The same character and both replica, but still different! Over the course of the many years these trains have shared our earth, I'd say that Greaseball and Rusty are amongst the few that haven't changed that massively over the course of the show (again, NOT counting the current non-rep). This show has indeed graced the US and was even performed on Broadway! Unfortunately, us Americans are really really boring apparently because the show (while still wildly successful) did not stick around here in the states. It is still however beloved by many and that is the sole reason why it has stood to be seen for 40 years: people can say the show was made on drugs and that its "weird" all they want, but Starlight Express has a bigger community than you'd think, and it is incredibly well loved by those in the community. We are VERY devoted to our trains. Despite everything though, it has never gotten a pro-shot and the only fully versions available for streaming (...in terms of official audio for official streaming) on places like youtube and spotify are the original 1984 London Cast Recording and "The New Starlight Express", aka the revised London production's album released in 1993. There is also the english and german version's of Bochum Starlight Express' "Ich Bin Ich" otherwise know as "I Am Me", but no other parts of that production have been released for streaming. You can technically stop here and just go on to the wiki and stuff but if you wanna spend like an hour listening to my infodump I AM going to keep going.

The Characters

Before I touch on the story (a much shorter section I assume) I feel it is important to explain the characters, as there are a LOT and they change depending on each production and long story short yes I am nowhere dear done with this post. The characters can be broken up into groups of which I'll introduce them by. I also cannot really do London 24's characters which I wish I could bc I'm dead obsessed w/ it but it literally just opened a little while ago so the only sharable photos of other characters I got are fuzzy and from the megamixes or backstage pics. So unfortunately no cameos from those guys in this post but trust me THE WEMBLEY PARK PRODUCTION IS SO GOOD. Uhm anyways. First I'll mention the Trax/Racing Marshals, no speaking roles and very simple costumes compared to the other trains. They're simply there to wave the flags for the races and perform other tiny tasks to move the show along, as well as doing some very cool stunts that the other performers cannot do due to the absurd weight of the main costumes. They're just as important as everyone else!

The Marshals (Bochum 2016) *note, I'm mainly going to use Bochum photos to show off the costumes because they're just usually better quality The Humans: Usually disembodied voices (with exception from two productions) our only humans are a little kid named Control, and their mom who is simply known as Mom/Control's Mom and also has an even smaller role than her child as she only comes in at the introduction to put Control to bed. Control is OBSESSED with trains which grants us the plot of this musical, over the course of the show they order the trains around and narrate the races, but (up until recently) typically don't play an active role in terms of properly interacting with the trains. They are, as their name suggests, the Control for the trains. In Bochum's performance 2018 and onward Control mentions having a grandmother who is hard of hearing, but to my knowledge said grandma is only brought up in that specific production. The National/Competing Engines: For pretty much every production excluding WP's, the non-main character racing competitors have been international trains from across the world. However their names and some of their designs have been changed over time, and the French engine even switched genders in the 2018 Bochum rehaul. I am excluding the doubles from the tours because this'll take all day if I don't. _______ The French engine- Essentially from the beginning up to 2018, Bobo the TGV. In/after 2018 in Bochum, Coco the Eurostar. Arguably the most changed of the nationals, originally a male character (Bobo) she was changed to be a female and even given a blue color scheme which Bobo usually never had as he was typically seen with orange colors in Bochum.

(Bobo (Bochum) and Coco) _______ The Japanese Engine: Originally Hashamoto (misspelling of Hashimoto but technically that's his official name), later changed to Nintendo in 1992 for all english language productions but still Hashamoto in Germany, and from 2018 onward in Bochum known as Manga. All three are labeled as Shinkansen bullet trains.

(Hashamoto (Bochum), Nintendo, and Manga) _______ The Russian Engine: Turnov the trans siberian express has literally just been Turnov this whole time and really he's hardly changed aside from his costume having to have its chest symbol changed due to obvious reasons. This poor guy has suffered greatly due to political stuff even all the way back in 1987, though I will avoid getting into that here.

Turnov (Bochum 1991), Turnov (Bochum 2018, ft. Manga) _______ The German Engine: Weltschaft originally, later named Ruhrgold, the german engine is the InterCity Express (ICE). Like Turnov he hasn't really gone through many major changes other than the original switch from Weltschaft to Ruhrgold, though the two are presented with very contrasting personalities.

Weltschaft (Bochum 1991, ft. C.B.), Rurhgold (Bochum 2018, ft. Espresso) _______ The Italian Engine: ESPRESSO! He's a fun one, very similar to Bobo in that they're both pretty flamboyant european engines. Not really similar to Coco though. Espresso's a silly fella, flirts with the audience sometimes. His design has also been pretty consistent.

Espresso (Bochum 1988), Espresso (Bochum 2021) _______ The British Engine: Our pathetic failure king <3, aka the engine that literally never races as he usually breaks down before he's meant to race. Like every time it's got to be one of the most consistent plot points across 40 years of showtime. Even through three different transformations this british loco cannot escape it. Originally named City of Milton Keynes, later Prince of Wales upon the opening of the broadway production, and in 2018 hit the stage as Brexit. Yes, you heard me. They named the British national engine Brexit, and no none of us are particularly proud of that but it is how it is. At least he's got some charm!

No images of Milton are available atm, Prince of Wales (Las Vegas, 1993), Brexit (Bochum, 2018) _______ OKAY WE'RE DONE WITH NATIONALS. We can talk about the important ones now.

So next I'll move onto our main trio of engines. Rusty, Greaseball, Electra. Lots of design altercations over the years but no name changes and basically no role changes. However, the most recent production involves a female and wlw Greaseball as well as a canon they/them Electra! We'll go engine by engine, talk about our trademark "old steamer", and then I'll move onto the cars. _______ Greaseball, the world racing champion of Union Pacific: Heavily greaser based with muscles that make coaches and freight cars alike swoon, Greaseball is a black and yellow diesel and one of the antagonists of our plot. He's the world racing champion at the start of the show. Dating Dinah (both at the beginning and by the end despite some issues) the dining car, VERY proud of himself and pretty damn self absorbent in pretty much every production. He is also NOT that nice. He was pretty terrible in the very original plot back in the day BUT DON'T FEAR! They very quickly edited those plot points and made him less terrible and more of just a really pompous jerk. Bochum GB is actually such a goofy guy by the end. His female counterpart in the new production doesn't lack her meanness either! She's just as big of a jerk but also just as big of a softie by the end of the show. Truly, the same in every universe. Being a girl and a lesbian does not destroy her asshole tendencies and I am glad for that. Let gay girls be jerks too!!!

Greaseball (London 1984, ft. Pearl, Dinah, and Ashley), Greaseball (Bochum, 2021, ft. Caboose)

_______ Electra, the engine of the future: QUEEREST PRE-2024 STEX CHARACTER WHOOOO? Despite never having been fully confirmed (at least up until recent) to be any specific non-cishet identity, Electra the electric engine has been an icon for the girls and the gays since day one. With he/him pronouns but a slightly feminine name and physical demeanor, it's clear he was made to represent a less traditional form of gender presentation as he has been played by actresses in the past too, though primarily has been portrayed by male actors. Andrew Lloyd Webber even once referred to Electra's main song, AC/DC, as "transgender electro-pop". Not to mention the casting notice for the 2019 Bochum cast having described Electra as 'gender fluid / androgynous'. Electra has a pack of "components" aka his freight car entourage who follow him around and sing his praises. He is also one of the antagonists, though antagonist is a bit of a strong word as he isn't as hardcore as Greaseball or our villainous railcar. He has more beef with the diesel than our main character as well, stealing his girl and the show at every opportunity. And also aggressively zapping him as often as possible. The only thing they have in common is that they're full of themselves, they want Rusty out of the race, and they want to win. No photos for Electra I gave him his spotlight earlier in this post. Though do remember that the newest version of Electra (got a little sleek helmet instead of hair, super pointy costume, blue and silver colors) is NOT he/him, they are they/them and so is their current main actor! Electra is accompanied by an entourage of "components", aka shiny and fancy freight cars that bend to the engine's every whim. Pre-2018 the components are Wrench the repair truck, Joule the Dynamite Truck, Volta the freezer truck, Krupp the armaments truck, and Purse the money truck. Post-2018 the components are Wrench, Volta, Joule, and Killerwatt the security truck, Krupp and Purse are no longer present. It is also important to note that pre-2018 Volta is portrayed as very feminine meanwhile post-2018 Volta is meant to be much more masculine. No photos for Electra they got photos earlier in this post and I'm trying to save myself from hitting the photo limit. Same for Rusty. _______ Rusty, the steam train: WOOO WOOO! WOOO WOO! Say hello to the titular bitchular that everyone loves. Seriously I've never seen a Rusty hater. Our main character and a timeless gem of the show, he's a pathetic wet cat, he's rusted and falling apart, and he meets god. The perfect man! Rusty obviously has the greatest arc over the entire story, he's our underdog and incredibly charming in all his forms. Overtime some actors have played him up as sassier while others amped up the wet cat energy (Looking at you, Javeen), but no matter how he's played you will feel sorry for him and likely fall in love with him. He's so overconfident at the start but is very quickly brought down by the other engines, fear not though, because he's the main guy!! I'll yap more about his whole thing in the story section. _______ The old steam engine: Had to make the title gender neutral w/ these guys bc GUESS WHO ELSE GOT GIRL'D IN 2018! Poppa, or in terms of Bochum 2018 and onward, Momma, is Rusty's mentor and the only other steam engine in the show. Quite stubborn, preachy in more ways than one, but ultimately good at heart. They're the engine that pushes Rusty to race and encourages Rusty to seek faith in the Starlight Express (Eyyyy title drop!). Most of this engine's role is story related too so I'll save that for then.

Poppa (Bochum, 1997, ft. Rusty), Momma (Bochum, 2018, ft. Dustin) _______ The freight: For the convience of I'm afraid to hit the word count, we're gonna lump the cars into whole sections. Minus one specific member of the freight due to plot significance. Anyway the freight!! Lots of people are big fans of them and I can't blame them. Though they went through a few changes here and there, they're usually a pretty consistent group (once again, minus 2024). From 1984 to 2003 they contained the boxcars aka the Rockies, then productions between 2003 and 2018 included the Hip Hoppers, with the 2018 rehaul marking the return of the Rockies to the show. All productions included Flat-Top the brick truck and Dustin the big hopper, and while Dustin does play a significant role in the show...there's a certain sixth member that plays the greatest role of all the freight. _______ The Red Caboose: Though his Bochum rehaul design spells out "brake van" on his shoulders (even though brake vans aren't cabooses, rant for another day) and he's gone by the Red Caboose for far longer, most know this beloved boy as CB...buuut the version that is widely marked as CB isn't technically CB! That was his original name in regards to the radio codes he used throughout the show- "10-4, smokey bear!" -C.B., 1984 "10-7, gone to heaven!" -Included in the segment after the first run of the final race -but his original name was dropped upon the entry to Broadway, from then on he was just the caboose, and he continues to be so to this day! No matter the production...or at least the ones he's in, he sticks out from the start as one of the guys to keep your eye on. And I'm sure you caught that, that's right, he's not even in every production! Though he is in most of them! His role is another plot heavy one so I'm sure you get the deal by now.

CB (London, 1984), Caboose (Bochum, 2006) _______ The Coaches: The girls, the lasses, the women, etc etc!!! Full of lovely ladies (again, not mentioning 2024's changes) and honestly the true stars of the show in my eyes. In this group is where you'll find our other main character! But would you believe they've also undergone swaps? Originally it was Pearl the observation car/first class carriage, Dinah the dining car, Ashley the smoking car, and Buffy the buffet car, and it remained that way for a long time...but there was an odd period in which Ashley was replaced with a sleeping car named Duvay, though Duvay didn't last very long in the grand scheme of things. Upon the 2018 rehaul, Buffy and Ashley were replaced with Carrie the luggage van and Belle the bar car. Belle actually shares her name with a coach that was present all the way up into the broadway production, though not really used afterwards. Belle the sleeping car was a companion to Poppa and while not part of the main quartet of coaches would usually appear with the other girls for Girls Rolling Stock! Broadway did OG Belle dirty but that's another rant for another day. Again, for simplicity's sake, we'll only individually cover the gals you absolutely gotta know about. _______ Pearl the observation car/first class carriage: Pearl girl!!! Very near and dear to me, our secondary main character and Rusty's love interest. The label for what type of coach she is varies from production to production, all you need to know for certain is she's a super shiny new coach and Rusty is absolutely INFATUED with her...but she's her own coach too, and she's not as quick to settle as he is. She makes it very clear that she wants her choices to be her own and she's not going to let someone else make those choices for her no matter what. She has her own little arc too. While in older productions Pearl is painted as being new but still having an established bond with Rusty, newer ones (aka bochum and london's current shows) paint Pearl as a completely new coach who doesn't know anyone and literally just got here, making her and Rusty's relationship a bit more fleshed out...but we'll discuss that more later!

Pearl (Bochum, 2011), Pearl (Bochum, 2019) _______ Dinah the dining car: HARD to not just ramble about how much I adore her. I am her she is me we are the same person, ESPECIALLY her 2024 variant same taste in women fr. A southern accented (usually) dining car, Dinah is Greaseball's partner with honestly a very inspiring little arc of her own, she's emotional and devoted to her partner but is not to be mistaken as someone who can't stick up for herself, because she makes it crystal clear that she's not someone to be pushed around. She was given even more of a powerful and independent personality in the 2018 rehaul/london revival, but she's always had fight in her from the very beginning!

Dinah (Bochum, 1993), Dinah (Bochum, 2018) AND WHOOPS TOO LONG OF A POST FOR TUMBLR. I'M GONNA HAVE TO PUT THE PLOT IN THE REBLOGS HOLD ON TIGHT. EDIT: I AM GOING TO HAVE TO MAKE A SEPARATE POST NOT A REBLOG BECAUSE TUMBLR WON'T SAVE THE REBLOG AS A DRAFT.

[freckledsokka]

wip wednesday

a wee snippet of the self-indulgent tense-fuckery zukka fic i'm working on that no one asked for! most of this fic is sokka (ghost sokka? spirit sokka? who knows) waxing poetic about zuko grieving him, but i wrote this scene with korra for a touch of levity (while still being a little angsty).

note: this is NOT a reader fic. do not let the use of "you" fool you. this is fully from sokka's pov as if he's narrating this to zuko.

"You remind me of him," you tell the Avatar, something wistful tugging at the corner of your mouth, reaching to the creases of your eyes. Korra looks almost bashful, or maybe just flattered. "I get that a lot," she says quietly, as if it's a sore subject but she doesn't want to offend you by mentioning it. You smile at her, warm and reassuring. "I don't mean Aang." "Oh." She sounds surprised, which quickly gives way to embarrassed when you offer her an encouraging smirk to help the thought along. "Oh," she says again, nearly in a different octave. "Oh, I'm so sorry, I should have realized that's — of course, that's who you meant." She laughs nervously, waving her hand vaguely at herself. "Southern Water Tribe, duh." "It's not just that," you tell her, and her nervous energy seems to settle a little at the calm, smooth tone of your voice. "You have the same tenacity, the same spirit. He would be proud to see the Avatar you've become."

Korra is quiet for a moment, either out of respect or simply a loss for words. Then she smiles, a little sheepishly but no less grateful to be honored in such a way. "Tenzin told me he — the Chief? — was with you and my father the night the Red Lotus tried to kidnap me." She looks away, guilt seeping into the set of her shoulders, the way she wraps her arms across her chest. "I'm sorry, I — Did he —?" She glances back, eyes bright, pleading for some kind of forgiveness she doesn't need to be given. "Was it my fault?"

"Korra," you say slowly, frowning, placing a gentle hand on her arm. "What did Tenzin tell you? The Red Lotus had nothing to do with Sokka's passing."

Her eyes go wide. "Really? But he made it sound like — I mean, my dad became Head Chieftain not long after that, I thought —"

You can't help the chuckle low in the back of your throat, a rumble of distant thunder, warm as a summer storm. "No, Korra. Sokka never was particularly suited to be Chief. He felt it was time to pass it on, is all. That, and he felt he could do more good behind the scenes, or through his work in Republic City. But, more often than not, he was with me. Those years were some of our best." 

Korra lets out a trill of nerves, huffing in relief. "Thank the Spirits." A beat, the haunted look of someone who is technically thousands of years old yielding to the vulnerability of someone barely out of her teens carrying the weight of the Spirit and human worlds on her shoulders, knowing she is the reason your — our — friend is gone. This is the cycle we were all prepared for, and yet — "Is that why I barely remember him? Didn't he ever visit Katara at the compound? Why didn't he ever say hello?"

"I wish I could tell you, Korra, but he never gave me his reasons." A wry smile. "I'm sorry if I kept him from you."

Korra twists her mouth, setting her jaw defiantly. "Lord Zuko, if I may —" She isn't really asking permission and you know this, but you nod anyway. "That's bullshit, and you know it. He was your husband. Don't tell me you didn't know just because he didn't tell you."

Your mouth twitches knowingly, even as your expression remains impressively neutral. "I had my suspicions, of course."

"Which were?" Korra presses.

If she weren't the Avatar, I suspect you would've said something along the lines of None of your damn business or Nothing to concern yourself about. Being the Avatar still has its perks in dragging honesty out of you, it seems. Still, you manage to make it a whole production, sighing like it physically pains you to admit it. 

"He wanted to wait until you'd mastered all four elements before he would teach you" — an exaggerated eyeroll, fingers pinching the bridge of your nose — "the 'fifth element.'"

Korra's brow furrows. She blinks like she's waiting for a punchline. "The — what? There is no fifth element, unless you count energy, but —"

"I know," you agree, exhausted. "I know."

"Then what?" Korra demands, sounding as flabbergasted as she looks.

You take a deep breath, wearily replying, "Swordbending."

Korra is frozen for a moment, maybe in shock, maybe in disbelief. Then she bursts out laughing, bright and cool as snow crunching underfoot, until it dawns on her that maybe you weren't actually joking. "Wait, really?" she asks incredulously. "He actually wanted to — to teach me? Why didn't he just team up with Katara? Spirits, it would've been so much fun to have a swordmaster around."

"You told me you have to learn the elements in order, Zuko," you say in a poor imitation of my voice. It's been so long, you've almost forgotten it. "He didn't want to influence your bending, or distract you from your role as Avatar, or so I assume."

Korra huffs. "Sounds an awful lot like he did tell you things, then," she mutters indignantly.

You shrug. "Not in so many words. He said a lot without ever saying it." That wistful slant of your mouth softens into something closer to melancholy. "When you're with someone as long as I was with Sokka, you learn to read between the lines. We had our own language, in a way."

"But if you suspected, why didn't you say anything? Why not encourage him?"

There's a sadness in your smile, an ache in your eyes. "Because, young Avatar," you say gently, "you always think you'll have more time."

[lae-zels]

mr house never being able to replicate his courier six because they never let him scan them, so all he has are a few shoddy recordings he took to recreate the courier from. his replicas of courier six are flawed: none are as perceptive, resourceful and proactive. they aren't good at out-of-the-box thinking or improvising. their problemsolving, diplomacy skills and technological innovation ideas fall short of the original and are just another disappointment every time. they end up hollow shells like jane, marilyn and victor. letting new vegas go, ruin itself in pursuit of recreating his perfect right hand again, hope for another fruitful partnership and bright future of the mojave like they did before is so delicious it makes me sick actually send tweet ✌

[eclecticopposition]

give meee... headcanons about the Sangfielle friends in the most boring AU you can imagine like. idk. office Sangfielle. grocery store Sangfielle. they all work at a movie theater. whatever sounds mundane as hell and you have Thoughts about :3

okay tumblr ate my fucking answer the first time. let's try this again.

the thing about these guys is that no matter how mundane you make it, they can make anything into a situation. that's just the guys they are. so we put them in a Walmart.

Marn is an employee with a great customer service voice. She's keeping it together in the face of some truly wild statements and requests. One man keeps asking for frootie hooties, a brand of cereal that he insists is real and everyone is just refusing to sell to him, and she's spent twenty minutes trying to tell him that they just don't have it in stock

Lye and Es are having an animated conversation in the clothing area, where she is examining various colorful dresses and he is distractedly picking things off of nearby shelves and putting them back down. The conversation started at how they got kicked out of dayward yve's novelty store and is now about whether stealing should be more or less of a crime than manslaughter, because it's not as bad as killing but it is on purpose. People are trying not to pay attention to them. Eventually they are asked to leave, at which point it is revealed that lye has about two hundred dollars worth of items in his pockets and es has some candles she liked and a new pair of shoes in hers. They are both barred from Walmart.

Duvall hates it here. It's loud, he hates the lights, the aisles make no sense, he can't find anything he's looking for, and people keep coming up to him to ask him where things are. He doesn't even work here. Why do people assume he works here? He's not even wearing any Walmart merchandise. Is that what it's called when you're an employee? Merchandise? Well, it's what it would be called if he wears it, which he never will, because he doesn't work here and never wants to. Have a nice day ma'am.

Pickman is slowly marching her way through the aisles one at a time, peering at her shopping list and holding a tiny shopping basket in one hand. She has to be very careful not to knock the shelves over sometimes. Just trying to get groceries. People are nervously avoiding her. Says "Hey, you" to some poor employee to ask where the milk and cigarettes are. Just grunts at everything else. When she's at the checkout, the guy there asks "Did you find everything you're looking for?", and she just says "No." and leaves

Chine comes out of the bathroom with a live rat in his hand. People scream. The manager finally comes up to him like "Sir, you can't have rats in here." They say "Oh, she's not mine. She was just having trouble opening the door." Gets a big meat on the bone at the deli and nothing else. When he asks how much it costs, they just say it's on the house and try to get him to leave as soon as possible. They go like "Oh, really? Are you sure? I have some money." and sound surprised but pleased, like they're being done a personal favor. The employees insist. He's like "Alright, thanks!" and then asks the rat if she wants anything

[the-gayest-tree-you-ever-did-see]

finally caved and started reading all for the game. two chapters into the foxhole court and what kind of gay fucking shit is this! also did not know there were sports in here

[toreii]

Silver: “………………nngh.”

Malleus: “There’s no point worrying about it here. Let’s head back to the farewell party.”

Silver: “………Could you…go back first, please?”

Malleus: “Silver?”

Silver: “I’ll follow soon…….guhh.”

Malleus: “What’s wrong? ……Are you crying?”

Silver: “F-Forgive me. Uugh…I’m showing you a pitiful sight.”

Malleus: “Don’t apologize. Children also cry.”

Silver: “I’m already 17. I will be an adult next year.”

Silver: “In the eyes of Lord Malleus and Father, I’m no different than a child, but…”

Silver: “17 years ago……my father found me as a baby deep in the forest in Briar Valley.”

Malleus: “…………”

Silver: “Father is a fairy, I’m a human. No blood ties, no obligation to raise me……nothing.”

Silver: “But, he raised me as his own child.”

Silver: “He fed me every day, taught me lessons, and stayed by my side all night when I went to bed.”

Silver: “Fairies and humans are different in terms of behavior, speed of growth…everything.”

Silver: “Few people know how to raise humans in Briar Valley. Besides, my father is single.”

Silver: “How difficult it was to raise a human baby without anyone to rely on……”

Silver: “I can’t thank him enough. I was going to spend my whole life repaying the favor……!”

Silver: “Even though……I still haven’t repaid him anything!”

Silver: “That person is about to die alone in a distant country.”

Malleus: “………………”

Silver: “My…father can no longer use magic, and his body is weakening…”

Silver: “Even if the day comes when I forget everything, I hope I can always support him by my side…!”

Malleus: “……Lilia has a good son.”

Silver: “I’m not a good son. I can’t even fulfill one of father’s wishes.”

Silver: “I want to send him off with a smile, just as he wanted……”

Silver: “I… I… uuuhh, uuuugh…!”

Malleus: “…………”

Malleus: “You said you were nothing to Lilia. “‘No blood connections, or an obligation to raise you’…”

Malleus: “I’m sure Lilia thinks the same way.”

Silver: “…Huh?”

Malleus: “A human life is surprisingly short compared to long-lived fairies like us.”

Malleus: “Devoting yourself, a human being, to wither for your own sake. I don’t believe there’s an obligation.”(?)

Silver: “Father……why……”

Malleus: “…………”