#Ley Jaguar

[crinformativa-blog]

TSE presenta consulta ante Sala Constitucional sobre nueva versión de “Ley Jaguar”

#Política TSE presenta consulta ante Sala Constitucional sobre nueva versión de “Ley Jaguar”. #TSE #LeyJaguar #constucionalidad

CR Informativa | redaccion@crinformativa.com El Tribunal Supremo de Elecciones (TSE) presentó una consulta de constitucionalidad ante la Sala IV sobre la nueva versión del proyecto de “Ley Jaguar”. Esta versión fue propuesta por el gobierno después de que los magistrados identificaran inconstitucionalidades en los artículos consultados de la primera versión. La consulta tiene como objetivo…

[astraeaqutie]

jaguars woah woah

[jaguarscrimsonrose]

more doodlesss

[elbiotipo]

speaking of werewolves does Argentina have a werewolf legend? in Brasil the legend is that if a couple has 6 daughters and the 7th child is a boy, he will turn into a werewolf on his 13th birthday

NOT ONLY WE HAVE WEREWOLF LEGENDS, WE HAVE LEGAL PROTECTIONS AGAINST THEM

According to Argentine Law No. 20.8431, the President of the Nation becomes the godfather (or godmother) of the seventh male son or seventh female daughter of any Argentine, so that they don't become werewolves (lobizón) or witches.

This by the way, is a real law. It's still enforced today.

There are 11.000~ Argentine godchildren who are protected by the Argentine State from becoming werewolves.

This comes from a petition from Russian inmigrants who also had the same legend.

In Argentina, werewolves are called "lobizón" (plural, "lobizones") and traditionally they are related to the Guaraní legend of the Luisón, one of the cursed children of Tau and Keraná, which is also popular in Brazil. However, that legend has several modern retellings and it's difficult to access to its origin.

In fact, according to Juan Ambrosetti, the lobizón isn't a native legend on itself, but it comes from European Brazilian inmigrants who interacted with the criollo and native people of the region, including Argentina. For example, in Argentina, and I believe also Brazil, the Lobizón or Lobisome is associated with the Aguará Guazú or Lobo-Guará. This is not a connection found in the native peoples of the Americas, at least not in historical records, and it doesn't really fit the rather gentle and skittish nature of the Aguará Guazú.

In fact, the Tupi-Guaraní peoples, and most of the people from the Amazon to the Mata Atlántica to the Great Chaco if not the whole of the range of the jaguar, have therianthropic legends of Jaguar-men, most prominently in the Guaraní cultural sphere (Paraguay, Northern Argentina and Southern Brazil) the Yaguareté-Avá, sorcerers or madmen who could turn into jaguars. This was an incredibly common motif found all over the continent. It seems that this legend was syncretized with European tales of werewolves, thus transforming into the Lobizón, associated (rather infamously) with the Aguará Guazú as we know it today.

This is something that deserves careful reading and study, but if anyone has time, here is a fascinating read:

[prettieinpink]

do u have a spotify? i need song recs badly 💔💔

i got uuuuu (will not be sharing my playlist, its a mess lmao.)

do it by chole x halle

slow burn by citizen queen

fantasy by earth wind fire

sweet life by frank ocean

persuasive by doechii and sza

W.A.Y.S by jhene aiko

Jaguar by victoria monet

back on 74 by jungle

like a tattoo by sade

stay ready by jhene aiko and kendrick lamar

intergalatic janet by ley soul

fly girl by flo milli and missy elliot

alright by victoria monet

afrodite by akira rae

novacane by frank ocean

munekita by kali uchis and JT

[justforbooks]

Colin Bradbury, who has died aged 90, was the BBC Symphony Orchestra clarinettist whose dazzling cadenza in Sir Henry Wood’s Fantasia on British Sea Songs held audiences breathless at the Last Night of the Proms for many years. He became principal clarinet in the orchestra in 1960, and continued until his retirement in 1993.

During the 1970s, with Pierre Boulez as the principal conductor, the orchestra achieved worldwide prominence. Bradbury described it as “a unique time, musically and orchestrally – a golden age”. Away from the orchestra, he became an outstanding exponent of the clarinet’s lesser-known 19th-century repertory, in recital and on record.

He was born in Blackpool, the younger child of Jim Bradbury, a railway clerk, and his wife, Nellie (nee Cookson), both amateur singers. Encouraged to sing from an early age by his mother (his father died when he was four), Colin began to learn the piano at seven and soon bagged the only B flat clarinet at his primary school. Using his initiative, he worked out the transposition and was soon playing along with the school recorder group.

At Blackpool grammar school he started clarinet lessons with a local semi-professional, Tom Smith, and acquired a pair of simple-system Barret-action Albert clarinets. In 1947 he auditioned for the newly established National Youth Orchestra, becoming a founder member.

His sister Jean went to university, intending to become a teacher, and Colin assumed he would follow. A career in music had not crossed his mind, so when the viola player Bernard Shore came to the second NYO course to talk to young musicians intending to enter the profession, he did not attend. Ruth Railton, director of the NYO, took him for a long walk, four times around the Leys school in Cambridge, where the course was being held, and by the end he was persuaded. She went on to offer him the opportunity to play the Mozart Clarinet Concerto with the NYO at the Edinburgh festival in 1951, on condition that he left school that Easter and began studying with the clarinettist Frederick Thurston.

This he did, missing his A-levels, and started at the Royal College of Music in London in the autumn of 1951, funded by a Blackpool festival scholarship. After a year he left to join the Irish Guards, then returned to the college and completed his national service concurrently with the rest of his music studies. He won the Tagore gold medal for the best male student of his year.

During the summer of 1956 he drove an ice-cream delivery truck to get himself out of debt, having not quite paid for a 22-litre Jaguar with his earnings from a West End run of Summer Song that had folded unexpectedly.

That September, he joined the Sadler’s Wells orchestra as second clarinet, becoming principal in 1957. Playing in the pit was enjoyable, but also “frustrating for an extrovert, conceited character like me, but I learned a great deal”. He married Janet Forbes, the principal flute, in 1959.

During the 1959-60 season he began working with John Carewe and the New Music Ensemble and took part in Schönberg’s Pierrot Lunaire in the second of the new series of BBC Thursday Invitation Concerts. He was also invited to give some solo recitals for the BBC Home Service; at the first concert he played Seiber’s Andantino Pastorale and the Sonatine by Honegger.

In September 1960 he joined the BBC Symphony Orchestra (BBCSO) as principal clarinet. When the orchestra appointed co-principals in 1963, Bradbury shared the position with Jack Brymer for seven happy years. During that period, with more flexible working hours, he was able to play with other orchestras such as the LSO and the Philharmonia and take part in recordings. He also performed as a soloist, playing the Mozart Concerto, the Nielsen Concerto, the Weber Concertino and the Debussy Première Rhapsodie at the Proms.

During the 70s the structure of the BBCSO was changed and Brymer moved on to the LSO. It was during this period that Bradbury was elected chair of the orchestral committee, representing his fellow players’ interests.

In 1979, Bradbury’s old teacher, Smith, sent him his collection of amusing 19th-century pieces, the sort that the younger Bradbury had been rather snobbish about. Together with the pianist and scholar Oliver Davies, he produced The Victorian Clarinettist – the repertoire of the 19th-century virtuoso Henry Lazarus. This was followed by three more LP records: The Drawing-Room Clarinettist, The Italian Clarinettist and The Edwardian Clarinettist; selections from these LPs were reissued in CD format as The Virtuoso Clarinettist (1990), and The Art of the Clarinettist (1994).

In 1993, Bradbury retired from the BBCSO, and made the CDs The Bel Canto Clarinettist (1996), a sequence of 19th-century opera paraphrases, and The Victorian Clarinet Tradition (1998), linking Bradbury to Lazarus through Lazarus’s pupil Charles Draper, and Draper’s pupil Thurston. An interest in computer music software took Bradbury on to publishing good editions of these 19th-century works under his own imprint, Lazarus Edition.

From 1963 to 2000 he was professor of clarinet at the Royal College of Music, eventually becoming head of woodwind. His greatest joy was the RCM Wind Ensemble. Having no love of wind bands (which add saxophones and brass to woodwinds), he created a Harmonie ensemble – woodwinds and horns, as for the wind music of Mozart – which toured extensively, with visits to Japan and Vienna.

In 1999 he revived an earlier partnership with the pianist Bernard Roberts to record both Brahms sonatas together with the Hindemith Sonata. A review in BBC Music magazine commented: “Bradbury plays in a beautifully natural way without resorting to the forced rubato adopted by some artists in a contrived attempt to be different, and he allows the music to speak for itself.”

Bradbury is survived by Janet and their five children, Keith, Louise, Paul, John and Adrian, and 15 grandchildren.

🔔 Colin Bradbury, clarinettist, born 4 March 1933; died 28 May 2023

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[bitacoramostaza-ai4]

No hay Trama sin trauma

Necesitamos un protagonista, algún personaje con quién se establezca un viaje emocional, al que le afecten las cosas y por ello al público también le afecten. Un personaje, que sufra un "trauma" en escena que modifique su actitud. Esa, pero en otras palabras, fue más o menos, la recomendación del profesor David en la clase de hoy para mi grupo.

Analizando desde la idea...

-Cuatro animales, por encargo de la Yacumama, se aventuran para detener el problema de la deforestación, luchando en el camino contra la tala y la minería ilegal, van descubriendo junto al auditorio cuál es el origen de este problema. Al final encuentran a uno de los principales culpables, nosotros.

Vemos que esta idea no contempla el protagonismo de nadie en específico. Así que, durante la clase decidimos que uno de los cuatro animales sea el protagonista:

-El mono - La rana - El jaguar - El oso perezoso

Optamos porque el mono Tamarino sea el protagonista. Encontré artículos informativos como este de la Agencia Iberoamericanca para la difusión de la ciencia y la tecnología: https://www.dicyt.com/noticias/los-tamarinos-aliados-de-la-reforestacion , que señalan que esta especie de mono es aliada de la reforestación puesto que son "unos eficaces dispersores de semillas desde los bosques a las áreas perturbadas por la actividad humana" (DiCYT, A, s. f.)

Referencia: DiCYT, A. (s. f.). Los tamarinos, aliados de la reforestación. https://www.dicyt.com/noticias/los-tamarinos-aliados-de-la-reforestacion

A partir de esta decisión, esbozamos un replanteo de la trama:

De este modo, aun cuando el conflicto personal del protagonista y de los personajes no están del todo potenciados, al menos están claros. Señala César De María en el canal de youtube de Cultura24.tv (2014) que lo primero que necesitamos es una historia clara y emocionante, pone de ejemplo a Hamlet e indica textualmente "Es la historia de un príncipe al que un fantasma le pide asesinar a un rey". Siguiendo esta lógica he redactado un storyline en función del protagonista:

La historia de un mono al que una mítica boa gigante le encarga detener el deterioro de su hábitat. 

El tema detonante o punto de partida es un tema actual debido a la reciente modificación de la ley que regulaba la zonificación forestal. Su desarrollo decanta en temas secundarios que inciden en las consecuencias de la contaminación y la conscientización sobre sus causas. Pero también involucra temas transversales que apelan a nuestra condición humana. Es precisamente el desarrollo de estos últimos lo que posibilitará la conexión de los espectadores con la trama y permitirá que sientan empatía por los personajes.

Tema detonante o primario:

La degradación ambiental en la amazonía

Temas secundarios:

El deterioro del medioambiente

La importancia de la naturaleza

Los efectos nocivos de la contaminación en la fauna

La responsabilidad ambiental de las grandes empresas

Temas transversales:

La necesidad del reconocimiento

La imposibilidad de cumplir una tarea

La frustración

La amistad y la solidaridad

El espacio seguro y las redes de apoyo en la regulación emocional

El dolor de quedarse sin hogar

La búsqueda de lo esencial

El interés por analizar e investigar

Referencia: cultura24.tv. (2014). Curso virtual: Conceptos básicos de dramaturgia. 1/3 [Vídeo]. YouTube. https://www.youtube.com/watch?v=6oudFJm_2Uk

Además, me he cuestionado eventos que podrían intensíficar la trama:

y si...

¿Y si la Yacumama se enfermara gravemente?

¿Y si el mono enfermara gravemente?

¿Y si uno de los personajes animales muriese?

¿Y si el mono muriese en un incendio?

[melly0990]

An au whare tekken and bungou stray dogs take place in the same universe and the characters from both series interact

(Bungou stray dogs Season 4 spoilers for a certain characters backstory so scroll down and don't look at the post or just don't look at the post if you don't want spoilers)

The bsd characters would be pretty surprised to find that there are non ability users who are fully capable of fighting

Atsushi would understand jin with his struggle of trying to control the devil gene but be conflicted with him as well since he did cause wars and chaos in the world

Dazai would ask Lee if he knows any beautiful ladies he can commit suicide with, Lee was disturbed by that question at first then composes himself and answers

Lee: well yes I do know one beautiful lady you could commit suicide with

Dazai: really?:D

Lee: and her name is mental hospital

Dazai: you know what i'll pass 😑

Kunikida would talk with lars about how he wants to live up to his ideals and the justice it brings, lars would encourage him to keep fighting for his ideals that there are people he won't be able to save but he's gotta save who he can, Kunikida takes those words to heart

Lei wouldn't belive ranpo's claims of being the best detective in the world and assume he's just a little kid, ranpo would be annoyed by that tell him he's 26 and proves to him that he is a great detective by using ultra deduction guesses things and surprises lei as well as impress him

Xiaoyu and alisa would act like big sister figures to kyouka showing her some clothes shops ,eating crepes with her (with atsushi and lucy) and Xiaoyu would have kyouka pet panda whom kyouka would finds very soft

Yosano would dislike dragunov's nickname "the white angel of death" as that's what the soldier called her right before he died in her backstory other than that she's neutral on him

I honestly think chuuya and hwoarng have similar personalities but I think they would get at each other's nerves and hwoarng would challenge chuuya to a fight (which he losses every time cuz chuuya's very op)

Feng Wei would see kenji beating a bear that isn't Kuma (reason why kenji beated said bear was cuz the bear attacked him and kenji was trying to protect himself he even checked if the bear was ok after he beat it) be shocked of the farmer boy easily beating a bear with his own hands and since he like strong opponents he challenges kenji to a fight to test his strength which kenji is like "okie sure!"

Akutagawa and Miguel would get into a fight, akutagawa is surprised that a non ability user has stood up to him and thinks of knocking him out and bringing to mafia hq for questioning on how he was able to go toe to toe with an ability user (if your wondering why he doesn't think of killing him its cuz this is after season 3 akutagawa whare he promises atsushi not to kill anyone in 6 months) so he tied up Miguel and was about to knock him out only for Miguel thinking he would die since he was fighting a wanted killer said something quietly like " I guess I'll see you again soon sis" making akutagawa stop and ask him this

Akutagawa: do you have a little sister?

Miguel: yea what's it to ya?

Then akutagawa left Miguel by himself and leaved the place they were fighting in

King would see atsushi's tiger abilities when atsushi is dealing with some low life criminals and accidentally saw his scar they would talk asking him whare he got his scar from atsushi just remarks he got it in an orphanage whare the headmaster did that to him king would feel bad for him for what he's gone through and would also give him advice about some stuff, atsushi feels reassured and comfortable by those advices and also thinks his jaguar mask looks cool they talk for a while then they leave and king is more determined then ever to not only raise money for orphanages but also make sure the caretakers at the orphanage are not abusive bastards like with atsushi's caretakers at his own orphanage

[crevillam]

Foro La Isla y la ley jaguar

COMUNICADO El “Foro de Reflexión Política La Isla” del Partido Liberación Nacional, expresa su complacencia ante el voto emitido con la Sala Constitucional a propósito del proyecto presentado por el Poder Ejecutivo, denominado Ley Jaguar. Costa Rica, mantiene la tradición de recurrir a la ley para proteger nuestra democracia. El Tribunal Supremo de Elecciones, órgano responsable de hacerlo,…

[12endigital]

Rubia, rubia del jaguar, Alicante es ciudad sin ley

Menos mal. Se acabaron las hogueras. ¡Bendito sea el señor! He intentado coger una plaza en el balneario de Cofrentes, pero también está lleno y no cabe ni un alfiler. Medio Alicante ha huido escapando de la quema. No me han hecho ni puto caso. No será que no lo he dicho claro: a todos los fanáticos de los petardos,  a todos esos valientes, que han visto desde Rambo uno hasta Rambo siete, que…

[crinformativa-blog]

Gobierno presenta nuevo escrito de la Ley Jaguar ante fallo de Sala Constitucional

CR Informativa | redaccion@crinformativa.com San José, 30 de julio de 2024. – El presidente Rodrigo Chaves anunció este martes en conferencia de prensa en la Casa Presidencial que presentará una nueva versión del proyecto de la ‘ley jaguar’, tras el fallo adverso de la Sala Constitucional que objetó todos los artículos consultados por el Tribunal Supremo de Elecciones (TSE). Chaves calificó la…

[astraeaqutie]

silly sc5 thingss

[jaguarscrimsonrose]

[constitucionmariamonmom]

Tarea 3

"El jaguar y la mariposa" del Museo Nacional

1.Historia y misión: l Museo Nacional de Colombia es el más antiguo de los museos del país, fundado por Ley del primer Congreso de la República en 1823. Ha ocupado distintas sedes: la antigua Casa Botánica de 1824 a 1842, el edificio de la Aulas -actual Museo de Arte Colonial de 1845 a 1913, el Pasaje Rufino Cuervo -hoy desaparecido de 1913 a 1922, el edificio Banco Pedro A. López -hoy Ministerio de Agricultura y Desarrollo Rural de 1922 a 1944 y las instalaciones de la antigua Penitenciaría Central de Cundinamarca, conocida como “Panóptico” de 1948 hasta la actualidad. La actual sede ha venido siendo restaurada y adecuada hasta 2001 con la apertura de la totalidad de las salas de exhibición. En 1975fue declarada Monumento Nacional por su arquitectura e historia.

La misión del museo es "ser un lugar de encuentro entre los ciudadanos de Colombia y el mundo con nuestros patrimonios, para dialogar, celebrar, reconocer y reflexionar sobre lo que fuimos, lo que somos y lo que seremos".

2. El jaguar y la mariposa. Chiribiquete patrimonio natural y cultural de la humanidad 

Es una exposición busca mostrar los componentes geológicos, biofísicos y antropológicos presentes en los 42 000 km2 del Parque Nacional Natural Serranía de Chiribiquete, esta reserva representa un laboratorio vivo y un ecosistema de referencia, es decir, es un lugar único donde es posible encontrar el 70 % de la flora amazónica y diferentes especies de animales, así como plantas que sobreviven únicamente en las singulares formaciones rocosas de la serranía. Los visitantes podrán conocer la diversidad y especificidad geomorfológica, ecológica y cultural que compone el territorio de la serranía de Chiribiquete, a través de tres grandes secciones: geo, bio y antropo.

Opinión: La exposición mediante su interdisciplinariedad entre arte y ciencia, reúne fotos, ilustraciones, esculturas, pinturas, infografías, pieles, semillas, cortezas, maderas, tejidos, performances, videos, conocimientos de comunidades indígenas, en una experiencia inmersiva en el Chiribiquete mostrando su gran diversidad y las problemáticas ambientales a las que se enfrenta desde una mirada crítica.

3. En definitiva las nuevas generaciones poseen mayor conciencia ecológica. En mi opinión es debido a una creciente empatía hacia el otro, humano, animal y vegetal, la reflexión de que la humanidad no es el centro del mundo y que vivimos en un planeta con recursos finitos. Las consecuencias tangibles del cambio climático son cada día más cercanas, los incendio en los cerros orientales, la crisis del agua, y los abruptos cambios en el clima son ejemplos que nos hacen dejar de percibir la problemática ambiental como algo lejano y nos hacen cuestionarnos sobre nuestros hábitos y dinámicas de consumo.

Las pequeñas acciones hacen grandes cambios, como lo son el uso de bolsas reutilizables, utilizar botilitos o termos, usar la bicicleta o transporte público, la separación de residuos, reducir nuestro consumo de carnes, comparar local y compartir estas acciones entre nuestros amigos y familias.

[acapulcopress]

Guerrero avanza tecnológicamente con la aprobación de la Ley de Gobernanza Digital

CHILPANCINGO, Gro. * Febrero 2, 2024. ) Congreso de Guerrero Con el objeto de elevar la calidad de los trámites y servicios gubernamentales, agilizar los procesos, la transparencia y el combate a la corrupción, a través de la integración de las tecnologías de la información y comunicaciones (TIC) en la administración pública estatal y de los municipios, el Pleno del Congreso del Estado aprobó la nueva Ley de Gobernanza Digital del Estado de Guerrero. De acuerdo con el dictamen emitido por la Comisión de Justicia, derivado de una iniciativa enviada por la titular del Ejecutivo estatal, el propósito neurálgico es establecer las bases para la promoción y desarrollo de un Gobierno Digital en el estado, integrando las TIC en la administración pública central y demás sujetos, como son los poderes Legislativo y Judicial, ayuntamientos, órganos autónomos y notarías del estado de Guerrero. Resalta que este ordenamiento jurídico tiene el propósito de promover la transparencia, eficiencia y combate a la corrupción, elevando la calidad de trámites y servicios gubernamentales, agilizando los procesos y, sobre todo, mejorar la comunicación de las personas, a través de la implementación del desarrollo y promoción de la Plataforma Digital Jaguar lD. Lo anterior, agrega, garantizará la interacción, interoperabilidad y seguridad digital de las personas y los sujetos, dando mayor eficiencia a los trámites, servicios y demás actos jurídicos y administrativos, en un marco de agilidad, confianza y rapidez, con la utilización y uso de la firma electrónica avanzada, que posibilite garantizar el derecho humano a la buena administración pública. Precisa que en el caso específico de la Plataforma Digital Jaguar-ID, será un recurso concentrado y centralizado que promete revolucionar la manera en que las interacciones gubernamentales y administrativas ocurren en el estado, mismo que funcionará como un núcleo de inteligencia que promueve la transparencia y combate la corrupción. Además, dicha plataforma promete facilitar la creación de una red interconectada que promueva una mayor colaboración y coordinación entre los diferentes órganos gubernamentales, lo que es vital para Ia eficiencia y eficacia de la administración pública. También se menciona la creación de una Cédula Ciudadana, misma que actúa como un almacén seguro de información vital de una persona, protegiendo la identidad de las personas usuarias y facilitando un acceso ágil a una gama de servicios gubernamentales. De la misma forma, destaca que la Firma Electrónica Avanzada se vuelve una piedra angular en esta Ley, dando legitimidad y validez jurídica a las transacciones digitales, estableciendo paralelismos con la firma autógrafa y, por ende, adaptando los principios legales tradicionales a la esfera digital. Las diputadas y diputados integrantes de la Comisión de Justicia, Jesús Parra García, presidente; Beatriz Mojica Morga, secretaria; Estrella de la Paz Bernal, Bernardo Ortega Jiménez y Ana Lenis Reséndiz Javier, vocales, coincidieron en que dicha propuesta es atrayente y representa también una inversión estatal en materia tecnológica, que potencialmente puede representar cambios sustantivos en la forma en que se ha de organizar el estado a través de sus poderes públicos. ] Síguenos en facebook.com/acapulcopress ) Síguenos en facebook.com/angelblanco.press ] Síguenos en ) acapulcopress.com Read the full article