#Le Cornelle

[mr-karlheinzstockhatso]

Rosa Che Ti Spia.

Parco Faunistico Le Cornelle, Valbrembo, Bergamo, Italia » 27 Novembre 2022 » JOHN ZORN - N.Y. FLAT TOP BOX

[24601orwhatever]

BLACK JAVERTS FROM OVER THE YEARS

all very talented men who deserve some more spotlight on here! from L to R , top to bottom:

David Thomas Walker (2024 US TOUR) Shaq Taylor (LONDON 2017) Brian Stokes Mitchell (HOLLYWOOD BOWL 2008) Cornell John (LONDON 2005) Benjamin H. Moore (2022 US TOUR) Norm Lewis (2006 BROADWAY, 25TH ANNI, 2010 LONDON, 2013 THE MUNY) Jordan Donica (2024 THE MUNY) Donald Craig Manuel (2022 WEST END) Cameron Loyal (2023 US TOUR) Monté J. Howell (2017 US TOUR)

[wakeupandsmellthecarcass]

Les Paul's are so beautiful! A dude from my guitar class brought his Les Paul to class one time and I wanted to touch it so badly. I really had to fight with myself to not do it.

(It looked like the one Chris has in this photo)

[noonesingslikeyouanymore]

Chris and his iconic army green guitar

[filmnoirfoundation]

NOIR CITY returns to Phoenixville’s historical Colonial Theatre, November 15-17. Join FNF prez Eddie Muller for a three-day extravaganza featuring 10 films with the theme “Darkness Has No Borders”. This year’s program is tailored to satisfy folks who love noir that’s full of the colorful vernacular slang so essential to American and British noir—as well as adventurous viewers intrigued by a familiar story–a crime committed for passion or profit—playing out in cultures with different values, mores, and styles.

The festival opens Friday night with a salute to pulp writer Cornell Woolrich, the new FNF-funded restoration of the 1952 Argentine film No abras nunca esa puerta (Never Open That Door) followed by the FNF preservation print of Si muero antes de despertar (If I Should Die Before I Wake – 1952 Argentina) - the last part of a Cornell Woolrich trilogy originally planned for Never Open that Door but released as a stand-alone feature. Hollywood’s big screen adaptation of Woolrich’s Street of Chance (1952) finishes the evening. UCLA Film & Television Archive performed the restoration and preservation.

The Saturday matinee screenings comprise two prison break films, Black Tuesday (1954) and Jacques Becker’s Le trou (The Hole). The evening screenings feature two existential classics, the U.K. production The Bridge (1957) and Japan’s Zero no shoten (1961). Sunday’s program begins with two heist films, John Huston’s The Asphalt Jungle (1944) and Symphonie pour un massacre (1963). The festival closes with two L. A. set noirs Murder by Contract (1958) and Italy’s Smog (1962).

Schedule, singe feature tickets ($20), and double feature tickets ($40) are available on the Colonial Theatre’s website.

[duranduratulsa]

Now showing on DuranDuranTulsa's Flashback Theater 🎥...Singles (1992) on classic DVD 📀! #movie #movies #drama #singles #bridgetfonda #campbellscott #KyraSedgwick #MattDillon #billpullman #eddievedder #ericstoltz #chriscornell #RIPChrisCornell #JamesLeGros #jeremypiven #timburton #PaulGiamatti #PeterHorton #TomSkerritt #christophermasterson #DebiMazar #90s #dvd #durandurantulsa #durandurantulsasflashbacktheater

[nobuyukikakigi]

ヘッセンへの旅より

1834年の初め、ギーセンの大学で医学を学んでいたゲオルク・ビュヒナーは、小学校長を務めながらヘッセン地方の反体制運動を率いていたフリードリヒ・ルートヴィヒ・ヴァディヒと知り合い、彼をつうじてヘッセン大公国に関する統計資料を手に入れる。それを基にビュヒナーが起草した政治的煽動の書が「ヘッセンの急使」である。秘密裡に印刷されたこの文書のなかで彼は、現在の体制の下で生きること自体が苦役であることを次のように訴える。 ──だが、見よ、大公国において、国家はいかなる状態にたちいたっているか！　また、見よ、国家の秩序を維持するとは、いったい何を意味するのかを！　秩序の中で生きるために、七十万の人びとが六百万グルデンを支払っている。つまり、牛馬のごとくはたらかされている。まさに秩序の中で生きるということは、飢えることであり、皮を剝がされることなのだ。（石黒英男訳） 11月1日の夜にヴィーズバーデ…

[mikeladano]

VHS Archives #148: RUSH Inducted Into the Juno Hall of Fame - 1994 Juno Awards / w Tom Cochrane, Mike Myers, Sebastian Bach, the Tragically Hip & more!

In 1994, Rush were inducted to the Canadian Music Hall of Fame, after a mere 20 years as a recording band.  Not bad for three nerds from Southern Ontario.  I had my VCR running that night, and this is the whole segment, complete and uncut, with all introductions and fades, unlike other copies on YouTube.  Tom Cochrane was selected to induct them. “Tonight we’re here to blow the lid off our three…

[guitarbomb]

Jeff Buckley Guitar Gear - A Deep Dive into Grace

Jeff Buckley was a major influence on many musicians and guitarists. We take a deep dive into the gear he used.

Jeff Buckley’s Grace album is a tour de force in songwriting. It also features some exceptional guitar playing and recorded guitar tones. We take you through that gear and talk about how to grab some of those tones and integrate them into your rig. Jeff Buckley  Jeff Buckley’s album Grace is often seen as the perfect debut album by many because it is so fully formed. With the perfect balance of…

[thebotanicalarcade]

n145_w1150 by Biodiversity Heritage Library Via Flickr: Nouveau langage des fleurs : Paris :V. Lecou,1853. biodiversitylibrary.org/page/58438441

[mr-karlheinzstockhatso]

Uno Sguardo Attento.

Parco Faunistico Le Cornelle, Valbrembo, Bergamo, Italia » 27 Novembre 2022 » JARDIN DE LA CROIX - GREEN ARCHITECT

[paneerlajwanti]

south asian diaspora students protest in solidarity of freedom for palestine, chanting for azadi (adopted from kashmiri slogans against occupation)

transcript under the cut

arre hum kya chahte? AZADI ! palestine ki AZADI ! cheen ke lenge AZADI ! hain haq humara AZADI ! cheekh ke bolo AZADI ! chillake bolo AZADI ! jor se bolo AZADI !

columbia main AZADI ! cornell main bhi AZADI ! palestine main bhi AZADI ! palestine maange AZADI !

aadhi raat main AZADI ! aadhi raat ko AZADI ! arre hum kya bole AZADI! baaki sunn le AZADI! columbia bole AZADI ! cornell bole AZADI !

cheen ke lenge AZADI! biden sunn le AZADI ! netanyahu sunn le AZADI ! modi sunn le AZADI ! columbia wale AZADI ! cornell bole AZADI ! nyu bole AZADI ! nypd se AZADI !

cheen ke lenge AZADI ! hain haq humara AZADI ! what do we want AZADI ! what do we want now AZADI !

[wheel-of-fish]

13 books!

I was tagged by @consistantly-changing (thanks!) to answer these 13 questions, tag 13 people and, if desired, add a shelfie! I looove this one!

1) The last book I read:

Emily Wilde's Encyclopaedia of Faeries by Heather Fawcett, which is a departure from my usual fare; I just wanted something fun and cozy. I was pleasantly surprised by how much I enjoyed it!

2) A book I recommend:

Ugh, so so many. uhhh how about The Vanishing Half by Brit Bennett

3) A book that I couldn’t put down:

My Brilliant Friend by Elena Ferrante (that whole series, really)

4) A book I’ve read twice (or more):

Uprooted by Naomi Novik

5) A book on my TBR:

A new one I'm excited about that I'm on the hold list for at the library is The Warm Hands of Ghosts by Katherine Arden.

6) A book I’ve put down:

Blood Meridian by Cormac McCarthy. I don't know if I wasn't in the right headspace for it, or if I'm just too dumb. Probably both. I would like to try it again sometime, though.

7) A book on my wish list:

The Handbook of Bird Biology by the Cornell Lab of Ornithology

8) A favorite book from childhood:

The Secret Garden. I had a really pretty illustrated copy. I still have it, actually!

9) A book you would give to a friend:

Gilead by Marilynne Robinson

[There is no No. 10 I guess?]

11) A nonfiction book you own:

The Warmth of Other Suns by Isabel Wilkerson ugggh it's so good

12) What are you currently reading:

Waiting by Ha Jin and The Art of Gathering by Priya Parker

13) What are you planning on reading next?

I won't actually know until I get to that point. My reading mood changes with the wind. :P

And a shelfie! It's a couple months old, but I don't feel like taking a new one. (fwiw, a LOT of these are used or gifted, and I prune/donate them regularly)

Tagging @glassprism @musicalhell @bogglebabbles @les-gnossiennes-fantomatiques @rjdaae @ladystormcrow @forestscribe4 @a-partofthenarrative @jennyfair7 @pianomanblaine @lucy-ghoul @dying-suffering-french-stalkers @lestatslestits

[princesssarisa]

Opera on YouTube, Part 2

Le Nozze di Figaro (The Marriage of Figaro)

Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)

Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV

Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)

Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)

Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)

Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)

Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV

Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)

Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)

Tosca

Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)

Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)

Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)

Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)

Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)

Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)

Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)

Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)

Don Giovanni

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)

Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)

Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)

Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)

Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)

Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II

Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)

Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)

Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)

Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)

Madama Butterfly

Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)

New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)

Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)

Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)

Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)

Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)

Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)

Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)

Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)

[noonesingslikeyouanymore]

Love when Chris plays his army green guitar!

[filmnoirfoundation]

NOIR CITY Hollywood starts tonight at the American Cinematheque! Eddie Muller and Alan K. Rode in person. Opening Night Cocktail Reception - 6 pm | NEVER OPEN THAT DOOR (1952) / THE WINDOW (1949) 🎞️ - 7:30pm Tickets and schedule are available on the American Cinematheque’s website: https://bit.ly/3Ij9Mc2

NOIR CITY: Hollywood returns to the newly restored Egyptian Theatre, March 22- 31. The festival will be celebrating its 25th anniversary at the American Cinematheque with a killer lineup of twenty-three films. We will be presenting a series of double features, pairing international films with more familiar English-language ones containing similar themes. This global adventure of noir cinema comprises twelve 35mm prints (including a glorious Nitrate print of Nightmare Alley) and special guests.

Highlights include an opening night reception prior to the screening of No abras nunca esa puerta / Never Open That Door (1952, Argentina), a digital restoration performed by the UCLA Film & Television Archive with funding by the Film Noir Foundation. A FNF funded 35mm print of The Window (1949) follows. Both films are based on stories by the pulp fiction master Cornell Woolrich. Closing night features the West Coast premiere of the new 4K digital restoration of Jean-Pierre Melville Le Samouraï (1967).

The Film Noir Foundation’s president Eddie Muller and board member Alan K. Rode will be on hand opening night, Eddie will introduce No abras nunca esa Puerta and Alan will introduce The Window. Eddie will introduce the rest of the opening weekend films and return for the closing weekend to introduce the Friday, Saturday and Sunday screenings except for New York Confidential which will be introduced by Alan who will also be introducing all the weekday screenings.