#Lakhany

[magazinepk]

Lakhany Summer Collection Online Shopping in Pakistan

[golzar]

Nimra Jacob

[fuckyeahcostumedramas]

Aishwarya Rai as Nandini in Ponniyin Selvan: Part I (Film, 2022).

[peachfreak1750]

Not the best but they are my favorite little guys so y’all have to deal with it

[thefashioninternstudio]

The curious case of Ranveer Singh’s Fashion

Lets checkout the fashion evolution of Ranveer Singh along side his roller coaster film career!

[dotentertainment7866]

Natasha Lakhani Shares Tips to Lose Weight After Pregnancy

[freepressjournals]

Eka Lakhani – The Creative Force Behind Iconic Costumes in Indian Cinema

Early Life and Education:

Born in 1987, Eka Lakhani is a celebrated Indian fashion costume designer who has made a significant impact in the world of Indian cinema. Her journey began with a strong educational foundation in fashion design. She studied at SNDT Women’s University in Mumbai, where she developed her creative skills over three years. Seeking further expertise, she attended the Fashion Institute of Technology in New York City, where she refined her craft. During her time in the United States, Eka had the opportunity to assist established designers during New York Fashion Week, gaining invaluable insights into high fashion.

Emerging as a Costume Designer:

Eka’s career in costume design took a significant leap when she returned to India and interned on the sets of the bilingual film “Raavan” in 2010. Her talent and dedication quickly caught the attention of notable cinematographer Santosh Sivan, who offered her the role of costume designer for the Malayalam period drama “Urumi” in 2011. This project presented the challenge of creating authentic 15th-century Portuguese and Indian costumes for prominent actors like Vidya Balan, Genelia D’Souza, and Tabu, showcasing her ability to handle complex historical themes.

Collaboration with Director Mani Ratnam:

A pivotal moment in Eka’s career came in 2013 when she became the costume designer for Mani Ratnam’s film “Kadal.” This collaboration marked the start of a successful partnership that continues to thrive. Eka’s meticulous attention to detail and dedication to her craft made her the preferred choice for Mani Ratnam’s projects. Her work has been particularly lauded in films like “O Kadhal Kanmani” (2015) and “Kaatru Veliyidai” (2017), where her stunning costume designs for actresses Nithya Menen and Aditi Rao Hydari stood out.

For the period drama “Ponniyin Selvan: I” (2022), Eka undertook extensive research, traveling to Tanjore temples, meeting weavers, and immersing herself in the rich heritage to create authentic costumes that vividly brought the historical narrative to life.

Versatile Portfolio:

Eka Lakhani’s diverse portfolio includes biopics such as “Sanju” (2018) and the web series “Queen” (2019), where she meticulously recreated the fashion styles of the respective historical periods. In 2019, she founded “Team E,” a platform where seasoned designers collaborate under her guidance. Their first project was the Madras Talkies production “Vaanam Kottattum” (2020).

Eka’s versatility is further demonstrated by her appearances in films like “Kadal” (2013) and “One by Two” (2014), showcasing her talent as both a costume designer and an actress.

Awards and Recognition:

Eka Lakhani’s contributions to costume design have been widely recognized and celebrated. Her meticulous attention to detail and unwavering commitment to her craft have earned her a well-deserved place in the industry.

With an estimated net worth of $1.2 million and a career spanning various languages and genres, Eka Lakhani continues to be a driving force in Indian cinema. Her exceptional costume designs bring characters to life, making her an indispensable part of the film industry.

[sequelscreen]

Eka Lakhani – The Creative Force Behind Iconic Costumes in Indian Cinema

Early Life and Education:

Born in 1987, Eka Lakhani is a celebrated Indian fashion costume designer who has made a significant impact in the world of Indian cinema. Her journey began with a strong educational foundation in fashion design. She studied at SNDT Women’s University in Mumbai, where she developed her creative skills over three years. Seeking further expertise, she attended the Fashion Institute of Technology in New York City, where she refined her craft. During her time in the United States, Eka had the opportunity to assist established designers during New York Fashion Week, gaining invaluable insights into high fashion.

Emerging as a Costume Designer:

Eka’s career in costume design took a significant leap when she returned to India and interned on the sets of the bilingual film “Raavan” in 2010. Her talent and dedication quickly caught the attention of notable cinematographer Santosh Sivan, who offered her the role of costume designer for the Malayalam period drama “Urumi” in 2011. This project presented the challenge of creating authentic 15th-century Portuguese and Indian costumes for prominent actors like Vidya Balan, Genelia D’Souza, and Tabu, showcasing her ability to handle complex historical themes.

Collaboration with Director Mani Ratnam:

A pivotal moment in Eka’s career came in 2013 when she became the costume designer for Mani Ratnam’s film “Kadal.” This collaboration marked the start of a successful partnership that continues to thrive. Eka’s meticulous attention to detail and dedication to her craft made her the preferred choice for Mani Ratnam’s projects. Her work has been particularly lauded in films like “O Kadhal Kanmani” (2015) and “Kaatru Veliyidai” (2017), where her stunning costume designs for actresses Nithya Menen and Aditi Rao Hydari stood out.

For the period drama “Ponniyin Selvan: I” (2022), Eka undertook extensive research, traveling to Tanjore temples, meeting weavers, and immersing herself in the rich heritage to create authentic costumes that vividly brought the historical narrative to life.

Versatile Portfolio:

Eka Lakhani’s diverse portfolio includes biopics such as “Sanju” (2018) and the web series “Queen” (2019), where she meticulously recreated the fashion styles of the respective historical periods. In 2019, she founded “Team E,” a platform where seasoned designers collaborate under her guidance. Their first project was the Madras Talkies production “Vaanam Kottattum” (2020).

Eka’s versatility is further demonstrated by her appearances in films like “Kadal” (2013) and “One by Two” (2014), showcasing her talent as both a costume designer and an actress.

Awards and Recognition:

Eka Lakhani’s contributions to costume design have been widely recognized and celebrated. Her meticulous attention to detail and unwavering commitment to her craft have earned her a well-deserved place in the industry.

With an estimated net worth of $1.2 million and a career spanning various languages and genres, Eka Lakhani continues to be a driving force in Indian cinema. Her exceptional costume designs bring characters to life, making her an indispensable part of the film industry.

[sameerlakhanigcp]

Sameer Lakhani GCP – Dubai’s Parkin IPO to open March 5 by offering 24.99% in UAE’s first stock market float of 2024

Dubai: The UAE’s first IPO of 2024 will be from Parkin, the Dubai headquartered parking space operator, which is floating 24.99 per cent. Subscriptions open March 5 and goes on until March 12, with the offer price range to be announced on March 5, according to ad prospectus issued by the company.

Ever since Dubai confirmed the incorporation of Parkin, the anticipation was building up among retail investors for the IPO. This is also the third entity to float and list on DFM from the RTA universe, after Salik and the more recent one from Dubai Taxi Co.

Get exclusive content with Gulf News WhatsApp channel Retail investors will get a chance to pick up 10 per cent of the stock float, and guaranteed to receive a minimum of 2,000 shares apiece.

The minimum application size for the retail tranche is Dh5,000 and thereafter in increments of Dh1,000 apiece.

Parkin accounts for more than 90 per cent of Dubai’s on- and off-street paid parking spaces, and with the ‘exclusive right’ to operate all public on-street parking and off-street parking. Last year, it had revenues of Dh779.4 million.

Source: https://www.globalcappartners.com/sameer-lakhani-gcp-dubais-parkin-ipo-to-open-march-5-by-offering-24-99-in-uaes-first-stock-market-float-of-2024/

[hsmagazine254]

Habanero Marmalade Chicken by Chef Eric Njue Mithamo, H&S Chef Of The Month

H&S Chef Of The Month Chef Eric Njue Mithamo Nationality: Kenyan Interview With H&S Magazine Who Is Eric Njue Mithamo? My name is Chef Eric, but many people know me more as Chef Makoti. I’m a proud husband and father of two. I’m a simple guy who finds satisfaction in making good food and, most importantly, enjoying the experience of eating.   Type Of Cuisine? I’m a lover of meat and all things…

[jutajuta]

Lakhani Touch Juta (लखानी टच का जूता 2023 की Best Collection)

Lakhani Touch Juta की बेस्ट कलेक्शन को JutaJuta द्वारा साझा किया गया है। रनिंग और स्पोर्ट्स के लिए फायदेमंद लखानी टच का जूता पुरुषों के लिए।

[snappolli-raviolli]

Sketch dump

[golzar]

Nimra Jacob

[peachfreak1750]

These fucks are so cute! And they fucking support you so love them! Pride motherfuckers! Okay so now to explain Pippin! So Pip is a little dude who was like “I wanna be a caster but I am shit at writing” and he was like “damn that sucks” so instead he did what his parents wanted him to do which was make paper for their paper mill! He ended up going to a kingdom to deliver high quality casting paper to high level Calligraphers, he pisses them off by being a sassy little bitch and runs away, he hides in the kingdom library and he gets distracted. Eventually he finds a very old book with a very old form of casting on it! This font type is Segoe Boot Semilight and he falls in love with it! He takes the book and returns home realizing there is a whole shit ton of ancient fonts that are lost to time! He wants to bring them back but society is like “no too dangerous” and he’s like “fuck you!” But he’s also a kid so at first he just thinks it’s neat and doesn’t want to start a whole revolution. He accidentally starts a revolution because he refuses to stop using it and learning other ancient styles but this brings on like a shit ton of problems because these fonts are way to powerful and fall into the wrong hands! Basically his arch is consequences, with great power comes great responsibility, and keeping the past alive even when the future is trying to burn it away.

Gina = this system is shit ima burn it all down, graffiti is sick and they should teach it!

Pip = they are trying to erase history I have to show the people and bring the old fonts back!

Aja = this world is built for the rich and abled, ima fucking fix that!

[roysexton]

From fSquared: Top Trends for Law Firm Marketing in 2020 and Beyond

Read or download the full document here https://fsquaredmarketing.com/blog/2020/01/30/legal-marketing-trends-2020-law-firms-expert-predictions/#PPC_advertising Honored to be included in fSquared Marketing’s “Top Trends for Law Firm Marketing in 2020 and Beyond.” Thanks to Lynn Foley for the invite. Looking forward to diving into the insightful contributions here from Lynn, Lloyd Pearson ,…