#LOVE TO SEE HIS EVIL ASS

[on-friday-afternoon]

[grimalkinmessor]

Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):

• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.

• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.

• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".

• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.

• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.

• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.

• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.

• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.

• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.

• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.

• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.

• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.

[serafimo]

@theriddletrades' master.

[miquella-everywhere]

Fromsoft legit just made us the villain of the DLC huh

[fisheito]

EVeryONE STOP SENDIGN ME THE mOoncake YAKUMO IM NOT OK!!!!!!!!+++++++++

[landfilloftrash]

someone. on tiktok. is making a youtube presentation. about how the original resident evil 4 merchant is obsessed with leon and im going. to eat a dresser. i need that on my desk by yesterday

[h20milk]

welcome back, leon!! is that takeout? let me get some plates ready! ☆

[mmmthornton]

I truly believe that somewhere in the multiverse of cartoons that deserved more seasons, Bill Cipher and Commander Peepers are mean gay best friends who meet up for the catiest fucking brunches. Eventually Peepers starts inviting Sylvia too and Bill gets pissed that she's a "good guy" at their evil gay hangs. Peepers defends her being there by saying that when they're not at work opposing each others plans they actually get along really well. Sylvia spends most of her life with the Nicest Guy Ever, so she REALLY appreciates getting to hang out and drink mimosas and be a mean lesbian with the guys lol.

[illustratingari]

THE ACOLYTE EP 6 SPOILERS: SAUCY

The duality of hating Qimir cause he killed all my faves but also giggling and kicking my feet when this man stripped and went for a swim 🧍🏻‍♀️

[lord-squiggletits]

Wanted to send an ask as well to hopefully provide some distraction from…recent events.

Are there any parts of world building in the TF IDW universe that you wish were explored/expanded upon more? Or that you want to explore in your writing? Like certain aspects of pre-war Cybertron, cybertronian culture, post-war Cybertron, etc?

Okay this is actually perfectly timed for a rant I wanted to go on about the way mnemosurgery is written in IDW1 because I hate how JRO basically made it an ontologically evil field of medicine both intrinsically and in terms of the average person who does it, like

First of all I want to preface this by saying I'm not accusing JRO of having any particular beliefs, this is just my commentary on how things came off and how his writing style contributes to both virtues and flaws in his writing. So I might say "he's basically saying this" but in the sense of "unfortunate implications, accidental or purposeful, in his writing."

But like... it makes me so mad because the worldbuilding around mnemosurgery kind of makes no sense to me? It seems like a really fucking wasted opportunity to cast basically every mnemosurgeon in the continuity as evil and to make it so that even just doing mnemosurgery is basically a toxic, destructive act that will literally kill you? Honestly, I don't think JRO even came up with mnemosurgery as like, "here's a thing that exists in this world and how it works" so much as, he took a character-first approach to writing (as he always does) and wrote mnemosurgery to work whatever way would work best for Chromedome and other character-related conflicts and plot points.

Like, mnemosurgery can view/alter memories from a living person but from a dead person it can only get moments from right before death. Makes sense. Mnemosurgery slowly kills you every time you do it??? Uh... honestly that comes off more as a handwave to make it so that any time the LL needs information they can't just needle it straight out of whoever's mind they need bc of course Chromedome can only do it when it's really important after all. Mnemosurgery... is only ever used for brainwashing people? Like, literally every mnemosurgeon except Chromedome is evil (and cartoonishly so, for Trepan and Sunder, like literally unredeemable monsters in every way) and any time they actually enjoy their field of medicine it's bc they're a sadist that likes to manipulate and oppress people? Kind of... uncreative.

Mnemosurgery is ADDICTIVE?? You're addicted to needling people's brains because mnemosurgery is ontologically evil and then it literally kills you? Okay like... do I even need to explain how tone-deaf it is to incorporate addiction of all things into the worldbuilding here? "You're an addict which makes you dangerous to society. The good ones stop doing the addictive thing because they're morally strong/care about others/aren't hedonists, but the bad ones who only care about doing their drug of choice are evil because the fact that they don't quit shows that they don't care about other people and OF COURSE the main/only fate that awaits addicts is their inevitable death by their own addiction!" Like, we get enough of that shit in real life, JRO. Did you really have to take an already heavily stigmatized condition like ADDICTION and slap it onto your ontologically evil mnemosurgery where the evil ones are evil because they love abusing/manipulating people and don't care enough about dying to stop being addicted to mnemosurgery? Come the fuck on.

Like, I understand that "the science of studying/altering memories" is heavily laden with nightmare fuel as is, and I don't have a problem with that (and stuff like the Institute) because the mind/memories are an intrinsic part of personhood, so any scientific field around it (or any government that wants to sponsor it) will abuse that knowledge just like with any other field of medicine. But to use human examples, why the fuck does mnemosurgery have to be inherently evil? What about stuff like Alzheimer's that degrades ppl's memories to the point of not even remembering a few seconds ago? Wouldn't it be beautiful if mnemosurgery could help with that? What about psychological issues where maybe people with intense PTSD/trauma/etc could have their worst memories be removed/dulled so that they become mentally stable enough for psychiatric/therapeutic interventions to become effective? What if someone has a TBI and wants help recovering the memories they lost?

What about non-scary, non-medicinal applications of mnemosurgery? What if someone just really treasures the memory of a particular day with their best friend and visits a mnemosurgery every couple years so that information creep doesn't slowly alter their memories of that precious day? What if it was possible for mnemosurgeons to intensify memories, so that maybe someone could have a happy memory intensified and think of it any time they're sad, struggling, having mental health struggles, etc? What if mnemosurgeons could take/copy memories from people's brains and convert them to video format in a way that other people could watch it? Imagine the sheer potential present in that when it comes to preserving history through literal firsthand testimonials of what happened! What if a mnemosurgeon could transfer memories from one person to another-- what kinds of breakthroughs in empathy, communication, and understanding others could happen if you could LITERALLY see a conflict from another person's perspective? In those ways, mnemosurgeons would basically be able to act as a hybrid of doctor, psychologist, diplomat, mediator, and archivist all in one!

But no... instead we just got "Mnemosurgery is evil and pretty much only used for brainwashing, 99.8% of all mnemosurgeons are evil creeps, oh by the way it's also addicting and will literally kill you if you do it too much." SMFH.

[abirddogmoment]

I have been enjoying this puppy so much, she's everything I could've hoped for and I'm having such a fun time hanging out with her 💜

[ash-and-starlight]

.

[the-acid-pear]

I honestly kinda hate when ppl ignore that Rouxls is evil too. Like I see some ppl sometimes wash that away which is so unfair he's an evil weird autistic ass jerk who sucks at his one job and it's beautiful and if you don't appreciate that you don't deserve him I think.

[monards]

i think it's super interesting (and really funny) how. while all other accounts about the sinners describe as these absolutely terrifying otherwordly harbingers of destruction. almost every first hand account is so painfully normal and chill ;; like skirk treats and talks about surtalogi as if he's. a bit annoying & obnoxious to her. and even though albedo describes rhine as 'cold and strict...,' it isn't exactly a sin to not be optimistic and easygoing- plus alice seems fond of her (considering. everything) and her writing in the new hexenbook is. incredibly not what you'd expect with how she's reputated

[seaweedstarshine]

RIP Krakoa 🌹 I can’t lie I’ve been kinda behind since midway through Fall of X I’m gonna catch up before my first SDCC this summer but I hear Vulcan didn’t see much action anyway. Anyway my hand slipped and I found myself looking into the eyes of my canonically psychotic son the best Summers brother who’s never done anything wrong in his entire life, (he’s done lotsa wrong things but I love him more for it)

[wackulart]

the first drawing is me figuring out how to draw beast belos for the first time and the second is because I rewatched elsewhere elsewhen for the 21343285784965875894th time