#LITERALLY EVERY SONG IS GREAT

[xamaxenta]

wow aint u a sight for sore eyes

[orb-the-watchman]

this is REALLY wonky but this has been stuck in my brain for weeks and I had to get it out

[rosalesbeausderholle]

At the end of the day, it just really sucks when you can't even enjoy a new release by your favorite artist because the greater internet has decided she's their acceptable outlet of misogyny and they have to comment or hate on her every move every single time.

[starrysharks]

zeno's ultimate pokemiku tierlist ⁉️(it's all his opinion and he loves them all regardless⁉️)

[allfortzu]

god please take all of weki meki's misfortunates and give it to all the weird old men in the industry

[hella1975]

hi hella do you have thoughts on the tiktokification of ethel cain (given her leaving social medias) anyway sorry if you dont i just love the way you think xx

i think a very simplified explanation of what tiktok does to music and why it fundamentally always Grates on me is that people on tiktok cannot just listen to a song. it's no longer enough to enjoy a song or an artist. you're not a 'true fan' if you just simply listen to the music and find any level of enjoyment from it. you have to instead know every single lyric, and every meaning of that lyric, and then when that isn't enough because the masses are now also doing that, you then need to know what the artist's thought process was for the lyrics, where they were when they wrote it, exactly what they mean by it. interpretation is no longer allowed because the 'true fans' correct you with what the artist said in a niche interview from 2019 and 'if you really liked the song you would know that'. it doesnt matter what the song means to YOU because it now needs to be consumed in the Exact Way Tiktok Says It Should Be. and then of course it all becomes narrower and narrower and all the while the fans are TEARING the artists apart in an attempt to be the one individual listening to them most often and most correctly and with the most thorough understanding, and the artist is just. some guy. like literally just a person behind a screen reading every stupid as fuck thing and seeing the same stupid as fuck comments over and over and over again and it's like yeah. that would drive me fucking insane too actually

[thedreadvampy]

so me and Sam FINALLY watched the last season of Capaldi's Who

and tell me how, after literally over a decade and for perhaps the first time in his fucking career, Steven Moffat wrote a not just tolerable but really actually good two-parter and fully stuck the landing. like the editing and pacing were still a bit off but the storyline was original, fun, interesting and emotionally invested, and most importantly, rather than ending on a damp fart or the most furious autofellatio in history, the final part didn't fumble it and ended in a way that felt emotionally satisfying and like it made sense for the characters. like the last time he successfully wrapped up a multiparter in a way that didn't feel cheap and hollowly disappointing to me was literally The Empty Child/The Doctor Dances, and a) that was in 2005 and b) tbh The Doctor Dances is about a tenth as compelling and memorable as The Empty Child.

so after 12 years of either hackery or great ideas that fall apart in the second act, Steven Moffat writes what I would genuinely consider to be a memorable Good Doctor Who serial. it ends with bittersweet pathos, a solid closer for all the main characters, and sends Moffat's showrunning career out on a genuine high despite failing ratings and budget cuts (and the fact Doctor Who hasn't been consistently good since about 2009). good job Steve. with grudging respect I admit you pulled it out of the bag on this one.

wait what's this there's one more episode left? and it stars Mark Gatiss? and you literally spend the whole episode inexplicably just shitting all over the legacy of Doctor Who by inventing a version of the First Doctor that bears literally no resemblance to the character that William Hartnell actually played, just so you can spend the whole episode saying misogynistic things to run yourself off to how much more Totally Feminist your version was than the version you made up in your head of what Doctor Who was like in the 60s? and it added literally nothing to the season except to take all the wind out of the sails of the actually good finale you already wrote?

even when he writes a good episode this fucker still finds ways to disappoint me.

[neonsbian]

just got back from the concert and im tired as hell but i just have to let you all know that flo milli was INCREDIBLE like she is an artist and performer for realllll her stage presence was immaculate and her energy was crazy, she put her everything into every song and she knew how to work the crowd and she performed some of my absolute faves (including we not humping surprisingly) and when she performed hottie she got down to the space bw the stage and the thing that keeps the crowd from being right in front of the stage (idk what it's called) and got really close to where i was and then later on she came down again for another song and performed LITERALLY RIGHT IN FRONT OF ME and genuinely i could not breathe for those 15 seconds she was in front of me like miss florence million id do anything for a chance PLEASE id be a loser boyfriend but id treat you right pleaseeeeeeeeee

[burningtacozombie]

if it was possible to even have a favorite song of his, mine would probably be Allegro Ventigo <3

[torgawl]

everyone here was soooo excited because a national channel was going to bring back this iconic tv series, directed specifically to the youth, from our childhood and adolescence that we are so nostalgic about after 11 years for them to disappoint us all with the trailer because it looks like elite 2.0

[rimouskis]

>searching for character/ship playlists >finds one >opens it >first songs I see are by taylor swift, twenty one pilots, and melanie martinez >closes it >repeat ad infinitum

[your-turn-to-role]

been working my way through the lovm s2 q&as that are on youtube

and like! love them as always, the cast is great, great to hear them talk about this stuff

but also. i took like a year ish hiatus from this fandom before tlovm pulled me back in, and in that time i, among other things, finished my theatre degree

and god does this hit different when you're a week out from the professional opening of an original musical you wrote with like 7 other people, and are also not just a performer in but the music director of

[ereborne]

Song of the Day: December 7

"Wolverine" by Goghi

[thestaredown]

Shout out to Matilda the Musical (2022) for having the audacity to make me cry multiple times out of freaking nowhere.

[callixton]

need to change my theme in like three days but idk what i’m gonna change it to bc i’m basically just hyperfixated on whatever that boy is doing at the moment*

*FLASHING DISCLAIMER COMES UP ON SCREEN BUT THE TEXT KEEPS CHANGING TOO FAST TO REALLY UNDERSTAND WHAT ITS DISCLAIMING