#LICHTENSTEIN??
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What could he have meant by this
#pop art mash up…..#LICHTENSTEIN??#girl that’s like 30 years too late#60s pop art vs 30s noir OH BROTHER#spider noir#the dog speaks#those monsters better be goblin and.. vulture I guess#even tho vultures like a fucked up guy#not exactly a monster in the sense that I’m getting from this tweet#me when I hear a mutual talking about the fantastic and monsterous aspects they could add to noir: 😄😁🙂↕️🙂↕️#me when I hear the same thing from a studio: 🙁😟#I DONT TRUST THEMMM#I read the article linked too that’s quite literally all he says abt noir
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BOOM! drew jinx for graphics
(zoom in for better quality)
#this was meant to be a response to roy lichtenstein#which is all well and good but i think i overrendered it#i had fun drawing our favourite crazy girl anyway#jinx#art#digital artist#artists on tumblr#my art#arcane#jinx arcane#powder#pow-pow
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In Plagiarism and You(Tube), Hbomb says "If you consider something so obscure you can get away with stealing it, you do not respect it." Save that line for the next time someone tries to tell you that Roy Lichtenstein brought respect to comics as art.
It's since been pointed out that while Lichtenstein did copy one of Russ Heath's drawings of an airplane getting hit, the painting depicted above was actually copied off Irv Norvick, because Lichtenstein did this so many times to so many comic artists.
In Lichtenstein's defense, he was doing this in a time when comic artists frequently weren't even credited in the issues themselves. In his condemnation, he never even tried to check, nor has he made any move to pay or credit any of the comic artists who recognized their own work later on. Rather than elevating the "low art" of comics, he was widening the gap of financial success and respect even further.
The Hbomberguy of this story is art historian David Barsalou, who has now spent decades tracking down the original art and the names of the original artists used in Lichtenstein's most famous output. Here's the flickr gallery for the Deconstructing Roy Lichtenstein project. Frequently copied were Tony Abruzzo, Ted Galindo, Mike Sekowsky, Joe Kubert, Jerry Grandenetti, and dozens more Golden Age artists who aren't very well known in comics circles, let alone art history books. Many of them died in poverty. That's something that the Hero Initiative, mentioned in Russ Heath's comic above, aims to prevent.
Also, Lichtenstein didn't even paint Ben-Day dots. That's a specific thing.
#roy lichtenstein#plagiarism#olivertxt#once you've seen them side by side. the original art is virtually ALWAYS more technically solid#art being ''bad'' doesn't make it not art but just the insult of making thousands of times more copying your work *worse*#lichtenstein did a lot of original (or harder to attribute) work later on but the peak of his fame was majority this stuff#comics history
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Boom! (Retro)
#manga#pop art#shonen jump#art#anime#aesthetic#popart#nostalgiacore#roy lichtenstein#inspired#nostalgia#retro#japan#japanese#comic#comic books#comic art#lettering#sound fx#1000
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#kiss kiss bang bang#find what you love and let it kill you#charles bukowski#quote#passion#raison d'etre#aesthetic#vintage#art#style#illustration#pop art#roy lichtenstein#kill bill
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Jonathan Kraus — Cat (oil on canvas, 2024)
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By Bendecocker
Lichtenstein Castle, Baden-Württemberg, Germany
#germany#europe#travel#curators on tumblr#lichtenstein castle#castle#baden wurttemberg#western europe#bendecocker
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Roy Lichtenstein Cup of Coffee 1961
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Here’s a piece I did back in November. I thought it’d be a fun exercise to recreate this scene in the style of Lichtenstein. I absolutely adore this show.
#fanart#my artes#our flag means death#ofmd fanart#ofmd#edward teach#stede bonnet#taika waititi#rhys darby#roy lichtenstein#Lichtenstein
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Roy Lichtenstein, Explosion II, 1965
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BEDROOM OF VIRGINIA COWLES IN NEW YORK BY HORST P. HORST FOR VOGUE, 1971.
“The bedroom of publisher Gardner Cowles and Philanthropist Jan Cowles' daughter Virginia, in their New York apartment. On a floor entirely covered in gold shag carpeting sits several pieces of modern white sculptural chairs, including a ball chair upholstered in white. The low platform bed is covered in yellow bedding and several patterned pillows and cushions. Roy Lichtenstein's print "Brushstroke" is the sole wall decoration.”
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Roy Lichtenstein | We Rose Up Slowly, 1964
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Roy Lichtenstein (American, 1923-1997), Les nymphéas [Water Lilies], 1993. Linocut, woodcut, lithograph and serigraph on 300g Arches Cover Paper, image 66.7 x 91 cm.; sheet 78.7 x 102.4 cm. Number 31/100
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Roy Lichtenstein
Nude with Blue Hair, 1984
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