#LAHistory

[bygonely]

Rare Historical Photos of The Los Angeles flood of 1938

[lahistory]

The Natural History Museum of Los Angeles County has posted its old magazines on the Internet Archive, from 1926 through 2001. They are a great source of the museum's history and Los Angeles history.

[miniaturela]

On April 26, 1928, Los Angeles City Hall was formally dedicated #OTD. This photo of a miniature City Hall comes from the Los Angeles City Archives.

[ericpoptone]

An Appearance on LAPL's "L.A. Untangled"

I was on the Los Angeles Public Library's show, "L.A. Untangled." Please give it a watch when you've got half an hour to spare :)

The Los Angeles Public Library was a show called L.A. Untangled, hosted by Kelly Wallace. If you haven’t seen it, you will probably want to check it out. The last episode starred my friend, Victoria Bernal (@LAHistory). The one before that — the debut — starred Elizabeth Ito, of whom I am a new but massive fan — well, mainly of her amazing television series (a sequence of words I almost never…

[itgetsbetterproject]

The REAL LGBTQ+ history month message:

Meet June Lagmay, LA’s first Asian-American and LGBTQ+ City Clerk who served her community in various positions for years. She’s here to remind us to learn and remember our LGBTQ+ history, and that our community is like its own Queer Nation spanning back centuries - we’re all connected through time. 💜🏳️‍⚧️🏳️‍🌈

For LGBTQ+ History Month, we asked some elders from our community what inspires them about today’s queer youth, and what advice they would give. Thanks to the Outwords Archive for partnering with us on this series and connecting us with these amazing voices!

[laconservancy]

Membership Matters: An Interview with Etan Rosenbloom

Etan Rosenbloom, photo by Salvador Ochoa

Etan Rosenbloom is a blogger on L.A. history, a lifelong Angeleno, and a new L.A. Conservancy member! His blog Etan Does L.A. follows his journey to visit all of the L.A. County landmarks listed on the National Register of Historic Places.

We recently asked him to share his “L.A. story” with us and how the Conservancy’s resources have enriched his life and work.

Note: an edited version of this interview appeared in the L.A. Conservancy's July/August 2022 newsletter.

As a lifelong Angeleno, tell us a bit about where you are from and what sparked your passion for Los Angeles history?

My family lived in Silver Lake in the early ‘80s, back before it was hip. My parents like to tell the story of the unstable neighbor next door who enjoyed throwing statues into our pool! We moved to Altadena when I was 4, where my parents still live. After college I moved into the infamous Alexander Ruler of the World apartments, right across from Paramount Studios – I was “lucky” enough to move in just a couple months before the owner started painting it dark magenta. Since then, I’ve lived in Echo Park, Highland Park, and now Valley Village.  

Whenever I moved to a new neighborhood, I would read a book or two about local history. But my passion for Los Angeles history really took off in September 2021, when I launched my Etan Does LA project (more on that later). As I dug into the backstories of the LA landmarks I was visiting, it became clear very quickly that there were giant gaps in my knowledge of how this city became itself. I’ve been hooked ever since.  

How did your love of L.A. history and Last Remaining Seats motivate you to join the L.A. Conservancy? 

It felt natural to join an organization that does so much important work educating people like me about L.A. history. The endless resources on your website and social media feeds have informed my blog, Etan Does LA, and helped to make connections for me that I might not have made on my own. For that alone, the cost of membership is far more than worth it! My first year of membership was a gift from my mom for my 40th birthday. Couldn’t have asked for a better present. 

Last Remaining Seats was actually how I first heard of the L.A. Conservancy. Back in 2014 a good friend of mine invited me to an Last Remaining Seats screening of Citizen Kane at the Orpheum. I had never seen the film before, so to be able to see the genius cinematography and all that incredible visual framing on the big screen was an absolute privilege. Plus, I was seated in the balcony – so I quite literally had a different perspective of Citizen Kane than most people will ever get!  

Why do you think it’s important for folks to experience classic movies inside historic theatres? 

Going to a movie in a theatre is a wholly different experience than streaming it at home, no matter how immersive your system is. I love the idea of moviegoing as an experience, something you get dressed up for, something as exalted as seeing a play or a concert, something you talk about before and after the film is over. That experience is enhanced immensely by being in a theatre as dramatic and artful as what’s on screen. It encourages you to engage with the building and its history, and also gives you a sense of what moviegoing was like back before we all had 4k TVs.  

Tell us about your blog and what prompted you to start it.

My blog, Etan Does LA, documents my quixotic attempt to visit each of the Los Angeles landmarks on the National Register of Historic Places (there are around 600 of them). It started off in September 2021, a time when the pandemic had me feeling pretty disconnected from my city, and I was looking for a safe way to feel like a part of it again.  

I was setting off on a short bike ride to the Portal of the Folded Wings Shrine to Aviation in Burbank, and figured I’d look up a bit of information about it first (fun classic movie fact: the Portal features ornate sculptures by Federico Giorgi, who designed the epic Babylonian sets in DW Griffith’s Intolerance). I noticed the Portal was listed on the National Register of Historic Places, which got me thinking about all the other things that might be on the list. If a lifelong Angeleno like me has never heard of many of these places, I bet I’m not the only one, right?  

What started as a few photos and a few sentences of history for each site, posted on my Instagram page, has expanded to a website with written histories, videos, and photo galleries. I’ve visited eyepopping modernist homes and humble post offices, missions and bridges, fire stations and funeral homes, craftsman bungalows and Hollywood high-rises, churches and adobes, plus playgrounds, libraries, Civil War-era mountain passes and of course, historic theatres. Every single visit fills in a detail about Los Angeles history that I didn’t know, and more often than not, learning about one site will send me down a joyous research rabbit hole. Like, when you learn that Grammy-winning record producer Joe Henry owned Greene & Greene’s Lucretia Garfield home for over a decade, you want to know which albums he recorded there, yeah? And if you can hear anything craftsman-y on those records? 

How is the Los Angeles Conservancy a resource for you, as well as Angelenos in general? 

I do a lot of research on L.A. landmarks for my blog posts and videos. The information you find online is often too poorly researched to be reliable, or so impenetrably dense with facts and figures that it’s hard to decide where to start. The L.A. Conservancy’s backgrounders on historic sites and architects are consistently the most accurate and concise that I’ve found. They’ve helped deepen my understanding of the importance of the buildings I visit, and they ground each site in aesthetic and social contexts. I reference your website all the time in my blog posts.  

It’s super important that Angelenos experience L.A.’s history as living history. Buildings change over time, and old ones continue to be relevant to different communities in different ways. So I value all the programs that the L.A. Conservancy offers to help people engage with historic sites – whether it’s your regular walking tours, Last Remaining Seats, or one-off events like the Griffith Park 125th anniversary celebration last year. I went to a couple stops on that, learned a ton, and met some fellow L.A. history buffs that I’ve kept in touch with.  

I also love how the Los Angeles Conservancy comes into all of this with a preservation mindset. That wasn’t necessarily the outlook I had when I embarked on my project. But I’ve come to understand how fragile history can be, even when it’s embedded in massive buildings of brick and steel! And the L.A. Conservancy plays such an active preservation role – not just through education and advocacy, but also by holding conservation easements. I recently posted about Frank Lloyd Wright’s Harriet and Samuel Freeman House, which was bought in February by a developer who we hope will invest in a complete restoration. The easement that L.A. Conservancy holds on that home is a vital way of preserving its integrity and holding the owner accountable, so that the public can learn from this building for generations to come.  

Do you have a favorite historic theatre in Los Angeles and/or a favorite Last Remaining Seats experience? 

It’s a tossup between the Mission Playhouse in San Gabriel, and the Alex Theatre in Glendale. In addition to its swoonworthy architecture, the Mission Playhouse was built as a permanent home for a single production, the Mission Play, a three-hour epic about the history of the California missions, written by LA Times columnist, poet and politician John S. McGroarty. I love the idea of an entire building constructed to house a single work of art!  

The Alex Theatre just screams classic with every fiber of its Greek/Egyptian-inspired look, and that giant floral spire erupting from its marquee. I’ll admit it though, this is a nostalgic pick…my high school graduation was held at the Alex Theatre. I wore a skintight silver disco outfit and performed Chick Corea’s “Armando’s Rhumba” on piano onstage. The Alex hasn’t been the same since.  

As for my favorite Last Remaining Seats experience, I have to say that Blade Runner in July 2022 stands out. It’s not just a classic sci-fi film, it’s a classic Los Angeles sci-fi film. It was so fun to spot famous LA landmarks like Union Station, the Bradbury Building and the Million Dollar Theatre in the film, especially at a time when I’m thinking a lot about how we use and reuse old buildings. And I was sitting at the Orpheum Theatre, just blocks away from all those spots! Unforgettable. 

**** 

Etan Does LA website 

Follow @etandoesla on Instagram 

Follow Etan on Facebook  

Subscribe to Etan Does LA on YouTube  

[janemakesthings]

[eyegiene]

#mextasy #lahistory #mexicanamerican ⬇️ Posted @withregram • @picturingmexicanamerica Next time you visit LA Plaza, look around you. Imagine yourself on the way to La Esperanza, one of the most influential, Mexican-owned establishments in the district’s history. While we’re big fans of 19th century Mexican Californian history around here, today we travel to the twentieth century to bring you something a little more appetizing (literally!). ⁠ ⁠ Ezequiel Moreno trained as a baker in his hometown of Zacatecas, Mexico. In 1916, he and his wife, Guadalupe de la Torre, settled in East Los Angeles. Only two years later, Moreno purchased three horse-drawn carts to sell Mexican bread in Maravilla, Belvedere, and Boyle Heights, according to historian William David Estrada. The business grew quickly, and by the 1920s, Moreno had carts delivering bread throughout Los Angeles County. ⁠ ⁠ Eventually, Moreno opened five restaurant-bakeries. He named them all La Esperanza, but the primary location was found at 507 North Main Street. La Esperanza was popular with everyone in the Plaza throughout its run. Mexican immigrants who settled in LA as a result of the Revolution especially appreciated the bakery, including former President Plutarco Elias Calles!⁠ ⁠ La Esperanza was successful for several decades, and didn’t close down until the 1960s. To read more about its influence on LA Plaza history, check out William Estrada’s excellent book - The Los Angeles Plaza: Sacred and Contested Space (call #979.41 L881Es-1). ⁠ ⁠ Photo: Ezequiel Moreno in front of La Esperanza, around 1940s. Courtesy of Seaver Center for Western History Research, @nhmla. ⁠ ⁠ #vintagephotos #lahistory #downtownla #historyinpictures #historygram #mexicanamerican #familyhistory #latinohistory #latinx #historyplace #losangelesrestaurants #larestaurants #laplaza #eastlos #boyleheights #downtownlosangeles https://www.instagram.com/p/CXEIoIHFDOU/?utm_medium=tumblr

[riversidearchives]

Got your popcorn?

125 years ago today, Vitascope’s first theatrical exhibit took place in New York City. In April 1902, Tally’s Electric Theatre opened in Los Angeles, California.  Home of Hollywood, Los Angeles is no stranger to movie-making or theatres.  The image we’re sharing with you today of a movie theatre at the Connell Naval Club on the Submarine Base, Los Angeles, while taken in 1922, is eerily similar to today’s images of empty theaters.  Hang in there, LA.  We can’t wait to see you at the movies! 

Item: [Movie theatre at the Connell Naval Club on the Submarine Base, Los Angeles. File Unit: 61 Photographs [submarine base]. Series: Central Subject Files, 1924 - 1958. Record Group 181: Records of Naval Districts and Shore Establishments, 1784 - 2000. (National Archives Identifier 295430). 

[lameekly]

The iconic Bradbury Building. Perfect for lovers of architecture, movie history and the smell of Subway bread. #dtla #bradburybuilding #lahistory #losangeles (at Bradbury Building) https://www.instagram.com/p/B7q-HBPBfex/?igshid=163txs05xtjkq

[therewasabrowncrow]

LA Things I collected (2016-2019)

Olvera Street is among the oldest districts in Los Angeles. After California was awarded statehood, gubernatorial power shifted to a new wave of Anglos that effectively moved the locus of civic life south of the Plaza.

By the 1920s, Olvera Street was neglected, but was regenerated by Christine Sterling via fundraisers.

[bygonely]

Historical Photos of the Los Angeles Flood of 1934 that Depict the Devastation and the Aftermath

[lahistory]

Since January is National Citrus Month, here’s the cover of Citrograph Magazine (May 1917), a publication from the citrus industry that always had eye-catching covers.

[lacmtalibrary]

Night shot of Hollywood Blvd early 1950's. #pe #pacificelectric #mcl #metrocoachlines #lahistory #hollywood #hollywoodwalkoffame #metrolibrary #metroarchive #publictransit #transit #redcars #b&w #blackandwhite #nightphotography (at Hollywood Walk of Fame) https://www.instagram.com/p/Bn6ludCgZbO/?utm_source=ig_tumblr_share&igshid=1l6icodmssis3

[cutterstone]

(via Los Angeles and Vicinity Historical Picture Book 1904 | Etsy)

[laconservancy]

The West L.A. Civic Center and L.A.’s Historic Preservation Problem

Think you know what’s up with the proposed redevelopment of the West L.A. Civic Center? The November 9th, 2021 West L.A. Commons community meeting shed some light and details on the project but few on preservation, much like the project itself.

Here’s the scoop:

Built between 1957-1965 to meet growing demand for government services, the West L.A. Civic Center is significant for its Modernist architecture and role in expanded government services following WWII. More recently, it’s become hallowed ground for L.A.’s skateboarding scene, attracting skaters worldwide with its stairs and ledges. In January 2021, the County and City selected Abode Communities and AvalonBay Communities to redevelop the site.

As currently planned, the 1960 Courthouse, 1961 branch City Hall, 1962 Community Center (Senior Center), and 1965 Amphitheatre are to be demolished.

(Only the 1956 library will stay--for now--and is not a part of this project scope.)

This means an eligible historic district marking an important part of West L.A.’s growth will be erased.

Two facades of the branch City Hall were planned to be kept (which is not preservation) yet that is now being reconsidered, citing soil conditions. The same goes for the now-doomed Googie style Amphitheatre, despite being marked for preservation in the proposal that was selected by the City and County.

As a public-private venture between the City, County and the developer (AvalonBay and Abode Communities), preservation was supposed to be a priority, at least it was in the official Request for Proposals (RFP) process, stated as one of ten key aspects to be addressed.

So … what is happening here?

Preservation through adaptive reuse is readily achievable in this project, and can complement the proposed new mixed income housing. New buildings of the same footprint are to replace the branch City Hall and Courthouse. The existing Amphitheatre can be repurposed and kept.

It is easier to demolish everything and build subterranean parking over the entire site than build around the historic buildings. Yet easy does not equal better. Until someone in leadership steps forward and presses for an alternative that successfully marries the old with the new, this development team will continue to seek the easy way out. As a familiar pattern that keeps repeating itself across this city, L.A. can do and deserves better.

Please join the L.A. Conservancy in pressing City Councilmember Mike Bonin and County Supervisor Sheila Kuehl for another alternative! Email them at: councilmember.bonin@lacity.org and sheila@bos.lacounty.gov. Be sure to cc afine@laconservancy.org so that we can track!