eyegiene
EYEGIENE
20K posts
Welcome! You've happened upon "Eyegiene," an electric, virtual, semiotic tumblr gallery archiving materials for Eyegiene: Permutations of Subjectivity in the Televisual Age of Sex and Race, a new book in development with the University of Texas Press. More on this project can be seen on the eyegiene blog. Also, sometimes appearing here, you can expect retro-flashback postings for Tex[t]-Mex, my first book, also with UT Press.
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eyegiene · 1 day ago
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Original Art - Amazing Spider-Man #059 Pg 16 (1968) by John Romita Sr., Don Heck And Mike Esposito
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eyegiene · 1 day ago
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Women have been driven mad, "gaslighted," for centuries by the refutation of our experience and our instincts in a culture which validates only male experience. The truth of our bodies and our minds has been mystified to us. We therefore have a primary obligation to each other: not to undermine each others' sense of reality for the sake of expediency; not to gaslight each other. … Women have often felt insane when cleaving to the truth of our experience. Our future depends on the sanity of each of us, and we have a profound stake, beyond the personal, in the project of describing our reality as candidly and fully as we can to each other.
Adrienne Rich, "On Lies, Secrets, and Silence.
Selected Prose 1966-1978"
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eyegiene · 1 day ago
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At Land (1944) 
[letterboxd | imdb | kanopy]
Director: Maya Deren
Cinematographers: Alexander Hammid, Hella Heyman
“In my case I have found it necessary, each time, to ignore any of my previous statements. After the first film was completed, when someone asked me to define the principle which it embodied, I answered that the function of film, like that of other art forms, was to create experience—in this case a semi-psychological reality. But the actual creation of the second film caused me to subsequently answer a similar question with an entirely different emphasis. This time, that reality must exploit the capacity of film to manipulate Time and Space. By the end of the third film, I had again shifted the emphasis—insisting this time on a filmically visual integrity, which would create a dramatic necessity of itself, rather than be dependent upon or derive from an underlying dramatic development. Now, on the basis of the fourth, I feel that all the other elements must be retained, but that special attention must be given to the creative possibilities of Time, and that the form as a whole should be ritualistic…”
— An Anagram of Ideas on Art, Form and Film by Maya Deren, The Alicat Book Shop Press, chapbook, 1946
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eyegiene · 2 days ago
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Night Tide (1961)
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eyegiene · 2 days ago
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eyegiene · 2 days ago
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eyegiene · 2 days ago
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Rudolph Valentino and Natacha Rambova photographed by James Abbe during their Mineralava Dance Tour, 1923.
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eyegiene · 2 days ago
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the loneliness
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eyegiene · 3 days ago
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instagram
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eyegiene · 3 days ago
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Cigarette vending machine in England delivered a LIT cigarette for a penny, 1931.😲
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eyegiene · 3 days ago
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eyegiene · 3 days ago
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René Magritte, "Time Transfixed", 1938
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eyegiene · 3 days ago
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'Prince Charming' by Rene Magritte, 1948
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eyegiene · 3 days ago
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Louise Bourgeois with her sculpture To Fall on Deaf Ears, 1991. Photograph by Inge Morath
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eyegiene · 3 days ago
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eyegiene · 3 days ago
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Max Ernst, Wheel of Light
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eyegiene · 3 days ago
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