#L shaped concrete blocks

[thequeenofsand]

Metal - Exterior

[justforbooks]

Not all social housing in the 1960s was about tower blocks. High-rise buildings were unpopular with tenants, lifts were costly and broke down, and the surrounding lawns were hard to maintain. Moreover, on the slopes around Hampstead Heath in London, towers would have blocked views towards St Paul’s Cathedral. This area became part of the newly created borough of Camden in 1965 and a visionary new chief architect, Sydney Cook, assembled a bright team of assistants to find an alternative form of housing. One of these young architects was Peter Tábori, who has died aged 83. The Whittington estate which he designed, originally known as Highgate New Town, exemplified a solution that was both innovative and successful.

Camden had identified an area of semi-derelict Victorian housing for redevelopment next to Highgate’s east cemetery, where Karl Marx is buried. Tábori realised that, on such a steep hillside, lines of flats and maisonettes could be stacked one above the other and entered from a common entrance at mid-level on the uphill side. Car parking could be set into the hill between these terraces and decked over with pedestrian walkways and children’s playgrounds.

He was inspired by medieval Italian hill towns and an internationally regarded scheme near Berne by the Swiss architects Atelier 5, but the greatest impression is of generous, humane spaces. The scheme was designed in 1968-70 but not completed until 1979 after the original contractors went bust.

The concept fitted perfectly with Cook’s own ideas and Tábori was a natural addition to the team. Other assistants working on similar solutions went on to greater recognition: Neave Brown’s complex terraces at Fleet Road (now Dunboyne Road) and Alexandra Road are listed, as are Gordon Benson and Alan Forsyth’s mainly two-storey houses on a steep slope at Branch Hill, Hampstead.

Together the group established a distinctive style for Camden’s best social housing using crisp white concrete, densely packed but relatively low-rise. Tábori’s Highgate New Town had the benefit of simplicity, in the design of the terraces and in his determination that public and private spaces should be clearly separated. This last avoided the problems faced by estates where indeterminate space led to vandalism. Mark Swenarton’s book Cook’s Camden (2017), to which Tábori generously contributed, records the inspiring story.

Highgate New Town was finely finished, the external concrete contrasting with handsome internal joinery. Cook claimed that “the quality of [Tábori’s] work isn’t just double site capacity at low rise, or all the higher standards, but that he did it all below yardstick”, the restrictive budget code imposed by governments at the time. In fact, Camden’s fine housing was made possible by its high domestic rates income and other London boroughs could not match its quality. Many of Tábori’s maisonettes remain tenanted, but those sold under “right-to-buy” legislation now fetch eye-watering prices.

Tábori went on to design a second scheme in 1971, Oakshott Court, Polygon Road, with three L-shaped terraces, but he was disappointed by a decision made in 1974 to use brick, apparently in deference to its location near St Pancras Station. A smaller scheme of 15 flats on the corner of Mill Lane and Solent Road followed in 1973 after Cook’s retirement, including four wheelchair-accessible units and five for elderly people. He also worked on a visionary programme with the architects/engineers Arup Associates for building over the main railway tracks that run through Camden, an attempt to gain space in the overcrowded borough.

He was born Peter Stroh in Budapest, the son of Istvan Stroh, a professor of mathematics, and his wife Erzsebét (nee Szanto), a former opera singer. She subsequently married Michael Tábori, an economist whose father had died at Auschwitz. Both men had been imprisoned by the communist government and following the 1956 uprising in Budapest, Peter too was arrested. On his release in December 1956 he, Erzsebét and Michael emigrated to London via Vienna, along with other members of Michael’s family. Thenceforth Tábori used his stepfather’s surname and adopted it formally on becoming a British citizen in 1966.

Tábori learned English and technical drawing with an architect, Cecil Epril, and in 1958 entered Regent Street Polytechnic (now the University of Westminster). His tutors included Richard Rogers, who inspired his interest in mass housing, and who himself designed an (unbuilt) hillside scheme in Croydon inspired by Atelier 5. Tábori assisted on Rogers’s first built house, Creekvean, with Su Rogers and Norman Foster.

Tábori also spent two years working for Ernö Goldfinger, the Hungarian-born architect immortalised by Ian Fleming, before completing his qualifications. The final external examiner was Denys Lasdun, who gave him a job assisting on the University of East Anglia, another hillside building with a stepped section where he learned about concrete techniques. However, when in 1967 the chance came to work for Cook and develop his own housing interests, Tábori seized the opportunity.

He left the borough in 1984 and formed a private practice with John Green and Bob Winning, working mainly in Hamburg, Toulouse and Soweto.

Tábori married Angelika Schiel, a model, in 1962. They had three sons, Kris, Michael and Gabor, but divorced in about 1980, and Angelika, who became an upholsterer, died in 2016. Peter had a fourth son, Tom, in 1984, with Anne Saville, a welfare adviser at the charity Gingerbread, but the couple later separated. He is survived by his sons.

🔔 Peter Tábori (Peter Stroh), architect, born 15 January 1940; died 23 February 2023

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[akallia]

the fluidity of concrete, part 1

Hello, all! I'm back. Nothing much here but there will be important notes at the end. This is a cross-post from AO3, and there will be a link to it at the end if you want to read it there. Happy reading!

Pairing: Albedo x Fem!Reader, Kaeya x Fem!Reader if you squint

Word count: 4k

Concept: Albedo, son of a renowned German architect, finds himself in small-town America as his mother slips into a coma. You, an employee of your local library and resident architecture nerd, form an unlikely relationship with the foreigner with the platinum blonde hair.

CW: smoking, language, substance abuse, death, abusive parents

Most people would never get to see true stasis. Stasis, a state or period of inactivity or equilibrium. The best place to find stasis is a home owned by someone important which was turned into a museum after their passing. That is where stasis is in its purest form. Where else would you experience a state of such stillness? It feels so wrong - either the original owners should come back and inhabit their home, or the tourists should occupy it. Regardless, the stasis of an empty, culturally significant home possesses an arresting emptiness to it. It is… stasis. Stasis implies that there will be change, soon. It is a home. Homes are for living. Where are all the people? 

The home in question: mid century modern, hidden away behind rows of thick symmetrical hedges, a sprawling lawn behind it stamped with a checkered mowing pattern, dotted with willow trees. A bright conversation pit in the center of the living room with a baby grand Steinway adjacent, immaculately dusted and wanting. Low, flat ceilings, floor to ceiling built in bookshelves decorated in antique clocks and obscure coffee table books on art. A wall of glass behind the conversation pit that faded into a short concrete porch. 

Gold stood there with her hands clasped thoughtfully behind her back, a large, ugly hat on her head as she surveyed the lifeless lawn and its perfectly cut grass. Just her, and her “translator” on the phone in the kitchen, making sure she didn’t wander off. She tended to use her old age to her advantage these days, meandering wherever she pleased in the name of “allowing an old woman her pleasures.” 

—

Again, Gold and her omnipresent companion, now at one of the churches and preschools downtown. Mona, her translator, always on the phone, balancing herself on one hip with all her weight on a dangerous-looking black stiletto heel and impeccably dressed with her innate balance of tasteful and expensive. She jabbered on in German… 

“Was du gesagt hast, klingt für mich so, als ob…” She gave a quick glance at Gold, who had picked up one of their discarded umbrellas and was meandering. “Ach nee!” She said rudely. 

The courtyard of the church was a strange one. The church itself was large and imposing, a compound occupying an entire city block. A large L-shaped rectangle formed the main structure, and in the crook of the L it sank down to an open courtyard an entire story into the ground, a sort of hamster tunnel up above from the preschool to the church proper providing the only shelter from the elements. White concrete contrasted against the green summer grass that housed a small fenced-in playground. The concrete proudly exhibited its popularity with wheel tracks from skateboards and roller skates. 

Gold collapsed in a heap on the concrete as the clouds opened and rain fell on her old body. 

Mona dropped her bag and flung her heels off and ran, dialing 911 as she went. 

--

It was your mid-afternoon smoke break. You wished books weren’t so delicate. If they weren’t, you might be able to smoke in the library instead of outside. It was so fucking hot outside, in the June midwestern heat. You hated it. But the view of downtown was nice, and you got to stare at the church, the library, and the Ragnvindr house. You didn’t mind that much. It might have been a less miserable smoke break if Kaeya was there to keep you company. He was good at distracting you with intellectual bullshit. 

You stared thoughtfully at the large gray-green sculpture that the kids aptly called Dinosaur Bone. The architect had designed it such that when you looked through it from the right angle, the clocktower of the L-shaped church across the street was framed perfectly inside of it. You leaned against the wrought-iron fence of the Ragnvindr house that bordered the library, observing the clocktower, which was in desperate need of renovation. It was interesting that something only a few decades old could rot like that. But it didn’t surprise you. Rot was everywhere, no matter the age. 

While you pondered, you ran over the script in your head, rattling off lines about the church. You hoped the historical society would accept your job application for a tour guide. You knew your stuff, but the thought of staring at strangers, with their expectant eyes intently gazing back at you, and having to recite something from memory gave you heart palpitations. Another drag from your cigarette. You clenched the clear red gas station Bic lighter for dear life. 

“Fuck,” you whispered. You stepped on your cigarette, and went back inside to clock in for the rest of your shift at the library. 

Inside, you were in the zone as you called it. It was easy to get lost in yourself working here. The library was always occupied, but never busy. The ceilings were impossibly high and waffled with concrete, lights inset in every adjacent square like checkers. The rows and rows of wood shelves complemented the red brick walls and dated blue carpet, and the lazy midsummer light pouring in from the monstrously large sections of glass between the brick pillars made you feel cozy.

A half hour of stocking the shelves with returned books came and went, and you had made it to the back of the adult fiction section. There, on the floor leaning against the stacks, was your coworker Kaeya. His thick raven hair was pulled back in a signature low bun, and he wore the same vans, black jeans, and button-down that he wore almost every day, a getup which you affectionately dubbed The Kaeya. He was holding a book open in his tanned hands, brows furrowed in concentration. 

“Reading anything good?” You took a seat on the floor next to him. It was getting close to closing, and you were sure that nobody desperately needed a third copy of Crime and Punishment at this hour.

“Not sure,” he responded, not looking up at you. “Might just be grad school gibberish.” 

“If you need help with something, let me know,” you offered. 

“Yeah…” he trailed off, still engrossed. He suddenly shut the book with one hand and met your eyes thoughtfully. “Do you wanna… see a movie tonight?” 

You were taken aback. Kaeya was your work best friend and nothing more. You bit your lip, wondering how to handle the situation, though you couldn’t deny you found him attractive. In all honesty, it was a bit shocking he wasn’t taken. The two of you did live in the middle of nowhere, after all. Specimens like Kaeya were snatched up fast. 

You kept your expression guarded so you could gauge the situation. “I… can’t. I’m getting dinner with a friend tonight," you lied.

 “Like a date?” He looked a bit disheartened, but maybe your mind was playing tricks on you. Kaeya wasn’t the type to mope about stuff like that, you didn’t think. He was a bit of a ladies’ man. 

“No, no, just a school friend.” You tucked an errant strand of hair behind your ear, messing with the hem of your shirt. “Nothing like that.” 

He met your avoidant eyes with an even, contemplative look. You could almost fall for him like this, you think. His eyes were deep, dark pools of blue. “Yeah, sure, whatever.” He opened the book again. You wished he would tease you. Normally he would’ve teased you over something like that. 

“Do you have your master’s?” You asked, changing the subject. This was getting uncomfortable. If Kaeya really was interested in you, you certainly had a lot to think about. 

Thankfully, Kaeya was a smart guy, and he seemed to catch your drift. “Yeah, unfortunately.” 

“Was it hard to get?” 

“Depends on your definition of ‘hard.’ Why do you ask?” He flipped through the book, his long, dark fingers occasionally grazing over something. The movements of his arm turning the pages constantly messed with his nametag, and it bothered the living hell out of you. 

You paused. “I was just talking to Lisa, and she told me that as a rule they only give full time positions to Masters of Library Science grads.” 

Kaeya didn’t miss a beat. “That’s not completely true. Rosaria doesn’t have one.” 

“She doesn’t?” A flicker of hope blazed in your chest. If there was a possibility that you could land a decent-paying job without the burden of paying for school - which you most definitely could not afford - then there was hope. 

“She has a Ph.D. in Lit.” 

“Great.” Your heart sank and you thought you might burst into tears. 

Kaeya chuckled lightly to himself in self-pity. “Yeah, whatever you do, don’t get a masters in library science. It was recently declared the worst master’s degree for a job.” 

“Really?” 

“Yeah,” he replied, still not making eye contact. He was honestly starting to bother you a bit. 

“And yet you have a job,” you jabbed, irritated. 

“I’m an exception.” Another page turn, his nametag flipping around again. “Anyway,” he said, finally looking at you. “You don’t want to be a librarian.” 

“I might.” You weren’t sure if his words were laced with condescension or not. Regardless, a small thorn of spite lodged itself in your heart at his tone.

Kaeya sighed dramatically. “No, you don’t. What about Deborah Berke? You’d be crazy to pass that up.” 

“Yeah, that’s not gonna happen,” you laughed softly. Would your future never stop haunting you? You wished you could shut your brain off and never think ever again. 

“Why not?” Kaeya challenged, an indignant look crossing over his face before melting into something less severe. The book in his lap, opened again as he shifted his attention away from you once again, ruffled with the breeze of the AC unit above. 

“It’s just not,” you replied, a bit of a bite to it. “You wouldn’t understand.” You leaned back on your wrists to stare at the waffled ceilings again. 

“Yes, I would.” 

“What?” 

“Nothing.” 

– 

It was cloudy again. Summers in the midwest were always hot and humid, but this particular June was stifling. The humidity soared with every inch of rainwater that threatened to flood the river. 

You internally bemoaned these facts as you scooped vegetables into a tupperware container to save for later. Your mother still wasn’t home from work yet, and you wanted the vegetables for dinner to be at least semi-fresh for the meal. You checked your watch - 5:30 and she still wasn’t home. Her shift ended at four. 

You felt a tightness in your chest. It wasn’t her fault she didn’t know how you were feeling. But at the same time, she had to understand how hard this was. How hard it was to pretend. The sporadic absences, the overworking, the lack of communication, the trying–God, the trying. It weighed on you. Your house felt so empty without another person in it. 

–

You were back at the bank again. Your beat-up Civic rattled to a halt in front of the building you’d visited a thousand times in the past six years. You got out of your relic of a car and sat on the hood, staring at the four squares of greenish fluorescent lights that covered the concrete overhang for the drive-thru teller stations. 

It was nighttime, and the temperature had dropped to a bearable 85 degrees despite the ever-rising humidity. You deemed this appropriate weather for crying. You stared and stared and stared at the lights and let the paradox of your existence consume you inside and out, silently crying as you always ended up doing when you went to this unremarkable bank that had become something so meaningful to you. 

Most teenagers had a “spot.” For some people, it was the watertower on the west side of town with its suspiciously unlocked ladder. For others, it was the roof of the highschool on the north side. Another group might frequent the soccer fields with its soft grass and border of blue firs. For you, it had been this old mid century drive-thru bank downtown. You hadn’t had many friends in school, so nobody minded that your go-to hangout spot was a fucking bank. 

9:30. Your mom wasn’t picking up her phone. 

–

10:30. You were crying, this time in front of the hospital. The second shift was leaving while a well-dressed man with platinum hair dressed smartly in a navy and tan suit was exiting a taxi. He gave you a passing glance as he pulled an expensive looking matching suitcase and duffel bag behind him before disappearing into the lobby. You gave him a small smile for moral support, wondering why he was there. Maybe he was a doctor or something. If he was, you felt stupid for smiling. Doctors know what they’re doing. 

There she was. Your mom, the last of the group of cleaners leaving. You walked back to the car in awkward silence as you shot down each of her attempts at conversation. You both resigned yourselves to an uncomfortable quiet on the ride home with only the rumble of the engine to fill the void of words. 

–

Albedo found his way to the third floor of the hospital with no difficulties save for the obnoxious distraction of one squeaky wheel of his suitcase. Mona was waiting in the hallway for him, arms crossed and tapping her foot like a cartoon character. Her dark hair was wound in a low, tight bun that made her soft facial features look more severe than they actually were. Albedo didn’t like it on her. It made her look older. He missed the days when she was younger and happier. But then again he hardly remembered those days anymore. 

The receptionist gave him a barely perceptible nod and Mona finally saw him. Her anxious body relaxed a bit at the sight of him, and he let go of his suitcase to catch her as she barreled into his arms, squeezing more tightly than he would have liked. 

After what felt like forever, she finally pulled away. “Come on. Let’s go see her first,” she muttered. Albedo really didn’t want to. 

–

Albedo checked into his room at the Ragnvindr house, a stately old home which had at some point been converted into a bed and breakfast. It was regal, meticulously maintained, and blessedly empty. His suite was large and tastefully decorated with rich oak walls, double hung windows, and heavy velvet curtains. His room boasted a small sitting room of eclectic vintage furniture; a massive, ancient-looking wardrobe, a beat-up desk, and a sumptuous king-sized bed on an ornately carved mahogany frame.

He dropped his expensive luggage unceremoniously on the floor and took a turn about the room he had found himself in. As he rifled through the many scraps of paper and open books still on the desk, he realized he would most likely be staying here for an undetermined amount of time. 

He felt sick remembering that this was his mother’s room. 

Albedo picked up one of the empty notebooks. It was black with a red fabric binding. He flipped through it, pacing the room as he looked at her scribblings and half-legible German. When he felt truly sick to his stomach reading her notes, he threw the notebook on the bed and opened the wardrobe, looking for something more tangible than the abstract, half-cooked drawings. 

Inside the behemoth wardrobe was a singular cropped vest and an ugly green hat. Thankfully, his phone rang and broke him from the reverie of his mother’s hideous fashion sense. 

“Ja?” He picked up. “...Nein. Rufen Sie mich später an, bitte…. Ja. Tschuss.” 

He sighed heavily and laid down on the bed fully clothed, staring at the ceiling. 

–

“I can’t believe how old you are. You look just the same,” Mona said, crossing her legs delicately at the ankle. She daintily took a sip of her wine, a small, faraway smile crossing over her lips. 

Albedo sat next to her at the bar nursing a beer. He hadn’t bothered to change out of his suit despite feeling disgusting from traveling for so long. “That’s not true, but thank you.” 

“You do!” Mona insisted, attempting to inject some energy into the clearly-deflated Albedo.

A beat passed before he scrounged up the mental capacity to grind out, “You’re sweet.” 

They both took another drink before Mona kept the conversation going, her body angling towards him. “So,” she drew out the ‘o’ for too long. Albedo never understood her. She was far too friendly to be German. Did she talk to strangers like this? “How do you like being in Berlin?” 

“It’s okay,” Albedo replied softly. He looked anywhere but at her, somewhat unsettled by her undivided attention. He observed the dim bronze lights hanging from the curved ceiling, and glanced at the other patrons. It was a nice, refined place, reminiscent of a chic subway tunnel. Mona certainly had good taste. 

“What are you doing there?” She asked, her accent hardening the ‘w’ a bit. 

“I got a job at a lab there. Science… stuff.” Albedo felt absolutely sick to his stomach thinking about work.

“That sounds interesting.” Her voice was encouraging, like she wanted him to talk. He did not want to talk. 

“It is… not.” For a brief moment he considered whether or not to dump all his troubles onto her, but then decided against it. He kept a lid on it, intentionally air-tight, just for that reason. “It’s pretty painful, actually. Um, I’ve got projects still ongoing. I just got off the phone with them before we met here.” 

Mona looked offended. “They don’t expect you to work while you’re here, do they?” 

“I think they do. You know,” Albedo began, taking another sip for courage, “it’s that… that thing: ‘We’re sorry, family is important… but really work is the most important… so you’d better fucking finish your project or we’ll lose the grant…’” He trailed off, eyes glazed over. 

“That can’t be true.” 

“We’ll see.” His words held a finality to them. “I wish you were staying another day.” He didn’t wish that at all, but he felt like he should humor her and perhaps honor their history. 

“I know… but I was supposed to be in Chicago a few days ago with your mother. And I have my work…” She trailed off dejectedly, tapping her fingers on the counter. 

“I know,” he almost whispered. “You’ve already done so much.” He stared at the wall of wine bottles.

“I can’t believe this happened…” Mona had a haunted look in her pretty blue-gray eyes. “She was doing fine and then just… I’m sorry.” Albedo was taken aback at her change in demeanor. She hiccuped a bit and placed the back of her hand on her mouth to force back the tears. “I just… I owe her so much. Your mother means everything to me.” 

The bartender tactlessly interrupted the obviously intimate moment. “Is there anything else I can get you guys?” 

Mona beat Albedo to the punch. “No, I think we’re ready for the…” 

“Can I get another beer?” Albedo interjected. 

“Definitely. Another glass of wine for the lady?” He smiled a picture-perfect customer service smile that Albedo knew all too well. 

“No thanks.” 

A moment of unsure silence passed before Albedo spoke up. “She didn’t even tell me she was coming on this trip. Did she tell you that?” 

“No…” 

“That’s about right. Did she mention me at all?” He asked, somewhat desperate. Normally he could keep it under control, lock them away, keep them hidden, but Mona’s presence and the stress of traveling internationally and seeing his mother’s failing body and being in a foreign country was just too much. The lid was slowly popping off and he was terrified he wouldn’t be able to get it back on. 

“We talked a little,” Mona said defensively, eyes darting around like a cornered animal. 

He pressed her further, heart pumping. The rage, God, the rage! He gritted his teeth, spitting out the words, “What did she say?” 

“Albedo…” Mona was on the verge of tears again. Albedo felt a small pang of guilt for it, but she couldn’t pretend to be blind to Gold’s problems forever, no matter how much Mona owed her. He wondered how she would feel when she found out the truth about Gold. 

“Did she tell you that we haven’t spoken in over a year?” His voice lowered dangerously. The lid was slipping.

Mona looked absolutely devastated. “You’re all she has.” 

“That has never been the case,” Albedo said in a deadly calm. His hands tightened under the bar counter, small crescent moons forming in his palms. He knew his mother didn’t care for him. She raised him, if you could call her parenting raising a child, and cast him aside like he was some sort of creature. Like a pet she didn’t have use for anymore. “She has her students… her work,” Albedo spat. His tone was so venomous he was sure the acidity of them could've bled through the bar.

“You’re her son!” Her voice was pleading. It revolted him to his stone cold core. 

“You’ve been watching too much TV” is all he said. The lid was safely back in place.

Mona peeked at him out of the corner of her eye before waving down the bartender, clearly done with the conversation. “Can we get the check?” She sighed heavily, rubbing the bridge of her nose with her thumb and pointer finger. “I have to leave early in the morning. I should go to bed.” 

Albedo tried to salvage the situation, adrenaline petering out. “I’m sorry. I shouldn’t have brought that up.” And he really was sorry. It was so painfully awkward he wished he hadn’t brought her up. 

“The Ragnvindr Inn knows about the situation,” Mona explained, disregarding him. She did this sometimes. Business as usual. He supposed he shouldn't be surprised by the quick construction of the facade; she was practically raised by Gold as well. “You should be able to stay in her room as long as you need.” 

They parted ways. 

–

Back in the suite, Albedo stood in the ensuite bathroom wearing a white t-shirt and sweatpants,  arms braced on either side of the mirror. He glared at himself. The gravity of the situation weighed on him. In that moment he believed he might just be Atlas.

“Shit.” 

-

You were peeling vegetables again. This time, a daikon root from the backyard. You’d decided to take on gardening to pass the time, and your mother needed good healthy foods to recover. You dedicated yourself completely to your task, rinsing the root in the sink. You absentmindedly stared out the window as you grabbed the next one, watching your mother smoking under the carport. She was too young to look this old; she was truly 45 going on 60. Your heart twisted violently. 

You ate your meal together in comfortable silence this time, your mother commenting on how much better your cooking had gotten. After you cleaned up, you sat together on the couch and watched Jeopardy, the blue glow of the board and Alex Trebek’s familiar voice enveloping the otherwise black darkness and silence of your tired living room. 

“Do you know what you’re doing on Sunday?” She asked suddenly. 

“No, I’ll just drop you off in the morning and then take it over to Wagner’s,” you replied with a mouthful of ice cream. 

“It’ll cost us more if it breaks down on us…” she said with a twinge of worry. Her long, skinny arm reached across you to take a sip of water. 

“Ugh, I hate cars,” you complained. 

“Me too.”

--------

Author's Note

Heyyyyy! Not sure if anyone will read this but I am back from my little hiatus. I am planning on writing some other pics, maybe Link or Scaramouche, not too sure yet (and maybe even some Levi depending on when the fuck season 4 part 3 is dropped).

Housekeeping stuff:

this is not my original work. this is from a movie called Columbus. I thought the story was really interesting and I wanted to stretch my writing ability and see if I could adapt a really complex, visually-heavy, story-light screenplay into text

I am part German, though my German isn't perfect. sorry if there are mistakes, I'd say I'm only about half fluent, and it's mostly German/English I speak with my family. as such, grammar isn't very strong

reader is about 25 here, albedo is around 27 or 28

for clarity again, this movie takes place in a real town called Columbus, Indiana. for reference, it is in the middle of nowhere, but it is considered a bit of an architectural hub. so if it seems weird that there are important architects with buildings here, that is why

this is already finished on AO3 if you want to read it completed there, but it is NOT edited. it needs a lot more fleshing out, so if you want a better story and a better representation of my writing ability, I'd recommend waiting it out here

this is a 7 chapter story, but I will be narrowing it down to 3-5 on Tumblr. I think longform works better with this story since the "chapters" are so fragmented

Thanks for reading! Have a lovely day <3

[hardrocklandscaping]

What Are the Different Types of Interlock Blocks and Their Uses?

Interlock blocks are building materials used to create paved surfaces. They are commonly used for driveways, walkways, and parking lots. These blocks fit together tightly, forming a strong, durable surface. Interlock bricks are flexible and help create interesting patterns that concrete can’t. They allow for designs that are hard to achieve with other materials. These blocks come in various shapes and sizes, allowing for design flexibility. Barrie interlock blocks are strong and can handle heavy weight. Simple Straight Edged Blocks Some interlock blocks have straight sides that don’t connect with each other. This means they don’t lock together like other types of blocks. These blocks are usually in simple shapes, like squares and rectangles. They are easy to arrange and fit together. These blocks are commonly used for simple, neat designs. These are great for making patios or walkways. These blocks are simple to arrange in a grid pattern. This makes them great for easy, practical uses. The simple design makes the blocks easy to install and affordable. These provide a practical and budget-friendly option. Curved and Corrugated Blocks Some interlock Barrie Ontario blocks have curved and textured surfaces on every side. This gives them a unique look and feel. These blocks are made to fit together easily, forming patterns that draw attention. The design makes any surface more attractive. These blocks can create different designs based on how they are arranged. This makes them a great option for decorative walkways or large outdoor spaces. Blocks with Straight and Curved Edges Another type of interlock block has both straight and curved sides, giving more options for different designs. When these blocks are placed, they fit together to form a smooth, flowing design. This makes it easy to create visually appealing patterns for any outdoor space. L and X Shaped Blocks Another type of interlock block comes in two different shapes: 'L' and 'X.' These shapes offer more design options. Each side of these blocks has curved and textured surfaces. When arranged in a pattern, they fit together perfectly. The best advantage of interlocking design is that the blocks fit closely, forming a strong and stable surface. The different shapes make it simple to place in various ways. This is ideal for both practical and decorative surfaces. About Hard Rock Landscaping Hard Rock Landscaping is one of the top Barrie landscaping companies. They provide reliable interlock block services to create strong and appealing landscapes. Get more details at https://hardrocklandscaping.ca/ Original Source: https://bit.ly/4fLA6dx

[firewoodservices]

Ways to Use Versatile Concrete Besser Blocks In Your Home

Concrete is one of the most robust materials used with tempered steel and glass to create marvellous structures. This same concrete is also used to develop concrete besser blocks that can be used in multiple projects in different ways. With these concrete blocks, you can make an extraordinary style for your property without significant expenditure. Concrete besser blocks are enormously popular, and we have gone through some main reasons why concrete besser blocks are so in demand.

CAN BE USED TO FINISH A FENCE

With these concrete besser blocks, you can easily construct a solid fence with unique patterns. You can make your outdoors more open, spacious and adequately ventilated. You have to position them with the empty side appearing inwards. This procedure will make your modern home look more stylish and attractive.

CREATE A SCREEN WALL WITH BESSER BLOCKS ON SALE

Concrete besser blocks can be used as a divider or screen, and you will have to assemble a total divider and permit the open centre to appear inwards. You can include some interesting visual components with squares that include rehashing shapes.

CREATE A STRONG DIVIDER

An outdoor dining room will now be easier to create once you stack concrete besser blocks or concrete blocks in such a way that a strong divider is formed. You can use these concrete blocks to make a four-sided room with an open top. Another option is creating a little bar or counter with some beautiful lighting to coordinate with besser blocks on sale.

GREAT FIRE PITS FOR GREAT GATHERING

If you love the outdoors, creating a Besser blocks chimney is the best step. Modifying the appearance of these structures is easy with besser blocks of square and L-moulded shapes. You will have a warm, assembling space to enjoy quality time with your family.

PLANTERS ARE ALSO POSSIBLE WITH DESERVE BLOCKS

You can develop additional spaces in your property by transforming besser hinders or vessel blocks into raised growers. Single squares of besser blocks on sale can be used for a couple of plants, or they can also become a whole nursery. These planters will surely be spacious for blossoms, vegetable plants, herbs, and succulents.

AVAILABLE AT VERY LOW PRICES

Besser blocks or concrete blocks are available cheaply to improve your property’s overall appeal and vibe. You get the best incentive for your project with these concrete besser blocks that will fabricate something marvellous for you.

[gorillawall]

Taming the Terrain: A Guide to Retaining Walls

The allure of a tiered landscape can add undeniable beauty and drama to your property. But sometimes, uneven terrain or sloping land throws a wrench into your landscaping dreams. Here's where retaining wall Melbourne comes in - unsung heroes of the yard, providing both functionality and aesthetic appeal.

What is a Retaining Wall?

In essence, a retaining wall is a structure that holds back soil or other materials on different elevation levels. They prevent soil erosion, create level areas for planting or patios, and add visual interest to your landscape design.

Benefits of Retaining Walls:

Erosion Control: The primary function of a retaining wall is to combat soil erosion. By creating a barrier, it prevents rainwater from washing away soil on slopes, protecting your property and maintaining the integrity of your landscaping.

Levelling the Playing Field: Retaining walls allows you to create usable flat areas on uneven terrain. This opens up possibilities for patios, decks, planting beds, or even additional living space.

Aesthetics: Retaining walls can be beautiful design elements, adding definition and structure to your landscape. The variety of materials and styles available allows you to create a look that complements your home's architecture and personal taste.

Drainage and Foundation Protection: Retaining walls can help with proper drainage by directing water away from your house's foundation, preventing moisture problems and potential structural damage.

Types of Retaining Walls:

The type of retaining wall Melbourne you choose depends on several factors, including the height of the wall, soil conditions, desired aesthetics, and of course, budget. Here's a breakdown of some popular options:

Gravity Walls: These walls rely on their own weight to resist pressure from the soil. Typically constructed from stone, concrete blocks, or brick, they are suitable for smaller heights (up to 4 feet) and require a strong foundation.

Cantilevered Walls: These L-shaped walls utilise a reinforced concrete base buried underground to hold back soil. They are ideal for creating taller walls (up to 8 feet) with a more modern aesthetic.

Sheet Pile Walls: These walls consist of interlocking steel sheets driven into the ground. They are a good option for tight spaces or situations with poor soil conditions.

Segmental Retaining Walls (SRWs): These walls use interlocking concrete blocks that can be stacked without mortar. They offer a versatile and DIY-friendly option for smaller retaining walls.

Planning and Building Your Retaining Wall:

While smaller DIY retaining walls are possible, especially with SRWs, consulting a professional landscaper or engineer is highly recommended for larger or more complex projects. Here's what to consider:

Permits: Depending on your location and the size of the wall, you might need a permit for construction. Check with your local building department before starting any work.

Design and Engineering: A professional can assess your specific needs and design a retaining wall that is structurally sound and aesthetically pleasing. They will factor in factors like soil type, drainage, and height requirements.

Material Selection: The type of material you choose will impact the overall cost, aesthetics, and functionality of your wall. Consider factors like durability, maintenance requirements, and how it will blend with your existing landscape.

Adding Flair to Your Functional Friend:

Retaining walls doesn't have to be purely utilitarian. Here are some ways to enhance their visual appeal:

Planting: Incorporate plants and flowers on top of the wall or in front of it to soften the structure and add pops of colour. Opt for cascading or creeping plants for a naturalised look.

Lighting: Adding strategically placed lights can highlight the wall at night and create a dramatic effect. Consider low-voltage path lights or recessed lighting for a subtle glow.

Water Features: A small waterfall or fountain cascading down the wall can add a touch of tranquillity and visual interest.

Seating: Incorporate built-in seating on top of the wall to create a cosy spot to enjoy your newly levelled landscape.

Summing Up

By understanding the different types of retaining wall Melbourne and their benefits, you can unlock the potential of your uneven terrain. With proper planning and a touch of creativity, a retaining wall can become a beautiful and functional addition to your property, adding value and transforming your outdoor space. Source: https://gorillawallconcretesleeper.blogspot.com/2024/07/taming-terrain-guide-to-retaining-walls.html

[meikomagnetics]

U60 Magnetic Formwork System For Precast Slabs and Double Wall Panel Production

U60 Magnetic Formwork System consists of U shaped metal channel profile (steel/stainless steel/aluminum options) and several buit-in automatic permanent magnetic systems. It's formed as a concrete frame to produce precast elements in various shuttering lengths, heights, especially for floor slabs, sandwich and double wall panels. The side edges could be straight with no chamfer or milled sharply with one or two sides for elements chamfering. During the procession, this magnetic siderail profile could be moved to the position by robot handling or manual operating, after marking by scribine machine or manual.  As a critical component, the switchable knob connecting with inside magnetic block performs to active or deactive the magnetic force. DETAILED SPECIFICATIONS

Model L(mm) W(mm) H(mm) Magnet Force(kg) Chamfer U60-500 500 60 70 2 x 450KG Magnets Non/1/2 Sides 10mm x 45° U60-750 750 60 70 2 x 450KG Magnets Non/1/2 Sides 10mm x 45° U60-900 900 60 70 2 x 450KG Magnets Non/1/2 Sides 10mm x 45° U60-1000 1000 60 70 2 x 450KG Magnets Non/1/2 Sides 10mm x 45° U60-1500 1500 60 70 2 x 900KG Magnets Non/1/2 Sides 10mm x 45° U60-2000 2000 60 70 2 x 900KG Magnets Non/1/2 Sides 10mm x 45° U60-2500 2500 60 70 3 x 900KG Magnets Non/1/2 Sides 10mm x 45° U60-3000 3000 60 70 3 x 900KG Magnets Non/1/2 Sides 10mm x 45° U60-3500 3500 60 70 3 x 900KG Magnets Non/1/2 Sides 10mm x 45° MAIN ADVANTAGES The U-profile could be machined in different lengths, widths, heights with or without lateral miltres Wide applications for precast ceilings, girder slabs, sandwich and double wall panels. High holding and resistant force due to the integrated powerful and proven magnet technology Activation of magnets by simple pressing with foot or robot Direct force closure between U channel profile shuttering, magnet and steel casting table Easy removal over the mirro-smooth through switchable magnet Read the full article

[ohtea3]

Maternal and Child Health, an OT students perspective

WELCOME BACK TO WEEKLY BLOGS!!!

You will be happy to know that I’ve made it to 4th year, and I’m currently in my community block based in Kenville. For my first blog, let me set the scene of the New Clinic: Imagine an outdoor plot of land shaped like an open book. Half the space is sandy with patches of grass, and the other half is concrete—three white shipping containers arranged in the shape of an L. In the middle, rows of chairs are filled with people waiting for a consult, medication or an injection. Many of these people are waiting for maternal and child health (MCH) services, but what does that mean?

When I think of maternal and child health (MCH), I think of a new mother and her baby, but MCH is much more than that. It extends long before and after a baby is born. Maternal health is a woman's health during pregnancy, childbirth, and the postnatal period, while child health is a child's health from birth through the adolescent years, primarily focusing on birth through five years of age (Perez, 2023). It also includes women's health issues such as abortion, contraception, HIV and STDs, infertility, and domestic violence, as well as child health issues such as developmental delays, malnutrition, adverse childhood experiences, and infectious diseases. -this is what community does, it wants you to think broader-

MCH is essential in reducing the maternal, neonatal, and under-five mortality rates in many Sub-Saharan African countries (WHO, 2015). In South Africa, a significant portion of these deaths are preventable, with up to 54% attributed to healthcare system failures. Modifiable factors like inadequate antenatal care and delayed treatment-seeking behaviors contribute to a large proportion of these deaths (Lancet, 2008). Moreover, there are substantial disparities in MCH service coverage in the public health system. Individuals from poor families face increased health risks due to difficulties accessing timely and high-quality care. Challenges such as underutilization of healthcare facilities, transportation barriers, and substandard care provision further exacerbate these disparities (Mayosi, 2012)

This article speaks more about our governments policy regarding MCH, an informative read...

A healthy pregnancy is essential for the healthy growth and development of the fetus, which reduces the risk of neonatal morbidity and mortality. Prenatal and antenatal care also reduces the risk of complications during childbirth, such as hemorrhage, infection, and obstructed labor, which can be life-threatening for the mother.

In addition to the health benefits, ensuring maternal health can have economic benefits such as contribution to the workforce, support of families, poverty reduction and promotion of gender equality (Leung, 2023).

Furthermore, maternal health is important to ensure the health, safety, love, and well-being of the child, as in our communities, it is often the mother who raises the children. They teach their children fundamental skills such as communication, forming relationships, and the use of objects so that the child can meet developmental milestones and later integrate well in school, socializing, and work.  A mother who then experiences postpartum depression or health issues that prevent them from meeting their child's needs will result in children with psychological issues. Child health also aims to ensure the health and typical development of a child; failure of this will result in future burdens of dependence that come from an unhealthy and unskilled workforce and dysfunctional families (National Research Council, 2004).

This article gives insight into MHC in South African context specifically...

By now, I’m sure you can begin to see the importance of Maternal and Child Health and how a lack of intervention here can lead to ill health. These all have implications for OT practice; as OTS, our job is to address the physical, emotional, and developmental needs of mothers, infants, and children, to ensure engagement in their respective roles. For children, we ensure they are meeting developmental milestones and address any delays or disabilities. This intervention looks at using play to improve gross motor skills (such as jumping, running, and catching) and fine motor skills (such as handwriting and self-feeding), independence in self-care (dressing and feeding), as well as to enhance attention, visual perceptual and sensory processing abilities. For new mothers, we can provide post-partum support to manage anxieties and depression and adjust to life with a newborn; we can teach relaxation techniques, proper body mechanics, and energy conservation strategies to manage the physical demands of pregnancy and postpartum recovery, as well as help them adjust to the return to work. We can also educate and train new mums on typical child development, stimulation of children, and home/toy/tool adaptations if need be.

This article gives you more insight into OTs role in maternal health care:

In the Kenville community, we see a lot of new mums bring their kids vaccine shots; it's here that we can screen for and provide support for mums who might have postpartum depression or general anxiety about having a newborn. We also address issues such as HIV and domestic violence to ensure Mum is getting the treatment and support she needs, as well as trying to normalize and remove the stigma surrounding these topics, as it is a harsh reality many women in South Africa face. We screen for kids who might have a developmental disorder, such as ADHD, autism, or a learning disability so that they can get early intervention and be placed in a special needs school if need be. We also see kids with conditions such as Cerebral palsy, malnutrition and HIV. With all the kids, we asses to see if they're meeting their milestones from rolling to running. We use NDT techniques and teach mums how to facilitate typical movement and encourage the mum to practice these at home. We also provide cost-effective ways to make toys to stimulate kids, such as a rattle using a bottle with rocks inside, due to this being a community that struggles with poverty or low incomes. With school-going kids, we assess to see if they are coping with grade and age requirements in terms of handwriting, understanding of basic concepts, and regulating their emotions.

As you can see, the OT scope is vast; however, in communities such as Kenville, it requires a context-specific approach so that intervention is relevant to the mum and child. Personally, for me, coming from a psych block, this was a major adjustment as we now have to assess and treat patients in one session as the chances of them coming back are unlikely. We are also their first access to an allied health care worker who can potentially screen for more significant psychological and physical impairments and subsequently provide early intervention to prevent later difficulties or possible death as a result of these conditions. We also work with fewer resources- in Kenville, we work under a gazebo, with a blanket on a trestle table- yet that does not diminish the importance or effectiveness of the work we do, as for most patients, it’s the only extra assistance they will receive. From my blog I hope you can see how OT, especially in this context, plays a vital role in maternal and child health... What's your perspective?

Until the next blog...

Peace ✌️

[avtechnologysworld]

The Impact of Audio Visual Layout on Learning Environments

The layout of audio visual technologies in learning spaces can have a significant impact on the overall learning experience and outcomes for students. Elements like speaker placement, display positioning, and acoustic treatments all influence how effectively students are able to see, hear and engage with educational content. In this blog, we will examine some of the key considerations of an effective AV layout with a focus on 7.1 speaker placement ceiling and how it can enhance comprehension and participation in the classroom.

Speaker Placement and Acoustics

The placement of speakers throughout a learning space is important to distribute sound evenly and prevent echoing or distortion. Some best practices for speaker positioning include:

Ceiling Speakers

As mentioned earlier, 7.1 speaker placement ceiling distributed sound in a surround sound format allows for immersive audio that doesn't disrupt the classroom. Ceiling speakers help prevent echoes and provide consistent volume throughout the room. They also free up wall and desk space below. Proper spacing and calibration is needed to distribute sound correctly.

Wall Speakers

Alternatively, wall mounted speakers can also be effective if ceiling installation is not possible. They should be evenly spaced along the sides and rear of the room, roughly 5-7 feet above floor level. Bass managed speakers and acoustic treatments help control echoing off hard surfaces.

Subwoofers

Subwoofers, whether installed in-wall, in-ceiling or discrete units, add low frequency effects and rumble to create a more cinematic experience. Their placement depends on room size, with one subwoofer typically sufficient per 100-200 sq ft.

Acoustic Treatments

To reduce reverberation from hard surfaces like concrete walls, acoustic wall panels, absorption materials, and sound-blocking furniture can optimize the listening environment. This improves speech clarity and prevents voices from overlapping.

Display Placement

How video content is shown also influences the classroom experience. Some display placement best practices include:

Interactive Whiteboards

These touch-enabled displays mounted at the front of the room put interactive learning tools and annotations within easy reach of students and teachers. Screens 70-80 inches are suitable for classrooms seating 15-30 people.

Projector Screens

Front projection with a lowered ceiling mount allows for a bigger image size at a lower cost than large displays. Screens should be recessed or have a matte white finish to avoid glare. 120-150 inch diagonal screens work well for most classroom needs.

Monitor Placement

Flat panel LCD or LED monitors can supplement projectors orwhiteboards when additional screens are required. They should be at eye level when seated to reduce neck strain.

Display Configuration

Dual display setups with a projector/whiteboard and additional monitor(s) provide flexibility for both whole-class and small group instruction. Displays can also be configured in an L-shape or U-shape to optimize viewing from all seats.

The Role of Video and Audio Layout in Engagement and Comprehension

With the proper layout of video and audio technologies, learning environments can be transformed into engaging spaces that enhance comprehension and participation. Some ways this occurs include:

Immersive Environments Boost Focus

Surround sound through ceiling speakers helps immerse students in content like films, creating a more compelling learning experience that holds attention. This boosts engagement and inhibits distractions.

Clear Presentations Improve Understanding

Even speaker placement and display positioning ensures all students have equal access to high-quality audio and clear visuals necessary to follow lessons. This supports diverse learning styles and prevents information gaps.

Interactive Displays Encourage Participation

Large, front-of-room interactive displays promote collaboration as students and teachers can easily annotate, share, vote and provide feedback on content together in real-time. This makes lessons more dynamic and keeps students involved.

Flexible Layouts Support Varied Activities

The ability to easily reconfigure screens and share different sources on multiple displays gives teachers freedom to quickly switch between whole-class instruction, group work, and presentations. Students stay focused through changes in pace and format.

Immerse Learning Through Innovative AV

As new forms of audio visual technology continue emerging, innovative classrooms will look quite different in the years ahead. From VR and AR to new interaction tools, the opportunities to enhance engagement and boost understanding through immersive learning experiences are endless. With an effective foundational AV layout in place, educators can readily adopt new innovations to optimize each learning space.

Conclusion

In summary, the thoughtful design of a classroom's audio visual system layout has wide-reaching impacts on the overall experience and outcomes for students. Factors like speaker placement, display positioning, acoustic treatments and configuration all play a role in helping students see, hear and interact with educational content as clearly and seamlessly as possible. A properly executed AV design following best practice guidance creates an ideal environment for cultivating engagement, participation and ultimately enhancing comprehension across diverse learners. With continuous improvements, learning spaces of the future will become even more powerful platforms for inspiring students through innovative technologies.

[fancingstyle]

The Art of Retaining Walls in Sydney

Introduction:

Retaining Walls in Sydney, with its stunning landscapes and varied topography, often presents unique challenges for property owners when it comes to managing uneven terrains. Retaining walls have become an essential solution to address these challenges, providing not only functional support but also contributing to the aesthetic appeal of outdoor spaces. In this blog, we'll explore the significance of retaining walls in Sydney, their various types, and how they can transform your property.

Understanding Retaining Walls:Retaining walls serve a crucial role in holding back soil and preventing erosion, particularly on slopes. In Sydney, where the terrain can range from flat to hilly, these structures become invaluable in creating level surfaces for gardens, pathways, and other outdoor spaces.

Types of Retaining Walls:

Gravity Retaining Walls: These walls rely on their weight and mass to resist pressure from the soil. They are suitable for lower retaining heights and are often made from materials like concrete blocks or stone.

Cantilever Retaining Walls: Constructed with a T or L-shaped design, cantilever walls use leverage to support the soil. They are ideal for medium to high retaining heights and can be made from concrete or other reinforced materials.

Anchored Retaining Walls: These walls use cables or other stays anchored in the soil behind the wall, providing additional support for higher retaining heights. Anchored retaining walls are a common choice for challenging terrains in Sydney.

Counterfort Retaining Walls: Similar to cantilever walls, counterfort retaining walls include thin vertical concrete webs on the soil side, providing additional strength.

Material Choices for Retaining Walls:

Concrete: Durable and versatile, concrete retaining walls are popular for their strength and ability to complement various architectural styles.

Stone: Natural stone retaining walls add a timeless and organic look to landscapes. They are particularly popular in Sydney for their ability to blend seamlessly with the surroundings.

Timber: Timber retaining walls offer a warm and rustic aesthetic. While not as durable as concrete or stone, they can be suitable for certain applications.

Aesthetic Integration:Retaining walls can be more than just functional structures; they can enhance the visual appeal of your outdoor space. Incorporating landscaping elements, such as cascading plants, integrated seating, or decorative finishes, can turn a retaining wall into a focal point of your garden.

Professional Considerations:Constructing retaining walls requires careful planning and expertise. It's crucial to consult with a professional engineer or landscaping expert to ensure that the design and construction meet safety standards and local regulations.

Conclusion:

Retaining walls in Sydney are not merely structural necessities; they are integral components of landscape design. Whether you're dealing with a sloping backyard or looking to add dimension to your property, investing in a well-designed and properly constructed retaining wall can transform your outdoor space, providing both stability and visual allure.

[emmaameliamiaava]

Types Of Bricks - Properties Of Bricks That Is Of Good Quality - UltraTech

From classic clay to sleek concrete bricks, we've got it all covered. Uncover the different types of bricks in the market and discover fascinating ways to use bricks in your future projects.

What are bricks ?

Bricks are a type of building material typically made of concrete, sand, lime, or clay. They are generally used to construct walls, pavements, and other types of architecture. Bricks can be produced in a variety of shapes and types depending on the materials used to make them and the use for which they are intended. It is because of their sturdiness, strength, and fire resistance, that they continue to be a popular building material.

Different types of bricks

Here are some of the different types of bricks :

1. Sun-dried bricks

These are made by moulding wet clay mixed with straw or other fibres and then allowing them to dry in the sun. Sun-dried bricks are not as strong and durable as fired bricks, but they are cheaper to produce and are commonly used for temporary structures.

2. Burnt clay bricks

These bricks are strong, durable, and come in a variety of sizes, shapes, and colours. They are made by moulding wet clay and then firing them at high temperatures in a kiln. There are 4 different types of bricks that are classified under burnt clay bricks and they are widely used for construction purposes, especially in areas where clay is abundant. Here are a few of its different types :

1) First class bricks :

These are of high quality and are uniform in size, shape, and colour. They have sharp edges, are free from cracks and other defects, and produce a clear ringing sound when struck. First-class bricks are typically used for load-bearing structures and for exposed walls.

2) Second class bricks :

These are similar to first-class bricks but may have minor defects such as irregular shapes, sizes, or colours. They are still suitable for load-bearing walls but may not be used for exposed walls.

3) Third class bricks :

These are highly irregular in shape, size, and colour and have significant cracks, distortions, and other defects. They are not suitable for load-bearing structures and are often used for non-structural purposes such as garden walls or landscaping.

4) Fourth class bricks :

These are over-burnt or under-burnt and have poor quality. They are unsuitable for any construction purposes as they may have cracks, distortions, and other defects.

3. Fly ash bricks

These are made by mixing fly ash (a waste product from coal-fired power plants), cement, and water, and then compressing the mixture into moulds. They are a cost-effective and eco-friendly alternative to traditional clay bricks and are commonly used for load-bearing structures.

4. Concrete bricks

These are made by mixing cement, sand, and water, and then pouring the mixture into moulds. They are strong, durable, and resistant to fire and weathering. These bricks are commonly used for load-bearing structures and as paving blocks.

5. Engineering bricks

These are specially designed for use in structural applications. They are made from high-quality clay that is fired at very high temperatures, making them strong, dense, and resistant to water and chemicals. Bricks of this type are commonly used in areas where the bricks are certain to l be exposed to heavy loads or where water resistance is required.

6. Calcium silicate bricks

These are made from sand and lime and are known for their strength, durability, and resistance to fire. They are lightweight and have good insulation properties, making them suitable for use in high-rise buildings or in areas where thermal insulation is important.

7. Eco bricks

These types of bricks are made from recycled materials such as plastic bottles, paper, and other waste products. They are an eco-friendly alternative to traditional bricks and are gaining popularity due to their sustainability. They are commonly used for non-structural purposes such as garden walls, landscaping, or decorative features.

How to identify bricks ?

Bricks can be identified by their size, colour, texture, and sound when tapped. Here are some steps to help you identify bricks :

1. Size :

Bricks come in various sizes, but the most common size is 8.5 inches by 4.25 inches by 2.75 inches (215 mm x 102.5 mm x 65 mm). You can measure the brick to determine its size.

2. Colour :

Bricks can have different textures depending on their intended use. Bricks used for load-bearing walls have a smooth surface and sharp edges, while bricks used for decorative purposes may have a rough texture or a pattern.

3. Texture :

Bricks can have different textures depending on their intended use. Bricks used for load-bearing walls have a smooth surface and sharp edges, while bricks used for decorative purposes may have a rough texture or a pattern.

4. Sound :

When tapped, a high-quality brick should produce a clear ringing sound. If the brick produces a dull thud, it may be low-quality or damaged.

Mistakes during brick masonry can be avoided by consulting with a professional before using bricks for any construction project. Having the right brickwork is very important for the strong walls of your home.

[postingpanel]

Designing for Durability: The Role of in Civil Construction

Introduction

In the realm of civil construction, durability reigns supreme. As structures face the test of time and the elements, the selection of materials becomes a critical decision. The role of materials in civil construction goes beyond aesthetics, influencing longevity, safety, and environmental impact. This article delves into the essential role materials play in creating durable structures and how the best civil construction company make informed choices.

Understanding the Significance of Materials

The Foundation of Durability Materials are the building blocks upon which the durability of a structure rests. The choice of materials determines how well a building can withstand natural forces, wear and tear, and the passage of time. The goal is to strike a balance between strength, resilience, and cost-effectiveness. Factors Influencing Material Selection Material selection hinges on several factors, including the intended use of the structure, environmental conditions, and maintenance requirements. Different projects demand different materials, with considerations ranging from load-bearing capacity to resistance against corrosion, fire, and seismic activity.

The Best Civil Construction Companies' Approach

Research and Innovation: Staying Ahead of the Curve Top-tier civil construction company are dedicated to keeping up with cutting-edge progress in construction materials. They allocate resources to research and development, delving into inventive materials that provide improved durability and sustainability. Frequently, they engage in collaborations with engineers, architects, and material scientists, aiming to bring innovative solutions to the forefront. Holistic Assessment: Beyond Initial Costs The best companies take a holistic approach to material selection, considering not only upfront costs but also long-term benefits. They factor in factors like maintenance requirements, lifespan, and environmental impact, ensuring that the chosen materials align with the project's goals and budget. Local Context: Adapting to Regional Conditions Civil construction firms recognize the significance of tailoring material selections to suit regional climates and geological factors. Opting for materials with the capability to endure local challenges like severe weather, high humidity, and varying soil compositions, they assure the lasting resilience of their constructed edifices.

Practical Considerations for Material Selection

Concrete: The Versatile Workhorse Concrete stands as an essential foundation in civil construction, valued for its remarkable versatility, robust strength, and cost-effectiveness. The array of concrete variations, including reinforced, precast, and high-performance options, amplifies its appeal for vital components like foundations, walls, and structural elements. Its adaptability to diverse applications, coupled with its enduring endurance, positions concrete as an integral element shaping modern construction landscapes. Steel: Balancing Strength and Flexibility Steel is a prime example of an equilibrium between unparalleled strength and remarkable flexibility. This dynamic material stands as a versatile solution for structures subjected to varying loads and dynamic forces. Whether it's the soaring spans of bridges or the intricate frameworks of skyscrapers, steel's ability to bear immense loads while accommodating movement is unmatched. Its resilience to stress, excellent ductility, and impressive durability make it a cornerstone in modern civil construction, embodying the delicate balance between unyielding strength and adaptability. Sustainable Choices: Embracing Eco-Friendly Materials The increasing focus on sustainability has propelled the adoption of eco-conscious materials like recycled concrete, bamboo, and engineered wood. These selections extend beyond merely reducing environmental impact; they also contribute significantly to fortifying the long-term health of structures. By integrating these environmentally friendly alternatives, construction practices align with the principles of responsible resource management, decreased carbon footprint, and improved overall structural longevity. This shift towards greener materials not only mitigates the negative effects on the environment but also fosters the creation of resilient and durable buildings that stand as testaments to sustainable construction practices.

Conclusion

The role of materials in civil construction is paramount, shaping the integrity and longevity of the structures we build. As technology advances and sustainability takes centre stage, civil construction companies face the challenge of selecting materials that align with their project goals and the needs of the environment. By embracing innovative materials, considering long-term benefits, and understanding the local context, these companies contribute to the creation of durable, safe, and environmentally conscious structures that stand the test of time. Read more:- WHICH SOLAR PANELS IS SUITABLE FOR MY INSTALLATION?

FAQs

Q: What role do materials play in civil construction? A: Materials are the foundation of durability in civil construction, influencing the strength, lifespan, and safety of structures. Q: How do civil construction companies choose materials? A: Companies consider factors like project requirements, environmental conditions, and long-term benefits to make informed material choices. Q: What are some innovative materials used in civil construction? A: Innovations include eco-friendly options like recycled concrete and engineered wood, as well as advanced materials developed through research and development. Q: Why is material adaptability important? A: Material adaptability ensures that structures can withstand regional challenges such as climate, soil conditions, and seismic activity. Q: How do sustainable materials impact construction? A: Sustainable materials contribute to reduced environmental impact and promote the long-term health and resilience of structures. Q: What is the significance of steel in civil construction? A: Steel's strength and flexibility make it a versatile choice for structures ranging from bridges to skyscrapers. Read the full article

[hardrocklandscaping]

Hard Rock Landscaping Offers Best Interlock Types For Patios Construction!

If you’re looking to create the finest patios, walkways, or driveways but are unsure whether you should go with interlock or concrete designs, Hard Rock Landscaping can provide the answers you are looking for. They are one of the best Barrie landscaping companies in business and have extensive experience in both interlock and concrete. When deciding between interlock and concrete designs, Hard Rock Landscaping recommends opting for interlock for a few reasons.

Interlock is more flexible and easier to install than concrete.

Interlock is also cost-effective and can be installed in a fraction of the time needed to install a concrete design.

Interlock also gives you more options when it comes to design, allowing you to get creative with your pathway or driveway.

Hard Rock Landscaping offers four different types of interlock blocks that can be used for patios, walkways, or driveways.

Type A interlock Barrie blocks used by Hard Rock Landscaping have straight vertical sides that do not lock each other out.

Type B, used by Hard Rock Landscaping, has straight and curved surfaces.

Type C, used by Hard Rock Landscaping, have curved and corrugated surfaces on all sides.

Type D, used by Hard Rock Landscaping, has two shapes, L and X.

All of these blocks used by Hard Rock Landscaping are easy to install and provide a durable surface that is easy to maintain. When it comes to installing interlock, there are several reasons why Hard Rock Landscaping should be your go-to company: They Have Experienced Professionals Hard Rock Landscapinghas a wealth of experience in both interlock and concrete designs. This means they can provide expert advice on which type of material is best suited for your particular needs. They Offer Reliable and Affordable Prices Hard Rock Landscapingoffer competitive prices on their products and services. They Offer Great Customer Service Hard Rock Landscaping is dedicated to customer satisfaction and will work with you to ensure the job is done right the first time. Conclusion If you’re looking for the best landscaping services for your patio, walkway, or driveway, Hard Rock Landscaping is the perfect choice. They offer a wide selection of Barrie interlock blocks that can be used to create unique designs that will last for years to come. With their expert advice and competitive rates, you can feel confident that your project will be completed to perfection. For more details, visit https://hardrockhalandscaping.ca/ Original source: https://bit.ly/45sQg6o

[allareass]

Capital Equipment Hire - Walk Behind Scrubbers

If you’re looking for a walk behind scrubber that’s perfect for hard to reach areas on building sites, factories, courtyards and sports halls then Capital Equipment Hire has the machine for you. Our technicians will provide you with the best possible service over the entire duration of your hire agreement and ensure you get the most out of your machine.

Walk behind scrubbers are a great way to clean large areas that can't be reached by ride on machines. They are also easy to use and are ideal for cleaning a wide variety of hard floor surfaces. They can also be used to remove oil, grease or sand from floors. All Areas Scrubber hire Sydney offers a wide range of walk behind scrubbers for rent to suit a variety of applications.

The Focus II large walk behind autoscrubber provides the capacity, cleaning path, runtime and rugged durability desired by contractors, rental companies and industrial facilities. It has 114 L solution capacity and an 86 cm scrub path to handle large jobs quickly and efficiently. It also features a 36 Volt power plant for long run times and high down pressure to dislodge dirt, grime and other soils.

All Areas Scrubber hire Sydney has an extensive range of Ride On Scrubbers, from compact 24 inch models to larger 42 inch machines. These are designed to quickly and efficiently meet your cleaning needs. These scrubbing machines can clean any floor type with ease. Some of these machines even feature special chemical free cleaning features. All areas scrubber hire also has an impressive range of janitorial equipment, such as mops and vacuum cleaners. They also offer a comprehensive range of maintenance services to ensure your equipment performs at its peak. Using the right equipment is essential to getting the job done effectively. We can help you choose the right machine for your application and budget. Contact us today to discuss your cleaning needs or find out more about our wide range of products.

A wet scrubber is a nifty machine that removes pollutants from the flue gas of your furnace or some other source. This is the latest and greatest in airborne pollution control and is a must have for any industrial facility that requires it. Wet scrubbers come in all shapes and sizes and are ideal for large building sites, factories, courtyards and sports halls as well as the smaller ones such as office blocks. It is important to choose the right machine for your needs as a wrong choice can cause all kinds of problems down the line. It is also a good idea to get some advice before you make the purchase. There is no substitute for proper planning and research to ensure you make the best decision possible.

Whether you’re in the retail industry, the medical sector or in a school environment, a floor scrubber is an essential tool. These machines can clean any kind of floor surface, including concrete and carpets, without the need to hire a team of cleaners.

When choosing a floor scrubber, it’s important to know what you need and what type of machine will best fit your requirements. For example, you may want a machine that only sweeps the floors or one that also scrubs them. To know more about Scrubber Hire Sydney, visit the All Areas website or call 1300659609.

Some of our most popular scrubber rentals include the i-scrub 21 and 30 which are both designed to tackle narrow areas that traditional cleaning equipment tends to miss. They are perfect for bathrooms and smaller rooms, and their run time and compact size make them a favourite for hire customers. They can clean 5,500 square feet per hour, twice as fast as a mop and bucket. They are easy to use and have received positive feedback from our hire clients.

[glassofficepartitionsuk]

Installing A Glass Partitions For Your Office

One customer asked "Why is it so hard to design and put up a glass block wall/bar?" This unique glass wall product, despite being challenging, is growing in popularity in homes, businesses, as well as commercial buildings. These five steps will help create a fashionable glass wall Double glazed acoustic glass partitions Manchester

Step 1. Step 1. Which size wall would you like?

These glass walls can be used indoors or outdoors. They are most commonly used to create partitions between rooms or shower walls. These glass walls can also be used as bars in kitchens and recreation areas. When designing and choosing the material, it is important to consider the dimensions of the wall.

There are many sizes and shapes for glass block bars. Most bars are 40 inches tall (five courses of eight-inch blocks placed on top one another). The countertop can be placed once the block work is complete. The countertop can be made more sturdy and stylish by being either angled, rounded or L-shaped. The bars should be attached one to one wall for added support.

You can make glass block walls in any size. The maximum dimensions of any section or panel will vary depending on whether it is 3 1/8" (or 3 7/8") and if it will be within or outside the building. Walls are typically constructed with a thickness of 3 7/8 inches. This is a quick guide on how big you can make your wall without any support structure between your glass panels.

1. Maximum dimensions for interior walls panel: 3 7/8 inches thick block- Wall area – 250 sq. feet. - Maximum height - 20 feet - Maximum width - 25 feet

2. Outside walls panel maximum dimensions: 3 7/8 inches thick block 144 sq. feet. - Maximum height - 20 feet - Maximum width - 25 feet

Step 2: On what type of floor, partial, or base will the block wall be placed? What is the minimum base width to support the block-wall?

As long as the surface is stable, and not less than 3 to 4 inches thick, bars and block walls can be placed anywhere. Block walls average 12 pounds per square foot. Concrete, fiberglass, or acrylic shower pans are all good choices. Interior walls with wood joists are good as long as the floor is level. You can place the block on knee walls (also known as half walls) with metal studs underneath and drywall supports.

Step 3: How do I put together my glass block walls/bars? Can panel sections be made?

Installing spacers, systems and pre-made blocks can all make it easier to build block walls. Let's look at each method.

o Glass Block Spacers - In the past blocks were laid by mason contractors. These skilled craftsmen can be expensive and difficult to find. To lay blocks uniformly, you can use any type of plastic spacer. You can also use the spacers to hold the wall or bar in place while building it. Spacers can be used to make straight or curved walls.

o Installation systems – The new vinyl stack system uses vertical and horizontal vinyl spacers between blocks to align them, and hold them in place during assembly. Silicone is used to bond the blocks to the vinyl spacers within the block wall. This system can be used both indoors and outdoors. You can finish the joints with silicone or special tile grout.

Pre-fabricated blocks sections or pre-made blocks sections. Block sections can be preassembled using the vinyl stack installation system, and then placed on the ground. These sections can often be manufactured by glass panel panel manufacturers. This saves both time and money. It is important to consider who will build the wall, and where it will be placed on the site.

Step 4: Selecting the right shapes, sizes and colors for your glass block walls and bars.

There are many lighting options available for your bar or wall. These include block sizes, shapes and colors, as well as patterns. These are just a few examples of the many options:

o Glass blocks can be cut to the sizes and thicknesses required for bars and walls. Most blocks available in the United States are in American sizes. American-sized blocks are available in the following sizes: 4"x8, 6'x6, 6'x8, 6’x8, 6'x8, 6’x8, 6’x8, 6’x8, 6’x8, 6’x8, 6’x8, 6’x8, 6’x8", 6”x8, 6”x8, 6”x8, 6”x8”, 6”x8, 6”x8, 6”x8”, 6”x8, 6”x8, 6”x8, 6”x8, 6”x8, 8", 8", 8", 8", 8", 8", 8"x8", 8", 8"x8", 8", 8"x8", and 12"x12"x12"x12"x8"x8"x8", 8"x8", 8", 8"x8", 8", 8"x8"x8"x8"x8"x8", 8”x8"x8"x8"x8", 8", 8"x8"x8", 8”x8”, 8”x8”, 8”x8”, 8”x8”, 8”x8”, 8”x8”, 8”x8”x8”x12”x12”x12”x12”x12”x12”x12”x12”x12”x12”x8”. You can turn corners, create 45-degree angles, make walls with radius walls or add a bullnose at the ends of walls or bars. Blocks are nominally smaller in size than their actual dimensions, which makes it possible to attach them to each other with mortar joints. For example, an 8" x8" block measures 7 3/4" x 7 3/4". There are blocks for walls and bars that can be made in three or four inches thickness. Although thinner blocks (3 1/8") cost less, there are more design options available for these blocks.

Blocks available in a variety of patterns, designs, colors. There are many blocks that can offer privacy, style, and design options. Blocks are available in standard and custom colors as well as tints and artistically-decorated murals to match any interior design style. Visit our block website to see all the options.

o Lighting your blocks - Nowadays, it is more common to place lights behind glass walls. You can also use a fiber optic system or standard rope lighting to add extra impact to your block wall.

Step 5 - Don’t stress too much about the four previous steps. Contact a supplier, manufacturer, and installer of glass panels. Block specialty companies offer design, supply, and wall fabrication services. They will usually come to your home or business and measure the space, then design the best layout possible for you. They offer a guarantee.

[manchesterglasspartitions]

Glass for Design and Installation Partition

One customer asked "Why is it so hard to design and put up a glass block wall/bar?" This unique glass wall product, despite being challenging, is growing in popularity in homes, businesses, as well as commercial buildings. These five steps will help create a stylish.

Step 1. Step 1. Which size wall would you like?

These glass walls can be used indoors or outdoors. They are most commonly used to create partitions between rooms or shower walls. These glass walls can also be used as bars in kitchens and recreation areas. When designing and choosing the material, it is important to consider the dimensions of the wall.

There are many sizes and shapes for glass block bars. Most bars are 40 inches tall (five courses of eight-inch blocks placed on top one another). The countertop can be placed once the block work is complete. The countertop can be made more sturdy and stylish by being either angled, rounded or L-shaped. The bars should be attached one to one wall for added support Double glazed acoustic glass partitions Manchester.

You can make glass block walls in any size. The maximum dimensions of any section or panel will vary depending on whether it is 3 1/8" (or 3 7/8") and if it will be within or outside the building. Walls are typically constructed with a thickness of 3 7/8 inches. This is a quick guide on how big you can make your wall without any support structure between your glass panels.

Maximum dimensions for interior walls panel: 3 7/8 inches thick block- Wall area – 250 sq. feet.

Maximum height - 20 feet

Maximum width - 25 feet

Outside walls panel maximum dimensions: 3 7/8 inches thick block 144 sq. feet.

Maximum height - 20 feet

Maximum width - 25 feet

Step 2: On what type of floor, partial, or base will the block wall be placed? What is the minimum base width to support the block-wall?

As long as the surface is stable, and not less than 3 to 4 inches thick, bars and block walls can be installed almost anywhere. Block walls average 12 pounds per square foot. Concrete, fiberglass, or acrylic shower pans are all good choices. Interior walls with wood joists are good as long as the floor is level. You can place the block on knee walls (also known as half walls) with metal studs underneath and drywall supports.

Step 3: How do I put together my glass block walls/bars? Can panel sections be made?

Installing spacers, systems and pre-made blocks can all make it easier to build block walls. Let's look at each method.

o Glass Block Spacers - In the past blocks were laid by mason contractors. These skilled craftsmen can be expensive and difficult to find. To lay blocks uniformly, you can use any type of plastic spacer. You can also use the spacers to hold the wall or bar in place while building it. Spacers can be used to make straight or curved walls.

o Installation systems – The new vinyl stack system uses vertical and horizontal vinyl spacers between blocks to align them, and hold them in place during assembly. Silicone is used to bond the blocks to the vinyl spacers within the block wall. This system can be used both indoors and outdoors. You can finish the joints with silicone or special tile grout.

o Pre-fabricated blocks sections - These block sections can be pre-assembled using the vinyl stack installation system, and then placed on the ground. These sections can often be manufactured by glass panel panel manufacturers. This saves both time and money. It is important to consider who will build the wall, and where it will be placed on the site.

Step 4: Selecting the right shapes, sizes and colors for your glass block walls and bars.

Blocks available in a variety of patterns, designs, colors. There are many blocks that can offer privacy, style, and design options. Blocks are available in standard and custom colors as well as tints and artistically-decorated murals to match any interior design style. Visit our block website to see all the options.

o Lighting your blocks - Nowadays, it is more common to place lights behind glass walls. You can also use a fiber optic system or standard rope lighting to add extra impact to your block wall.

Step 5 - Don’t stress too much about the four previous steps. Contact a supplier, manufacturer, and installer of glass panels. Block specialty companies offer design, supply, and wall fabrication services. They will usually come to your home or business and measure the space, then design the best layout possible for you. They offer a guarantee.