#Klara Utke Acs
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The Publication
The Publication Overgaden Institut for Samtidskunst, Copenhagen (DK) 21 - 26 Nov 2017 / Tue-Sat 13-17, Thur 13-20, Sun 13-00 Produced by Dansehallerne The Publication opens on Tuesday and closes on Sunday. Content, defined in conversation with guests and visitors, will be added to the Table of Content throughout the week.
Table of contents
• Welcome by the editors, Galerie Presentation, a few words
13:00
• Introduction and Chapter One of Catherine Malabou's 'Ontology of the Accident, An Essay on Destructive Plasticity', Galerie Reading Group, 18 pages
13:15 •
content to be defined in conversation with guests and visitors
• Here are the tools, now shake: A fermentation for the final hour, Eva Rowson Fermented (i.e. boozy) ginger brew workshop, ~60 min preparation
15:00 •
content to be defined in conversation with guests and visitors
• Poetic intervention on 'Chapter One of Catherine Malabou's 'Ontology of the Accident, An Essay on Destructive Plasticity' , Pontus Pettersson Reading, 30 min.
13:00 •
content to be defined in conversation with guests and visitors
• Companionship and telepathic elegance, Hana Lee Erdman Practice sharing, 60 min.
15:00 •
content to be defined in conversation with guests and visitors
• Kids on Stage? Between zoo and life in the representational frame of art, Cecilie Ullerup Schmidt Lecture and discussion, 60 min.
13:00
• Jan's Secrets, Jan Ritsema and Galerie Skype interview, ~60 min.
14:30 •
content to be defined in conversation with guests and visitors
• Companionship and telepathic elegance, Hana Lee Erdman Practice Sharing, 60 min.
16:00
• Poses asymptote hanging out, Klara Utke Acs Hang out intermezzo, 8 min
18:45
• NIELSEN afsnit 4: Efterliv/Afterlife, Cæcilie Østerby Sørensen Screening, 14' followed by a conversation
18:00
• Fantasmical Anatomy far away version, Anne Juren Somatic podcast fiction
19:00
• Anti-meditation on permeability, Ruth-Johanne Andersson Audio-meditation over Skype, 20 min.
13:00 •
content to be defined in conversation with guests and visitors
• result: recap, Frida Sandström Lecture 30 min.
14:00
• Frida Sandström in conversation with Erik Berg, Frida Sandström and Erik Berg Conversation, 30 min.
14:30
• axels tårar (axels tears), Pontus Pettersson Presentation, ~60 min.
15:00 •
content to be defined in conversation with guests and visitors
• P0$$€ CPH $€$$10N, Klara Utke Acs Dance and reading circle, 2 hours
13:00
• Sleeping Workshop led by a dog, Krõõt Juurak and Alex Bailey Workshop led by Pablo, 60 min.
15:30 •
content to be defined in conversation with guests and visitors
• whatever productions (not materials). and maybe some thoughts on how we might loan a prohibition , Edgar Schmitz and Galerie A follow-up on a conversation started in the summer and to be continued elsewhere, with discussion, 60 min.
13:00
• Bibliography of fictional artists, projects and institutions , Léa Poiré References with discussion, 60 min. with lunch
14:00
• The Artworld and The Artworld, Alina Popa and Florin Flueras Skype Lecture, 60 min.
15:00 •
content to be defined in conversation with guests and visitors
• The Making-of of 'Do you remember that time we were together and danced this or that dance?', Clara Amaral Skype presentation followed by a conversation, 45 min.
17:00
• Gray Areas: Where are the limits?, Louise Twerk Queen Kjølsen Presentation and lecture, 60 min.
18:00
• Now we've shaken it as hard as we can, let's party, Eva Rowson Ferments degustation, until nothing is left
20:30
• France Culture, Mårten Spångberg Lecture for a radio, 90 min.
21:00
• Bibliography of fictional artists, projects and institutions , Léa Poiré References with discussion, throughout Epilogue
22:30
• Epilogue and Closing of The Publication Cocktail with ferments, until 23:00
22:30
The Publication is a container and meeting point for various forms of content such as a lecture, an artist presentation, a conversation, a practice or a performance. An table of contents will be updated throughout with some content scheduled in advance and some to be defined over the week together with visitors and guests.
In Copenhagen, The Publication will last for one week and address the current state of the immaterial arts. It will include contributions by Alex Bailey, Alina Popa, Anne Juren, Cecilie Ullerup Schmidt, Cæcilie Østerby Sørensen, Clara Amaral, Eva Rowson, Florin Flueras, Frida Sandström, Hana Lee Erdman, Jan Ritsema, Klara Utke Acs, Krõõt Juurak, Mårten Spångberg, Pontus Petterson, Ruth-Johanne Anderssen and more.
From relational aesthetics, over social sculpture to “situations”, contemporary art practices have been addressing the production of subjectivity in the realm of experience economy, using life as means and ends. A conversation, a behaviour, a movement, or a mood has become the brush, but also the painting. What are the relations between the objectification and the production of life in art and society? What happens to art when life is capitalized into new forms of production?
It is strictly edited by Galerie, but anyone can smuggle in content.
#Alex Bailey#Alina Popa#Caecilie Oesterby Soerensen#Clara Amaral#Florin Flueras#Frida Sandström#Catherine Malabou#Anne Juren#Klara Utke Acs#Ruth-Johanne Anderssen#Krõõt Juurak#Mårten Spångberg#Pontus Pettersson#publication#overgaden#dansehallerne
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Good Intentions
A group show at Un/cube, featuring experimental and interdisciplinary projects by :
Klara Utke ACS (DK) Josephine CHIME (UK) Jolanda JANSEN (NL) Kata LEPSIA {Virág Katalin BALOGH & Katalin TESCH} (HU/CH) Inga Gerner NIELSEN (DK) Atieh SOHRABI (IR/US).Opening: February 13, 2021 Duration: Febr 13 - Apr 20, 2021
The theme of the show has been suggested by Inga Gerner Nielsen this time. In the center of her upcoming performance series she poses the question: whether affection needs a level of domination? She juxtaposes two locations: the controlled chaos of a garden, against the surrounding, wild landscape. Thus, ‘nurture and control’ became the core notions that inspired the creation of six outstanding projects. While the term ‘nurture’ implies good intentions, ’control’ is mostly associated with negative connotations. The balance of those, the fine line that stands between them, might be key for a healthy garden, a strong relationship, a well-functioning society, or even an exciting art show. We might find ourselves juggling with those motives in countless situations, at the same time we are repeatedly afflicted by them, too. The exhibiting artists of Good Intentions are approaching this sensitive subject from their unique perspective, as always.
online at the artists run exhibition platform Un/Cube at https://www.uncube.org
*
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https://www.uniarts.se/english/news/events/events-spring-2019/ba-in-dance-performance-2019
KNOT KNOT
An invisible net is our space yet present in it, we constantly redefine it May it appear when we link, knot, drag, hold, grab, bound, secure and fall May it evaporate and manifest itself constantly anew Whilst the playful time of engaging in the present moment passes along this performance - By the way ‘thank you (for coming)’ A net of knots, may they be tight or loose, exposes a network, a net-of-work: connections, (re)distribution points, communication (end)points Let’s simply start again. KNOT DOT
Credits
Co-Choreography, Performance/Dance: Shiraz Amar, Darío Bardam, Jennie Bergsli, Aurore d'Audiffret, Molly Engblom, Am Ertl, Sara Skoglund, Alexander Talts, Klara Utke Acs
Choreography: Lea Moro Dramaturgy: Mona De Weerdt Sound: Andres Bucci Costume, scenography: Martin Bergström Assistance costume, Scenography: Johanna Baumann Light: Calle Mårtensson, Lumination of Sweden
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The Mirror of Care Work
The Mirror of Care Work is a project which assembles and develops knowledge of the performer within immersive and one-to-one interactions. This otherwise silent knowledge is produced with a mirror; on one side, the work of interactive performers – on the other, the work of nurses. The project aims to investigate skillsets within practices of interactive performance by inviting in perspectives from the profession of care work. We believe the interactive performer can learn from the nurse's ways of establishing trust and guiding a patient through a hospitalization.
The project is initiated with Performance og Filmproduktion i Vendsyssel and happens in collaboration with the Nursing Education at UCN (DK), PAM's Reading Edge Library (SE) and Tabloid Press (DE). It is supported by Hjørring Kommune, Den Jyske Kunstfond and Region Nord to promote collaborations between artists and the Danish health sector.
Symposium: Care work and performance – a calling or profession?
The first part of the project consists of an online symposium with interactive performers, performance thinkers, and nurses. It is curated and facilitated by Inga Gerner Nielsen and Klara Utke Acs in dialogue with Kim Skjoldager-Nielsen. The symposium will build on practice-based, contextualizing and critical knowledge regarding care work through the scope of the nurse and the interactive performer. It investigates these practices departing from the inside profession of nursing and performance practices. It will consist of presentations, performances as well as conversations, and collaborative exercises.
The exercises will be based on score-work to produce knowledge about what happens in the interaction between performer and audience; nurse and patient. Conversations will be based on a lecture on nurses' Nordic history and their predecessor, the nun. The archetype of the nun and her initial function as a caregiver will come to serve as a common image and reference point between interactive performers and nurses. A visual and historical opening for the project's discursive and artistic reflections on the politics and poetics of performance and care work today. Is it necessary to feel a calling as a performer? Is it essential as a nurse?
The symposium will take place online on the 11th and 12th of March 2021. A limited number of interactive performers and nurses have been invited to participate.
Open online forum event - A promise of healing?
As we’ve experienced a great interest in the symposium we decided to create an additional online event, which could host more artists, philosophers and curators within the field of performance art and dance interested in discussing the aspect of care work in their practise. Care Work and Performance: a promise of healing? took place online Sunday March 14 2021 7.30 – 9 PM (CET).
Publication
The score-work of the symposium will produce texts that will be edited and featured alongside illustrations by visual artist Marit Benthe Norheim in a publication designed by Nat Marcus and printed by Tabloid Press.
Performance Installation
In oktober 2022 the students at at the nursing education at UCN in Hjørring came to experience a performative work based on Sct. Hildegaard von Bingen’s health care in an immersive performance installation set in the so-called nursing lab - a small ward built for the students to practice their practical skills before they move on to internships in the real hospitals. Now they got the possibility of experiencing what it means to be on the receiving end of professional care when they enter the installation as participating audiences. As performers, we will be meeting them as members of a fictional monastery order of nuns, which has been kept active and developed into an alternative health care system despite the Protestant Reformation. The performance’s sociological narrative revolves around a breakdown of the public health care system in a depopulated countryside. To ensure care for the remaining citizens, the nuns move into the small hospital unit.
The story allows for the encounter of two very different types of aesthetics; The danish welfare design aesthetics of the 00’s; and the catholic poetic aesthetics we will develop throughout the project’s artistic process. When speaking of aesthetics, we refer to the entire mise-en-scène of the hospital performance. In addition to a scenographic work with inserting material elements of the monastery into the hospital, we also work with the interactive dramaturgy of how the audience (as patients) will be met and interacted with during their first consultation with the nuns.
As patients the audience are asked to give into an experience of letting their bodies become material in a visual and sensuous work with Hildegaard von Bingen’s iconographic medieval image of the human body; A micro-universe, which mirrors all the elements of heaven and earth. The performance explores the proportions of the medieval body and the way it was perceived subjectively and represented visually before it was looked at as a medical object from a scientific viewpoint.
Performers: Visual artist Ann Mai Røge, choreographer and dancer Tyra Wigg, philosopher & dancer Rikke Steen Mapstone, painter Olivia Kamradt & performance artists Inga Gerner Nielsen
Photo: Christian Bast & Inga Gerner Nielsen
Drawing: Marit Benthe Norheim
Get in touch about the project : [email protected]
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The Publication Overgaden Institut for Samtidskunst, Copenhagen (DK) 21 - 26 Nov 2017 / Tue-Sat 13-17, Thur 13-20, Sun 13-00 Produced by Dansehallerne The Publication opens on Tuesday and closes on Sunday. Content, defined in conversation with guests and visitors, will be added to the Table of Content throughout the week. Table of contents
21.11.2017 (13—17)
• Welcome by the editors, Galerie Presentation, a few words
13:00
• Introduction and Chapter One of Catherine Malabou's 'Ontology of the Accident, An Essay on Destructive Plasticity', Galerie Reading Group, 18 pages
13:15 • content to be defined in conversation with guests and visitors
• Here are the tools, now shake: A fermentation for the final hour, Eva Rowson Fermented (i.e. boozy) ginger brew workshop, ~60 min preparation
15:00 • content to be defined in conversation with guests and visitors
22.11.2017 (13—17)
• Poetic intervention on 'Chapter One of Catherine Malabou's 'Ontology of the Accident, An Essay on Destructive Plasticity' , Pontus Pettersson Reading, 30 min.
13:00 • content to be defined in conversation with guests and visitors
• Companionship and telepathic elegance, Hana Lee Erdman Practice sharing, 60 min.
15:00 • content to be defined in conversation with guests and visitors
23.11.2017 (13—20)
• Kids on Stage? Between zoo and life in the representational frame of art, Cecilie Ullerup Schmidt Lecture and discussion, 60 min.
13:00
• Jan's Secrets, Jan Ritsema and Galerie Skype interview, ~60 min.
14:30 • content to be defined in conversation with guests and visitors
• Companionship and telepathic elegance, Hana Lee Erdman Practice Sharing, 60 min.
16:00
• Poses asymptote hanging out, Klara Utke Acs Hang out intermezzo, 8 min
18:45
• NIELSEN afsnit 4: Efterliv/Afterlife, Cæcilie Østerby Sørensen Screening, 14' followed by a conversation
18:00
• Fantasmical Anatomy far away version, Anne Juren Somatic podcast fiction
19:00
24.11.2017 (13—17)
• Anti-meditation on permeability, Ruth-Johanne Andersson Audio-meditation over Skype, 20 min.
13:00 • content to be defined in conversation with guests and visitors
• result: recap, Frida Sandström Lecture 30 min.
14:00
• Frida Sandström in conversation with Erik Berg, Frida Sandström and Erik Berg Conversation, 30 min.
14:30
• axels tårar (axels tears), Pontus Pettersson Presentation, ~60 min.
15:00 • content to be defined in conversation with guests and visitors
25.11.2017 (13—17)
• P0$$€ CPH $€$$10N, Klara Utke Acs Dance and reading circle, 2 hours
13:00
• Sleeping Workshop led by a dog, Krõõt Juurak and Alex Bailey Workshop led by Pablo, 60 min.
15:30 • content to be defined in conversation with guests and visitors
26.11.2017 (13—00)
• whatever productions (not materials). and maybe some thoughts on how we might loan a prohibition , Edgar Schmitz and Galerie A follow-up on a conversation started in the summer and to be continued elsewhere, with discussion, 60 min.
13:00
• Bibliography of fictional artists, projects and institutions , Léa Poiré References with discussion, 60 min. with lunch
14:00
• The Artworld and The Artworld, Alina Popa and Florin Flueras Skype Lecture, 60 min.
15:00 • content to be defined in conversation with guests and visitors
• The Making-of of 'Do you remember that time we were together and danced this or that dance?', Clara Amaral Skype presentation followed by a conversation, 45 min.
17:00
• Gray Areas: Where are the limits?, Louise Twerk Queen Kjølsen Presentation and lecture, 60 min.
18:00
• Now we've shaken it as hard as we can, let's party, Eva Rowson Ferments degustation, until nothing is left
20:30
• France Culture, Mårten Spångberg Lecture for a radio, 90 min.
21:00
• Bibliography of fictional artists, projects and institutions , Léa Poiré References with discussion, throughout Epilogue
22:30
• Epilogue and Closing of The Publication Cocktail with ferments, until 23:00
22:30
The Publication is a container and meeting point for various forms of content such as a lecture, an artist presentation, a conversation, a practice or a performance. An table of contents will be updated throughout with some content scheduled in advance and some to be defined over the week together with visitors and guests.
In Copenhagen, The Publication will last for one week and address the current state of the immaterial arts. It will include contributions by Alex Bailey, Alina Popa, Anne Juren, Cecilie Ullerup Schmidt, Cæcilie Østerby Sørensen, Clara Amaral, Eva Rowson, Florin Flueras, Frida Sandström, Hana Lee Erdman, Jan Ritsema, Klara Utke Acs, Krõõt Juurak, Mårten Spångberg, Pontus Petterson, Ruth-Johanne Anderssen and more.
From relational aesthetics, over social sculpture to “situations”, contemporary art practices have been addressing the production of subjectivity in the realm of experience economy, using life as means and ends. A conversation, a behaviour, a movement, or a mood has become the brush, but also the painting. What are the relations between the objectification and the production of life in art and society? What happens to art when life is capitalized into new forms of production?
It is strictly edited by Galerie, but anyone can smuggle in content.
0 notes
Text
• _Welcome by the editors_, Galerie Presentation, a few words
• Introduction and Chapter One of Catherine Malabou's 'Ontology of the Accident, An Essay on Destructive Plasticity', Galerie Reading Group, 18 pages
• _content to be defined in conversation with guests and visitors_
• Here are the tools, now shake: A fermentation for the final hour, Eva Rowson Fermented (i.e. boozy) ginger brew workshop, ~60 min preparation
• _content to be defined in conversation with guests and visitors_
• _Poetic intervention on 'Chapter One of Catherine Malabou's 'Ontology of the Accident, An Essay on Destructive Plasticity' _, Pontus Pettersson Reading, 30 min.
• _content to be defined in conversation with guests and visitors_
• Companionship and telepathic elegance, Hana Lee Erdman Practice sharing, 60 min.
• _content to be defined in conversation with guests and visitors_
• Kids on Stage? Between zoo and life in the representational frame of art, Cecilie Ullerup Schmidt Lecture and discussion, 60 min.
• Jan's Secrets, Jan Ritsema and Galerie Skype interview, ~60 min.
• _content to be defined in conversation with guests and visitors_
• Companionship and telepathic elegance, Hana Lee Erdman Practice Sharing, 60 min.
• Poses asymptote hanging out, Klara Utke Acs Hang out intermezzo, 8 min
• NIELSEN afsnit 4: Efterliv/Afterlife, Cæcilie Østerby Sørensen Screening, 14' followed by a conversation
• Fantasmical Anatomy far away version, Anne Juren Somatic podcast fiction
• Anti-meditation on permeability, Ruth-Johanne Andersson Audio-meditation over Skype, 20 min.
13:00 • _content to be defined in conversation with guests and visitors_
• result: recap, Frida Sandström Lecture 30 min.
14:00
• Frida Sandström in conversation with Erik Berg, Frida Sandström and Erik Berg Conversation, 30 min.
14:30
• axels tårar (axels tears), Pontus Pettersson Presentation, ~60 min.
15:00 • _content to be defined in conversation with guests and visitors_
• Sleeping Workshop led by a dog, Krõõt Juurak and Alex Bailey Workshop led by Pablo, 60 min.
15:30 • _content to be defined in conversation with guests and visitors_
• _whatever productions (not materials). and maybe some thoughts on how we might loan a prohibition _, Edgar Schmitz and Galerie A follow-up on a conversation started in the summer and to be continued elsewhere, with discussion, 60 min.
13:00
• _Bibliography of fictional artists, projects and institutions _, Léa Poiré References with discussion, 60 min. with lunch
14:00
• The Artworld and The Artworld, Alina Popa and Florin Flueras Skype Lecture, 60 min.
15:00 • _content to be defined in conversation with guests and visitors_
• The Making-of of 'Do you remember that time we were together and danced this or that dance?', Clara Amaral Skype presentation followed by a conversation, 45 min.
17:00
• Now we've shaken it as hard as we can, let's party, Eva Rowson Ferments degustation, until nothing is left
20:30
• _Bibliography of fictional artists, projects and institutions _, Léa Poiré References with discussion, throughout Epilogue
22:30
• Epilogue and Closing of The Publication Cocktail with ferments, until 23:00
22:30
0 notes